#aka little red riding hood and HER big bad wolf

[withinkandquill]

"I'm not bound by your morals now."

(From Drakken; for whichever muse of yours you feel vibing 😊)

“I am begging you!” Scarlet pleads, placing herself between the hunter and the wolf.

The beast behind her was large, larger than any normal wolf he had ever seen. And if the dark brown fur covering its body was strange in this region, its unnaturally green eyes were even stranger. They almost glow in the full moon light as the wolf stalks closer, teeth bared. A low warning growl rumbles in its throat.

“He’s not a monster! He doesn’t want to hurt anyone! He didn’t ask for this!”

[chaikachi]

Little Red Riding Hood, The Big Bad Wolf, & The Silver Bullet

Aka I did an Oscar as The Little Prince analysis and now I wanna do one for Ruby's allusion in honour of the 10th Anniversary.

I know most if not all of us are familiar, but I'm still going to start with a summary.

Little Red is a story about a young girl in a red cloak who is sent into the woods at her mother's behest to bring baked goods to her sick grandmother. There, she meets a malicious wolf that asks her many questions, to which she answers all truthfully and without hesitation. The wolf takes this information and uses it to beat the girl to her destination where he then swallows her grandma whole and disguises himself in the woman's clothes. There he waits for the child to arrive and come closer so he can swallow her up too.

There are actually two popular versions of this story with different endings that we often look back to.

In Perrault's story, there is no happy ending. They're both eaten up, the wolf is content. The end. But in the Grimm version, there is an additional character... the Huntsman (aka the woodsman). He hears the wolf snoring after its meal and ends up cutting the beast open & saving the victims. Then, with the help of Little Red Riding Hood, he kills the wolf before it can do anymore harm.

All in all, it's a story about childhood innocence being lost, learning not to trust strangers, and being mindful to always follow the correct path. For if you stray too far, you may lose track of time, invite unwanted danger, or find yourself lost.

In RWBY, we have some very clear allusions here since it's the basis for so much of the show as a whole:

Little Red - Ruby Rose

The Mother - Summer Rose

The Grandmother - Maria

The Hunstman/Woodsman - All Three of Them

The Wolf - Salem and her Grimm (but ESPECIALLY The Hound)

They're all pretty self explanatory.

Ruby has the red cloak, her og trailer is clearly inspired by the tale, she loves baked goods, she's referred to as "Red" and "Little Red" by Torchwick & Cinder. She's also a huntress. And, by and large, her entire arc is about losing that childhood innocence and the view that life "is like a fairytale" as well as struggling with what the "right path" to follow is.

Summer is the mother (baker of cookies) and also the huntsman (slayer of giant monsters). The battle axe being her weapon choice alludes well to the alternate name, Woodsman, as well.

While Maria as the grandmother makes the most sense. Another silver eyed huntress that becomes a mentor figure for Ruby.

And while Salem, her war, & the Grimm (that are all emblematic of that loss of innocence) can absolutely symbolize the wolf... There's a reason why I want to focus on The Hound.

All three previous characters are connected by a very specific common denominator: Silver Eyes.

And the hound is no different.

Just another huntsman... but one devoured by the malice of a canine. And, if Ruby's theory is right, that's the same fate that Summer met as well.

And if you think about Silver Eyes specifically... What is one of the most famous lines from the original fairytale?

"My, what big eyes you have grandmother." "The better to see you with, my dear."

Which, when applied to the grimmification of SEWs, is HAUNTING.

Terrifying when you remember "Woah... you have silver eyes". Also thanks to Behind The Scenes content, that Ruby's hair design was always meant to "be a bit wolf-y". And that since Volume 4, Salem has been interested in capturing Ruby alive... I am WORRIED ABOUT HER.

Some interesting things about silver though that ARE worth noting...

1. "In folklore, a bullet cast from silver is often one of the few weapons that are effective against a werewolf or witch."

2. "The term silver bullet is also a metaphor for a simple, seemingly magical, solution to a difficult problem."

3. "In the Brothers Grimm fairy-tale of The Two Brothers, a bullet-proof witch is shot down by silver buttons, fired from a gun."

The lyric "Yeah I'm a girl but I'm also a gun" from Triumph really tells us point blank (lol) why Ruby is so important to this war against Salem, huh.

I'm gonna end this meta on a fun little easter egg; a hidden fifth character allusion to the original Red Riding Hood fairytale: The Woods.

Now I know what you're thinking, the woods aren't a person, they're a location. But they're INCREDIBLY important to the story.

Overall, the woods are the world outside of the cabin that Little Red grows up in. Whenever she travels beyond it, she's liable to meet all sorts of horrible tragedies and monsters. But I want to talk again specifically about The Hound & just where Ruby first meets them: Atlas.

Or, more specifically, Ironwood's kingdom.

For those unfamiliar, while Jimmy's main allusion is the Tin Man from Oz, his last name gives us a hint to another subtle allusion: Járnviðr. Aka the Iron Wood of Midgard in Norse Mythology (a mythos that's been alluded to a lot in RWBY).

Whiiich if you look at a stanza (40) in the infamous Völuspá, a historic poem which is chalk full of Norse myths, you get the following passage:

In the east sat an old woman in Iron-wood and nurtured there offspring of Fenrir a certain one of them in monstrous form will be the snatcher of the moon

A poem that talks all about the Biggest Baddest Wolf of the Norse pantheon, Fenrir... who is the offspring of a powerful Witch...

and is destined to eat the moon...

All within the Iron Wood, a character Ruby spends an entire volume contemplating on whether or not she can trust...

And the moment she does finally tell Ironwood the truth? The secrets she was keeping? The woods become unsafe, the witch and the wolf appear, and everything else falls apart. Resulting her and her team lost and very far from home.

Say what you want about analyses like these but CRWBY knows what they're doing, okay?

[fairytale-poll]

ROUND 1B! MATCH 3 OUT OF 8

Propaganda Under the Cut:

Ylfa:

She just went through so much and so much growth and i love her very much.

She becomes a big bad wolf

She met Death and Death wanted her to live.

Great depiction of a teenager by Emily Axford. A lot of scenes get really emotional with her being a symbol of the cycle of life and death and eventually she will always become the Big Bad Wolf.

she faced off with Death and he told her to live. this Death, who was much older than the Death she was supposed to meet, stared off with Yilfa for days until she succumbed to hunger and ate him alive. other iterations of death apologized to her for the story she was forced to suffer through, for the punishment she had to endure over an unrealistic and unabidable rule she was destined to break. her corrupted story turned her into the big bad wolf, into death itself. she sacrificed the beloved memory of her grandma, her namesake, so that her friends would be able to save their world. even though she gained it back in the end, she was willing to live the rest of her life as the wolf, a harbinger of death, and when she was reminded that she was just a child, that it wasn’t her responsibility to guide the dead, she cried, and separated from the wolf. she was able to grow up normal and happy after suffering from the looming presence of death. i’m gonna make me friend also submit yilfa bc they’re smarter than me and can make better propaganda

my mutual really likes her

Her narrative arc about growing up and life and death is so beautiful and her being a werewolf is so cool. Emily Axford gets girlhood like nobody else.

she is the bravest little girl in the world she met death and death wanted her to live she split his skull and ate the innards of death himself she is just a little girl!!!!!!!

PRIMO Red Riding Hood adaptation. Ate the wolf who ate her gramma. Is a werewolf and a metaphor for puberty. Loves her friends. Can break her bones to reshape her body into various animal forms.

Not only did she have to lose her grandmother, but she also nearly dies of starvation and exhaustion until The Big Bad Wolf, aka Death, convinced her to live, by her killing him and eating his flesh, therefore making her Death

Ylfa has a snazzy orange top hat given to her by a very attractive fairy. Three Blind Mice is her favorite story. She brought her grandma lollipopcorn and threw the broth in the river halfway there. She first developed a crush on Pinocchio when she saw him use his nose as a stripper pole and didn't kiss him until they were twenty-one and having an awkward conversation about her grandma's death and Toy Island. She fought a baron with a spoon. She wants a bra. She jumped into The Terrible Dogfish’s stomach to save her friend. She has pinkeye and grandma hobbies. She fought off a shit ton of homicidal tables at once. She is pals with Little Miss Muffet. She killed her family. She sacrificed the memory of her grandmother to become Death. She was basically adopted by Mother Goose (who is a cool old gay dude). She Wildshapes by horribly contorting her body into animalistic forms. She is a Barbarian who acts as a support character. She is the bravest little girl in the whole world.

Behold, 3 minutes of the weirdest and best little girl! [Link]

Her weirdgirl swag is off the charts :) [Link]

Ylfa Propaganda: [Link]

Little Red Riding Hooded Mercenary:

come on just look at her shes so fucking cool

SHES SOOOOOOOO FUCKING COOOOLL ok so like. Lobotomy Corporation takes place in an SCP type facility where a bunch of abnormalities are living. She is one of them. She is a mostly undying humanoid creature that lives for the sole sake of hunting down the Big And Will Be Bad Wolf. She lives in your facility and will BREAK OUT of her containment if she feels that the wolf is near (or if too many people are dying). You can also hire her to assist you in taking down other abnormalities, and she's actually super good at it. And her outfit is just so sooo sick? She's so cool. Please play Lobotomy Corporation it goes on sale for like $7 every Steam Sale

She's red riding hood if red riding hood had a gun. Also she kisses women

Monster based on human subconscious aka an Abnormality based on the story of Little Red Riding Hood (duh). In this story, she was mauled by the wolf (Big And Might Be Bad Wolf) who is based on all fairy tale wolf villains. Little Red then got to work plotting her revenge and making Bloodborne-esque gear for herself and the two Abnos are locked in eternal combat of hatred for one another

She's literally the coolest, just look at her. For people who might not be so familiar with her: She's one of the abnormalities that remain locked in the Lobotomy Corporation. Her past is somewhat unclear, but she has some horrid scars on her face due to the Big Bad Wolf and she swore vengeance upon him because of that incident. This lead her to become a mercenary and she looks 1000% scarier and more badass than the wolf lol. Also, asides from the fact that she may kill half of your team if she escapes containment, she is quite chill and will even help you take care of your problems if you pay her.

little red riding hood but consumed by vengeance to the point of becoming an anomalous creature hellbent on completing her eternal battle with the wolf. intense desire for revenge. baller as fuck design. will help you kill other escaping abnormalities but you gotta pay her to do it. gets pissed off every time someone escapes containment except for that one annoying bird for absolutely no discernible reason. if you let her kill the wolf she gives you bonuses but if someone else kills the wolf she goes fucking bananas. truly an inspired feral creature of a woman.

Go girl!!! We love your unrestrained violence!

She is literally the absolute coolest!!! I mean, just look at her design! Everything about it screams fucking cool! Not to mention that her story has themes of vengeance, rage, and grief!!! And Lobotomy corporation is just the fucking best and soooooo underrated.

She's starting to fall behind so GO ON AND VOTE MERC WHAT ARE YOU WAITING FOR! (and buy Lobotomy Corp on steam it's not even that expensive!)

Vote for Riding Hooded Mercenary she's an Abnormality serving as a hired merc that means shes a hunter of her own kind and she WILL chase them to the ends of earth lest she dies herself or knows that damn Wolf is nearby. The cursor for sending hits on something is a wanted poster. She's WAW-classed too, a step below the most dangerous category for her ilk. she shares the class with things such as insane-ass magical girls, an eyeless flower horse turns people into wisteria gardens, fucked up and evil Little Prince, a bird judge that hangs its victims, the now-animate poisoned apple that killed Snow White, and of course the Wolf itself.

[sunrisebones]

Nevermore: Into The Woods AU

Doing this cuz Into The Woods is my favorite musical of all time

Also fun fact! I was originally going to make this into a fanfiction, but I found it difficult to translate a musical into a traditional written format

Anyhow here’s my au

Cast

The Baker: Pluto

The Baker’s Wife: Eulalie

Little Red Riding Hood: Berenice

Jack: Will

Jack’s Mother: Ada

Cinderella: Morella

The Prince: Duke

Rapunzel: Annabel Lee

The Other Prince: Lenore

The Steward: Prospero

The Big Bad Wolf: Montresor

The Narrator: The Raven

The Witch: Ms Poppet

Details

-Pluto and Eulalie have a much better relationship than the original Baker and his wife, however they still have issues.

-I’m debating if Eulalie still gets seduced by the prince aka Duke. The Plulalie shipper in me is going no :( but the Duklalie shipper in me is saying yes >:)

Btw what is Duke x Eulalie’s ship name?

-Like the Disney version (🤢) Lenore stays faithful to Annabel. But unlike Disney’s, they still don’t get a happy ending

-Morella is not even remotely interested in Duke (#lesbianmorellareal) she only cares about getting away from her nightmare situation

-The Raven gets straight up eaten by the giant instead of falling to his death. Since he’s, you know… a bird

I might add more if I think of new ideas or change some things

If you never heard of or seen Into The Woods and have no clue what I’m talking about, then here’s a HD remaster of what I believe is the original broadway cast.

[lipglossanon]

alrighty fools spooky season is upon us aka it’s too hot for fall but i’m saying it’s fall anyway season so that means more dark stepdaddy leon spooky smut lmao. okay, i said originally this man’s porn collection was the Saw franchise as a whole,,,,,,,, what if moms out of the picture it’s spooky time and he takes reader on a little vacation to “Not The Cabin from Cabin in the Woods but A Cabin in Similar Woods” for fall break and they’re out there and he’s just like mind in overdrive with ideas because if a tree falls in a forest and no one’s around, does it make a sound? 😉 so like things come to a head after just days of sucking and fucking and ya know, hand stuff and he’s finally like it’s the last few days we’re here, how about (tw; non con esque smutty smut- i know gina bit overboard 🤭) i drop you off in the woods, no clothes and just your collar (let’s say it’s a property he’s had and it’s literal acres, nobody is out there and he’s not leaving her out there for long, obvi) he’s “left” and you’re waiting for him when he sneaks up behind you and you jump, he tightens his arms around you and tells you to run so you do, not far 🤭 before he’s on top of you whispering to you that he wants you to fight him so you’re scratching and biting, telling him no, not to- that it hurts and he’s being too mean but he doesn’t give up and finally wrestles your legs open bruising them in the process when you kick him and instantly regret it because he takes off his belt and binds your wrists behind your back leaving to fight him off with your legs to no avail when he’s finally got you pinned under him he pulls out his dick, absolutely throbbing from how much he’s into this and you’re trying to not make it obvious you want this too but like,,,,, he knows 👀 he’s jacking off over you, kneeling on your thighs keeping you spread out on the ground degrading you before he comes on your stomach making you whine but he just leaves his dick out while he reaches for his knife and starts cutting his name into you, probably branding you too telling you how hard you make his dick when you beg. i’m going to assume he skull fucks you cause like,,,, you’re incapacitated and by that point you just want him to use you because it’s been hours and he still hasn’t stopped with the foreplay but he doesn’t. he takes you back to the cabin and feeds you before putting you to bed and when you wake up there’s a note telling you he’ll be back in a bit and to keep the door locked so you do just that not knowing he’s outside, he lets himself in quietly watching you take a shower and leaving things askew to make you uncomfortable which works because there’s no cell reception out there, oops 🤭 so you sit on the bed in a towel to try to figure out what to do when “someone” comes up behind you (i wanna say he’d get a scream mask or some shit let’s be real this man has his kinks and i feel like masks are one….. omg put him in a wolf mask for the red riding hood fic 🫣🤭) you’re pinned to the bed and he’s already discarded the towel and forced himself in you before he talks and you instantly settle but still give him the performance he wants throwing a fit that just “accidentally” makes him go deeper into you when he finally puts you on your back making you watch him fuck you in black jeans, black tank top (we all love his arms don’t lie 🤭), fingerless gloves and the scream mask???? maybe 🤭

- 💀

(okay todays note is about the red riding hood thing because 👀,,,,,,, idk if i’m the only one with a mask kink but like him in his brown jacket and all black with the gloves and a wolf mask chasing reader down and fucking her 👀 i’d die a happy death if he did that to me like eeeeeh it’s soooooooo close to werewolf leon too, like daddy leon the big bad wolf just wrestling reader to the ground and being even more rough with her because the costume is a good excuse to try new things like i can’t articulate how good that’d be 🥵)

💀 anon, you’re killing me 😩 (but please don’t stop sending in your big brained asks 😘 🤭)

And if I told you that I’ve been thinking of a scream inspired Leon fic?? 👀 👀 I just wanna get my other October fics setup before starting anything new 🤭

But the chase?? 🥵🥵 love that so so much

I def have werewolf Leon coming up next month (like legit monsterfucking is happening friend 🤣) not exactly a wolf mask though 🤭

(Sadly the only ghost face-esque pic I could find with Leon 👇)

[henriiiii-1001old]

tmc fairy tale au!!!

SO this is actually a concept i had a few months ago that i never rly expanded upon.

first, let me explain the basics:

i assigned different tmc characters to different fairy tales, but they all exist in the same universe.

Adam - Rapunzel Evelin - Snow White/Flynn Rider Jonah - Little Mermaid Sarah - Gretel/Daughter from The Juniper Tree Mark - Hansel/Stepson from The Juniper Tree Cesar - Frog Prince Thatcher - Lumberjack guy from Red Riding Hood Ruth - Red Riding Hood Dave - Father from The Juniper Tree Six - Gothel Gabriel - Stepmother from The Juniper Tree Preacher - The Sea Witch Stanley - The Candy Witch Alt!Thatch - Big Bad Wolf

next, some art i made for the au!!!

and now, huge lore dump! >:)c its gonna be long so buckle your seatbelts LMAO

so, the main plot of this au is basically that adam has been stuck in a tower in the middle of nowhere for almost 21 years. he had been raised by six, who is actually a witch set on taking over the kingdoms that surround the nearby areas (aka the counties). one day, six it out doing stuff, and while he's gone prince evelin (yes she's a prince bc fuck it) ends up finding the tower. she decides to climb it out of curiosity.

she ends up in a standoff against adam, but to try to deescalate things, they introduce themselves to each other. all of a sudden before they could talk more, adam hears six coming back and hides evelin in a nearby closet. evelin sees adam and six get into a fight abt adam wanting to go out into the world for once, but six is all "you're not ready" and it just gets really bad. all until six lovebombs adam and leaves again to get something for adam's upcoming 21st birthday.

evelin had exited the closet as six left, and she's like "you let him do that to you?" adam is like "uh yeah? he always does? i dont see them problem" and evie starts making adam question everything. she promises to take adam into the world but return him by night in case six came back. they'd also stay near the tower just in case as well.

cut to jonah's pov! he's a simple merman wanting to be a part of the human world! he sees evie and adam having a lot of fun and wishes he could join them. his dad (yes, if jonah is the little mermaid, the fucking mervin marshall is the king by proxy DCFVGBHNJ) is all like "nuh uh too dangerous, especially with most of the witches residing on land anyway" and jonah is like "FUCKING BET!"

he goes to the sea witch, preacher, and asks for legs and talks about seeing adam and evie hanging out! and preacher is like "im sorry WHO????" bc she knows that adam shouldnt be out and about. she makes jonah promise that as part of the deal, he must return adam to six in three days time, otherwise he'll turn back into a merman. he quickly agrees, and the whole deal is made. preacher does go tell six about this, and while he freaks out at first, preacher is like "it's ok dude i got this. i got a client to promise to return him home as part of our deal. you're fine m'dude."

jonah ends up on land and tries teaching himself how to talk while finding a cloth to barely dress himself with. adam and evie do eventually see him and they're like "yo who tf are you?" and while jonah cant talk, they do find a way to write to each other and they become friends!!!!

they do also eventually meet sarah at some point, and oh b o y does she have a backstory.

SO, in order to explain her backstory, let me explain the story of "the juniper tree" (copy pasted from discord LMAO)

"so a mother is peeling apples under a juniper tree and accidentally cuts her finger. the blood drips onto the snow on the ground, and that (somehow) grants the woman's wish to have a child as white as snow and as red as blood. she dies after giving birth to her perfect child, and the father soon remarries, having a daughter of her own.

she loved her daughter but hated her stepson and abused him every day and is all "i want my daughter to inherit your father's money." she then leads her children to a chest of apples one day. she lets her daughter pick an apple from the chest, but when her stepson came to pick one, she slammed the chest on his head and decapitated him.

she then set it up to where the same thing would happen again but the daughter would be there to witness it all, and her mother would gaslight her into thinking that she murdered her own brother. she then literally turned her stepson into soup and fed him to her husband. the daughter was so grossed out and distraught the entire time, but she couldn't rat her mother out. she ended up burying her brother's bones under the juniper tree.

then, he reincarnated as a bird and sung a song to some townspeople to convince them to help him get revenge on his stepmother. he gathered a golden chain for his father, red shoes for his sister, and a millstone to crush his stepmother. he reveals himself to his family and they live happily ever after."

here's the changes i made to the original story:

instead of just the mother dying, both of mark and sarah's prents die, and now they are in the sole custody of dave

instead of having the caretaker marry someone, dave asks his friend "o'brien" to help raise mark and sarah

instead of the stepmother dying, it is revealed that o'brien was actually the great mage gabriel trying to steal something important to their plans that dave just so happens to have

and thats it CFVGBHNJM. gabriel does try and come back every once in a while to coax gabe into either letting them come back or trying to make dave give himself up for sarah's sake.

cesar's story is also p cool imo! he is the prince of bythorne and evelin's cousin! they got along great when evelin was younger, but that stopped once cesar disappeared.

this was caused by him saving mark and sarah from the candy witch, stanley, who had lured them in to specifically kill mark. cesar saw what was going on and saved the two of them before it was too late.

later that night, stanley decided to be a petty bitch and curse cesar into being a frog so he wouldn't be able to save anyone else from her or her sisters' (in which six is her like. brother but i'll explain why later LMAO) plans. cesar hid in the shadows of mandela kingdom's palace for years since then.

since cesar's disappearance, evelin had wanted to take the role of prince to honor him. she also used it as a way to not have to be trapped inside the palace walls and coddled. she ended up still feeling stuck anyway, which led to her sneaking out to travel through the woods, which ofc led her one day to find adam's tower.

at some point (if anything this would be after evie and adam meet and stuff), evelin finds cesar in his frog form on the windowsill of the guest room he would regularly stay in whenever he would come to mandela to visit. he finds that she isnt revolted by his new appearance and is actually willing to help him out!

he explains that he learned that most curses can be cured by "true love's kiss", which in storybooks was always seen as romantic. he had always viewed evelin like a little sister, so he felt that he was hopeless.

that was until evelin thought of a loophole, since the stories never explicitly said that it was romantic, she would try to break the curse purely through the love she has for him as her cousin. she kisses the top of cesar's head, and cesar has returned to his human form!!!

...well, somewhat. the curse had altered his human form due to it not being broken for years on end, so cesar came back deformed. his limbs were too long and half of his face was always covered by a dark shadow. cesar did freak out about this, but evelin assured him that he'll always be her cesar, no matter what he looked like.

evelin and cesar explained the situation and cesar was finally returned to bythorne. he did write a letter a bit after wards telling her that he has resigned from his princely duties to become a princess! maybe it would help him not have to struggle with the expectations of needing to be brave and bold, and it would be a thank you to evelin for taking his role as a prince!!!

speaking of evelin, let's go back to her for a minute. so, i had also put her as snow white, but we haven't really seen her fulfill that role yet. weeelllll...

at some point in the story, six finds evelin alone in the forest and offers her to take a bite of an apple in exchange for knowledge about adam and his past. the thing is, evelin HATES fruit so she's like "ewww do i have tooo" and six is like "if you really wanna know, then you gotta."

evelin agrees and bites into the apple. it tastes so fucking gross, but she feels like she was to swallow it to finish her end of the deal. once she swallows, the pieces suddenly cling onto her throat, choking her in the process. as she struggles to breathe, six begins to tell her who adam truly is.

adam is a regular boy who six took as part of a deal made by his parents. lynn had been getting pregnancy cravings and wanting the rapunzel frm the neighbor's garden. she made jude retrieve them for her, but it wasn't enough. eventually, jude got caught by six and agreed to give up their firstborn child in exchange to continue taking the flowers.

once adam was born, lynn and jude were killed by six, and he took adam away to raise him as his prodigy. as a catalyst for the witches' plans.

as six is explaining all of this to evelin, she is trying her hardest to take him down with her. fuck the info he's giving her, he tricked her, and now he has to pay. she swings with all her might but falls in vain. her vision goes black as six walks away from her dying body...

there's probably a "mother knows best reprise" moment here and six is all like "oh you might wanna go save your friend if you care about her so much" and adam freaks tf out. she's desperately trying to think of something to help evelin.

eventually, the group remember's cesar's story with "true love's kiss" and they're like "fuck it let's try that". adam, while literally sobbing, plants a small kiss on her forehead and prays for her to wake up.

while this is all happening, evelin ets visited by mark's spirit. he basically hypes her up and is like "you got this girlie!!!" and she wakes up after adam plants his kiss on her. she starts to choke again, but adam helps her with it and heimlichs the apple out of her throat. she's finally able to breathe, and the group celebrates.

however, the happy moment doesn't last for too long. jonah does eventually return adam to six behind evelin and sarah's backs, but afterward he feels so guilty for it. they literally sacrificed one of the first human friends he's ever made for legs. how stupid is that? they eventually go to sarah and evelin and they quickly figured out what happened. while evelin goes to the tower to save adam (with help from a certain spirit), sarah and jonah confront preacher.

there is gonna be a plot abt preacher almost taking over the seas, but jonah and sarah do eventually take her down and retrieve jonah's voice. and yes, sarah gets to see that jonah is a merman and she's actually like "YO WAIT YOU GUYS ARE REAL???" and jonah is like "UH YEAH?????"

and yes, adam does eventually escape as well, but i dont have those details either so ye :')

that's the main plot at least! i do have a subplot for thatcher's pov tho! more copy paste from discord

"thatcher and ruth are friends and live nearby each other. ruth usually helps out w raising mark and sarah, though mark by this point is dead so dave DEFINITELY needs help. he and sarah havent been taking his death well, especially since dave literally ate mark’s remains without knowing. and sarah feels guilty enough for being gaslit into believing that she killed mark.

so ruth is about to go to dave’s place and has to walk through the forest to get there. she eventually meets what seems to be a very friendly wolf. she is a little weirded out by it, but she eventually tells it how dave lost mark and that she’s helping out! and the wolf is like “oh thats cool! i wish you luck on your journey. though i must say, these flowers smell beautiful! maybe you should pick some and take them to your dear friend!” and as ruth collects flowers as the wolf suggested, it found thatcher nearby and took his appearance to take a visit to a particular dave lee." ...

"she gets to dave's place who has been escorted out by the wolf/alt thatcher, right? so he's like "dear friend, why don't you rest! you've spent all day walking here, and you should be able to rest" aaaaand he tries to turn her into a werewolf but then thatcher comes in and is like "AYO TF YOU DOING TO MY BESTIE????" and he and the wolf fight. thatcher ends up getting bitten but is able to ward him off with his axe that was laced with silver just in case. so ruth is saved, but overtime thatcher feels more pain surge throughout his body and just kinda. turns one night.

unfortunately, he ends up killing ruth. alt thatcher tries to take this as an opportunity to maybe make him join the witches, but thatcher ofc refuses and makes a break towards dave's house. thatcher ends up telling dave what happened, and dave is okay with helping him hide it as well as hiding his newfound lycanthropy

sarah overhears this convo and becomes EXTREMELY angry at thatcher bc ruth was helping dave raise her after mark died. she was basically the mother figure sarah had always wanted, and thatcher took that away from her."

that's it for plot!!! now for some witch shenanigans >:)

so the witches are basically all the alts who usually practice shapeshifting magic to like. deceive others and all that jazz. ive made it a running joke that six is technically the only guy there FVGBHNJ

like, stanley is fem, preacher is female, alt!thatcher is copying thatcher who is transfem in this au, and gabriel dresses fem. six (and by proxy adam) is literally the only guy there DCFVGBHNJ

i am. running out of energy but i think that's everything for rn. hope you enjoy this au though!!!! ive put a lot into it <33333

[the-nysh]

I just realized the amount of lost media that garou tends to have, or well it’s probably just my bad luck/exaggeration 😅 but it’s so difficult to find old things that happened during season 2…when it was about to drop or around those dates. For example, the Little Riding Hood from that one festival, I have read one blog about that festival but none of them talked about what happened in it or what garou and PPP did …I read once about PPP talking about garous butt and chest 😭😭WHICH I FIND HILARIOUS..but i wanted to know if you had knowledge about a blog that talked about it? Or maybe no one did/they left and the info got lost…ive even tried to look in Japanese but had no luck

sorry if this is specific but I’m really curious about little facts and events that involved him :(

Ahh…what you’re talking about reminds me of those Japan-only promo events where the voice actors would perform a skit on stage to a crowd of fans. And in those cases yeah, only those fans who were IN Japan at the time, attended the events, and decided to share/blog about their experiences would relay the info like that. :’D So (translated english) information covering those events is definitely scarce!

Most of that would have been posted on twitter by the eastern fandom (and twitter sucks as an archiving platform so I know the struggle! Especially from the many lost accounts that have since left or deactivated) But…hang on. Ah HERE we go.

I have a few posts about it! (and pandoramajora was the primary blog here who relayed the info she found on twitter, my biggest guess coming from translators like aitaikimochi who most likely personally attended the events, and from assorted other twitter reactions)

General info - there were two stage plays from the opm maji festival, Romeo & Juliet and Little Red Riding Hood (aka ‘Loincloth,’ featuring Garou as the wolf). Time frame: July-Aug 2018.

Some brief commentaries/reactions on what happened - here (where you prob saw the PPP remarks) and more detailed followup here. The biggest thing was how this was one of Midorikawa’s first (live) introductions playing as Garou (before s2 aired) and…being the seductive seiyuu veteran he is, he slyly knocked the pants off many of the other voice actors, leaving them all flustered! x’D Fun times~ (some more anon discussions about it on my blog here & here)

Other than that, you can try searching aitaikimochi’s twitter for more translations of the opm play transcripts during that time period (but just fyi, she would have prioritized the saigenos Romeo & Juliet portions over anything Garou related, so you may not find the relevant info you’re looking for beyond her ship bias there.) And back then, I also remember there was a pretty big/active Korean twitter fandom for Garou, from fanart to meta and everything, but alas yes, many of them have long since deactivated (so yup much of their data has been lost forever…) But hopefully the few resources I still have helps your search somewhat!

[owlf45]

I have no time or way to watch D20 but everything I'm seeing out of context is just making me wonder what the hell is happening in that campaign

A frog???? Ate rapunzel???? There's a spider girl who's friends with a spider????

The neverafter campaign is based on horror-twists of popular fairytales. Little Red Riding Hood ate the Big Bad Wolf at his request, Pinocchio snaps his own nose off to keep his lying tell under control, and the Frog Prince after becoming a human due to true love is turning back into a frog b/c his wife is falling out of love with him (because he’s kind of a dick)… stuff like that.

The princesses are a bunch of nihilistic gals who believe that destroying everyone’s stories (aka destroying the universe) is the only way to regain control of their lives theyve never had a say in. Rapunzel is a very horrifying person in this campaign who uses her hair to spy on people (she has complete control over her hair). She’s also a bitch. A cool bitch but a bitch nonetheless. The Frog Prince at that point was a giant frog and no longer human so the only attack he had was his tongue so,, yeah he killed her and ate her

Little Miss Muffett who sat on a tuffet and was scared by a spider was, in a different horror rendition, turned into a giant spider,, which is a whole different thing but the Gang(tm) saves her life and although she has a spider for a face she’s learning to live for herself

Granted as a dnd campaign it does have its silly moments too since all the players like to do Bits and shit but i promise you, tonally it makes sense

I will say i never thought id have the time for DND either but bc DND doesnt necessarily need the visual component, i like to put it on in the background while Im at work or while studying. It really improves my mood to have funny people talking in my ear while im stuck sorting bugs 😞

[mask131]

Green Spring: The Big Bad Wolf

THE BIG BAD WOLF

Category: Fairy tales

Ah, the Big Bad Wolf… Who hasn’t heard of him? He is one of the most famous villains of fairytales, and keeps getting the spotlight in many works of fiction, from “Fables” to the most recent “Puss in Boots” movie…

What is truly fascinating, however, is the fact that this so-called “stock character” is actually a construct of popular culture, a sort of archetypal “Frankenstein-monster” made out by stitching together several different fairytales. And by different I mean VERY different. Because the origins of the Big Bad Wolf lie in four fairytales born of different contexts, cultures and eras.

The oldest of these fairytales would be “Little Red Riding Hood” – the “original” one, aka the ones written by Charles Perrault in his now world-famous “Mother Goose Fairytales”, back in late 17th century France. You know how the “Little Red Riding Hood” stories goes: a little girl, wearing a red hood, was sent into the woods to bring her sick grandma some food and wine. On the way she meets the “Wolf”, who wants to eat her but first asks her where she is going. Upon the girl revealing to the beast her projects, he misleads her to the longest path and runs himself towards the grandmother’s home: there, he pretends to be the little girl to sneak into the house and devour the grandmother. Then he disguises himself as her, and in her bed awaits for the arrival of Little Red Riding Hood, who marvels about how “great” or “big” the various elements of her granny’s body are – before being devoured by the hungry beast.

“Then she was saved by a hunter!” you say. Well… actually no. Not in the old version by Charles Perrault – in the French version, the little girl is not saved, and the story ends with the wolf devouring her. That is because Perrault intended it to be a cautionary tale about the danger of young, unexperienced women trusting seductive, male strangers. (A subtext still present to this day in the story of Little Red Riding Hood). The whole part of her being “saved by a woodsman” comes from the 19th century fairytales of the Brothers Grimm, who published the German version of “Little Red Riding Hood”. In it, a hunter that passes by discovers what happened, and enters in the grandmother’s house while the wolf is sleeping – he cuts open the beast’s belly, releases the unharmed girl and her grandmother, and then replaces the inside of the wolf’s stomach with heavy stones, so that when he tries to drink out of a well, he falls in and drowns.

This German version of the story is strongly similar to another “wolf tale” of the Brothers Grimm – which is another “ingredient” to the Big Bad Wolf, “The Wolf and the Seven Young Goats”. In this German story, a mother-goat leaves her seven children alone at home, warning them to be careful about the wolf and not open the door to strangers. They obey her orders, and when the wolf comes knocking at their door, they do not let him in. But when the wolf returns later, with a softer voice and a paw covered in flour (to look white), the young goats mistake him for their mother and open the door. Immediately the wolf devours the young goats – but only six of them, because the seven hides themselves. When the mother later returns she finds her hidden child who reveals to her the story – the mother searches for the wolf, that she finds sleeping after his meal. She quickly cuts open his belly, frees her seven children, replaces them with heavy stones – and so, when the wolf wakes up and tries to drink from a river, he falls in and drowns.

One last story served as the final element in the patchwork that is the “Big Bad Wolf” – a story just as famous as the other two. “The Three Little Pigs”. A story which is neither French nor German in origins, but rather English – being a late 19th century tale collected by Joseph Jacobs in England. The story goes as everybody knows: three pigs went out in the world and built houses for themselves. The first two built houses made of straw and wood, while the last pig made his house out of brick. The wolf came around, and used his mighty breath (“huff and puff”, a breathing power as strong as the wind itself) to destroy the first two houses. However, when he came to the house of the third little pig, he couldn’t destroy it – so he rather tried to climb by the chimney, by the pig had prepared a fire, which burned the wolf.

Now this story is truly interesting because what most people know is actually the sanitized, simplified version. The version in which the first two little pigs flee for their brother’s brick house, and where the wolf just leaves the house with his butt burned. This version was heavily popularized by Disney (and I’ll come back to that later), but in the original tale of Joseph Jacobs things were quite different. First of all, the wolf ate the two first little pigs in the original tale, only leaving the third alive. Second, in the original tale, between the wolf failing to “blow down” the brick house and him trying to enter by the chimney, there was a series of adventures. It was a repetition of the wolf inviting the third pig to various events or places, only for the pig to always escape one way or another. It is at the very end that the wolf, tired of failing to catch the third pig, tries to enter the house through the chimney… and in the original version the third little pigs actually prepares a cauldron of hot water to BOIL ALIVE THE WOLF AND EAT HIM.

I could talk for hours and hours about these fairytales, but we are here to talk briefly about the Big Bad Wolf so I’ll keep it short. Beyond these four main stories (since I count the two “Red Riding Hood” narratives as different), other pieces of media tied to fairytales also influenced or shaped the idea of the Big Bad Wolf – from the ancient fable of Aesop of “The Boy Who Cried Wolf”, which became a common idiom in Western culture, to the fairytale-inspired musical piece “Peter and the Wolf”.

As you can see, these stories come from wildly different eras, ranging from the 17th to the 20th century (for “Peter and the Wolf”), and from very different cultures (France, Germany, England…), and yet… and yet, these tales, becoming “popular fairytales”, were condensed and tied together in a sort of overall “Western fairytale corpus”, discarding the precise origins and nationalities of the stories. And by linking together these various wolf characters, a new one was formed, a new “fairytale archetype”: the Big Bad Wolf.

And the Big Bad Wolf then knew an immense success throughout various media, with different types of adaptations. You have the “sympathetic, anti-hero turning good guy” type of interpretation – with Wolf from “The 10th kingdom” or Bigby from “Fables”. You’ve got more comical, goofy wolves from “Shrek” or “The True Story of the 3 Little Pigs”. You’ve got wicked predatory wolves, in “Into the Woods”, or tragic victim wolves (in Pratchett’s “Witches Abroad”). The Big Bad Wolf was reinterpreted by all – from Roald Dahl, in his “Revolting Rhymes”, to the Looney Tunes.  And more recently, you have the strange coincidence of the dual release of “Neverafter” (of the “Dimension 20” webseries) and “Puss in Boots: The Last Wish” (of the Puss in Boots series, a spin-off of “Shrek”) which actually pull off the same twist on the identity of the Big Bad Wolf (which I’ll keep secret for now). He is without a doubt one of the most popular and reinterpreted fairytale villains.

- - - - - - -

But we have to talk about Disney. Because Disney is actually… a big culprit behind the creation of the Big Bad Wolf “myth”.

It is no secret that one of the most famous incarnations of the Big Bad Wolf is Disney’s own version of the character – from their various “Three Little Pigs” shorts. This depiction of the Wolf was MASSIVELY influential over America media and culture, and… one has to wonder if the very reason the “Big Bad Wolf”, this amalgamation of very different fairytales, doesn’t have to do with Disney. Because Disney was one of the very first – if not THE very first – to depict the wolf of “The Three Little Pigs” as the same wolf from “Little Red Riding Hood”, and the same wolf as “The Boy who Cried Wolf”. Now, I haven’t looked at older pieces of media, so I might be wrong… But I do believe that Disney, by expanding its own character using these tales, actually modeled the modern idea that all these wolves were just one wolf: the Big Bad Wolf.

And you want to know what is even more incriminating? The very name “Big Bad Wolf”. It is the name everybody uses to call the character, right? It is popular culture, isn’t it? Except… this name does not appear in any of the sources I quoted above. In Perrault’s, in Grimm’s, in Jacobs’, it is always “the wolf”, and that’s it. In fact, where does the expression “Big Bad Wolf” seem to appear in its earliest form?

… Disney’s “Three Little Pigs” short, for the now world-famous song “Who’s Afraid of the Big Bad Wolf?”.

Again, I might be wrong – if you find a proof of an earlier apparition of the name, please warn me! But I am pretty certain that the Big Bad Wolf, in character and name, was actually invented by the Disney animated shorts. And from the Disney works spread itself throughout the American view and reception of fairytales…

[watching-pictures-move]

Put On Your Raincoats | French Sex Lessons (Mulot, 1980)

I’ve had a mixed experience with vintage French pornos as some of the ones I’ve seen had an air of condescension that I found off putting, but I generally enjoyed this. The ladies are gorgeous and the proceedings are directed with a certain amount of style and humour. Some scattered observations (and mild spoilers, although this is not a plot-heavy affair):

The first scene features Brigitte Lahaie in a leopard print dress as well as a leopard print sofa in the room. The d��cor in other scenes is similarly busy, but doesn’t achieve this level of synergy.

Lahaie looks great in aviators. Well, she looks great in general, but you didn’t need me to tell you that.

The premise centres around Lahaie getting busted for running a brothel and deciding to open a school to teach women how to have sex. I’m not sure if she really has a talent for teaching however, as her lesson about stripping turns into a lesson about sucking and fucking pretty quickly.

Lahaie slaps a student’s ass when she finds her eating out another student in their off hours. "It's forbidden to mix pleasure with studies." She decides to teach her a lesson through a bit of light domination, which is pretty spicy stuff even if the movie unfortunately cuts it short.

For some reason there’s a history lesson.

A plumber accidentally walks into classroom and gets pounced on by the studends, which highlights the flimsiness of the conceit, although the movie arguably flips the tables on the dynamic. The girls all make a point of complimenting his plumbing skills, which he doesn't demonstrate at all. There isn’t even a “laying pipe” pun, but perhaps that was lost in the English dub.

There’s a scene featuring a Rocky imitator while a knockoff synth Rocky theme plays.

Dominique Aveline AKA French Super Mario plays a xylophone with dick.

The movie ends with the girls putting on a recital and reenacting fairy tales but with a sexy twist. The best of these scenes has Cathy Stewart as Little Red Riding Hood and Celine Galone as Snow White double-teaming the Big Bad Wolf, who puts his very phallic nose to good use. I thought it was pretty cute when the girls took a bow after the show.

At the end, the inspector shuts down Lahaie again, but then suggests she go into making movies, which doesn’t seem like a bad idea at all.

[cherryliqueurkinks]

with your tail between your legs

Veronica wants to go out on Halloween night, but Daddy knows best. (aka: Veronica as Little Red Riding Hood and Hiram as the Big Bad "Wolf")

Countdown to Halloween - 5 Days Until Halloween!

pairing: veronica lodge/hiram lodge

READ ON AO3

How Cheryl could take the theme of slutty costumes and make them even sluttier is beyond Veronica, but that's exactly what she does when she turns her costume party into a slumber party. The Vixens have been sharing their ideas in their group text all week, and it seems that their costumes are little more than lingerie with an accessory or two to pass as a character of sorts.

It's ridiculous, but in true Veronica Lodge fashion, she refuses to dress in anything less than her best.

She buys a black bra that costs far too much, and a black and red pair of lace panties that costs even more, along with a new pair of Louboutin pumps and a custom red cloak from one of her favorite boutique stores in New York. With tights on and her cloak drawn closed, the hem falling a few inches above her knees, her costume might even be considered tasteful, especially when she digs up her favorite shade of Yves Saint Laurent from her vanity and slicks a bright red layer on her lips. Cheryl might have something to say about stealing her signature red lips, but Veronica is willing to risk the tantrum.

Her parents were supposed to be out to a party of their own, which is why Veronica hadn't bothered throwing a dress on in an attempt at modesty, but she finds herself freezing at the end of the hallway when she sees her father perched on the couch in front of the roaring fireplace, his laptop perched on his knee and a tumbler of something dark in his hand.

He glances up at the sound of her heels, eyes flickering over her, but his smile never slips. "Where are you heading, mija?"

"To Cheryl's," she answers, resisting the urge to pull her cloak tighter. "You know how she loves to go big for her parties."

Hiram chuckles. "She's as tactless as her parents, that's for sure," he muses, setting his laptop aside as Veronica walks over, and he tilts his cheek up for her to kiss. She leaves an imprint of her lipstick against his skin, but before she can move to wipe it off, Hiram does so himself with a swipe of his thumb. "Is that wise?"

"The color?" Veronica smirks, rolling her lips together with a small shrug. "Cheryl will have to get over it."

"Not that, princesa," he retorts, and Veronica catches the glint in his eyes a second too late, because then he's reaching past her cloak and grasping her elbow, tugging her until she's stumbling in her heels and onto his lap before she can catch herself. Instinctively, she moves to pull her cloak back into place, but Hiram tightens his grip on her elbow as his holds her stare, licking the corner of his lips before they hitch into a smirk. "Is it wise to go out when I could smell your heat all the way from your room?"

As if response, Veronica feels a throb between her legs. Still, she shakes her head in protest. "I'm fine, Daddy," she insists, but her voice sounds breathless even to her own ears. She'd taken twice the dosage of her suppressants, knowing that, around any of the boys from their school, it would be more than enough to keep her heat from flaring.

But that was before she knew her daddy would be home. Before she got a hint of his scent in her nose and felt the heat of his skin against hers, even though the material of his clothes, fraying the thin strings of her control. She can already feel her cheeks flushing, her nipples tightening, and she practically scrambles off of his lap as if putting enough distance back between them will halt the arousal in its place.

Undeterred, Hiram tsks, snatching the collar she hadn't noticed sitting on the end table as he stands and stalks toward her. "You know better than to lie to me, mija," Hiram chides, and Veronica hadn't realized she'd begun to retreat until she feels her legs hit the back of the coffee table. She stumbles in surprise, and Hiram takes the opportunity to maneuver her onto her knees on the plush, fur carpet in front of the fireplace, hooking the black leather collar in place around her neck.

"Daddy," Veronica begins to protest, but he presses two fingers into her mouth and it's instinctive, the way she closes her lips around them and sucks. Her core throbs harder, the saltiness of his skin on her tongue and the headiness of his scent in her head quickly dissolving whatever control her suppressants had given her. She'd known her heat would be starting in a matter of days, but with her daddy in New York for the rest of the week, Veronica thought she could buy herself enough time before she was in the thick of it.

As if hearing her thoughts, Hiram presses his fingers deeper, practically fucking her face with them. "I taught you better than to be ungrateful, mija," he says. "I cut my own business trip short and came all the way here because my baby girl needed me, and here you are, trying to go out when you're in no state to."

He yanks his fingers out, curls the leash around his fist and tugs until she's kneeling upright, grasping onto the material of his slacks to steady herself. Her face is practically buried into the bulge of his cock and he grips the leash tighter, holding her in place as his other hand works his cock free from his slacks.

The moment it springs free, thick and long and only inches from her lips, she gets a true inhale of his scent and feels those frayed strings of her control finally snapping. Veronica whines, tongue lashing out to lick at the underside of his length, the haze of arousal thickening in her head as her heat flares higher and hotter within her. Everything feels heightened, the fur of the carpet tickling her skin, the cups of her bra creating an unbearable friction against her nipples, and even the silkiness of her cloak feels as if it's setting her skin on fire.

"See?" Hiram says, his lips threatening to curve into another smirk as Veronica moans against his swelling sack, mouthing at him as one of her delicate hands grasps at his cock to rub her thumb against his wet tip. "You're in no state to go anywhere, especially not when you'll only draw every boy in Riverdale with that sweet scent of yours, making them think they can have a taste of Daddy's little slut."

Veronica wants to argue that she would've been fine, that none of this would've happened if he hadn't come home, but she's so caught in his scent that she doesn't dare pull her mouth from him until he's using the leash to tug her off with a whine.

He grabs the fur blanket that'd been beside her on the couch, tossing it in a pile on the floor, then uses her collar to guide her onto it until she's practically burrowing herself into its plush softness, filling her senses even further with her daddy's heady scent. The warmth of the fireplace with the white-hot flames of her heat roaring low in her stomach makes her feel as if she's being smothered, her skin breaking out in a light sheen, her lips parting with a whimper, and only the gentle stroke of her daddy's hand over her hair is enough to soothe her, if only for a moment.

"Don't worry, princesa," Hiram coos, hitching her hips up until she's on her knees once more, face pressed into the blanket and her ass in the air. "You'll get Daddy's knot soon enough."

He pushes her cloak up and fists her tights in his hands, ripping the flimsy material with ease before tearing the crotch of her panties open, slapping her slick cunt the moment it's bared to him. Veronica whimpers as he spanks her once, twice, three more times, and then her whimpers dissolve into a wanton moan as he glides two fingers through her slick folds, finding her throbbing clit and swirling in tight circles.

"You're always so ready for me," Hiram groans, smearing her slickness off of his fingers along the inside of her thigh before leaning forward and sinking his teeth into the globe of her ass. Veronica jolts, fingers twisting into the fur blanket as she keens out, and he licks the indent of his teeth before fisting the material of her cloak and tugging it off. "You think you like playing with those boys at school, but your body knows who it belongs to." He curves his body over hers, nibbling at her shoulder and along the curve of her neck to where her pulse is fluttering in her throat. "You can tease them all you want, mija," he murmurs, finally, finally sinking his cock into her oh so slowly, smirking against her skin as her pussy clenches eagerly around him as he fills her inch by agonizing inch. "You can even let them fuck you, because when you go into head, you know who'll be knotting you all week long."

Then he winds his arms around her, tucking her flush against his chest as he sinks his teeth into her pulse, and starts rutting into her fast and hard and deep.

"O-ohhh! Oh! Ahh!"

Veronica's cries echo through the air along with the slaps of flesh as her daddy fucks her with abandon, his pace bruising, practically pushing the air from her chest as she stutters out a moan. His hands slide up to grasp at her bra, tearing it off with two more tugs before he's tossing it aside, and then he's palming her bouncing tits as he practically fucks her into the floor. He finds her nipples, tweaking and rolling them as he sucks along her shoulder, leading a path of his teeth marks across her perfect complexion.

It's too much, too fast, the pain from his fingers and his teeth mixing with the delicious friction of his cock rutting into her, and then she gasps as she feels him beginning to swell, eyes rolling back as he starts to stretch and stretch her. No matter how many times he's knotted her, Veronica doesn't think she can take it and how big it gets and how it feels to be lodged onto it, but she always does, her daddy's fingers finding her clit and stroking it until she feels her entire body loosen and her cunt flutter around his growing thickness.

"Daddy," she pants out, squirming as she dangles on the very precipice of her orgasm. She knows she's about to come, but she knows she'll be knotted for hours the moment she does, that everything will feel torturously heightened, that she'll be made to come again and again and again and filled with his come until her daddy decides she's had enough.

"Don't fight it, mija," Hiram coos, pinching her clit between his fingers and rolling it until she's whining. "This body belongs to me and my knot, and I want to be deep inside of you for the rest of the night."

And, with one more swirl of his fingers, Veronica does exactly that, her orgasm bursting through her with a cry as she shudders through the waves of white-hot sensation. Coming while in heat, while being knotted, is almost painful with how much pleasure floods through her all at once. He grasps the leash where it's connected to her collar and tugs her upright, keeping her flushed against his chest as he settles her into his lap, bringing her further down onto his knot, and Veronica's eyes nearly cross as she feels it shift inside of her, feeling impossibly wider from this angle.

"That's my good girl," he murmurs against her jaw, dragging his knuckles down her stomach before splaying his hand flat against her pelvis. "Let's see how much of Daddy's cum you can take this time."

[lucysarah-c]

The other day, talking to a moot here, I commented as if it was "well known" that Chapter 9 aka Dear Erwin aka "the ball chapter" in HG was a clear parody of the "Cinderella" fairytale. She, surprised, told me that she never realised.

So here it's me, coming to tell all of you that the whole "ball" scene in Holy Ground had a bunch of "Cinderella" story references.

First, the most obvious one, the dress. Maybe most of you remember the Cinderella dress a sort of "blue" colour but originally the dress was this sort of "silver/grey blue" colour and so was Y/N's dress.

Second, the "spell" breaks at midnight as Y/N's fairy tale dreams do too. If you notice, Erwin goes up to the VIP zone at midnight after that it's all a sort of "Cinderella story goes wrong". She "loses her shoes" She has to take off her shoes because she twisted her ankle. She has to leave in a carriage that "falls apart" and her prince charming never goes down to chase her. 

I find it funny that Erwin has a lot of prince charming. When Y/N recalls in chapter 14 that her "dreams” for that relationship were really childish and utopia, she imagines this sort of fairy tale of them "sitting down next to the river, drinking tea and reading a book". "the ball" had a lot of Cinderella references because it was "literally" her "childish dreams of being a princess with her prince" shattered in tiny little pieces.

BUUUUT as Nifa would say "who needs prince charming when you can have the big bad wolf. Who had big eyes to look you better and a big mouth to eat you better"

Does my reference to "Little Red Riding Hood" while talking about Levi have something to do with "Red" being the colour associated with Levi and the huge corruption kink that he has? ... absolutely

[fairytale-poll]

SEMI-FINALS! MATCH 2 OUT OF 2

Propaganda Under the Cut:

Ylfa:

She just went through so much and so much growth and i love her very much.

She becomes a big bad wolf

She met Death and Death wanted her to live.

Great depiction of a teenager by Emily Axford. A lot of scenes get really emotional with her being a symbol of the cycle of life and death and eventually she will always become the Big Bad Wolf.

she faced off with Death and he told her to live. this Death, who was much older than the Death she was supposed to meet, stared off with Yilfa for days until she succumbed to hunger and ate him alive. other iterations of death apologized to her for the story she was forced to suffer through, for the punishment she had to endure over an unrealistic and unabidable rule she was destined to break. her corrupted story turned her into the big bad wolf, into death itself. she sacrificed the beloved memory of her grandma, her namesake, so that her friends would be able to save their world. even though she gained it back in the end, she was willing to live the rest of her life as the wolf, a harbinger of death, and when she was reminded that she was just a child, that it wasn’t her responsibility to guide the dead, she cried, and separated from the wolf. she was able to grow up normal and happy after suffering from the looming presence of death. i’m gonna make me friend also submit yilfa bc they’re smarter than me and can make better propaganda

my mutual really likes her

Her narrative arc about growing up and life and death is so beautiful and her being a werewolf is so cool. Emily Axford gets girlhood like nobody else.

she is the bravest little girl in the world she met death and death wanted her to live she split his skull and ate the innards of death himself she is just a little girl!!!!!!!

PRIMO Red Riding Hood adaptation. Ate the wolf who ate her gramma. Is a werewolf and a metaphor for puberty. Loves her friends. Can break her bones to reshape her body into various animal forms.

Not only did she have to lose her grandmother, but she also nearly dies of starvation and exhaustion until The Big Bad Wolf, aka Death, convinced her to live, by her killing him and eating his flesh, therefore making her Death

Ylfa has a snazzy orange top hat given to her by a very attractive fairy. Three Blind Mice is her favorite story. She brought her grandma lollipopcorn and threw the broth in the river halfway there. She first developed a crush on Pinocchio when she saw him use his nose as a stripper pole and didn't kiss him until they were twenty-one and having an awkward conversation about her grandma's death and Toy Island. She fought a baron with a spoon. She wants a bra. She jumped into The Terrible Dogfish’s stomach to save her friend. She has pinkeye and grandma hobbies. She fought off a shit ton of homicidal tables at once. She is pals with Little Miss Muffet. She killed her family. She sacrificed the memory of her grandmother to become Death. She was basically adopted by Mother Goose (who is a cool old gay dude). She Wildshapes by horribly contorting her body into animalistic forms. She is a Barbarian who acts as a support character. She is the bravest little girl in the whole world.

Behold, 3 minutes of the weirdest and best little girl! [Link]

Her weirdgirl swag is off the charts :) [Link]

Ylfa Propaganda: [Link]

Ylfa turns Little Red Riding Hood into a metaphor for not just puberty but grief and death and the inevitability of loss--of innocence, of childhood, of who you had and who you were. The Wolf is the End of All Things, and Ylfa met Death and Death wanted her to live. She gave up the memory of her grandmother--her namesake, her humanity--and became Death, and she was there to be the end of her grandmother's grandmother's story, because there always has been and always will be a wolf. But in the end, she is just a little girl, and she doesn't have to take this burden. There is a wolf-that-is-not-a-wolf waiting for everyone with a snazzy orange top hat, and there is a strange girl playing cards with witches and kissing a boy who used to be a puppet, and they all lived happily.

Vote Ylfa cause she pulled through when it came to the Riding Hooded Mercenary and I know a worthy opponent when I see one.

Yuyuko:

She's related to Red Riding Hood, has costumes of Red Riding Hood, and she has ten hoodies in various shades of red. She's sapphic. She's autistic. She's a dog person. She's little beepo.

Technically this might be stretching it because she was casted into this play exactly once (though she has two cards dedicated to it due to the Encore cards). Anyways she always wears around a big red hood outside of this play but that's not directly based off of Little Red Riding hood from my knowledge so it doesn't matter much. What does matter is that Yuyuko keeps up her pattern of being casted in roles where her character either dies or suffers a lot (this one being the latter) in this play, though thankfully I'm not sure that she wrote herself into this narrative this time

[animebookworm16]

I was thinking about Puss and Boots 2: The Wishing Star recently and how Death was portrayed as a wolf. That got me thinking about other fairy tales that include a wolf. I coud think of three: Little Red Riding Hood, The Three Little Pigs, and The Boy Who Cried Wolf. And before anyone says it, I know that (if I’m remembering correctly) these were originally word of mouth stories told in heavily forrested areas where wolves were a real issue and it wasn’t a metaphore for anything, but I want to try and add a layer to it.

So what if The Big Bad Wolf you hear about in fairy tales is literally Death?

Examples?

Little Red Riding Hood: She has to go through the forrest to her grandmothers cottage. On her way there she meets a ‘wolf’ maybe she trips on a tree root and falls down a steep hill (something that can kill a person if they fall or land incorrectly). Now in most itterations of this story, the ‘wolf’ rushes ahead, eats the grandma, and disguises itself as Red’s grandmother. This is roughly in the dark ages, disease was rampant, and usually the story goes that she has to go visit her grandmother because the grandmother is sick. So in this instance the ‘wolf disguising itself as grandma’ would be the grandmother dying (or goming into a semi comatose state right before her death) before Red gets there. And Red is usually depicted as a young child or young-ish child, it is very possible she wouldn’t imeadiately recognize a dead body, hence the ‘questions’ she has for the ‘wolf’. The wolf, usually, then proceeds to eat Red, aka the body spreading the disease to Red. And from what I’ve seen the ending is where it flucuates the most, with them both dying and a woodsman killing the wolf, a woodsman coming and saving them, or them managing to somehow kill the wolf from the inside. This theory works for most endings. In the first ending described, they both die, and the woodsman who ‘kills’ the wolf, could be a third person discovering their bodies and burning them, thus preventing the spreading of the disease. The second ending could be something like a traveling doctor (in this one the grandmother isn’t quiet dead yet) discovers them and is able to treat them, thus ‘killing’ the wolf and saving them. Finally in the third ending (again assuming the grandmother isn’t dead yet), Red would have been coming to care for her grandma, so she probably would have been caring some medicine, thus ‘killing’ the wolf from the inside out.

But, I have more! In the Three Little Pigs, it depicts three brothers building their houses out of three very different materials, a wolf showing up blowing two of the houses down and failing to destroy the third, yes? Yes. Now, imagine the ‘wolf’ is a storm. The first brother builds his house out of straw (or the real world flimsy equivalant) a bad storm comes in and the winds knock it down, and it really doesn’t matter if you go with the version of the brothers living or getting gobbled up by the ‘wolf’. The second brother builds his house out of sticks, still something that goes down easily to the high winds of a storm. Finally, the third brother built his house out of brick, something that won’t get knocked down easily in a storm and manages to last until the storm blows itself out.

And Finally, The Boy Who Cried Wolf. This one is easy. A kid keeps screaming that he needs help and everybody rushes to help him until he actually does need help, but by that point everyone is fed up and ignores it thinking it’s another prank and he ends up getting eaten by they wolf/dying.

[goddamnwebcomics]

I’m unsure it was intentional on either your part or the comic’s, but you hit the nail on the head with the nickname B.B.; it’s a common wolf-themed name as the initials of Big Bad Wolf. Darkstalkers has a character called B.B. Hood based on Little Red Riding Hood, I remember an artsy visual novel called Adventures with Anxiety where the anxiety is represented by a red wolf called Beebee, and the main character of Fables (which is based on fairy tales) uses the similar Bigby. And there are a lot more, those are just the ones I can think off of the top of my head.

By the way, if it was up to me, I would’ve named them Warren and Aurora, after Warren Zevon (who wrote and sung “Werewolves of London”) and Aurora Aksnes (aka AURORA, who wrote and sung “Running with the Wolves”).

Oh really? I think B.B. would’ve worked way better than Bluebird, that would keep her mysterious, almost supernatural.

Also, what??? That’s where Kraw got it from???

[sjstone-author]

(via Just Right — the path to murder. A writing project from beginning to end | by SJStone | Jan, 2024 | Medium)

I would play Wolfe, aka the Big Bad Wolfe, a broken-down, no good, New York City detective who had only one thing in his life that mattered — a singer, stripper, and kind-hearted girl who’d come to the big city to make her way in the world. Red, aka Little Red Riding Hood, who loved her man as hard as anyone could, and who walked away because there was no other choice.

And right in the very first moment, when the story opens, there she is, lying in the alley behind her place of employment, Smiley’s Cabaret, stabbed to death with a kitchen knife.