#all is well in the world*

[batcavescolony]

Katniss is such an unreliable narrator. She says "Then something unexpected happens. At least, I don't expect it because I don't think of District 12 as a place that cares about me" girl you deliver strawberries to the Mayor, you hunt and trade for the district, when you fell at Prim being chosen someone caught you, when you went to Prim people parted for you, when you volunteered EVERYONE stopped. Idk how to tell you but I think you're a pillar of the community.

[maeamian]

Hey y'all, now is a particularly good time to show solidarity with the Haitian refugee community of Ohio by donating to groups working on their behalf like The Haitian Bridge Alliance or Advocates for Basic Legal Equity.

The Republican goons are trying to stir up a racist hate mob against them based on extremely sinister lies. To hell with the sorts of people who want racist violence and for those of us nowhere near Ohio, this sort of donation is a decent way of telling both the Haitian community and their tormentors that we have the backs of refugees.

[aethersea]

another thing fantasy writers should keep track of is how much of their worldbuilding is aesthetic-based. it's not unlike the sci-fi hardness scale, which measures how closely a story holds to known, real principles of science. The Martian is extremely hard sci-fi, with nearly every detail being grounded in realistic fact as we know it; Star Trek is extremely soft sci-fi, with a vaguely plausible "space travel and no resource scarcity" premise used as a foundation for the wildest ideas the writers' room could come up with. and much as Star Trek fuckin rules, there's nothing wrong with aesthetic-based fantasy worldbuilding!

(sidenote we're not calling this 'soft fantasy' bc there's already a hard/soft divide in fantasy: hard magic follows consistent rules, like "earthbenders can always and only bend earth", and soft magic follows vague rules that often just ~feel right~, like the Force. this frankly kinda maps, but I'm not talking about just the magic, I'm talking about the worldbuilding as a whole.

actually for the purposes of this post we're calling it grounded vs airy fantasy, bc that's succinct and sounds cool.)

a great example of grounded fantasy is Dungeon Meshi: the dungeon ecosystem is meticulously thought out, the plot is driven by the very realistic need to eat well while adventuring, the story touches on both social and psychological effects of the whole 'no one dies forever down here' situation, the list goes on. the worldbuilding wants to be engaged with on a mechanical level and it rewards that engagement.

deliberately airy fantasy is less common, because in a funny way it's much harder to do. people tend to like explanations. it takes skill to pull off "the world is this way because I said so." Narnia manages: these kids fall into a magic world through the back of a wardrobe, befriend talking beavers who drink tea, get weapons from Santa Claus, dance with Bacchus and his maenads, and sail to the edge of the world, without ever breaking suspension of disbelief. it works because every new thing that happens fits the vibes. it's all just vibes! engaging with the worldbuilding on a mechanical level wouldn't just be futile, it'd be missing the point entirely.

the reason I started off calling this aesthetic-based is that an airy story will usually lean hard on an existing aesthetic, ideally one that's widely known by the target audience. Lewis was drawing on fables, fairy tales, myths, children's stories, and the vague idea of ~medieval europe~ that is to this day our most generic fantasy setting. when a prince falls in love with a fallen star, when there are giants who welcome lost children warmly and fatten them up for the feast, it all fits because these are things we'd expect to find in this story. none of this jars against what we've already seen.

and the point of it is to be wondrous and whimsical, to set the tone for the story Lewis wants to tell. and it does a great job! the airy worldbuilding serves the purposes of the story, and it's no less elegant than Ryōko Kui's elaborately grounded dungeon. neither kind of worldbuilding is better than the other.

however.

you do have to know which one you're doing.

the whole reason I'm writing this is that I saw yet another long, entertaining post dragging GRRM for absolute filth. asoiaf is a fun one because on some axes it's pretty grounded (political fuck-around-and-find-out, rumors spread farther than fact, fastest way to lose a war is to let your people starve, etc), but on others it's entirely airy (some people have magic Just Cause, the various peoples are each based on an aesthetic/stereotype/cliché with no real thought to how they influence each other as neighbors, the super-long seasons have no effect on ecology, etc).

and again! none of this is actually bad! (well ok some of those stereotypes are quite bigoted. but other than that this isn't bad.) there's nothing wrong with the season thing being there to highlight how the nobles are focused on short-sighted wars for power instead of storing up resources for the extremely dangerous and inevitable winter, that's a nice allegory, and the looming threat of many harsh years set the narrative tone. and you can always mix and match airy and grounded worldbuilding – everyone does it, frankly it's a necessity, because sooner or later the answer to every worldbuilding question is "because the author wanted it to be that way." the only completely grounded writing is nonfiction.

the problem is when you pretend that your entirely airy worldbuilding is actually super duper grounded. like, for instance, claiming that your vibes-based depiction of Medieval Europe (Gritty Edition) is completely historical, and then never even showing anyone spinning. or sniffing dismissively at Tolkien for not detailing Aragorn's tax policy, and then never addressing how a pre-industrial grain-based agricultural society is going years without harvesting any crops. (stored grain goes bad! you can't even mouse-proof your silos, how are you going to deal with mold?) and the list goes on.

the man went up on national television and invited us to engage with his worldbuilding mechanically, and then if you actually do that, it shatters like spun sugar under the pressure. doesn't he realize that's not the part of the story that's load-bearing! he should've directed our focus to the political machinations and extensive trope deconstruction, not the handwavey bit.

point is, as a fantasy writer there will always be some amount of your worldbuilding that boils down to 'because I said so,' and there's nothing wrong with that. nor is there anything wrong with making that your whole thing – airy worldbuilding can be beautiful and inspiring. but you have to be aware of what you're doing, because if you ask your readers to engage with the worldbuilding in gritty mechanical detail, you had better have some actual mechanics to show them.

[frenchublog]

[kurthummeldeservesbetter]

because I’m on a meljayvik kick rn

Viktor has to sleep in the middle of the bed bc both Mel and Jayce run hot. any combo where he is not in the center has whoever is on the end sweating profusely and the person in the middle has one cold side and one warm side. it’s science.

Mel is the coolest and calmest of their heads, yes, but she is most definitely in on their “yes, and?” dynamic to science and magic. She is all for the chaos, she just wants them to wear protective equipment while doing the chaos.

Jayce designed their shower to be double the size of a normal walk-in. Their tub is pretty much a hot tub. Do with this what you will.

Jayce carries both his partners on his shoulders. He also can do many a set of pushups with both of them on his back. They’ve played chess against each other on Jayce’s back, while also asking for advice on chess moves.

Jayce and Mel have a game called “do not leave Viktor alone with Ambessa”. For everyone’s sake, they have been 100% successful. Jayce gets jealous, and the last thing Mel wants her mom to know is that they do share a taste in types of men. Viktor is unaware of this game. Ambessa is curious of the twink her daughter is hiding from her.

Mel is the first person who gets to see all their prototypes in action. She has also been woken up in the middle of the night when one (usually both) have an idea. She is 100% behind this, though she didn’t appreciate the time Viktor and Jayce woke her up for what ended up being a literal lamp re-design. They spent an hour talking about their genius and innovative light, powered by hextech, just for her to flick their bedside lamp on.

Mel has never laughed so much in her life since meeting and getting with them. She attributes these years as the best ones so far. Jayce and Viktor feel the same.

Viktor is just. Always in meetings now. Chilling out. What are you gonna do? Tell the de facto-head of council Jayce he can’t bring in his partner and tell the richest and also most influential member Mel she can’t bring in her other Boyfriend? Good luck.

He actually does not want to be in these meetings. He's there for moral support and the promises of coffee. Also Mel needs him to occasionally hit Jayce's chair with his cane when the other man starts to fall asleep.

He also sneaks notes to her of drawings and she's been mad (not really) ever since he made her snort really loudly due to his caricature of hoskel and salo. It's framed in their office.

[mipexch]

i love animating these little freaks

[captainadwen]

Damian Wayne vs the World

Sixteen year old Damian Wayne is on the hunt for a younger sibling. Being more discerning than Bruce 'child collector' Wayne, Damian's firm criteria for Batman's latest adoption problem includes but is not limited to: black haired, blue-eyed, tolerable humor, not evil, and most importantly - younger than Damian.

Lucky for him, fourteen year old newbie vigilante Danny Fenton is the perfect fit. Now, to fulfill his end of their deal, Damian must defeat the evil government organization hunting Danny in order to gain a baby brother.

Or, @livinghalfway your post made my brain go !! but in such a different way I figured it was better to make a separate post, hope you don't mind/enjoy still

~~

Damian Wayne re-entered Tim Drake's life like a gnat revealing itself in a closed bedroom space. Tim was in t-shirt and a boxers, maneuvering ramen into his mouth with one hand and scribbling out an epiphany on a murder case with another, when Damian's demonic dulcet voice echoed down from the ceiling. "Drake," said Damian, judgemental, "You live like this?"

Tim nearly choked on his ramen, because the day Damian doesn't attempt to murder him - however doubtfully accidental this incident might be - is the day Darkseid decides to be friends with the Justice League. "Fucking knock," Tim coughed out. "And get out. No one invited you in."

"Put better traps if you don't want me here," said Damian, dropping from the ceiling where he'd crawled in on wall-clamps.

"This is my apartment," said Tim. "It's called courtesy."

Damian sniffed. He padded around to Tim's desk and frowns at his cases, then said, with no further lead up, "I need your assistance."

"No," said Tim.

"You did not even listen to my request."

"Don't need to," said Tim. "Answer's still no. Door is that way. Bye."

"Father says mutually assisting each other is beneficial," said Damian.

"Father," said Tim sarcastically, "blamed me for you exploding a glitter bomb in the batcave two weeks ago."

"That is your fault for not being able to provide evidence to the contrary in an appropriately efficient manner," said Damian. He squinted down at Tim. "And he apologized. Eventually."

"I would not have glittered the batcomputer," said Tim. "Do you know how much of a pain in the ass it is to backup those servers? No, because you don't like tech work, you just profit off it."

"Blaming me for Father's mistake," said Damian, "Most mature of you. But we must put our differences aside. I have selected a new family member and I need you to dismantle a government organization."

That drew Tim up short. He blinked down at his ramen as though it might explain Damian's words to him, but the ramen remained disappointingly uninformative. "Repeat that," said Tim, gesturing with his chopsticks. "Slower, and with more detail."

Damian pulled out his phone and sent him an email. Silence surrounded them in the brief moment it took Tim to set aside his chopsticks and open the email. The subject line was titled 'New Baby Brother', which birthed all sorts of horrifying nightmares of Damian Part 2: Demon Child Boogaloo. The teen in the inserted picture, however, was reassuringly not in possession of Damian's bone structure.

He did have black hair and blue eyes. "Who am I looking at?" asked Tim.

"Daniel Fenton," said Damian. "He is fourteen years old, enjoys puns, and has recently awakened 'ghost powers' that allow him to transform into the vigilante Phantom to fight other ghosts."

"Is he also an orphan with a tragic backstory?"

"No," said Damian, and Tim relaxed. "But that will not be an issue. We can share custody if they cannot be removed from the picture."

"Jesus H, kid."

"I am joking, of course," said Damian blandly. "Murder is wrong."

"Ha ha," said Tim. "If he has parents already he's not joining our menagerie."

"He will," said Damian, with a smug upwards tilt of his lips. "He and I have a deal."

"So you're coercing him in addition to stalking him. Anything else you want to share with the class?"

Damian considered this query with a serious frown, which was how Tim knew this was not a flight of fancy or a very early midlife crisis (although with their lifestyle and Damian already having died before...).

"He has," said Damian after a moment, "a rogue that calls himself 'The Master of all Technology' and is a technopath." This was clearly meant to be of interest to Tim, and not to be a stereotype, but it kind of was.

"Great." Tim turned his attention back to the email the demon child sent him. He scanned through it quickly. There was apparently a secret and evil government organization dedicated to the investigation and extermination of 'ghosts' and other paranormal creatures in the world. Their latest efforts were focused on the town of Amity Park, Illinois, which was 'infested with ectoplasmic pests'. Their words, not Damian's. (It was specified in the email.)

"Okay," Tim drummed his fingers against his desk. "Before I help you defeat this secret evil government organization so that," he opened the email attachment with a contract on it and squinted at the legalese, "this poor newbie teen you've harassed into signing this joins the family in exchange."

"I did not harass him," Damian huffed. "It was a gentleman's agreement."

"Does he know that?"

"I am not a politician, Drake. I thoroughly explained the terms and legalities before presenting any contract. Now ask your question."

"Why are you doing this?"

"Because," said Damian, tone implying 'you are stupid and haven't noticed something obvious, idiot'. "Father has begun saying he misses the noise around the manor and looking wistfully at old pictures."

"We still live there though?" said Tim. Damian looked flatly at him. "Sometimes."

"If you lived there frequently enough," said Damian, "you would already know Father is having...empty nest syndrome." Damian sounded disgusted. "I refuse to tolerate whatever inadequate and incompetent child he will find."

"So instead you found an incompetent and inadequate child for him?"

"Don't be stupid, Drake," said Damian. "I would not have chosen someone inadequate. Daniel is merely lacking formal training. Father can rectify this. It will keep him occupied for at least the next two to four years, which gives me enough time to find another black-haired, blue-eyed, tolerable child I approve of to be his successor and my second younger sibling." Damian paused. "Or until one of you procreates and gives him a grandchild."

"You're really serious about this," Tim whispered in horrified awe.

"I am serious about everything I do," said Damian. "Now, you will help me defeat this evil government organization so that our new sibling joins us."

"Okay," said Tim, but his mind snagged on a minor, throwaway detail, so utterly in odds with Damian 'Demonic Jealous Child' Al Ghul it surely came from another person - "Did you just call this kid your successor?"

[mobius-m-mobius]

#there are two types of actors 😂💖

[idiosyncraticrednebula]

Hot take: I actually think men and women are meant to work together and complement each other and not like,,, dislike each other and be divisive.

[oscarlovesthesea]

ok but he was fully flirting here. I think it's so funny that Charles was like "idk if I'm in love with you but we have all eternity to figure it out" and then literally an episode later he was like "welp time to start thinking about this!" and immediately started openly flirting with Edwin. you go bisexual king

[poorly-drawn-mdzs]

Look what we've become.

[First] Prev <–-> Next

[ohposhers]

i want floyd to get high at a rock concert and start a fight in the moshpit

[vaguely-concerned]

the strength it must have taken for illario to not immediately go full 'lmao since when have you even had a kiss hello lucanis' sibling violence mode during the café talk. inspirational. rook and lucanis really were doing all that right in front of his salad huh

[jackklinemybeloved]

every episode of misfits and magic 2 that passes I’m just more and more aware of how Normal Guy jammer is, because everything around him is so fucking wild it emphasizes how much he’s just like. an american college kid. he literally just wants to play basketball and hang out, but instead he’s witnessing brutal magical murders on zero sleep. someone get my guy a protein drink, a nap, and a plane ticket back to chicago.

[padawan-historian]

“Our country’s national crime is lynching. It is not the creature of an hour, the sudden outburst of uncontrolled fury, or the unspeakable brutality of an insane mob. It represents the cool, calculating deliberation of intelligent people”. – Ida B. Wells, “Lynch Law in America” speech, Chicago (1900)

[aethersea]

I do think Blazing Saddles handled its one depiction of native americans very poorly, and the full extent of its representation of chinese workers on the railroad is they were literally just there. not even one single speaking line. unclear if this is worse or better than the redface.

it's fucking phenomenal at lampooning antiblack racism though. extremely blatant, extremely funny satire, which is constantly and loudly saying "racism is the philosophy of the terminally stupid at best and morally depraved at worst, and we should all be pointing and laughing at them 24/7"

plus the main character is a heroic black man who has to navigate a whole lot of bullshit but is constantly smirking at the extraordinarily stupid racists and inviting the audience into the joke. the one heroic white character is a guy who was suicidally depressed until he met the protagonist and they just instantly became buds, and he's firmly in a supporting role the whole time and happy to be there. the protagonist saves the day with the help of his black friends from the railroad, and uses the position of power he was given to uplift not only those friends, but all the railroad workers of other minorities too, in an explicit show of solidarity.

anyone saying "Blazing Saddles is racist" had better be talking about its treatment of non-black minorities. it had better not be such superficial takes as "oh but they say the n-word all the time" or "they have nazis and the kkk in there!" because goddamn if that's the full extent of your critique I very seriously suggest you read up on media analysis. there is too much going over your head, you need to learn to recognize satire.