#alafia

[daveiwonder]

ALAFIA - ASAKE X BURNA BOY X SEYI VIBEZ TYPE BEAT 2024 (Prod. Dave Kizzl...

[sidneyrangel1971]

#Repost @alafia.dofonodeomolu —— ITAN DE AYRÁ Segundo os mitos, Oxalá permaneceu injustamente preso durante sete anos no reino de seu filho, Xangô, sem que este soubesse do fato. Grandes calamidades ocorreram em todo o reino devido a essa injustiça e quando Xangô finalmente descobriu o que havia acontecido com o próprio pai, resgatou-o da prisão e ordenou que fossem organizadas grandes festas em todo o reino, em sua homenagem. A festividade conhecida hoje como Águas de Oxalá remonta a esse acontecimento. No entanto, Oxalá estava muito alquebrado, ferido e entristecido. Apesar de toda a atenção que recebeu, a única coisa que desejava era retornar ao seu próprio reino, em Ifé, onde Yemanjá, sua esposa, o aguardava. Xangô não podia acompanhá-lo pois precisava colocar em ordem o próprio reino e pediu a Airá que fizesse isso em seu lugar. Foi assim que Airá tornou-se o companheiro de Oxalá, pois a viagem foi muito longa já que Oxalá andava muito devagar (conta-se também que Airá carregava Oxalá nas costas) pelo fato de ainda estar se recuperando dos ferimentos que adquirira durante os sete anos de prisão. Durante o dia, eles caminhavam. À noite, Oxalá sentia frio e precisava descansar. Para aquecê-lo e distraí-lo dos próprios pensamentos, Ayrá mandava que acendessem uma grande fogueira no acampamento. Oxalá observava o fogo e Ayrá passava longas horas contando-lhe histórias do povo de Oyó. Desse modo, tornou-se tradição acender a fogueira no dia 29 de junho de cada ano (no Brasil), em homenagem a Airá e à viagem que fez em companhia de Oxalá. . . . . . ADM: @dofonoedsondeomolu PAG: #Alafia (em Méier, Rio De Janeiro, Brazil) https://www.instagram.com/p/CpD66ZluhJ4/?igshid=NGJjMDIxMWI=

[apoemeveryday]

immature animals by alafia nicole sessions

[caradellum]

Yaya DaCosta photographed by Thais Aquino for Soul Portraits (2021)

[leehallfae]

“an angel appeared / before me, said, god will send a flood. set / my bush to burning, there i saw the future / blood. marched animals onto my ark, two by two, / they knew me by the amber stripe in my eye. / the wolf in me paced the deck, the serpent / slept & bobbed for apples, the doves & ravens / circled, the birds of prey prayed, but, worried, / none would land. their sounds a frenzied / symphony, so loud the panther felt compelled / to know the path & so stretched a long / periscope toward the multiplying horizons, / saw the new earth & instinctively knew, / to make it through the density, the beasts would / have to give up something: maybe memory, / surely hunger. and so, like any good god / -mother, i laid back, unzipped myself / from lip to heel, i let them feast.”

— alafia nicole sessions, “fable with cyst, celestial being & sacrifice”

[idliketobeatree]

Immature Animals, by Alafia Nicole Sessions

[stateofsport211]

Kigali 2 Ch R2: Daniel Cukierman def. Alafia Ayeni 4-6, 6-0, 7-5 Match Stats

📸 ATP official website

Ayeni started the match well, smashing his way to break while trying to maintain his service games. However, as Cukierman dug deep, Ayeni's second serves started to be pressed, eventually getting to his +1 shots. Out-rallying Cukierman in the third set to break in the seventh game, it was insufficient to keep him in the match as Cukierman dug even deeper from his forehand side, ultimately creating a winner right for his match point before finally breaking for the match. As a result, even though Cukierman had 50% break point conversion rate, he created 10 opportunities to break, 4 more than Ayeni's 6 break of serve with a 33% conversion percentage.

It also was statistically confirmed that Ayeni had second serve problems in this match. Despite double-faulting twice lesser than Cukierman (8 to 10), the third shot errors (most of which came from his volley side, followed by his forehand side) put his second serve into an unfavorable spot, leaving it to fade 25% behind Cukierman with only a 32% winning percentage. However, Ayeni had a slight edge on his first serves, scoring 4 aces to back up his 67% first serve points won, 2% more than Cukierman, which often got himself out of trouble in the first set, but not enough to stand out by the end of the third set.

In his second Challenger quarterfinal of the year after the Indian Wells 1 Challenger earlier this year, Cukierman will face Damien Wenger, who advanced due to Aziz Ouakaa's retirement down 6-4, 3-6, 0-3 in the third set, which also caused his withdrawal from the doubles match with Kelsey Stevenson, also against Cukierman/Yshai Oliel, which advanced the latter to their first Challenger semifinal as a pair. In contrast, his return game would be put into an interesting test, knowing Damien, for a spot in the semifinal tomorrow. Should be a fun watch!

[plusieurscouplets]

NIPA ifẹ Olugbala [highlife]

[cosmicanger]

Woody De Othello

Alafia, 2024

Acrylic, watercolor, wax crayon and colored pencil on paper

10 1/10 × 15 3/5 × 3/5 in | 25.75 × 39.75 × 1.5 cm

[robynochs]

It is profoundly unjust that someone should have to create a GoFundMe to cover his basic needs following a violent assault. My friend Khafre was assaulted, his arm was broken, and he is experiencing PTSD. He fundraised to replace his broken eyeglasses and he has found a therapist with whom he is working. He needs just $180 more to pay the agreed upon fee. If anyone reading this would like to help him out, he (and I) would welcome this.

[fresnelabelmah]

Une sensibilisation pas comme les autres 😁

Même en #chinois 🉐je vais le faire 😅 :

🧑‍🌾: #Akoünadö👋

🧑‍🦳:Alafia🙏

🧑‍🌾:Toi vois déchets ? 👀🧑‍🦳: Quoi Déchets ? 😕

👩‍🌾: Oui ! Toi polluer environnement 🍀. Toi jetter sachets ici , sachets plastiques pas décomposé ! 😢🌍

🧑‍🦳: Ah bon ? Moi pas savoir ça 🤔

👩‍🌾: Toi être cause de chaleur, et pluie pas venir ici. toi faire mauvaise chose. Plantes tristes, animaux pas contents ! 🐢💔

🧑‍🦳: Oh non ! Moi veux pas ça ! 😟

👩‍🌾: Alors, toi ramasser ton sachets et jetter dans poubelle🗑️, toi utiliser sacs durable bien bien👜 , toi planté arbres🌱, toi pas pisser dans rivières💧, toi plus fait beaucoup d'enfants👫👬, toi pas couper arbres🪵, sinon toi m0uππi vite⚰️🪦, toi plus manger #toubäni 🍚inh😰 !

🧑‍🦳: 🚫 Tout ça mauvais pour environnement

👩‍🌾: D'accord ! 🌾Toi dire aussi ça aux enfants aussi 😒

🧑‍🦳: Ok ! 💪Moi leur partager bonne nouvelle 🌿

👩‍🌾: Ensemble, on sauve la planète ! 🌍❤️🎉

Passez une excellente journée en préservant l'environnement ✊🤝#Fresnel_ABELMAH#JAC_Bénin#Frood_Draw#Chroniqueur_Fresnel_ABELMAH

[platosmemo]

Peace in our Time

Peace In Our Time

Мир

שלום

سلام

शांति

和平

Paix

Pax

Paz

平和

Frieden

All we need to believe in for peace in our time

…is love

Aman

평화

Ukuthula

Ειρήνη

Síocháin

Rauha

Alafia

Hoà bình

All we need to believe in for peace in our time

…is Love

[black-paraphernalia]

Michael K. Williams Dancing House Music in NYC Park

Manny Almonte - youtube

Michael K.Williams Knows House🎶 LoveIsINtheAIR walker-youtube

The music from the video that MKW danced to

Djeff Afrozila Feat. Ade Alafia - Celebration (Manoo Remix)

Why Michael K. Williams' Final Instagram Post Was So Chilling - The List

The overall meaning of the song "Where have all the Flowers Gone" is that history repeats itself. 

The phrase "When will they ever learn" refers to the idea that society fails to break the continuous cycle that history is know to be.