#ai and tech\conflict

[news4dzhozhar]

[mentorshelly]

He was Google's AI Pioneer...So Why Did He Just Quit?

Video Referenced In the ever-evolving world of artificial intelligence, a seismic event has rocked the tech community. The Godfather of AI, a brilliant mind behind groundbreaking advancements in the field, has unexpectedly left Google, leaving the industry buzzing with speculation. Join us in this intriguing conversation as we delve into the possible reasons behind this astonishing departure. As…

[astrxealis]

hozier yoo

[staticraichu]

Also considering how the voice is a major part of a person's identity I'd argue it's orders of magnitude worse to use AI voice generation than it is to use AI image generation.

It's not just unethical, the kind of fuckery this enables can easily be life-ruining not just for individual people but even up to entire communities.

listen I say this with patience bc some people may genuinely have not thought about this before but if you firmly say “AI art is terribly unethical and steals from artists” (which is correct) but then turn around and use voice AIs to generate songs/voice lines that sound like your favourite voice actors or singers……………………………………that is also AI art and it is also terribly unethical

[indiaandforeignaid]

Pan-African e-Network Project

India’s role as a leader in the Global South has taken on many dimensions over the years, but perhaps one of its most ambitious and impactful contributions has been in the realm of technology-driven foreign aid. The Pan-African e-Network Project, launched in 2009, stands as one of the earliest and most significant examples of India leveraging its growing technological prowess to foster international cooperation, particularly with Africa.

This visionary project connected 48 African countries with India through a satellite and fiber-optic network, enabling telemedicine, tele-education, and high-level diplomatic communications. It laid the groundwork for a deeper relationship between India and Africa, opening avenues for knowledge exchange and building infrastructure for sectors that are vital to human development—healthcare and education. 

At its core, the Pan-African e-Network Project was a response to some of the most pressing challenges Africa faces: access to quality healthcare and education. These sectors have long been under strain, with limited infrastructure and resources to meet the needs of growing populations across the continent. The project aimed to bridge these gaps by harnessing India’s expertise in technology and human development.

Through the network, doctors in African nations could consult with Indian specialists in real-time via telemedicine platforms. This capability significantly boosted Africa’s capacity to provide specialized healthcare services, especially in regions where such services were scarce or unavailable. The tele-education component was equally transformative, offering African students access to Indian universities, lectures, and academic resources that were previously out of reach.

By connecting universities, hospitals, and government offices across Africa with their Indian counterparts, the Pan-African e-Network Project created an infrastructure for knowledge transfer that continues to benefit African nations to this day. More than just a temporary aid project, it set the foundation for long-term partnerships in health, education, and diplomacy.

India’s decision to invest in the Pan-African e-Network Project was not only humanitarian—it was strategic. By providing African countries with the tools and infrastructure to enhance their healthcare and education systems, India positioned itself as a tech leader and trusted partner in the region. In many ways, this project was a precursor to India’s broader ambitions for global leadership in technology and innovation, particularly among developing nations.

While other nations have often focused on financial aid or infrastructural development, India’s approach with this project was unique. It offered knowledge and technology, empowering African nations to build their own capacity and become self-reliant. This form of tech-based foreign aid goes beyond the typical donor-recipient dynamic, fostering a relationship based on mutual respect and shared growth.

One of the standout impacts of the Pan-African e-Network Project was its role in strengthening healthcare systems across the continent. African doctors gained access to Indian specialists for consultations on complex cases, greatly expanding the scope of care available to patients. In nations where specialist doctors are in short supply, this service was nothing short of revolutionary. The ability to conduct telemedicine consultations saved lives, especially in rural or underserved areas where healthcare services are limited.

The project’s tele-education platform similarly changed the landscape of higher education for African students. Through virtual classrooms, African students could attend lectures from Indian universities, expanding their academic horizons. This democratization of knowledge allowed students to gain education in specialized fields that were not available locally, providing them with skills that are critical to their countries’ development.

Additionally, the e-Network project facilitated diplomatic communication, creating a secure and reliable channel for African leaders to engage with their Indian counterparts. This aspect of the initiative further strengthened diplomatic ties, fostering closer political collaboration between India and Africa on issues such as trade, development, and international governance.

The success of the Pan-African e-Network Project illustrates India’s unique approach to foreign diplomacy—one that emphasizes soft power and the use of technology to uplift nations. Unlike traditional forms of aid that often come with strings attached, India’s tech-based assistance through the e-Network project empowered African nations without encroaching on their sovereignty. This approach is particularly significant for developing nations, which seek partnerships that respect their autonomy and long-term growth.

India’s growing influence in Africa, bolstered by this project, reflects the deep cultural and historical ties between the two regions. The Pan-African e-Network Project is a perfect example of how India has leveraged these ties, not just for strategic advantage, but for the shared advancement of both continents.

In my view, the Pan-African e-Network Project is a blueprint for future tech-driven foreign aid initiatives. It shows that the most impactful form of aid is not just financial or infrastructural, but technological—something that empowers nations to solve their own problems. India’s vision of using its expertise to improve healthcare and education in Africa sets an example for other nations looking to foster sustainable, mutually beneficial partnerships.

What stands out most about this initiative is how it avoided the pitfalls of traditional aid, where short-term relief often overshadows long-term solutions. The Pan-African e-Network Project equipped African countries with tools that they could continue to use and expand, leading to sustained growth in critical sectors. This kind of empowerment is precisely what developing nations need to break the cycles of dependency and underdevelopment.

Looking forward, the success of the Pan-African e-Network Project should inspire more South-South cooperation. Developing nations like India and those in Africa can achieve tremendous progress by sharing knowledge, technology, and resources. The e-Network project proves that these partnerships don’t just uplift individual countries—they reshape entire regions for the better.

The Pan-African e-Network Project is a shining example of how technology can be used as a tool for global equity. It has shown that with the right vision and commitment, it is possible to bring quality healthcare and education to even the most underserved areas. As we move deeper into the digital age, projects like this will be crucial for addressing the global inequalities in access to knowledge and services. India’s role in this transformation is undeniable, and the Pan-African e-Network Project will remain a hallmark of its commitment to inclusive development. By using its technological prowess for the greater good, India is not just leading the way for South-South cooperation—it is setting the stage for a more equitable global future.

[upfrog]

An AI-generated art hot-take

Time to get some people mad at me.

I just saw a post where someone was expressing their frustration at generative AI, specifically the risk it poses to artists, and how it continues/worsens/partakes of a tradition of reducing art to a finished product. There was a particular piece of it that made me very annoyed, and I've seen this piece in a lot of posts about generated art. Well, it's past midnight where I am, I'm tired, and I'm tired of shutting up about my view on this.

"It's [AI art's] entire central premise is built on the grim truth that many people don't see artists as skilled laborers using years of practiced skill to create something unique, but as data to be exploited"

Some other posts also emphasize a perceived sense of entitlement to art; that AI art advocates feel it is unfair for artistic creation to be limited to the elect few.

I would like to give a very strong rule. Like all rules, no doubt you could come up with exceptions to it. But this rule is foundational to the world around us, it's development, and it's future.

Making it easier to create things is good. Period. Making it take less time, effort, people, and training to create things is good. Period.

Technology making jobs redundant is a good thing. It is the foundation of almost all human progress. We are all descendants of farmers who were cruelly put out of work by new technological developments. The day when one person and a computer can do the work of an entire department of artists will be a good day - we are not there, maybe we'll never get there. But technology making people redundant is good. Expanding the ability of the average human to do things is good. And the fact that we have gotten to the point where people are unironically saying "it's *good*, actually, that it takes years of practice and effort to be able to produce good art, and you shouldn't want it any other way" is... Perverse? Horrifying? Taking self-interest into the realm of actively tearing your fellow humans down?

To be clear (because this is the internet, and if I don't specify then someone will fill in the gap with the worst things imaginable) I'm not saying that a future where generative AI is extremely good, widespread, and accessible will not have downsides. The threats of bespoke scams, deepfaked videos, floods of bots with a superb ability to guide the narrative, and so on are real, dangerous, and may already be coming to pass.

I know that one aspect of the anti-AI-generated art kickback has to do with the nature of professional art, and the type of people who do it. "Art", broadly defined, is substantially a passion field. You don't do it to get rich, or to have a stable life. You do it because you love the work, and are willing to put up with a thousand downsides, annoyances, and more in order to do what you love. And having this taken away feels cruel in a way that, say, keeping grad students and accountants from having to manually calculate thousands of sums doesn't.

A few words of encouragement. Widespread literacy may have killed the scribal profession as it was understood at the time. But it opened up vastly more work than it destroyed, even if you just count the directly writing-related work. Mass-produced off-the-shelf clothing shrunk the tailor (as once understood) into practical insignificance. Does that mean that no one who is passionate about making clothes can work in the field now? No. We have far, far more clothing (insert anti fast fashion rant here, I'm all on board with that kickback), and more variety, and lots of people working with clothing. The development of software code compilers unemployed a large number of human compilers. In many ways, programming has gotten easier over the years, with a lower barrier to entry, more comprehensible languages, more resources, and so on. But that hasn't meant that software developers are stuck in an unemployment hell of too many job seekers and not enough openings. We, as a society, keep on finding more and more things we want them to program, and demand for the skillset keeps rising. I can't see the future. Maybe AI-generated art will be the end of employment for artists. Maybe the generative AI revolution is fundamentally different from every past productivity revolution. But I doubt it.

[vulnerary-prince]

From Harvard ethics professor Christopher Robichaud:

“Everyone in the days and weeks ahead will use this loss as an opportunity to seek validation for their own hobby horse complaint. Harris lost because she campaigned with Liz Cheney. Harris lost because she didn't embrace Gaza. Harris lost because she didn't choose Shapiro. Harris lost because she wasn't progressive enough (possibly my favorite one).

Take a good hard look at the map, my friends. Trump has won the popular vote. Trump ran the table. Explaining that with your hobby horse issue isn't going to cut it, tempting and consoling as it may be.

The problem isn't the electoral college. The problem isn't that we didn't have a full primary. The problem isn't Harris. The problem isn't that Dems didn't have the right message. The problem isn't even inflation or the border.

The problem is so much worse than any of those things. Those are all technical problems, with straightforward expertise fixes. If only it were so! No, our problem is not technical. It's very much adaptive. A party that embraced the Big Lie, supported an insurrection, and has been selling conspiracy-addled madness for years was widely and enthusiastically embraced. Voter turnout was profound! People didn't sit this out.

Simply put, the problem--as some of you have rightly posted--is cultural.

America, culturally, has completely abandoned a politics of decency and respect and has embraced instead a politics of resentment, revenge, false nostalgia, and bullying. And if you look at the demographics, you also won't be able to comfort yourself that it's just a white thing, or a working class thing, or an education thing. It's multi-class, multi-gender, multi-educational and multi-racial. That's what winning the popular vote means. That's what running the table amounts to.

A culture that has descended to this level of debasement is not easily fixed. In fact it may not ever be fixed. The timeline for changing something like this is decades--at best--not two-to-four year election cycles. You can extend that in this case, because with the GOP likely controlling all branches of federal government and the courts, they will ensure that mechanisms are in place to keep them in power long after their popularity has waned. You can count on that.

The GOP evolved into a party of rage, lies, and revenge--and it correctly diagnosed that there was and is a large appetite for that. That's what the country wants. At least, enough of the country wants it to ensure broad appeal and widespread electoral success. The old GOP will never return, and the Dems have nothing to say to American culture at the moment. Nothing. They've been speaking to a country that's gone, like dust in the wind.

And that's my final thought, which my posts last night alluded to. The America I knew and loved is gone. This new America--nah, I won't even bother. I will say that cultural change is less likely to occur in politics, or in the academy. You're not going to get people to see how vulgar they've become through a clever argument or a nice campaign speech, that's for sure.

This would be time for the arts, broadly understood, to step in. The arts can change hearts and minds. Too bad the arts have been systematically dismantled in education in this country, and on the other end, the tech industry's assault on the arts through AI is sure to hollow out any good-faith efforts that might emerge.

And for the rest of the world, America's rightward lurch is, I'm afraid, bad news for you too. I know you know this. Because it's not isolated, is it? It's just at the moment the most prominent example of a burgeoning trend. And this will embolden others in other countries, to be sure. We need not speculate what happens when countries become mired in lies, embrace resentment, and savor bullying. We know exactly what happens. Bloody conflict and global destabilization.

The first quarter of the 21st century will therefore in hindsight be viewed as the seed-planting stage for the absolute shit show that's about to unfold globally over the next two and a half decades. Count on it.

Adopt whatever coping and endurance strategies you have available. You're going to need it.

I think that's all I've left to say.”   

[impyssadobsessions]

DpxDC Prompt: Danny Overshadows the Batmobile

... Danny while visiting Gotham saves Batman by possessing the batmobile- unfortunately he gets stuck.

Imma copy and paste my thoughts on how I would take this from discord LOL

Bruce knows there is something wrong with the batmobile and runs test to see if he got hack. But same time conflicted because whoever hacked his vehicle just saved his life.

Also can see Fenton driving skills put to use plus with Danny's ability to phase through. Definitely makes car chases easier if Bruce can jack the runaway vans from the inside.

But Danny freaking out- using the radio or gps to try and speak after he realizes he needs help to get out of the car… and that Batman wont be As upset as he thinks.

Oo meanwhile Fentons are all over Gotham looking for their missing son… having no idea Danny overshadowed a car.

Danny figuring out how to send tuck a message to send to jazz…ends up being tracked by the bats who go investigate thinking tuck's the hacker.

Tucker trying to cover for Danny

Ooo imagine if they try to chase down Fentons because of them driving crazy(and maybe they're attacking batmobile because they can detect a ghost) and its the only car Danny cant phase through and even getting damaged by.

So he tries to plead in the radio to batman.

And then Bruce wonders if it actually was the Fentons but things still dont make sense… until the team that investigating Tuck brings in more evidence and probably Tuck.

Then it clicks.. Danny isnt ai/bot used to hack the car but Danny Fenton the missing child.

Tuck still the key to figure out how Danny got stuck. Apparently a certain part is made from materials similar to the thermos.

But catch is they need tools from Fentons to get him out so they have to bait them and have Tuck and another bat probably Tim help gather the materials.

Maybe batman confronts them, raising his arms as Fentons accuse batman being a filthy ghost that stole their child. While the others steal what they need.

When it looks like the Fentons are not going to cooperate and blast batman (batman ready to go on offensive ) Danny uses a shield to send blasts back at his parents beeping for batman to get back in.

They go on another chase where Danny drives the batmobile off a cliff and into water only to safely fly them back to the cave. Exhausted and powering down as soon as they're on land letting Bruce take the wheel again.

When Tim n Tuck finally get Danny free they all jump for joy then quickly reminded Danny is still in the batcave. And like oh right shit… they know what i am >>'

But Danny already impressed the bats so i can see them offering to help Danny out further.

Tim n tuck become friends and soon Danny gets a support of heroes. He goes back to his family whose so happy to see him safe… Danny putting in a good word about batman but it falls on deaf ears.

Pfft be funny this is the catalyst to have Fentons moving to Gotham to hunt down batman.

Bruce investing in the Fentons just so he can work on their tech and modify them to not work on Danny- and then Danny haunting the car every now and them for old time sake.

Thought this was just fun idea XD

[stem-sister-scuffle]

STEM SISTER SCUFFLE: ROUND 3 MASHUP 4

Jade Harley (Homestuck) vs Entrapta Princess of Dryl (Netflix She-Ra and the Princesses of Power)

Jade Harley is a Nuclear Physicist, Roboticist, Ectobiologist, and Cosmic Manipulator (warping space and planets)!

Entrapta Princess of Dryl is a Roboticist, Programmer and First Ones' Tech Historian/Archaeologist!

Why you should vote for each contestant:

Jade Harley:

"She's soo fun and silly and her symbol is literally an atom. she regularly irradiates steak to feed her weird dog"

"She and her nuclear powered dog creating a new universe. she's cool"

"Built a modded bass guitar that's only playable when she's in her robot form and has extra arms. Became a doggirl. She also plays the flute :)"

"i think you have enough ramblings about her already but i couldnt NOT submit her, she is so dear to me <3"

"bbg has THREE scientific specialties!! she genetically modifies plants and makes them grow beautifully high just because she can and loves science. in her alpha timeline she’s a tech mogul and creates technology that challenges the evil empress that brought earth to ruin. AND she’s a furry"

"Doggy"

"She plays a silly flute refrain. She's a furry. Literally, she's a doggirl. She's also a god and created the universe. JADE BEST GIRLIE!!!!"

Entrapta Princess of Dryl:

"She builds robots!!! She's curious and inquisitive!! She loves her robots!! She has the coolest hair and also I want to be her bestie. She's an absolute love"

"autism :)"

"Builds robots and computers for fun and companionship. Can take apart and understand almost any tech she is presented with. Autism lever set to max and I love her. Mandatory boob window in all her outfits and I've never related harder to a character."

"autistic icon, amazing inventor and app round excellent character"

"she has prehensile hair it’s literally the best thing i’ve ever seen in my life, it’s never once acknowledged by any of the characters as abnormal or explained in any way i’m literally obsessed with it. also autism queen"

"PIGTAILS!!!! autism"

"Entrapta is very bubbly and positive. She never lets anything like losing her friends or going to the bad side or getting put on a death-sentence island stop her from scientific pursuits! She actually drives a lot of the conflict in the story, as she explains the technological backstory of the world, and helps both sides be better at fighting. She loves data, doing experiments, and the scientific method. She's also in love with space. She is an autistic queen <3"

"phenomenal canon autism representation without being weird & shitty. also she’s so strange & wonderful & relatable in so so many ways. my computer is named Darla bc that’s what she named the AI for the spaceship in s5"

"She is THE science queen because she loves science so much and her love of it is INFECTIOUS. I don’t know anything about science but Entrapta makes it seem like the coolest thing in the universe. I love her"

"She ourple. I luv her"

"She's so passionate about her work. Takes through notes! Figured out how to hack her home planet!!! She's autistic as hell and I like her overalls."

"You won’t get autism like this anywhere else bestie"

"amoral mad scientist who flips between the good guys and bad guys, loves building so many inventions, ends up converting the head bad guy (for most of the series) to good through the power of love"

"She has outfitted her entire castle to be a maze, and installed electronic locks on some. Her staff seems to be mostly robots she has built herself. In good part reverse engineering or adapting ancient tech found on the planet. She's incredible at what she does and personally fixes, invents and builds a wide range of stuff from space ships to portals to a prosthetic exoskeleton to trackers to war machines. She can do it all. Autism win! Girlie has been criticised for being treated childlike or being unable to understand those around her to a ridiculous degree, but I'm honestly just glad she's not a Sheldon Cooper. Her favorite bots have personalities and therefore implied AI (but not the shitty kind), which means she's pretty fucking good at software too. She likes tiny foods."

"So very autistic about technology. Initially believes robots are way better than people, eventually makes human friends but also very much still has robot friends (I love Emily so much). Gets so excited about finding new First One's tech. Also her happy spinning around in a space suit in that one season 5 episode heals my heart every time I watch it"

"She's the planet's leading expert on ancient tech (sci-fi/fantasy universe) and develops most of the tech in the show and is very autistic about it. i love her"

"She is fun and funky. Chaotic neutral. Definitely some autism coding going on, which is very charming. She has a pet robot? It is cute"

"Bc she is ENTRAPTA!! No srsly she is such a well-written character. At times kinda morally grey but always lovable and great and she is truly amazing at what she does!! I'm pretty sure she's already been submitted but I wanted to make sure :)"

[wynndigogh]

When you ask AI about the guys' festishes:

Sure! Let’s take another approach by delving deeper into how each Turtle’s personality could influence their specific romantic preferences or fetishes, keeping it character-driven and respectful.

Leonardo:

Personality: Leonardo is the disciplined, serious leader, often putting duty before his personal desires. He’s very much about control, responsibility, and being grounded.

Romantic Preferences/Fetishes: Leo might have a preference for control and structure in a relationship. He may be attracted to dynamics where he can maintain a sense of order and responsibility. He might also enjoy the concept of protection, taking on a guardian role, which could extend into romantic preferences where he feels responsible for his partner’s well-being.

Potential Fetish: A likely fetish for Leonardo could involve elements of authority or discipline, such as uniforms or a protective dynamic in which he takes charge, reflecting his natural leadership tendencies.

Michelangelo:

Personality: The most carefree and fun-loving of the group, Michelangelo is all about enjoyment, humor, and relaxation. He’s less concerned with responsibility and more focused on living in the moment.

Romantic Preferences/Fetishes: Mikey would likely be into playfulness and experimentation, always eager to have fun in a relationship. He’d enjoy partners who are adventurous, spontaneous, and willing to try new things. His interests would lean toward the lighthearted and sensual, where both he and his partner can feel free and unpressured.

Potential Fetish: Michelangelo might be into role-playing or costumes, reflecting his love for creativity, comic books, and fantasy. He could also have a strong interest in the playful, tactile aspects of intimacy, enjoying physical connection in a way that feels fun rather than overly serious.

Donatello:

Personality: The intellectual and inventor of the group, Donnie values intelligence and curiosity. He’s a deep thinker, often lost in his tech projects, and tends to be more introverted and shy about his feelings.

Romantic Preferences/Fetishes: Donatello would probably be attracted to someone who can engage his mind, stimulating him intellectually. He’d likely appreciate partners who are curious, logical, and willing to explore new ideas with him, particularly in the realm of science and technology.

Potential Fetish: Donnie might have a fascination with technology-based intimacy or even a curiosity toward things like virtual reality or cyber-themed aesthetics. His attraction to intelligence might lead him toward cerebral forms of connection, such as finding excitement in the mind-body connection or partners who challenge his intellect.

Raphael:

Personality: Raphael is intense, passionate, and emotionally complex. He hides a vulnerable side behind a tough exterior and struggles with expressing his feelings, often turning to physicality or anger instead.

Romantic Preferences/Fetishes: Raph would likely be drawn to power dynamics in relationships, where there is an element of tension or challenge. He may be attracted to partners who can stand up to him or push back when necessary, enjoying the emotional and physical interplay between strength and vulnerability.

Potential Fetish: Raphael could lean toward dominance and submission dynamics, where the power struggle is part of the excitement. He might find thrill in the intensity of both control and being challenged, reflecting his internal conflict and desire for emotional release. Raph could also be drawn to partners who enjoy physicality, whether through intense intimacy or shared combat training.

Summary of Fetishes:

Leo: Likely into authority, uniforms, and possibly a protective dominance dynamic.

Mikey: Enjoys playful role-playing, costumes, and tactile, fun-loving connections.

Donnie: Could have a tech-related fetish, perhaps involving virtual elements or an intellectual connection.

Raph: Might gravitate toward power dynamics, with a focus on intensity, challenge, and dominance.

[ki-kosmo]

Me: Ok it’s time to work on something productive!!

My brain: ok but what if we didn’t do that actually *develops crossover and writes a spin-off AU with details down to the mechanics of each animatronic*

Anyway what if Mystery Skulls DCA crossover?

Close-ups and more info under the cut bc I’m brainrotting real hard about this:

So with this crossover (AU??) the story is mostly the same as the Mystery Skulls animated series, but with a few changes.

The gang all worked together in theater production; Sun and Moon were performers just like in canon SB, while Y/N and mini djmm were behind the scenes, doing tech, organizing events, etc. However, the crew also loved to go exploring, and Y/N, being heavily interested in the paranormal, usually led “investigations” into haunted locations. This was all for funsies and frankly, the boys just had fun going out and observing.

One night they go to an abandoned cave and get separated, and due to a… malfunction… in Sunny’s arm, he pushes Moon off a nearby cliff, tearing the poor bot to shreds. But! Whatever force that amplified the glitch in Sun also allowed for Moon’s will to stay alive and wrath to seek revenge on sun to strengthen, and eventually revive his sentient ai, piecing himself back together as best he can, with the rest of him materializing into a new body. Eventually, Djmm finds Sun and rips his infected arm from his socket, which brings Sun back to reality.

Sun doesn’t remember any of this except for Djmm tearing his arm away, and Y/N barely remembers Moon at all. In fact, all they know is Sun had a theater partner once, but one day they just vanished. Sun… doesn’t like to talk about it. He grows depressed, long after he gets repaired, and soon after stops performing to look for Moon full-time.

When he realized Y/N didn’t remember anything, he was conflicted. Confused. But once he realized he couldn’t seem to jog their memory, he kind of kept the events a secret from them. Not for his sake, no, but because he knew Y/N would blame themselves if they ever found out one of their silly escapades resulted in the death of someone so dear to them all.

Also for those interested, yes I designed Djmm with Mystery’s transformation in mind, here are some chicken scratch sketches I saved while I was figuring out their look:

If you read this far I’m giving you a big ol’ smooch on the forehead and a cookie 🍪💕

[naferty]

It's been a minute, but I'm happy to say I wrote something stony! And avac stony to boot.

This was heavily inspired by an old BL manga I read many years ago.

~~~

Tony wouldn’t say his time in Avengers Academy was bad. He wouldn’t say it was good either. As the son of a SHIELD agent and a HYDRA double agent, it was hard to find people to hang out with, let alone have any friends. What with the whole ‘he could be a double agent waiting to reveal secrets for his own benefit,’ thing looming over him thanks to his father. 

It didn’t matter that his mother had been a dedicated agent who left his father the moment she learned he was double-crossing and raised him herself to be a good person. All her efforts were ignored and Tony was lucky to be called a backstabber at worst and a turncoat at best. 

At least this school accepted him with minimal difficulty. Granted, he was ignored by the two main affiliates he was associated with, but at least he was able to study and hey! He was given permission to use the engineering room. He had that going for him.

It wasn’t all doom and gloom though. Sure, the one individual who managed to overlook his whole conflicted birth was not exactly a person to write home about, but Loki had a sense of fashion compared to most and always made sure Tony looked his best. 

“No Asgardian prince will share common space with a pauper,” were Loki’s everyday words when he found Tony wearing his admittedly cheap outfits. Conveniently forgetting Tony wasn’t exactly carrying a nation’s treasury in his back pocket like the prince. 

All in all, it wasn’t so bad. He had a sort-of friend but really an acquaintance who found his presence less annoying than most. He was given permission to tinker and experiment with tech and invent whatever he wanted. Within reason. He was given his education. He even managed to share space with some of the greatest names known! Both on Earth and from space. 

Captain Marvel, the Hulk, Falcon, heck, he even managed to catch a glimpse of Moon Girl and had Iron Woman look at him once! The last one had made Tony’s entire day. What he would give to share, like, ten minutes with Iron Woman and pick at her brain. See how she worked. A dream come true. 

Often, he would daydream of one day joining any of their groups. Just once. Even if it was only a minute or two. He would daydream of perhaps making a difference somewhere, even if small. Invent life-changing tech. Maybe even become a hero in his own right? Anything to show he wasn’t just a simple agent who was ready to turn their friends over at a moment’s notice.

What he would give for just a glimpse of what that would feel. Not having everyone watch your every move. 

Well, not much to be done there. He just had to buckle down and work harder than most to go against the whole school’s expectations of him. Every day he attended his classes, completed his extracurricular activities, worked on his shabby attempt at an AI and daydreamed about what-ifs.

“Yo, Clint, hurry up. You’re already late!” 

Tony turned to look behind him where the Hawkeye and the Falcon were casually waving at each other. Going about their day like usual and walking around as if they didn’t carry big names on them. 

He sighed and went back to his work. He was finishing up his coding for another attempt at Friday’s calculating. He was alone at Club A. The engineering room having been taken up in its entirety by up-and-coming SHIELD agents wanting to be the next big shot. As Tony was not in the mood to be constantly stared or pointed at, he decided to finish his coding in the one building devoid of bodies this time of day. 

However, even if alone with nothing to distract him, he couldn’t help his mind wandering around the place. In particular, a rumor that had begun circulating around the Academy recently. A rumor involving the golden boy. Captain America himself. 

What was the rumor? Why, apparently Captain America had a crush. In the grand scheme of things, it wasn’t exactly something worth talking about, but if one was following Captain America’s career closely, it was big news. 

Captain America was a big name, and the person responsible for it wasn’t someone to ignore. Steve Rogers was kind, respectful, brave and a very, very private person. Especially with his romantic aspect of it. It was rare to ever see the guy go on dates or show even a lick of interest to anyone. One could say if he ever found love again the person lucky enough wouldn’t have to ever worry about his eyes straying. 

Peggy Carter was a very lucky woman, or had been lucky, he would say. If the rumor held any truth, the founder of SHIELD was no longer the one holding the Captain’s heart. 

According to hearsay, Steve Rogers had a crush on someone in the engineering club, and while Peggy Carter was a genius in her own right, she wasn’t exactly tech savy for the club. This left a few possible contenders. Excluding the SHIELD agents – because come on, why would Captain America go for a lowly SHIELD agent? – the heroes at the top of the list were Moon Girl, Ironheart, Shuri, Spider-Gwen and, of course, Iron Woman. There were more, sure, but the rumor listed these specifically. 

Tony sighed again, tapping the end of his pen against the wooden surface he was working on top of. He should probably stop thinking about this particular rumor, but he couldn’t help it. Ever since growing up, he looked up to the idea of Captain America. Going against all odds to be the hero he was today. Tony couldn’t help but compare himself and his hardships with the guy, and somewhere along the way he kind of, sort of, maybe had gained a little bit of a crush on the hero, so hearing about the hero liking someone was a little painful. 

If he had to guess, the one the Captain was crushing on was probably Iron Woman. The one and only Natasha Stark. He often saw the two hanging out with each other. Always together with their ‘click.’ It was only natural Steve would catch some feelings if they hung out every day. 

Didn’t hurt any less though. 

“Okay,” he said to no one. “Focus. Focus.” He couldn’t waste his hour of free time away thinking about this. He had coding to finish and nobody was going to help him with it. Loki was useless when it came to tech and didn’t exactly make for encouraging company, so it was now or never. 

He slammed his pen down, harder than necessary, but the paper had no feelings to hurt so he didn’t particularly care, but he did utter a soft ‘sorry’ for disrespecting the code. 

He got to work and made good progress. His calculations might be a little off but he could hammer it down once he had access to the engineering labs again. The important thing was he had the base to work with. 

He decided to stop when he got stuck. He needed to test out his idea, but with no access right now to the computers at the labs, it was pointless to continue. He shuffled the papers together and stuffed them in his backpack. He still had twenty minutes left to kill time before his next class, meaning his next destination was the park. There, he was left alone and he could sit with his thoughts.

Ah, perhaps that wasn’t the best idea. The last thing he needed was time to think about the rumor again. Then again, he was thinking about it now as he attempted not to think about it. A vicious cycle.

As he was busy with his inner turmoil, he failed to notice someone getting closer from behind and by the time they caught his attention, Tony was left staring blankly at a flower in his face. 

It was a rose. Very red and very much smelling of a rose. It was jammed right in front of Tony’s nose and he went a little cockeyed looking at it. The person at the other end of the rose was none other than Steve Rogers. 

Whoa, Tony thought. He had never seen the Captain America standing so close before. Had his eyes always been that blue? 

So enraptured by those eyes, Tony could do nothing as the Captain reached out to cup the side of his face and pulled him forward. Tony went wide-eyed when the hero placed a small kiss on his mouth. A peck, really. Tony barely felt it. 

The hero pulled back and gave a blinding smile. Then, just as quickly as he appeared, he left the rose on his lap and disappeared, leaving Tony alone once more in Club A. 

Tony placed his good hand over his mouth unconsciously, and as his thoughts started catching up he went bright red. 

He just – he just – he – k-kissed -

A squeak he would deny for the rest of his life escaped him and Tony quickly scrambled to run back to his dorm to hide. 

[milf--adjacent]

"If you are mad about the Internet archive ruling but anti-ai you are holding conflcting views"

No: I wish to destroy IP laws and I also want the slave labor-using tech bastards pushing out "AI" to die painfully. It's not conflicting at all?

[linkspooky]

Bohman is a good character you guys are just mean

Yu-Gi-Oh Vrains is one of the better received spinoff series. Though, like any of the Yu-Gi-Oh spinoffs it's not without its faults. Usually I'm the first to admit the flaws in my favorite silly card game shows, even while I myself take them way too seriously. However, there's one common criticism I can't bring myself to agree with.

That is calling the main antagonist of the second season Bohman "boring" or "badly written." I've noticed fans unfairly blame Bohman for season 2's writing flaws.

Forget for a moment about whether or not you find Bohman's stoic attitude interesting or likable. If you look at characters not as people, but as narrative tools the author uses to say something about the story's themes then Bohman has a lot to say about VRAINS cyberpunk themes.

Cyberpunk is a subgenre of science fiction that tends to focus on "low-life and high-tech." As I like to put it, in Cyberpunk settings technology has greatly advanced while society itself lags behind unable to keep pace with the rate at which technology changes. Yu Gi Oh 5Ds is an example of a cyberpunk dystopia because despite having what is essentially access to free energy, and living in a society with highly advanced technology resources are hoarded by the wealthy and an unnecessary social class divide still exists.

In other words technology changes quickly while humans tend to remain the same.

The central conflict for all three seasons of Vrains are actually based on this very cyberpunk notion. That technology changes, updates, and becomes obsolete at a rate too fast for humans to ever adapt to. For Vrains, the conflict is whether humans can ever coexist with an artificial intelligence they created that can grow and change faster than they can keep up with.

This is well-tread ground in science fiction. The idea itself most likely emerged from I,robot. A science fiction book that is a collection of dirty stories that details a fictional history showing robots growing slowly advanced over time. The framing device is that a journalist is interviewing a "robopsychologist" an expert in the field of analyzing how robots think in their positronic brains.

One of the major themes of the book is despite the fact that robots are 1 - intelligent and 2 - designed by humans, they don't think the same way humans do. Hence why a robopsychologist is needed in the first place. One of the short stories is the first appearance of Asimov's three laws of robotics.

The First Law: A robot may not injure a human being or, through inaction, allow a human being to come to harm.

The Second Law: A robot must obey the orders given it by human beings except where such orders would conflict with the First Law.

The Third Law: A robot must protect its own existence as long as such protection does not conflict with the First or Second Law.

This is just one example. A robot no matter how intelligent it is will be required to think in terms of these three laws, because robots aren't biological, they're programmed to think in pre-determined patterns.

Of course clever enough artificial intelligences are capable of finding loopholes that get around the three laws, but even then they're still forced to think of every action in terms of the three laws.

Robots and humans are both intelligent, but if AI ever becomes self aware it will 1) be able to process information better than any other human can and 2) think differently from humans on a fundamental.

Vrains is themed more than anything else around "robo psychology" or trying to understand the ways in how the Ignis think and how that's different from it's human characters.

Robo-Psychology is actually a common reocurring theme. "DO ANDROIDS DREAM OF ELECTRIC SHEEP?" fearless artificial humans known as Replicants who need an empathy test known as the voight kampff test to distinguish them from human beings.

There are other Cyberpunk elements in Vrains. There's a big virtual world where everyone can appear as custom designed avatars, that's taken from Snow Crash or of the most famous and genre defining cyberpunk novels. There's a big rich mega conglomerate that's being opposed by a group of hackers.

However, the central question is whether humans and AI can coexist in spite of the fact that AI are much smarter and evolve faster than us.

Revolver's father believes the Ignis must be destroyed in order to avoid a possible technological singularity in the future.

The technological singularity—or simply the singularity[1]—is a future point in time at which technological growth becomes uncontrollable.  According to the most popular version of the singularity hypothesis an upgradable artificial intelligence will eventually enter a positive feedback loop of self-improvement cycles, each new and more intelligent generation appearing more and more rapidly, causing a rapid increase ("explosion") in intelligence that surpasses anything humans can make.

Basically your computer is smarter than you, but your computer isn't self aware. It needs you to tell it what to do. Artificial intelligence already exists but it's programmed by humans, it doesn't program itself. The technological singularity proposes that eventually a self aware ai, will be able to program itself and improve upon it's own programming- therefore ridding itself of the need of it's human programmers.

This is what leads us to Bohman, an AI designed by another AI.

THE THIRD LAW

Before digging into Bohman let's take a minute to discuss his creator. Lightning was one of the six Ignis, created by Dr. Kogami through the Hanoi Project.

The Hanoi project involved forcing six children to duel in a virtual arena repeatedly, and using the data collected from that experiment to improve the AI they were working on, creating what became known as the Ignis. However, after Dr. Kogami ran several simulations and found that the Ignis would one day be a threat to the humans that created them Hakase decided instead to try destroying the Ignis before that future ever came to pass.

We later learn that this isn't the complete story.

Kogami and Lightning both ran simulations of the future when the Ignis were in their infancy. Kogami's simulations showed him the Ignis would inevitably go to war with humans. Lighting however, ran more in-depth simulations and found that he was the one that was corrupting the data set. If you ran simulations of the five ignis without him, then the projected futures were all in the green, but any simulation with Lightning counted as a part of the group projected a negative future for both humans and AI.

Which means that if Kogami knew that the bug in the program was Lightning, he'd likely respond by just getting rid of Lighting and letting the rest of the Ignis live on as originally intended.

This is where the third law comes into play - a robot must protect its own existence as long as it does not interfere with the first and second law.

Now, I don't think Kogami used the three laws exactly, but artificial intelligences are programmed in certain ways, and Lightning was likely programmed to preserve itself.

Even a human in Lighting's situation would be driven to act as they did. Imagine you're in a group of six people, and you fid out that YOU'RE THE PROBLEM. That if they removed you, everything else would be fine. Wouldn't you be afraid of your creator turning against you? Of your friends turning against you and nobody taking your side?

Lightning is a bit of a self-fulfilling prophecy. Ai asks him at one point why he went so far as to destroy their safe-haven, lie and said the humans did it and pick a fight with the humans himself, something that might have been avoided if they'd just stayed in hiding. It seems that Lightning is just defective as his creator declared him, but you have to remember he's an AI programmed to think in absolutes. AI, the most humanlike and spontaneous of the AIs ends up making nearly the exact same choices as Lightning when looking at his simulations later on - because they're character foils. As different as they may seem they still think differently from humans.

When Ai explains why he made his decisions based around lighting's simulation, he tells Playmaker that he can't dismiss or ignore the simulation or hope for the best the way Playmaker can because he is data, he thinks in simulations and processes.

AI even admits to feeling the same feelings of self-preservation that Lightning did.

While Lightning may seem selfish, he's selfish in the fact that he's thinking of his own survival above all else. He's afraid of 1) his creators turning against him, and 2) his fellow Ignis turning against him.

To solve the first he decides to make a plan to wipe out his creators. To solve the second, he needs every ignis on his side when he goes to war. The first thing he does is destroy their safe haven and frame the humans for it so the Ignis are more inclined to take his side. He's so afraid of his fellow ignis turning against him he even completely reprograms one of them - a step he doesn't take with the others, he just imprisons Aqua. He probably thought having one more ally would make it more likely for the others to pick his side.

Every step he takes is a roundabout way of ensuring his survival and the other ignis- eve when he actually goes to war with the other ignis he intended on letting them survive. Though his definition of survival (fusing with Bohman) was different than theirs.

So Lightning seems to be working out of an inferiority complex, but what he's really afraid of is that his inferiority makes him expendable.

At that point you have to wonder, what does death mean exactly to a being who is otherwise immortal? Ignis won't die of age, they'll only die if they're captured and have their data stripped apart or corrupted. Kogami made an immortal being afraid to die.

Some part of me thinks though that even after taking all these steps to preserve themselves, the simulations were so convincing that Lighting accepted their death as inevitable. Which is why they made Bohman, to find some way for them to keep on living afterwards.

After all AI are data, ad having their data saved in Bohman is still a form of living by Lightning's definition.

Ghost in The Shell

Bohman is the singularity. He's an AI designed by another AI to improve upon itself. Unlike the rest of the Ignis who were copied off of traumatized chidlren, Lightning basically made him from scratch.

Ghost in the Sell is a famous anime cyberpunk movie directed by Mamoru Oshii. The title comes from "Ghost in the Machine" a term originally used to describe and critique the mind existing alongside and separate from the body. Whereas in the movie the "Ghost" is the huma consciousness, while the "shell" is a cybernetic body.

The protagonist of Ghost in the Shell is Major Motoko Kusanagi, a human that is 99% cyborg at this point, a human brain residing in a completely mechanical body. The movie opens up with a hacker namd PUppet Master who is capable of "ghost-hacking" which is a form of hacking that completely modifies the victim's memories utterly convincing them of their false memories.

There's a famous scene in the movie where a man tells the police about his wife and daughter, only to be told that he's a bachelor who lives alone and he's never had a wife and daughter. Even after the truth is revealed to him, the fake memories are still there in his brain along with the correct ones. Technology is so advanced at this point that digital memories (hacked memories) are able to be manipulated, and seem more real than an analog reality.

Anyway, guess what happens to Bohman twice?

Bohman gets his memories completely rewritten twice. The first time he believes he's a person looking for his lost memories, the second time he thinks he's the real playmaker ripped out of his body, and playmaker is the copy. He's utterly convinced of these realities both time, because Bohman is entirely digital - and simulations are reality, and so simulated memories are just the same as real memories.

I think part of the reason that people find Bohman boring is because he's a little strange conceptually to wrap your head around, as an AI produced AI he's the farthest from behind human. If you use the ghost in the shell example I just gave you though - imagine being utterly convinced that you had a loving wife and daughter only to find out in a police interrogation room you're a single man living in a shitty apartment. imagine after the fact you still remember that they are real, even though you know they're not.

That's the weird space Bohman exists in for most of Season 2 when he's searching for himself. He's an AI designed by an AI so he can be rewritten at any time according to Lightning's whim until Lighting decides he's done cooking.

The Ignis at least interacted with the real world because they were copy pasted from traumatized children, but all Bohman is is data. So, why would he see absorbing human memories into himself and converting them into data as killing them? He is data after all, and he is alive. He has gone through the process of having his own memories rewritten multiple times, and he's fine with it b/c he's data.

Nothing for Bohman is real, everything is programmed so of course he thinks saving other people as data is just fine. He even offers to do the same thing to Playmaker that was done to him.

If Lightning is following the path of self-preservation however, Bohman is following his program to preserve everything in the world by merging with it.

His ideas also follow the idea of transhumanism: the theory that science and technology can help human beings develop beyod what is physically and mentally possible. That technology exists to blur the boundaries of humanity, and what humans are capable of.

Ghost in the Shell isn't just a work of cyberpunk, it's a transhumanist piece. Motoko Kusanagi is a character who has had so many of her human parts replaced with mechanical ones she even posits at one point it's possible for her to simply have been an android that was tricked into thinking it was human with false memories just like Bohman, and she has no real way of knowing for sure. The only biological part of her his her brain after all in a cold mechanical shell.

Bato, who represents the humanist perspective in this movie basically tells Motoko in that scenario it wouldn't matter if she was a machine. If everyone still treats her as human then what's the difference? His views are probably the closest to the humanist views that Playmaker represents in VRAINS.

Motoko Kusanagi meets her complete and total opposite, a ghost in the machine so to speak. The Puppet Master turns out to be an artificial intelligence that has become completely self-aware and is currently living in the network.

The Puppet Master much like Lightning, and later Bohman is gripping with the philosophical conundrum of mortality. In the final scene of the movie, The Puppet Master who wants to be more like all other biological matter on earth asks Motoko to fuse with him, so the two of them can reproduce and create something entirely new. The Puppet Master likens this to the way that biological beings reproduce.

Bohman like The Puppetmaster thinks that merging will fix something that's incomplete inside of him because he's so disconnected from all the biological processes of life. Bohman doesn't have anything except for which Lightning already prepared for him or programmed into him. I mean imagine being a being that can have his memories reprogrammed on the net, that in itself is existentially horrifying. It's only natural he wouldn't feel connected to anything.

Motoko accepts the Puppetmaster's proposal. Playmaker rejects Bohman's proposal. I don't think there's a right answer here, because it's speculative fiction, it's a "What if?" for two different paths people can take in the future.

However, in Bohman's case I don't think he was truly doing what he wanted. Puppet Master became self aware and sought his own answers by breaking free from his programming. Bohman thought he was superior to the Ignis, but in the end he was just following what Lightning programmed him to do. He'd had his identity programmed and reprogrammed so many times, he didn't think of what he wanted until he was on the brink of defeat by playmaker and then it was too late.

When Playmaker defeats him all he thinks about is time spent together with Haru, with the two of them as individuals. Something he can no longer do anymore now that he's absorbed Haru as data, and something that he misses.

He's not even all that sad or horrified at the prospect of death as Lightning was, and he even finds solace in the thought of going to oblivion with Haru, because if he were to keep living it'd be without Haru. In other words the one genuine bond he made with someone else by spending time with them as an individual was more important than his objective of fusing with all of humanity - which he believed was also bonding with them.

This is really important too, because it sets up the Yusaku's rejection of fusing with Ai. Yusaku's reasoning has already been demonstrated to be the case with Bohman and Haru. Bohman was perfectly happy being two individuals, as long as he had a bond with his brother. When he ascended into a higher being he lost that. Ai and Yusaku might solve loneliness in a way by merging together into a higher being, they might even last forever that way, but they'd lose something too.

Once again the problem with AIs is that they think in absolutes. That's important to understanding Lightning, Bohman and even Ai's later actions. Lightning can't stand any percentage chance that he might die, so he kills the professor, destroys the ignis homeworld, pulls the trigger to start humanity himself, he even reprograms his own allies all to give himself some sense of control.

Bohman's entire existence is outside of his control. He's rewritten twice onscreen, probably more than that, and he thinks merging with humanity is the thing that will give him that control - by ascending into a higher being than humanity. However, the temporary bond Bohman had with his brother Haru, was actually what he valued the most all along. Moreso than the idea of fusing with humanity forever.

Even Motoko making the choice to go with the transhumanist option is something that's not portrayed as 100% the right choice. Ghost in the Shell has a sequel that portrays the depression and isolation of Bato, the Major's closest friend and attachment to her humanity after she made the decision to fuse together with Puppet Master. In that case, just like Playmaker said to Ai, even if she ascended to a higher form, and even if she might last forever now on the network, something precious was lost. Motoko may exist somewhere on the netowrk but for Batoto his friend is gone.

Ai exhibits the same flaw as the previous two, he ca only think in absolutes, he can't stand even a 1% chance that Playmaker might choose to sacrifice himself for Ai and die, so he decides to take the choice entirely out of Playmaker's hands. However, no matter what Ai would have lost Playmaker one day, because all bonds are temporary. It's just Ai wanted to have that sense of control, so he chose to self-destruct and take that agency and free choice away from Playmaker.

It's a tragedy that repeats three times. Ai too just like Bohman, spends his last moments thinking about what was most precious to him was the bond he formed with playmaker, as temporary as it was. A tragedy that arises from the inability of the Ais to break away from the way they're programmed to think in simulations and data, even when they're shown to be capable of forming bonds based on empathy with others.

All three of them add something to the themes of artificial intelligence, and transhumanism that are in play at Vrains and none of them are boring because they all contribute to the whole.

Which is why everyone needs to stop being mean to Bohman right now, or else I'm going to make an even longer essay post defending him.