#alice jones senior

[happy-emmdings]

Mama Jones and her babies Killy and Liam💙

[piraterefrigerator]

Yelling abt Killian and Liam's parents yet again (not complaining about Alice, she's a queen and I love her)

We saw NEITHER of them in the underworld. And I get the whole "Alice was a good person so she moved on" NO THAT'S NOT HOW IT WORKS

The afterlife in ouat doesn't revolve around good and evil, it revolves around unfinished business, and *points to Killian and Liam* THAT'S UNFINISHED BUSINESS

So unless someone chucked her in the soul river, she should be there and after TWO HUNDRED YEARS Liam would have found her and would have taken Killian to her

ALSO Brennan has SO MUCH unfinished business oh my god. A small list for u

Liam 1

Killian

His sons

The children he abandoned

HIS FUCKING SONS

HIS FUCKING CRIMES

Liam 2 (he files under sons but I wanted to give him a special mention)

Emma needs to beat his ass

So unless someone chucked HIM in the soul river HE SHOULD'VE BEEN THERE AND THERE SHOULD'VE BEEN A LIL SIDEPLOT WITH HIM but he doesn't get to be happy in this side plot just so u know

Also I needed this interaction between Killian and Liam

Killian: By the way I....sort of killed father

Liam, patting him on the back: NICE great job

Liam got pissy ay MENTIONS of Brennan he would not be upset that Killian murdered him. Also Liam murdered that whole ship full of people back in the day after LITERALLY making a deal with the devil he doesn't get to have negative opinions on these things

So yes give me Brennan and Alice in the underworld and if I can't have Liam come back to Storybrooke I want him to move on with Alice so he's not all alone in the afterlife thank you for coming to my ted talk

[hello-there]

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[lostgirlfandom]

Mother Dearest

Part Three

Pairing: FP Jones x Female!Reader

Warnings: talk of the past

Words: 1k

Summery: Jughead's Mom tells him some good advice

Previous | Next

The ride to Betty’s house was filed with chatter. Betty was constantly asking questions about Jug from when he was younger and you willingly supplied the blackmail about your son with a grin on your face. His face was set in an amused grimace as you told Betty and JB the stories.

But it all came to a halt as you pulled up in front of Betty’s house. Jug got out with Betty and walked her to the door, both talking about something or other. You watched with a small grin on your lips as you watched them, making you remember when Fp did the same to you when you were teens.

Flashback A younger you sat in Pop’s diner in a booth while a younger Fp sat across from you. You were both smiling and laughing at some of the stories he was telling about something embarrassing that happened to Fred. Your grin never fell from your face as you and Fp sat in the diner for hours before you started to notice the sky started to darken. “I outta get you home, Ms. L/N.” Fp said as he took his wallet out and put some bills down to cover the meal you two had. You grabbed your leather jacket as he did the same. He stood from the booth and held out his hand as you moved to do the same and you grabbed it as he helped you stand. You both turned to the door as he put his arm around your shoulder and started to make your way out. “Did you enjoy yourself?” Fp asked as he held the door open. You walked out and stepped down the stairs that was in front of the door and out your jacket on. You looked at him and raised your eyebrow. “When do I not, babe?” You asked rhetorically. He chuckled as you moved to his bike that he took you out on. He insisted to use just his even though you had your own. You thought he just wanted to feel your body pressed against his as you cruised down the roads. Which you were right. He loved the feeling of you pressed against him. Not even in a sexual way, he just loved the contact with you. Flashback End

The memory faded from your mind as you noticed the bitch from hell had opened the door while Jug and Betty were standing there. You narrowed your eyes at the woman that almost ruined your relationship with Fp in senior year. You two used to be best friends, until you found out that she tried to say that she was pregnant with Fp’s baby. Which you never believed for a minute as the story she told you was a lie.

She had told you that Fp came onto her at a party one weekend and you caught her in a lie because that weekend you and him had spent on the campgrounds on the water. Turns out she was trying to get him to herself. Which ended up backfiring in her face when Fp proposed to you at graduation.

Over 20 years later and here you both were, with kids and lives totally opposite of what you had dreamed when you were kids.

You were knocked out of your thoughts as Jug opened the door and jumped in and almost slammed the door as he sat there, breathing hard threw his nose. You looked over and saw Alice glaring at you with ice shards threw the window that faced the streets. You grinned sarcastically at her as you looked back at Jughead.

You watched him for a second. “What’s up, buttercup?” You asked as you put the truck in drive and pulled out onto the road.

“Nothing.” He mumbled as he crossed his arms and turned to look out the window to watch the scenery pass by.

“Hmmm…” You hummed. You didn’t say anything because you knew sooner or later he was going to say something. This is how you always got him to talk. He just couldn’t keep anything from you.

He heaved a big sigh as he uncrossed his arms and slapped his hands on his thighs. “It’s just…” He paused as he tried to put his thoughts into words. “It’s just the fact that Mrs. Cooper is always talking bad about you and Dad… It irks me so much with what she says about you and Dad.” He ranted as he started to wipe the palms of his hands on his pants. It’s always been a tick of his when he get aggravated.

“Jughead, honey. You can’t stop other people from thinking about us like that.” You started off as you watched the road. “You know who we are, right?” You asked him.

He sighed. “Yes.” He nodded.

“Then that is all you need to know. If you want to know certain things about us, just ask. Me and your dad has always tried to be open with you and Jellybean since you were old enough to speak and understand things.” You said to him as you pulled up to the trailer. You put the truck in park turned to him as Jellybean got out and made her way to the door with her key. Only after looking between you and Jug for a second. “People like Alice and Hal Cooper have been looking down on me and your dad since high school, baby. We learned to push it away because what they thought didn’t and shouldn’t effect us in any way. It didn’t effect the fact that me and your dad love each other so much. Nor did it effect how we wanted to live our lives.”

You looked at Jughead and he kept his head down while he messed with a hole in his jeans. Although you did see a tug at his lips from this angle.

You laughed softly as you grabbed the back of his head and pulled him to you and bumped heads with affection making him laugh. “Now, let’s go in. Don’t want to worry your dad anymore than we have.” You said as you both looked over and saw Fp standing in the doorway of the trailer with his hands in his pockets.

[shiftingwithkore]

DR LIST!

These are my DRs and a bit about them! (Most aren't finished)

Supernatural DR: My name is Kody Jones Singer, when I was 14 my mother was killed by a werewolf during a hunt that we were working on. As my mom wished, Bobby adopted me and gave me a somewhat normal life. Around this time, I meet Sam and Dean, quickly becoming best friends with them. I went through most of my life without knowing that I was a Nephilim. Now I'm 23 and trying to figure out why Azazel is trying to talk to me (surprise, surprise, he's my dad, I'll be shifting to Season 2, Episode 8)

Sally Face DR: My name is Tay phelps, I'm twins with travis phelps. me and my father clash a lot, causing me to stay over Larry's apartment. I go through most of high school trying to find out more about the cult and who ran it, when the Bologna Incident when down it got me more invested in the cult and trying to find them and end whatever they're doing. I find out in my senior year that my father ran the cult and tried to us me as a sacrifice to try and get the red-eyed demon back on earth after Sal and I banished it the first. This attempt didn't work and the cult got arrested (I'll be shifting right before the Bologna Incident)

Streamer DR: My name is Koda Fuchs, I'm a 22 year old Canadian streamer that goes by Ghosty. I was adopted by a lovely couple who had a son who's 7 years older than me, they treated me great and helped me get where I am today. I have a maine coon cat named Loki and 3 Newfoundland puppies named Zeus, Hercules, Grizzy jr. Fitz was the reason I started getting into to streaming and my first video was me playing CSGO with Fitz and everybody else (I'll be shifting to Jan 10th, 2023)

Like I said in my last post these are my 3 mains and if you do wanna know more about my other DRS here's a list of them:

Fame Dr (multiply versions)

ATSV

The Quarry

Alice in Boarderland

Gravity Falls

Total Drama Island

Grimm

Stardew Valley

if you guys have any questions, I would love to answer any and all questions, Bye bye!

[freifraufischer]

Significant WAG AA Scores under the 2022-24 Code of Points

This is not a complete list, it's a rough attempt to show where people stand. I have only included domestic meets if I have no other choice to reflect that gymnast but you should take them with a huge heaping of salt. I included a number of juniors who are Paris eligible.

Italics indicate a domestic competition subject to overscoring. Bold are scores from 2023

1 Simone Biles (USA) - 59.100 at 2023 US Classic

2 Rebeca Andrade (BRA) - 57.332 at 2022 Worlds QF

3 Melanie de Jesus dos Santos (FRA) - 56.200 at 2023 US Classic

4 Jordan Chiles (USA) - 55.833 at 2022 Worlds TF

5 Shilese Jones (USA) - 55.766 at 2022 Worlds QF

6 Jessica Gadirova (GBR) - 55.566 at 2023 Euros QF

- Jessica Gadirova (GBR) - 55.199 at 2022 Worlds AA

7 Jade Carey (USA) - 55.132 at 2022 Worlds QF

8 Alice Kinsella (GBR) - 55.065 at 2022 Worlds AA

9 Georgia Godwin (AUS) - 55.066 at 2023 Australian Champs

10 Qiu Qiyuan (CHN) - 54.932 at 2023 Asian Championships

11 Zsofia Kovacs (HUN) - 54.899 at 2023 Euros

12 Ellie Black (CAN) - 54.732 at 2022 Worlds AA

13 Alice D’Amato (ITA) - 54.500 at 2023 Euros

14 Ou Yushan (CHN) - 54.498 at the 2023 University Games

15 Leanne Wong (USA) - 54.100 at 2023 US Classic

16 Joscelyn Roberson (USA) - 54.050 at 2023 US Classic

17 Tiana Sumanasekera (USA) - 53.900 at 2023 Pan Am Champs

18 Helen Kevric (GER) - 53.900 at 2023 EYOF*

19 Hezly Rivera (USA) - 53.350 at 2023 US Winter Cup

20 Sakaguchi Ayaka (JPN) - 53.165 at 2023 University Games

21 Luo Huan (CHN) - 53.765 at 2023 University Games

22 Kaylia Nemour (ALG) - 53.731 at 2023 African Champs

23 Kieryn Finnell (USA) - 52.800 at 2023 US Classic

- Alice Kinsella (GBR) - 52.531 at 2023 Euros QF

24 Yamaguchi Sara (JPN) - 52.065 at 2023 Jr. Worlds QF*

25 Nakamura Haruka (JPN) - 51.765 at 2023 Jr. Worlds AA*

26 Ruby Pass (AUS) - 50.464 at 2023 Oceania Champs

*A junior score delivered under the FIG rules for juniors including a cap on skills at E and without some bonuses such as D dismount. It should be assumed these gymnasts would have higher AA scores if competing as seniors. US junior scoring is not subject to the same FIG rules as international scoring.

[ao3feed--bughead]

three cheers for sweet riverdale

read it on AO3 at https://archiveofourown.org/works/49630090 by metaleaterz “Three Cheers for Sweet Riverdale, written and directed by Kevin Keller and Jughead Jones, featuring songs by My Chemical Romance? Based on their seminal sophomore album? Coming to you this fall? Um, excuse me,” Cheryl Blossom says, in a cutting tone that indicates, despite her questions, she had no trouble understanding, “pray tell, why was I not involved in our fall musicale’s conception?” - three cheers for sweet revenge by my chemical romance is a concept album, and for their fall musical in their last year at riverdale high, a rare collaboration between jughead jones and kevin keller leads to whatever the hell this is. loosely set during the beginning of riverdale’s fourth season, but also somehow during the 2022 my chemical romance return tour. Words: 2284, Chapters: 1/?, Language: English Fandoms: Riverdale (TV 2017), My Chemical Romance Rating: Not Rated Warnings: No Archive Warnings Apply Categories: F/F, F/M, Gen Characters: Archie Andrews, Veronica Lodge, Betty Cooper, Jughead Jones, Cheryl Blossom, Kevin Keller, Toni Topaz, Reggie Mantle, Gerard Way, Frank Iero, Ray Toro, Mikey Way, Alice Cooper (Archie Comics), FP Jones II Relationships: Archie Andrews/Veronica Lodge, Betty Cooper/Jughead Jones, Cheryl Blossom/Toni Topaz Additional Tags: riverdale mcr crossover, musical episode, three cheers for sweet revenge, Senior year, past alice cooper x mikey way, i wish i could explain this but i can’t, My Chemical Romance Return Era, Current Mcr, season 4 ish riverdale read it on AO3 at https://archiveofourown.org/works/49630090

[hello-there]

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[unravellingsilencehq]

“Oh, Merlin, tell me, does THE KING OF CUPS get what he deserves?” He is in THE ORDER OF THE PHOENIX & OPEN to finding out. 

— he walks through the world as ;

name → dougal mckinnon pronouns → him/he  identification → cis male year of birth → september 1951 - september 1952 face claim → kendrick sampson blood status → pure-blood sexual orientation → up to applicant occupation → senior researcher for the department of magical law enforcement at the ministry of magic future information → married to annabeth pebworth

— he is best described as ;

A LION'S BREATH roaring in the blazing sun, they are the STRENGTH of an OLD OAK yet the waring weight held in its years. The SURE STEP of a WISE MAN, he is the CONSTANCE of day break PROUD and PROTECTIVE in it’s overwhelming MIGHT, yet the quiver of BURDENED RESPONSIBILITY forced into the light of day by UNYIELDED DEVOTION at its amber dawn.

— his story starts with ;

tw: death

Raised on scottish bravery and the freedom of the skies, Dougal is as daring as any Mckinnon that came before him. With his mother a socialite from Paris, she took great care to ensure her children knew etique, language and politics. While their father - who worked for the Dragon Research and Restraint Bureau within the Ministry - bolstered courage, with flying lessons and dragon eggs, even for a child of the wizarding world Dougal’s youth was vibrant. The thrills of adventure set him alight. Screaming into the sunset as Hebridean Black dragons dominated the skies, they soared through Scottish valleys and dove into locks exploring the creatures that lurked in their depths. For eight years he grew an only child. Books towered the tables in his room, with wizarding punk posters overlapping pinned anecdotes of muggle folktales; he thrived under the encouragement of his parents' love and the stubborn companionship of his fellow islanders. The eldest of four, with an eight years difference between him and the youngest, he took on an over protective role of MARLENE [sister], NATHAIR [brother] and COINNEACH [brother] often when he didn't need to. He loved them all with pride, fulfilling his big brother duties with compassion as his temperament made them squeal with delight. 

Adamant in his valiance, he longed to be a hero fighting for the voiceless. Following in the footsteps of the fabled heroes he admired; Dougal daydreamed of taking down villains like Robin Hood, bolstering with ROBERT MCGONAGALL [best friend] by his side. Sword fighting like knights, they charted maps of hidden caves, and taught his siblings to fly. Until his brother knocked an unsuspecting young girl off her feet. ANNABETH PEBWORTH [best friend/fiance] was poised with a quick witted remark and disregard of his help. Maddening even from a young age, they were similar in more ways than one. Competitive as they bustled for first place, for a man so used to being right, she had an alarming ability to disarm him. He loved her from the start. While it took time for her love to grow, his affection for her was one thing he couldn’t shake; even as they joined Hogwarts together. Filled with lion hearted pride, Gryffindor boosted his morale as he wrangled with the best of them; FRANK LONGBOTTOM [best friend], ALICE YEN [close friend], HESTIA JONES [friend], IAIN WOOD [best friend] and AMOS DIGGORY [friend]. Eating rogue plants Frank discovered in Herbology to challenging Iain to fly around the Whomping Willow; without the need to be the protector, Dougal thrived with the reckless hearts of youth and merlin did he bask in their glory. 

A chaser for the quidditch team, a Prefect and Slug Club member; achieving greatness was his aim even if his quaking black and white morals left him in detention from dueling whichever pure blood asshole decided to throw a sneering comment that week. Graduating with honors, while his years were spent fixating on the history of the ministry of magic, Annabeth brought entertainment to life. Tightly wound with the pressures of success, she pulled him out of books animatedly recounting 50s horror movies or singing - out of tune - to The Rolling Stones. With his long-eared owl flying notes between them; barely a day passed where they didn’t exchange a glance or a taunting jab from across the room. Until, everything fell apart. Ravaged home land, fire fury scorched the Highlands as dragons cried for their young against wix in search of loot. Dougal and Annabeth dove into action without a moment's thought. Fighting to protect their home alongside CATRIONA MCCORMACK [friend] and the McFusty clan; sparks flew as duels ensued. Paranoid for Annabeth’s safety, he let his guard down for a second when a scream pierced through the cliffs as ISLA PEBWORTH [acquaintance] got caught between a spell and a dragon and vanished. Eggs captured, the raiders fled leaving nothing but devastation in their wake. 

Grieving the loss of her sibling, all he could do was offer Annabeth patience, a shoulder and time. While she blamed herself for their death, Dougal only blamed himself. He’d been weak and he vowed then it wouldn’t be something he possessed. Valuing order and respect he saw The Ministry of Magic as a force of undeniable change. Situating himself within law and order offered Dougal the opportunity to make a lasting impact. Over the next ten years, he established himself as a key member within the Ministry. Years spent hunched over theseus by candlelight, he grew as noble as a knight and as wise as a king. Researching past prosecutions, he found patterns. Just like the maps he’d once made, he plotted tactics, pinned research and devoted time to unraveling cases as if they were the fables he once loved. While others such as RODOLPHUS LESTRANGE [co-worker] saw cases as games of victory; Dougal saw the people. Compassionate with a selfless drive, his dedication to actively helping others was his shining quality. And one that didn’t go unnoticed by his best friend's sister, MINERVA MCGONAGALL [acquaintance]. She spoke of The Order of the Phoenix, an underground establishment fighting against blood-purity. He’d signed his name before she’d even finished her sentence. 

But rationality in the establishment wasn't the reality he'd hoped for. Instead of decisive action, he was met with passive evations of truth. With an increasing number of cases letting justice slip, at every turn Wizengamot fell to the whims of the elite as they favored their peers over law. With one being the ruler of that domain; JAE MULCIBER [rival]. In all his arrogance he reigned over prosecution as if he were Merlin’s gift. Sharp arguments combined with his devilish intellect left his smirk even the more bittersweet and Dougal desperately wanting to punch it off his face. For a time NAMARI NGUYEN [best friend/co-worker] agreed, until she fell for that grin. A blunt and direct witch, Dougal appreciated her sarcastic dry humor even if he didn’t approve of her bed fellow. Liberators, having joined The Order together, while his research skills and rational thinking were his assets; her ability to formulate plans and cut through illusions was hers. While in work they became recognised for taking down villains, outside they bartered on wizard chess and battled over their opposing quidditch teams with rolls of their eyes from their peers. Akin with Robert and Annabeth, Namari fit like a puzzle in their trio, until the news of Namari’s death hit The Daily Prophet. 

Labeled a closed case by The Ministry, with wounds matching that of BOOKER BAGNOLD [person of interest], her death was labeled another murder by the infamous SILAS CRUMP [person of interest]. Convinced the tale was fabricated by BARTEMIUS CROUCH SR [boss/rival] to keep the peace, with the help of The Order, Dougal is set on finding the truth no matter the cost. Seeking Namari’s autopsy from KEIRA GREY [friend] and coming up with no answers, with stolen photographs and CELIA ABBOTT [acquaintance] offering her expertise in wounds inflicted by creatures; he is hoping to begin to unravel the mystery behind her death. With LACHESIS MALFOY [rival], EDRICK SELWYN [rival] and Jae recorded as the last to see her alive; he is holding them as suspects and keeping an eye out for clues about the night of her disappearance. With late nights at the junk shop offering distractions from home conflicts with Nathair’s traditionalist ideas against his engagement to Annabeth, Dougal is trying to focus his mind on what he can control. But is he delusional from guilt, or was that really the lingering white hue of Namari he saw in the corner of his eye down Knockturn Alley?

— he is a LEVEL 8 WIZARD & readied for war ;

[sherlollyandspoilers]

A taste of home

So, I missed Bughead Appreciation week ( @bugheadcentral ) but here is the start to my first ever Bughead fic - its a coffee shop au. Hope you enjoy!

Betty Cooper has always loved the idea of having a coffee shop, so instead of heading off to college like all of her classmates, she used her tuition money to open a café. With summer just around the corner, all of her college workers are headed home and she is in desperate need of a new employee. Jughead Jones has left home for the first time and is struggling to finish his book. On his own, he is in need of an easy job to help him stay on his feet while he sorts out the mess that is his manuscript.

Betty can't help but get wrapped up in the enigma of who Jughead is, all the while dealing with her own darkness that she thought she had dealt with years ago.

Chapter One

“Wait, what?” Betty snapped her attention to the conversation happening in front of her. “You’re not going to be here this summer?”

“I know I said that I would help out at the shop, but it’s the summer before my senior year and I want to have some fun!” Polly bounced as she talked.

“You’re acting like this is your senior year of high school all over again…you’re going to be graduating with your bachelors soon, getting a real job…you can’t just go gallivanting off acting like a teenager!” Betty threw her hands out in frustration.

“I would say you sound like mom right now, but she seems happy for me.” Polly gestured across the table.

“I am happy for you.” Alice smiled. “Betty, your sister is intitled to a little fun after all of the hard work she has put in.”

Betty huffed and crossed her arms. What was she going to do now? All of her regular help was heading home for the summer and Polly had been her only backup.

“Betty, be happy for me – I found someone who really cares for me.” Polly leaned across the table, placing her hand on Betty’s arm.

“I am happy for you,” she sighed in resignation and grabbed Polly’s hand, squeezing it. “I can tell Jason really makes you happy.”

“He does!” She smiled brightly. Betty tried to smile back at her, but her concern took over and she knew it came off as more of a grimace. “What?”

“Its just…” her eyebrows pinched in concern, “Poll, are you sure you want to go back to Riverdale?”

“I’ll be fine, Betty.” Polly rolled her eyes and turned her attention to her mom, making plans for the trip.

Betty ignored them both and started working around in her head how she was going to run a coffee shop with only two employees, one of which was only available part time.

That night at dinner with Archie and Veronica, she shared her frustrations and concerns. The café had been open for less than two years; she knew they were still making their impression on the city and was worried how something like this was going to affect that.

“Don’t worry Betty! I know the perfect person to help you out!” Archie beamed at her.

--

Betty stood behind the counter and clicked her tongue as she looked at the man who was sitting in a booth, waiting to be interviewed. He had a flannel tied around his waist and wore a leather jacket, with his hair messily tucked into a beanie.

She raised an eyebrow after staring at him a moment longer and turned to Archie. “Why would someone like him want to work at a coffee shop?”

Archie smirked and shook his head. “Listen, I’ve known Jughead – ”

“Jughead?” she asked skeptically.

“I’ve known him for a long time…he’s just looking for something to help him get by for a few months. He’s a good guy and the hard biker exterior is not an honest reflection.” He picked up his mostly cold coffee and threw back the rest. “I’ve got to get going.” He stood up and slid his jacket on. “Just, give him a chance, will you?”

Betty sighed and looked at him, slightly exasperated, before finally nodding. “Yeah, yeah.”

“Thanks!” Archie grinned as he picked up his guitar case and walked over to the man. “Jug – dinner?”

“Yeah, seven o’clock, right?” Jug reached out his hand and Archie slapped.

Archie nodded, “See ya then!” And then he was out the door and the man, Jughead, was looking at her.

She sighed and straightened her apron before walking around the counter.

“Betty Cooper, I presume,” he said, giving her a very self-assured smile.

“Jughead?” she asked, sitting down in the booth across from him.

“Last name’s Jones.” He held his hand out to her.

She looked at his hand and slowly reached up to shake it. “Jughead your legal first name?”

“I never reveal my secret identity on a first date.” He winked.

Betty scoffed, “This is far from a date.”

“You never know.” His smile turned into a very self-satisfied grin.  

She shook her head, smiling, and relaxed back into the booth. “So, any experience working in a café?”

“Does spending a lot of time in coffee shops drinking a ton of caffeine count?” he asked with sarcastic wondering.

She bit the inside of her cheek to keep from smiling again, annoyed that his sarcastic charm was working on her so quickly.

“Sorry,” he chuckled quietly before sighing. “Uhh, no. I’ve never worked at a café before, but I am a quick study and a hard worker.”

She nodded. “Are you currently working?”

“Not at the moment.” He shifted in his seat.

“Where did you work last?”

“I’ve done some odd jobs here or there…” He shifted in his seat again, this time seeming uncomfortable. “Uhh, Archie didn’t tell you much about me, did he?”  

She squinted at him. “What do you mean?”

Jughead shook his head. “Nothing…listen, I’m gonna be honest, I don’t sound great on paper, but I promise that in real life, I’m worth the chance.”

Betty leaned forward and crossed her arms on the table. “Alright, Jones,” she said after a moment as she stood up, “show me what you got.”

--

Betty was pleasantly surprised to see just how quickly Jughead caught on. Sure, he needed to be shown the basics, such as where the coffee grounds were and which blender you had to hold the lid down on if you didn’t want the drink to go everywhere, but after watching her make a drink once he was able to reproduce it quickly. He was also ridiculously good with the customers.

“Have a good day.” He waved to a smiling older couple as they left.

Betty leaned on the counter next to him, “I have never seen either of them smile before.”

“Some people just have the magic touch.” He smirked at her and started cleaning the counter.

Smiling to herself she straightened up and watched him clean a moment longer. “Well,” she said as she put her hands on her hips, “I guess if I want you to keep showing up to work, I should probably make sure you get paid.” Jug looked at her, an eyebrow raised. “The jobs yours if you want it.” She held out her hand.

“Sold!” He grinned and shook her hand tightly.

She giggled quietly and shook her head. “Katy will help you get all the paperwork filled out.”

--

The first week of the university’s summer break was slow. There were no classes for students to rush to, no exams to stay up late studying for, and no term papers that required hours of work. When this happened the year before, Betty had been nervous. They opened just as classes were starting and business came steadily but as soon as summer break was upon them, the customers dropped off. But by the next week, the locals seemed to have emerged from their hiding places during the semester and they were back up and running as usual.

This year she took the time to do inventory, make minor repairs that had only been slightly inconvenient (but left for much longer could have been disastrous), and get to know Jughead Jones. She realized Archie had been right when he said that the biker cliché was not a reflection of who Jug really was. He always seemed to be filling the quiet space that had developed at the lack of college students and she quickly realized that he was funny, sarcastic, and kind.

As business started to pick back up, Betty also got to see a different side of Jug, the serious, pensive, and sometimes incredibly self-deprecating side that would appear when the café was full, and he thought no one was looking. It made her wonder if the space that he filled when it was quiet was fueled by something deeper than wanting to make her laugh.  

He told her about his dad and his drinking problem when Jug was younger but that he had turned his act around and got sober to keep their family together. He had shared with her that despite his dad’s change his mom ended up leaving anyways. He explained that she had tried to take his sister, Jellybean, with her but that his dad took her to court and got full custody of them both, which was for the best as his mom ran off and started running drugs. He told her about the South Side Serpents and how as king, his dad had turned them around, setting them straight and making sure they weren’t dealing in anything “too illegal”.

“Wait a minute!” she interrupted by grabbing his forearm. “South Side Serpents…as in Riverdale’s Serpents?”

“You know of any other Serpents?” he asked, raising an eyebrow, a smug look on his face.

She stared at him a moment longer, realization finally dawning on her.

“Oh my gosh! You’re Forsythe!” She tossed her hands up in triumph, wondering why he had always seemed familiar to her.

“I was wondering how long it was going to take you to put all the pieces together!” he laughed.

“Wait!” She cocked her head and put her hands on her hips, “Did you tell Archie not to say anything?”

“Possibly.” He smirked. “I figured you would eventually get there.”

He told her about his novel that he was working on and that he had spent the time since graduating high school working on it. He had taken a few English and Writing courses over the last two years, but none of them seemed to make much of a difference for him. He explained that he had been working on this book since he was a freshman and had started sending it to publishers at his dad’s urging, but they all told him the same thing: “This is fantastic! But the ending is just missing something…you fix that ending and you’ve got yourself a deal!” But for the last six months, he hadn’t been able to come up with anything new.

“Which is how I ended up here.” He gestured around the coffee shop. “I helped my dad run the serpents when I graduated, and we did a lot of good around Riverdale. He appreciated the help and supported me with my writing the whole time…but after my last rejection letter” he leaned on the counter, looking slightly ashamed, “I uhh, I started sleeping a lot and staying at home all the time. He told me I needed a change of pace, just to see if anything shakes loose.” He threw his voice, imitating his father. “When I told Arch he said I could stay with him over the summer.”

“Can I read it?” she asked hopefully, a strong desire to consume his written words blooming in her chest.

“Uhh, no.” He shook his head and straightened up, grabbing a rag to go wipe down the booths.

“And why not?” She followed him. “A different perspective could help.”

“The only other people to have read my book so far have told me that the ending is trash…I think I will pass on the judgement from my boss, thanks,” he snarked. “Besides, I’ve been pouring my heart out over here, telling you my life story with no reciprocation.”

She looked at him for a moment thinking. Most people who knew the story behind her life usually ended up putting distance between them and her, running away, afraid of what she might do. But then again, Jug had lived in Riverdale, there was no way he didn’t already know her family’s past. So, she told him.

She shared that up till she was 8 years old, she thought her family was perfectly normal. That her parents were perfectly normal, that her sister was perfectly normal, that she was perfectly normal. That was until her mom found her dad with a dead body stuffed in the trunk of their car. Her mom had taken her and Polly to see a movie, but her sister ended up getting sick not even five minutes into the previews and they had to go home. She told him that she remembered the look of pure terror on her father’s face when they pulled into the garage and that he had become furious with them for being home early and ushered them inside quickly.

She recounted her experience of her father’s arrest and how scared she and Polly had been. It wasn’t until the next day that her mother sat them down and explained what he had been doing. Over the next few months as the investigation went on, it was revealed that he had killed four other people as well. Once that news broke, her mother had packed them up quickly and left Riverdale.

“I was at Archie’s house that day, when you guys left.” He looked up at her. “I remember thinking that it wasn’t fair that you guys had to leave just because of what your dad had done.

Betty shrugged. “Moving wasn’t all that bad.” She smiled remembering the years after the move. “The three of us got really close actually…I always wonder how things between us would have changed had dad still been in our lives.”

“I don’t want to think what could have happened to you had he been there.” His voice was low and his eyes dark, sparking something inside of her that she tried to ignore.

“Yea,” she turned away, “maybe you’re right.”

She was surprised to find herself so easily telling him about her father’s death and how it had affected her. She had been 15 when he was stabbed by another inmate, and it had hit her hard…so hard that her mother ended up taking her to therapy after finding scars from her nails on her palms.

“JB and I went to therapy for a short time after my parents split…I liked it.” He gave her an understanding smile and for the first time Betty was actually glad she had shared this with someone.

[hbhughes]

Jone M. Hughes

Jone M. Hughes, 93, of Yeager Avenue, Forty Fort, died on November 23, 2024, at Highland Park Senior Living, in Wilkes-Barre Township.

Born in Wilkes-Barre, she was the daughter of the late James and Alice Carter McCulloch. She graduated from James M. Coughlin High School, class of 1949, and Bradford Beauty Academy.

Jone and her husband Hugh B. Hughes, Jr., who preceded her in death in 2004, owned and operated the Hugh B. Hughes & Son, Inc., Funeral Home in Forty Fort for their entire lives. She served as the secretary, bookkeeper, and beautician.

Jone was an active member of the Forty Fort United Methodist Church located across the street from her house, the Amicitia Class, the United Methodist Women, and was responsible for many successful dinners.  She was known for her kindness, generosity, and would give you the shirt off of her back. She was a social butterfly and a friend to everyone she met. She was an animal lover – especially dogs – avid reader, and game show fan. 

Jone was a loving  and devoted mother, grandmother, aunt, and great-aunt.

Jone is survived by her son, Hugh B. Hughes, III, and his wife, Kathy, of Pittsburgh, and granddaughter, Emilie Margaret Hughes, Evercreech, in the United Kingdom. She raised her niece and nephew,  Lee Ann McCulloch McDermott, Forty Fort, and Scott McCulloch after their parents passed away at a young age.  Scott and his wife, Kristen, are located in Topton, Pennsylvania with their sons, Jone’s great-nephews Collin, Tyler, and Ryan, all of Topton, Pennsylvania. Jone also helped to raise her great-niece and great-nephew, Lee Ann McCulloch McDermott’s children, Attorney Jessica (Jess) McDermott and David (Dave) McDermott, all of Forty Fort. For all intents and purposes, Jone was more of a grandmother to them, than a great-aunt and they couldn’t have loved her more.

In the last years of her life, Jone was cared for by the great people of Highland Park Senior Living and by her beloved, devoted private caregiver Evelyn Whelan.

Preceding her in death was her brother, James McCulloch.

Funeral on Monday beginning at 10 A.M. from the Hugh B. Hughes & Son, Inc., Funeral Home, 1044 Wyoming Avenue, Forty Fort, with her pastor, Rev. Richard Bradshaw, officiating. The interment will be in Fern Knoll Burial Park, Dallas. Friends may call on Sunday from 3 to 6 P.M.

Memorial contributions can be made to the Forty Fort United Methodist Church, 26 Yeager Avenue, Forty Fort, PA 18704. Or in the alternative, because of her love of dogs to Blue Chip Farm Animal Refuge, 974 Lockville Rd., Dallas, PA 18612.

[hellogrinbearfilms]

REPORTERS WITHOUT BORDERS / The First Speech (DC) from Giordano Maestrelli on Vimeo.

Production Company - Stink Films, Berlin Director - Giordano Maestrelli Director of Photography - Konrad Losch Managing Director - Justin Stiebel Executive Producer - Moritz Merkel Executive Producer - Florian Hülbig Producer - Melody Micmacher Creative Assistant - Bruno Beserra Editor - Simon Klinkertz Colorist - Joseph Bicknell @ Company 3 Color Producer - Cassidy Conway Music & Sound Design - Satelite Audio Music Direction - Hurso Ambrifi Client Service - Fernanda Costa Post Production & Mixing - Carla Cornea, Andre Giannini, Vithor Moraes, Arthur Dossa Production Coordinator: Camila Guedes, Leticia Oliveira, Bea Vieira Sound Studio  - Studio Funk Berlin Executive Producer - Uta Wittchen & Katharina Knieling Sound Engineer / Audio & Music - Marius Wiechmann Storyboard Artist - Eilis Scally

Reporters Without Borders Germany (RSF): Head of Communications - Sylvie Ahrens-Urbanek Public Relations Officer - Prisca Martaguet

INNOCEAN Berlin: CCO - Gabriel Mattar ECD - Ricardo Wolff Head of Art - Maso Correa Heck Associate Design Director - Will Cega Art Director - Leon Celay Copywriter - Juan Andrés Kebork Motion Designers - Carlos Suárez and Alexander Aleksidze Head of Capacity Management - Paulina Gonzalez Producer / Head of Production - Fabian Barz Post Production Producer - Jan Scholz Strategy Director - Jörn Ballentin Sr. Strategist - Odile Breffa Senior Media Manager - Maja Lah

Service Production Georgia - Metro Productions Executive Producer - Aleksandre Gabilaia Head of Production - Maia Gurabanidze Head of Bidding - Mariam Tevdorashvili 1st AD - Sopio Parjiani 2nd AD - Mariami Gugushvili Production Manager - Tato Pantsulaia Production Coordinator - Nino Megrelishvili Unit Manager - Merab Rostomashvili Location manager - Natia Chomakhidze Location manager assistant - Zaza Chigladze Transportation Manager - Davit Peradze Transportation Manager - David Maghlakelidze PA / Chaperone - Mariam Tsiklauri PA - Irakli Kakabadze

Set Manager - Konstantine Chkhaidze Set helpers - Buba Kupatazde Set helpers - Lasha Kupatadze Set helpers - Saba Sagrishvili Cleaner - Svetlana Bagdasarian

Art Director - Sopo Bazghadze Set Dresser - Shota Bagalishvili Production Designer Assistant - Achiko Shamakhia Art Assistant - Nina Jandieri Art Assistant: MURAL - Giorgi Khavelashvili Art Assistant: MURAL - Erekle Gordeladze

Stylist - Ketevan Kalandadze Stylist Assistant - Nino Chkoidze MUA - Veriko Bedeladze HAIR - Nino Dashniani

Focus Puller - Irakli Jgenti Camera AC - Guram Mosikashvili Camera AC - Khatia Khalvashi Playback Assistant - Koba Rostiashvili DIT - Gosha Tabidze Gaffer - Shalva Leluashvili Key Grip - Tengo Kasradze Grip / Light - Mikheil Gvalia Grip / Light - Giorgi Gogbaidze Grip / Light - Davit Eremadze Grip / Light - Gia Guluashvili Grip / Light - Davit Gogichaishvili Grip / Light - Vako Leluashvili Grip / Light - Giorgi Eremadze Dolly Crew - Giorgi Zakaidze Dolly Crew - Lasha Gugushvili Dolly Crew - Teimuraz Kupradze

Driver - Gia Tetrazde Driver - Avto Ugulava Driver - Gigo Lomtatidze Driver - Zaza Magaldadze Driver - David Odishelidze Driver - Roland Gogokhia Driver - Giorgi Koshadze Driver - Anatoli Kliushnichenko Driver - Ramaz Davitiani Driver - Giorgi Gogashvili

Service Production Brazil - Stink Saõ Paulo / Yatta Films Executive Producer - Rafa Rocha Production Manager - Maria Eduarda Caldeira Brino Production Manager - Daniel Lombardi Production Assistant - Sofia Lombardi Production Assistant - Victoria Valenti Chaperone - Nahaiana Vieira Cardoso 1st AD - Jan Monczka 2nd AD - Juliana Dias Caldas

Set Manager - Marcelo de Menezes Cachapuz Set Manager Assist - Marcelo Pasin Set Manager Assist - Jones silva de Oliveira Set Manager Assist - Adriano Pereira

Location Manager - Bruno De Souza Palaoro Location Manager Assist - Marcelo Araujo Frangipani

Production Designer - Martino Piccinini Art Assistant - Alice Goulart Furtado Art Producer - Soraia De Matia Props Coordinator - Camila Vettorazi Franzen Set Decorator - Julia Perez Paiva Melgarejo Props Master - Andre Luiz Micael Valli Castilho Props master Assist - Rafael Serpa Gerchmann Props master Assist - Victoria Perez Paiva Melgarejo Props master Assist - Lucas Rodrigues Do Amaral Props master Assist - Joabel Fontoura De Azevedo [Biel] Props master Assist - Maria Vitória Reimundo Varante Props master Assist - João Vitor Copetti Teixeira Helper - Maurício Ignácio Silveira Helper - Alisson Barboza Maciel

Costume Designer - Isadora Bertolucci Costume Assist - Samara Raquel Pereira Da Silva Costumer - Adriana Talaveira [Mana] HMU - Luana Ramos Zinn HMU - Gabrielle Ávila de Oliveira HMU - Eduarda Lombardi Pellenz Brum [Dudinha]

1st AC - Marcelo Ostrovski Bevilacqua 2nd AC - Gabriela Bortolon De Oliveira Video Assist - Laurie Braatz DIT - Juliano Rodrigues Moreira

Gaffer - Roberto Ramos Best Boy - Flavio Pinheiro De Souza [Cabeça] Electrician - Frederico Barbosa Ramos Electrician - Jefferson dos Santos Oliveira Helper - Vinícius Rojas Lopes Helper - Filipe Rodrigues Alves

Key Grip - Andre Luis Da Cunha Campanhol Best Boy Grip - Fabio Da Silva Dias Grip - Rodrigo Lopes Espíndola Grip - Ismael Borges Santos Helper - Josué Da Costa Celaro Helper - Nicolas Gabriel Luciano Huf

Casting Producer - Amanda Michelini Schmitz Casting Assistant - Pedro Alberto Santana Sanhudo [Pepa]

[hello-there]

Communities are a new way to connect with the people on Tumblr who care about the things you care about! Browse Communities to find the perfect one for your interests or create a new one and invite your friends and mutuals!

[g-dvalle]

REPORTERS WITHOUT BORDERS / The First Speech (DC) from Giordano Maestrelli on Vimeo.

Production Company - Stink Films, Berlin Director - Giordano Maestrelli Director of Photography - Konrad Losch Managing Director - Justin Stiebel Executive Producer - Moritz Merkel Executive Producer - Florian Hülbig Producer - Melody Micmacher Creative Assistant - Bruno Beserra Editor - Simon Klinkertz Colorist - Joseph Bicknell @ Company 3 Color Producer - Cassidy Conway Music & Sound Design - Satelite Audio Music Direction - Hurso Ambrifi Client Service - Fernanda Costa Post Production & Mixing - Carla Cornea, Andre Giannini, Vithor Moraes, Arthur Dossa Production Coordinator: Camila Guedes, Leticia Oliveira, Bea Vieira Sound Studio  - Studio Funk Berlin Executive Producer - Uta Wittchen & Katharina Knieling Sound Engineer / Audio & Music - Marius Wiechmann Storyboard Artist - Eilis Scally

Reporters Without Borders Germany (RSF): Head of Communications - Sylvie Ahrens-Urbanek Public Relations Officer - Prisca Martaguet

INNOCEAN Berlin: CCO - Gabriel Mattar ECD - Ricardo Wolff Head of Art - Maso Correa Heck Associate Design Director - Will Cega Art Director - Leon Celay Copywriter - Juan Andrés Kebork Motion Designers - Carlos Suárez and Alexander Aleksidze Head of Capacity Management - Paulina Gonzalez Producer / Head of Production - Fabian Barz Post Production Producer - Jan Scholz Strategy Director - Jörn Ballentin Sr. Strategist - Odile Breffa Senior Media Manager - Maja Lah

Service Production Georgia - Metro Productions Executive Producer - Aleksandre Gabilaia Head of Production - Maia Gurabanidze Head of Bidding - Mariam Tevdorashvili 1st AD - Sopio Parjiani 2nd AD - Mariami Gugushvili Production Manager - Tato Pantsulaia Production Coordinator - Nino Megrelishvili Unit Manager - Merab Rostomashvili Location manager - Natia Chomakhidze Location manager assistant - Zaza Chigladze Transportation Manager - Davit Peradze Transportation Manager - David Maghlakelidze PA / Chaperone - Mariam Tsiklauri PA - Irakli Kakabadze

Set Manager - Konstantine Chkhaidze Set helpers - Buba Kupatazde Set helpers - Lasha Kupatadze Set helpers - Saba Sagrishvili Cleaner - Svetlana Bagdasarian

Art Director - Sopo Bazghadze Set Dresser - Shota Bagalishvili Production Designer Assistant - Achiko Shamakhia Art Assistant - Nina Jandieri Art Assistant: MURAL - Giorgi Khavelashvili Art Assistant: MURAL - Erekle Gordeladze

Stylist - Ketevan Kalandadze Stylist Assistant - Nino Chkoidze MUA - Veriko Bedeladze HAIR - Nino Dashniani

Focus Puller - Irakli Jgenti Camera AC - Guram Mosikashvili Camera AC - Khatia Khalvashi Playback Assistant - Koba Rostiashvili DIT - Gosha Tabidze Gaffer - Shalva Leluashvili Key Grip - Tengo Kasradze Grip / Light - Mikheil Gvalia Grip / Light - Giorgi Gogbaidze Grip / Light - Davit Eremadze Grip / Light - Gia Guluashvili Grip / Light - Davit Gogichaishvili Grip / Light - Vako Leluashvili Grip / Light - Giorgi Eremadze Dolly Crew - Giorgi Zakaidze Dolly Crew - Lasha Gugushvili Dolly Crew - Teimuraz Kupradze

Driver - Gia Tetrazde Driver - Avto Ugulava Driver - Gigo Lomtatidze Driver - Zaza Magaldadze Driver - David Odishelidze Driver - Roland Gogokhia Driver - Giorgi Koshadze Driver - Anatoli Kliushnichenko Driver - Ramaz Davitiani Driver - Giorgi Gogashvili

Service Production Brazil - Stink Saõ Paulo / Yatta Films Executive Producer - Rafa Rocha Production Manager - Maria Eduarda Caldeira Brino Production Manager - Daniel Lombardi Production Assistant - Sofia Lombardi Production Assistant - Victoria Valenti Chaperone - Nahaiana Vieira Cardoso 1st AD - Jan Monczka 2nd AD - Juliana Dias Caldas

Set Manager - Marcelo de Menezes Cachapuz Set Manager Assist - Marcelo Pasin Set Manager Assist - Jones silva de Oliveira Set Manager Assist - Adriano Pereira

Location Manager - Bruno De Souza Palaoro Location Manager Assist - Marcelo Araujo Frangipani

Production Designer - Martino Piccinini Art Assistant - Alice Goulart Furtado Art Producer - Soraia De Matia Props Coordinator - Camila Vettorazi Franzen Set Decorator - Julia Perez Paiva Melgarejo Props Master - Andre Luiz Micael Valli Castilho Props master Assist - Rafael Serpa Gerchmann Props master Assist - Victoria Perez Paiva Melgarejo Props master Assist - Lucas Rodrigues Do Amaral Props master Assist - Joabel Fontoura De Azevedo [Biel] Props master Assist - Maria Vitória Reimundo Varante Props master Assist - João Vitor Copetti Teixeira Helper - Maurício Ignácio Silveira Helper - Alisson Barboza Maciel

Costume Designer - Isadora Bertolucci Costume Assist - Samara Raquel Pereira Da Silva Costumer - Adriana Talaveira [Mana] HMU - Luana Ramos Zinn HMU - Gabrielle Ávila de Oliveira HMU - Eduarda Lombardi Pellenz Brum [Dudinha]

1st AC - Marcelo Ostrovski Bevilacqua 2nd AC - Gabriela Bortolon De Oliveira Video Assist - Laurie Braatz DIT - Juliano Rodrigues Moreira

Gaffer - Roberto Ramos Best Boy - Flavio Pinheiro De Souza [Cabeça] Electrician - Frederico Barbosa Ramos Electrician - Jefferson dos Santos Oliveira Helper - Vinícius Rojas Lopes Helper - Filipe Rodrigues Alves

Key Grip - Andre Luis Da Cunha Campanhol Best Boy Grip - Fabio Da Silva Dias Grip - Rodrigo Lopes Espíndola Grip - Ismael Borges Santos Helper - Josué Da Costa Celaro Helper - Nicolas Gabriel Luciano Huf

Casting Producer - Amanda Michelini Schmitz Casting Assistant - Pedro Alberto Santana Sanhudo [Pepa]

[happy-emmdings]

Okay okay but hear me out… what if Killian’s and Liam’s mother was a selkie? Does that headcanon exist? Because I can’t be the only one that is in love with this concept. Because, think about it. First of all, Brennan Jones is exactly the kind of guy that would steal a selkie’s seal skin and lie about it and manipulate her, because she was beautiful and he felt entitled to “have her”. And maybe the selkie heritage is why the brothers Jones have wanderlust and a longing for the sea in their veins. I have so many headcanons about her already but they’re maybe a bit too tragic… anyway, this is a manifesto of my selkie mama Jones propaganda

[piraterefrigerator]

Any headcanons you'd like to share about Killian and Liam 1's mother?

YES!!

Okay, this one isn't mine but @happy-emma's, Alice being a selkie lives rent free in my head

It's never said how she died but the general headcanon accepted by the fandom is that she was sick and that makes sense BUT I am a cruel fiend. I think Brennan poisoned her.

She and Brennan definitely were an unloving marriage, especially after the boys were born (Brennan is a dick, Alice thinks that children are humans and should be treated as such, fued ensues)

I like to think she taught Liam to read (she would've taught Killian, but he was little when she passed)

She definitely went on walks with the boys, especially along the beach (assuming they lived near a beach, which is my personal headcanon)

She had curly hair like Liam and I will fight someone on that.

That really all I've got on Mama Jones but thank you for the ask!!

[fygmo]

REPORTERS WITHOUT BORDERS / The First Speech (DC) from Giordano Maestrelli on Vimeo.

Production Company - Stink Films, Berlin Director - Giordano Maestrelli Director of Photography - Konrad Losch Managing Director - Justin Stiebel Executive Producer - Moritz Merkel Executive Producer - Florian Hülbig Producer - Melody Micmacher Creative Assistant - Bruno Beserra Editor - Simon Klinkertz Colorist - Joseph Bicknell @ Company 3 Color Producer - Cassidy Conway Music & Sound Design - Satelite Audio Music Direction - Hurso Ambrifi Client Service - Fernanda Costa Post Production & Mixing - Carla Cornea, Andre Giannini, Vithor Moraes, Arthur Dossa Production Coordinator: Camila Guedes, Leticia Oliveira, Bea Vieira Sound Studio  - Studio Funk Berlin Executive Producer - Uta Wittchen & Katharina Knieling Sound Engineer / Audio & Music - Marius Wiechmann Storyboard Artist - Eilis Scally

Reporters Without Borders Germany (RSF): Head of Communications - Sylvie Ahrens-Urbanek Public Relations Officer - Prisca Martaguet

INNOCEAN Berlin: CCO - Gabriel Mattar ECD - Ricardo Wolff Head of Art - Maso Correa Heck Associate Design Director - Will Cega Art Director - Leon Celay Copywriter - Juan Andrés Kebork Motion Designers - Carlos Suárez and Alexander Aleksidze Head of Capacity Management - Paulina Gonzalez Producer / Head of Production - Fabian Barz Post Production Producer - Jan Scholz Strategy Director - Jörn Ballentin Sr. Strategist - Odile Breffa Senior Media Manager - Maja Lah

Service Production Georgia - Metro Productions Executive Producer - Aleksandre Gabilaia Head of Production - Maia Gurabanidze Head of Bidding - Mariam Tevdorashvili 1st AD - Sopio Parjiani 2nd AD - Mariami Gugushvili Production Manager - Tato Pantsulaia Production Coordinator - Nino Megrelishvili Unit Manager - Merab Rostomashvili Location manager - Natia Chomakhidze Location manager assistant - Zaza Chigladze Transportation Manager - Davit Peradze Transportation Manager - David Maghlakelidze PA / Chaperone - Mariam Tsiklauri PA - Irakli Kakabadze

Set Manager - Konstantine Chkhaidze Set helpers - Buba Kupatazde Set helpers - Lasha Kupatadze Set helpers - Saba Sagrishvili Cleaner - Svetlana Bagdasarian

Art Director - Sopo Bazghadze Set Dresser - Shota Bagalishvili Production Designer Assistant - Achiko Shamakhia Art Assistant - Nina Jandieri Art Assistant: MURAL - Giorgi Khavelashvili Art Assistant: MURAL - Erekle Gordeladze

Stylist - Ketevan Kalandadze Stylist Assistant - Nino Chkoidze MUA - Veriko Bedeladze HAIR - Nino Dashniani

Focus Puller - Irakli Jgenti Camera AC - Guram Mosikashvili Camera AC - Khatia Khalvashi Playback Assistant - Koba Rostiashvili DIT - Gosha Tabidze Gaffer - Shalva Leluashvili Key Grip - Tengo Kasradze Grip / Light - Mikheil Gvalia Grip / Light - Giorgi Gogbaidze Grip / Light - Davit Eremadze Grip / Light - Gia Guluashvili Grip / Light - Davit Gogichaishvili Grip / Light - Vako Leluashvili Grip / Light - Giorgi Eremadze Dolly Crew - Giorgi Zakaidze Dolly Crew - Lasha Gugushvili Dolly Crew - Teimuraz Kupradze

Driver - Gia Tetrazde Driver - Avto Ugulava Driver - Gigo Lomtatidze Driver - Zaza Magaldadze Driver - David Odishelidze Driver - Roland Gogokhia Driver - Giorgi Koshadze Driver - Anatoli Kliushnichenko Driver - Ramaz Davitiani Driver - Giorgi Gogashvili

Service Production Brazil - Stink Saõ Paulo / Yatta Films Executive Producer - Rafa Rocha Production Manager - Maria Eduarda Caldeira Brino Production Manager - Daniel Lombardi Production Assistant - Sofia Lombardi Production Assistant - Victoria Valenti Chaperone - Nahaiana Vieira Cardoso 1st AD - Jan Monczka 2nd AD - Juliana Dias Caldas

Set Manager - Marcelo de Menezes Cachapuz Set Manager Assist - Marcelo Pasin Set Manager Assist - Jones silva de Oliveira Set Manager Assist - Adriano Pereira

Location Manager - Bruno De Souza Palaoro Location Manager Assist - Marcelo Araujo Frangipani

Production Designer - Martino Piccinini Art Assistant - Alice Goulart Furtado Art Producer - Soraia De Matia Props Coordinator - Camila Vettorazi Franzen Set Decorator - Julia Perez Paiva Melgarejo Props Master - Andre Luiz Micael Valli Castilho Props master Assist - Rafael Serpa Gerchmann Props master Assist - Victoria Perez Paiva Melgarejo Props master Assist - Lucas Rodrigues Do Amaral Props master Assist - Joabel Fontoura De Azevedo [Biel] Props master Assist - Maria Vitória Reimundo Varante Props master Assist - João Vitor Copetti Teixeira Helper - Maurício Ignácio Silveira Helper - Alisson Barboza Maciel

Costume Designer - Isadora Bertolucci Costume Assist - Samara Raquel Pereira Da Silva Costumer - Adriana Talaveira [Mana] HMU - Luana Ramos Zinn HMU - Gabrielle Ávila de Oliveira HMU - Eduarda Lombardi Pellenz Brum [Dudinha]

1st AC - Marcelo Ostrovski Bevilacqua 2nd AC - Gabriela Bortolon De Oliveira Video Assist - Laurie Braatz DIT - Juliano Rodrigues Moreira

Gaffer - Roberto Ramos Best Boy - Flavio Pinheiro De Souza [Cabeça] Electrician - Frederico Barbosa Ramos Electrician - Jefferson dos Santos Oliveira Helper - Vinícius Rojas Lopes Helper - Filipe Rodrigues Alves

Key Grip - Andre Luis Da Cunha Campanhol Best Boy Grip - Fabio Da Silva Dias Grip - Rodrigo Lopes Espíndola Grip - Ismael Borges Santos Helper - Josué Da Costa Celaro Helper - Nicolas Gabriel Luciano Huf

Casting Producer - Amanda Michelini Schmitz Casting Assistant - Pedro Alberto Santana Sanhudo [Pepa]

[hello-there]

Communities are a new way to connect with the people on Tumblr who care about the things you care about! Browse Communities to find the perfect one for your interests or create a new one and invite your friends and mutuals!

[4evahaka]

Helen Louise (Wheeler) Riddle was a founding member of the #SigmaChapter of the #AlphaKappaAlpha at #UniversityOfSouthernCalifornia (1922), & FIRST Black Woman to graduate from #USCLawSchool (1927). She married #JohnThomasRiddle, a USC graduate and #USCFootball player. Group photograph of about 125 members of the #AlphaKappaAlphaSororityInc in the courtyard behind Kerckhoff Hall at #UCLA. Helen Louise Riddle is standing in the next to last row within the center arch, centered between the ladies who are 3rd and 4th from the right in the last row under the center arch representing the #SigmaChapterAKAs. A flower-covered sign reads: "#Boule1932." Naida McCullough was a school teacher in Los Angeles, and a charter member of the University of Southern California Alpha Kappa Alpha Sorority. She served as president for the USC branch. In 1925 she also was a temporary #FarWesternRegionalDirector and she established the #AlphaGamma Chapter at #UCLA. She was a well-known concert pianist and art patron. Corine Stovall was a member of the Stovall family of Los Angeles, and was active with events for the Stovall Foundation. She was active in clubs and events aimed at community uplift, often called the African American clubwomen’s movement.. Hortense Taylor was a member of the Los Angeles branch of Alpha Kappa Alpha sorority. She was active in clubs and events. Dr. Alice Watkins Garrott was a dentist who married dentist. Dr. Alva Curtis Garrott. Top row from left: Corine Stovall, Ph.G., Minnie Mitchell Wickliffe, Ph. B., Vada Somerville, D.D.S., Alice Garrott, D.D.S., La Verne Martin, Junior Liberal Arts. Bottom row from left: Hortense Taylor, Junior Liberal Arts; Grace Broyles, A.B.; Helen Wheeler, Junior Law; Naida McCullough, Grad. Music; Hazel Baskins, Senior Liberal Arts; Edith A. Jones, A.B. #AKAExcellence #AKAHistoryIsBlackHistory #AKA1908 https://www.instagram.com/p/CoNuLQ1Pjzc/?igshid=NGJjMDIxMWI=

[docrotten]

THE BROTHERHOOD OF SATAN (1971) – Episode 181 – Decades Of Horror 1970s

“Not your baby! Our baby! Satan’s baby!!” You seemed like a folksy small-town doctor but it turns out, you’re really the head, satanic dude. Join your faithful Grue Crew – Doc Rotten, Chad Hunt, Bill Mulligan, and Jeff Mohr – as they check out The Brotherhood of Satan (1971), a Black Saint favorite from the producing team (L.Q. Jones and Alvy Moore) that brought you A Boy and His Dog (1975).

Decades of Horror 1970s Episode 181 – The Brotherhood of Satan (1971)

Join the Crew on the Gruesome Magazine YouTube channel! Subscribe today! And click the alert to get notified of new content! https://youtube.com/gruesomemagazine

A family is trapped in a desert town by a cult of senior citizens who recruit the town’s children to worship Satan.

Director: Bernard McEveety

Writers: William Welch; Sean MacGregor (original story by); L.Q. Jones (uncredited)

Selected cast:

Strother Martin as Doc Duncan

L. Q. Jones as Sheriff

Charles Bateman as Ben

Ahna Capri as Nicky

Charles Robinson as Priest

Alvy Moore as Tobey

Helene Winston as Dame Alice

Joyce Easton as Mildred Meadows

Debi Storm as Billie Joe

Jeff Williams as Stuart

Judy McConnell as Phyllis

Robert Ward as Mike

Geri Reischl as K. T.

Back in the fall of 2013, just prior to launching Gruesome Magazine, Doc’s cohost on Horror News Radio, Santos Ellin, Jr., The Black Saint, joined him on the Monster Movie Podcast to discuss their favorite films of the Seventies. Exploring two films from each year between 1970 and 1979, this two-episode retrospective would give birth to Decades of Horror 1970s.

For the year 1971, Santos picked The Brotherhood of Satan featuring Strother Martin, L.Q. Jones, Alvy Moore, and Charles Bateman. At long last, the Grue-Crew set their eyes on this often overlooked classic. The film holds up amazingly well over 50 years later, spotlighting Martin chewing the scenery in style and featuring some impressive cinematography. Seriously, only Strother Martin can handle dialog such as this and keep a straight face while delivering these lines and looking so menacing.

At the time of this writing, The Brotherhood of Satan is available to stream from Tubi and a variety of other PPV options. Regarding physical media, the film is currently available as a Blu-ray from Arrow Video.

Gruesome Magazine’s Decades of Horror 1970s is part of the Decades of Horror two-week rotation with The Classic Era and the 1980s. In two weeks, the next episode in their very flexible schedule, chosen by Bill, will be The Ghoul (1975), a Tyburn Films production directed by Freddie Francis starring Peter Cushing, Veronica Carlson, and John Hurt. Gotta be good, right?

We want to hear from you – the coolest, grooviest fans: comment on the site or email the Decades of Horror 1970s podcast hosts at feedback@gruesomemagazine.com.

Check out this episode!