#all i do is make zines about my art i look away

[genderqueerdykes]

How can i find queer spaces irl? clubs arent really my thing, but its all i can find thats around me

good question!

this one can be tough, as bars/clubs are usually what come up the most readily when searching on google maps and social media. they can and do have days where the atmosphere is calmer but i still don't like being in bars. i think there may be some options for you, depending on your area

i would recommend checking your library if you can, a lot of the time they will advertise queer events if there are any going on in the area. if not they often times have information on local queer organizations. if you are unable to do this, universities usually have good lists of local queer events and spaces. usually people are going to say LGBT (event) so phrasing it that way may help a bit. but regardless universities often have groups that are open to the public so you may be able to find support there, or at least suggestions on where to look

you may have transgender resource or gay or lesbian resource centers in your area. you may have some type of organization that helps local queer folk get in touch with things like HRT, top surgery, drag shows, art/zine nights, when local queer businesses are hosting events and so on. if you use instagram or facebook, they are very good for finding these types of events if you search for lgbt (your area) and "local lgbt events", those kinds of things

you can also try to take a look at if you have a pride parade/event in July, you can try to find the information about who is organizing it and what types of organizations and businesses show up to those kinds of things. you may be able to find local social media pages that post about local queer events. sometimes it's something simple like a queer operated coffee or ice cream shop holding socials with reduced prices, for example. in a lot of places, there are spaces for queer minors who need somewhere to go away from alcohol, drugs, uncomfortable contact with adults, and so on

it can be harder to find spaces for adults that don't involve or contain alcohol which makes it difficult for someone like me who has a lot of trauma with that and bars. however, sometimes you can find small political organizations or even art collectives, who use parts of their buildings as queer hangout and event spaces. it's going to depend heavily on your area, so the best you can do is search for "lgbt events in my area" and "lgbt (your city)", things of that nature, as well as trying to keep an eye out for businesses you see when your'e out and about who have LGBT flags inside or outside. if they have even 1 progress pride flag it's worth asking if they can tell you about other LGBT businesses in your area or if they do any collaborations with other queer places and events

i hope any of that helps or makes sense. some places, people can find queer spaces very easily- in big urban cities in California like San Francisco, for example, has a lot of queer historical locations, political organizations, casual hangout spots, advocacy groups, resource centers, and more. some places may only have one or two spots where they can safely meet, and a lot of people are somewhere in the middle. good luck, i know it's not easy, but i hope you find something that works for you

folks are welcome to contribute any ideas they may have. take care for now!

[bionic-penis]

new zine if anyone is interesteddddd

it's more writing heavy but i still like it <3

[the-cimmerians]

It's 2024. I have been participating in fandom for 40 years. This is a ramble commemorating some history I've experienced along the way.

In 1984, I attended my first convention, and made a beeline for the one long row of covered tables in the Dealer's Room that was, according to the whispered lore of my friends, 'the one'. "um", I said, very suavely and coherently, except for how it was totally the opposite of those things, "I'm here for the... for the, uh. For-"

"Come around here," the man behind the table said with exhausted ennui, so I went around, and he lifted up the table skirt next to him and pointed to rows and rows of boxes underneath the line of tables. "It's all under here."

It was all under there. Along with about five older ladies with glasses, graying hair, cardigans. Flipping through slash zines and chatting in whispered voices like old friends (which of course they were). I noticed one of them had the good sense to be wearing kneepads. I was still too young and ablebodied to need kneepads when crawling on a carpeted floor, but I immediately found her preparedness skills to be both impressive and hot. "You're new," one of the ladies whispered to me--a bit warily, which made sense. "Are you sure you're in the right place?"

In the faint light (the kneepads lady had also come prepared with a flashlight, additional practicality hotness points for her) I grabbed a comb-bound book with a heavy line art piece on the cover, featuring a musclebound Captain Kirk getting righteously and enthusiastically plowed by a stern-yet-ebullient Spock. "This," I said, pointing helpfully at the cover, like I was trying to make myself understood in a language I had only the vaguest knowledge of. "I'm here for this."

Outside at the convention, most of the attendees were wearing large homemade circular pins that shrieked 'K/S is BS!!!'1. But underneath the table, we reveled in the forbidden.

***

In 1985, I fell very hard for Starsky & Hutch fandom. Which was simply referred to at the time as 'the other fandom', because there were only two. We were upstarts. Many fannish elders predicted that it was just a phase.

***

The 'circulating library' was a massive stack of barely-legible pages that smelled strongly of mimeograph ink. When you were on the list, you would write stories while you waited for your turn, and when the big box was mailed to you, you would read everything (new finds, old favorites), add your own sloppily-typed or hastily-mimeographed stories, and then mail the whole thing to the next person. For me, at the time, it was an extremely expensive indulgence--but my favorite one.

***

By 1990, slash fandom had grown enough that I no longer knew everyone in it, which was both thrilling and a bit daunting. A young woman at a convention waited for me after a panel I was part of (I think it was 'writing impactful smut' or something like that), and said she had a question she didn't want to ask in a group setting. I'd heard that before. I said that's fine, go ahead and ask; and she came out with: "Why do you have to be gay?"

I blinked. "Is... that a problem?"

She looked annoyed. "Yes, because your stories are on all the recommendation lists and in all the top zines, but if you're gay and I read something you wrote and I get hot from it that makes me gay, and I'm not gay."

"Wow." I grinned, I couldn't help it. It probably made me look very predatory-dyke-about-to-score-a-toaster. Whatever, it was enough to make her back away from me fast.

When I thought about it later that night, I wondered what it would be like not to be the only queer person in slash fandom.

***

By 1997, slash started appearing on the internet. Many fannish elders claimed it was the death knell of slash fandom, or dismissed it as 'just a phase'.

***

Anyway, I wrote all this for myself as a commemoration of sorts, but if you took the time to read it--thank you. Love you, fandom. I always will.

1 In those days, m/m fandom was known as 'slash', which grew from the fannish shorthand where 'K&S' meant a story of Kirk and Spock having adventures or tribulations or what have you, and 'K/S' meant a story of Kirk and Spock getting it on (Kirk divided by Spock or Spock into Kirk--it was mathy fannish humor and I was into it then and I still am now). Slash was decidedly unpopular in the fannish world in 1984, and there was a concerted effort to force slash authors, artists, and fans out of 'mainstream' fannish public life. Hence, under the table.

[mortalityplays]

You need more free art.

I quit my job yesterday. Well, actually I quit my job eight weeks ago, but they finally released me yesterday for good behaviour. Don't get me wrong, I love what I do - but I do it for the wrong reasons. Working for major charities, you learn very fast that 'I want to make the world a better place' is a phrase you use to ask people for money, not to give them things. I was an ass-backwards fit for that world.

You need more free art. I need more free art. Everyone has felt the shift in our media landscape over the last ten years, away from access and towards nickel-and-diming the human experience. That lack of access is making life and culture worse for all of us, across the board. Paywalled news sites leave us less informed, attacks on the Internet Archive leave us less capable of research. Algorithmic social feeds and streaming walled gardens trap us inside smaller and smaller demographic bubbles, where we are increasingly only likely to encounter ideas that have been curated for us by marketing departments. Hasty efforts to resist AI commodification have only led to more artists locking their work away and calling for even more onerous systems of copyright law. This is not good for us.

We all need more free art.

So what am I going to do about it?

This is a question I have been asking myself for years. It's easy to sit here feeilng frustrated and thinking 'boy I hope SOMEONE does SOMETHING'. It's harder to take action in a world where I still have rent to pay. But hard doesn't mean impossible. Sometimes hard just means time-consuming, frustrating and slow. And sometimes it's worth doing something time-consuming, frustrating and slow because...I want to make the world a better place.

I'm going to do this:

1. From April 1st, I am relaunching as a freelance writer and editor.

This is the one that will (hopefully) help to pay the bills. I am a very good and experienced editor. I've worked on hollywood movies, I'm a member of the Chartered Institute of Editors and Proofreaders, I have clients who have been coming to me exclusively for more than 10 years.

Alongside bigger contract jobs, I am going to refocus on offering my services to small-press creators at a reduced rate. That means you, graphic novelists. That means you, itch and amazon writers. I want to help you develop your work, the same way I help large organisations. You can learn more about what an editor even does and what kind of pricing you can expect here.

2. I'm also going to start giving shit away. Like, constantly.

Next week I'm going to launch a new free shop. If you're unfamiliar, a free shop, giveaway shop, swap shop, etc. is an anarchist tradition of setting up a storefront where anyone can take what they like for no cost. Offline, this often means second-hand clothes, tools, furniture, food etc. Online, I am going to be giving away digital art. Copyright-free, no strings attached. It will (eventually) feature everything from print-res posters to zines, poems, tattoo flash, t-shirt designs and anything else we come up with.

Yes, I said 'we' - while this is a curated collection, it will feature work from a variety of credited and anonymous artists and activists, all of whom have agreed to give their work away to the public domain. Some of it will be practical, some of it will be political, but a lot of it will be decorative or personal. This is, in part, a response to recent difficulty I had finding somewhere that would print a one-off joke poster for a friend that featured the word 'faggot'. Enough. No middlemen - no explaining ourselves. Just print our shit and enjoy it.

I'm very, very excited about this project. I'll have more to say about it closer to the launch, but you can expect it to go live on March 27th.

2.2 I forgot to mention the ACTUAL LAUNCH GIVEAWAY

To celebrate my launch, I am going to be giving away a ton of physical prints. When I went looking for my old stock to see if it was worth setting a new (paid) storefront up, I realised I had way more old work in storage than I thought. This will be announced in its own right on Monday, but this is why I've been hinting you should go follow my Patreon.

On April 1st, I will pick 8 random patrons (from across all tiers including non-paying followers!) and mail them a bundle of assorted prints and postcards. The prize pool includes A3 and A4 posters, packs of A6 postcards, and printed minicomics that I've previously sold for up to £12 each.

You don't have to be a paying subscriber to enter - this is strictly no-purchase necessary. It is purely and entirely a celebration of the concept of GIVING ART AWAY FOR FREE.

3. PORN, YOU PERVERTS

Because I still have to pay to stay alive, I am going to be subsidising all this free art with the introduction of Fuck You Fridays. Starting from March 29th, I will drop a new 18+ short story on the last Friday of every month, over on itch.io (yes I know my page is desolate right now, don't worry I'll get there).

The first edition, Go Fuck Yourself, is about, well - telling your boss where to stick it. Julia has had it with her millionaire man-child manager, and is just about ready to let him know what she really thinks. It's a short and steamy 5k words, with a gorgeous cover illustration by @taylor-titmouse, and you can pick it up for $3 starting from March 29th.

4. ANOTHER BIG SURPRISE

I'm keeping this one under wraps for now, but April 1st will also play host to one more (FREE) launch. If you've been following me for a long time, you might remember the other significance of this date (no not April Fool's day, though that is certainly thematically relevant to this entire effort). That's all I'll say right now. Watch this space.

tl;dr: I'm sick of paywalls and career ladders. I'm literally putting my money where my mouth is. More free art for everyone and I'm not kidding around!!!

[calocreek]

OK here it is, a ton of 'production' stuff for the Hot Guy Comic Zine! I've never been part of a project like this. Even though I was working on my comic mostly solo (shout-out to my editor Violet!), the world-building and story arc planning was completely collaborative. For example:

We started out on the world-building by voting on character's superpowers! Plenty of powers were almost unanimously agreed on, but Cuteguy was a HUGE campaign. We were pretty much 50/50 split between can fly/can't fly. Propaganda was exchanged LOL, like this piece where I campaigned for limited flying capabilities 😂 And thats what we ended up settling on!

From there we worked on a ton of brainstorming/world-building that I mostly spectated with an occasional doodle like these haha. I'm new to such elaborate AUs!

Pitch time!! I had pitches for each era and they were all pretty light and banter-y, so my year 1 pitch ended up fitting the vibe the best. My original pitch was 'HG + CG learn some key things about each other and plan to set up a base they can use together.' But when I started my script, I got really caught up in how they were navigating a partnership without knowing each others identities. The more I wrote through that, the more I wanted my story to be ABOUT that! So thats where my script started coming together.

Designs! I'm definitely not a confident costume designer. I was trying to go for low-tech + practical since it was early in their careers, and of course, easy to draw 😂

Process went more or less like this! Full color comics take a LONG TIME but it was a total labor of love. I had the graffiti bgs in mind from the very start since I knew it was dialogue heavy, I wanted to make sure the art was interesting and worth spending time looking at. Oh lord did I get carried away. I'm OBSESSED with the symbolism the fandom has put to the life series and so I tried to sneak in as much meaningful symbolism as possible. AND THE RESULT:

Guess I did pretty well! 😂😂😂

Anyway, I can't overstate how proud I feel to have gotten to work on this project. My whole goal as a hobbyist is to get to work with other artists I look up to and respect so this was a dream come true! Thank you everyone for reading, for 15k downloads (!!!), and for just being an awesomely creative fandom space to make art in! I hope to do more stuff like this again some day 💕

[superhero--imagines]

Part 1 Here! / Part 2 Here! / This is Part 3! / Part 4 Here!

A/N: I don’t think the poll is over yet, but this one was very clearly going to have the highest percentage, I’ll do the “maybe if we were closer in age” one later though!

If you haven’t already please check out my Batman zine, it’s got so much fanfiction and beautiful art from five different artists! Please check it out, please. I need to find a way to compensate these artists. You can check it out here!

Bruce slumps in his chair, a longing glance spared to the decanter on the bookshelf.

He closes his eyes and wills away the craving. It’s always ten times worse when he wakes up the next day, and he can’t afford feeling worse at this point in his life.

Wasn’t it just yesterday he was twenty years old and he could spend all night playing Bruce Wayne’s party boy image, and be up in three hours feeling none the worse for wear. Now even after nine hours of solid sleep, he wakes up sluggish with an ache in his bones.

I have to be strong.

“Why did you keep her away from us?”

“Who?” he asks absentmindedly, his entire focus still on the brandy.

“(Y/N).” It’s the last name he expected to hear, especially from his oldest son. He looks up, hoping he’s misheard, but the look in Dick’s eyes proves him wrong.

Looks like I’m going to need that drink after all.

He reaches for the decanter, two crystal glasses retrieved from his desk drawer instinctually, glittering on his desk.

“Why are you bringing this up now?” He stalls by taking a sip, feigning casual, like the mention of your name alone didn’t set his heart racing.

“Don’t play this game with me Bruce,” Dick sounds more sad than angry, and it softens him. “Why didn’t you let us see her?”

“It’s complicated.”

“Then start untangling it for me.”

Bruce sighs, taking another sip of his father’s brandy. There’s a million reasons he could tell his son, none of which would be lies entirely, but softer than the truth.

But when he looks up into Dick’s eyes, he can’t bring himself to say any of them. Armed with nothing but liquor at the bottom of his cup, for the first time in four years, after dodging this question from reporters and acclaimed journalists and new paramours, he finally tells the truth.

“Because I didn’t want her to see you.”

A simple, ugly truth. He doesn’t bother looking up to see his sons reaction, he already knows a kind boy like Dick, a boy who’s fully believed his entire life that good prevails, won’t be able to process that his father did something like this. He makes better use of his time by refilling his glass.

Dick slumps in the chair by the time he’s polishing off his second peg, and pouring in his third.

“You did it to punish her?” He can see anger begin to replace shock, and he doesn’t blame him for it, but Bruce is angry enough at himself for the both of them.

“I wanted her to forget we ever existed.” This truth is as kind as it is ugly, and the nuance confuses Bruce even now. But three glasses of brandy affect him in a way that makes his tongue feel lighter and his mind feel free.

“I wanted to give her a potato sack full of money and jewels, and send her far away where no one knew who she was. I wanted her to meet a good partner, someone who would always put her first, and if they decided to extend their family I wanted her to be able to move on without feeling like she left anyone behind.”

“So you wanted her to have a great life, far away from you, and you never wanted to hear anything about it,” Dick’s voice is cold.

Bruce shakes his head. He wanted to hear everything about your new life. What kind of partner you picked. How you spent your days. When you got married. When you had your first child. When you had your second. Everything. And on bad days, he’d close his eyes and let himself imagine it was him standing next to you, that in some alternate universe he made a single different decision that gave him permission to deserve you.

“I was just tired of hurting her,” when you came in to his life, for the first time, he felt like he’s been allowed to have something of his own. Not as Batman, protecting to the city, or Bruce Wayne the mask he carried, but him as a man. But he could never seem to return the reverie you extended to him.

“Do you think she’d ever be able to move on, to live even a semblance of a normal life, if all of you were showing up at her house all bruised and beaten?”

Dick stays quiet now, and Bruce hates himself for having to say it out loud. His son may be an adult in the eyes of the law, but some parts of him are still childlike. After all, Bruce isn’t the only one putting Gotham first.

“I wouldn’t call the way she’s living now normal.” Dick’s been to your penthouse, he’s seen the photo albums full of tabloid clippings and the rare pictures he and his extended family post on social media. He’s seen the journal you keep, hidden on your bookshelf that he mistook for a regular novel during his bi-weekly trips to your place, full of notes on every article and picture and what might be happening behind the scenes to prompt a public appearance like that. Years of deductions and question he could have answered with a single text message a month, but Bruce wouldn’t even allow that.

Dick’s anger grows.

If Bruce had told him he did it to punish you, he’d be angry, but he would understand. Sometimes when you love someone that much, someone who’s too good for you, you grasp at any way to keep them. But this is a million times worse than that.

“If you loved her that much why’d you even let her go?”

Again, another question he wasn’t expecting. Maybe it’s the alcohol, but he doesn’t feel the sharp sting of surprise this time.

“Because sometimes love isn’t enough.”

Dick leaves. Bruce pours another glass, and when he’s sure he’s alone he pulls out his wallet, tugging out the family photo he keeps tucked beneath his black card, turning it over to see your portrait taped on the other side.

The corner of his mouth quirks up.

It was from when you’d both just gotten married, before you were used to upper class etiquette. You complained all morning about having to get ready and wear a bunch of expensive uncomfortable clothes designers had sent in for the article in the Gotham Times, emphasizing how ridiculous opulence like this was when there were so many bigger issues in Gotham.

He’d bought out every copy of the magazine in the city. He still had most of them, tucked away in a box in his closet that became the casket for your relationships. Every now and then he’ll unearth it, just to allow himself to be haunted again by your memory.

But for tonight, just your picture and a glass of brandy is enough.

“You’re so much better at this than I am.”

[bao3bei4]

why zines? how zines?

i was on a panel at fanworks con 2023 about zines today. it was a lot of fun! i decided to turn my portion of the talk into a post for my friends who couldn’t make it to the panel. 

this post includes my thoughts on: 

why make a zine

how to generate ideas for zines

how to finish your zines

how to build an audience for your zines

so why zines? what are they? [ZEENS, rhymes with beans], pronounced that way because it’s a shortened form of the word magazine, are basically just that: self published magazines. but why make a zine over, say, a blog post? or any other piece of art. 

i have basically three reasons. the first is that making little books is cool. it’s genuinely awesome to make physical zines and have the product of your labor in your hand. it’s a great feeling to finish a project and feel a concrete reward, and a lot of times we don’t get that in our lives.

the second reason is that zines give you absolute editorial control. you can put anything you want on a page. whatever layout, whatever order, whatever fold, whatever content. you name it, you can do it. this is something other venues rarely give you. for artists, it’s phenomenal. and for the rest of us, it gives us the ability to become artists for a little bit, as we lay things out.

the third reason is that zines can be absolute shit. in fact, the more shit they are, the more diy and punk they are. they have an incredible lineage of stolen copy paper and anarchist politics. all that to say, is that there are no standards. the zine ethos is say what you wanna say. it’s tremendously freeing to go fuck polish and respectability, i’m making my project.

because of these three reasons, i want to encourage you to get started making zines by describing common challenges and worries and giving you several practical tips for each on working past them. so, in order, they’re “i don’t know what to make a zine about,” “i struggle to finish projects,” and “no one will read my zines.” let’s get into it.

first up, “i don’t know what to make a zine about.” i think this one is pretty common, even for experienced zine creators. sometimes you’re in the mood to make things but you have no clue what. a lot of people suggest to just go with random words or whatever pops into your head, but i’m picky! i find that unsatisfying! so here are some tips for people in the same boat. 

ONE: what’s distracting you? work with it. because anything can be a zine, let the things you’ve already done serve as inspiration. photos you’ve taken can be formatted into a zine. is there a game sucking up your attention? make a zine about it. the song stuck in your head can turn into a lyricbook, forgotten works in progress or sketches can be resurrected, cannibalized, or even published as incomplete zines. if you’ve been busy with real life, maybe the recipes you’ve been making—even if, especially if, they’re struggle meals, can turn into zines. interview your most interesting friend. summarize a book you read recently. even if you’ve just been doomscrolling, that’s a zine too! i got a zine last weekend called bay area newsreel which was collecting recent articles about local news from leftist perspectives gathered up into a handy volume. your attention is a gift, so look at what zine fodder it’s accumulated for you naturally. 

SECOND: add a twist. sometimes i have an idea but it isn’t quite right. it just seems too straightforward. so i try to develop along a single axis of content or form. what this means is basically go against your instincts, or rather, your first impulse. that first idea is very hard to walk away from, but doing so often gives you an idea that gets you unstuck. so for content, add a different perspective. for me this is often a theoretical approach. when i was stuck on my scum villain zine, turning it into freud zine let the words start flowing. next, on form: present it differently than your first instinct is to. if my first thought is “essay,” i try to figure out how to chunk out the information into modules or how to add interactivity or what kind of illustrations to add. if my first thought is “this could be a fic or comic,” i try turning it into an essay. saying things a different way often gives you a new perspective on the content as well. 

THIRD: copy! make your take on the same thing as someone else. it’s not stealing—well, ideally it isn’t. make your original take and give credit where credit is due and ask permission if necessary. but engage with the medium!!! making zines without reading zines is the same thing as trying to write a paper without citing sources, or a novel without reading your contemporaries. that is, you can do it, but it’s hard. zines are a genre into themselves so figure out how to situate yourself in their ongoing dialogue. an example of this from my own practice is that i own a zine about queer gods and mythological creatures from chinese history. reading it i was like. why don’t they talk about this. why don’t they talk about that. and that became the basis for my own zine, guaitai the strange and the queer which focused on queer chinese history and literature instead. different zine, same inspiration. 

all of my ideas suppose you have SOMETHING going on. what if you truly have nothing. my advice? adapted from my “how to write an essay” blog post, is to read a book. read an article. read something. and then post about it. and then turn your posts into a zine. don’t start entirely from scratch — give yourself a scaffolding. so first. read something and tell someone about it. i wasn’t lying about calling myself a consummate poster. it’s a big part of my thought process. 

second up, what if “i struggle to finish projects.” i’m no stranger to having a bunch of half finished half started projects lying around. but here are some zine-specific tips i have for addressing that.

FIRST! go smaller; go shittier. reduce the scope of your projects. make one pagers, lists. once when i was feeling stymied, i made a physical zine about movies i’d watched that month, just listing them with a couple bullet points on each film. i eventually turned it into a bigger digital zine where i listed movies i’d watched over the past several months with more thoughts on them, and nicely formatted. but that was something that came out of reducing my scope from “i need to write a manifesto on a movie i’ve watched recently” to “well i can just tell people about it” to “i can say two things about it.” and something actually got finished.

SECOND. your friends are a great tool for accountability. something i like to do is zine jams with my friends. nothing fancy, it’s just we’ll sit down for an hour and go we’re going to make something in this hour. or, for a bigger scope, we might work separately but commit to making a zine that weekend. it’s nice to have community and it’s nice to feel a little bit of a friendly deadline. i recommend this even if you DON’T have problems finishing zines. it’s a good time. 

THIRD. a lot of times if the words aren’t coming easily, it’s because i’m not trying to say the right thing. keep in mind that your zines don’t have to be “content.” this little paper zine i made about movies wasn’t made to share online; in fact, it’s not available online. i didn’t make it according to what other people would see or be interested in. you can and will burn out on making “marketable” content. corollary to this: sometimes what i have to say is something i DON’T want to share online. it might not be that it’s boring, it might be that it’s too personal. and i share a lot online, i write personal essays after all. but some projects i stall on because they’re really just for me, and i’m again, focused on making content. so this piece of advice is about rejecting the tyranny of the imaginary audience. 

and the next challenge is about embracing that audience! what if no one reads your zines, something that’s entirely possible. well there’s plenty you can do about that.

FIRST. cultivate zine community. read other people’s zines! talk to them about their zines! this greatly increases the chance that they will do the same for you. don’t go in expecting reciprocity; do it for its own sake, but it’s a great place to start. try asking people at zine fests if they’d be willing to trade with you, for instance. 

SECOND. write for yourself. it’s cheesy but it’s true. you really have to. if you’re not proud and happy with what you’re making on its own merits, what’s the point. now because this is a cop out tip, i’m not counting it as a tip on its own. 

so SECOND PART TWO. make your zines more accessible. if they’re not free, make them free—yes, you deserve to be compensated for your work, but it’s up to you to decide if you want a bigger audience first. if your zines aren’t short, make them shorter. make them short enough that you can post their entirety on social media or something else easy for your audience to consume. it’s a big ask sometimes to get someone to download your pdf! if they’re physical, hand them out to people you meet. remove all the barriers to entry.

THIRD. related to this, change medium. if you’re not making physical zines, try printing them out. if you’re not making digital zines, try digitizing them. both of these offer access to new audiences and new people who might be more interested in one form than another. 

i hope these thoughts encourage you to make a zine! if you do, please let me see it. i love reading zines. 

[ninadove]

For any fandom(s): 12, 15, 16, 19, 23! 💌

As always, you spoil me! 💌

12. Compliment someone else in your fandom

GOD I HAVE TOO MANY FRIENDS TO COMPLIMENT

@beezonia comes up with the coolest AUs and designs. I’m always blown away by their Pokémon team compositions — they’re spot on to the point I consider it its own form of character analysis!

@purplecatghostposts is the genius who showed up out of the blue and took us all by surprise with their amazing prose. Soap, reminder that the reference to Copycat in consider the spare legally binds you to pay for my therapy.

@trishacollins is single-handedly remediating to the lack of platonic bedsharing between the cousins and I can’t thank her enough! She’s also one of the chillest and most approachable people I know.

@luckychatons is our favourite entrepunpurr and constantly lifts our mood with the cutest, most joy-filled sketches! Patting her OCs on the back because they sure need it.

@graythegreyt is such an awesome artist you’d almost forget they’re also one hell of a poet who wields mythological references like Odysseus wields his bow. Did you know they wrote me a poem inspired by God Games? I think everyone should know they wrote me a poem inspired by God Games.

@hartwign is a talented translator and draws hair like no one else. Seriously. I want to run my hands through the cousins’ hair and nestle in there forever.

@phieillydinyia is the picture of dedication! Can’t recommend Candle In The Wind enough, it’s a roleswap rewrite of the Miraculous movie that includes the songs. How cool is that. Thank you for your regular comments on my fics, they always make my day!

@alexandriaellisart words cannot express how much I love your depiction of Feligami. Your writing has made me tear up so many times! AND YOUR ART LOOKS SO SOFT AND COLOURFUL. What a double threat!

@faiirygrahamdevanily we need more fics about the Sentiplot as a metaphor for othering experiences and you’re doing God’s… I mean, Duusu’s work with yours!

@bbutterflies did you know your piece for Sentitwin Week is the best characterisation I’ve ever seen of Felix? This is what people mean when they say a picture is worth a thousand words. And of course your Adrino is always brilliant!

@bittersweetresilience not only are you an extraordinary writer, but you’re constantly looking for new ways to express your love. Always GIFing and weaving and canonising tags and making AMVs and running zines… I can’t wait to see what you do next!

And there’s so many more people I’m forgetting! To say nothing of my friends outside the Miraculous bubble! People are amazing!!! 💖

15. The character that always makes you smile

At the end of the day, it’s all about Clive. He’s been my muse for nearly 15 years! 💙🕊️

16 was answered here! 💖

19. Your current fandom(s)

Professor Layton, forever and always. I can’t wait to share my Big Bang fic and the amazing art that I was blessed with! 💙💛

RWBY, even if I’m lurking more than participating… I love love love love RWBY, yet it doesn’t strike my creative and analytical chords the way Miraculous does. Sometimes you just need to let yourself be swept into a story, you know? Although, it did teach me a couple of writing tricks I’ve used for other fandoms!

EPIC! Wisdom Saga coming soon! 🩵🦉 It makes my little mythology nerd heart supremely happy. The music is a banger and you can feel the knowledge and passion of all the people involved in this project. Jorge in particular is always so excited to share his progress, engaging with creators, explaining his musical choices in a fun and pedagogical way… And the lyrics! It’s free real estate for a fanfic author looking for inspiration and/or titles!

I’d love to start Monte-Cristoposting like I’ve been Cyranoposting and Draculaposting, but I’m afraid of spoilers so for now I’m just screaming in your DMs. As you know. I’m also slowly getting into Honkai: Star Rail, and I’d like to pick up Pokémon Black and White again because a N character study would look great on my AO3 resume.

And of course, Miraculous! 💚💜❤️ It’s the most creative I’ve been in years and it’s all thanks to these sad beautiful silly genius kids. Heart emoji, peacock emoji, sob emoji, etc.

23 was answered here!

Thanks for the ask! 🖤🪶

[angelofsmalldeath-codeine]

What we lose in art when blogs leave the platform

Last night I was working on my fics database (I’m the spreadsheet kinda autistic) and checking if the links I had were still working and trying to fetch links for the ones I had recently added. I was upset about the number of blogs gone (some might have changed name and I haven't kept up and that one is on me). Some really amazing stories, art and overall fun is all gone. Precious interactions that help build the community totally vanished.

The vitriol and unjustified hate I see spewed everywhere has gotten to unbearable levels. I’ve been in fandoms and fanfic communities since the days of printed zines and yahoo/geocities groups that were uber hard to get into. I have survived all the websites that shutdown leading us to mourn the loss of that work. Fanfic was akin to contraband and harshly judged. We know we are weirdos, hence why we find community in alternative spaces away from the mainstream.

It feels like people want us to go underground again. Cool, we can do that, but we gonna be gatekeeping the hell outta these spaces then.

What peeves me the most is the puritanical take that has been recently brought into the space and how that’s used to measure others and judge them on some standards they are not even aware of until they start getting hate. Said hate is usually delivered via anon asks, of course, because god forbid them having the decency of defending their shitty takes, right?

Still on the puritanical take, the goalpost seems to change often too. It is self-serving. Kink shaming/topic judging is the default mode until someone decides they like that particular thing and it is no longer controversial. Why are you censoring your peers? Why do you assume that everyone subscribes to your beliefs, tastes, preferred topics and tropes? The performative activism isn't a good look either.

Sometimes this fandom feels like the mormons who do the soaking thing so they can get off before marriage without actually fucking. If the cock goes in because my friend is jumping on the mattress, that is on the mattress, not on me. I digress but y'all get the gist.

I have been on this hellsite since its launch and have seen many fandoms come and go. The assholes eventually fuck off to be toxic somewhere else, but they do tend to jump from fandom to fandom for a while until their reputation and toxicity catches up with them. It takes too long and the damage they cause is often quite extensive.

We are not in competition with each other here. I have said it so many times... Tumblr isn't a monetised platform and fanfic is a gift economy. Leave your fucking TikTok and Instagram cut throat mentality at the door. We don't tear each other down trying to build ourselves up in this house.

During the pandemic fanfic came into the mainstream mostly because of people on TikTok. Great! We are a welcoming bunch and it makes us happy that more people can find joy in consuming fan made art of their favourite shows and ships in whatever form they choose.

It is not because we've opened the door that we will let y'all trash the room. I'm sure you were raised better than that.

Can you not be assholes? Much appreciated.

P.S.: I am too old to care and have zero fucks left to give about anyone's feelings getting offended over this. Fuck you very much.

[momopatchi]

Hey! I love your work & I would like to know if you could share a bit about your career & give any advice you may have.

Recently I got into my dream art school, which is thousands of miles away from me, I'm experimenting with having multiple online income streams to help me pay for everything. I'm interested in seeing how this may look for different people in hopes of gaining some new perspectives & ideas.

So, do you make most of your income from social media? If so, what does that look like for you? And how do you balance school, work, and a social life?

Excuse me if those are intrusive questions, I completely understand not wanting to share that kind of information. But either way, thank you, I truly love your art so much! Have a good day!!!

Thank you for asking! I was on a similar track a few years ago when I enrolled. My personal relationship between monetization and art is strenuous at best and I usually relegate it to a passive form of income. all the art I have sold have been physical goods , which were only reformatted to be prints. and weren't really drawn with the intention for being sold. I've never opened a comms sheet but do concessional ko-fi's , kind of low commitment/intensity things. so passively selling prints.stickers etc through 3rd party is most of my income ,since being a full-time animation student hasn't allowed for a lot of part time work. I also occassionally stream and post sketchbooks,comics and zine's on itch.io , which have been the most fulfilling to me. There is no mandatory paywall or anything and everything I share is donation based... That's the super tricky part about the work life balance for me. School mandates a lot of personal sacrifice, your going to be making a lot things , not necessarily on your own terms. So separating the monetization from the art making process itself has been the most sustainable thing for me in terms of burnout / time management . lool that was kinda long winded and little all over the place. But i am someone that prioritizes creative agency, but please do what ever works for you and allows you to live comfortably! :) ganbatte <3

[trungles]

Hello, long time follower just on other platforms and I love your work. I am currently getting my Masters in Comics and Graphic Novels, and do tell me if this an inappropriate question but how much do you make? Like a month doing comics and art? Also what do you do on a day to day basis? I'm worried about my future after I graduate.

Thank you so much! This is a great question, and I wish more people would be candid about answering it because I'd like creators to demand more money. This will be a very long post! Keep reading if you're interested. MASSIVE info dump below.

I think earnings in comics and books can look wildly different for almost every creator, and it depends on a lot of things. With that in mind, I make a slightly different amount every year. I view my finances mostly through page rates, contracted projects, and passive-ish income. Because I'm terrible at math, I'm just going to tell you how much I make per contracted projects, plus some relevant information in terms of Life Stuff. This will be very long, and I will highlight some important details that people maybe don't like to talk about very much.

Please also bear in mind that I live in Minnesota, away from all my major publishers and editors who are situated on the coasts, so my cost of living is much more manageable.

Background: Building a Foundation (2012-2018)

I graduated from college in 2012 and lived with my parents until 2018. I did not have to pay rent or worry about food, so I got to save up a lot of money to invest in developing as an artist–paying for printing zines, making merch, travel to conventions, table costs, and secure hotel accommodations. This helped enormously, and I would not have been able to spend six years developing my portfolio and connecting with comics peers and professionals without my parents. They were very supportive, even if they had no idea that I was developing professionally as an artist (LOL, they're very proud of me now, but they truly just thought I was being a weird internet gremlin the whole time). They're also not wealthy people by any means. My parents immigrated to the US in their 20s as refugees with absolutely no money and one baby (it me, I am the baby), but they each became pretty successful small-business owners in their own right and were able to help put me through school with minimal debt, even through the financial crisis in the late aughts.

I started making art in 2012-ish as well, but only semi-professionally, and barely on purpose. I was employed full-time in a non-art job between 2013 and 2018 at a local non-profit that specialized in pediatric therapy. I occupied a role as their front office person/corporate assistant. I made about 40k a year at that job, with benefits, and I made a negligible amount of money doing art and making comics. I should also note that throughout this time, I was working 40 hours a week at my day job, commuting between 2-4 hours a day depending on the weather (my commute was an hour for each direction in good weather and up to three hours if it snowed), and then working on comics for 3-4 hours in the evening, every evening. This meant that I would frequently be working anywhere between 65-85 hours a week for five years, and I do not recommend this! I burned out pretty bad! I didn't go to art school or learn about comics, either, so I felt like I had to spend time building my portfolio to make up for lost time. I didn't even know I wanted to make comics until maybe two years after I graduated from undergrad.

I did manage to build a nice portfolio and connect with people who were making the sort of work I liked to make, so the portfolio-building did help. I posted regularly online in different platforms and steadily grew an audience over the years via Tumblr (heyyy!) Instagram (which I personally loathe), Patreon (stressful, but necessary and also getting more comfortable to use!), and Twitter (which I have very mixed feelings about, but I'll miss it if it dies). I did a few short comics with writers whose work I admired. The Fresh Romance Anthology in 2015 was my first major published work, and it was with writer Marguerite Bennett, who remains one of my absolute favorite people. I was so inexperienced at the time, and she would check in with me to make sure I got paid for my work, and then she would follow up with everyone responsible if I was not properly compensated. Not everybody is this on-the-ball about making sure their colleagues are treated well, and she absolutely set the bar for me going forward.

Doing It For Real + Some Numbers (2018-2021)

In 2018, I put together a pitch document for The Magic Fish (if you'd like to see my pitch document, here is a Dropbox link to it! It's just a book report for a book that doesn't exist yet, and I hope you find it helpful if you need it), shopped around for an agent, and found one I'm very happy with (Kate McKean at Morhaim! She's amazing! She runs a newsletter where she gives you the lowdown on how the publishing industry works, so if you're interested in Books, you can check out her writing over at Agents and Books). Then my agent shopped the pitch around to editors and publishers, and Random House Graphic won out. Also, every time she negotiates a contract for me in my home market (the US), she gets 15% cut, which is entirely worth it to me. She does so much. It's incredible.

Random House Graphic's offer wound up being for two books at $45k each, with pretty standard royalty rates, I think around 10% in general, though there are stipulations around royalties that I can't remember off the top of my head (and also bear in mind that you do not earn royalties until your book sales have earned out your advance, and not all published books earn out). To me, this is a lot of money! BUT the graphic novel took two full years to make, so that $45k needed to last me until 2020, which is not livable if you're on you're own. Also, the advance is paid out in chunks at certain milestones of project completion. I'd get a few thousand at a time for the script, another few for the thumbnails, more for the inks, and on and on until the book is done. I would not start to get paid for the second book until I started working on it.

Earlier in 2018, I'd moved in with my partner, so we managed paying the bills and groceries together. Luckily for me, I had also completed a full tarot deck as a separate personal art project to help build my confidence as an illustrator, and my agent sold the tarot deck project (The Star Spinner Tarot) to a different publisher for a $15k advance, so I had some extra wiggle room in 2018. I quit my day job because this was a rare instance in which a book deal provided me with enough money to live on making art, with the caveat that I shared financial responsibilities with my partner. By this time, my Patreon, which I started back in 2015 I think, was also earning anywhere between $800-$1000 a month, which was really great semi-passive income. I'd post process shots and WIPs a couple times a week, and that really helped from month to month.

In 2020, The Magic Fish was published and got a lot of really lovely press. It debuted on the Indie Best-Seller list, and it got pretty popular in schools and libraries. Suddenly, my responsibilities expanded to also being a public speaker (side note: if you make a book about topics of some academic interest, make a generic powerpoint presentation about it now! I'm so serious!). I stopped tabling at conventions (the pandemic), but I would also be paid for speaking gigs in between. I'm not an enormously in-demand public speaker, so I usually asked for an honorarium of about $500 from schools and institutions for online appearances, though I'm about to ask for a lot more because it's cutting into a lot of the time I need to make comics and hit my deadlines. As people are more comfortable meeting in person, I usually ask for a speaking fee of at least $1500, and it must be after they've already taken care of my travel and accommodations. I'm not very well versed in the standards for speaking fees for debut authors, so this might not be standard! It's just my best estimation of the value of my time and effort for that instance.

Speaking of comics and deadlines, I sometimes take on smaller projects for DC (you might have seen these) and Marvel (shhh it's not been announced yet), and the page rates for those, as they've paid me, are usually as follows: $90 per page for writing ($45 for plotting and $45 for scripting), $160 for pencils per page, and $90 for inking per page. I've never colored or lettered, so I don't know those rates. I do regularly talk to other writers and artists, and the rates for writers are all over the place and seem to depend on whether you've signed an exclusive contract with either of those companies. I don't know what a contracted penciller or inker is paid by them, or if that's even a thing that happens? I also sometimes do comics cover work, and I usually charge between $1200 and $1500. I tend to charge a bit more for covers these days because I personally don't like doing covers all that much.

Starting to Reap the Benefits Maybe? (2021-2022)

In 2021, I started getting royalty checks for both Star Spinner Tarot and The Magic Fish. These payments will vary wildly, and I think they will naturally peter off as time goes on, and I'll need to make more books and projects. In both cases, I was surprised. I think at one point a random check hit my bank account for like $20k and I nearly fainted, but some of the other royalty checks will be much more modest. This process of getting paid is also immensely eased by having a good agent! I cannot stress this enough!

Then both the Star Spinner Tarot and The Magic Fish got foreign language licenses, and those come with small advances of their own, each between $2k and $3k, from what I can recall, with varying royalty rates depending on the publisher who acquired those rights. Those royalty rates are, in my limited experience, more modest than my American publisher's, come to around 7% or 8%. The Star Spinner Tarot got an official French edition, and The Magic Fish has been licensed for publication in Italian, French, Korean, Brazilian Portuguese, and Spanish so far.

Since 2021, I've also signed on to draw two more graphic novels for other people, and my agent is able to demand higher advances for me, even when I'm only doing the drawing part.

My Day-to-Day

I think that's about as comprehensive as I can be about numbers. On a daily basis, my schedule depends on whether I'm writing or drawing. Graphic novels are long projects. I'll be writing for months at a time and then drawing for even more months or even years after. I spend a lot of time answering emails for speaking requests, and my agent will sometimes pass along emails about legitimate project requests (another advantage of having an agent is I don't have to sift through scam emails or shady collaborators). I spend way more time answering emails and trying to iron out my calendar than I'd like.

I'm currently working on my second graphic novel for Random House Graphic, and I'm extremely excited about it.

Another thing I've learned is that I like to bounce between projects, but they have to be between a paid project and a personal project. If I'm juggling paid projects, I get overwhelmed and stressed. If I can work on a paid project and then also make personal art, I can feel some relief and maintain a positive relationship with my work. If you can ever get to a point where you can manage to do this, I highly recommend it. I never want to hate making comics, and this balance of personal-to-paid projects helps me keep loving the work.

Closing Thoughts

My only hesitation in talking candidly about all this is that I'm not sure my professional trajectory is applicable for most people. I think I've had a uniquely positive experience once I got off the ground, and I know most people's journeys are very much not this smooth. In a lot of ways, I got very lucky. And along the way I had help, especially before I got my foot firmly in the door. I don't think I make stratospherically high amounts of money, but I know this is still an atypically stable amount for a lot of artists and authors. And even so, I anticipate that some years will be better or worse than others.

Obviously, I couldn’t cover absolutely everything, but my hope is that this will be a good starting point for you to figure out what you need to plan for the future. Best of luck! Thank you for your question! I’m sorry it’s so long.

[ryuichirou]

Replies

But also some news!

First of all, I wanted to remind you that my pricelist will be updated by the end of the week, so please feel free to message me if you want to take a slot to commission me with my current prices!

Second of all, we got our twitter account back! We ended up deleting that one post that twitter didn’t like (yes, the one that doesn’t have anything explicit or any nudity on it), which obviously sucks, but at least now we can jump back to posting more or less regularly.

And now that this situation is over, I can say about the thing that honestly tickled me: the last person who wrote a callout post on me right before our acc got locked (=the person who very likely caused the massreporting in the first place) got accused of grooming a 13 y.o. and had their account terminated the very next day. What a great illustration of how the fandom climate works, right? Hilarious.

Alright, replies replies. Some about Fellow and Gidel, some about Rook, Idia, a little bit of Lilia and some miscellaneous asks.

Anonymous asked:

wait, Fellow is it a good idea for Gidel to write?? Isn't he illiterate?? (I might be wrong on the writing part, but I'm pretty sure Gidel is said to be unable to speak because he didn't get an education :(, r.i.p to the poor boy)

But look at it, Anon! He clearly writes, and like a typical doctor as well! A highly educated man!

(Yeah, Gidel doesn’t know how to write lol I am not sure if Fellow is super literate either… just like the characters they are inspired by lol)

Anonymous asked:

I want to bite Idia’s thighs but I also want to nibble Lilia’s legs courtesy of your pic of him in those delicious Playful Land tights 😩

(this is about a sketch from ko-fi)

They really are nibbleable… nibbable… one would want to nib on them. And Lilia knows that :(

Thank you <3

irregardlessly-tish asked:

Since you started posting Fellow art I said to myself "I guess I'm watching that event now so I can look at the art and think yeah, he would totally get gang banged by them" lol

Tish! You’re great as always lol I hope you enjoy it as much as we did.

Fellow is so breedable it’s insane. I can’t help it.

unofficialwheatdog asked:

I'm gonna snatch Fellow away from everyone

Like that my husband, he fluffiness mine and mine alone

Mwah mwah to Fellow I wove him and the way you draw him

he's too good for them but ruined enough for me(lol me in my possessive era)

Omg real possessive era lol I get it, he really is fluffy to the point of leaving one speechless. But please understand, these boys can’t hold back at all… :( Be kinder them, they can’t help it!

I’m glad you love how I draw him <3

Anonymous asked:

Curious, u do non con/ rape art?

Pls tag if yes, I wanna see

I do, but I also don’t remember any recent noncon piece to tag anything lol I am definitely not opposed to it, and a lot of our nsfw pieces have at least dub-con vibes. I guess that one general!Lilia/Idia piece comes to mind first! And octopus!Azul/Idia that I drew for the same zine…

Maybe it would be easier to look through my pixiv logs; all the nsfw pieces are usually closer to the end of the log.

Anonymous asked:

You know I never had interest in drawing nsfw, I started a fanart blog with the intent of just making cute/cool sfw pieces maybe some ship stuff. However I am sick and tired of watching the twst fandom affect the mental health of my friends. And I know at least one of my ships will be threatened even if they just hold hands.

So here’s my plan: if I start receiving hate I will make an announcement: if I reach a particular milestone of hate I will learn to draw nsfw. I will make them kiss harder. Harass me and I will become worse.

Fr tho I want to be the brave idiot in the hope that others won’t feel alone.

Sorry for the late reply! Anon, you are already brave lol I like your plan. Become worse to spite them! And to support everyone who is harassed. And to have fun of course.

I wish you and your friends and anyone else didn’t have to worry about being harassed because of your ships. So please, take care of yourself, but also? Fuck them; draw and post whatever you want to make yourself and your friends happier and enjoy the fandom experience that you and your friends create.

Anonymous asked:

"something's missing..." might be your shirt rook, idk tho 🤔

(this is about this drawing)

Oh no, he forgot his shirt again. And no one at Savanaclaw is brave enough to tell him.

Anonymous asked:

 I remember that Savannaclaw Rook only cut his hair with a knife, soooo, yeah. How do you think first year Rook would respond to first year Idia and vice versa?

Honestly it looks like it lol He and Lilia have something in common…

We love first year Rook with first year Idia so much, Anon, you have no idea! And Rook/Idia in general, this is one of the things that I really want to draw properly at least once. For now we only have sketches…

But to answer your question! I like to think that Rook was very intrigued by Idia right away; of course Idia isn’t a beastman, but he is not only super bright and shiny-looking (unusual! Interesting!), but also is a very rare pokemon to see. It’s very easy to picture Rook getting excited and charmed by him, maybe he even had a period of a little obsession~ But of course none of this is in any way returned by Idia; to him being suddenly surrounded by so many loud and annoying people his age is already stressful enough, but Rook is somehow worse than all of them combined. He hates everyone from Savanaclaw, but they’re usually just rude jerks, but Rook? If only he was a rude jerk…

Anonymous asked:

Chen’ya, are you flashing people on purpose? What are you gonna do if someone likes it?

(related to this post)

Knowing Che’nya, he’ll probably disappear lol Never let them guess your next move. They liked it? Too bad. They didn’t like it? Oh too bad… >:3

Sometimes he is in a flirty mood though~

Anonymous asked:

I’m surprised Lilia doesn’t also spank Idia to punish him

He really should, and his spanks wouldn’t be as murderous as Azul’s! Idia is going to receive punishment AND survive!

I can picture Lilia stopping mid-spank with the realisation though: oh right, this isn’t his kid, this is Idia…

Anonymous asked:

(tw: self-harm)

this might be a bit dark but i’m curious: do you think idia self-harms? every now and then, i see ppl draw him with SH scars. i’ve never been able to decide if it feels like him or not. punishing himself, hating himself, wanting to control this one aspect of his life bc he can’t control anything else sound like idia, but also, being too resigned, lazy, or phobic of pain also sound like idia… little nutjob he is 😒 thoughts?

This is such a good question, Anon. It’s honestly still kind of easy to imagine him doing that. He punishes himself constantly, and while I don’t think this is necessarily about control, this absolutely could be about wanting to make himself feel even worse or to distract himself from the other kind of deep pain he’s feeling. Since we’re talking about a character here, as an artist I can also add that seeing him this way could be aesthetically pleasing, there are some very good artworks with this theme.

That being said, we usually tend to think that Idia wouldn’t do that. I agree that Idia being phobic of pain sounds very like him, but also? He is very detached from the physical side of things in general, I think. He would rather torment himself mentally.

Another reason for Idia and selfharm not really working in our heads is that I don’t think Ortho would let him. He is very sensitive to changes in his health condition after all.

[lucabyte]

your ocs!!!!! please ramble about them!!!!

i love your art so much

(GRABS YOU) H. CAN DO BOSS.

So ! My ocs. I guess I'll do an overall explainer for the overall groups. If you check out my Toyhouse (LINK!) there's a bunch of folders up top that are how I categorise them. It's primarily by universe except for the folders that are just "misc."

So folder 1: Blatant favouritism:

These are silly little guys that don't fit in any specific wider universe, but I really really like. So I'll spotlight the two important ones before i get real in the weeds with my main universe.

In here are notably, my Fursona (self explanatory), Ali and Pittsburgh Cincinnati. There's also Hauntkit and Clearpelt who are warriorcats ocs that *is dragged away by airport security*

... So, Pittsburgh, lovingly sometimes called pissbug, is a weird little Thing who I made as like, an homage to characters like happy bunny and Sweetypuss. She (and her weird dog) exist to stand next to strange and offputting captions. I love her. No further context. She's just silly. and violent.

Now. Ali.

Ali Alighieri has thoroughly stolen the show, and also ties into the next folder along, Making Your MK.

With over a hundred extra images compared to second place (Sorry, Tabitha). Ali is my fucked up little scrunkly. My little baby guy. They're a shared character of mine and @samhainian's, and is from their Creature Feature setting (A modern fantasy setting wherein Cryptids and Magic are real but in our modern world.) They are as such, a modern human young adult... Who is also a demon + magic user.

Strange little pansexual altersex genderqueer poetry-nerd that they are... The modern setting also means they are literally just a tumblr user. A fellow countryman, so to speak.

HOWEVER.... Ali's true origin was in *Purrgatorio*, a scrapped visual novel of mine set in the MYMK universe! They were simply retrofitted into CF as the joke with Purrgatorio was that a regular human had mysteriously just shown up in MYMK's pure-furry setting.... And then when we scrapped the project we got all attatched to our little not-so-blank-slate protagonist. But I'll put a pin in Purrgatorio for later.

Making Your MK.

(Guest of honour: My super unfinished website <3)

Okay so here's the big one. The setting with.... (looks at spreadsheet) 109 characters not including so-called incidentals. At time of writing.

MYMK is home to... Multiple stories. As you would hope when a setting has 100+ characters. I'd wager each story has about 10-20 relevant characters tops but with a big shared universe like this there gets to be overlap between casts!!! Yay !!! 😊😊😊

MYMK is the name of the main story in the setting. Pronounced "Making your Mark", it is centered around Markus Felidae (The purple one) and their family. It's very action-adventure-y. It's also the plot I'm most secretive about the backend of since I WILL!!!!! Turn it into a nice prose story with pictures SOMEDAY!!!!! But for now tee hee hee secrets secrets. Markus' family is strange and ragtag and is keeping something from them... I can't ramble on too long here unless further prompted in asks about specifics but!!! Everyone in the MYMK folder has a fully furbished little profile with a blurb about them. So if you're curious....

But yeah, I tend to think of the MYMK setting more in terms of its Locations than its Casts, due to the overlapping nature of them all. The Malbranche may be the villains of the main plot, but they're also major players in relation to The Palsgrave who are the antagonists of Moraine, etc etc,

The country everything in MYMK is set in is called New Orphidian, Southern hemisphere little thing, here's a very cartoony map of it.

Um. Cliffside!

Since it's the best map I have... Here's an exclusive sneak peek of a Zine I'll be getting back to once the fandom brain cools down a bit.... :3c

(... I REALLY NEED TO DO A TOUR AROUND THE MINECRAFT CLIFFSIDE SAM AND I BUILT..... IT'S SO CUTE....)

Cliffside is situated on a big ol' Cliff.

A tiny hamlet of a place, it used to have reason to exist, and now does not. It's not even a good tourist locale, as the cliff is much too dangerous compared to the nicer tourist spot of Welkin just a little north. Not to mention nearby Moraine's allure as a tax haven with no labour laws place where a bunch of TV and Movies are filmed!

It's where most of MYMK's main cast reside (except the antagonists from the Big City Varmonte), and is as such a location I have a lot of tiny little worldbuilding thoughts about :)

I won't go into the other locations here just because then this post will SUPER get away from me but... I think most importantly for Cliffside right now...

Is that it's where Purrgatorio is set. Yes, that VN I said got scrapped. It's not dead. It is in fact serving it's original intended purpose as "A (mostly) noncanon exploration of character voice and setting"

It's back and its prose babeyyyyyyy!!! (A BUNCH OF THE EARLY STUFF IS ME BEING SUPER RUSTY ... BE WARNED)

Purrgatorio is currently the most publicly available coherent work I have out of my ocs! It's very low-stakes and serves mostly to bash my toys together and see what character dynamics come out, but you can look if you want to!

(There's also a whole THING on the meta of its Canonicity... It's not canon, but it's also not NOT canon. But if I talk about Metanarrative Timeline Collapse in my normal mundane non-magic setting im gonna sound bonkers ✌)

Ali's dynamics with the MYMK cast are so goddamn funny to me. Like I literally just handed my OCs some ET shit but ET is a sexually repressed tumblr user with a mood disorder.

But yeah I don't think I can coherently string together much more about MYMK without just actually explaining THE WHOLE PLOT.... Though I will absolutely elaborate on any given character's Whole Deal if i'm prompted. (OH MY GOD I DIDNT EVEN TALK ABOUT CHROME AND TABITHA. WAIT. OKAY THERE'S. OK NO IF I TALKED ABOUT THEM IT'D JUST END UP AN ESSAY ,SORRY..)

So here's some bonafide classic images for the road.

(IF TUMBLR BREAKS THE FORMATTING AND JUST PUTS THESE ONE AFTER THE OTHER INSTEAD OF IN A GRID IM SO SORRY LMAOOOOO)

... And as for the other folders on my toyhouse!

Misc and Fandom are what they sound like. Self explanatory,

Then, Ysden is @samhainian's fantasy setting. It's where our DnD games happen to be set but it's also a general fantasy setting :)

and Monster of the Week... Is currently being revamped! It used to be a modern world setting with hidden magic, now it's going to be more... Adventure Time-y. Fantasy world get iphone. Yknow. It has a lower Age Rating than MYMK's "anything goes", as it started as a Pitch Bible Project in my animation class. They're a little neglected but I still love them :) The revamp is extemely recent and not reflected in any of the art/writing yet but I'm workin on it. It still doesn't have a proper title..... OTL

So yeah!! Uh. This wasn't as comprehensive as I was hoping but it turns out I have way, WAY too many thoughts on my guys. And no idea what to do when im actually asked about them so !!!! This was not a very coherent ramble but it was a ramble !

There's things like essays on Chrome and Tabitha (Link) and also The Queer Gender Identities Of The Whole Cast (Link) hiding around on my toyhouse, and once again, Purrgatorio (Link) serves as my sandbox for playing with how these characters act in situations.

But..... ! I did try to make my toyhouse approachable for the average layman. Every character in the MYMK folder (Link) has a *blurb* of information, rather than a giant wall of text explaining everything about them. I want people to be able to understand their general vibe at a glance rather than be overwhelmed.

In any case ???? Uh. Fun game for everyone: If you know your homestuck classpect, every single MYMK character has a classpect and lunar sway. and a birthday. Try and find your andrew-hussie assigned kin! As a Prospitian Witch of Heart, I share my classpect and lunar sway with Chrome. No I don't know what this means. It worries me honestly he's kind of an asshole.

[silverlulus]

The last update on the whole Dead Zine drama for now-warning contains certain imagery with an underage fictional character-

Originally i was not going to update the doc nor put anything new into it due to a certain topic that is very much a grey area but I felt that I need to be touched upon a bit and that certain places do not allow content like that, even if there is no intent on doing anything offline like that.

The update and so on can be found later on in the doc, I will be sharing the whole doc though as the issue unfortunately is still going on and I have to remind folks that there is evidence is there and know that I don't know how to make fake screenshots like that, I only know how to edit mlp and show head atem content, in case anyone is thinking that the screenshots here are fake.

keep in mind again that I am not calling anyone a certain word because this is a grey area, I am only warning about the content created and that certain places do not allow it and in some ways the nature of how content like that can be frowned upon, I ask however is do not wrongfully name them, just be wary of what some people draw and that we may never know if they do the actual thing offline or not.

-I will say that writing that doc and mentioning certain things was not easy, it had to have been the hardest thing I have ever had to write in my 20 years on this ball of rock, looking back on someone's passing like this, was uncomfortable and has left a bit of impact on me mentally, more so with how some have used it for their own clout and are trying to get away with as the weeks go on.

I am aware that others have started to hide behind anonymous on this site as well and eh, I have been through this plenty of times over many years of people restoring to name calling because they don't know how else to respond when they are backed into a corner, but you do you boo on this one if it makes you feel privileged or whatever.

But i have said what i needed to say on this whole circus, that is a learning point in who you trust or let into a fandom space, this is one of the many cons when it comes to being a founder and I have never regretted more in my life in letting this happen and letting certain people in who ended up making a mock of something that was supposed to have good meanings and for people to just enjoy.

I feel tired physically and mentally from doing the same contest dance with crackers like this.

I will be however taking a step back and only coming back sooner if it's urgent.

I just need to take time for myself, I need to enjoy life for once and not feel like others are constantly breathing down my neck or thinking this is like 2014 again with a different drama and a bunch of people hacking and running something into the ground.

I have said all i can say again for now, I have provided as much as I can, this is me saying that I need to take a step back at the moment and that unless they can provide evidence on their end before all of this went down, then I'm all ears.

for now, however, actually understand the word ''no'' and think before you go around trying to pull things out of thin air take to time to think about others and how this is affecting them in all of this by carrying on trying to run a dead project and just let it go for all of my sake and others out there and also think about the art content you posting as well during this more so.

[donnerpartyofone]

While I was writing the previous post I thought of this person I used to know from the comics world who was like intensely dogmatic about everything and it could get in the way of how much I liked her. (I mean there are a lot of intensely dogmatic people in the comics world, but most of them I'm happy to just dislike)

I had a piece in one of her zines one year, and I was posting all this process stuff on my art blog; honestly I was acting a little insecure (I'm STILL insecure about that piece), but also I was genuinely amusing myself, I liked talking about the choices I made and the challenges I was running into. And I have a right to be a little insecure on Tumblr, don't I, what would this place be without that? But at some point she questioned me about this behavior, and it was really clear from her tone that she thought I shouldn't be doing it--like that she thought an artist shouldn't do all this explaining, the work should speak for itself etc. I found that sort of annoying; I mean she doesn't have to follow my blog, who fucking cares?

But I definitely didn't get the worst of that attitude. At some point somebody who lives extremely far away, who we'd have barely known from the internet, started circulating a zine that was just xeroxed and stapled, and it was really crude and just frankly not good. But I mean everyone has the right to make a crummy zine, that's sort of the beauty of zines OR SO I THOUGHT--naturally my friend was analyzing this thing that she didn't even really need to know about, and eventually she got so worked up that she declared that the person SHOULDN'T BE ALLOWED TO MAKE COMICS. It was so crazy to me, like how did she even come up with that idea? Frankly she was being really fascist and sometimes I wish I had told her that because it would have blown her hippie mind into a million billion pieces. But I don't get off on treating people like that, unfortunately.

Later I started this collective blog, the point of which was explicitly to make a space for people to practice drawing together even if they didn't feel good at it. People could reblog random posts to it that looked fun to draw, and then they could post their drawings if they wanted. It was fun for a little while, but I stupidly told my crotchety friend about it and of course she instantly had a big problem with how loose and casual it was. She kept needling me about how I should add all these rules and set all these quality standards and make barriers for entry and keep everybody in line, and I could tell she was getting really mad. I mean I was very explicit about how the entire point was for it to be relaxed enough for anyone to use it without feeling intimidated, it wasn't like this project that I was sculpting to impress people and honestly SHE COULD DO HER OWN THING if she wanted to have something really competitive and ambitious and hard to succeed at. It seemed like she was just really angry that someone, somewhere was having a good time. And just to drive the point home she joined the blog and posted this painting she had made, having nothing to do with any of the posts on the blog, that was like an MFA-quality self-portrait. And naturally it got a lot of notes because it was a good painting, but I couldn't understand why she felt like she had to actively punish a group of people for just, like, casually doodling together because they fuckin feel like it.

[imonthemoonitsmadeofcheese]

Sunset

Sometimes I open my Discord DMs and find the most delightful notes from friends. It was the fantastic and awesome @exhaling-dust who sent me:

"moon!!!!!! moooooonnnnn!!!! i have a drifteris fic idea for you!!!"

"growing old with eris. except that drifter doesn't ever grow old"

This poem at the end of @d2artevents #SolarEmbraceVOL5 was the result.

I'm especially pleased with how the formatting of the last lines turned out. I find the framing with the background image beautiful. Thank you @scribonia-art for making the layout so beautiful and making my plain text submission so lovely.

Full text below (but also go read it in the zine itself and look at the beautiful art and all the other cool writing!!!):

link to ao3 for those who prefer reading it there

Sunset

it has been a thousand years and you are still beautiful Three-Eyes

when we first understood that without their ghosts Guardians can and do age just slower than everybody else I was scared so scared

I didn't wanna lose you

but now you are old and your wrinkles have wrinkles

your eye goo gets stuck in 'em and it gives ya cool freaky dark lines in your face

your three Hive eyes have laugh lines laugh lines round your Hive eyes! who'd ever have thought Hive eyes could laugh?

but yours do and they're not evil Savathun laugh lines neither they're kind

you still stare into nothin' talk to ghosts and call me insufferable your voice so rich and warm has a tremor in it now and sometimes it creaks like an old floor

you never used to like to let me carry you but now ya let me wrap you in soft blankets and carry you all over

gonna make us a backpack with holes for yer arms and legs so you can tell me how insufferable I am all the time everywhere we go

your skin all soft and wrinkly your voice all soft and wrinkly too

at sunset I'll climb up to the tallest spot on the tower with you on my back and we can watch the Solstice bonfires lickin' the night sky like bright hungry mouths

we can wave at the Moon that pit you crawled out of that we now call home moon dust still gettin' in everything everywhere all the damn time

we'll eat sticky rice cakes with red bean paste and you'll tell me about that one Solstice where Ikora fell into a slug pit on Venus and you and Asher just sat there drinking wine and laughing at her for the hundredth thousandth time

we'll toast old long dead friends those we lost, those we killed those we watched be killed, powerless to save 'em those we did save, who loved us until the end those who love us still

we'll watch the Guardians all tiny because we're so high up fightin' in the arena to light the bonfire fire higher we'll applaud the ones that win and the ones that don't equally because what matters is not what they do what matters is that they are doin' it

and you my shriveled witch with your soulfire orb and your beads your glowin' eyeballs still sharp so sharp you'll tell me that you love me for the hundredth thousandth time an' I'll say the same right back at ya and the warm Summer air will caress our faces and the stars will twinkle down on us whisperin' my name

an' you'll fall asleep with your head against my chest as I hold you for that very last time when the last rays of the Summer sunset reach out their gold-red fingertips to linger warm an' gentle on my beam of moonlight

each breath precious each moment held tight

an' as you slip away safe and happy your fingers relaxin' your Ahamkara bone fallin' rollin' away from us on the stones like a marble leakin' soulfire as your magic fades

the last thing you feel will be love