#air nomad genocide

[dukeofdelirium]

ppl who fail to comprehend anything about Aang’s character literally sound like this whenever they speak on him

they’re always sayin shit that is borderline this dialogue lmao, like “oh he’s selfish” “oh he’s so weak” “I wish he would die” etc etc. like calm down Ozai Jr, I don’t think this show was meant for you!

[atla-confessions]

The hatred for air nomads is so fucking weird? I was scrolling through posts because reasons and if you've read reckoning of roku you must know the one dialougue gyatso has where he quips back to roku that if everyone was a pacifist there won't be much problems and says maybe I should travel the world to spread these teachings. And someone literally wrote :

Really, Gyatso? That sounds familiar. Looks like Sozin just beat him to the punch of SHARING their GREATNESS with the rest of the world. Oh my god...because sharing teachings peacefully by holding peaceful gatherings, giving speeches, having talks is SO SIMILAR TO FUCKING COLONIALISM? How did that simple line get so badly translated? also, it was tagged anti-bryke...don't get me wrong I don't believe that they're some kind of saints but bryke didn't even write the reckoning of roku... I've seen so many similar writings about it. All of them thinking bryke wrote the book too. It's so annoying.

X

[enigmamirror]

Yknow, i'm rewatching atla after reading the yangchen novels, and I really appreciate the small meaning behind some things a lot more now. In s3 e11 The Western Air Temple, combustion man shows up and wrecks the place. I always found this sad because the preservation of air nomad culture and architecture was something shown many times to be important to Aang, so the temple being destroyed is really tragic in that way. But also, Yangchen is a western air temple nun. And we can see statues of her there in the episode. So reading the novels and then seeing how her statue is focused on more at the western than any other is a nice touch that shows how much detail the og show had in it. These little nods to what eventually would become lore is amazing.

But as much awe as it inspires, theres symbolism without (imo) even trying to be. In the Yangchen novels, combustion bending is seen for the first time in the atla world, it was written as the biggest plot point and the worldwide threat of the novels. And we see Yangchen and her struggle against it. Things like Nujians death, Yangchens banishment, all of her struggles in the novels are some sort of result from her dealing with combustion benders. And she is from the western air temple. Which is salt in a centuries old wound. Yangchen, an air nomad, a pacifist by culture, who worked so hard to avoid taking lives when she was able, who lost so much because of combustion bending as a technique, who came from the western air temple,

Her home, was destroyed

By the very

Technique

That cost her so much already.

[kilgarraghforever]

How must the average fire nation citizen have felt after Ozai's defeat and Zuko's subsequent coronation?

Like, you're a fire nation citizen. You're a farmer or a scribe or a shopkeep or whatever. A regular person. All your life you've been told that the century spanning war that's going on is a good thing. It's the fire nation spreading its civilisation to the rest of the world and making it better. You've been told that the other nations need to be made better, and you believe it because you've never known anything else to be true. You've never met someone from somewhere the fire nation hasn't controlled for most of the war so you assume that these things you've been told about the other nations, that they're savages and ignorant and need the fire nation's benevolent help to be better, are true because you don't know any better, and all of the firelords from Sozin onwards have done their hardest to convince you of that. You've never known a world that wasn't at war, one that your people have been wining.

You're told that the genocide of the air nomads was a good thing. They had an army. They were threatening the fire nation's safety. Of course the great firelord Sozin defeated them because they were a threat. This is a good thing. You don't question this because it's all you've ever been told, and it's all the firelords want you to know about it.

You're told that the other two nations, the water tribe and the earth kingdom, are savages, stupid and violent, dangerous to themselves and others. You're told that the war is a March of Civilisation, your nation is helping them to be better, less savage, less violent, less stupid, less of a danger. This is a good thing. This is all you know about the war.

One day, you're told the avatar has returned. You're told that he's a threat to your nation, that he's monstrous and dangerous and needs to be stopped. You're told he's travelling with some savages from the other nations that are equally as dangerous and bad and awful because they want to stop your nation from bringing peace and civilisation to the world. You don't like the avatar because this is all you know about him.

You're told that Princes Zuko and Iroh, the firelord's firstborn and the dragon of the west, have become traitors to the fire nation and are now wanted criminals. You're told of Zuko's lack of skill in firebending, his insanity after his father defeated him in an Agni Kai, his honour honourless existence after he questioned the firelord. You're told of Iroh, the previous dragon of the west and general in the army, how he went insane after the death of his son and betrayed the nation. You think that they are bad, because they are traitors to the nation, dangerous criminals. You never consider why they changed sides because, to you, the fire nation is a good thing. What your nation is doing is a good thing. This war is a good thing.

Ozai is defeated on the day that you've been told he will take the earth kingdom and help them be better.

You're told that of new firelord, Zuko, who you had been told previously was a traitor, who allied with the avatar to defeat Sozin, his father, was, in fact, right to betray the fire nation. You're told the ugly truth about the war that you always thought was a good thing. You're told about the air nomad genocide, the near total eradication of southern water tribe, the torture of prisoners of war, the deaths of so many earth kingdom people, the deaths of every young man sent to fight for his nation on either side of the war, the casual cruelty of the fire nation soldiers to those under their thumb, the horrors commited by your nation and you realise that no. Your nation is not good. Your firelords were not good. You are not good.

You hear about the deaths of so many innocents, their blood staining your nation red.

How do you move on from the total destruction of everything you thought to be true? How do you cope with the horrible reality of it all? What do you do now you know?

So, yeah. I wonder how the average fire nation citizen must have reacted to Ozai's defeat and Zuko's coronation.

[supremechancellorrex]

I've been hearing a lot of people say that Ozai in the Avatar: the Last Airbender cartoon isn't supposed to be "developed" because he's a "symbol". My problem with this is that a character can both be well-developed and a symbol at the same time, so why choose otherwise? "It makes sense because he's supposed to represent" doesn't justify leaving the writing a little loose.

In the cartoon, Ozai is hardly a character to sink your teeth into. You can surmise and speculate things about him, but ultimately every discussion was more about Zuko or another character overcoming him and how satisfying that was than any character depth of Ozai himself. On the Day of Black Sun, Zuko and Ozai's confrontation is less an argument and ideological battle with layers between two human beings and more an extremely developed character yelling at an evil cardboard cutout.

The Problem With Ozai

Zuko: "It was cruel and it was wrong."

Ozai: "Lol."

Zuko: "We need to replace this era with an era of peace and kindness."

Ozai: "Lame." (*scowls in annoyance, tries to leave*)

Zuko: "Stay or I'll cut you." (*waves swords*)

Ozai: "Fine. Whatever. Go on" (*proceeds to sit back down and wonder if he's having spiced fire rice cakes for dinner*)

The way the cartoon presents it, Ozai just was a bit too a moustache-twirling villain and that's even considering his actions. It's not even him being morally bankrupt or sadistic, but that his entire character only exists on the surface level. Him being "superficial" and "ruthless" isn't even a character trait because he has no real character beyond "I'm arrogant, selfish and evil". Even some of the worst dictators in human history from Hitler and Stalin to Mussolini and Mao have more complex 'psychological depth' than Ozai, despite committing the most evil and awful acts against other human beings.

I got they want to reflect the toxicity of the Fire Nation with him as a symbol, "fear" and "ruthlessness", but these are symptoms and the result of an ideology, and Ozai and this ideology need a bit more than "The Fire Nation's ideology is that they're superior, share the greatness and just kill people". We never see Ozai really talk about this ideology, how he is *civilising* the other nations (well, besides, setting them on fire). Why does he think Fire is superior? Why does the Fire Nation? We can speculate it's the unity of the Fire Nation and its industrialisation, that maybe the Fire Nation thinks they have better tea ceremonies and cleaner cities, but none of the Fire Nation characters really talk about this. Sharing their 'greatness', how?

And, of course, we know and the show know their 'greatness' is a lie and farce really, but for their citizens to buy into this farce realistically for 100 years, sending sons and even daughters to die for it, presumably working in factories endless hours to keep up war production like that giant drill, one would think the smokescreen would be a little more convincing than a couple lines. Yes, in the Headband, they show the kids are taught a warped version history with the Air Nomad army, but what is the unifying ideology of the Fire Nation exactly? And how does this reflect Ozai? Beyond ruthlessness and being a smarmy jerk?

And this brings me to a scene I have quite a problem with. The War Meeting flashback in Sozin's Comet Part 1, essentially Ozai just goes from 'How do we quell rebellion?' to 'We will destroy their hope by killing them all with fire'. Hehe, well, I mean, why even talk about "destroying hope" when they'll be too dead to despair? Of course, Sokka says after hearing that literally "I always knew the Fire Lord was a bad guy, but his plan is just pure evil". Then they throw in an Ozai baby picture to pretend they have some nuance, and then blah, blah, Energybending turtle appears out of near nowhere.

A Better Ozai

(I want it noted how hard it was to get a decent gif of cartoon Ozai, especially in his Pheonix King regalia. That is how little people care about or are interested in him. There is more Daniel Dae Kim gifs from the live-action than the cartoon version)

The funny thing is Ozai burning the Earth Kingdom could have worked if they actually gave him character arc in the cartoon. Have Ozai start out believing he can civilise the Earth Kingdom, who he views as inferior and needing to be kept in check. We see in the show Earthbending is banned in Fire Nation colonies and annexed territory, but they should also show him introducing policies to ban certain styles of Earth Kingdom dress, specifically their green national colour dress, and customs, forcibly *civilising* these territory with authoritarian laws. Earth Kingdom children have to go to Fire Nation school to be indoctrinated in how their cultures and homes are inferior, and told to report on their parents.

However, as time goes on, Ozai becomes increasingly disenfranchised with the war, as colonised Earth Kingdom citizens continue to resist, Earthbend and continue banned cultural practices in secret. He feels rising disgust at these people's Earthbender stubbornness and 'backwards' practices, resisting engaging in and conforming to Fire Nation's 'superior' cultural practices, science, and education. How dirty they are, so unFire-Nation, he thinks more and more. He begins to unravel in his hate and think to himself things like how "You just can't take the root edge out of people, so I should burn the root to the ground. Make the world clean, pure and Fire Nation".

If they showed Ozai in the cartoon shifting from the standard position of his father Azulon to an even more extreme and horrifying position over time, reacting in all the worst ways to whatever the world throws at him increasingly and increasingly, his turn as the Pheonix King could have been far more chilling. Azula isn't the only one who has to go "crazy" due to the Fire Nation's twisted teachings. It would have further emphasised the cycle of toxicity in the Fire Nation that Sozin set in motion.

Imperialism and fascism is often driven by a number of things in conjunction, commonly economics, but also vain pride, fear and discomfort; pride of your own nation at the expense of others, as well as fear and discomfort of others, how 'different' they are, their 'weird illogical customs' diluting the 'pure culture of yours' that you understand, their 'strange appearances' changing the face of the culture you know, that you like and think is the greatest and should be eternal. They could be spies, enemy agents of chaos and degeneration. They need to be 'civilised' or 'exterminated' to silence conflict and bring order, this 'dark horde' of backwards people who just can't ever be allowed to be 'in charge'. I think a weakness here is that Ozai is never shown to show any discomfort, he's just so confident and evil about everything, but if he were to reflect the dark face of the Fire Nation, a people they say aren't wholly evil demons, he does a bad job showing the twisted human face of evil and it makes him irrelevant in a way as a character with the themes other than "Defeat evil guy".

Lessons Taught Improperly

Now some would try to defend Ozai in that Avatar: The Last Airbender is a kid's cartoon, but I would say that makes it more important when discussing real-life issues. What is the point of lesson if it is taught improperly? Sometimes that can do more harm than good.

Avatar includes a number of mature themes, including the genocide of Aang's entire people and Gyatso's skeleton. Judging by the Tibetan influences in Air Nomad culture, a real-life people who have also been genocided, I think it is necessary and good practice for even kid's shows to make sure the lessons on real-life evils like the concepts and systems of imperialism, colonialism and nationalism are taught well. Because otherwise you get an inaccurate picture of what it is and how it actually works, and what is the point of that?

Stories want to impart lessons on things being "bad" as a message, but often I think they fall short in getting to the point of why they happen. I wonder if that makes them a little pointless in a way, because the reasons why characters/people and nations do things is both important to good writing and real life. If you aren't taught it properly, how well can you recognise it in your own country? And if you can't, then hasn't the lesson failed to be imparted?

[fishyupmywishy]

Eric Nam being casted as Aang is quite literally so disgusting. How are you going to get a person supporting genocide to play someone that is a VICTIM of GENOCIDE??

[l-egionaire]

Something that just occurred to me? If you consider the Avatar Legends RPG canon, then the Air Nomad genocide is even more terrible. Because some of those Air Nomads would've been people of Fire Nation descent.

[lightdancer1]

An excerpt from the upcoming next chapter of The War of Air and Fire:

----

Toghun Chagatai paced around the table as the Fire Lord listened with increasing eye rolls and contempt and the generals thoughtfully. "It is true, my lord, that my people take great pride in the deeds of our ancestors, as yours do of yours. It is also true that my ancestors waged terrible wars and gleefully committed atrocities that resonate still eight thousand years later. For us it was not a simple matter of barbarism, it was strategy." He turned to look at them. "Slaughter a few cities, depopulate an island, and the very terror of your name instills peace and you spare your people at the expense of the dunghills of other nations."

There were shifts and mumbles of 'barbarian' from others and he gave them a cold and merciless grin just as his ancestors would have done in the same situation. "But, in the end, it was these same deeds as much as the divine wind that brought Caldera and the Yamato to power. We instilled terror and we made it plain the price of resistance, and people in the end decided they were willing to pay that price." Now there was a subtle shift and the Fire Lord kept rolling his eyes and murmuring beneath his breath.

"I do not doubt in the least, great Lord Sozin, son of Enzozhu, son of Zenzhu, that we can fall upon the Air Nomads like a thunderbolt. They are a peaceful people, who learn deeply of the arts of spirits and care little for the arts of war. We are the warlike sons and daughters of the western islands, born in harshness and living likewise." He gave them all a careful look. "Suppose, my Lord, that our plan works flawlessly. We unleash Steel Rain, we fall upon the Air Nomads. We bloody our swords in their necks, build pyramids of their skulls, bring to an end a fourth of humanity in one fell swoop. What happens, my lord, if what happened to my ancestors happens to all of us? Suppose we strike and the world sees this as proof that we are treacherous murderers and fathers and mothers of murderers and that there is no peace short of one nation or another in a graveyard much as the one we shall make of the Air Nomads?"

"My ancestors never anticipated that the great massacres they unleashed on the mainland and in the islands would come back to haunt them and lead the other nations to the side of the Yamato and the Battle of Karakorum. It happened all the same. If that is the fate the Gods will for us, what will happen then? We could face a war of a hundred years where our armies are ever-victorious, winning themselves to death for no nation will swear peace or accept a victory short of one of ashes and bones as ruinous to the victor as to the defeated. My ancestors did such things, and I am of their line. I will fly with you, and I will shed the blood of innocents, if you wish. But I will not, my lord. allow it to be done without these questions asked and faced directly."

Sozin scoffed. "That will never happen, Lord Toghun. The other nations will hear of the fate of the Air Nomads, of our capacities to move forces across the world, of their annihilation. They will know we can go anywhere we please and slaughter all we will. They will know and then I will win the war as the great master said it is best done. a win without fighting. The pyramids of skulls are the price of peace. Blood-money, yes, but a price worth paying."

[rms10]

Correct. Korra did something very important as the Avatar, but it was to allow the spiritual connection that re-established Air Bending. It didn't rebuild the culture. Even in the show, that's Tenzin and the other Air Acolytes who preserved what they could of the culture, and this is shown outright.

"Korra brought the air nation back"

I hate this take so much. She didn’t. YOU CAN'T FIX A GENOCIDE. The air nation, the air nomads and their culture are gone

Korra brought the AIRBENDERS back. Two different things. Air Nomads as a culture were preserved thanks to Aang and the Air Acolytes

Aang fought his whole life for this (and sometimes he gets hate from the fandom bruh)

[dukeofdelirium]

say a solemn prayer

pairing: Aang x Katara

word count: 7,365

A/N: so I haven't written a kataang fanfic in about 13 years, now, but with ATLA's continued renaissance, I felt compelled to write this. I did do a lot of research into different cultural burials, but I only took inspirations to write this. the idea behind this one shot was that I've always been so sad thinking about how Aang never gets to perform a burial for his people given he doesn't have the time in the canon show, so that was why I wanted to write this. also, I love kataang and they were legitimately the first pairing I ever actively shipped so writing this was so fun (and sad) for me.

summary: As a little girl, she had believed in the Avatar as one believed in a deity. Something not of this world, able to quake the fabric of the earth with a single step. The Avatar existed in her mind as something abstract and removed, cold like the moonlight that gave her bending its power and blinding like the tundra that stretched endlessly beyond the walls of their village.

It hadn’t been until Aang had crumpled at her feet, body crinkling like a leaf against flame and wailing over his people that she had truly thought otherwise.

OR

Katara and Aang travel to the Southern Air Temple after the war to perform a funeral for his deceased people.

[atla-confessions]

Sozin really murdered the love of his sister's life and all her people in cold blood, as bad as the sibling relationships have always been in the Royal Fire Nation family I don't think any of them have beat that

X

[starlight-bread-blog]

The Good & the Bad: On Aang (Not) Killing the Fire Lord

I recived this asks forever ago, trurly sorry anon, but I'll keep my apologises for the end. I'd love to answer that!

If you're asking me, this is way better than """killing him""". Case closed.

Getting this cleared up: The show didn't say that Aang is morally superior for this. It was solely about staying true to himself. Not a moral high ground.

So when I hear people say it's problematic because it implies that sparing imperialistic dictators has some intrinsic goodness to it, (Ahem-Lily Orchard), I just can't agree. It was never about universal ethics, it was about Aang's culture and values.

Why Is This a Good Thing?

Aang loves his culture, and takes a lot of pride in it and its values. (See: in The Southern Raiders his first go-to to convince Katara to spare Yon Rah is his culture, rather than what such act would do Katara herself). He would have been ashamed if he had broken them. But right now they clash with his Avatar duties, with god-knows how many lives at stake. He needs to let go of his pride & shame, and become humble.

Just like Zuko humbling himself to the GAang before they accept him, or Sokka humbling himself to the Kyoshi warriors and Master Piandao, Aang could only speak to the the lion turtle after he'd given up, after he was humbled.

Even beyond Aang, it enhances the show's themes at large. A theme in A:TLA is paving your own path, and that you can do what you want despite the pressure. Your true destiny will come, you might be surprised by it, but it's yours and you're free to carve it.

You just have to keep going, to continue to do the right thing, and your destiny will find you. Things have a way of working out in the end, eventually.

Sparing Ozai serves the theme, thus the show overall. Everyone told him it's his destiny to kill the Fire Lord and end the war. But he didn't agree, paving his own path, his own destiny, and all was well. The pieces fell in their place.

It is s amplified by the fact that if you read between the lines, he actually did follow all the previous Avatars' wisdom besides Yangchen's.

Aang knew what he wanted from the start. He isn't going to kill the Fire Lord. People (rightfully) tried to pressure him, but in the end, he stuck to his decision.

Justice was served. Aang took his bending away and put him to rot in prison for the rest of his life. There's more than one way to execute justice.

"... and the destiny of the world". That's exactly what Aang did. He followed his own path (staying true to himself) while saving the world (ending Ozai regime).

So that leaves us with Yangchen's advice. The one he didn't follow:

This opens another layer to this. Why doesn't Aang take the advice of a fellow Air Nomad? The one he should relate to the most? Because despite both being Avatars and Airbenders, Aang is the last. They're not the same. Yangchen is speaking from a place of privilege. She can carry the weight of the Avatar and not worry about the Air Nomads. Notice the wording: "spiritual needs". But it's deeper than that. In her time, they were there, they'll preserve their culture and values. Aang doesn't have that.

He's Avatar: The Last Airbender. He has both weights to carry. The decision to spare the Fire Lord, while protecting the rest of the world, is embedded in the show's title.

There's also something so incredibly powerful in Ozai being defeated specifically with Air Nomad values. A 100 years ago, during Sozin's Comet, the Fire Nation started the war by genociding them. When it comes back, the Avatar, the last Air Nomad, ends the war and stops the next genocide while preserving their values. The Fire Nation isn't going to push him to taint (one of) the last living aspacts of the Air Nomads, and Aang is shouting it – in the very same day the disaster occurred.

(Additionally I view this as a land mark of his character development since Siege of the North. He used spirit powers for murder, now he's using them for mercy).

(A:TLA is also a show made with kids in mind. They may not be able to make Aang kill Ozai. He got his bending stolen and sentenced to prison for the rest of his life. That's a more than serviceable punishment for a show aimed at kids).

(Ps: If Ozai had died Zuko would never have found out where his mother is).

The concept is fantastic. Nothing wrong there. But now, it's time for the critisism.

What's the problem then?

Despite looking in internet forums, it's entirely possible that I missed some things. With that being said, the Lion Turtles could have been foreshadowed better. As I stated, I don't mind it. But as far as I recall, it was foreshadowed once in The Library, and that's it. (Edit: It's also foreshadowed in Sokka's Master and The Beach, but the point still stands).

The Lion Turtle is a twist, it subverted expectations, but that doesn't mean it has to be a deus ex machina. That's what foreshadowing is for. It's the literary device to making a plot twist feel believable. The result is many fans, including me, feeling as though it came out of no where, even though it didn't.

Overall, I love that Aang spared Ozai. It ties into the themes of the show and Aang's role as the last airbender. It makes perfect sense, it's rather beautiful. However, I do wish the foreshadowing was better.

And for Anon, to apologize for the wait, I dedicate you this meme:

[rms10]

It really is a low bar to say that genocide is bad and the people who are the victims are not in the wrong for their own genocide. Yet, somehow people are tripping over this bar.

The discourse over Reckoning of Roku is really driving me up the wall becos you really have fans (namely Zutara stans) saying that Gyatso was just as bad as Sozin for saying that the Air Nomads should spread their teachings around the world. Now, an argument can be made over how wanting to teach one's philosophy/religious beliefs can be seen as a form of religious supremacy and at its worst, could be a slippery slope to neocolonialism. And these ideas could honestly be interesting to explore within the world of ATLA given how idealised the Air Nomads have been depicted, seeing a less flattering side to the Air Nomads would add a layer of worldbuilding. However, the argument that Gyatso is just as bad as Sozin can be burned to fucking ashes when the show depicted Sozin orchestrating the genocide of the Air Nomads, Gyatso being one of the victims. So, no matter how bad the Air Nomads can be, at least they have never orchestrated fucking genocide??

And then there was one user who wrote about how it would have been cool to explore how the Air Nomads' negative side could be one of the key reasons to their downfall, and it really rubbed me the wrong way becos the wording kinda implies that the Air Nomads were complicit in their own genocide. Like it doesn't matter if the Air Nomads were wrong or whatever, the Fire Nation should never have committed genocide in the first place??

[highfantasy-soul]

I think an important change NATLA made was to show the Air Nomads before the genocide - in the canonical timeline, rather than just memories of them after we knew they were all dead.

There's a reason kid's shows find it very hard to get approved character deaths of people we met, got to know, THEN have them be killed off (see: Jet) - it's much more impactful than already knowing someone is dead and then being shown a memory of them.

In the animated version, the fate of the Air Nomads is a foregone conclusion: they are a dead culture that was simply destined to die. Seeing the Air Nomads before the genocide in the live-action really humanizes them to the audience and shows that they were a real, living and breathing culture - not just one fated to die.

When you show only the aftermath of a genocide, it's easy for people to file that culture and people away in their head as 'dead' and it feels…normal(?) that they no longer exist - I think it's so incredibly important to show that these people were not just text on a page in a history book, but real, living people who didn't deserve to die - their destruction isn't "just the way it is" but rather was forced on them by terrible, power hungry people - they didn't just 'stop existing', they were murdered.

In a young children's show, you can show the aftermath of a war, you can have people who died in the past, but it's very difficult to show someone alive and well (develop them as a character with a name and story and interactions with the main cast) and then kill them off - I honestly can't think of a character in the OG that died after we had known them while they were alive (other than bad guys) - even with Jet, they couldn’t explicitly say he died.

We can ASSUME characters like Hahn died, but they just get thrown off the screen and no one ever mentions them again - Yue 'dies', but not really - her soul floats up to the moon after kissing and saying goodbye to Sokka, so it's not really a traditional death kids could get scarred from.

 In the animated series, Gyatzo is only seen through memories, we already know he's dead so there's no emotional shock

The live action was able to push past those age restrictions and show people alive and well and then show that their lives were ended as a calculated and purposeful action

[zuzus-ponytail]

‘so long london’ is about roku & sozin.

[mah-o-daryaa]

Spirit World Shenanigans

Yangchen running into the room: Korra just said she doesn't love me anymore! Aang: What?! Korra following her in: I did not say that. I just said that we are not driving all the way across the Spirit World just so you can punch Roku in the face. ----- While planning to break in somewhere Korra: Hey, let's do "Get Help!" Kyoshi: What? Korra: "Get Help." Kyoshi: No. Korra: C'mon, you love it! Kyoshi: I hate it. Korra: It's great! It works every time! Kyoshi: It's humiliating. Korra: Do you have a better plan? Kyoshi: No. Korra: We're doing it! Kyoshi: We are not doing "Get Help!" A Minute Later Korra, carrying Kyoshi: Get help! Please! She's dying! Help her! *throws Kyoshi at guards, knocking them out* Korra: Ahh, classic! Kyoshi: *gets up* I still hate it. It's humiliating. Korra, laughing: Not for me, it's not.

-----

Kyoshi: It’s impossible to make a sentence without using the letter A. Roku: Despite your thinking, it is quite possible, yet difficult, to form one without the specific letter. Here’s one more to further disprove your theory. Kuruk: F*ck you.