#all i have of the song so far is that it's from the perspective of a traveller looking for his lady
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I want to give insight as someone who grew up in Via's position and i will say that i will only be speaking for myself, if anyone else grew up in Via's position but feel differently you are also valid.
The situation is complicated, OP brings up a lot of points that are accurate, Via being 17 and also not being an innocent child in terms of not knowing the situation.
here is where I counter a few points as far as Via supposedly being in the wrong and i want to stress this is no hate to OP because if you went in this without knowing how things are from Via's perspective you'd assume she was being unfair.
Via all her life has only known her father being her emotional support, she trusts him and loves him undoubtedly more so than her mother and as we see in pictures and in the show, Stolas has always been there for her and was a far better father to Via than Paimon was to Stolas.
Stolas's desire to protect Via falls in line with Goofy's protectiveness and love for Max from the Goofy Movies
I use Goofy as an example because both are undoubtedly loving parents, but both are also very flawed parents, Goofy smothers Max while Stolas wants to protect Via so much from having her world view of her mother and her life being not what she thinks it was that it backfired.
Because Stolas wasn't able to tell Via the truth, Via has grown up with this idea her parents loved each other and that the reason Stella has become what she is now is due to Stolas cheating.
remember Via does not know the abuse her mother inflicted on her father from before the cheating and divorce.
so, from Via's POV she's seeing her mother turn into a hateful person because her husband betrayed her trust and their marriage
not helped was that Via always had a fear of losing her father (side note i think Via has prophetic visions because her song in Sinsmas describes what she said she saw in her nightmare as a child from S1 ep2)
this fear that she had grew until now after Stolas was banished, which she didn't know about, in her view point her dad left her for Blitz (as her song showed, Via sees Blitz as her replacement as his shadow covers her position in a family portrait)
these are fears that kids have with losing their parents either because their dad or mom found a new spouse and had a new kid, etc. Via's fears come from a real place
not helped was her finding Stolas's medication and with all the above mentioned, and her finding the pills, Via now thinks Stolas never cared about her that he used the medication to go through the motions and everything was a lie
this is partially the fault of Stella as she kept Via from contacting Stolas and vice versa for 1 month, had Stolas been able to get a hold of her the day after the trial (which he did) or had been able to see her within a week, that would have been a window for him to get to Via and explain everything so she understands his banishment and he could even have finally opened up about everything, but it didn't happen and Via was left in an environment of two toxic people while her own emotions were left without a means of processing everything which turned to sorrow, bitterness, and eventually anger.
All of these are emotions i went through when my parents divorced, though thankfully I was under my father's custody he had better luck than Stolas did because he at least was able to tell me his side of the story and even then only told me after i turned 18 because much like Stolas he didn't want me to grow up resenting my mom, turning against her, or having me fall apart, as much as i wanted to know why they divorced, but i do know that during this time when they were divorcing i felt Via's anger and sadness because it felt like my life was breaking and it did affect me as a kid because i took my anger out in different ways.
Via may be 17, but her anger is very understandable, but like stolas she is a victim of stella's abuse because thanks to Stella's evil and cruelty, it prevented Stolas from ever telling Via how much of a monster her mother is and because it was difficult for Stolas to say this to Via, she only thought her mom became this person because of Stolas.
Some people think there was an easy answer to this, but the truth is like i said before this is a VERY complicated situation because abuse does not leave victims with many options.
Stella's abuse of Stolas broke him but he did the best he could to protect Via, but at the time prior to Sinsmas it was difficult for him to tell Via the truth because doing so would have still broken Via, the woman who is her mother who she thinks is probably someone who loved her being a monster? it would have been difficult for Via to process everything and Stolas didn't want that for her.
In the end Abuse hurts EVERYONE and Abusers only destroy, and, in this case, Stella caused the issues that lead to Via and Stolas's relationship breaking and now Via feels betrayed by her father and has essentially shut herself off from him, maybe even Stella too.
the show now has a narrative stake on the line as Stolas is going to have to fight now to try and make amends with Via and help her reopen up to him.
this is something too that happened to with my sister and our dad, because when our parents divorced, much like how Stella kept Via away from stolas our mom did the same with my sister only in a more cruel fashion because she lied to my sister about our dad, i won't say what she told her that's too private for me to want to share, but it was enough to make my sister afraid of him and because of that i had to grow up without my sister being in my life most of the time, only regulated to when my mom wanted me to visit where she lived
so, if I'm guessing correctly HB is going to do the same, Via is in a vulnerable position and if Stella can get her claws into her, she might turn Via more against Stolas.
but I'm hoping much like how my sister learned that she was lied to Via will see the lies her mom might tell her and realize the truth and let herself be open enough for Stolas to reach her and he can finally tell her everything.
to end this I'll just say that once more the situation is complicated and Via is not being a brat or is in the wrong, most people would only see her as being in the wrong because we have an omnipotent view of the show, we know what has happened to Stolas and we know things Via doesn't, without the info we know, Via only sees her life breaking apart and it's because her father chose someone else over his wife and daughter and she thinks he used medication to go through the motions and that he basically put on a mask the entire time.
and after he broke his promise beforehand in seeing stars, this was just the straw that broke the camel's back for her and she was too angry, sad, and scared to open up and let Stolas explain.
all of which is understandable, and you can't hold anything against Via
So I want to address something.
Octavia: āYou had a choice and you chose him.ā
I am of two minds: sheās 17. Sheās going through a traumatic situation. Sheās emotionally stunted because of the way she was raised.
She also told Stolas, to his face, in front of Blitz, that he should have let Blitz be executed.
I donāt hate her for this. Not at all. Teenagers are notoriously self-absorbed and you add some privilege/entitlement to that, a dash of trauma, and you get the inevitable consequences.
And also
Sheās not an innocent little girl whoās done nothing wrong ever. Sheās 17. She knows what sheās saying.
She said, to Stolasā face, in front of Blitz and co., that he should have let Blitz die.
Sheās speaking from a place of hurt and betrayal.
Sheās also in the wrong for that. And I hope with time and perspective, with some maturity to understand that her father is flawed and traumatized and doing his best between a rock and a hard place, she will apologize for that.
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I've started to write little medieval jingles in my head while trying to fall asleep, so do with that information what you will
#jingles as in silly little songs that foot soldiers might sing#it's for a fic i will eventually work more on lol. (for fool's gold)#all i have of the song so far is that it's from the perspective of a traveller looking for his lady#but he can't remember her name or her face because he fucks so much#so the other characters shout out different names at different points in the song#it's dumb af but i'm having fun ok#and now you can read āmaria! sofia! the lovely pampinea!ā and hear the tune of 1985 like me ajdnfkwgj#in the context of the fic this was nicolo's idea. and the twist ending is that the lady is actually a man and he forgot or smth#OR OR a suggestion from my partner: the only way the traveller can identify his lady is by her ass AJAMFNSKHKDJV#that is so medieval im dying
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It's funny that Ruby's queue posted that and forced me to look at crosshair bcs I actually just found a song....that kind of makes me think of him and Brea > ^ >
Specifically...post Order 66
#jane journals#self insert talk#šÆ baby shot me down šÆ#UGGGHHHHHH#ok!! so if my ship with crosshair has one thing its ANGST BABEYYYY#i know thats not everyone's cup of tea and i totally understand!! i used to be rly rly against it š
#not sure what changed but now i just love messing with it narratively!#especially in something as tragedy-ridden as star wars ajfjg#but yeah uhhh i didnt watch the most recent hunger games but that one song by olivia rodrigo#LIKE SERIOUSLY YOU GOTTA ADMIT IF U LOOK AT IT FROM BREA'S PERSPECTIVE#so far all my songs about them are from crossy's perspective!!#its interesting to have a song from her side of things
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something something video essay about lyrical themes and the pretense of "relatability" versus "vicarious relatability" and why people have an aversion to the modern popstar (yes even ones who put distorted guitars in their songs)
#i was just thinking about the lyrics of certain artists i like versus others#and some of their lyrics are just experiences that are so far out of the lived experience of my tax bracket#and i can tell we come from different worlds#whereas you have someone like lana rel rey#who by all accounts is singing about opulence#but it's from the perspective of someone who does not have those things#think national anthem versus the last great american dynasty#one is romanticized and one is real#or how context can change the way you interact with songs by phoebe bridgers or gracie abrams#I'M THINKING
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Sketch dump! Vol. 5
September 2022 (Part 1/2)
The first piece on top summarised my cosplay rush for Tracon 2022! The second is an old idea for a charm.
"SURPRISE!!"
Back in 2022 I hosted an art raffle for reaching 777 followers on Twitter! The winner would get their submas themed idea realised (which was their friends throwing a surprise party for the twins!). I wanted to make a little comic and have the bosses walk in their office where depot agents, Elesa, Drayden, Skyla, Clay etc. would be waiting with decorations and treats and games.
Emmet is all smiles of course while Ingo gets so emotional he could only whisper a "super bravo".
Not really headcanons anymore but still funny ideas.
1. Emmet gets clumsy when off-rhythm! He starts walking in curves if there is nobody else around to match his rhythm with.
2. Emmet spaces out/forgets to say things aloud when someone speaks too long or when things go off-script! His thinking gets interrupted easily.
3. Ingo sometimes bumps into doors because he is too used to automatic doors!
4. When things go off-script Ingo speaks too much and rushes in straight lines"
Also my little inexpensive sketchbook & my trusty tools! Mechanical pencil and eraser pen are life when scribbling my skrimblos smaller than a postage stamp!
More Ingo~ I utilise a wide range of sources for references, including CSP's poseable 3D models, they can come really handy with perspectives and proportions!
The second piece is my very first attempt at cosplay in Tracon 2022: Blingo! I walked in with a sequin hat, leather jacket, leather pants and high heel patent leather boots.
The hardest part of cosplaying Ingo is remembering NOT to smile ahaha!
Some hairstyle tests
I drew these for a huge submas art collaboration over Twitter hosted by @/mimizukeii!! It was technically my first art collab before I started arranging them myself with Aggie/Magma.
While looking for train related songs I found this cute nursery rhyme to go with the marching:
"Over the mountains,
Over the plains,
Over the rivers,
Here come the trains.
Carrying passengers,
Carrying mail,
Bringing their precious loads In without fail"
I wanted to compare these silly twins, planning to do something more silly with them later. Also a sketch of @/fukurow's butler designs I never finished.. The capes compliment them so well, I love them!!
Prequel to this piece! Emmet is so confident in himself he thinks Pierce wants to learn from him but is invited for a duet on the stage instead!!
Emmet has really great voice actors in Pokemas! I especially love how his english VA gives him that bri'ish/posh/sophisticated vibe while also soft and melodic! I know for SURE this VA/Emmet can sing, I can show you later!
One of my favourite sketches!! I wanted to add a bunch of characters in the BG reacting to this sonic blast of emotion over a performance!
Heyyy it's the smile buddies comic!! I really hope Ingo gets to interact with Marnie in Pokemas one day!!
I feel Ingo's eyes in the mirror panel is a little off in the final comic, I meant to keep it softer like in the sketch!
It's Nimbasa trio!! Idea inspired by submas EX uniform colors. Might continue this later!
Some BG tests for this piece! Compositing is hard but absolutely worth the effort, it can make a huge difference in the appeal of your piece!!
Practise piece drawing over a photo I thought was cool! I want to get more experimental with lighting and perspective!
'How's it hanging bro?' Who hung him up there anyway??
Sketch for this arguing scene! Something REALLY BAD needs to happen for them to end up that tense! Even if I want to present them close to the canon material I still want to put them in really challenging situations to see how far I can push their emotions!
Thank you so much for coming all the way down here!! This set was pretty loaded, I hope you enjoyed scrolling through all this ahah!
Previous posts:
Sketch dump Vol. 1: April-June 2022
Sketch dump Vol. 2: July 2022
Sketch dump Vol. 3: August 2022
Sketch dump Vol. 4: July 2022 Part 2
#submas#subway boss ingo#pokemon ingo#submas ingo#subway boss emmet#pokemon emmet#submas emmet#submas butlers#butlermas#pokemon#sketch dump#pokemon elesa#nimbasa trio#excadrill#archeops#eelektross#sordward#shielbert#cosplay struggles#breakmas#team break submas#my comics
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Now that helluva boss season 2 has hit it's finale, let's discuss everything we know about season 3 at this point in time!
aka, a comprehensive list of everything about season 3 that we've been told about so far. (Please tell me if I've missed anything, thanks!)
I do not think that any of this information necessitates a spoiler tag on this post, but if you want to go into season 3 completely blind, click off this post now.
Bluesky Stuff:
What we learned from this bluesky thread posted shortly before Sinsmas was released is as follows:
The wait until Season 3 starts will be quite long.
The team decided that helluva boss having closer releases of episodes was the best decision (heard this meant a month in-between episodes but I forgot where I saw that), so thee team wants to commit to a more traditional release going forward.
Confirmed once again that season 3 has a total of 15 episodes.
We will also be getting shorts in-between the wait until season 3 starts, and I assume this means monthly shorts as well, based on the fact we had monthly shorts last time as well.
Vivziepop has also described season 3 as a 'queer roller coaster.', so we gotta be prepared to get back on that ride again.
At some panel it was confirmed that in season 3 we will be getting an episode that contains some more Millie backstory.
Tweet link here:
In some other panel, alongside confirming Vassago's appearance in the Mastermind episode, they also confirmed that we will be seeing 'much more' of Vassago in season 3, the post in the picture above contains the clip of this moment in the panel as well.
In what appears to be a recording for the second half of season 3, they're doing recording work for a Stolas song titled 'Dirty Bird', and yes, it is going to be super horny. There is a video of this Instagram post on the post below, plus one extra screenshot.
In the Los Angeles Comic Con 2024, quite a few things were revealed to us, with those being as follows:
As said before, this traditional release schedule does mean that the episodes will hopefully be a month apart from each other, and that Vivziepop saw the show was moving towards a more narrative direction, with this also being where the heart of the show is, and as a result, the direction the team is going in.
Lastly, we probably won't see all 72 Goetias, but we will see a lot more of them in season 3.
Post referenced in above screenshot contains a youtube link to said Comic Con.
According to the reblogs under this post, it appears that Erica (Loona's VA), was asked what her favorite song/episode was, and she responded with 'the song that Loona has in season three', confirming that Loona does have a song during season 3.
Video can be found within this post:
youtube
At 1:06:19 of this video, Vivziepop does state that the show will eventually get to Stella's perspective, which I have to imagine the show will get to in season 3, and that Vivziepop hearkens Stella's character to the character of BoJack Horseman's mother (Beatrice Horseman) because they are very similar in that regard.
Finally, Vivziepop posted these screenshots of her doing some audio editing to her Instagram over a year ago, we don't know what episode this is from but based on the long name in line 7 that doesn't appear to match any character we know at the moment, this appears to likely be a picture of some season 3 audio.
The main things we can gather from these screenshots appear to be Millie talking with Stolas a bit, and the absolute explosion of voices following something that Blitz said.
Post where I found these screenshots from can be found here, some additional discussion regarding is also in the reblogs:
youtube
This YouTube video covers a few instagram videos covering recording footage that Vivziepop uploaded to her account, with them being from the first half of season 3.
What we learn from these instagram videos is that Wally Wackford returns in season 3 with some new lines, and there's also a courtroom scene as well involving Blitz and Stolas, with it also looking like Stolas will be acting as defense for Blitz regarding something we don't know at the moment.
According to Vivzie's instagram, we will be seeing Anthony Padilla and Ian Hecox (You might have heard of them before from something called Smosh) be the VAs of some special future characters at some point during season 3.
To wrap things off, I believe the next significant reveal or such regarding season 3 will be found in the 2025 LVL UP EXPO, as there are quite a lot of VAs involved with Helluva Boss there, plus Sam Haft and Vivziepop.
Especially considering that in the 2024 LVL UP EXPO, the first helluva boss short was shown, we got the song featured in s2 e8, 'When I See Him' and the season 2 trailer.
#this took me way too long to write you have no idea#helluva boss#vivziepop#hb verosika#helluva boss millie#blitzĆø#blitzo#stolas#stolitz#helluva boss stolas#moxxie helluva boss#helluva fizzarolli#loona helluva boss#sallie may#stella goetia#vassago helluva boss#Youtube
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Like the goofy horror crossover that inspired it (Sadako vs Kayako) Dandadan's identity is all about smashing together the identities of its many eclectic inspirations. (most notably of course, ghostststs vs aliens)
So how does its opening embody that identity? Well of course the song itself is swarming with references to everything from a couple Japanese creepypastas from 2chan to Demon Slayer and other popular shounen hits, to M. Night Shyamalan ā but not to be left out, the formal elements of the animation combine not only the bold and sharply contrasting color schemes that are characteristic of the show, but also three completely different animation styles into one strangely cohesive piece.
Directed by "Scott Pilgrim Takes Off" director and one of Science Saru's original creative voices, Abel GĆ³ngora, the opening sets the stage with the contrast between these close-ups of the syllable "dan" shown mostly on various digital screens, and these character shots that give the impression of analog film with soft edges between highlight and shadow, and overlaid grain, scratches, and imperfections.
These cuts are not exactly realistic per se, but they reflect a version of the world of the show that's very grounded in live-action cinematic techniques, like I discussed in my previous video. Many of them mimic a wide-angle perspective and give the impression of a real camera filming the characters.
Soon though, we jump into these highly stylized cuts in which bold, textured silhouettes stand out against saturated painted backgrounds.
This style in particular feels very characteristic of GĆ³ngora, who has worked on many of Science Saru's opening sequences, and seems to love these stark, stylized, and textured silhouettes:
Many of these shots are direct references to the 1967 Ultraman TV opening,
but they also generally draw inspiration from 60s and 70s pop art and cut-out animation. Slight imperfections in the credit text and slight camera wobble even give the impression of hand-cut paper being filmed with an old 60s camera rig!
Turbo Granny gets up in the mix with a third totally different style: these loose, chaotic, and gestural scribbles where clean line-work gives way to pure organic energy with very little consistency between frames.
These cuts are mostly done by Kyouhei Ebata (ę±ē«Æ ęå¹³) (who you might recognize from his crazy painted frames on Dungeon Meshi) and Genta Ishimori (ē³å® ęŗå¤Ŗ) who has relatively few official credits so far, but has done some extremely impressive (if quite disturbing) independent work on his youtube channel, and whose own personal style seems to have primarily created the vision for how Turbo Granny would be portrayed in the show!
And finally, the three art styles and two major opposing colors all come together in this climactic cut as this slick, detailed illustration goes from clean, detailed blue, to bold, chaotic red in an instant as Okarun smashes through it, and is interspersed with these three demonic frames that find a middle ground between the bold textured silhouettes and the loose scratchy turbo granny scribbles.
This is all just a sampling from this video, where I go more in depth on all these elements, and lay out way more of the direct references, so go watch it! (If you're not too scaredā¦ Maybe you can't handle itā¦)
youtube
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Chapter 1: I Need You Now But I Don't Know You Yet
Pairing: Soldier Boy x f!Reader, Reader POV
Summary: With a birthday printed on your wrist that happened over a hundred years ago, you always thought that you were cursed to never meet your soulmate. But when you finally meet the man that's supposed to be the other half of your soul, you wonder if the stars were wrong, and wonder how this man was meant for you. Reader is Hughie's sister, is not a supe, and is a Literature Professor that gets dragged into the middle of things. This fic takes place in an AU set loosely after Season 3 and does deviate from the plot of The Boys
Tropes: Soulmate AU, Little bit of Grumpy and Sunshine, Age Difference (Reader is in her 20s), Protective Ben/ Soldier Boy, Jealous Ben/Soldier Boy
Warnings: Self deprecating thoughts, Little bit sad, Cursing, Mentions of drinking, Mentions of Sex, Mentions of Death, Loneliness, Longing, Basically the reader just wants to be loved, Reader wears glasses?, Soldier Boy might be a little OOC.
Word Count: 6.3K
Song Inspiration For Chapter: IDK You Yet (Title of chapter based on song) Y'all should listen to this song because it fits so well!
Note: This is told from Reader's perspective. Any references to the reader is made using you or your. There is minimal use of y/n. I tried my best to proofread, but nobody's perfect. If you donāt like, donāt read, but if you do like, youāre my favorite!
Internal Monologue Is in First Person And Is In Italics
A/N: Guys you have no idea how excited I am about this story! It's already shaking up to have a TON of my usual angst, but I'm not surprised.š
I'm also a little disappointed. I read a soulmate AU fic forever ago for Joel Miller where the birthday was printed on the reader's arm and I cannot for the life of me remember what it was called or find it. If y'all know what it is, please let me know. I'd love to read it again and give the writer a little bit of credit for inspiration. ā¤ļø
Main Masterlist
Series Masterlist
January 24, 1919
The date on your right wrist haunted you, the bold black numbers mocking from the moment you learned what they meant. It had to be a celestial mistake, a misprint, something wrong in the stars that shone so brightly over others, but dulled above your head.
Sometimes you thought you were cursed, that some mystical being before your birth marked you, scarred you, and made you carry the weight of the whole world on your shoulders.
That whoever it was made you different on purpose and you hoped one day you understood what that purpose was.
You'd never met someone born with the same dilemma, to be saddled with a soulmate that was born over 100 years ago, and yet here you were.
You'd heard it all growing up, the hushed whispered "freak" from your schoolmates, the odd looks from your neighbors, the pitying frowns of your parents who had known each other since pre-k, and the hug from your older brother as he whispered the familiar phrase āitāll be okay" to soothe you.
But you always wonderedā¦
When would it be okay?
You watched all your friends find their happy endings with their soulmates, the birth years printed on their wrists at least within the same few decades, but not you.
You were alone, different, cursed.
The date printed on your wrist made you different, because no one else had a soulmate that was born so far in the past.
Your soulmate's birthday brushed on your skin only brought a wave of disappointment every time you saw it, because what the hell did it mean? 1919? That meant that your soulmate would be over 100 years old when you met him, whoever it was.
If you even met him.
No one lives that long. My soulmate should be long dead. He can't still be alive. Can he?
Each year that passed was like another nail in the coffin, but you celebrated the birthday of your supposed soulmate with a cupcake and a beer, locked away in your apartment to shut out the jeers of those who knew your particular dilemma. And each year when you blew out the candle you wished that it would be the year you met him, but now you weren't sure it would ever happen.
Because it was impossible.
You didn't understand why you were different, why you were chosen to have a soulmate that was long dead. Maybe it was true, maybe you were born late, born under the wrong sign, or maybe you really were cursed.
You'd heard the stories of people who never found their soulmates, urban legends really, but it didn't make you feel any better. The stories of people who wasted away to nothing, driven to the point of insanity because they never found the other half of their soul, alone for as long as they could stand it before they finally crumbled to dust.
You refused to be like them, turning to books for solace and hoping to escape. Slipping into the pages and into other worlds where people found their other half to leave the loneliness that haunted you behind.
And in that solace your found your true love, literature. It wove around you and brought you peace in a world where you felt lost and different.
When you moved away from the small town you grew up in, you got a job as a Literature professor, reading the great works of others, while trying to forget about the date on your wrist and the soulmate you longed for each day.
It was incredibly lonely to think that you'd live your whole life with only one half of your soul.
Every time you opened a book from the era your soulmate was supposed to be born in you wondered if he had read it, wondered what it was like to live in that time, and imagined what it would have been like to be there with him.
Each day you covered up the date on your wrist with a splash of foundation and playfully laughed it off whenever someone asked you if you'd found your soulmate yet. All the while spending year after year fading just a little bit more as you lost the last pieces of hope that you'd ever meet him.
One Year Ago
You were running late. Frankly you were always running late, but in the city that never sleeps it was to be expected.
It was supposed to be a big day. You had about a hundred papers to grade, a test to proctor, and three lectures to give, but you couldn't complain about your job, you loved it. Loved the groans of your students whenever you announced a test or an essay, loved the soft evenings where you read papersĀ with a cup of tea and learned what in the assigned text was special to your students, and loved to teach from the books that had become home to you, the books that tried to heal your wounded heart.
But today somethingĀ was different.
Something nagged at the back of your mind, as if you had forgotten that something else was supposed to happen today.
Haircut? No that's not it.
You think as you walk to the large wooden desk in your living room/bedroom. It was technically a dining room table, breakfast table, and your desk, but you'd loved it since the moment you found it tucked into a corner of an antique store in Brooklyn.
Your small studio apartment was quaint, the bedroom and living room divided by a large mid-century wooden screen that you had bought for twenty bucks at a thrift store the weekend you moved into your apartment five years ago. The living room only housed a plump cream colored couch that faced out the window towards the living room window that gave you a spectacular view of the alley between your apartment building and the next. Sometimes you got to watch the couple in the apartment across from you having a terrific fight and then got a front row seat to the loud make-up sex they had almost immediately after.
Large stacks of books dominated every wall stretching up as high up to the ceiling as they could reach, some were pressed against the exposed brick walls, others serving as the base for the coffee table youād made with a vintage window, and of course there was one stack that towered high above your bed on top of your bedside table.Ā You didn't own a tv, not when you spent most of your time reading.
Being a English professor meant that you could never have too many books not when they were like old friends that pulled you in whenever you opened their yellowing pages.
Meeting with the head of the English department? You bite the inside of your cheek as you shove your notebook, planner, pencil case, and laptop into your leather messenger bag. No, that's on Thursday.
You'd been working on a research paper that you hoped to publish about the Modern Period of Literature in America, but the head of the English Department wanted to see how much you'd done. In all honesty the only reason why you'd started studying the Modern Period of literature was because it was supposedly the time period in which your soulmate grew up and you thought that it would give you some insight into what his life was like.Ā
And despite your being an expert on that time period, the head of the English Department did not share your enthusiasm for it. The only thing the head of the English Department had any enthusiasm for was his self-published book of erotic poetry and staring at your legs for too long while making subtle attempts for you to sleep with him even though he was married.
You fight the wave of revulsion with the memory of the last time you had a meeting with him and give yourself a once over in the mirror hanging on the bathroom door that faces in to your living room. You looked the way that you always did, maybe a little more frantic than usual, but that was expected given the fact that you were running late.
Today you had decided to wear your favorite dark green chunky sweater that you'd knitted yourself, a dark gray argyle midi-skirt, chestnut brown ankle high-heeled leather boots, and your traditional pair of circular black-rimmed glasses.
It's going to be a good day. You smile at your reflection. Yeah, if I could remember whatever the hell it is I've forgotten.
You roll your eyes and grab a bagel from the bag on the counter.
No time to toast it.
You think mournfully before shoving it between your teeth as you run out the door, slamming it behind you so hard that it rattles the watercolor botanical framed prints on the inside wall of the apartment.
"Late again?" Your neighbor, Mrs. Charleson, asks opening the cheerful yellow door of her apartment.
She was wearing her traditional pink cat eye glasses and had her wavy gray hair pushed back by a floral headband. When you'd moved in five years ago, she had brought over some cinnamon swirl muffins and a pot of blueberry tea. She'd just lost her own soulmate and husband of sixty-five years and was looking for a friend about as much as you were.
And although she had about eighty cats, all of which who were named after literary figures (your own cat was named Heathcliff), and often smelled like mothballs, you enjoyed spending time with her. She knew about your dilemma and didn't judge you for it. She didn't throw you a pitying look or make outrageous comments about why you'd been chosen to never meet your soulmate. If anything she acted like the way you thought your mother always should but never did. Not with judgement as your mother did, but with concern and love.
"Always." You shout back, muffled around the sesame seed bagel, stamping your foot to get your boot in the right position.
"Tea later?"
"Mhmm."
"Get some earl gray macaroons!"
You make it down the stairs successfully without falling, before throwing yourself against the door that leads into the black and white tiled lobby. Your high heeled boots clack loudly against the floor and you step out onto the crowded sidewalks of the early morning.
Fall was just beginning in the city, your favorite season. The leaves in Central Park were turning reddish brown and yellow and there was a wonderful chill that swept through the crowded streets.
You wove through the people, walking in the direction of NYU and looking down at the antique wristwatch perched on your left wrist to confirm what you already knew- that you were going to be late for your 8:00 am lecture on 20th Century American Romantics.
Shit.
The city is lively for a Monday morning. The chatter of people on phones, the buzz of traffic, the high pitched screech of horns, and the smells of the city wafted over you. It was so different from the small town you grew up in, but you loved being here. Here no one knew you, no one judged you, no one muttered something under their breath about you, and no one grabbed their children and crossed the street as if you were contagious.
You felt free.
You round the corner still looking down at your watch, weaving in and out of the foot traffic the best you can, when someone bumps into your shoulder. Whoever hit you was solid, broad, and much taller than you. The bagel drops from your mouth as you jostle from the bump, and you let out a low groan.
There goes my breakfast.
You look up prepared to curse out the offender when you stop. Whoever it was hadn't stopped moving, but you catch a flash of his bright green eyes as he passes, meeting yours for only a moment.
But that moment seems to last a lifetime.
He was tall with wild dark brown hair so long it touched his shoulders and a scraggly beard that fell over his chest almost to his collarbones. He looked dirty,Ā almost worn, and was wearing a faded maroon track suit that had some writing on the sleeve in another language that you couldn't place. But his eyes were a brilliant green, so beautiful that they took your breath away.
As soon as his eyes meet yours, your skin hums, body lightening, warmth unfurling like the petals of a flower in the center of your chest curling outward reaching for the sun above. All sounds of the city vanish, leaving you only with the manic thud of your heart. Everything in your body turns towards the man, cells vibrating, reaching out, wanting more, begging you to grab him and hold him close. Electricity pulses and dances along your skin making your hair stand on end and goosebumps erupt along your flesh.
The birthday inscribed by the stars on your wrist sears against your skin like a brand beneath the foundation you smeared over it this morning. You look at him as if seeing for the first time, as if the past years of your life have been colorless, as if you'd been living in a cave for centuries and he's your first glimpse of sunlight, and as if you'd never seen the stars and he's the midnight sky.
You'd never felt any of this before.
The man's eyes widen as he looks at you, people passing between the two of you in a faceless blur, and you wonder if he feels it too.
He has toā¦
But the man shakes his head and turns his back on you continuing on his path down the sidewalk in the opposite direction, adjusting the strap of the bag on his shoulder as he goes.
"Wait-" You start to say, but your phone rings loudly in your pocket breaking the spell, and as you look down to retrieve it, you lose the man in the crowd.
What the hell just happened?
The rest of your day is chaotic, almost a blur, your body still humming from seeing that man on the street, wrist aching where the birthdate on your wrist burned against your flesh so hot that it seared through the foundation you brushed meticulously over the skin this morning to cover it up. It was no longer black, but flashed a brilliant gold with every shift of your wrist in the light as you moved your arm when teaching, peeking out beneath the sleeve of your sweater. Every flash distracted you from your lecture. Even your TA, Tate, who sat in the front row of your class began to notice how often you lost your train of thought.
You barely got through your 8:00 am lecture, stumbled through you 9:00 and 10:15, and canceled your 2:00 class much to the chagrin of your students who were expecting a test.
When Tate finally asked you if you're feeling alright, you wave a hand and tell him to take the rest of the day off, while you barricaded yourself in your office and stared at your wrist for hours, running your hands over the golden date confused. The birthdays always shone gold after two people found one another, and when your soulmate died, it went back to black, as if a reminder that the world had faded.
It was weird to see it shine so brightly when you'd lived your whole life staring at the mark and wishing for it to go away.
But he's not here, he's gone. I don't know where he went or how to find himā¦
Your friends back home described finding their soulmates before, tried to explain to you what it was like when they locked eyes with them for the first time, but everyone was different. No one could describe exactly how they felt when it happened.
Deep down you thought that it should feel like what happened when you locked eyes with the man on the street, like nothing else existed, just him and you but-
He acted like it was nothing like I was just another person and not the other half of his soul.
You swallow the lump in your throat, emotion from a lifetime of disappointment building, and finally the tears begin to crest and fall over your cheeks. You'd never heard of a one sided soulmate before, of only one person feeling drawn to the other one.
Then again, I've never heard of someone printed with the date of a soulmate who was born so far in the past.
Seeing him for the first time was like taking a bullet to the chest, the sharp spike, followed by the force of gravity jolting you into reality.
But why him?
You think again about how weathered he looked, like he'd been living under a rock for the past hundred years. And then you see the flash of his brilliant green eyes again in your mind, just for a fleeting moment, but it's enough to make the warmth trail along your skin, like the soft caress of a lover.
Was he really born in 1919? Or was this just another joke? Another way for the universe to laugh at me?
Frustrated tears blur your eyes as you stroke the birthdate on your wrist, heart breaking all over again, because it seemed that even if you had found the man the universe designated for you, he didn't care.
One Year Later: Present Day
You sigh loudly and hold up another dress in front of your body looking at yourself in the mirror. You had no idea what you were going to wear to Annie and your brother Hughie's housewarming party and you only had about another thirty minutes before you had to leave.
Your brother had been living in New York longer than you had, but he still made time for you. The two of you got lunch every week and it was your fault that he met Annie.
Meeting her yourself had been a complete fluke. You'd been sitting at your favorite bench in Central Park by the pond, reading your favorite book, allowing the gentle prose of the author to whisk you away for a few minutes, when someone sat down beside you and promptly began to cry.
And when you asked her what was wrong she'd told you everything about her problems at work and although you'd never been the best at comforting other people, you'd taken her to the closest coffee shop and the two of you had bonded over Chai Tea lattes.
You'd invited her over to watch a movie with your brother one Saturday night and then had a front row seat when the two of them realized that they were meant to be together. You'd tried to be happy for them, but the whole time Annie gushed about Hughie and Hughie stared at her like she was the last glimpse of the sun before it dropped below the horizon all you could think about was that it would never happen to you.
And now one year later, the two of them were finally moving in together in a fancy apartment uptown and you didn't want to imagine what the rent was. Your own studio was enough for you and you were lucky enough to have one that was rent controlled.
But you figured due to Annie being one of the Seven, she was probably making more than your measly teaching salary could ever amount to.
Learning that she was Starlight had been surprising, you weren't a supe, not even close and you didn't want to be. You had your hands full with teaching college kids, and didn't want to think about what it would be like to have superpowers or really what you would do with them. You certainly didn't need them to be a teacher and you didn't want to have them.
Plus, you always worried that you'd get some weird power like shooting webs out of your butt or making it rain blood. You didn't want to take that chance and shooting up Compound V felt like Russian Roulette.
You also worried about your brother working so closely with supes. The two of you hadnāt met any growing up and you worried that he was putting himself in danger every day when he went out to deal with them. But you were happy that Annie went with him, because you knew that she wouldn't let anything happen to him, she loved him too much.
As you hold up a black dress in the mirror you see a flash of the golden birthdate on your arm, and you're unable to fight the emotion that builds in your chest when you do.
It had been a year since it happened, since you locked eyes with a complete stranger on the street and felt your soul intertwine with his and he turned his back on you.
You'd understood that.
Understood that for some reason he decided to turn away like you meant nothing to him, like you weren't the other piece of his soul, and like a part of him didn't call out to you, a lighthouse over a stormy sea to a sinking ship.
It had broken you more than the first time you realized what the date on your arm meant. It always seemed ridiculous that something that brought happiness to millions of others made you feel broken, like there was something wrong with you.
And in that moment on the street something felt right for a few seconds, you felt whole for the first time in your life, only to have everything dashed against the rocks all over again.
But you hadn't forgotten him, couldn't forget him. His green eyes haunted you and each night you dreamed of him.
You saw pieces of his life, his memories, felt his pain, his anger, his frustration, and deep down his fear whenever you fell asleep. You'd never heard of that before, of a soulmate dreaming the memories of another.
You'd asked your neighbor, Mrs. Charleson if she had dreams of her soulmate's memories, she'd said no, but then she said that she'd heard about it, thought that it was only a myth, but it meant that the souls were fated to spend more than one lifetime together.
As if you knew what that meant.
It had broken your heart even more when she said that, because if that were true why did he turn away?
How could he turn away? Why did he leave me standing in the street and acted like I wasn't his other half?
It made you think that maybe he wasn't impressed with you and that he was disappointed that you of all people were his soulmate.
You'd had a mental breakdown at Mrs. Charleson's apartment when you went home early the day you met your soulmate or whatever the hell he was.
She'd made blueberry tea and rubbed you back. And when the tea hadn't worked she had cracked a bottle of red wine and ordered greasy takeout food that the two of you ate on her floral couch while her cats circled like sharks looking for a piece of your chicken and broccoli.
You would have called Annie, but she and Hughie were out of town on a long weekend getaway.
And when you went back to your apartment and crashed into your bed, you'd dreamt of him for the first time.
The memories you'd seen when you closed your eyes that night were not happy at all. You'd seen the early years of his life being berated by his father, years of him drinking and fucking his sorrows away, and then the worst, him being tortured in what looked like a lab. He was a supe, that much you could gather from the memories. But they were filled with pain, suffering, frustration- you'd never met someone who'd been through so much before. Endured so much torture.
You still didn't know his name, didn't see enough of his life to figure out who he was, only that he was different than you in almost every single way.Ā The memories were terrible, filled with blood, death, and pain. It scared you to see your soulmate that way, see him so angry and see him hurt and kill people. You couldn't imagine the kind of man he was, the kind of man who could burn someone beyond recognition and feel absolutely nothing.
It was confusing. You didn't understand how someone who was supposed to be the other half of your soul, was the complete opposite of you. Someone that was filled with so much rage and pain was the man the stars declared was for you.
It doesn't matter anyway. He saw you and didn't want you.
You ignore the lump of emotion in the back of your throat and hold up a navy blue dress, but you hang it back in your closet with a sigh. Nothing seemed to be appropriate for you to wear to the party and you hadnāt been shopping for a new outfit in ages. Not to mention you knew that no matter what you wore Annie would look flawless.
You loved your brother's soulmate, but sometimes you were intimidated by how pretty she was and how together she was. It made you a little self-conscious about the long skirts, sweaters, and blazers you wore when you were at work and you were not together at all.
You seemed to always be running around like a chicken with it's head cut off, frantically running from place to place and trying not to lose the last bit of sanity you had left. While Annie was confident, poised, and glided into each room.
Finally, you reach for a pair of your favorite blue jeans and the same green chunky knit sweater you were wearing the day that you saw him for the first time. The sleeves were long enough to cover the mark on the wrist. You hadn't told your brother or Annie about that day and you didn't want them to see the golden date on your wrist and ask you where your soulmate was.
Guess I'm going a little more casual today.
On your way out you give your cat, Heathcliff, an affectionate scratch behind the ears and grab your purse. You were running a little early this time, early enough to pick up a Snake Plant around the corner at your favorite plant shop, 'Please Don't Die,' as a housewarming gift and then stopped at the liquor store next door to grab a bottle of Annie's favorite wine.
You figured that you'd end up staying late and drinking wine with her long after the party was over.
Hughie opens the door of the apartment when you knock. "Thank God you're here! Annie is freaking out and driving me up the wall-"
"No I'm not! I'm just expressing all the things that have to be done within the next five minutes or I really am going to go crazy!" You hear his soulmate shout back when Hughie lets you in.
The apartment is fancier than yours, all white walls and glass windows that display a view you would kill for. Your brother is wearing a nice light blue button down shirt and navy tie, and his hair is it's usual fluffed and curly self. He looks happy and it warms a piece of your heart because you knew how much that he deserved it. And that's all you wanted for your older brother.
Annie appears, wearing a white dress that wraps over one shoulder and falls to her ankles, effortlessly elegant as usual. It made you feel self-conscious that you'd worn jeans, when Annie was wearing something that made her look like a Greek goddess.
"I am so underdressed." You mutter to yourself
"No! You look great babe. I love those jeans on you." She smiles pulling you in for a hug.
"Well-"
"But please let me do something with your hair." Annie touches the messy bun at the back of your head making a face.
"What's wrong with my hair?"
"Nothing, I'm just going to spruce it up a little bit for you."
"But-"
Annie pulls the bottle of wine and the plant from your arms and shoves them at Hughie. "We'll be right back." And with that she drags you to their shared bedroom.
20 minutes later your hair has been perfectly curled and styled by Annie's skillful hands. She'd even adjusted your make up so that now you're wearing a bold red lipstick and a dark eyeshadow that matches your ensemble. And even you have to admit that you look better than you did moments ago. You usually didn't wear that much makeup, sometimes it made you feel like you weren't you, but what Annie had applied seemed stylish.
"Thanks Annie."
"Of course." She smiles brightly and leads you back out into the large kitchen filled with stainless steel appliances and real marble countertops. "How have you been? Did you finish that paper you were writing?"
By now several people have already begun to gather at different parts of the apartment, talking quietly with one another, while sipping drinks and eating finger food. The sound of their chatter is masked by the Billy Joel song playing from the speaker in the corner.
"Yeah. I submitted it, now I'm just waiting for the department head to read it." You frown at the thought.
"You don't think he'll like it?" She moves to the freezer to grab a bag of ice.
"Dale doesn't like the modern period of literature as much as I do so I'm expecting him to have a lot of critiques and reasons why he doesn't like it." You take the bag from her and set it on the counter.
"Sorry."
"It's okay. I'm used to it. He's never ecstatic about my research work." The thought makes you frown. "Even though he knows it's my specialty and the reason why he hired me."
"Isnāt he the creepy married guy that keeps trying to take you to dinner and wrote all those sensual poems about women who sound nothing like his wife?"
"Yep."
"Ew." Annie's face scrunches up in disgust.
"My thoughts exactly." You sigh looking around the kitchen for an ice bucket. "Do y'all have an ice bucket somewhere or-"
"It should be in that cabinet." She points behind you just as you hear someone knock loudly on the front door.
"Perfect."
The ice bucket is acrylic, see-through, and light pink, but you find it easily. The ice clanks against the sides as you pour, not bothering to watch Hughie open the door for whoever it was that hit the front door of the apartment with so much force you thought it would cave in.
Annie leans against the counter pouring herself a glass of wine and groans to herself when she sees who Hughie was greeting.
"What's wrong?" You ask her, your tongue between your teeth as you try not to spill any of the ice over the perfect countertops.
"I didn't think he would come." She grumbles.
"Who?"
"Ben." Annie all but sighs the name.
"And why didn't you want him to come?" You ask, pouring more ice into the bucket.
"He's just kind of rough-"
"Rough?"
"He works with Hughie. He's a supe. Thinks he's the best thing since sliced bread or whatever.ā She sighs again and takes a sip of her white wine to calm down. "Actually he used to be Soldier Boy."
"Soldier Boy? You mean the supe from the 80's that died?"
Hughie didn't tell me he had a dead man working with him.
"It's a long story." Annie waves her hand as if to dissipate the thought, but it doesnāt make you any less curious. "Now he works at the bureau with Hughie trying to keep supes in check. Usually he and Butcher bump heads."
"Oh."
Hughie didn't talk much about what he did with Butcher, or really who he met, but after Homelander disappeared and Stormfront took over as leader as the Seven more supes began to come out of the woodwork, supes that had been afraid before, but now had no one to keep them in check. And although The Seven were feared in the city, no one was feared as much as Homelander.
"I'm sure that he won't try anything Annie. And if he does I'll keep him in check." You smile at your friend.
It's her housewarming party and supe or no if he's a prick I'm going to kick his ass out. Annie doesn't deserve to feel stressed today of all days.
"Thanks babe."
"What are friends for?"
She squeezes your arm and walks away to talk with MM who stands with a little girl who must be his daughter. You'd only spoken to him a handful of times, but he was always eager to talk about her achievements in school. He was so proud of her that it made your heart warm. Her mother wasn't his soulmate, but there hadn't been any hard feelings between MM and his daughter's mother.
That wasn't unusual. You'd known several people who decided to date other people before meeting their soulmate as a way of passing the time. You'd always thought it was ridiculous to commit yourself to someone else and fall in love with them, only to have your heart broken when they met who they were meant to be with.
It was why you hadn't tried to date anyone, because you might have never met your soulmate, but the other person you'd be in a relationship with would. And you didnāt want to give your heart to someone only to have them leave you when they met their other half. Which meant that you were probably going to die alone, especially because your soulmate doesn't want you. It hadn't helped that you'd seen a few memories from your own soulmate with other women over the years, women that didn't look anything like you, women that seemed more confident, more beautiful, and more stylish than you.
Maybe that's why he didn't want me.
Your feel the familiar twinge in your chest when you thought that and fought the tears that burned when you thought of how happy Annie and Hughie were. You didn't want to cry at their party.
The familiar question rises in your head again:
When will it be okay?
Probably never.
You turn toward the freezer holding the now half-full bag of ice intent on putting it back when someone bumps into you. The bag slips from your hands and ice goes skittering across the perfect hardwood floors in every direction, but just when you start to drop to pick it up, you feel a large hand grip your shoulder.
A gasp escapes from your mouth as it makes contact.
As soon as the palm touches you, you feel nothing else, not the shift of the sweater against your skin, not the slight chill from the air conditioner, not the brush of your hair against your cheeks, all you feel is the warmth radiating through your clothes and soaking into your skin from the person's hand.
The hand moves to cup your chin gently, the shock of the person's skin touching yours makes the feeling increase ten-fold as the hand tilts your face up to meet the eyes of the person who bumped into you.
You know it's him before your eyes meet his, know that it's the man from the street who you saw for only a few seconds a year ago, but this time when his beautiful green eyes meet yours everything you felt that day comes roaring back.
He's taller than you remember, shoulders proud and broad stretching a dark gray button down shirt over his chest that have the sleeves rolled up revealing tanned arms. His hair is shorter, still dark brown, but now only long enough to cover the tops of his ears and his beard is shaved so that only a thick dusting covers his cheeks, but it's still him. And he's more handsome than any version you could come up with in your mind.
All sound in the room vanishes, the drone of chatter fades, the clinking of glasses disappears, the only sound that remains is your own heart thudding in your chest and you swear you can hear his beating at the same frequency, both of your hearts calling out to one another.
Your entire body feels like it's vibrating, as if every cell is moving so fast that they're heating you from the inside, leaving behind a molten puddle of what you used to be. A golden cord weaves around the two of you securing your heart to his in your mind, making you gasp as it hooks to his heartĀ binding his soul to yours. Time stops as he gazes at you, something brightening in his green eyes as they absorb your own gaze.
The man doesn't move. It almost looks like he's stopped breathing, and you realize that you haven't taken a breath since he touched your shoulder. His eyes drop down to your right wrist where your hand rests over his heart, where he knows his birthday will be.
You don't remember reaching out to touch him, but now that you realize it, you can feel his heart beating beneath the palm of your hand like a fluttering bird, gentle and judging by the memories you had witnessed from him, nothing about this man was gentle.
"I've been looking everywhere for you sweetheart." The man rumbles, the words vibrating against your fingertips where they rest against his muscular chest. He smiles down at you and somewhere deep down you feel something break open that you thought was locked away long ago.
And as you stand there looking up at the man you thought you'd never see again, the autumn sun warm against your back, you feel a flicker of something that could grow into a blaze spark to life in your chest.
A/N: I hope y'all loved the first chapter as much as I loved writing it! I've never written a soulmate AU, so I am a little nervous about it, but I think that it's going to be a lot of fun! And yes, I did give Ben the same birthday as Dean Winchester (not the same year). In my head Ben is Dean from a different universe, and it just made sense to me. š
Thank you so much for reading! Reblogs, likes, and comments are not required, but are always appreciated! I love hearing what y'all think š If you'd like to be added to the taglist for this series please let me know! :)
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@pamwritessometimes @roger-that-cap @my-obsession-spn @deangirl96 @kr804573
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#soldier boy x reader#soldier boy x you#jensen ackles#soldier boy#soldier boy x female reader#jensen ackles soldier boy#soldier boy/ben#the boys amazon#the boys fanfic#soldier boy fanfiction#soldier boy fic#soldier boy x y/n
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looking through your eyes + ten
authors note: i think ya'll will be pleased with majority of this chapter. as far as the ending scene, let me know what ya'll think roman should do. i have it already planned, but i'm always so curious reading other perspectives. btw, they've been married almost four months, for context.
also, to those who want to know about the subplot of solana's bitch ass daddy plotting to kill roman....it's still a subplot. stay tuned.
passages from 'the courage to heal' do not belong to me.
if any cw/twās are missed,Ā pleaseĀ let me know, and i will add them!
cw/tw:Ā violence against women, references to csa, character briefly discussing csa, fluff, angst, language, and suggestive themes
song inspo: ālooking through your eyesā by leann rimes
masterlist
words: 10k (no comment)
Learning to be intimate is rewarding, but it is not always comfortable. As one woman said, āI kept myself safe, but I also kept myself alone.ā Becoming intimate means peeling back the layers of protection to let someone in. It means going to the place where youāre comfortable and then taking one step more. One step, not twenty.
Solana must read the passage at least half a dozen times, sitting with the words, meditating with them and doing her best to cope with the discomfort sheās experienced at various points while working her way through the book thatās brought an equal amount of questions as it has answers.
She knew right away going into this section, Healthy Intimacy, that it would most likely be the hardest chapter for her. But not even for the reasons that she initially thought, reasons that would have been the case before a certain Roman Reigns entered her life.
Every day that passes with him seems to bring about a new level of comfort, a new slice of happiness, a new type of contentment.Ā
She enjoys talking with him and being around him. She looks forward to his meeting her at the end of work and struggles with endless worry when he doesnāt make it back home until the wee hours of the night.
His touch, whether thatās his hand on her back or both hands on her waist as he holds her against him, no longer triggers an automatic tense, uncomfortable feeling. Somewhere along the way, the need to identify his touch as āsafeā waned and was replaced with an automatic knowing. Like she knows that itās okay for him to touch her, because sheās safe. Because sheās safe with him.Ā
That, along with her continued and also growing attraction, has caused her to think more and more what it could be like to be with someone in that way. The thoughts have been fleeting, far and few over the years, typically followed up with abject horror. But latelyā¦.lately sheās been less and less scared and more and more hopeful.
Optimistic that maybeā¦.just maybe, she could one day know what thatās like. To have that experience in a healthy and non-traumatic way with a safe person. With someone who truly desires her in said healthy way.
Someoneā¦.someone like Roman.
Itās scary and terrifying and exciting and nerve racking and moving and every other emotion to exist, but on top of all that, for the first time in her life, itās a possibility for Solana.Ā
And she wants to take that chance, even if doesnāt work out, even if itās not what she thought it would be. To be able to say she at least tried, to say that she overcame her fearsā¦it would be monumental.
It would feel like the breaking of mental and emotional chains.Ā
And it starts today.
Closing up the book, Solana untangles her legs and marks her spot in her book. She gives Dulce a light pat on the head and walks into the bathroom. Opening up the drawer, her eyes land on the pair of scissors. Nothing fancy. Just a pair of regular scissors.
Solana takes a deep breath and grabs them.Ā
Using one hand to let down her hair from the messy, half-effort bun, she gives her head a good shake. Once, twice, and then a third time. For a brief second, she hesitates, her fatherās constant belittling returning to the surface.
āYou donāt need short hair. Youāll look even fatter with it.ā
Solana shuts her eyes as she thinks of all the times Roman has called her beautiful, has made her feel beautiful. The endless support from Bayley and Naomi. The borderline inappropriate comments form the twins almost every time she sees them.
It all brings an emotional smile to her face as she takes another deep breath.
One step, not twenty.
And she cuts.
________
Samantha can count on one hand in all of the years that sheās known Roman Reigns the times that heās surprised her with a visit.Ā
Zero.
Heās always always given her a heads up for his arrival or plans to visit, solely for the mere fact that Roman is a man who doesnāt like to wait. When he wants pussy, he wants it then and now. And sheās never been one to deny the Head of the Table anything heās ever asked for.Ā
So when she finds him sitting at her desk, feet propped up with an unreadable expression, it takes her off guard.Ā
Only for a minute.Ā
āI knew it was only a matter of time.ā Samantha is quick to kick the door shut behind her, locking it right as she tosses her purse on the nearby chair. āYou canāt go too long without me.ā This fact alone is enough to make her cum right then and there. The fact that even with his roster of women he rotates through, she remains number one.Ā
Roman knows where itās at.Ā
And him coming to her, at her job of all places, just proves it.
Eye dropping to his crotch, she licks her lips at the thought of that thick, beautiful dick in her mouth. Fuck, sheās salivating at just the thought. āYou want me on my knees, daddy?ā
Samantha starts to kick her shoes off when he finally breaks the silence.
āI want to know what you said to my wife.ā
Samanthaās smile drops in under a millisecond. Instantly, sheās scowling. āWhat?ā
Roman doesnāt hesitate to repeat himself, every word perfectly enunciated with his heavy, baritone voice. āWhat did you say to my wife, Samantha?āĀ
Thisā¦.this isnāt how she was expecting this to play out, and it shows in the sudden stuttering, āIāI donātāā
āShe came back from that bathroom upset, and I donāt like seeing her upset, so Iām only gonna ask you one more timeāā Samantha nearly jumps back into the door when he suddenly bangs his fist on her wooden desk and growls, āwhat did you say to her!ā
Stammering, she answers with a combination of fear and desperation, āI justāI told her the truth.ā
It seems to be the wrong answer, as Roman looks 5x angrier. āAnd what the fuck is that?ā
Samantha gathers herself a little better, voice more even as she answers with misplaced confidence. āThat she could never please you. Not how I can.ā And with foolish bravery, Samantha steps toward him. āThat youāll always come back to me.ā
āYou fucking bitch.ā
That makes her still with her movements. Heās called her all kinds of names when theyāve fucked, and sheās loved it, loves being fucked hard and rough, his preference. But thereās something about this that she doesnāt love.Ā
Itās because he sounds legitimately upset with her.
And that, in turn, upsets her, because he cannot seriously be upset that she said some shit to that little girl.
āWhy does it matter? Itās not like she means anything to you.ā Samantha has to actually laugh. In no universe can she see someone as strong and powerful as Roman caring about a girl like that. But, itās when he doesnāt say anything, doesnāt voice some type of agreement that her confidence dwindles a bit. āRāright?ā Still, nothing. And itās with that nothing she realizes with all of the anger and shock in the world why heās so upset.
āOh my god. Are you serious right now? Her? You really have feelings for her?ā Even saying it aloud sounds ludicrous. āWhat the fuck, Roman? What the hell is so great about her?ā
There is absolutely nothing that girl brings to the table for her to have someone like Roman Reigns interested in her. It doesnāt make any goddamn sense. What the hell is attractive about a scarred, sliced up, fat bitch?
He finally speaks, warning her in an almost menacing tone. āWatch your fucking mouth.ā
āThat girl is weak, Roman. You canāt be the head of the Bloodline and have someone like her at your side. She doesnāt deserve it.ā By now, Samantha has moved over to him, her hands planted on his chest, his eyes closed. āYou needā¦.someone strong at your side. Look at what youāve done just by yourself. Imagineā¦imagine having a queen to rule with you.ā She licks her lips, going in for the kill. āI can be that for you. I can give you an heir. Look at how long itās been and still nothing, no baby. Sheās broken, Roman. That bitchāā
Samantha is silenced by him jumping up from his chair as he shoves her against the wall, hand on her neck. Itās not the first time theyāve been in a similar position. She loves to be choked during sex, and heās adept at doing just enough to get her off without her passing out.Ā
But this time, thereās no pressure, no sexual aspect, no foreplay.
Thisā¦.this is different.
Because this is the first time sheās ever actually been afraid of him.
āIf you ever in your fucking life speak on her again, Iāll kill you.ā Samanthaās eyes are wide, hand grasping at his. Heās still not actually applying any sort of pressure, probably more so placementĀ to evoke a level of fear. A reminder that he could end her life in a matter of seconds if thatās what he wanted. āIf you ever speak to her again, Iāll kill you. Fucking look at her, and youāre a dead bitch.ā
Samantha barely has time to process his threats when he says something in Samoan and steps back, releasing her as she dubs over and gasps loudly from the shock of it all.Ā
Seconds later, sheās on the floor, laying on her side after fucking Nia has landed her big ass foot in Samanthaās head.Ā
Nia is looking down with a wicked smile that promises a level of pain. āYou talk too fucking much.ā She canāt tell if itās directed to herself or Roman, regardless, he looks unbothered, outside of staring down at her with disgust.
Samantha has no idea where the hell that bitch came from, but her unexpected blow nearly has her seeing stars. Sheās writhing on the floor, on her side, cradling her head when Nia yanks her up by her extensions.
āOh, you have no idea how long Iāve been waiting for this.ā Nia kicks her a second time, in her side, and Samantha is almost certain she heard the subsequent cracking of her rib from the impact. Tears fill her eyes. āIāve wanted to kick your ass since we were kids.ā
Helpless and feeling so confused as to how he could do this to her, Samantha sets her teary gaze onto him. She does her best to generate as many tears as she can. āRoman, pleaseāā
āYouāre fucking delusional if you really thought I would ever make you anything more than what you were to me.ā Samantha sniffles, vision blurred and stomach aching from both the physical and emotional impact of his words. āNothing.ā
A sudden anger fills her, meshing with the growing physical pain. She did this. That fucking bitch has taken Roman from her, her Roman.
āYou wanna know what she is to me?ā He crouches down and reaches for a lock of her hair, answering just as icily as the disgusted look in his light brown eyes. āEverything youāre not.ā
Samantha snarls almost, not even angry at his words as much as her mind is trying to navigate any and all ways to make that little troll pay for this. Pay for stealing her man.
But itās as Roman is walking out, that he barks his last order to Nia. Not necessarily a necessity given the fact that heās certain sheās dreamed exactly of how this very moment could and should go down. Granted, this is the one symbolic thing he needs to ensure takes place.Ā
āBreak her fucking jaw.ā
________
Handling the Samantha situation is just one of many things to be checked off of Romanās to-do list for today. Heās got meetings, contracts to review, spreadsheets to update, shipments to see sent off, and a million and one other things. Most of which heās far from thrilled about but also know needs to be done, regardless if heād rather say fuck it all just for today. For just a couple hours, even.
Delegate, perhaps. But these are things that canāt be delegated. He, as the Head of the Table, needs to put his signature on to make it official.Ā Ā
And heās got his Wise Man fresh on his heel to remind him of such responsibilities.
āAnd if my Tribal Chief can find it in him, we should also review Nick Aldis' proposal.ā Romanās instantly scowling. He fucking hates Aldis. The bastard is smug and thinks himself more important than he is. That Roman wonāt end his fucking life with one snap of his finger.Ā
Roman is halfway listening to Paul when he walks past Alicia who stands up from her desk. āSirāā
His dismissal is swift and brusque. āLeave me alone.ā
āButāā
One murderous look, and Alicia is back in her seat. Roman briefly overhears Paul chastising his secretary for her insubordination when he opens his door and immediately realizes why Alicia was most likely trying to speak to him.
Roman sees Solo standing almost awkwardly in the corner out of his peripheral vision, but his attention is solely on the other unexpected guest.
Focused on the way her almost flesh toned dress hugs every curve that drives him fucking insane sometimes, the way she bites down on her bottom lip in that way heās learned she does when sheās unsure of something. And heās especially focused on her hair thatās chopped down to where it lightly grazes her shoulder.
āI tell you, good help is so hard to findāā Paul is silenced as he finally walks in and sees Solana. āOh, itās you.ā Roman shoots him a look that would absolutely kill if it had any sort of physical impact. āI mean, Solana, what a surpriseāā
Roman easily moves back to focusing on his wife who looks absolutely fucking stunning. He directs his command though to Solo and Paul. āYou two, out.ā
Solo doesnāt need to be told twice, but Paul seems to meander, even as Roman walks over to Solana. And itās when Roman has his hands on Solanaās hips and the room is still not cleared, he repeats in a calm voice thatās solely because of Solanaās presence.
If not for her, heād be screaming at his Wise Man.
āI said get out.ā
Roman can practically hear the nervous gulp. āBut, sir, we have workāā
Solana frowning pisses Roman off in a way he has to keep from showing. But itās when she finally speaks and itās an offer to leave that he really has to reel in his rage. āI can goāā
āNo.ā Thatās the fucking last thing he wants. āPaul is leaving.ā
Itās not a suggestion, not a request, not a preferred action.
Itās a fucking demand.
And his Wise Man must realize this, because heās quickly following in line with Solo and finally leaving Roman alone with Solana who seems still unsure about her presence.
āYou have work to doāā
āYou really expect me to get anything done when you come in my office looking like this?ā He motions to her outfit and sees the way her cheeks tinge reddish as she bites back a smile. āNot happening, sweetheart.ā
āI thought it looked nice.ā The bashful way she says as such, as if sheās unsure it was an accurate assessment blows his mind. She looks down at the dress as if itās not the woman wearing said dress that has him pushing back unholy thoughts.
āIt doesnāt look nice. You look nice, Solana.ā Another one over of her curvy body, and he mutters, āmore than nice.ā He brings his hand to her hair, brushing his fingers against the ends. āYou cut your hair.ā
She nods, an almost look of determination in her soft expression. āIt was time,ā is all she says, and Roman doesnāt need to ask for clarification. This meant something to her. Cutting her hair has a deeper meaning than just wanting something new, and whatever the reason, heās proud she found it in her to follow through.Ā
He hates when she asks him, still unsure, ādoes itā¦does it look bad?ā
Heās not sure he could ever use Solana and ābadā in the same sentence. Ever. āYou could never look bad.āĀ
She smiles, clearly pleased by his compliment. Good. He likes seeing her smile.
āCome here.ā Roman takes her hand and leads her over to his desk where he sits down in his chair and doesnāt think twice about guiding her onto his lap. Roman feels her tense for only a couple seconds before she relaxes against him.
āAs pleasant a surprise it is to find your fine ass in my office, I know you came for a reason.ā
Roman is extremely perceptive. Always has been. Heās noticed the increased comfort Solana has developed and continued to develop with him. The way her discomfort at being looked at too long or even touched in any sort of capacity has shifted into bashful smiles and an almost light in her eyes at being complimented. At someone finding her to be anything but every lie sheās ever been fed.
Her confidence is growing, slowly but surely. And he likes that shit.
So heāll do whatever he needs to do to keep it growing.Ā
āItās nothing serious.ā It doesnāt have to be. She could come to his office every day if thatās what she wanted. Heād have zero complaints. āI justā¦I was baking Sopaipillas, and I know you like them and I felt bad because Iām bringing Jimmy and Jey someāā
Itās not until that moment he sees the Tupperware container on his desk. Her thoughtfulness is so unfamiliar but very much appreciated. He chuckles as his fingers carefully tap against her hip. āThank you, but you know if you keep feeding they asses, they gonā keep coming over.ā
Sheās smiling almost, defending them to a certain extent. āTheyāre really not that bad.ā And sheās not entirely wrong. His cousins can be entertaining at times, but beyond that, he likes seeing her comfort level with them increasing as well.Ā
For her to be as comfortable around them as sheās become, especially with them being men, is extremely significant given her trauma.
Heās proud of her for that just as well.
Still,Roman shrugs and calmly points out. āI spend most of my day with them.ā Her other hand lays on his chest as he admits, āI donāt want to come home and see them. I just want to see you.ā
Solana gives an expected almost shocked expression followed up with a slight confession of her own. Her voice is soft, like sheās unsure about what sheās about to say but is going with it regardless. āThatās why I wait up for you to get homeā¦because I want to see you too.ā
He believes this to be true, but he also knows thereās something else to it. āYou worry about me.ā
She nods, nervously licking her lips. āIām trying to work on it though.ā Sheās been working on a lot of things, a lot of difficult, most likely mentally taxing things. And as proud of her as he is, Roman also recognizes the importance of pacing oneself.
He gently grazes the back of his fingers over her cheek. āJust focus on you, alright?ā
The corner of her lips lift into an almost playful grin as she asks innocently, āwhat if I can do both?ā Roman studies her, sees and hears the playfulness. Itās unlike her, but he fucking loves it. She squeals and almost giggles against him as he brings her closer to his chest, her hand squeezing his shoulder as he remains mindful of the placement of his hand on her hip.
Growing comfort or not, he still wants to be respectful of her boundaries.
Still wants to maintain her trust.
āI got me. Always.ā Her gaze is on him, softening by the second as he adds on almost quietly. āJust need you to be okay too.ā
Okay is such a big word, so layered. Sheās not sure sheāll ever be fully okay. Too much trauma. Never enough healing. But there may be some level of okayness she can achieve, and it does feel like thatās something thatās in progress. āIām getting there.ā
And a large part of her healing journey is largely due to the man underneath her, staring at her with almost a sense of fascination, like heās so enraptured by her. Like heās smitten with her. The person she once believed no one could ever want has a handsome, powerful man like Roman Reigns holding her, looking at her, wanting her.
A line from the book resurfaces to the front of her mind.
One step, not twenty.
With that as a motivating and supportive mantra, she slowly moves her hand from his shoulder to his face, his beard prickling against her skin.
āSolanaā¦..ā Sheās not sure sheās ever heard him sound so pained. āBaby, you canāt touch me like this and expect me to not want to kiss you.ā
The butterflies in her stomach grow exponentially. Baby. Sheās not entirely certain, but she feels like heās called her this before, that heās referred to her as such on a different occasion. So, itās not a mistake, not a one time thing. Itās yet another sign that there wasnāt a dishonest bone in his body when he said he wanted her.
That he wants her.
Her heart is beating a mile a minute as she pools together all of the courage in her body and again chips away another tiny section of her wall of protection. āSo kiss me.ā
Itās not until this moment that Solana sees Roman actually appear genuinely surprised at something. He asks, maybe as if he needs to make sure he heard correctly, but Solana would bet itās less that and more him ensuring consent. āAre you sure?ā
Heās been so good at that. Consent. And itās meant the world to her. His patience with all of her baggage.
Nodding, she quickly remembers his preference for verbal acknowledgements. āYes.ā
Solana doesnāt really remember her kiss with Roman at their wedding. She doesnāt really remember much from the actual wedding at all, to be honest. It wasā¦.it was more traumatic than anything, which is why she does her best to keep it stored away with the other too difficult to sit on memories.
But thisā¦.this she is certain she will never forget.
Thereās an almost hesitancy when his lips touch hers, a space heās leaving open in the event that she changes her mind. Sheās grateful for that, but itās not necessary. Her āyesā was as genuine as his apparent interest in her.Ā
And when he picks this up, picks up the fact that she truly wants this, he deepens the kiss, his hand moving up to her lower back as he pulls her closer to him. Romanās full lips are soft and warm, and the way he moves his mouth against hers is both reserved and hungry, a strange but well balanced thing only he can manage. Like only he can achieve. He kisses her with a passionĀ that she feels is only a fraction of everything he feels toward and for her.Ā
Solanaās hand slides to the back of his neck, her fingers brushing up and across the skin, teasing the strings of hair that refused to mold down. Sheās not sure if this was the right move because he makes a sound against her mouth, an almost mixture of a moan and groan, and pulls away. The separation and her subsequent light panting makes her suddenly aware that theyād been kissing longer than she realized. That sheād gotten so plunged in the experience that time seemed a nonfactor.
Her eyes flutter close when Roman brings his lips back onto her, this time peppering kisses along her jawline. Her head tilts back, an unconscious thing that grants him full access to the nape of her neck, which he easily makes his way down to. Itās a different, pleasant sensation that has her nails scraping against him.
āRomanā¦.ā
āSo fuckinā beautifulā¦.ā He says something else, something she canāt understand because itās said in Samoan, but it unintentionally triggers something for her. A new level of bravery, an ability to ask something that makes her insides light afire and heart rate exceed whatās probably safe and healthy. But, itās a hill she wants to eventually be able to get up and over.
And heās made her feel safe enough to be the one to do it with.
āRoman.ā Her voice must give away her need to say something because he pulls away from her and is focused directly on her. She licks her slightly swollen lips. āI wantā¦.I want to tryāā
āWhatchu mean he busy? Man, you trippin. Uce always got time for family.ā Jimmyās loud unexpected voice is enough of a disruption and mood killer that Solana quickly jumps off Romanās lap and moves away just enough to adjust her hair and dress. āSoso!ā
Solana brings herself to look at her husbandās cousin as he finally walks in the office after dismissing Aliciaās warning. The first thing she notices is the tupperware bowl in his hand and white substance on his fingers. āI hope you donāt mind. When I saw your driver, I figured you had these little sugar things in the back so I just grabbed emā all.ā
If not for the fact that Solana is still trying to settle herself, sheād point out how the other bowl was supposed to be for Jey. But that seems irrelevant at the moment.Ā
āIām going to fucking kill you.ā
Jimmy seems completely unbothered by Romanās threat as he plops down on the sofa, kicking his feet up on the glass coffee table and asks with all the obliviousness in the world. āSo what yaāll doing?ā
When Roman shoots up from his desk and starts toward his cousin, Solana places herself in front of him, hands on his chest. His attention is immediately down, focused once again on her.
āItās okay. IāIāve got training with Bay and Naomi anyway.ā Swallowing her nerves and pushing back thoughts of howā¦.how nice it felt kissing him, she quietly offers a hopefully acceptable alternative. āWe can talk tonight.ā
This doesnāt seem like Romanās preference but something he can live with. āFine.ā
She knows heās obviously annoyed at being interrupted, and she is too, to a certain extent. But, Jimmy meant no harm, and she hopes Roman can at least recognize as much. Solana says bye to Jimmy and is near the door where she sees Solo waiting for her when an idea, more an urge, becomes too prominent to push away.
She turns back around and leans up, pulling Roman down by his shoulders and kisses his cheek. He gives her a look that tells her heād be pulling her back for more if not for her cousin, and it makes her stomach somersault all over again.
But, she doesnāt give him the opportunity, just a small smile as she walks out for good this time.Ā
And itās after sheās gone, the Wise Man back in the room to help minimize the chances of his Tribal Chief killing one of his cousins that Jimmy uses the distraction to pull out his phone and send a text in the group chat.Ā
Group Chat: Operation RoSo
Jimmy: Yaāll! Code red! Code fucking red!
Jey:?????????
Bayley: Is Solana okay?!
Naomi: ^^^^^^
Jimmy: Man, I just got to Uce office, and good thing I walked in when I did. They acting all weird and shit. Soso just ran out of here but not after telling him theyāll ātalkļæ½ļæ½ļæ½ tonight!!!!
Jey: Iām too high for this shit right now.
Naomi: Babe, how exactly is that a code red???
Jimmy: They was obviously arguing before I got here! And ātalkingā tonight??? That aināt nothing but part two!
Bayley: Jimmy, that seems like a bit of a stretch.
Jey: A big ass stretch. Man, leave them two alone.
Jimmy: Naw. We gotta expedite this plan. I can see the writing on the wall. If we donāt move fast, they never gon fall in love. They might even be starting to hate each other now!
Bayley: Now youāre just being dramatic.
Jey: Agreed. How I get out this chat?
Jimmy: I donāt wanna hear it! Iām the master strategist so let me do my thing!Ā
Jimmy: Babe. You and Bayley have SoSo all done up and nice this evening. Make her think yaāll are going out or something.
Naomi: Why?
Jimmy: Damnit woman, because I said so!
Naomi: š«¤
Naomi: Iām trying to figure out who the fuck you think you talking to. Donāt get your ass beat.
Jey: Iām muting this shit. Yaāll not gon get me killed. Roman donāt like people in his business.
Jimmy: Just have her ready, and Iāll text you the location and the time she needs to be there.
Jimmy: We gotta save RoSo from themselves!
________
Solana misses the blow from Naomi by only a fraction of a second, but before she has time to think about it, another one is coming, forcing Solana to quickly jump to the side.
āNice,ā Naomi compliments. āTry more offensive positions though. Try to hit me.ā
Solana knew that was coming, knew that Naomi would be pushing her today, as she has the last couple times. It only makes sense. Solana recognizes that sheās improving, that she has improved a lot since she started. It seems only natural that Naomi would continue to push her to further the progression of her skills.
āDonāt be afraid, Solana! Naomi can take it,ā Bayley encourages from the sidelines, drinking some of her Gatorade.
Solana does her best to not get too distracted, knowing that can be quite literally fatal if this was a real situation.Ā
Naomi lunges at her again, and Solana manages to block it with her forearm but also lifts her foot, managing to kick Naomi away.
āNice!ā Itās such a weird thing to be applauded for. āBut remember to retract your foot faster next time. I could have twisted it and grounded you.ā
Solana commits that to memory just as Naomi steps back and Bayley walks back over. She then compliments, āI know I said it already, but the haircut looks amazing on you.ā She quickly adds in a manner thatās more telling than asking. āJust have to even some areas off.ā
Solana half smiles. She expected Bayley to need to go in with actual shears to shape up some areas given the fact that Solanaās impromptu haircut was literally just her taking some regular scissors and chopping at least five inches off.Ā
But before Solana can say anything else, she sees why Bayley ended her break to get back into the training.Ā
Itās evident by the knife in her outstretched hand.
āThis is a Benchmade Bailout. Itās a folding knife. A little bigger than what weād like you to carry on you, but a good place to start.ā
Carryingā¦.Solana hadnāt even allowed herself to think about that part. Of course theyād want her to start keeping a knife on her once teaching her how to use one.
Naomi then advises, āweāre not gonna do any fight training with it today, but we do want you to get used to the feel and weight of it.ā
Solana can feel her heartbeat increasing. She canāt remember the last time, if ever, sheās held a knife of this nature. Her left hand is against her shorts, tapping against the spandex, a continued nervous habit.
Bayley sees this and offers assurance. āItās okay. We just want to go over the basics.ā
Solana does her best to focus not on the past, but the present. The here and now. Another recommendation from her book. She also strangely remembers the countless times Roman has asserted he wonāt let anything happen to her.Ā
āIāve got you.ā
The safe feeling she has when heās around. Heās not physically present, but the recollection of his words anchor her.
Taking a deep breath, Solana takes the knife from Bayley, its coolness taking her by surprise. She never takes her eyes off the blade.Ā
Meanwhile, Naomi goes into basic tips and information. āRight off the bat, if you ever need to use it to defend yourself, go for the major arteries.ā She then begins pointing to the various body parts as she lists them off. āThe neck, stomach, chest area namely. Itās your best bet at getting someone almost entirely immobilized.ā
āAnd this might be graphic, but donāt be afraid to go for it twice. Sometimes people can still be standing with just one hit.ā Solana is grateful for the fact that Bayley is trying to be careful with her words, vague to a certain extent but clear enough so she can understand.
āIf you just wanna get them away and not potentially kill them, maybe go for the hand or foot, depending on how theyāve got you pinned.ā
āBut by the time we finish your training, no one will get the chance to pin you.ā Naomi gives a comforting smile and squeeze of her shoulder. āNot to mention Roman would never let you be in that position in the first place.ā
Solana doesnāt doubt that one bit.
Bayley suddenly clears her throat, almost awkwardly.Ā
Solana frowns, looking lost by the otherwise random in interjection. āWhat?ā
āWeāre not supposed to tell you, but Roman is taking you out to dinner tonight.ā Naomiās answer is appreciated, but it doesnāt make sense.Ā
āHe what?ā Solana is confused because she literally just saw Roman this morning and came straight from his office to the Warehouse to train without him mentioning a word of this. āHe didnāt say anything to me.ā
āItās supposed to be a surprise,ā Bayley adds, but thereās something almost unsure about her answer. āSo, Iāll take you to my salon afterwards to touch up your hair now, and then we can also figure out glam while youāre there.ā
āYes.ā Naomi claps and carefully removes the knife from Solana. The knife she completely forgot she was holding. Naomi comments on that. āSee? You forgot about it for a minute, didnāt you?ā Solana nods. āDonāt worry. Weāll get you there.āĀ
The encouragement means the world to Solana as she offers a quiet but meaningful, āthank you.ā Theyāll never know how much their support means to her.Ā
Ever.
Bayley comes and stands beside Solana, sliding her arm around her with that infamous sly smile.āYou never have to thank us for being your friends, Solana.ā Words have never hit so deeply, Solana having to hold back tears. Friends.Ā āNow letās figure out what the slay is gonna be for tonight.ā
________
The minute Solana walks into the restaurant, she realizes that something is off.Ā
And not even in a dangerous sort of way, more so, thereās something sheās not being told sort of way.
Itās a beautiful upscale restaurant that has decor that probably costs more than some peopleās mortgage payment.Ā
But itās barren. Not a customer in sight.Ā
Walking up the three steps that lead to a higher level, she looks around, confused as to the fact that a restaurant that probably requires reservations six months in advance is vacant.Ā
Digging in her small purse, she pulls out her phone to text Roman. Bayley and Naomi encouraged her to continue to play dumb, but this isnāt right.Ā
She needs to talk to him.
āSolana?ā
Her head snaps up to see Roman who also just walked up the same steps she did minutes prior.
āRoman?ā
He seems surprised to see her, an unexpected expression for someone who allegedly planned this dinner. āIāI donāt know whatās going on.ā He walks over to her as she explains. āI was toldāā
āProbably the same thing I was told,ā he finishes for her and takes in her appearance, Solanaās hands smoothing over her dress. Looking just as captivated as heād looked at her this morning in his office, Roman ghosts the back of his hand against her cheek. āSei uno splendoreā¦.ā
She hasnāt a clue what heās said, but something tells her itās a compliment of some sort. Still, Solana asks with that same bashful smile that seems to always fall on her face when sheās around him, āare you gonna tell me what you just said?ā
Roman winks and answers, plain and simple, ānaw.ā
Smiling even harder, before she can say anything else, another voice enters the conversation.
āSoso, girl, what you doing here?ā
Both Solana and Roman turn to a smiling Jimmy who's wearing a poorly feigned look of surprise.Ā
āJimmy?ā Solana is genuinely confused while Roman looks like heās genuinely considering murdering his cousin for the second time today. āWhatāwhat are you doing here?ā
Roman is completely uninterested in the why and more so on the how heās going to end the other man. āIām going to fucking kill him, Solana. I donāt care anymore.ā
Jimmy completely ignores Roman and answers her question with an answer that makes no sense. āAhh, you know, I was in the neighborhood.ā
He gives Solana a side hug as she answers his question as well, hoping to avoid witnessing a familial crime. āBayley and Naomi told meāā
āYou know what, it donāt even matter. You here. Big Dog here.ā He gestures around them. āLooks like this nice ass restaurant has been rented out by some coincidence. Might as well enjoy a nice dinner.ā
Roman closes his eyes, seemingly trying to count off. āIām literally going to snap your fucking neck if you donāt get lost. Now.ā
Solana moves over to Roman just enough for him to reach and gently tug her into him. He doesnāt need to be getting this upset. She naturally lays her head against his chest, fingers grasping the sides of his shirt.
Jimmy lifts his hands in a surrender manner. āHey. I can tell when Iām not wanted.ā Solana smiles at the look she can imagine on Romanās face at that. āYaāll be safe now. Soso, Iāll be at the crib in the morning for breakfast.ā
āWhy the fucāāĀ
Solana reaches up and redirects his focus onto her. āItās okay.ā Solana looks over at the table thatās beautifully decorated with a stunning centerpiece. āItāsā¦.itās sweet.ā Her diversion also, thankfully, a long enough distraction for Jimmy to depart, leaving the two of them alone.
Her preference.
Romanās as well, clearly.
Solana then takes in the situation, a little relieved to finally know whatās going on. Itās obvious she was set up. Roman too. But regardless of the deception, itās deeply appreciated. Her friends going to such lengths to set up something nice like this.Ā
Roman, calming down a bit, doesnāt necessarily disagree with her, but instead asserts, ātheyāre interfering, and I donāt like that shit.āĀ
Her smile dims a bit as she offers, āwe can leaveāā
āNo.ā He shoots it down immediately, hands on her hips. āJust hate that I finally get time alone with you, and itās because of fucking Jimmy.ā Her eyes shut when he kisses her forehead and murmurs, ābeen thinkingā bout you all dayā¦ā
And the smile is back as she takes his hand and leads him toward the table, Roman pulling her chair out for her.Ā
Having the restaurant entirely rented out is a luxury sheās not used to but appreciates, especially with how catered the service is as well as the fact that they donāt have to wait long for the food. Conversation flows easy between them, more Roman asking questions about how sheās doing, if she needs anything.
Heās always so attentive, and sheās so grateful for that.Ā
Grateful for him.
Itās the same type of attentiveness that causes her to comment after the waiter comes and takes their plates, clearing the table. āYou seem stressed.ā
And not just because of the date setup.
He shrugs, partially dismissing but not outright denying. āJust a long day.ā
It seems to be a recurring theme with him. Solana has noticed for a while now how his early days always bleed into late evenings that sometimes spill over to the next day. It doesnāt seem sustainable to her. āYou have a lot of those.ā
āIām the Tribal Chief.ā He says it with pride, as he should, but thereās something else there. Something she canāt outright identify. āComes with the territory.ā
And Solana recognizes as such, but as large of a man Roman isāin many different waysāheās still just a man. āIs it ever too much?ā She crosses her arms across the table, leaning forward almost. There may be no other attendees present, but there are still workers, so sheās mindful of her volume. āI meanā¦.ā
āDo I ever get exhausted?ā She nods. āSure.ā That wasnāt the answer she was expecting. Roman does such an excellent job always wearing that mask of calm, cool, and collected. Outside of his obvious temper, heās always so well put together. Itās something she envies, to a certain extent. āBut someoneās gotta do it, and as itās my birthright, the responsibility falls on me.ā
She sits on his words, understanding where heās coming from but also wondering just how he manages such a weight. She knows heād headed the Bloodline for some time now, since he was 18 years old. Thatās a large burden to carry at such a young age and for him to do it so long and as well as he has, itās impressive.
He certainly lives up to his reputation.
Solana nods and does her best to ease into what sheād really like to tell him, to have him know even if he never in life takes her up on it. āYou always say that I can talk to youā¦ā
Roman doesnāt hesitate to reaffirm it too. āYou can.ā
She knows this. Heāsā¦.heās made it abundantly clear that he wants to speak with her, to know whatās on her mind. āThat goes both ways.ā Something speedily flashes in his eyes, briefly affecting his otherwise neutral expression. āYou can talk to me too.ā
For a second, she regrets saying anything, regrets second guessing his abilities to handle things. The last thing she wants is to insinuate heās somehow incapable of taking care of business. But, if heās insulted by her offer, he doesnāt show it, just says a simple, āthank you.ā She offers a small nod when he seemingly changes the subject. āHowās training?ā
Thereās a bit of a sting at what feels like a slight form of rejection, but she understands better than anyone that opening up can be hard, so she respects his wishes.
āGood. Iā¦.I think I like it.ā Itās the truth. While initially terrified of being put into such a foreign situation, Solana has found herself growing increasingly content with this new part of her weekly routine. Training has assisted, to a great extent, in her growing confidence and surety with herself. Thereās something comforting about learning how to defend herself, how to keep herself safe. āToday was a little hard though. Theyāre teaching me how to fight with knives. Itāsā¦..uncomfortable, but thatās how I know I need to do it.ā
If thereās anything sheās learned in the past couple months, itās that nothing about working to overcome trauma is easy. That doesnāt, however, make it any less important.
Or beneficial.Ā
āNot if you absolutely donāt want to.ā To be fair, Roman wasnāt even informed that this was something the girls were starting with Solana. He makes a mental note to remind them that while they handle her training, the specifics of what sheās taught needs to be run by him at all times. He probably would have shot down the knife training.
Solana was literally present and witnessed her mother be stabbed to death. Solana herself was also stabbed.Ā
That seems almost cruel to make her learn how to wield the very weapon that took so much from her.
āWes used to use knives to hurt me.ā It comes out more quiet than she intended, a natural effect of sharing something so painful. She points to a small scar on her neck, the exact date and nature of how it happened, something sheāll never forget but has little desire to elaborate on.
āAnd I knowā¦.I know you wonāt let him hurt me anymore, butā¦.I donāt want him to have that power over me anymore either. He knows Iām scared of them, and heās always taken advantage of that fact. I donātā¦.I donāt want him to have that anymore.ā
āThen he wonāt,ā Roman agrees. He can understand her logic, and he respects the hell out of her wanting to take back that power. He supports the hell out of it too. āNot if you donāt let him.ā
She gives a sad smile, shaking her head. āAs strange as it is, I thinkā¦.Wes and I are both victims.ā Before Roman can press her for clarification, she explains, āmy father always kept his contact limited with my mom. He said she would make him weak like she made me.ā Just saying it takes Solana back to countless times and occasions where her father would talk down on her mother, talk down on Solana. Itās a weighty memory. āHaving my momā¦having her love for the time that I did made a big difference for me. Wes never got that, so I always wonder how things could have been different if he did.ā
Solana has a big heart. Pure. A mind-boggling phenomena to Roman considering everything sheās been through. āIt still doesnāt make what heās done to you right.ā Kind heart or not, itās imperative she knows thereās never a good enough reason or excuse for anyone to do what heās done to her.
She nods, āI know.ā Itās still a work in progress, Solana learning to unlearn the victim blaming sheās placed on herself for so many years. But, that much, sheās come to accept.
She never deserved any of Wes or her father's abuse.
Roman can see the way memories might be coming back to the front of her mind and moves to redirect again. āYou wanted to talk to me about something earlier.ā
Oh.
For a second, she wants to lie. To make up something. To come up with a story thatās hopefully believable enough for him to not poke holes through. And then another line from her book resurfaces.
Calculated risks are differentāyou weigh your chances and step out onto the ice only when youāre relatively sure itās solid.
Solana is certain sheās never met a more solid person than Roman.
Scooting back in her chair, she feels his watchful gaze around her as she moves around the table and is only inches away from him when he realizes what she's doing and beats her to it, gently pulling her onto his lap. Heās always so careful around her.
Solana moves her arms around his neck as he rests one hand on her hip.
She takes a deep breath. āI was...I was working out of my book this morning, and it was the chapter onā¦on intimacy andāā She has to pace herself, knowing that if she doesnāt, she wonāt get through the conversation. And she has to do this. She almost feels like she needs to do this. āI think I always thought I couldnāt have that because of what happened to me, butā¦..but I think I can.āĀ
And this has been such a powerful and moving revelation to walk into. For so long, Solana has lived in fear and trauma, haunted by the horrific memories of her sexual assault. Itās inaccurately painted her views of what should and could be something beautiful and special with the right person. She never thought that could be possible for her though, believed that her chance had been destroyed by two sick individuals.
But if the past few months have taught her anything, itās that there are decent people in the world. Decent men in the world. Jimmy. Jey. Solo.
Roman
Sheās still very much nervous, and even talking about it has her pushing back a level of anxiety, but the desire to overcome that trauma, to be able to experience that as a woman, to not be held down by the shackles of her past, is stronger than itās ever been before.
āAnd I want to try.ā She licks her lips, nervously adding on and explaining as best she can, ābut, I canāt do it right away. I needā¦.I need to build up to it, and I knowāthat has to be frustrating for youāā
āSolana.ā His interruption is quiet but firm. āWeāll go as slow as you want.ā His finger is moving in slow circles on her hip, an action that provides her a strange sense of comfort. āWhatever you need is what weāll do.ā
Solana releases a breath she didnāt even realize she was holding in. Him agreeing isnāt something she necessarily didnāt see coming, she just didnāt realize itād come so easy.Ā
She almost feels itās too good to be true.
Suddenly unsure, Solana double checks. āYouāreā¦.youāre okay with that?ā
He doesnāt miss a beat with his answer. āOnly if youāre sure this is what you want.ā
Itās a profound statement. Thereās a lot of things sheās not sure of that sheās been making herself do, regardless.Ā
But thisā¦ā¦
This is something she wants.
Something she maybe even needs.
Solana is careful with her answer. āIām gonna be 29 this year, and the only sexual experience Iāve had is being raped as a child.ā Thereās an equal combination of emotion and conviction as she affirms, āI donāt want that to be my story anymore.ā
And it wonāt.
Because she wonāt let it.
Not anymore.Ā
āThen weāll do this.ā She nods, still nervous but also comforted by his support. āYou know I wonāt make you do anything youāre not ready for, but I also need you to be good about communicating with me.ā His eyes move up and down over her, resting slightly longer on her chest, which is understandable given the revealing nature of her dress. āAnd you also know how attracted I am to you, to all of you, so I need you to stay clear with me on what you are and arenāt comfortable with, okay?ā
Itās fair and completely understandable. Roman is still a man. A man with needs, and he strikes her as being an otherwise handsy man, so him wanting and needing to know where her red zones are is important.
āI understand.ā And sheāll make an active, concerted effort to be on top of that. To practice saying no and cutting things off when she needs to. āWhatāwhat about you?ā He gives her a look. āIs thereā¦.is there anything youāre not comfortable with?ā
Again, he takes her in, head to toe. His tongue leaves his mouth to slowly gloss over his bottom lip. āBaby, you can do whatever you want with me.ā
Her smile is bashful as she looks away. Him being soā¦.outspoken about his attraction and desire for her is still a new thing sheās trying to navigate, but itās not unwanted. Nor does it feel bad to have a man like him want her so badly.
Not at all.Ā
Deciding to continue to stay on the ledge sheās already started to trail, Solana brings her hand to his chest. āSoā¦.so if I asked you to kiss me againā¦.ā
He chuckles, Solanaās eyes shutting as he brings his mouth to her jawline, āwhenever,ā her nails claw against his chest as he moves his lips to her nose, āhowever,ā finally heās teasing the corner of her mouth. āWherever you want.āĀ
And itās at the exact moment their lips connect again that a phone ringing once again steals away another groundbreaking moment.Ā
Solana can feel the irritation in his muscular body and smiles against his lips.Ā
āIām gonna fucking kill him.ā She doesnāt necessarily doubt it as he kisses her cheek before pulling his phone out and answering as she lays her head in his neck. He barks out an unkind, āwhat?ā
It doesnāt deter her as he keeps his grip on her hip, Solana enjoying the feeling of being in his arms. Sheās starting to realize being this close to him makes her feel safe. His presence alone gives her that feeling, but this is something different, something almostā¦deeper.
She doesnāt try to listen in on his phone call, but itās made virtually impossible not to, given the fact that sheās literally on his lap. However, thatās ended when he switches to speaking in Samoan. Still, itās not hard to pick up on the fact that heās growing more annoyed with every second that passes.Ā
He then gives a heavy sigh, switching to English, āIāll be there in a bit.ā
Her stomach drops, a frown appearing that she does her best to quickly push away. She had a feeling the call would end that way.Ā
Before he can explain to her the obvious, she lifts her head and assures, āitās okay. I should probably get back to Dulce anyway.ā
āDamn dog is so needy.ā Solana smiles at the scowl on his handsome face. For someone who doesnāt care for dogs, sheās noticed he seems to interact with her puppy more and more as the days pass. He brings his hand to her chin, ensuring she keeps her gaze on him. āDonāt wait up, alright?ā
Itās an expected request, one he should already know sheāll do her best to, but most likely wonāt, abide by.Ā
āI make no promises...āĀ
________
Having such a small dog means that he or she can be in the most random of places and blend in seamlessly because of said smallness. Itās why in looking for Dulce after getting out the shower, Solana damn near searches every corner and crevice of the first and second floors of the mansion. Outside of a room thatās been locked and closed off the past two weeks, Roman not really giving her a reason why nor has she pushed.
Sheād never been in it anyway.
It is, however, out of the norm though for Dulce to not be nearby. She typically likes to stay close to Solana.
Or even Roman.
So for a moment, Solana starts to get concerned. But after searching her room, the kitchen, the dining room, and even the backyard a second time, Solana is finally able to locate Dulce in the least expected place.
Romanās room.Ā
She didnāt even realize Dulceās bed was still in there, still in the original spot on the side of his bed.
The side she had slept on that one night.
āDulce, you canāt stay in here.ā Solana knows Roman isnāt a huge dog person, and Dulce being in his room is probably the last thing heāll want to see when he gets back. But itās in reaching over to pick up her puppy that something unexpected happens.Ā
Dulce nips at her.
Solana gasps, momentarily taken off guard. Thatās the first time Dulce has done that. āDulce, no.ā Again, Solana goes for the grab only for the puppy to plant her bottom and back legs into the bed. Now Solana is just straight up confused. āWhat is wrong with you?ā
Thinking maybe she can lure the puppy with a toy, Solana turns to leave, almost to the door when Dulceās whimpering and the patter of her little feet stops her. Solana turns around and moves to grab her when Dulce scampers right back over to her bed, plopping her little body down.
Itās when she does that, Solana starts to catch on.
āYou want to stay in here?ā Dulceās reply is a bark followed by the wag of her tail. Solana frowns. āWe canātā¦..this is Romanās room.ā
And yet even as the words leave her mouth, she thinks about that. Thinks about the fact that a part of working up to being intimate with Roman includes being close to him, touching him, in his bed perhaps. And though she still doesnāt remember everything from the night she got drunk, she remembers waking up in his bed and falling asleep again in the same bed with zero issues.
She feltā¦.she felt comfortable.Ā
She felt safe.
āWe can stay for a little while.ā Deep down, Solana knows Roman wonāt be upset with her. If anything, heāll be more annoyed that she didnāt listen and decided to wait up, but her laying in his bed for a few minutes wonāt generate anger.
Solana puts her phone on the nightstand, making sure the ringer is still on. The likelihood of him texting or even calling her is slim to none, but stillā¦.she doesnāt want to miss it if he does.
Laying on his bed is the initial plan, but thereās a chill in his room that has her moving under the covers just to provide her that slight warmth. Itās not intended to increase her comfort and definitely not intended to lead to her falling asleep.
But thatās exactly what happens.Ā
Itās also the last thing Roman expects to find when he makes it back home a couple hours later.Ā
Solana asleep in his bed.Ā
He knew she would try to stay up, knew she would end up falling asleep in trying to stay up, but he didnāt know she would end up doing all of that in his room, in his bed.
Itās unexpected but far from unwanted, a strange sense of satisfaction at seeing her sleeping so comfortably, so peacefully in his space of all places.Ā
Heās careful in his movements around the room, gathering clothes to change into post shower. Roman doesnāt want to disturb her, to wake her up, especially since he has a good guess that she didnāt intend to end up in his bed and would be unnecessarily apologetic.Ā
Apologetic for something heās halfway considering asking her to make a permanent thing.
Roman manages to finish his shower without Solana so much as moving an inch. If only her damn dog was the same, because heās barely able to open the bathroom door when Dulce is at his feet, whimpering.
Small ass dog with an even smaller ass bladder.Ā
Before she can progress to barking, heās got her up in his arms, guiding her out the room, down the stairs and into the backyard where she thankfully wastes zero time in doing her business. Roman is grateful, not wanting a second to pass where Solana could wake up, freak the fuck out, and leave.
He wants her to stay right where she is.
And itās in sliding into the bed with her, moving his arm over her body and gently pulling her into him, he realizes another reason why he doesnāt want her to leave. Thereās an unfamiliar almost instant peace he has at the feel of her next to him, like this is how it should be, like she should be with him.
Like sheās supposed to be with him.
But he clearly wasnāt thinking straight when he moved her, because sheās suddenly stirring in her sleep, eyes slowly blinking open.
Fuck. He didnāt mean to wake her up.Ā
Romanās half expecting her to freak out, to panic at being this close to him, at being in bed this close to him. But she again surprises him with a quiet murmur thatās more an acknowledgment than anything. āYouāre backā¦.ā He watches as she frowns almost, an indication of worry, asking in a voice full of sleep. āAre you okay?ā
āIām fine.ā He brings his hand to her cheek, recognizing that even though sheās talking, sheās very much still half-sleep. āGo back to sleep.ā
Solana gives a little nod and the moment he pulls his hand away, she inches closer to him. He shifts their positions, so heās on his back, and sheās tucked safely into his side. In what feels like seconds, sheās fast asleep.Ā
Yeahā¦.
A discussion about her moving into his room is definitely on the table, preferably sooner rather than later. It makes sense to him for a lot of reasons, namely the fact that sheās clearly comfortable sleeping with him in this way but also the fact that sheās expressed a desire to work up to being intimate.
Romanās had sex in a lot of different places, but thereās no way in fucking hell he could ever have his first time with Solana be anywhere but a bed.Ā
His bed.
He plays around with a few different ideas on how to broach the subject before sleep prevails over him too.
Itās the fastest heās fallen asleep in years.
And heās certain it has nothing to do with the long ass day he had but everything to do with the woman besides him.
But his sleep is short lived by the vibrating of his phone on the nightstand. Irritated at the interruption of his sleep, heās not surprised. Romanās always been a light sleeper.
He peers down to make sure Solana remains undisturbed in her slumber, and seeing that sheās still sleeping as peacefully as before with her body somehow more over his than he remembered, he grabs his phone.
Paul: Sorry to disturb you so late, sir, but I got the files you requested for Miller. Emailed. As we already know, heās almost a million in the hole. Has been in debt over the past twenty years. Never in the green. The bulk of it was accumulated in 2005. 500K. Summer 2005. Strangely, in that same month, it was cut in half to 250K. Then mysteriously zeroed out in late 07.
Roman sits on the brief summary provided by his Wise Man. It doesnāt add up. He already knew Miller was in the hole. The man is a fucking idiot when it comes to finances, so him being that deeply in debt isnāt surprising, but him somehow getting rid of a quarter million debt is. The fucker isnāt smart enough to pull that off.
Roman: Who was the creditor?
Paul: Still looking into that.Ā
Roman: Anything significant about 07ā?
Paul: Not that I can see. Still digging though.
Roman doesnāt like mysteries. Canāt stand unanswered questions. Theyāve always driven him fucking insane. Itās why he finds himself unable to fall back asleep, an inconvenient thing given the fact that heāll need to be up and out of bed in a little under three hours. Still, he canāt get the dates and information out of his head.Ā
How the fuck did a dumbass like Miller clear his ledger to that extent? Itās not unheard of. Roman could have done it. Easily. But, heās also significantly smarter than his wifeās dumbass father.Ā
Even more, what the hell did Miller need or have done for fucking half a million dollars?Ā
Was he moving product? Weapons, maybe? Human trafficking? Just the thought of that last one makes Roman want to place his fist through the nearest wall.Ā
But itās Solana stirring on top of him that serves as the unintended trigger that helps him fill in the rest of the gaps.
Heās quick with the text to the Wise Man.
Roman: When was Solanaās mother killed?
Paul: Sir?
Roman: Answer the fucking question.
Thereās a brief delay followed by those three dots and an answer.
Paul: 2005. August.Ā
Wheels start turning as Roman begins putting the harrowing pieces together. Miller went into half a million dollar debt in August of 2005 that somehow got slashed in half at the end of the same month. The same month that Solana and her mother were attacked, and only one of them made it out alive.
Halfā¦..
2007ā¦.
Roman does some mental math. Solana was born in 95. Sheāll be 29 this year. That puts her at age 12 back in 07ā.
12.
The same age she was when she was raped.
The same year the largest chunk of her fatherās debt suddenly zeroed out and disappeared like it never happened in the first place.
And just like the night he found out Solana was a survivor of childhood sexual assault, the unbridled horror and disgust that filled him in knowing the truth, Roman is starting to wish he wasnāt so good at connecting the dots. That he wasnāt able to put two and two together.
Because the picture is more fucking horrifying than anything heās encountered in some time. If ever.
Because heās now faced with the dilemma of just how in the hell heās supposed to tell Solana that her father is responsible for her motherās murder but also her being raped.
Because now heās faced with the dilemma of if he should tell her at all.
Roman closes his eyes.
Shit just got infinitely more complicated.
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I will never say that I am in love (18+)
{ alternate title: you are the love of my life }
Aemond Targaryen x f!reader
When the one-eyed prince falls, the realisation comes to him in the scent of flowers. In his nephew's laughter. In his dreams.
themes/warnings : just pure sweetness, our emotionally constipated and repressed Aemond Targaryen, he thinks some *impure* thoughts in this one (how dare he!!!), he does NOT want to even think about falling in love (what a stupid distraction, he is not weak, you all should know) - also, he is DOWN BAD for the reader.
all my other works
a/n : this is the first fic I'm writing completely in the male lead's, in this case Aemond's perspective. Complete train-of-thought type of storytelling. (also, this is not in my scheduled works, the idea came to me after watching the new promo clips for s2... never in a million eons did I ever think I would hear Ewan Mitchell utter the word "cheugy" but oh well) - Enjoy! š¤
{ I. flowers āŖļø II. innocence āŖļø III. dreams }
I.
Aemond decides that he finds pleasure in your scent.
The thought comes to him as he strolls through the halls of the Red Keep. Not a strong one, not a revelation by any means. A mere inkling of something he favours.
It is innocent. It is nothing.
He had spied some flowers peeking from just beneath a window. Roses, peonies, or some other, he did not bother to truly look. He glanced them out of the corner of his eye.
And he thought of you.
You smell something rather akin to those flowers - blooming and enticing and sweet.
A simple observation, rising to him now from his memory.
That is all.
Your scent reminds him of springtime in the gardens. You are pleasant, there is no doubt, but that very sweetness can only be construed as sickly if divulged in for far too long, too often.
Besides, his icy disposition does not really take well to flowers in the spring. They are more like to whittle under his boot, and shrivel from the coldness in his gaze.
You are not for him. No.
Flowers. Sweet things. The gentleness in your voice when you call him 'my prince'. Aemond scoffs at himself as he walks on.
It is no transgression to be distracted. It is a natural thing.
You are a distraction, and Aemond decides to think of you no more.
II.
Aemond comes to Helaena's chambers to visit with his niece and nephews. It is only by coincidence that you are almost always there too.
"Prince Aemond." Your voice resembles a song in greeting him. "Queen Helaena has just left to speak with Lady Alicent, but she should return shortly."
"Hmm." You are not a lady-in-waiting to Helaena, but more of a companion, a friend. Yet you do not mind looking after Jaehaerys, Jaehaera, and Maelor when their mother is indisposed.
This is where Aemond finds you, most mornings. Were it anyone else, he might have sent them away, so that he can spend time alone with the children.
But he lets you stay, because, of course, Helaena would prefer it so. She dotes on you so dearly, Aemond has noticed.
In these instances, he lets you stay only because it is what Helaena would want. Why else?
He settles on an upholstered stool and beckons to the children. They eagerly waddle their way over to their beloved uncle.
You watch the interaction with a smile, as you always do. With your legs curled underneath you, comfortably seated on the floor a few feet in front of him.
Aemond used to pay you no mind, but increasingly it has been nagging at him that you are observing, taking him in.
It is inane to be self-conscious; there is no reason to be. He is the Prince - being perceived has been a constant all his life.
He is the Prince, and you are merely a lady companion.
But when you say things like, "They are very fortunate to have you as their uncle, my prince," it makes him feel a sense of pride. Like it is some accomplishment to be complimented by you.
He knows this. He knows he is a good uncle.
Perhaps it is just that. Vanity.
You pointing it out has nothing to do with anything.
Jaehaerys crosses the many strides it takes for him to reach you again, and he pulls at your hand.
"Come," he giggles.
"Where, sweet boy?"
"Come, come here, come here," he mumbles mostly to himself, grunting when you are unmoving and his three-year old form is unable to magically transport you as he wishes.
"Okay," you laugh once, getting on your feet with your body bent to his level, and you let him pull you to where he wants.
Which is... right next to his dearest uncle Aemond.
"There." Jaehaerys claps his hands in glee, as you curl up on the floor beside Aemond's outstretched legs.
"He has a sense of humour, that one," you grin, looking up at Aemond.
Aemond sees your expression up close and you look okay. Comely. Fine. You are not bad-looking, by any means.
You are the most beautiful lady in the court.
You are fine, just fine.
Aemond would not mind seeing your face everyday; he already sees it every night in his dreams.
And it is just fine.
"Is something the matter, my prince?"
Call him that. Do it again. Or better yet, replace prince with his name. Call him 'my Aemond'.
Aemond desires nothing more than to hear it.
Because... because he is vain. Nothing more than that. It would take a high degree of devotion for someone to utter the words 'my Aemond' to him. And who would not want to be at the end of such idolatry.
Perceive him. Worship him. Consume him.
You already consume him.
Aemond stands abruptly, and you scramble to follow suit.
"Aem... Aemond," you stammer. "I mean, forgive me... my prince, what is wrong?"
Aemond looks down. Your delicate hand is gripping his arm, the sleeve of his tunic doing nothing to mask the heat of your skin.
He is of dragon, he is of fire.
But your touch burns.
The clacking of wooden toy horses ring in the background, the children lost in their imagination.
"Nothing," Aemond clears his throat, and folds his arms behind him so your hand falls. "I am alright. I must go."
The smell of sweetness lingers in his nostrils. Your sweetness. He is growing weak.
He steps away, "I bid you farewell, my lady."
"My prince."
Call him Aemond. Call him by his name, title be damned. By the gods, call him yours.
Aemond nearly rushes out of the chambers, his gait sure and his footsteps heavy.
Tonight, in his dreams, he will finally release his foolish desires and that will be the end of it.
Behind his eyes, he will touch you and taste you and watch you crumble underneath him.
And he will be your Aemond.
That will be the climax of this passing fantasy.
III.*
Aemond has stripped down to his undergarments, supine above the silk sheets of his bed. He runs a hand over his face, and he sees you.
All the better for it, he supposes, that he gets rid of it now before it ruins him further.
It is a memory, from only one moon ago, but he sees it clear as day.
You had let your hair down that day, and it flowed freely, following the gentle breeze. Nestled in what Aemond found out to be your favourite spot in the gardens, needle and thread in your dainty fingers, you tell him that you are embroidering a veil for your dear mother.
You request for him to sit with you, and Aemond obeys.
Pleasantries are exchanged, about the weather, your duties, his training. All the while Aemond watches the contour of your lips, how it stretches back to reveal your smile when he says something that could not be the farthest from amusing, but you find it amusing anyway.
He stares you down questioningly.
You blush then, turning your focus back to your work, "Apologies, but I... I admire the way you speak, my prince. As if every word is deliberate, carefully chosen. You are intelligent, and you care what you say."
"Hmm," he said then, but now...
In his mind, he lets you know just what he wants, "Have you ever been bedded, my lady?"
You look at him in shock, of course you do. Those rosy lips part, and Aemond wonders whether your lips below possess the same shade.
In his grand chambers, Aemond lets his hand drift down, down from the planes of his stomach, to his hardened cock. He licks his lips, and imagines the softness of your own. He strokes the leaking tip with his thumb. The picture continues.
"Do you not ever wonder about the deed?" Aemond asks.
"M-my prince...I do not... I - "
"You must," he sneers. "You must, as I do, and when I do, it is you who floods my very thoughts, and consumes my very being."
"I do not know what to say."
"Say you want to kiss me."
His grip tightens, drawing down and up his cock, covering it with the milky white that has leaked from his tip. He is pained, teeth pressing down on his lower lip. He imagines your hands on him, your dress undone as you watch him come undone.
"We mustn't," you look down in shame. Your legs clench together to keep in the warmth.
"Come here, my sweetness," he leads you to sit atop him, and your work clatters to the ground.
You try to look away, try to hide just how much he is affecting you.
"Kiss me," Aemond pleads.
You comply. He slips his tongue past your lips.
Faster, wetter, he gets harder and it is unbearable. His hands are not enough, he wishes to plunge his aching member right into your soaking folds. Wishes to watch beads of his sweat fall on to you as he pounds you without mercy, his cock squelching deep inside your cunny until it is sore. If only you will ache as he does. Come as he comes.
Aemond lifts you up and the two of you end up stumbling down on the grass. He does not relent. His fingers make quick work of the strings and ribbons holding you together. Your breasts come free and he latches his mouth on one, his tongue swirling against the nipple.
"Oh Aemond!" you moan, and it is a scandal. It is everything unholy. It is every dirty thought nestled in his mind.
Soon he has you bare, your skin practically glowing under daylight. You are perfect, and you are his.
"Take me," you say, practically begging. "I want you to fill me with your cock. Fill me with your seed, my dragon prince. Please."
"My sweetness," Aemond reveals himself to you, undoing his breeches and slipping out of his tunic. How could he resist?
"Do you want me?" he asks.
"Yes."
"Say it."
"I want you, my prince," you affirm, squirming under him, you hips bucking up with desire, hopelessly attempting to rub your cunny against his skin.
"My Aemond," he corrects you. "Say it."
"I want you," you say, "my Aemond."
Aemond rubs his cock faster and faster, the thick green veins in his hand and arms straining angrily under his skin. He feels you, he sees you in his mind so clear. You are his, and he is your Aemond.
He plunges his cock inside you, and you are left mewling and writhing as he quickens his assault.
He groans loudly. The lewd squelching of his cock turning sloppy, hasty, mindless. A few more strokes and he comes all over himself, hot white streaks decorating his torso. His silver hair in disarray on the pillows, like a broken halo. Beads of sweat falling from his temple. His mouth parted as he whispers your name.
He gives himself a few more tugs, emptying out. You would do him so much better. Touch him so well.
In his mind, he still sees it. Fragments of his memory bleeding through his fantasies. He does not know anymore what is real and what is not.
He cleans himself up with warm cloth afterward, feeling shame at his actions.
This is enough. Now he has released you from his being. The desire he holds so closely to his chest must have dissipated along with the lewd act he just committed.
"My Aemond," you whisper from behind him, wrapping your arms around his torso.
Enough. No more of such useless musings.
"I love you, Aemond."
I love you too.
šøšøšø
* In III, reality is fully italicized, and his memories + fantasies are typed as normal.
this was meant to have more sections ( IV to VII )... maybe I'll come around to it eventually.
Let me know what you think of this sort of writing from Aemond's perspective!
To be tagged in Aemond or Daemon fics, comment on this post !
#aemond targaryen x reader#aemond targaryen fanfiction#aemond targaryen imagine#aemond targaryen#house of the dragon#hotd#ewan mitchell
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how to watch Skyblock Kingdoms!
because i'm dragging all of you down with me.
what is Skyblock Kingdoms?:
Skyblock Kingdoms, or SBK, is a Skyblock survival server made by VikingPilot where 18 20 players are split into groups of 2 and have their own island to take care of. each island has a unique wood type, and have a monopoly over that wood type! trade between kingdoms is allowed and encouraged, but any saplings belong solely to their original island-- with the exception of oak, which is a freebie anyone can have.
the teams are theoretically a mix of seasoned skyblockers and people not as familiar with it, but in practice there's more novices than experts so comedy has quickly ensued.
what's the story?:
in most cases, SBK is more of a casual improv vibe. think Hermitcraft rather than Empires. what this means is that there's no overarching story everyone is following, but some players have bits they've decided to commit to that, in typical MCYT fashion, are spiraling. some perspectives stay away from the action, some are playing along with whatever bit is tossed their way, some have their stories to tell, and Avid is the reason i'm having to rewrite this paragraph.
we've got capitalists! we've got OSHA! we've got witches feeding the void to try and appease it so it stops eating their bridges! we've got signs of the timeline falling apart! we've got a fortune-telling wizard! we've got something trapped deep down in limbo! we've got somebody cursed to be a monkey by british sun tzu! we've got selling your soul for a weekly lootbox! we've got a kingdom being overtaken by snow and sculk! we've got an airline with a 75% mortality rate! we've got a lawyer?
as of this version of the post (Avid's episode 17, Marma1ade's episode 15, Viking's episode 13, Vintage's episode 13), the first major story arc has wrapped up and things are going in a very interesting direction.
what's the format?:
there are edited videos being released regularly on Youtube by most of the creators, but a couple of POVs are stream-only so far. however, you can easily keep up with the server shenanigans without watching any streams-- there's some stuff that doesn't make it into videos, but not anything that would leave you locked out of the loop.
you can find all of the episodes out so far in release order in this one massive playlist by Doovid! thank you Doovid <3
on top of videos and streams, SBK has songs written and performed by Avid for his episodes! please listen to Through the Void, it's really good. there's also an animation for it that's used as his intro, which is also really good. if you want to listen to cool tunes made for SBK by one of the creators, you should watch Avid.
who to watch?:
depends on what you're looking for!
if you want a focus on building, then Fixxitt and KingElffe are both working on large-scale projects that are downright stunning to see in Skyblock. if you're interested in the Void storyline, then your best bets are Avid, Marmalade, and Trog-- and if you want lore in general, you can add Rubyco, Vintage, Milkman, and Anathra (and potentially Viking) to the list. if you want something chill, then Doovid, M1G, Kale, Anathra, and Leon are pretty laid-back. if you enjoy cinematic editing, then you should check out Avid, Trog, Doovid, Leon, and Viking. if you're here for comedy, then you'll want to check out Viking, Doovid, Milkman, Leon, CodeNeon, and Kittrix, but honestly everybody gets in on that one as they mess with each other constantly. and that's still not covering everybody!
i recommend watching everyone's episode 1 to get a feel for their style and go from there. Anathra, Artemis, Neon, and Leon's perspectives start around the Ender Dragon fight, and Fool and Tea are stream-only.
who's on the server?:
as mentioned, some of these POVs are stream-only!
Dark Oak (VikingPilot + Fixxitt 412) - industry on a massive scale Cherry (Rubyco + vintage_applesauce) - friends with everyone Jungle (AvidMC + Doovid) - the universe has it out for them. Birch (TheFoolsFam + SadMilkman) - the villain is always capitalism Bamboo (M1G + KaleHameron) - space samurai shenanigans Mangrove (Marma1ade + Teaish7) - witches with a void problem Acacia (Dr. Trog + Kittrix) - triangle-loving chaos-causers Spruce (AcornBandit + Anathra) - very chill (both definitions.) End (CodeNeon + LeonSBU) - have been here the whole time! Mushroom (KingElffe + Artemis8bit) -
tl;dr Watch Skyblock Kingdoms.
#leo.txt#skyblock kingdoms#sbk#mcyt#THROWING THIS OUT INTO THE WIRLD. BE FREE#will update with links to artemis's content when its available
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On top of the world
Written for the @steddieholidaydrabbles, prompt 'graduation' | 616 words | tags: fix it, Steve is a sweetheart and takes care of Eddie, first kiss
Before March 21st, Eddie would have said not graduating again was the worst thing that could happen to him. Now, Eddie knows better.
Nothing like almost dying to put things into perspective, right?
He misses the days when his biggest worry was convincing old witch O'Donnell to give him a "D" and let him leave Hawkins High. Now that he knows what a real hellhole looks like, he thinks he could survive another year under Higgins' thumb.
Still, he doesn't exactly mind when Nancy comes over to his and Wayne's new houseāpart of the government deal the kids cut for him while he was in a comaāto tell him that he's going to graduate with his class.
He doesn't question it either, just whoops enthusiastically enough to almost pull his stitches, which hurts but has the added bonus of Steve putting his big hands all over him to check his numerous healing wounds.
A week on the run and fighting interdimensional monsters with the guy has changed Eddie's perspective on whatās the best thing that could happen to him as well.
On graduation day, he walks across the stage with a cane for support, something he hadnāt thought possible. It was Steve who had made that happen, even if he refused to accept Eddie's praise. The moment Eddie had muttered under his breath after Nancy had left, āBut how am I supposed to walk the fucking stage if I can't even go to the bathroom without taking a break?' Steve was a man on a mission.
They practiced every day, before or after Steve's work helping out at the hospital. They needed every helping hand they could get after the damage Vecna and the Upside Down monsters had caused. Eddie could attest to how wonderful Steve's hands were at helping. In fact, he could write songs about it once his hands stopped shaking whenever he held a pencil (or anything, really) for too long.
Eddie wondered if every one of Steve's patients was as in love with him as he was.
As Eddie snags his diploma from Higgins, who looks like he bit into a particularly bitter lemon, Eddie marvels that flipping him the bird isnāt as exhilarating as expected.
Maybe thatās because of last night and the way Steveās lips felt on his. Every moment since then simply pales in comparison.
Steve had come over after another shift at the hospital, probably sore and exhausted, but giving Eddie one of his dazzling smiles that always made him weak in the knees. Which was kind of counterproductive, considering what they were trying to accomplish here.
They were both trying so hard but Eddieās legs just wouldnāt cooperate. No matter what Steve tried, they buckled after a few steps, forcing Eddie to sit down or fall down. He had made progress, the muscles in his legs slowly coming back, but three weeks had been too short.
Or so he thought.
Eddie doesnāt know how or why, but this time, Steve had simply positioned himself as far away from Eddie as possible and spread his arms as wide as his smile. āI got you, Eds. Iāll never let you fall. If you canāt trust in yourself just yet, trust in me.ā
He had, believing that those strong arms would wrap around him if he stumbled.
He didnāt stumble, didnāt fall, but wrap around him they did anyway. Steve had picked him up and twirled him around, and then heād kissed him, grinning mouth to grinning mouth.
Eddie might not have graduated top of his class, but he sure feels like heās on top of the world when he catches Steveās eye among the cheering group of his friends.
#steddie#steddie drabble#steddie fic#stranger things fanfiction#steve harrington#eddie munson#my writing
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ć I AM NOT HERE ć clowning post part iv. aka the main candy compilation now that we have the whole song. hereās part one & two & three for reference which are very short ones.
before we dive into the cpns, i wanna congratulate yibo for another exceptional song! the lyrics are so good and his voice??? his voice??? you all know the part iām talking aboutā itās singer yibo!
letās start with this ā¬ļøā¬ļøā¬ļø i think the side by side photo is self explanatory. you have xz drawing the mountains and yibo integrating himself into it and became the mountain himself. i like this whole concept of him being in nature, being all around this person even if he is not there physically as himself. this is so special too considering we always clown about them loving camping & hiking ā and other outdoorsy stuff. it may be that nature reminds yibo of those happy times they spend together exploring that environment.
now letās move on to a very yizhan-y interpretation of the songā¦
1. some fans have pointed out that itās 2000 days since the 12.28 tencent starlight awards where they were together. it was post-cql and them going into new roles ā a start of well, more complicated times, but they had each other. i donāt really believe too much in these anniversary cpns but i will just leave this here.
2. comparing the water theme & mountains from xzās photoshoot before that had us all going š„µš„µš„µ, it matches the imagery from yiboās song.
3. the official description of the song provided by music platforms gave a solid perspective of what it is all about & itās not far off what we think it is when the teaser/s came out.
āI" is rooted in this land, connected by veins, and time and space are close to each other. "I" live in symbiosis with the mountain, breathe with you, and experience the ups and downs of life. We go through the ups and downs with all things, so the green mountains are flat, and "I" is always present.
I am here, a dialogue with the world. I AM NOT HERE, but I will always be there. This is what "Iām here" is all about. So darling, DON'T BE CRYING, Because this song is a symphony between you and me.
Let me just sit and think about this. Itās such a beautiful meaning. Their love goes beyond the romantic and itās real. You can see it all around you.
4. Time to dissect the first half of the lyrics š¶
Many years later // Where will I turn back and look? // Holding flowers I've never seen before // Facing toward you
this reminds us of their first meeting in the field of flowers. out of all the things he can start with, why this? also the graphics for xzās album is an eternal flower. if we look at it further, itās more than the literal sense too. the flower he hasnāt seen is this new feeling and having this one person that is became so important to him. the first line is also telling, cause itās like he is looking back at that moment, many years later, out of all his time, that time is what he wants to recall.
Waving my hand // Don't stay on the lonely island // I'll become a small boat to take you to find the oasis
we knew of this line already and itās still so romantic. itās this person who is alone but wyb wants to take him away and help him find that oasis. oftentimes, people tend to have that selfish type of love where they want the other to be isolated. but yibo is not like that. he wants to take the person outside, see the world and fins that happiness together. and him being a small boat is too cute! like he knows he is not that strong but he will do his best to make a difference in his (xz) life and give him freedom & happiness.
My heart enters the mountains / My body sinks into the sea / All to reunite with you and return
the integration of himself with nature. how he has to sink into the sea so he can reunite with that person.
5. second part of the lyrics šš¼. just a disclaimer that he had someone working with him to create this song and the lyrics, but that doesnāt mean he had 0 input. we all know how yibo is at this point and something as personal as his year-end song definitely had his approval with every line.
Falling, scattering into dust
And then being reborn
Pointing at the fireworks
in the sky, never fading
Are you there?
You just need not cry
You just need to bloom
And I will never leave
Don't be crying x 3
You don't need to wait
I'm here
I'm here
Don't be crying
i am weak for that first line, the thought of scattering into dust and being reborn. thatās some eternal love right there! we have reincarnation cpn at some point in the fandom so that feeds into that. the idea of yibo believing in that kind of love, never ending, not even in death makes me feel some type of way š„¹š„¹š„¹
next up is the imagery of fireworks. something he seems to be fond off per that video ybo shared before. also connect that to when xz was watching the fireworks during shooting wrap.
then it moves into him telling the person to not cry, you just need to bloom and he will never leave. I have explained the very real cpn about this whole crying thing before and itās such a sweet sentiment! itās a simple and honest promise, i will not make you cry. you just have to do what you want. yibo is there and will support xz as he succeeds (blooms).
and the last part is the nail in the coffin. you donāt need to wait, iām here.
well who do we know at some point said that waiting is romantic?
hmmmmm. xiao zhan š„°š„°š„°š„°
waiting. this word is very charming, it encourages people to expect. if you told me, someone is waiting for me, i would feel very moved. whether itās my parents, or my lover, i feel that āwaitingā is a very romantic word; to have something beautiful in the future waiting.
so this is yiboās answer. you donļæ½ļæ½t have to. Iām here.
I hope everyone is having a fun weekend right now! listening to this new song, watching ETU and later follow yibo along at an event š„
-END
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once again rotating the qsmp and it's depiction of parenthood in my head and yeno i just... it makes me so deeply emotional it's not even funny? i remember conversations about "mothers and fathers" being the true qsmp theme song and i will die on that hill forever.
the thing that i find so poignant about it is that this was (as far as we know) never meant to be the story they were going to tell ā the eggs were meant to come and go, a chapter in a story that would be looked back on fondly but one that was firmly over. and yet, the love. oh, the love.
it's so rare in media that we get such a raw and slow perspective of parenthood from the parents' perspective, to see the bonds forming and solidifying from "a responsibility that scares me" to "i would tear the world apart for you" ā going back to vods of the first day of the eggs is wild, because they're filled with novelty and interest, but then time passes and we see love blossom.
we see love through grief too, like fit's voice when ramon lost his first life, or bad's screams when dapper had his nightmare, or the grief that came with trump, juana, and tilin's deaths. the desperation and grief of parents is an uncomfortable thing to witness, but in a medium like the qsmp it allows people to explore stories that are sometimes too heavy or too dark to portray in a less "goofy" medium.
we watched people's focus shift to their children as they embraced parenthood, especially in the face of loss, and we saw them accept truths that aren't pretty: if the eggs are there to manipulate them, okay. if they're a way for the federation to control them? fine. it doesn't matter, they're their children. they won't let go of them, not even if they're ultimately a means to keep them subdued.
the only time we've seen these characters truly lose their shit and rebel properly was when the eggs went missing, and that says so much. they'll almost accept losing their autonomy, but they won't lose their children.
it's been almost a year of the eggs, and they're the center of everything. every event, every game, every day ā eggs are always the focus, whether it be in a "we need to protect them" way or a "i wonder what they want to do today" way. it's all about those kids.
meanwhile, we get to see these people be scared shitless, not have answers, be lost and confused half the time and not knowing how to handle every situation ā they try their best, but time and time again they fumble and say the wrong thing, and have to apologise and try to do better next time.
it's so fucking beautiful, man. we see a day-to-day experience of parenthood and family (government assigned, found, chosen) that shows and movies can't give us because they're not a daily, breathing, on-the-go medium where we get to follow this one (or multiple bc none of us have lives) character through just... life.
in having this opportunity, we're privy to one of the most honest, human, and poignant depictions of parenthood and maturing that i've ever seen. we get to live this journey with these characters, and i'd bet a lot of money that that's part of why we're all so deeply attached to the eggs too.
long story short, storytelling is so fucking awesome and sometimes the most beautiful stories happen by accident.
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scarred knees and insecurities
Stray Kids x Ninth Member!reader
genre: hurt/comfort
content warnings: insecurities, heat exhaustion, mean online comments
word count: 2.7k
summary: when the old scars from your youth, become fresh wounds in your adulthood, the boys are there to pick up the pieces.
100 followers special!!! Thank you so much for all your support so far, I hope you enjoy this imagine! I personally share this same insecurity and although I have played it up more for this imagine, I hope that nothing said will offend anyone, I've just written it from my perspective.
As always, asks are open! Let me know what you want to read next! Enjoy! :)
MAIN MASTERLIST
"Annyeong, Stay!" Y/N greeted the fans as she started streaming on YouTube. She was currently in one of the practice rooms at JYP, ready to dance for stays as she normally did when she went live. She was relaxed in some casual clothes, a big t-shirt and some shorts too.
"What song shall I dance to first?" Y/N grinned at the camera as she read the comments.
"Oh- who said WAP?!" Y/N laughed and shook her head, "Stays you can't be talking like that!"
She got up and started dancing, not to WAP, but to their new song Social Path. Anyways, they weren't allowed to play music outside of their company anymore, so it only felt right.
Finishing the dance, Y/N panted lightly, crouched over with her hands on her knees. As she took a sip of water, sat with her knees bent in front of the camera, certain comments started catching her eyes, no matter how much she tried to act normal and answer questions.
What's wrong with her knees
Ew but why do they look like that
Their knees look so old and wrinkly
Y/N needs to get that checked out it looks so unnatural
Just another reason why she's ugly
Of course, there were actual questions, with Stays giving song recommendations and asking Y/N about what she had been doing recently, but she couldn't help but catch sight of the mean comments. She shifted her body so that her knees were off screen, maybe then the harsh words would lessen.
Look, she's hiding them because she's realised how disgusting she is
Disgusting?
Y/N bit her lip and cleared her throat, but decided she didn't want to force herself to sit there in front of millions of fans when she was trying not to let her thoughts spiral.
"I'm feeling kinda tired guys so I'm going to end the live now, bye!" Y/N blew a kiss like always at the camera and sighed as she ended the live.
She had thought about it a couple of times, she wasn't all too fond of the way her knees looked either. But it always felt different and hurt more when someone else points out your insecurities. Her knees had visible scars on them from how clumsy she was as a child. You could see them stick out yet they were healed over and so had blended in with her skin tone. The other thing was that often she'd find after kneeling down or having pressure on her knees, there'd be a redness or slight colour change to them.
Absentmindedly scratching over the bumps of her scars, Y/N looked up when she heard a slight tap on the door.
It was Hyunjin.
"Why did you end your live early? I was enjoying watching you dance," he pouted at her, clearly in a playful mood as he flopped down beside her in the practice room.
"Don't know, guess I just felt tired," Y/N shrugged. She wasn't tired really, just currently feeling low in her mood.
She jolted as he put his head in her lap, in attempt to look up at her face.
"You're acting all quiet, Y/Nnie," Hyunjin commented, hand stroking her knee comfortingly as he knew this was one of her tells when she wasn't feeling too happy.
Yet this action didn't have the same effect as normal. Y/N moved his hand off of her legs and did a fake shiver.
"It's cold in here..." Y/N rubbed her bare legs, hiding her knees before standing once Hyunjin had removed himself from her.
"I've got some spare clothes, it's in my bag in the other room, come on," Hyunjin patted her on the head gently, before resting his hand against her back as he guided her out of the room.
He wasn't silly. He could tell that Y/N wasn't quite feeling herself at the moment, and the best thing him or any of the other boys could do was treat her gently, that's what she always needed when it came to things like this.
A few days later, Stray Kids were set to do a photoshoot on the beach, perfect for a hot day. Well, as long as they didn't get too hot...
Y/N scanned the clothes that were on the rack in the dressing room with her stylist. She smiled as she caught sight of a beautiful white and blue dress, it fitting their cute casual concept perfectly.
"Oh, Y/N we won't be needing that one today, we've got a better option instead," the stylist fanned her own face, feeling the heat too as she passed over a small pile of clothes to Y/N. It consisted of a heavy pair of jeans, alongside a baby tee with a cute graphic of a heart on it. Now that, she could get behind, she thought the tee was adorable, but the heavy jeans? It was such a hot day.
"But everyone else is wearing shorts, wouldn't it be better if I did too-" Y/N began, before the stylist sympathetically patted her hand, yet it came across as being more condescending than anything.
"Honey, we're just doing what the fans will like best, like wearing jeans instead of anything more revealing, you know, because of your knees," she said, before turning around and sorting through other clothes so that Y/N could change.
What she hated the most was how the stylist's words trailed off into a whisper, like she was ashamed, like Y/N should be ashamed of her body. The company were aware of the comments that had been made online, and just after Y/N was building herself back up and ignoring the thing she can't change, this happened.
Dejectedly, she put on her assigned outfit, and left to head outside in the sweltering heat to join the boys.
"Y/Nnie come stand with me!" Felix dragged her next to him happily. The boys had noticed her mood get better the past few days but being the sunshine he is, he noticed that she was once again in the same low mindset.
"Y/N, aren't you... too hot in that?" Changbin rested a hand on her shoulder as he looked at the heavy jeans she was wearing, fabric slumped over at the top of her trainers.
"No, no, this is fine, it was picked especially for me," Y/N lightly smiled, trying to paint her face to seem content when really she was already sweating, causing a makeup artist to run over and quickly powder her face. Y/N couldn't hide the slight truth in her words, and she was silly to think the small bitterness didn't come through in her tone.
"Okay, just be careful, it's too hot to be wearing those, seriously..." Changbin nodded before returning to where he was previously stood, clearly not happy with the situation his younger member had been put in.
Felix side hugged her before they did their group photos first, the others expressing their confusion for the clothes she was wearing.
"Y/N! You must be so hot!" Han audibly gasped, and all she could do was shrug at him, not really having the words to respond, feeling too hot and overwhelmed at the moment to really think.
"Solo photos now!" the director called out, and one by one they posed, Y/N being the last one to head up, as they were going in age order. As Jeongin stepped up for his turn, Y/N scanned around her for some water she could have, seeing black spots enter her vision slowly.
"Here. Drink, or you'll be too tired to even stand," Seungmin appeared with a bottle of water in front of her, sarcasm coming across through his words as he didn't seem to realise how bad she really was feeling, and that she was too tired to stand.
"Thanks, Seungminnie," she mumbled, drinking it quickly as he nodded and walked away, going to change out of his clothes.
"Yah, you'll choke if you keep this up," Lee Know took the bottle from her hands as he crouched down next to her.
"Just thirsty," Y/N fanned herself as she leant back in her chair.
"You sure that's it? Looks like something else is going on too," Lee Know took one of her hands gently, rubbing a thumb across her knuckles.
"Y/Nnie it's your turn!" Jeongin happily walked over, informing his fellow member yet taking away the chance of gaining more information from his other.
Lee Know sighed as Y/N stood up, standing at the beach bar setup first.
Her movements were slow, yet she was sure it looked casual enough to not seem like she was on the verge of wanting to collapse from the heat. Little did she know, a certain leader had been diligently watching her the whole time. He had inquired about the outfit to the stylists and was annoyed when they said Y/N picked it herself. He knew that wasn't the truth.
"Y/N, turn your head to the left a bit! To the left, turn your head to the left," the director frustratedly said through the megaphone, catching the attention of all the members who were now watching.
But Y/N couldn't really hear what was happening around her. She was more focused on trying to stand up straight right now, panting lightly as she did so.
"The director is being a bit harsh..." Hyunjin whispered to Jeongin, who nodded back in response.
"But she's not acting herself either, look," Jeongin nodded towards the girl, who couldn't seem to keep her head up straight.
"Channie hyung, something is wrong with Y/Nnie," Felix said to his fellow Australian member, frowning as he watched the girl.
"I know. As soon as she's done with her photos I'm going to ask-" Chan turned his head away for one second as he spoke to Felix.
One second.
One second he stopped watching over her, and now she was on her knees, leant against the fake bar as she pulled at the collar of her t-shirt for some air.
Gasps rang out from around the room as both Stray Kids and the staff rushed to help Y/N.
"I knew there was something wrong," Chan shook his head as he started patting Y/N's face with a wet towel provided by the staff.
"Y/N, can you hear us?" Changbin hovered around them, concerned at the state she was in.
It all sounded so muffled to Y/N. She had felt that she had been moved into a position where she was laying down, felt slight relief from the cooler feeling on her face, but her eyes were still resting shut. She managed to let out a groan in response, which offered a light sense of peace before they realised they needed to do more.
"We need to get her inside in an air conditioned room or something!" Chan commanded the staff, as he lifted her up after they nodded and he laid her down on a sofa, the other members following through.
"She needs to get out of these jeans, who's big idea was that?" Seungmin huffed, irritated.
"Let me," a female staff member gestured for the boys to turn away as she and another stylist quickly changed Y/N out of her jeans and into some shorts, letting the boys know they could turn around once more.
They had a fan pointed at Y/N as they tried to get her to sip from some water.
"Come on, Y/Nnie, just slow sips, yeah?" Hyunjin held the bottle with a straw to Y/N's face, a hand under her chin tilting her head ever so slightly so water wouldn't spill down her.
Lee Know tied her hair back, soothingly stroking it back before he gathered it all out of the way.
Y/N's eyes opened wide, feeling a bit better as she had cooled down now. But she saw that her knees were exposed and being in the vulnerable state she was, she grabbed a blanket and covered her knees, her mind going 100 mph and all it could think was that the boys thought she was disgusting.
"No, you don't need a blanket, Y/Nnie, you're too hot right now, that won't help," Han grabbed her hands and held them against her stomach lightly, feeling concerned when her eyes became glossy with tears.
Y/N shook her head, not yet finding the words to explain what she was feeling.
"What's the matter, sweetheart?" Chan's voice broke through all of her thoughts, the oldest member being someone she could always rely on.
"They're ugly," she mumbled, eyes darting back and forth between her legs and Han's hands holding onto her own.
"What are?" Felix asked confused, looking back and forth between the boys as they all seemed to be catching onto why you had been feeling a bit low the last couple of days.
"My knees. Got scars on them. They're disgusting. Don't want you to have to see them," Y/N rushed out, feeling the grip round her hands tighten ever so slightly and a hand brush through her hair soothingly.
"Now why would you say something so stupid?" Lee Know sighed, hating how she was thinking.
"Don't call her stupid," Hyunjin whacked Lee Know on the shoulder.
"It's fine, it's silly really. B-but Stays didn't like it so why would you?" Y/N bit her lip, still unable to make eye contact with the boys.
"Y/Nnie, look at me," Chan sat in front of her, and reluctantly she looked at their leader. "Is this why you were put in that outfit?" his tone dropped lower, despising how one of his members had been put in such a position for something out of their control.
"The company agreed too... I didn't want to wear it but I guess it was for the best..." Y/N said unsurely, not really knowing how to explain the situation.
"Not when you nearly passed out from the heat!" Changbin exclaimed.
"Y/N, there is nothing wrong with you, okay? Nothing about you is disgusting. They're just from when you were a kid, right? You can't control that," Chan said softly as he rubbed her shoulder soothingly.
"I just hate how they look and then when Stays started pointing it out it made me remember how much I hate them," Y/N frowned and looked at her knees distastefully.
"They're not real Stays if they're making horrible comments like that," Seungmin pointed out, as the rest of the boys nodded in agreement.
"Plus if people are always staring at your knees, that's kind of weird," Jeongin laughed, which brought a smile to Y/N's face.
"I guess so," Y/N nodded, the grin still there.
"Aw there's that smile," Changbin cooed, squishing her cheeks together.
"Hyung, she's not a baby," Han laughed at Changbin's antics.
"But, Y/N, just know, it's okay to have insecurities, we all have them, it doesn't make you weird or mean that there is something wrong with you. But this is not the way things should have happened, please talk to us next time. I know it was the company that decided for you today, and trust me, I will be having words with them about this... but please don't obsess over this, yeah?" Chan hugged her to him, resting his head on hers as he talked to her, wanting her to know that they were a safe space for her.
"Okay, okay, I'll try," Y/N nodded as she relaxed against Chan.
"Good. And just know, whatever type of scars you have, it doesn't define you, and they're certainly not ugly. Everyone has some, whether they're visible or not," Changbin patted her knee, being slightly more serious in contrast to him babying her ten seconds ago.
"Woah, hyung, that was deep," Hyunjin clapped.
"Our Changbinnie is so good," Han said in a high pitched voice, causing the older member of 3RACHA to jokingly raise his fist at his dongsaeng.
"Thanks guys, I mean it," Y/N said sincerely with a relaxed smile to the rest of the boys who weren't caught up in the chaos. Let's be honest, it wouldn't be Stray Kids without any chaos, it just wouldn't be right.
#skz#stray kids#stray kids x reader#skz angst#skz fluff#skz x reader#straykids imagines#skz fic#stray kids fluff#stray kids imagines#stray kids ninth#stray kids ninth member#skz ninth imagines#skz ninth#skz ninth member imagines#skz ninth member#skz hurt/comfort#stray kids hurt/comfort#stray kids 9th member#skz 9th member#stray kids angst
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What did Andrew Lloyd Webber do to make Patti Lupone upset? Sorry, saw your tags and i was curious
Oh.
Oh honey.
You sweet child.
Anyway, get ready for one of the most infamous showdowns in all musical theatre history, with the guy who writes the straightest musicals on Broadway (derogatory) and the one and only, the matriarch, the queen, two three-time Tony award winner Patti LuPone.
So, Andrew Lloyd Webber was basically kind of a boy genius in his prime - he met his future collaborator Tim Rice when they were 17 and 20 respectively, he wrote his first big hit, Jesus Christ Superstar, at 22, with Tim Rice writing the lyrics. And it was kind of a big deal at the time because the topic was controversial (you know, the Passion with rock music), but also because Broadway wasn't that far off from its golden age and let's just say the music and style were very different from, say, My Fair Lady. Or The Sound of Music. Or Funny Girl. It was basically the Rent/Hamilton of its time. (Yeah, Stephen Sondheim was around at that time, he worked on West Side Story which was revolutionary in of itself, but he's kind of an oddball in this case. You'll understand why later.)
Their real follow up (I'm not counting Joseph and the Amazing Technicolor Dreamcoat for a variety of reasons) was a little musical called Evita, which you might know mainly because of a song called Don't Cry For Me Argentina. Or at least, your mom has probably heard it once at the very least. It's that song that's oversung from a musical while being out of context along with I Dreamed a Dream for Les MisƩrables. Or Memory from Cats.
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Evita tells the story of Eva Peron, the wife of an Argentinian dictator, who basically screws her way to the top and ends up becoming the mistress of Juan Peron and the most beloved woman in her country through guile and deceit. Yes, I know the historical accuracy is very much debated but I know jackshit about Argentina's history except the bare basics so don't come at me. It was first produced in the West End in London, with Elaine Paige in the role, but because of Equity issues, she couldn't reprise her role for the Broadway production. So a Julliard graduate who was mostly starring in David Mamet plays got the part instead, and that was Patti LuPone.
Patti... did not have a good time during Evita, because the part is basically the kind of score where you can tell the composer is used to writing male parts, but most female singers have a two-octave range (yes, you got Julie Andrews who used to have a three-octave range, and many others, but they're exceptions), so she struggled a lot. That being said, if you listen to live recordings of her, you wouldn't be able to tell, and it got a lot easier later on. But she had this to say:
"EvitaĀ was the worst experience of my life.Ā I was screaming my way through a part that could only have been written by a man who hates women. And I had no support from the producers, who wanted a star performance onstage but treated me as an unknown backstage. It was like Beirut, and I fought like a banshee."
This is from Patti's autobiography, which she wrote in 2007 - 8 years after shit with ALW went down. With all that said, she won a Tony Award for Evita, and she pretty much became a musical theatre household name from then on. She played Fantine in Les MisƩrables, Nancy in Oliver!, Reno Sweeney in Anything Goes. Meanwhile, ALW's next big hits were Cats (I'm not even kidding, Cats was a hit), and, you guessed it, The Phantom of the Opera, which he wrote in part to showcase his then wife Sarah Brightman's triple threat talents.
So, you need to understand before I continue that ALW, from my perspective, has always had a bit of an inferiority complex. He's basically associated to writing these commercially successful musicals that show a big spectacle but aren't ultimately substantial. I'm not sure I entirely agree with that, but I do think that if he didn't have Hal Prince, Maria Bjornson, Charles Hart and Gillian Lynne backing him up for Phantom, it would have probably been a Rocky Horror Picture Show knockoff people would have forgotten about pretty quickly. This is what I mean:
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Yep, that was Phantom before any of the people I mentioned above (and Michael Crawford) were really involved.
Remember how I said Stephen Sondheim was an oddball? The thing with him is that his musicals weren't always commercially successful, but in general, in part thanks to being Leonard Bernstein's protƩgƩ, he was generally pretty well-respected and it was considered that his work was bringing musicals to a whole other level. Without Sondheim, you wouldn't have Jonathan Larson, and you wouldn't have Lin-Manuel Miranda. I am convinced ALW is resentful of that, and when you stop and think about it for more than 10 seconds, it's so obvious he REALLY wants to be Sondheim or at least command the same level of respect, but that's a story for another day.
So, after Phantom, ALW had other musicals that followed that either got a meh reception or outright flopped. Then there was Sunset Boulevard, which is based on the movie of the same name with Gloria Swanson. Despite all of her griefs for Evita, Patti LuPone agreed to partake in the musical as Norma Desmond, for its production in London, with the promise that she would transfer to Broadway once that production would open. And overall, after a string of flops, Sunset was actually doing pretty well.
HOWEVER. One day, while reading the gossip column of a newspaper, Patti found out that contrary to what she was promised, Glenn Close, who was meanwhile starring as Norma in the Los Angeles production, was to play Norma on Broadway. That was a complete surprise for her since no one on the production team had bothered to tell her it was happening - and keep in mind that for the news to come up the way it did in a gossip column, it probably would have necessitated a delay of a few weeks between the producers and the newspaper, which would have given them plenty of time to break the news to Patti. And Patti kind of needed the leg up because she was pretty bitter that a) Madonna was cast in the Evita adaptation instead of her; b) they actually lowered the key to fit Madonna's voice range, and she still had to expand her own to be able to sing the (lowered) score. And trust me, Patti is mad about it to this day.
So of course, she trashed her dressing room, the cast and crew weren't even mad about it because they were as shocked and angered as she was by the news. Patti sued Andrew Lloyd Webber for breach of contract, namely for 1 MILLION DOLLARS (yup, those are the real numbers), won, used the money she got from the lawsuit to get a swimming pool, which she called (and I SHIT YOU NOT) the Andrew Lloyd Webber Memorial Pool. Since then, Webber is dead to her, to the point rumor has it she had part of a building blocked during an event so she could get out of it without coming across Webber, because she hates him so flipping much she doesn't even want to be in the same building as the guy.
(There's also drama that happened with Faye Dunaway who was supposed to replace Glenn Close after she went from Los Angeles to Broadway, except they abruptly closed the show down after Close left, but that's a story for another day)
So with all the bad press, and with ALW forced to pay 1 million dollars for Patti's lawsuit, that led Sunset's productions to close earlier than expected. ALW has stayed around since, with... mitigated output, so to say. The lowest point for a lot of people is Love Never Dies, the sequel to Phantom, which some people love, and that's fine, but it didn't do well with either critics nor fans of the original show, which ALW is EXTREMELY BUTTHURT ABOUT. And like, there are so many stories I could tell about LND alone, but I will share my own crack theory about it, since it does relate to the ask.
Anyway, buckle up.
So. There have been jokes going around for years that the Phantom in LND is basically ALW's self-insert, where he displays to the world that he's totally not over Sarah Brightman leaving him (in part because making Phantom kinda ruined their marriage lmao), despite, you know, having married since. (Aaaaaakward.) So LND basically becomes this really uncomfortable therapy session where a man writes a self-insert musical about how his ex-wife made a big mistake of leaving a sensitive artistic soul such as himself. The characters from Phantom who appear in LND are all more or less unrecognizable as a result, and one who gets it worse (in my humble opinion) is Meg Giry, who was basically Christine's sweet and loyal ballerina friend who basically went into the Phantom's lair on her own to save her friend despite the danger. In LND, she's basically a bitter hag (because ALW hates women, guess Patti was right about that), who really likes the swim and even has a stripping vaudeville number about it, written in universe by the Phantom, no less.
For comparison, here's Don Juan Triumphant (the Phantom's opera in the original):
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And here's Bathing Beauty (the vaudeville number):
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Yeah, so... do you see why people hate LND already?
And that's not the only thing with Meg! She's also pining for the Phantom to pay attention to her and threatens to drown the Phantom and Christine's secret love child when he makes it clear that he's gonna love Christine for EVA AND EVA.
So, with everything we learned today about ALW, would someone like him view someone like Patti LuPone as some sort of crazy, bitter diva who's obsessed with him for whatever reason? Absolutely. Would he be petty enough to insert Patti LuPone into his self-insert musical, which gave us the version of Meg Giry we got in LND? Of course. Why does Meg love to swim so much and why does she drag Gustave out ostensibly for a swim? Is it a dig at Patti's Andrew Lloyd Webber Memorial Pool? Maybe.
I kind of hope we find out one day if that theory is true. And maybe start a kickstarter so Patti can addĀ this paintingĀ from the 2004 movie in her collection.
Fun fact: during the process of casting for the 2004 movie adaptation of POTO, ALW allegedly suggested Patti LuPone to play Carlotta... only for Joel Schumacher to have to awkwardly remind him that they were not on speaking terms. The idea was therefore promptly dropped.
#YOU'RE WELCOME ANON#anon asks#Andrew Lloyd Webber#Patti LuPone#evita#sunset boulevard#phantom of the opera#love never dies
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