#alan: ME WHEN I FUCKING GET YOU
Explore tagged Tumblr posts
Text
Losing your temper always clouded your judgment, Carter.
Alan Scott in Justice Society of America (2007) #19
#alan scott#green lantern#jay garrick#the flash#carter hall#hawkman#jsa#justice society of america#justice society of america 2007#dc#dc comics#dcedit#comicedit#comicsedit#u can reblog#jay: it's not good for the kids to see this :(#alan: ME WHEN I FUCKING GET YOU#js 2007 was extremely funny. we have to give it that much
12 notes
·
View notes
Text
"i should probably be careful posting when ava ships are involved, maybe i should keep ava shipart stuff to myself"
i say as i post victim and agent being extremely fuckihg gay
#alan becker#animator vs animation#ava#ava victim#ava agent#ava primal#ava paleo#avWHAT THE FUCK IS YOUR NAME!!!!!!!!!!!!!!!!!!!!!!!#ava ballista#ava hazard#vicagent#ava vicagent#i am so cringe but at least i am free or whatever that phrase was#believe me when i say i was jumping around trying to finish this. goooood the yaoi power is affecting me#GET A ROOM YOU TWO !! DAMN!!!!!!!!!!!!!!!!!!!!!! /j#sorry about the hand. i cant draw hands thaaaaaaat well yet#i also jave never drawn anyhting like this pose before. so bear with me on this#offtopic bit wow i am drawing a lot of victim recently#hm#anyways how are we doing avanation#this looks like a lot of tags hel#woah ships!!#lilacsart
405 notes
·
View notes
Note
cursor selkie sc (due to some unlikely plot contrivance) in god with a bag of groceries au would be so funny...bystanders watching god pass by with a bag of groceries, followed by tiny god with a packet of cookies. adorable.
ANON... YOUR MIND..........
#tommy's foolery#selkie sticks au#tommy's stickmen tag#tommy's aus#pitch's art#i can only imagine what bystanders must be thinking. just. big scary cursor followed by the littlest of guys#i imagine that knowledge that humans aren't just cursors isn't too common#(or at least not something the average stick who hasn't looked into would know)#so it's confusing but weirdly cute?#any stick who knows that humans aren't just cursors though would be like '??????????????? THE FUCK?!?'#i think they'd only visit the outernet if they had the CG with them tho#it's really funny to imagine the CG sneaking onto a computer in hopes of getting to a safe place‚ making friends with SC#and then refusing to leave when alan tries to shoo them out#sorry sir. your child adopted these random kids as their siblings#god. that only makes it funnier because chosen wouldn't see him in the outernet until he's already adopted everyone#chosen follows him to the desktop and a bunch of kids pop out and hug him#as well as this tiny little cursor who is just. munching(?) on a cookie#just. What The Fuck#furthermore when you ask them if he's been mean to them at all they go '? no he's our dad'#and the cursor proceeds to squeak in mortification (they can do that?) and grab whoever said that and begin (gently) shaking them#because DON'T CALL HIM THAT HE'S NOT YOUR DAD........ STOP THAT#the cg all think alan reacting like this is very funny even though chosen is extremely concerned#anyway SORRY this is just so funny to me. thank you anon for blasting me with this image
54 notes
·
View notes
Text
(alan wake-gravity falls crossover) man i love that character. you know, the deeply paranoid author who made a pact with a dark entity that ultimately ended with him stranded in another dimension separated from his loved ones for years at a time? takes place in the pacific northwest? has twin imagery associated with him and a reoccurring specific piece of symbology related to the unfortunate situation they're in? doesn't ever explain the reasoning behind his actions and instead just kinda goes "bro trust me"? yeah he also wears an outer layer of clothing with elbow pads on it, that one.
#my art#stanford pines#alan wake (the man)#ford pines#gravity falls#alan wake#remedyverse#SAtT au#i am. normal about the crossovers i make up.#what do you mean the esoteric weird horror game about stories and the disney cartoon about family dont have a shared audience. sounds fake.#anyways the comic on the right is in honor of a joke i had to scrap in my fic wip due to a perspective switch.#rip that joke i thought you were pretty funny. i like the idea of alan critiquing his own manuscript pages upon the events happening.#oh i should probably do a warning since theres that crunchy image of the aw2 alan death screen huh. uh#blood#aw2 alan death screen my beloved. literally made me go ''oh god'' out loud in shock and horror when i first saw it#anyways did you know theres an au to this objectively already an au crossover. i call it ''bill cipher gets sent to the shadow realm''#bill doesn't show up a lot in this au he gets one scene where he taunts ford abt alan being a danger#with the implication that the dark place/presence genuinely freaks him out. but in this self indulgence of a self indulgence#alan essentially manages to trick bill into swapping places with him and bill ends up trapped in the writers room/the dark place.#lmao get yötön yö'd idiot. YOU are aleksi kesä now.#also i like the idea of zane and bill meeting as well as door and bill meeting. i think they might scare bill a little bit.#just like how zane scares me <3 what a cool character what the fuck is his deal#also you may be wondering why alans in his aw2 look and not aw or awan look despite the fact that lines up closer#to when gravity falls happens-ish. well the answer to that is 1: the crossover uses a lot of the elements from aw2#and 2: i like alans long hair and suit and beard. i like the pathetic sopping look when his hair is in his face
34 notes
·
View notes
Text
Not to sympathize with Zane but-
Let's forget for one minute the whole mystery if he changed from poet to filmmaker via spooky shenanigans for spooky yet unknown reasons, and instead we see him as an Artist(tm):
An artist who got famous for one of his works, to the point that to everyone he is said artwork. He's been mixed up with the character.
Everyone celebrating the one work of art and the one character, completely ignoring the artist is capable of doing a wider variety of artworks, maybe even ignoring his entire back catalogue.
The moment he did the one movie after immigrating? That's it, his reputation. Forget whatever he did in his homeland, foreigners in a foreign land have now decided he is Tom the Poet. It didn't matter at all that the character was voiced by some other person.
And now, let's entertain for a minute both possibilities being real at the same time: Alan Wake is a fictional character by Thomas Zane, and Thomas Zane is a fictional character by Alan Wake.
In both cases the character has the author's face. To the point that outside parties say it out loud - the Anderson bothers referring to Alan as Tom, Saga seeing a picture of Zane and wondering why does he look like Alan.
And the gall - Alan asking Thomas why does he look like him.
A fictional character now claiming the author's visage. The artist pigeon holed into one narrow genre. The Artist fighting his own work to reclaim his identity.
Thomas Zane goes as far as making a movie and once again play a character in it, but this time it's a different character. Tom is reclaiming his own visage. He plays writer Alan Wake in Yötön Yö.
There's no subtlety, there's no subtext!
Even when Remedy had Max Payne recast, Sam Lake was unable to get rid of the reputation, even if the character was voiced by a different actor. Recognized as Max Payne by foreigners in a foreign land(s).
And then, two decades later his face is back, but this time the IP belongs to Remedy. And it's not just the the voice and face of Max Payne with a different name - the author also plays as himself.
"Finally, voice and face are one and the same!" said Ilkka Villi/Tom Zane.
And if you take a step back, you could see Zane trying to take Casey from Alan as the deal between Remedy and Rockstar have with Max Payne. The IP was developed by one studio but belongs to the other. And now the original developers are reclaiming it by changing the name a little and inserting the character in one of their own IPs.
But you know, Casey is (in universe) a real person, same as a certain author in real life.
So, not to sympathize with Zane, but I understand why he gets annoyed when someone asks him if he was a poet. The poet could've been really just a character from his most famous work.
It is annoying when your name gets only recognized because of a narrow selection of your works. And that work may not even be the most meaningful to you or your favorite one!
These writers at Remedy are having so much fun and I'm glad they're all free to be as unhinged as they've been. I think they should go further.
Anyways, I propose Zane keeps getting confused with The Poet just to bully him lmao.
#alan wake 2#alan wake#thomas zane#tom zane#let's also not forget ilkka villi directed his own short film#hahah nooo not me getting annoyed when people would ask me why am I not doing more of x fanart in the past#or the first suggestion when googling my name was x franchise#mr zane take it from me - I've learned#stop caring and keep doing your thing#your thing as in art not fucking with the story hmm#still sorry you can't mute keywords in the dark place or real world :(#remedyversetxt
131 notes
·
View notes
Text
I really don't particularly understand why people are so resistant and dislike the read of AW where Alan is simply a character created by Tom Zane. Like, Alan Wake already is a character written by Poison Pill Remedy Entertainment, but the idea of going one level deeper, of questioning who the storyteller is and who we, as the audience, are in extension to them, seems to make people really.... wiggly and uncomfortable.
I think the moment we saw fictionalised Sam Lake we were beyond being protected by the fourth wall, fellas.
#fannish#Alan Wake (Remedy)#After all Remedy's games have all been 'a game by Remedy entertainment'#It's one of the reasons now when I've laid out my theories and my brainworms you're not seeing much of me in the fandom#it's a 'you're not my friend and you have no say in what I do with your content' response *to* Remedy#I have a lot of 'fuck you AND your cow' energy towards being a-ha'ed about being the audience#I actually think Remedy are a lot nicer about it than a lot of the metatextual fiction that I've told to fuck off over the years#they *get* that we're all freaks together in this#if I had to describe it I think this creative team is looking straight at me in a way#All of us are invested in Alan. We are all waiting with bated breath to see what happens in the story next#they're just honest about their involvement in that story#the story of Alan Wake isn't being told passively#and I wonder if people's reluctance to being explicitly told *who* is telling that story is the thing people get so wiggly about#because it shatters the magical circle#it reveals that a story is a conversation between two imagined people -- the narrator and the audience
13 notes
·
View notes
Text
hi ok unpopular thought but you can tell when a cis/het person is playing a queer character because they always prioritize the queerness of their character over anything else
#like were in the middle of urinetown auditions#and this guy is auditioning for barrell#and i am too#and now i dont particularly care#like none of this is to say that his or anyone else's performance is bad or lesser than#but barrell is gay and like you can tell watching this kid perform that that fact is at the forefront of his mind#we were talking abt it later and he was like “yeah your barrell was like really snarky” and im like YEAH bro he kills ppl for a living#like hes not walking around constantly thinking about how hes gay#no gay person walks around fronting the fact that theyre gay#like i dont go to the mall thinking 'i am gay and going to the mall' dude no i just go to the fucking mall#i have a love hate relationship with cis/het performers who play queer characters because you could pull it off???#but youre lacking the subtleties#youre lacking the timing of when these things actually come into play#and again i really do hope this dude the best like honest to god if he gets the part thats great and i know he'll get there like i am#not the one directing this show and i trust the director completely#and im just using that as an example#but you see it in other things too#you can see it in good omens 2 and the danish girl and call me by your name#now compare it to something like cabaret and alan cummings portrayal of emcee#and you can tell theres a level of understanding there thats lacking in the other ones. our flag means death is also another really good#example. while rhys darby and taika waititi arent gay david jenkins is and it comes across in his writing that this is someone who#understands the queer experience and writes in a way that makes it possible for cis/het performers to understand what theyre playing with#turnip rants#delete later probably#all opinions and statements are my own we can coexist
26 notes
·
View notes
Text
warmup sketches from 1/12 that i for a long moment thought were from december first because i cant fucking read and got really confused by the date on
#monochrome#sketch#alan wake ii#alan wake 2#alan wake 2 spoilers#nightless night#we shoulda got naked casey in that video it wouldve made me lose my fucking mind <- already deeply tasteless about it#Veikko stabbing casey with the fucking little drool trail. I need to be him. Seine me body swap WHEN.#objectively this isnt sexual. subjectively look at it. and me. and it again. and you know.#not typing the finnish out on my computer i cant remember how to get the o with the oumlaut out of my numberpad at the moment#someone also remind me to add alt text to this#eta: alted some text to this one
17 notes
·
View notes
Text
the inability of the fandom to find a balance between diminishing the role of the human willpower and diminishing the capabilities of extradimensional gods strikes again
#some things should remain schrödingered forever#“is it zane or scratch?” yes#“did alan trapped himself or the dark place?” yes#yeah bro you're just a dumbfuck for self sabotaging we've already explained what to do in fucking songs. keep suffering#will we show you directly what to do? no. have some vague wording. and also you're tom now. reason – you must know yourself#all that rubs me the worst way cuz guess who has been mocked and yelled at for not knowing how to do things without normal instructions#mind you he had no idea he's a fucking parautilitirian. yeah you could just use your sage powers. you couldn't know about them? skill issue#yall just hindsight biased#try to find a meaning in the damn musical song when you keep dying and dying and dying#if you blame the guy for suffering and not the gods for getting mad at him when theyre the ones who have no clue how to say things directly#begone#and if you start the “ohh but that's not how it works in the dark place” bullshit then the dark place *does* have agency#and you just like making the insanity look stupid#no idea how to call this hill but i will die on it#it's not the hell of only alan's making#fuck all the godly vagueposting i fucking hate it. if you talk to the thing that perceives itself as human than talk to it like it's human#and don't blame the human for not following your instructions because they're fucking impossible to comprehend when you die as a hobby
6 notes
·
View notes
Text
reading the afterword for the killing joke and why is Brian Bolland so FUCKING funny he is just like shitting on Alan Moore for his sexism and how the killing jokes writing lowkey kinda sucks ass but then he’s like !!!! but there’s other aspects of it that’s really cool and I loved working with it :))))))
#brian bolland is the only reason the killing joke is as good as it is#literallt says personally I would NOT fucking do that to Barbara#and then is like why would you give joker a background story it makes it more interesting if it wasn’t#then fucking saves his ass like me fr when I’m talking shit about someone to my friend#by saying you know what I’m not one to judge they’re doing great yk#and just talks about his process and says how it was so hard to deal with the fucking script of Alan Moore#he’s so fucking funny omg i love him#brain bolland#the killing joke#the joker#batman#dc#AND THE FUCKING SHITHEAD BOLLAND IS#BC HE SAYS THAT HELL TALK ABOUT THR ENDING ON THE KILLING JOKE ON WHAT BRUCE DID#AND HE SAYS BUT IM GONNA TALK ALOT SO I MAY GET CUT OFF BC THE AFTERWORD IS ONLY 800 WORDS#AND HE LITERALLY SAYS#Okayyyy so I think it’s time i revealed what actually happened and the end of the killing joke so Batman and joker are laughing at the joke#and THEN batman reaches out to the joker and…..#AND THEN HE CUTS HIMSELF OFF#YOU LITTLE FUCKING SHIT#he’s literally so iconic i love him#alan moore#laz.exe
5 notes
·
View notes
Text
just getting so many mixed news about video games this month and im just. ughhhh alan wake 2 better be so fucking good (i mean i know it will but now im just. you know)
if mirage is flopping like this (which. shouldnt be a surprise tbh its still ubisoft and ac we are talking about lmao) and then konami put out the news about the mgs legacy collection release and its terrible output ratios across all boards and not even new remakes for the original solid or anything...
one out of three i was looking forward to this month is good enough, right...?
#im sure i missed some release but these were the three big ones i was waiting on. and now its time for eternal disappointment!#i know i should never look forward to anything or get super excited cause this always happens no matter the medium or the thing lol#like i get it. but when theres so little in your life and you love all three of these franchises so much what else can you do but get#a little excited about new releases?#i know its bad cause wow consumerism and shit all is bad everythings bad but. lemme have something to look forward to....#anyways. alan wake will heal me. it has to right?#not that i know when im gonna get my hands on that but.. yeah#anyways i need coffee sorry i love having a fucked up brain and mixed emotions about everything woo#night is an absolute mess on main
2 notes
·
View notes
Text
LATE NIGHT TALKING | MATTHEW GRAY GUBLER
The best man and maid of honor hooking up? How cliche!!
Word Count: 8k
Warning/Includes: Ridiculous amounts of flirting. Very “omg just fuck him and get it over with” vibes. The wedding of a fictional couple that I got way too invested in! Smut! Named after this song because I was listening to it when I got the request lmao.
Shout out to Matthew for literally being in someone’s wedding while I was writing this. I love you, baby ❤️
Hattie Welsh is a city girl. She was born and raised downtown where she would walk herself to school during the week and had a route for maximum weekend shopping. An only child to two parents, a dad who stayed home when it was Not the norm, she got anything and everything she ever wanted. Her dad would meet her on the front porch with her bike after school and they'd cruise around the neighborhood. On weekends, all three of them would take the 10 minute drive to the local park where they'd bike the same 8 miles every Saturday. At the end of the trail was an ice cream shop. Birthday cake was her favorite. She'd get three scoops in a cone but her dad would always end up finishing the last scoop for her.
It was memories like these that inspired Hattie to use her business degree to open an outdoor supply company. She named it after her parents. Alan & Eva's Co-op. It started very local. But Hattie was always good with promotion. She had an excellent marketing team and connections formed around the state. A year into business and Alan & Eva had three locations.
With this sudden growth, Hattie had to seek out more intensive financial advisement and she requested the services of LF Corporation - financial consultants of companies like North Face and REI.
This is how she met Cole Briggs.
Cole was sent to meet with Alan & Eva's CEO. He knew her name, he knew her qualifications, he knew the context of their meeting. He did not know how gorgeous she was so he was immediately caught off guard. His palms were sweaty by the time they shook hands.
"Oh, wow!" he remarked as he saw the bike mounted on her wall. "A Schwinn? I had the same one as a kid but in green!"
"Oh my gosh, yes! That's actually my childhood bike!" she beamed. She leaned over her desk with a bright smile. "I've kinda outgrown it."
He laughed, "I grew up in Pullen Park neighborhood so my friends and I would ride the trail at-"
"Warren park?" she gasped. "My parents and I used to go every weekend, still do!"
"No way! Where-where are your parents?"
"Downtown, near the natural science museum."
"Ah, yeah, yeah. We didn't get downtown often but we would occasionally have family dinner nights at Kaleidoscope."
"Oh, we love kaleidoscope. The lobster-"
'Mac and cheese! Are you kidding? I can inhale it in one bite. Sometimes my dad would pick it up for me on the way home.”
She cackled. She looked at him lovesick. "How have we never met?"
"What high school did you go to?"
"Hollis. You?"
"Ah, okay. I went to the Day School."
"Ooh, fancy pants."
Blush crept over his face and flustered, he set out his briefcase and took a deep breath. "So you're looking into financial assistance for all three locations?"
She stared at him for a moment, "That's right."
And that was it.
Immediately after Cole left the room, she called you. Her best friend, her confidant, her person. You had your hands busy at work so you tucked the phone between your ear and shoulder, “Hello?"
"[y /n]! Hi, you busy?"
"Uh, a little. But I can chat. What's up?"
"I think I just met my husband."
You paused. "Okay, I'm not busy."
Cole proposed while they were on a hike. A week before, he had asked for your blessing. He said, "You'll be the first one she calls so I just didn't want you to be surprised."
Though, when she facetimed you to show you the diamond rock, you still pretended to be surprised.
A formal ask to be her maid of honor was completely unnecessary. You were born to do it. Who else would it be? Still, she made you the cutest basket, filled with perfume, a travel mug, some candles, some candy. You happily accepted.
And happily planned her engagement party and bridal shower and bachelorette party. You got the dress she wanted you to wear. And when the weekend finally arrived, you traveled nearly an hour into the country to get to the wedding venue.
10 acres of privately owned land sequestered down a dirt road. The ceremony site was a simple platform with an arbor placed in front of rows of benches. Surrounded by trees. Hiding right beside it is a wooden home designated for the newlyweds. The reception site is about a mile away, covered by a tent. There is a garden of roses and daisies. Further down the property is a large barn with rows of tents. It is absolutely everything Cole and Hattie wanted. It is so them.
You help set up for the rehearsal dinner. The parents of the bride and groom have arrived. Your friends and fellow bridesmaids are mingling with the groomsmen. Hattie would be so much more stressed without Opal. Opal is a an older woman, short but strong and a prolific wedding planner. She ushers the men around like pieces on a chess board and directs the caterers without so much as a glance.
As you chat with the happy couple, she calls, "Cole." It's not exactly friendly. She marches up and takes a firm hold of his arm.
"Yes, ma'am?" Cole shakes and Hattie glances over at you with a small smirk. You have to contain your laughter.
"Where is the best man? We are way behind schedule and losing daylight."
"I know. I know. I'm sorry. He had to fly in but last I heard he was on the road from the airport."
"Okay, can I get an ETA on that?"
"I, uh...I don't... have one."
"Babe!" Hattie whines.
"Hey, I'm sorry! Look," he glances at all three of you, intimidated by your pressed faces. "T'll give him a call."
"Wonderful idea," Opal watches closely as he steps away, his phone in his hand, quickly pressed to his ear. She turns away from Hattie, mumbling,
"You update me on that, okay?"
"Yes, Opal," she nods and turns to you with a huff.
You giggle, "Are you sure this guy's real?"
"Oh, I'm sure."
"Okay, well," you throw your hands up in a shrug, "Can't we just start without him? It's hot and we're supposed to be eating already."
"No, we can't. It throws off the flow of the ceremony. Plus, Cole really wants him here."
"Mhm and where is this guy coming from again?"
"Matthew."
"Huh?"
"His name is Matthew."
"Okay. Where is Matthew coming from?"
"New York. I told you he's an actor."
"Yes, yes," you roll your eyes. "Surprised he could find time in his busy schedule to come to his friend's wedding."
"He loves Cole. Cole loves him. More than me, I think. They've known each other forever."
'Mhm. Quick question, does Matthew know Cole's getting married tomorrow?"
She shakes her head and laughs, beaming at Cole as he walks back over. "Hi, baby. Did you talk to him?"
"Uh...no..." he feels bad saying it. "But! I'm sure he'll be here any second."
"Cole!" it's a shriek from the distance that instantly silences the crowd. The crunching of leaves under hurried feet, rustling through the trees, "Cole! I'm here! I'm here!"
"See?" Cole says to Hattie with the brightest smile. "I told you, I told you! Matthew!" he waves.
And out of the trees comes what you can only describe as a colorful slenderman. He's tall and dressed in a sage suit, in accordance with the dress code. He nearly trips coming down the steps but he catches himself, just in time, stumbling over on the tip of his toes. The center of attention, pulling all eyes towards his entrance, which you think would annoy the bride and groom. But no, you look at them and they're just delighted. Grinning ear to ear, Cole's arms outstretched to catch Matthew in a great, big hug.
"Oh, man!" Matthew huffs. "I'm so sorry. I'm so sorry. My flight got delayed and then I couldn't get a rental and then I got lost, I'm so sorry!" he instantly releases Cole to give Hattie a kiss on the cheek and a hug, "I'm so sorry, please don't kick me out of your wedding."
Hattie cackles, “Oh, we could never!”
You watch as his expression transfers from guilt to a sweet smile. You watch him rub your best friend's back and give her one final squeeze before his eyes cut up and accidentally meet your gaze. He couldn't help but wonder where the pretty sandals and pretty dress would lead, but once he sees your face, he can't look away. He stands up tall and takes a small step around Hattie just to get to you. "Hi," he holds out his hand.
"Hi," you smile and your hand fits in his like a glove. You only take a second to memorize the features of his face, the tip of his nose, the stubble on his chin, the light in his eyes. But it feels like an eternity.
Behind him, Hattie and Cole watch the spark catch flame. She nudges his arm and they look at each other with knowing smiles. Cole nods, "Uh, Matthew, this is Hattie's best friend and maid of honor, [y/n]. [y/n], this is my best friend and best man, Matthew."
"ly/n]." Matthew says breathlessly. "Hi."
"Matthew. Hello, nice to meet you."
"Now," he slyly puts his hand over yours to keep it in place. "That is maid of honor, right? Not matron?"
You giggle, "Yes. I'm completely and totally unwed."
"Good, good. Excellent. Love to hear it."
You giggle, again, and it's the most ridiculous sound. Cole and Hattie could not enjoy the show any more. "You two will actually be walking down the aisle together," Hattie says.
"Oh, wow," Matthew exclaims. "Had I known that, I would've been here way sooner."
"So not funny, dude," Cole shakes his head but you think it's hilarious.
"You're laughing?" Opal's voice cuts the laughter short. "The sun is setting, the food is getting cold and you're laughing?"
"Sorry, Opal," Cole frowns. "This is Matthew, the-"
"Matthew, [y/n], I need you two right here," she interrupts and with a hand on Matthew's shoulder, she gently pushes him to the side. She pushes him directly into you and it's almost instinct for his hands to take hold of your waist. Just as much so for your palms to fall on his chest.
"Oh no," he whispers. "This is... terrible."
You laugh and take a step back but he holds onto to your wrist, places your hand around his bicep as he faces forward.
"You feel at home being directed all over the place?" you ask, anxiously straightening out your dress.
"Um, actually I prefer to do the directing."
"Oh, have you considered wedding planning?"
"I offered to plan for these guys but they turned me down. I mean, what the fuck?"
"Well, I think that would've required you to be on time. Early even."
"Oh, then I'm out."
You cackle, a lot louder than you mean to, and once again here's Opal. "You two need to switch sides."
"Hm?"
"Switch."
"Oh."
You feel Matthew's hand linger on your back as you step around him, your hand instantly latching onto his opposite arm.
"We're so good at this," you shrug.
"Yeah, yeah, I know, right? Right? You'd think she'd cut us some slack."
Despite all the fuss leading up to it, the ceremony rehearsal itself is only 10 minutes at most. You and Matthew are the last to make your entrance and it is an odd feeling to separate. He stands on the opposite side of the arbor and as the flower girl practices her walk, he catches your eyes and mouths: miss you.
"Wonderful!" Opal cheers. It's the first time you've seen her smile all night. Once Cole and Hattie have finally taken their places right in the center. "Absolutely wonderful. Now, if everyone will head over to the reception hall for dinner. There is a lukewarm meal awaiting you all," and she cuts her eyes at Matthew.
"Again, Opal, so sorry about that," he shakes his head. You seem to be the only one who finds it funny.
Hattie gives Cole one big kiss and turns to you, "How weird was that? Me walking down the aisle? Did I look stupid?"
You take her hands in yours, shaking your head, "You looked beautiful. It's gonna be beautiful."
She shrieks, a long "eeeek!" of excitement that ripples amongst you and your friends. The group steps down from the platform, followed closely by the groom and his party. Matthew takes the opportunity to grab Cole's arm and whisper, "How long have you known [y/n]?”
"Uh, pretty much as long as I've known my fiancée." he laughs.
"And you were... what? Just hiding her from me? Not cool."
"You were hardly in the proper condition for someone like [y/n]. She's, uh, how do I say? Very grown up. Very focused, like her best friend.”
"And now? What condition am I in now?"
"The kind of condition where...I literally had no choice but to let you meet her?"
"Fuck off," Matthew shoves him and Cole stumbles with a cocky laugh.
"Sooooo," Hattie says as she interlocks your arms. She notices you looking back and she knows exactly who you're looking for. "Little lady?"
"Yes, little miss?"
"What do you think of Matthew?"
Your stomach flips at the sound of his name. "What do you mean?"
"Don't do that."
"What? What are you talking about?"
“This was you the whole rehearsal.." she sticks her finger between her teeth and mocks your giggle, "Tee-hee. Oh, tee-hee-hee-hee.”
"I was not!"
"Oh, but you were. You're quite smitten."
"I am not!"
"He's smitten with you, too."
"Whatever," you roll your eyes. But after a brief pause, you ask, "You think so?"
Clink-clink-clink.
You watch as Hattie rises from her seat, her doting fiancé standing beside her, to give a toast. You look up at her and it's not until this moment that you realize she's getting married. Not when she tried on her dress, not when she did a practice run down the aisle. Here. Now. With Cole's arm around her waist.
"Thank you all so much for being here. We're so grateful to have all our closest friends and family by our sides through this crazy weekend. I know some of you traveled very far and some of you are probably wondering when this whole thing will just be over but," she laughs along with the crowd. "Soon. Very soon. Thank you all for being readers in our little fairytale. Particularly these people sitting up here beside us, I know my friends have gotten an earful about Cole over the years."
"What did she say?" Cole interrupts, jokingly cutting his head towards all of you which earns him a burst of laughter.
"Seriously. Thank you all. Tomorrow wouldn't be possible without you and we can't imagine any other way. So…" she raises her glass glass and, because she's the bride and everyone must obey, everyone raises theirs as well. She looks Cole right in the eye and gives him that same lovesick smile she gave them the day they met. You glance away for only a moment and Matthew is looking at you the same way.
You tilt your head at him, furrow your eyebrows.
"To you," Hattie says. "To me. To us. Cheers."
"Cheers!" you toast, looking directly at Matthew who raises his glass to you, you alone, before taking a sip.
At the end of the night, the bride and groom are meant to retire to their respective areas. Cole and his groomsmen have a cabin on the other side of the property. Hattie and the girls have reign of the barn and an array of tents just in case they're feeling particularly outdoorsy. Yet, when the time comes, you and your friends sit on the barn's porch and watch Hattie and Cole embrace each other for a long time.
"I change my mind," she tells him. "We should just spend the night together. Let's go to our tree house."
He giggles and gives her a gentle kiss, "Ah, you just wanna get in my pants."
"So?"
A cackle now, "Goodnight, future wife. I love you."
"Noooo!"
"I love you!"
"I love you!"
Hattie waits until he's out of sight, and even then, she stands there and wishes for him to come back.
"H! Come on, honey," your friend calls to her. "It's late. Big day tomorrow!"
So she reluctantly walks up the stairs and begins the process of unwinding. It's not easy. Every second something pops into her mind and she hops up, ready to spring into action. It's a group effort to reel her in. Eventually, it's just you and her, lying in a cozy bed and she can barely keep her eyes open. She's trying though.
"Okay," you sigh. "I should probably get going. You gonna be alright?"
She nods, "I'm getting married..."
You grin, "Yes, ma'am. You are. So you need to get some rest," you kiss her forehead and rise out of bed, groaning as you straighten yourself up. "You need anything?”
"Mm-mm," she shakes her head. "I'm okay. See you in the morning."
"See you in the morning."
You're one of the few who chose to rough it in a tent for the night. There's a small heater and a platform bed. It's not a whole lot but the bedding is comfortable. You snuggle in and despite all your exhaustion, you spend the next chunk of time scrolling on your phone. When you hear a faint knock on the scaffolding of your tent, you’re suddenly hyperaware of the fact that you're in the middle of the woods. Alone. Quite a distance between you and the next tent. You sit up slowly, unsure if your mind is playing tricks on you. You take timid steps towards the opening and flinch as a shadow passes by.
You hesitantly pull down the zipper and when you see Matthew wondering around, you breathe a sigh of relief. “Fuck, dude. You scared the crap out of me."
"I'm so sorry," he instantly returns and lowers himself down to your level. "I didn't mean to."
"Um..you do know this is the bridal side of the property, right?"
"Mhm. I was looking for you."
"Me?"
"Mhm. Wanna go for a walk?"
"A walk?"
"Yeah, with me?"
"With you?"
"Okay, just assume I mean everything I say from now on."
You giggle, "I just met you a few hours ago...you want me to walk some random trail with you in the middle of the night?"
"All true, yes."
You tilt your head at him, "Fine. Okay."
"Don't sound too excited."
You turn around briefly to grab a hoodie. You throw it on and step out of the opening, taking Matthew's hand as you step off the platform. He takes your hand and he doesn't let go. He'd hate to lose you in the dark.
“So,” he says as you start down the trail. Your face is gently illuminated by the lights along the pathway and he can’t stop staring. “How do you know Hattie?”
“Technically high school, but I think we were separated at birth.”
He chuckles, “Best friends, huh?”
“Oh, best friends. Went to college together, too. Lived together for a while, didn’t kill each other.”
“That’s rare.”
“I know. I don’t see her nearly as often as I’d like but that’s my girl. How do you know Cole?”
“Drama camp.”
You stop in your tracks, stop both of you in your tracks. Still, Matthew doesn’t let go of your hand. “Drama camp?”
“Yes? You didn’t know Cole was a theater kid?”
You continue walking but your face is absolutely flabbergasted. “Cole? Finance bro Cole? A theatre kid? You’re fucking with me.”
“Oh, I am not. He was quite good actually,” he laughs. “He could’ve been a star.”
“Wow…” you shake your head. “Wow. You think you know someone.”
“And then you find out he was in a summer production of Fiddler on the Roof.”
You stop again. You feel like you could fall to your knees. “Matthew. Please. Please tell me there are pictures.”
“My mom recorded the whole thing, there’s a cassette tape somewhere.”
“Oh my god!” you cackle. “You’ll have to show me.”
“Fly out to Vegas with me at the end of the weekend. I’ll show you all the good stuff.”
“Oh. You’re planning on taking me to your hometown already? To meet your mom and everything?”
“You can meet my mom, you can meet my dad, you can meet my stepparents, you can meet my sister, my brother, her husband, his wife, my nephews.”
“Woah!”
“Oh, they’d love you.”
“I just wanna see Fiddler on the Roof!”
You’re not sure how long you stay out with him. The trail lights make it seem like no time has passed at all. You fill the air with so much chatter that it’s a shock when you loop around to the barn. As you near your tent, Matthew’s steps grow smaller. Slower, following close behind you with your hand still tight in his.
“Well,” he sighs. “Thank you for accompanying me. I was scared to walk alone.”
“Oh, is that why you invited me?”
“I just thought I’d get lost by myself. Needed backup.”
“Mhm,” you nod. “You do seem quite helpless.”
“You have no idea.”
You giggle and as you step up to your tent, you’re not ready to go inside just yet. So you turn to him and he is dangerously close to you. You can feel the heat radiating from his chest.
“Well, I had a nice time,” you smile. “Thank you.”
“Thank you.”
It’s going to happen. You raise yourself on your toes. He takes a firm hold of your forearms. His nose touches yours. Then you hear the sharp sound of a zipper slashing open. You both flinch and look over to see your friend, poking her head of wild hair out the opening of her tent.
You bashfully step away from Matthew, crossing your arms. “Hi, Gina.”
Gina squints, yawning, “[y/n]?” She rubs her tired eyes and looks at you. Then at Matthew. Then you. Then Matthew. “Uh…what the hell are you two doing?” she smirks.
“Nothing,” you tell her. “Go back to sleep.”
She looks at you. Then Matthew. Then you. You. And she ducks her head back in.
You chuckle shyly and shake your head. Moment’s gone but he still looks pretty under the moonlight.
“It’s late,” you whisper. “I need my beauty sleep.”
He scoffs, “To get even more beautiful?” he shakes his head jokingly as he backs away. “[y/n], that’s just greedy.”
You laugh, “I’ll see you tomorrow.”
“Oh, yes. You will,” he waves as he walks away. Blowing you a kiss, “Goodnight, [y/n].”
You wait until he's out of sight, and even then, you stand there and wish for him to come back.
“Ahhhh!” Hattie screams once you rise in the morning. You step into the barn, groggy and sluggish, but when you see her rushing towards you, you can’t help but smile. “Hi! Good morning!”
“Good morning, beautiful bride!” you give her a tight hug.
“We’re having a little breakfast. Here’s your mimosa.”
You glance down at the glass, taking it from her hesitantly, “It’s eight in the morning?”
“Hey, everyone has to do what I say today!”
“Okay, okay,” you take a quick sip and she beams, sitting down beside you at the table.
You fill your plate with food and seamlessly fall in conversation. None of it about the wedding, ironically. You have the rest of the day for that. Right now, in this moment, it’s gossip. It’s silly. It’s so relaxing that you don’t even realized you’ve finished your mimosa.
“I thought it was pretty cozy,” Gina shrugs. “Not sure what [y/n] thinks but then again she was out with Matthew all night.”
There is an immediate halt. Forks hitting the plate, a stunned silence falling over the room and all eyes on you.
“You were?” Hattie gasps.
You stutter, “It…wasn’t…all night. We-we just went for a walk.”
“Oh, is that what the kids are calling it these days?” a friend chimes in.
“We went for an actual walk!” you exclaim. “It was nothing.”
“Ohhhh, yeah,” Gina laughs. “It sure looked like nothing when I caught you two making out.”
Instant gasps.
“We did not make out!” you insist. “We didn’t even kiss!”
“H, how do u feel about making this wedding a joint thing?”
You look down, picking at your food as your face burns red and Hattie is just grinning at you.
Across the way, Cole receives a text from his bride, saying: Ask your friend wtf he was doing last night
Cole raises his eyebrows and spots Matthew shaving in the bathroom mirror. He slyly walks in and crosses his arms. He tries his best to be nonchalant, leaning back against the wall, eyeing Matthew in the mirror, “So. You have a good night?”
Matthew furrows his brows at him, “Yeah? Bed was comfortable.”
“Mhm. And…you didn’t…didn’t sneak off anywhere?”
Matthew completely turns his body around, “You and the wife talking about me?”
“My wife and her wife are talking about you, I think.”
He can’t help but smile to himself, “Well…cool…”
Cole laughs, “What’s the plan here, dude?”
“The plan is…to see [y/n] again as soon as humanly possible.”
Cole shakes his head, breaking a smile, “You do know that this is my wedding, right?”
Matthew laughs as he pats his face clean, “Yeah but…I don’t know, I was kinda thinking we could make it a joint thing?”
Once everyone’s hair and makeup is done, it’s silly to you that you have to pretend to do it all for photos. The makeup artist holds her brush to your full glam face just so the photographer can take a shot and it takes everything in you not to laugh. But it’s what the bride wants. You and the girls get into your dresses. You twirl and giggle like a game of dress up. Until Opal announces Hattie’s entrance. Then suddenly it’s very real.
Hattie walks downstairs in her gown, a ballgown specifically. Poofy, but not too big, a corset holding up her breasts, a diamond necklace on her chest to match her earrings. Her hair is put up and curled. Her makeup is done to perfection.
Oh. She is just perfect.
It moves everyone to a fit of squeals but you clasp your hands over your mouth and just stare at her. You go to wipe the tears from your eyes but remember your makeup so you fan your face. She laughs as she walks directly to you and takes you a tight hug. The photographer captures your sobbing face in all it’s glory. Hattie will frame that one for sure.
When Hattie’s dad comes around to escort her to the ceremony site, you take her hands in yours.
“It’s not too late,” you tell her. “We can still run.”
She laughs. “You know…I thought I might for a second there but…nah, I don’t wanna. I wanna marry him.”
You have to shake your head to keep from crying, “Okay. Okay, then let’s get you fucking hitched.”
Guest have arrived. Each chair is full and the forest around them is positively buzzing with excitement. The florals accentuate the atmosphere beautifully and now all that’s missing is the blushing bride.
You walk down the pathway with your friends, each of you holding up your dresses to protect them from the dirt. Your dress is by far the shiniest. Though all of yours are a variation of green patterns, yours is solid and laced with golden glitter tulle. The maid of honor must stand out. Matthew catches sight of you immediately but not just because you’re the maid of honor, not just because you’re shiny. But because it’s you.
And you look amazing.
It’s like everyone and everything around you fades away. Like he’s watching you walk towards him in slow motion. Your hair flowing in the wind, your lips stretching out into a smile just for him. When you step up to him, he has to take a moment because you just smell so good.
“Wowww,” he breathes out. “Look at you.”
You blush, “Look at me? Look at you!” you don’t even think about it, you just touch his clean shaven face. Run your knuckles over the smooth skin and he revels in it, closing his eyes for just a second. “You clean up nice.”
“Thank you. I only do it when absolutely necessary.”
You laugh and lean into him a bit, totally fixated until you notice the other bridesmaids watching you both from the sidelines. You cut your eyes at them and take a step back. You’re grateful when Opal comes in with her iron fist, arranging you all in order and demanding you stay there.
The music starts, you take a deep breath. You gave Matthew’s arm a squeeze, “You remember anything from rehearsal?”
“Nope, not at all. Just winging it.”
There is not much to say about the ceremony itself except that everyone - everyone - is in tears by the end. It is only thirty minutes but after it all, Cole and Hattie are married and nothing has ever felt so right.
Matthew links your arms as you make your exit behind the newlyweds and you can help but laugh at the tears staining his cheeks. You grin as you wipe them away with your thumb.
Pictures.
So many fucking pictures. So many poses. So many arrangements. So many beautiful backdrops to stand in front of and smile and live in awe of the bride and groom. Eventually, Cole and Hattie go off to take their own portraits and unsurprisingly, you wind up eating a plate of hors d'oeuvres with Matthew.
“You know her?” he asks you, nodding his head towards a guest who stays seated, fanning herself with her wedding program.
“Yeah, that’s Mia. We went to college with her.”
“It’s, like, not that hot out here, right? Am I crazy?”
“Asshole,” you swat his arm. “She’s pregnant.”
“Oh…oh. Oh, she is?”
“Yes!” you giggle. “You just can’t tell because she chose the poofiest dress to wear today.”
“Oopsie,” he cringes. “Hey, is that something you might consider?”
“Hm?”
“Getting pregnant?”
You nearly choke on your bite of food but promptly clear your throat, “What the fuck? Is that a threat?”
“No. No, it’s an offer,” he grins.
You shake your head at him, ducking your hesd down so he can’t see your heated face. Your smile. “You have your speech prepared?" you ask him.
"Speech?"
"Uh, yeah. Your best man speech?"
"I was supposed to write a speech?" he exclaims.
Your jaw drops in shock and horror and you're dangerously close to scolding him until you see a smirk form on his face.
'That's not funny!"
"Of course I have a speech. You think I'm nuts?"
"Yes!"
"I have a speech prepared that is going to bring absolutely everyone in attendance to tears. They might as well go ahead and pass out the tissues now."
"Oh, real confident there, huh?"
"My speech is gonna kick your speech's ass."
You cackle, "It's not a contest, you freak. We're declaring our love for our best friends and their new spouse!"
"Sounds like you're nervous. Sounds like you can't take the heat."
"What heat? You know what? I'm not doing this with you. I'm gonna deliver my speech and as long as Hattie loves it, I'm content."
He nods, “…bawk-bawk-bawk-bawk."
"Stop it!"
"[y/n]!” you hear from behind you and you whip your head around. Hattie is running up to you, dress lifted, feet fast. "[y/n]!"
You run right to her, catching her in your arms as you collide, "What? What is it? What's wrong? What are you doing? You're supposed to be getting ready for your grand entrance!"
She huffs, catching her breath, "I know. I will. I am, whew..." she catches her breath. "I just had to tell you," she pants. "I just got fucked in my wedding dress!"
"Oh!" you cover your mouth to conceal your burst of laughter. "Oh my god! I thought this was a classy party!"
"Well, we wrote it into the schedule. We even finished with three minutes to spare. Both of us!"
"Oh my god!" you repeat, hunching over in laughter as she runs off.
You and Matthew hadn’t prepared anything especially elaborate for your reception entrance. But the DJ makes the best man and maid of honor sound like such a big deal that you have to do something. Anything. And utimately, he just ends up twirling you around in front of him. Your dress flows through the air, this wide smile on your face and he so casually wraps his arms around you to prevent you from tripping in your heels.
Seriously. Could you two make it any more obvious?
Cole and Hattie are greeted with an uproar of applause and cheers, the photographer right in their faces, an outpour of love coming from all around them. You clap your hands incessantly and right in your ear is Matthew cheering, his hands on your waist, your back against his chest like it’s no big deal.
You sit down to eat with your friends and it’s one big round table of alcohol, gushing, yelling and laughter. Matthew’s called up to give his speech and he makes sure to walk by you on his way up. “Watch and learn,” he whispers.
You shake your head, roll your eyes, but you’re watching him. You’re watching the way he instantly takes control of the room and radiates this light under the night sky. You’ve got to give it to him. It’s a good speech. From beginning to end, it’s captivating. The emotional cadence in his voice ripples across the room and there is actually, literally a box of tissues being passed around.
He’s applauded by every guest and he immediately runs up to Cole and Hattie to give them a tight hug. He walks over to you and holds the microphone out for you, “Beat that.”
You eye him as he walks off and the giddy smile on your face quickly disappears when you make eye contact with Gina. She pinches her fingers and knocks her hands together, puckering her lips and making kissing sounds.
“Stop it,” you whisper.
You’re not as used to the spotlight as Matthew so when you stand up in front of everyone, you freeze for a moment. You struggle to get the words out. It’s not a contest, but you’re already losing. So you look at Hattie, the one person you are doing all of this for. It makes it a lot easier to just, speak your truth, “Hi. I’m [y/n] and Hattie is my very best friend.”
Hattie’s a mess instantly.
That’s the fun part about being the bride’s best friend. You know all the best parts of her relationship. You also know all the worst parts but those don’t need to be spoken today. You know how it’s made her happier, stronger, glow in a way she never thought possible. You know better than anyone that this is where she’s meant to be and who she’s meant to be here with.
She can hardly wait one second after you finish to run up to you and give you a big hug. She squeezes you so tightly that you think she’ll never, ever let you go. You escort her back to the sweethearts table and throw a smug look towards Matthew’s way. He puts his hands up in surrender. You win.
After a while, when the grandparents and kids have left and the hour for the fun adults has arrived, you’re just buzzed enough to dance. And you do. You let Hattie shake her ass on you a bit and for a while, you’re just girls again. No one’s wife, no one’s employee. Just girls. It wears you. You take a seat just to down the rest of your wine and catch your breath.
“You all danced out?” Matthew asks as he approaches you. He holds out his hand, “Or you got one more left in you?”
You tilt your head, drunkenly smirking at him, “I think I can squeeze you in.”
“Yeah?” he pulls you to your feet and into his arms. “Squeeze me into where?”
You giggle. You shamelessly fall into his chest, “Take me to the dancefloor.”
He does, he lead you right to the center. He puts his hands on the small of your back and cradles your hand against his chest. He breathes in the scent of your hair and sighs.
“I don’t know what I’m going to do once I have to part from you tomorrow.”
“Just put me in your pocket,” you whisper. “Take me to the big city.”
He chuckles, pulls you closer, putting your bodies flush together. “I will, in a heartbeat. Just say the word.”
You grin. You stare into those beautiful eyes of his and inhale the center of his chest and exhale with a soft hum, “The word.”
He smiles. You smile. You take a look around and then you two make your exit.
Off to the side, the bride and groom are slow dancing. The rest of the world has faded away. Though their feet are a bit uncoordinated, everything feels properly in place.
“Sooo,” Hattie puts her nose to his. “You’re thinking the same thing I am, right?”
“Thaaaat we have three more minutes of fun time? You wanna go now?”
She cackles, “No! About Matthew and [y/n].”
“Ohhh, right. Them. You were right. I owe you five bucks.”
“Mhm. For the rest of your life.”
He smiles softly, rubbing her back. He looks around the area and furrows his eyebrows, “Where…are Matthew and [y/n]?”
Hattie giggles, singing, “I know where they are.”
“No…” Cole gasps. “No…you think?”
She shakes her head at him. Sweet, dumb Cole. “Oh you are just so cute!” she kisses his nose.
In the solitude of your tent, Matthew stands behind you and slowly unzips your dress. He plants soft kisses on each spot of your skin as it’s revealed and you hum under your breath at the gentle contact. His hands latch onto the thin straps and pull them over your shoulders. He kisses your neck and runs his hands over your chest as he pushes the dress down your body. All that’s left of you is a strapless bra and seamless panties that he sticks his hands in. You step out of them and turn to face him.
You touch his face and look at him with these hooded eyes, smiling softly as you push his jacket off of his shoulders. You undo the buttons on his shirt and touch all over his exposed chest. He nuzzles his nose into yours as you take off his pants and he falls back on the tiny bed, letting you pull them off his legs.
He stretches out his legs but his feet hang off the edge so he bends his knees, “I don’t think I fit,” he chuckles.
You grin as you casually straddle his lap, running your hands over his arms. “We’ll just have to make you fit,” you whisper.
He gives you the faintest little whimper, leaning in to you with his mouth open. And just like you had meant to last night, finally, you kiss him. You kiss him. You touch his tongue to yours and place your hand on his throat, engulfing his entire mouth in yours. Both of you release these deep, guttural moans and Matthew gasps as you roll your hips on him.
He grips onto your waist, readjusts to get the right angle and you can feel him getting hard between your legs. It's almost juvenile, the way you both get so hot from dry humping. The way your mouths are so hungry that there's no coordination.
There's moments where you go in for his lips and catch his cheek instead and he pushes his face into yours so quickly that he only catches your bottom lip. He goes to grab your hair to keep you in place but he doesn't want to mess it up so he holds the back of your neck. You wrap your arms around his shoulders, take a tight grip of his hair and lean your entire body on his. There, the friction is perfect and you moan directly into his mouth.
Matthew shifts his focus to your jaw, gently nibbling on the skin from your ear to your neck as he unhooks your bra. You whine quietly, rocking your hips against him and leaning your head back to expose your throat. He wants to fucking bite you. He has the quickest impulse to sink his teeth into you but he doesn’t want to leave a mark so his hands land harshly on your ass as he groans in your ear. You gasp, your back arching and you think: fuck this.
You put your hand on his chest and push him back on the bed. He lets you but he whimpers. He wants to be kissing you. Needs to be kissing you. He looks up at you with wide eyes, his jaw dropping when you free his cock from his briefs. He licks his lips, nodding, begging, “Mm…mhm, mhm, mhm, mhm.”
You giggle at him, but that giggle is cut quickly by the ease in which his cock slides into you. You both gasp and he catches you as you fall into his arms. You feel just as good as he thought you would. Better. Even better. You watch his eyes roll to the back of his head and you try to kiss but your mouth are wide open. It’s mainly just heaving breathing and teeth on teeth.
He takes full advantage of the angle in his knees, keeps his hands on your ass to spread you open and push all the way into you. He likes the sound you make so he does it again. Again. Pulling all the way, pushing all the way in. Again, a little deeper. Again, a little harder. Harder and harder until you’re squeaking against each other’s lips uncontrollably, the one thing that’s louder than the sound of his skin slapping into yours.
He looks into your hooded eyes and begs, “Kiss me.”
So you do. You kiss him with a sloppy mouth and once again, there’s no coordination. You’re rocking around the tiny bed so carelessly that it might break. But even then, you wouldn’t stop. It’s hard to breathe. It’s hard to think. You just push yourself back on his cock, meeting him at just the right time that you’re entire body twitches violently.
“N-not…fuck…” you stutter against his lips. “Not…gonna…last…long…like this…mm, fuck.”
And he grins, delighted at the thought of getting you off. So quickly, so easily. Still, he pleads, “Oh…” he bucks his hips up into you. “Can’t we just…m-make it last forever? P-please…please, please, please…”
You shut him up with another kiss. You grab onto his hair and grind on him eagerly, chasing your high for what feels exactly like forever. The way the tension builds first in your thighs and then your belly and radiates throughout your entire body, you can hardly comprehend it. You tighten your grip on his hair and breathe out, “Matthew.”
“[y/n],” he breathes out and it sounds so helpless that you can only reply with a whimper. You increase your speed, your rhythm becomes sloppy but Matthew is rock solid. He cups your face in his hands and repeats, “[y/n].”
“O-oh, fuck. Oh…god…” you latch onto his wrists. You can’t take it anymore, “Mm…” and you come on his cock with a loud and visceral moan straight from the back of your throat. The way your pussy tightens around him has him matching your volume and the kiss you give him is so dirty that he will taste it for weeks.
He doesn’t stop. He fucks you through it until your body is all but convulsing. He only stops to prevent himself from coming inside of you, instead raising your hips to shoot his load all over his stomach. His knees tense up and tighten against you as the weakest groans escape his lips. You hum softly to yourself and you lower yourself down the mattress, licking the mess off his stomach as you make your way back to his lips. He’s stunned but rewards you with a kiss. He wishes the kiss could last forever. He tries his best to make it so.
But you crash on his chest, panting loudly and allowing your body to finally relax. Your head rises and falls with every heavy breath he takes.
“Let’s get married,” he huffs and you laugh, sitting up to look at him. “No?”
“Mm-mm,” you shake your head.
“Ugh…worth a shot.”
It’s so peaceful. A calm after a storm - a hurricane. Until your phone illuminates the dark space and you reach over his body to check the text. It’s from Hattie -
As soon as youre both done, my husband and i would like to make our outro! :)
“Oh, shit!” you exclaim and that’s all Matthew needs to hear.
You both hop up at lightening speed. You somehow get dressed even quicker. You rush out of the tent, nearly tripping over your feet, hand in hand.
“Wait,” Matthew says and when you pause to look at him, he fixes the clip in your hair and then he gives you a kiss. You look back at him with a smile as you run back to the reception.
You catch Hattie and Cole just in time. They are already lined up and ready to go when you two reappear. Matthew grabs Cole’s shoulder and laments, “Sorry about that, dude. I-I got caught up. Sorry.”
“Oh yeah,” Cole smirks as he keeps walking. “I can tell. Your jacket’s on inside out.”
After Matthew remedies that, you two casually clap and cheer as the newlyweds walk through the crowd of excitement. They promptly load themselves up on a golf cart and you watch them disappear into the night.
Matthew sighs, turning to you, “So…I guess our jobs are done for the night.”
You sigh in return, shrugging, “I guess so.”
“You gonna be lonely in that tent tonight?”
“God...” you shake your head. “I hope not.”
And that night, you are far, far from lonely in that tent.
You wake up together. Matthew made himself fit in that bed once again. You get dressed together. You both clean up the tent and step out together. And once again, there’s Gina, catching you in the act. She doesn’t say anything. But when she walks past you two, the tiny smile on her face says it all.
Back at the reception site, Hattie and Cole serve a light breakfast and deliver a toast that is short and sweet. Blah blah blah, thank you all for coming. Blah blah blah, we love you so much. Blah blah blah, we have a plane to Cabo to catch. You don’t have to go home, but you can’t stay here!
They go around to say their goodbyes and while Cole is distracted, Hattie intentionally saves you for last. She gives you a long hug, “Missed you last night.”
“Yeah, uh…” you blush. “I am so sorry about that.”
“Oh no, don’t be,” she gives you a quick kiss on the cheek. “It all went according to plan.”
“To-“ you stutter. “Hattie Jane Welsh…”
“Aht-aht!” she grins as she walks away from you to join her husband. She flashes her rings, “Hattie Jane Briggs. I already changed it on instagram and facebook!”
You jaw is dropped in absolute shock and you can’t pick it up. In fact, your mouth is still wide open when Matthew approaches you.
“So, pretty lady, what are you doing after this?” he asks.
“Got a train to catch back home.”
“Oh, a train? How far is the drive?”
“About an hour.”
“I have an hour…” he says. “And a rental car.”
A sweet smile spreads across your face. He mirrors it right back to you. You take hold of your suitcase, step over to him, stand straight up and wrap your hand around his bicep. You’ve had a lot of practice.
“Okay,” you nod. “Let’s go.”
449 notes
·
View notes
Note
AHH i lived ur luke one do u think u can do another maybe like an enemies to lovers trope (sorry im a sucker for enemies to lovers)☺️
hi babe !! thanks for requesting ! don't apologise we're all on our knees and begging for enemies to lovers <3
I hate you
pairing : luke castellan x fem!reader summary : you and luke have been mortal enemies for months, will things change because of a quest? word count: 2.3k warnings : swear words, description of a wound
Luke had hated you since your first day at camp. To this day, you had no idea why. But after months of letting snark comments and aggressive capture the flags slide, you’d decided you had had enough. That had been the moment you'd officially become enemies.
When he'd jeer at you, you'd bite back with even more venom. If you made him drop his sword at capture the flag, he’d come after you with his bare hands. When one hit, the other hit back harder. It was constant war.
The rest of camp never understood this hatred you both harboured for one another. Singularly, you were both kind, generous and intelligent people. The kind of people you’d expect to get along fine and even become good friends. But no, it was always one thing after the next.
So imagine your horror when a relatively new camper was chosen for a quest and found nothing better to do than pick you and your mortal enemy to accompany him. It was your worst nightmare come true. You froze when both your names resounded in the agora.
You choked, coughed and held back from spluttering, refusing to embarrass yourself. You smoothed down your camp shirt and nodded. You did not look at Luke, even though you could feel his heated glower on your skin. He would probably find a way to blame you for this. Chiron looked between you and Luke with a raised eyebrow and pursed lips. You could almost hear what he was thinking. Nonetheless, he abided.
Walking back to your cabin to prepare your things, you could hear the word actively spreading behind you. "Did you hear that-" "Yeah, he’s chosen Luke and-" "They’ll be lucky if they don’t kill each other." Rolling your eyes, you shut yourself in your cabin and leaned back on the closed door. You dug the heels of your hands into your eyes, groaning. This was going to be nightmare.
And it really was. By hour 12 of the quest, you’d managed to get yourself thrown out of a train, fought off two harpies and had lost Luke. "Where the hell did he go?" you asked loudly as you and Alan, the young camper, walked in direction of your next task. "He couldn’t have just disappeared!" "I don’t know, maybe he’ll join us later on." Alan shrugged. You frowned. "Do you know anything about this?" You slowly turned to to him and he took a step back, shaking his head. "No, no, I-" "I’d suggest you think twice before lying to me, Alan," you growled. Alan sighed. "Yes, he told me he wanted to see how badly you did on your own so he could report it to camp." "Right." Of course. Of course he would find a way to make the dangerous quest even harder than it needed to be. You inhaled deeply, trying to remind yourself not to take your anger out on this thirteen year-old child. Your blood boiling, you turned back around and continued to walk. If Luke wanted to stay behind, that was fine with you. Better that than have him be in your way.
"Oi!" Called a voice about an hour later. Ugh, Luke. You ignored him, keeping a steady pace. He called your name again. You didn’t react until his hand came down on your shoulder. Before he could say another word, you spun around and pushed him up against the nearest tree, your forearm pressing down on the column of his throat. "Who the fuck do you think you are," you snarled, close to his face, "to leave Alan and I alone? The quest comes before everything! It comes before your hatred for me and your stupid pettiness! So pull yourself together and stop fucking around! » You shoved yourself off him, glaring into his eyes. He looked at you darkly before grabbing your wrist and pulling you close to him. "Yell at me again, princess, and I’ll give you a real reason to scream," he warned in a low voice. You scoffed, ripping your wrist out of his grip. "Shut up and start walking, Castellan."
The quest went smoothly -as smoothly as it could go considering the tension between Luke and you- after that. You found that the three of you made a pretty good team. Everything was going fine and you had been on your way back to camp when you crossed a griffin. You pushed Alan behind you immediately, taking out your sword at the same time Luke did. "Distract him, I'll go around the side!" Luke ordered, running off. Despite not wanting to follow his orders, you set your jaw and instructed Alan to hide. You twisted your ring, a gift from your mother which turned into a shield when twisted the right way, and waited for the shield to form before banging your sword against it.
"Over here, you stinking pile of feathers! Or should I say fur?" You yelled as you ran backwards, away from Alan. You continued banging your sword against your shield and watched as Luke charged forward from the griffin's unguarded side. The beast shrieked as it was struck and batted Luke away with its large wing. Luke flew to the side with an 'oomph' sound. Despite your despise for him, you felt surprisingly concerned.
You darted forward as the griffin raised one of its clawed feet, ready to strike down Luke, who was slowly getting to his feet. The loud clang of claws meeting the metal of your shield made him look up quickly. You were straining underneath the power of the monster, pushing back against your shield with all of your strength. "Fucking. Move." You managed to speak through clenched teeth. Luke finally snapped out of his daze and bolted to the side. You readied yourself before jumping to the side, out of the griffin's reach -or so you thought. He swapped at you with his other clawed foot and despite you trying to run out of the way, managed to cut a gash in your side. You cried out. You heard Luke and Alan scream your name, but they felt far away.
You spun around, livid, and cut off the beast's hand as it came down towards you once more. Luke took his chance and stabbed the monster in the chest. The three of you watched as the creature turned to dust. You fell to your knees. Luke was next to you in a second, breathing heavily. He laid you down in the grass, muttering to himself. "Show me," he ordered, lifting your shirt up to reveal your stomach. You squirmed both from the strange feeling of having his eyes on your revealed body and from the stinging pain of the cut. "Gods- how bad it is?" you asked. The sound of Alan vomiting was indication enough. Luke bit his bottom lip, brows furrowed. "It's fixable. You just need ambrosia and a healer." "Really?" You hated the way your voice sounded so weak. Luke nodded strongly. "Trust me." And for some reason, you found that you did. He stood up and sheathed his sword before gesturing for Alan to take your bag.
"Can you walk?" he asked, though it sounded like more of a formality than a real question. You lifted yourself up on your elbows and groaned in pain. You shook your head, hating the fact that you had to rely on him of all people for help. "Okay, then." Luke bent forward, going to pick you up. "Wait." He stopped immediately. His eyes snapped up to your face, which had gone frighteningly white. You were staring at the gash across your stomach. It went from the top of ribs to the side of your belly button. And it did not look good. The cut was jagged and blood poured out all over your clothes. Luke watched, helpless, as your fingers reached out to touch the cut. You hissed in pain before looking up into his eyes.
"I'm going to die." Your voice shook dangerously. He hated the way your eyes watered and the way you looked so scared. He'd never seen you look that way before and he wanted to wipe the sight from his memory. You did not have a face that was meant to look frightened. You had a face which was meant for pride and victory. "Look at me." He grabbed your chin and kneeled next to you. "You are not going to die." He pulled a spare T-shirt out of his bag, balled it up and pressed down on your wound with it. "I know, it hurts," he cooed as you whimpered with pain. "Hold it here."
Ignoring your groans of pain, he pulled you into his arms and stood up. Your vision was becoming blurry, but you did all you could to keep pressing down on your wound with his T-shirt. You heard him bark out orders to Alan in the distance. "Luke," you spoke softly as black dots danced in your vision. "No, no, no, don't close your eyes, princess. Keep looking at me." "I don't wanna die," you whispered before passing out. Luke clenched his jaw as he sped up the pace, ordering Alan to keep up with him. "Idiot. You're not gonna die. I won't let you."
You awoke to a soft yellow light surrounding you. Slowly opening your eyes, you looked around to find yourself in the camp infirmary. Luke was on a chair beside your bed. He leaned forward, his elbows on his knees. "Hey." "Hi," you croaked, trying to sit up. Wobbly, you managed to sit somewhat straight against the pillows. "How're you feeling?" Luke asked, looking over your face. He was relieved it to find it less white that it had been two days before. "Like shit, really." You let out a hoarse chuckle. He laughed shortly, looking down at his hands. You were surprised to find it was a really nice sound. That had been the first time you'd ever heard him laugh, and it felt really good to be the cause of it. "How long have I been out?" "Two days and a half." You were quiet for a moment as you thought back to the last things you remembered. "I guess I should thank you for saving my life, Castellan."
Luke let out something close to a scoff and leaned back in his chair. "You saved mine first. Thank you." "Well, yeah." You coughed. "I couldn't just let you die like-" "I don't hate you, you know," he interrupted you. You stopped talking. "Not really."
"What do you mean you don't hate me? Of course you do. You can't stand me. You think everything I do is stupid and bound to failure." "No, I- I don't hate you. I'm envious of you. Of what you have." "Of what I have? I have a fucking hole in my stomach right now, Caste-" "Of your mom. Mostly."
Your lips made an 'O' shape as you understood. Suddenly, everything made sense. That was why he'd disliked you from the start. You had the one thing he never would. Your mother was a minor goddess and did not have many children. This permitted her to be frequently in contact with you and therefore play the role of a present mother. Your father always kept in touch with you. You knew that with each of them you would always have someone to turn to. Unlike Luke.
"Mostly?" you asked, tilting your head to the side. "I'm envious of how whenever you walk into a room, it immediately lights up. Of how everyone likes you. Of how you always look good, even if you've just been torn to pieces by a griffin. Of how you always seem to see the good in people, except for me, I guess. Of how you get along with everyone except for me." Luke didn't meet your eye as he spoke. "Maybe if you hadn't been such an ass when we first met, we'd have gotten along fine. And I do see the good in you, I just like to ignore it for my own benefit." Luke's eyes shot up to yours.
"What do you mean 'your own benefit'?" "Well, if I didn't ignore the way you're so kind to the new kids, the way you're so protective of your friends and Annabeth, the way you stand up for what you think is right, the way your eyes look when they catch the light just right and the way your laugh seems to draw everybody in, then maybe... Maybe I wouldn't dislike you at all. Quite the contrary, actually." You could feel your heart hammering inside your chest as you spoke. The way Luke was staring into your soul was not helping either.
"Say something, Luke," you pleaded. His first name felt soft and foreign on your tongue. You had never said it before.
Luke did not answer. Wordlessly, he stood up and was by your side in two steps. He cupped your cheek, leaned down and brushed his lips against yours. Your heart raced and when he pulled away, you found yourself chasing his lips. He looked deeply into your eyes and smiled before kissing you properly. Eruptions exploded in your stomach as you kissed him back. You pulled him closer by the shirt as his warm lips pressed against yours. Finally, you couldn't help but think. All those feelings you'd ignored and pushed to the back of your mind finally broke free and you almost cried from relief.
His free hand found the back of your neck and you shivered as his fingers caressed the skin there. You leaned into his touch and cupped his jaw before slowly sliding a hand into his hair. He let out a soft moan but before you could get too into it, a cough resounded throughout the room.
"I'm glad to see that you and Luke have managed to work through your differences, Y/N." Chiron spoke, amusement dripping from his words, as he trudged into the room. "Now tell me about your quest."
#percy jackon and the olympians#luke castellan x y/n#luke castellan x you#luke castellan x reader#luke castellan imagine#luke castellan#luke castellan angst
2K notes
·
View notes
Text
/•Harmless Fun 4•\
Part One | Part Two | Part Three | Part Four | Part Five | Part Six | Further Parts
For anon who asked for reader calling simon and johnny to pick you up from the bar after getting drunk. Thanks for requesting!
-
The phone rings, and Simon answers it before he even knows he is awake. Perhaps it’s that ingrained military training within him that has him snapping to attention at…quarter til two in the morning according to the glowing numbers of the digital clock on the nightstand. Or maybe it’s the remnants of the sleepless nights when Johnny was in hospital, when Simon would spend the hours staring at the ceiling and dreading the ring of his cellphone. Yes, he was perfectly fine when he kicked you out, but he’s taken a turn for the worse and doesn’t have long left…
“This is—” Ghost. Bravo-0-7. “—Simon.”
“Wha’ is i’?” Johnny slurs from the bed beside him, still more than half asleep. His hair is a mess, lines on his face from the pillow. He reaches out and finds Simon’s hand and they tangle fingers briefly, communicating via touch. Soap’s head lowers, though he doesn’t begin to snore again. He’s listening, more than likely. That military instinct is still in him too, even if his body can’t make the same use of it anymore.
There is ambient noise from the other end of the phone, but Simon can’t quite make it out. He untangles his fingers from Johnny’s and puts the hand against his exposed ear, blocking out extraneous stimuli. There are voices, talking back and forth. Someone somewhere is laughing. Music, in the distance, though he can only make out the undercurrent of it, something with a heavy beat that he could likely feel in his teeth if he were there.
Rustling. Then your voice: “—ut it, I’m on the phone, can’t you see? I—Simon? Are you there?” Distantly, like you’ve held the phone away from your mouth, he hears you admonish: “You made me miss him!”
Simon slips out of the bed wearing only his boxers and leaves the bedroom in case Soap decides that he wants to fall back to sleep. He keeps his voice low when he says into the phone: “I’m here. What’s going on?”
“My girlfriends all found boy-friends,” you mutter morosely, your every emotion heightened by the alcohol pulsing through your system. Simon doesn’t think he’s ever heard you sound so sulky, not even when Soap ate the last of your leftovers from the diner last week.
Someone in the background says, full of charm: “I could be your boyfriend.”
Simon’s eyes narrow. He switches the phone to his better ear. “Who’s that?”
“Who’s—? Oh. That’s Alan,” you say, your effect brightening somewhat. “He’s buying my drinks at the bar. Free drinks, Simon! Isn’t that nice?”
Simon wrenches his keys off the hook beside where your own should be resting. Slipping back into the bedroom, he sees that Soap is sitting up now at the edge of the bed rubbing at his thigh. Simon gives him a nod, searching for his pants in the dark and stepping into them. He shoves his keys in his pocket.
How fucking sweet, Simon thinks. He can imagine exactly what a pissant like Alan is thinking, too: that if he buys this lonely girl enough drinks at the bar, she’ll be easy to convince to come home with him. That maybe even if she puts up a bit of a fight, it wouldn’t be much trouble to persuade her…
He picked the wrong fuckin girl.
“Have him open up his generous wallet and buy you a fuckin’ water. A bottle of it. Break the seal yourself, understand?”
“I understand,” you say, sounding a little more sober in the face of Simon’s obvious displeasure. He works to temper his voice.
“Put Alan on,” Simon says silkily. “Let me make sure he’s taking good care of you.”
“You want to talk to him?” You sound baffled. Maybe you aren’t as drunk as he thought.
“Said so.”
There is a rustle as the phone is exchanged.
A very unsure, masculine voice says, Hello?
“I’m going to be there to pick up my girl in ten minutes or less,” Simon says into the phone. “If anything happens to her between then and now, I’m considering you personally responsible, Alan, do you understand me? Whether you had anything to do with it or whether it was an accident out of the clear fucking blue. You will answer for it. So if I were you, I’d take good fucking care of her. Am I clear?”
“I—I didn’t know she was taken—“
“Put her back on the phone,” Simon barks.
You pick up the conversation right where you left off, not missing a single beat. “Anyway, Alan said he would give me a ride home since all my friends bailed, but I remember you said that if I needed a ride, I should call you and…oh Simon, I’m sorry if I woke you. This is stupid, isn’t it?”
“Negative,” he says, slipping his belt through the loops. “Not stupid, I mean. Send me your location—your address. Get that water. Absolutely do not go home with any fucker who isn’t named Simon.”
“What about fuckers named Johnny?”
“Not even them. Name’s too common. Can’t trust you’ll get home with the right one.”
“I resent that,” says Johnny, reaching for pants of his own.
Simon hangs up the phone with you. “Ready for some field work?”
“You know it, LT.”
-
Johnny’s heart is thrumming happily the entire way there, something about the late night adrenaline and knowing you are on the other end of this excursion. He’s fine in the passenger seat, even if Simon’s driving is enough to give a civilian a heart attack. Johnny can tell that Simon desperately needs the control right now, his knuckles white where he grips the steering wheel, eyes dark and glued to the road except when he glances at Google Maps on his phone every now and then to be sure they are heading in the right direction.
Johnny hasn’t driven since the accident. He could, likely, but it would be hell on his sore leg. Maybe after he heals more…
By the time the two of them arrive, it is threatening to drizzle, the wet sapping the warmth out of the air. He’s glad he brought his jacket, already shrugging out of it to give you, memory vivid with the skimpy little dress you were wearing when you left the house, the one that bared your legs even while it covered you from shoulder to wrist.
They spot you leaning against the brick wall outside the bar, sipping your water bottle. They pull up to the curb and Simon reaches for the jacket, abandoning Johnny inside with a firm, Stay Here. Johnny watches from the passenger seat as Simon slips the jacket around your shoulders and takes the water bottle. You are clearly unsteady on your feet (those shoes don’t help, bonnie though they are), and Simon gets to loop his arm around your waist to guide you to the car where the hazard lights are flashing ominously.
Johnny rolls down the window.
“Hey lass,” he says.
Your face lights up at the sight of Johnny. You put your arms through the window and wrap them around him, smelling faintly of your perfume and sweat and Johnny’s own jacket.
“Alright,” Simon says dryly. “Wrap up the reunion. It’s about to rain.”
“Come sit in the back with me,” you breathe, breath smelling of sweetness with the underlying tinge of alcohol. Whatever you had been drinking tonight had been strong to have you so out of sorts. Your fingers tangle in Johnny’s shirt a little, tugging. “Please, Johnny? Sit in the back!”
“Alright, alright,” he agrees with a laugh, even though it is painful to get out of the car and into the backseat, and there isn’t as much room back there for his leg to stretch out. He’s afraid that he might do anything for you if you asked him like that: looking at him with your guileless eyes, fingers tangling in his clothes, moonlight like liquid silver on your skin.
He slips into the backseat with you and has to help you buckle your seatbelt when you can’t get the clasp closed. Johnny feels Simon’s eyes on him, heavy and dark through the rearview mirror. He meets those eyes and gives a nod. He knows that you're drunk; he doesn’t intend to make any passes at you.
He just doesn’t expect the passes you make at him.
Cuddling up to his side, you slip his arm around you and meld into him, careful of his bad leg. It’s hard not to be half in love with you when you treat him like this: with such care, even when you’re three sheets to the wind, but never like he is broken. Never like you doubt his masculinity. You look up at him, forehead briefly brushing against his jaw.
“Did I wake you up, Johnny?” you ask him, soft and sweet.
“Aye,” he says. “From good dreams, too.”
You groan. “I’m so sorry. I knew I should have let Alan drive me home.”
“Who the fuck is Alan?” Johnny asks with a laugh.
“Forget it,” you mutter sleepily, burrowing against him. His jacket slips off of one of your shoulders, and he has to stretch to replace it.
He thinks you’ve fallen asleep when it happens: your mouth brushing against the juncture where his shoulder meets his neck. He goes still, eyes flickering to Simon in the rearview mirror (he is dutifully watching the road). Was that an accident? Were you asleep? His every cell seems attuned to yours, to the quiet even breaths you draw in, to the warmth of your body pressed flush against him, to your bare legs stretched out beside him changing lights thanks to the passing streetlamps. Then it happens again: your lips brush against his throat, this time with more intention.
Johnny can’t help but tilt his head to give you more access, his eyes falling shut, full mouth parting around a longing sigh. Even as his body encourages you, his words seem to carry a threat to them. “Lass, you shouldn’t.”
You hum and press a kiss there, soft and chaste as anything. The next one though is burning with the warmth of your tongue, and Johnny groans softly, unable to stop himself. You match the sound with a whine, shifting in your seat. Uncomfortable, he realizes—because you’re wet. Because you’re searching for friction on your needy little cunt.
“Fuck, you don’t know what yer doing to me,” he whispers roughly.
“Johnny,” Simon says, an audible warning rumbling in his tone, eyes now watching in the mirror as often as he dares take them off the road.
You slur something, but what it is and who it is to is lost in your drunkenness. The hand of the arm you had slipped around him finds a way to his belly, resting against his abs, rustling his shirt upwards a little as you cop a feel.
Johnny half-heartedly takes your hand away, tries to lace your fingers with his own but you are single-minded in your desire to touch him.
“This is hardly fair,” he says, his breathy laugh turning into a groan when your fingers brush against one of his nipples by accident. Your fingers finally find the way beneath his shirt, your touch chilly and soft against his heated skin as you stroke along the trail of hair just beneath his navel—
Simon hits the breaks hard, jostling you both in the backseat. The seatbelt locks for a moment and is pulled tight across Johnny’s chest, the lap belt scraping against his hard on in a way that has him hissing.
You lean forward, blinking owlishly. “Did we almost hit somethin’?”
“No,” says Simon. He deadpans: “Just traffic.”
The road is empty. You find this hilarious, laughing until tears are in your eyes. Even Simon can’t help the effect your laughter has on him; he seems to sit taller in his seat, his hands gripping the wheel with less anxiety, the lines at the corners of his eyes growing as he fights a smile.
Johnny lets out a chuckle too, one that is more of relief than anything. He doesn’t want to hurt your feelings, but the last thing he could let himself do is take advantage of you. Nuzzling against the crown of your head, he breathes in the scent of your shampoo. His erection fades alongside your laughter, and the rest of the drive passes in silence.
They pull into the parking lot of the apartment building at half past two in the morning.
“Can you walk, love?” Johnny asks.
No response. Your eyes are closed where you lean against him, mouth parted in a silent snore.
“Fast asleep,” he tells Simon, brushing his fingers against your temple in an apology when you flinch a little at the sound, eyes fluttering open before settling back into sleep.
“This is getting out of hand,” Simon says simply. In the mirror he looks tired…and maybe it is just a trick of the light, but he looks sad. “You need to talk to her.”
A beat of silence.
“Don’t you mean we need to talk t’her?” Johnny asks.
Simon doesn’t answer.
Outside, it begins to rain.
779 notes
·
View notes
Note
Your pervert hc’s will not leave my brain, all I can think about is how the rest of the cast would act, cause I just know Alan and Lucas would both feel so guilty and ashamed of themselves, and I can only think of the word mortified when I think of Ren, Haku, and Sho with this one.
It has me really hoping you’re gonna put a few more of these out for sure, but either way, thanks for the writing you’ve already done, the fandom’s so new there’s so few fics, I’m glad I found this blog!
MDNI 18+
Pervert!TD
ft: Alan, Luca, Ren, Sho
Part one part two
Alan Mido
—pervert!Alan who looks away after the first time he accidentally checks you out. He just got so hard he doesn’t even know what to do. Like it was just a quick up and down glance. He has to excuse himself from the room immediately
—pervert!Alan who now can’t stop thinking of what it would feel like to have your hands pumping his dick instead of his own
—pervert!Alan does in fact feel INCREDIBLY guilty for his own thoughts. But even just looking at you while you’re talking about anything or everything he’s just trying to keep himself from imagining your lips around his cock
—pervert!Alan does his best to drown those thoughts, but they always come back to him when he’s alone at night, but it’s better than the thoughts that plagued him before you came along
—pervert!Alan wishes he could taste you, so badly, he needs to more than anything know what it tastes like to make you feel good. He knows if you’d let him, he could sit there and just pleasure you for hours on end like a starved man. He knows he’d take his sweet time and savor every moment, but for now, just having you in his presence is enough for him
Lucas Errant
—pervert!Luca cannot stop thinking about how badly he’d like to rail you. Stuff both his dick and all his stress somewhere deep inside you all at once
—pervert!Luca who peeks down your shirt in class accidentally once, and now ‘accidentally’ will drop pens or papers in hopes that you’ll bend over and pick it up just so he can sneak another peek
—pervert!Luca definitely knows better and feel bad for desiring you so deeply, but also hearing you say his name almost made him bust in his pants once
—pervert!Luca does his best to stop himself from jerking off to the thought of one of his few friends at darkwik, also the fact that you’re cursed makes it so much worse,,, he feels so bad, but cumming to the thought of you feels sooooo good
—pervert!Luca accidentally whimpered once because your hand grazed his hip as you were passing by, he really hopes you didn’t hear….
Ren Shiranami
—pervert!Ren who was totally normal in his feelings about you until he felt you cling to him one time on a mission. There couldn’t have been a worse moment for him to be on rock hard. Worst part is both Haru and Towa noticed too
—pervert!Ren makes sure his doors and windows are locked and covered when he’s jerking it to a photo of you
—pervert!Ren who invites you over to watch the directors cut of his favorite horror movie, and will be sniffing the space you occupied once you leave, just to get a little relief from the raging boner he had the whole time
—pervert!Ren definitely thinks about how badly you’d probably react if he just moved his hand down your chest and felt around a bit…. Surely it wouldn’t be that bad…. Who is he kidding, that’d make him look like as much of a weirdo as the others in a much worse way….
—pervert!Ren who picks movies with sex scene to watch how you react, maybe if he’s lucky you’ll leave a little wet spot from arousal on his bed for him to press his face into later…. He’ll be absolutely mortified by his own depravity doing this, but fuck all hell it feels so good…
Shohei Haizono
—pervert!Sho who was walked in on once by Leo right as he moaned your name, and is now being blackmailed into hanging out with you more (Leo is trying to set them up in the only way he knows how, blackmail)
—pervert!Sho loves taking you out for rides in his bike just to feel your body all pressed up against him
—pervert!Sho curses himself for having such perverted thoughts when you’ve done nothing but show him genuine kindness, but also he just wants to see how your ass would look riding him….. it’s only natural, right?
—pervert!Sho stays a little too close and is always ready to pull you around if youre not paying attention to where you’re walking. He’ll scold you for it, but inside he’s really just thinking about how easily he could pick you up and buck up into you since you’re so light to him (his goulish strength is wild picking up industrial refrigerators and shit)
—pervert!Sho who has a wet dream about you posing naked on his bike and now he has regular fantasies about bending you over and fucking your brains out on it, he keeps it to himself though… and the box of tissues by his bed
#tokyo debunker#tokyo debunkers#tokyo debunkers smut#tokyo debunkers x reader#alan mido#shohei haizono smut#shohei haizono x reader#shohei haizono#sho x reader#ren shiranami#lucas errant#Alan Mido x reader#Alan Mido smut
481 notes
·
View notes
Text
ALEX CASEY
—I remembered dying in this alley in a dream I had. He was just gonna keep killing me here, loop by loop."
fucking obsessed with what's going on with Casey, in both the narrative and the game play. most immediately, tho, it's just the way that he Has To Die in order for Wake and You the Player to get a gun and a flashlight. sometimes the narrative-gameplay requires a sacrifice-body! feed it your creation, Alan!! except. that's not entirely your creation. there is some 'the things we create when we're scared and want to be rescued' happening re: Alan with Casey. also. the dark presence. the way it gets a hold of Casey is less like a possession and more like a violent penetration or infection. turning these thoughts around in my head like they're on a microwave plate.
also this too
The Scapegoat, Rene Girard (trans. Yvonne Freccero)
bsky ⭐ pixiv ⭐ pillowfort ⭐ cohost
#alan wake 2#alan wake 2 spoilers#alan wake#alex casey#i wish to GOD my thoughts were coherent but mostly im just going. hey!!!! HEY!!!!#there's a specific thing happening with alex casey and alice wake too. as narrative-ritual substitutions btw#i gotta pin down my thoughts about alan and saga as co-authors and how alex-alice-saga for a triangle of balance
1K notes
·
View notes