fuck you *lethal companies your in stars and time*
(long) exposition under cut (spoilers for ISAT + lethal company logs)
This au takes place around the time of sigurd's logs/before them (i haven't decided if Sigurd's crew exists here or not yet)!
Siffrin was someone who used to live on the Golden Planet before it got eaten. They may not remember anything beyond being found in an escape pod, but they're still paralyzed by fear when getting close to the selling window. He's always first in the facilities, making jumps, braving traps, and heading as deep as he can for scrap.
Mirabelle and Isabeau are the medic and fighter respectively, who both came from the same moon colony. They were both pressured into taking jobs by a work-based society, and applied for the company under the impression that it was a short, high-paying internship with nebulous risks.
Odile is their resident ship manager. She keeps a watchful eye over everyone and relays information about monsters, scrap, etc. In absolutely dire situations, she may come help with scrap. Despite claiming to be a first-timer, her badge says Leader??
Nille and Bonnie ended up with the crew after taking a chance to run away from their parents. Seeing a high-paying job that provided everything and would take them far away sounded too good to pass up. Nille lied about Bonnie's age to take them with her. After seeing the reality of this job, though, she regrets not finding another way out. Bonnie is permanently on ship-duty; they mainly type in whatever numbers Odile tells them. Nille is also a fighter, though she prefers the weighty stop sign as opposed to Isabeau's shovel.
Loop, after hundreds upon thousands of quotas, dying every possible death, learning everything they could- even the real identity of The Company- realizes there was one thing they've never done before. They've never died to The Company. Desperate for a way out, and haunted by the whispers and screams beyond the wall, they give themselves up. Maybe that would finally satisfy the monster- to have devoured every last piece of the Golden Planet. Maybe their crew could finally rest easy that way. Well, they didn't loop back. But through the dark and damp, there's static on the walkie talkie. Loop picks up, and hears their own voice just beyond the wall.
(Loop's design is the most different by far, since instead of consuming a star, they themselves are slowly getting digested. They're inspired by the visual of red crying faces from the logs :D)
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one of the most important things terry pratchett has taught me is that it's okay to be angry. no one has ever said that to me before. he taught me that anger was an engine. that you can use that anger. that it goes hand in hand with love. he taught me to never underestimate my anger, because it's one of my strongest points. he taught me genuine anger was one of the world’s great creative forces. he taught me i shouldn't be fighting my anger, but what caused it. he himself said rage underlines everything he wrote. i never heard anger talked about so openly like that before and it's freeing, i suppose, to realize you are truly, truly not alone in your rage at the world. you never were.
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[Image description: Three photos of a knitted red dragon plush. End description.]
Made my very own tiny dungeon meshi dragon plush, that’s based on the version that only appears in the very last chapter for five pages and then is never seen again. I think it turned out pretty well.
I used this pattern to make it with some minor tweaks to the body, tails and legs and then just made some tiny cones for the horns at the end. If anyone would be intersted I might post the alterations and where to apply them but go check out the original pattern! I stuffed it both with acylic stuffing but also some plastic pellets for a bit of extra weight. The eyes are done with french knots.
Going to be adding manga spoilers below the read more with pictures of what I tried to get it to look like.
[Image description: Three panels from the manga showing Falin interacting with a baby dragon. End description.]
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I found this alignment chart and like- over all it is funny
But also kinda sad? Especially the whole top row- and SimmMaster…
Like don’t even get me started on the break neck turn around between Nine and Ten… and oh, my wonderful Donna 🥺
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yall i just KEEP doing back to mizu and taigen's wrestling scene in master eiji's forge and like i know that taigen literally got a boner from it BUT THE THING IS out of all the scenes these two have together, this scene actually has the least sexual tension ?!? cuz like the boner aside, this scene is actually very soft and emotions-driven rather than pure passion or lust.
arguably, a more passionate and sexually-charged scene would be their previous brawl in the snow with the chopsticks, which is tense and angry and also the scene that mizu thinks about when madame kaji talks about being honest with one's innermost desires.
but THIS scene in the forge? warm colours. their laughter and their smiles that both equally genuine. the WAY taigen looks at mizu in that scene, staring first at her lips, her smile, then looking into her eyes. and you can see by the framing of the scene and the look on his face that he is, for the first time, seeing her eyes as something beautiful rather than off-putting or frightening.
like before this point he's already come to not only respect mizu as a person and an equal but also admires her as an incredible swordsman and as someone who is kind and honourable* for having saved his life at the expense of her revenge quest. so as of the time of them tussling in the forge, taigen has already put aside his prejudices about mizu's blue eyes and no longer finds them as any cause for disgust. but in this scene he's not just indifferent about her eyes, but attracted too it.
and i'd also like to argue that his boner is not from the physical exertion or the act of wrestling itself, but from the intimacy of a playful spar, enjoying each other's easy company after having established a deep trust with each other (taigen endured torture for mizu and helped defend her from archers in the chasm while mizu saved his life from fowler's castle)
and all this while in the safety of mizu's childhood home while both of them are still recovering from near-death, amplifying their vulnerability with each other.
like when was the last time mizu cracked a genuine smile, let alone a laugh that's more than a little wry chuckle?? and for this to happen at such a low point in her life also speaks to the comfort this little friendly spar gives her.
because like, this is after she failed her mission to kill fowler. meanwhile her sword--the embodiment of her soul--is broken, and ringo who is her closest confidant is now angry at her and barely even looks at her. it just further lends to the inherent tenderness and intimacy in this scene. and i just. AHHHH i love them your honour....
* ALSO as a side note about taigen believing mizu to be honourable: he later realises that this assumption turns out to be quite false when she reveals that she'd not only allowed akemi to be taken away against her will but also has said nothing about fowler's impending attack on edo.
also i find it very interesting that out of the two revelations, taigen is less angered by mizu letting akemi being married off (he sighs angrily and marches off saying he has to go to edo to find akemi), but much more angered by mizu's refusal to save the shogun and the shogunate as a whole.
this is more proof that taigen's central principles are firmly rooted in the bushido and the concept of honour that comes with that. it's why he lashes out at mizu. because he'd believed mizu to be honourable and righteous, but was proven wrong. that's not to say that taigen is in the right for calling mizu a demon, not by any means. but i just find it a very interesting part of his character and it relates to his relationship and perception of mizu
also while rewatching the episode i found this very funny they just lyin there in the cart like this 🧍🏽♂️🧍🏽♂️
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imagine being edwin payne and going to hell in 1916, then escaping hell and coming back to earth in the late 80s. the technology and culture shock would be fucking insane. like we joke a lot (rightfully) about his lack of understanding in the internet, but what about the instant shift he had to have made from occasionally getting to listen to classical music through a pre-radio gramophone, to hearing bass-boosted synth-heavy new wave pop blasting from nightclub speakers on every other london street corner? electrical appliances were basically just barely being introduced to the average home in the 1910s, then suddenly edwin has to wrap his head around every house having a refrigerator, a washing machine, a dryer, a microwave, a television– let alone what all this stuff is and what they all do. and let’s not even get started on social progress– women having rights, men on magazine covers wearing flashy makeup, legitimate interracial marriages existing, etc etc etc.
all this to say; he’s doing pretty good for someone that had to try and catch up on 70 years of technological and societal progress– not quite getting what the internet is yet seems pretty understandable in the scheme of things.
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