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#ah well maybe if i write the general plot someone will help me flesh it out
aoifehorse · 4 years
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IM REALLY INTO CAT DESIGNS CAN YOU TELL???
anyways... 
Sanders Sides, but they're all kitties!!!! Because of the fact that they're all “imaginary” or like, concepts as opposed to physical beings, they all have two designs. One for imaginary (left), with colors, that aren't possible, and one for reality (right). 
also, i totally didn't do this because i have an idea for a warrior cats fic but
So this is my idea for the Sides as Warrior Cats. They aren’t the leaders of the clans or anything but there is a storyline. Basically, the journey to the lake prophecy but with these 4. 
Logan is Lightstep
Roman is Rowanheart
Patton is Puddlesplash
Virgil is Ivystorm
So now onto the part of the au where we get some backstory. 
(i wrote this before the dark sides were introduced, so im going to add them in)
Lightstep is part of WindClan. He's a moor-runner, one of the more experienced, and is training an apprentice, Willowpaw. His family mostly left him and his brother (Sandcloud) to be themselves, and they grew reserved but close. Lightstep is the tallest of the four, and easily the fastest.
Rowanheart is from ThunderClan. He is the kit of the leader and deputy of his clan, along with his twin brother Amberclaw. He had a very connected family, they were constantly playing and hunting together. He’s a warrior and the strongest of the four.
Puddlesplash is from RiverClan. He became a medicine cat apprentice after his father was killed in battle. His brother (Rainfur) continues to be a warrior. Puddlesplash is technically the smallest, but his fluffy fur makes him the second smallest. He likes to take care of other cats, no matter what clan they are in.
Ivystorm is from ShadowClan. His littermates both died when they were kits, and only Ivykit survived. His mother (Rainflower) isn't the nicest, and he doesn't know who his father is. He is withdrawn from most other cats, including the other three at first, excepting a few. Ivystorm is the smallest of the four and the stealthiest.
So for the story, it starts in the forest territories. Everything is pretty much normal, some minor fights but thats it. The biggest news is that near RiverClan there was an oil spill, but they’re dealing with it. When StarClan cats visit the four chosen, and tell them about the new prophecy, they’re sceptical, but eventually band together to save the clans. 
The story basically is following the same line as the second arc, with a great journey, and going to the sun-drown-place. Obviously, these four are the chosen cats, and they need to learn to get along to save their clans from the destruction of the forest. There are some changes, no other cats secretly join them, only the four of them go, but the overall storyline stays the same.  
In two-leg-place, they get Thomas, a begal house cat as a guide and friend. His friends include Talyn, Joan, Remy and Emile, whose owner is a vet, and helps the group out when one of them is injured in a dog attack. (Talltail and Jake vibes anyone?) Thomas volunteers to escort them to the ocean, and he also takes them to the foot of the mountains. 
They still meet Midnight the badger, shes the best character in the whole series im not going to replace her. 
When they do all return and find the lake, the four of them agree that no matter what happenns between the rest of the clans, they will remain friends. 
Some other scenes and ministories I want to do as well: 
Rowanheart and Amberclaw have a brambleclaw and hawkfrost moment. Amberclaw is basically all about the dark forest, and Rowanheart is forced to kill him in self-defence. 
A cat with a half burned face who calls himself Janus shows up to tell them about the coming eclipse and how StarClan will abandon them but hes a liar. 
Turns out Ivystorms dad was actually a leader of ShadowClan, but died before he was born. He was super evil and tries to recruit Ivystorm into the dark forest, then he leads the dark forest attack. 
I want to do the Prophecy of Three, but I’m not sure how. My best idea so far is Puddlesplash helps a rogue deliver 3 kittens, but then she dies, and he has to then deal with them and the other three help. Maybe they each take one back to their clan because Puddlesplash is a medicine cat and can’t care for kittens without suspicion or something. Maybe they actually are Puddlesplash’s kits, in which case same deal. Maybe when Thomas went to the ocean with them, he became destined to find the three kits and bring them to the clans. Idk but i want to do something with this eventually. 
The other sides, as well as Thomas and crew, Emile, and Remy Here!! 
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phoenixyfriend · 4 years
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More "de-aged Taka and T7 end up in the Warring Clans Era as Founders' wards" AU
“That’s a thing?” you ask. The answer is yes.
Uh. Kind of. Deaging Team Seven for the sake of tossing them back in time for a Founder to adopt is pretty common, but I’m trash for Taka so this AU started with me brainstorming the asshole team.
I am falling more and more in love with the idea of Tobirama ending up with custody of Team Taka somehow. He’s a science dad, but like. Marginally more ethical than Orochimaru.
Everyone around them is like "This is a terrible idea and it's all going to end horribly" and he's just like "Ah, these are now my children."
I've read so many "Team Seven time-travels and is de-aged, get adopted by the Founders" or "a Founder time-travels forward and adopts Naruto, subsequently picking up the others" and they're good but I now want the same plot with an even more dysfunctional collection of... eldritch mishaps? The AO3 feel of "I want this fic I just read, again, but a step to the left so it feels fresh and new"
I'm considering the tent of tranquility idea (courtesy of @sloaners​) and I've come to the decision that Tobirama's... probably going to end up with Several Holes in it, and burns, and cuts, because Karin and Suigetsu never stop fighting, and if they're fighting, they're not paying attention to how soon Juugo's going to lose his grip on control.
"Hm. Tobirama?" "Anija." "Where did you get children?" "They showed up." "One of them looks like an Uchiha." "He does." "Two of them are trying to kill each other." "That's normal." "Are the Uchiha going to accuse us of stealing a clan child?" "Probably." "...Tobirama, did you steal these children?" "No."
(It's not kidnapping if they show up and break into your house first.)
(Also none of them are particularly pressed to ditch the Senju and find their clans. Maybe eventually. Not now.)
They’re assholes but Karin is, even at Supposedly Age Three, babbling at Tobirama about proper lab protocol and chemical reactions and isn’t that just the most adorable thing?
Very few people find Karin as adorable as Tobirama does, because Karin knows more ways to kill a person than most adult shinobi, because most adult shinobi don’t know about things like flesh-eating diseases and specialty poisons from the other side of the continent that can only be refined via chemical processes that won’t exist for another three decades.
Juugo is a sweetheart. Best child. Then he loses his mind but it’s okay, Sasuke is there. Do the Senju trust the clearly-Uchiha child to control the much larger five-year-old? No. But they don’t have any better ideas right now, so.
Tobirama: Hm, we should do something about that. Karin: Here’s a list of ideas and things that have already been tried. Tobirama: Thank you, small child. Where did you get this? Karin: ... Tobirama: Fair enough, let’s see what we can do.
Suigetsu is a little terror because not only is he a Massive Jerk but he also has better control over water than most adults. Mostly because he is water. It’s very hard to find him when he’s avoiding chores.
Karin clings to Mito sometimes because Family! and then Hashirama tries to tease Tobirama about being upset that one of his students/children has ditched him. Hashirama ends up moping in a corner because Tobirama snaps at him, unsurprisingly.
IDK if we have like any canon for Touka beyond skill with genjutsu, but going off of the fanon that she used a naginata, I’m going to say that Suigetsu keeps trying to challenge her to Blade Fights and she’s just like Neat, A Tiny Murder Machine.
Sasuke is very quiet for the most part and Dramatically Broods On Rooftops And In Trees and Hashirama is just like YES YOU REMIND ME OF MY BROTHER AND ALSO MY BEST FRIEND and Sasuke hides.
Sasuke does not need another Naruto, thank you.
Sasuke ends up hanging out with Mito, I think? Like yeah, sure, she’s an Uzumaki, but she’s chill and refined and calm and she has really good tea in stock. Sure he has to learn fuuinjutsu to have an excuse to hang out with her, but that’s fine. It’s interesting. Karin does it too, sometimes.
tbh that probably leaves Hashirama to hang out with Juugo? Juugo isn’t great at Excite but he is great at nature so I feel like Hashirama would be stars-in-eyes about Juugo talking to birds the way Hashirama talks to trees, and Hashirama just gets him a chicken coop like HERE. FRIENDS.
But back to the suspected child theft.
Hashirama is like “That is... clearly an Uchiha. They are going to find out, Tobirama! Someone is going to figure out we have--” “Sasuke, show him your other eye. Yeah, the one you cover.” “...” “Okay, go back to playing.” “...Tobirama.” “Yeah?” “That was a Rinnegan.” “You know those rumors that the only way to get a Rinnegan is to mix the Uchiha and Senju bloodlines?” “It’s true?” “No idea, Sasuke won’t tell me anything about his parents other than their names, and he’s three, but even the chance of it being true means we have an arguable claim.” “...that’s not going to be enough to convince the Uchiha.” “The theory is but one weapon of many in the upcoming battle of wits.” “Tobirama--” “Now if you’ll excuse me, Anija, I need to go make sure Suigetsu doesn’t flood the training grounds again.”
tbh I can’t remember who made the original comment in canon about the Rinnegan being achieved via Senju/Uchiha babies but it’s funny to use here so I’ll pretend it’s a common rumor that nobody actually believes
MEANWHILE WITH THE UCHIHA Madara found and took custody of Team Seven and company, mostly because they’re like... jounin-level despite being less than three feet tall.
It involves a lot of Madara going "I want My New Children to love me!" and being sorely disappointed by half of them. Poor fucker got stuck with Naruto, Sakura, Sai, Kakashi, Yamato, and Obito.
(KakaYamaObito are deaged by the time-travel to 10-13ish. The kids are deaged to 3-4. Everyone has memories to just after the fourth war or so.)
Karin sensed T7 and tagalong pretty much the second they popped out of Kamui, and told Sasuke, but he correctly guessed that Naruto would hunt him down eventually, and said they should enjoy the peace and quiet while they had it.
Sai pulls emotionless creepy smiles in an attempt to freak out Madara but since Madara's whole thing initially was "less children in war," he's... mostly just sad. Izuna wants to know who made his brother cry.
Madara makes a vaguely misogynistic comment that's typical for the period and Sakura just. Breaks his tibia.
Naruto is genuinely trying to treat Madara with the kind of respect a caretaker that Attempts To Care And Do Good By Them deserves, because Naruto is a good egg, but he's... three again. Which means he's a Hellion.
The literal toddlers (Naruto and Sakura are three-ish, Sai is four-ish) are, in fact, toddlers, so nobody really expects them to be able to do anything. Nobody bothers to test them beyond the basics of like. Can walk? Can talk? Can maybe hold knife? Like don’t get me wrong, they’re very competent toddlers, but their hands can barely wrap around a kunai. Their bodies are tiny. Their bones only just stopped being soft!
That said, the “tweens” (re: adults who got deaged but Less) have to get tested for their skills. Kakashi downplays himself to what he imagines a semi-competent eleven-year-old to be capable of. He thinks of, like, Neji maybe? Good, but not suspiciously good.
Obito enters an intangible state and refuses to participate. He has a Mangekyo. His body is half-Zetsu. Stop bothering him. He doesn’t want to do anything. They assign him babysitting duty for Team Seven since he can obviously defend pretty well, and Kakashi vouches for his abilities as a fighter.
Yamato decides to try to be just a little worse than Kakashi but at one point he panics and does Mokuton on instinct and now the entire Uchiha compound is screeching because did they just steal a Main Family Senju kid by accident?
Yamato: Should I tell them I was a science experiment? Kakashi: No.
Pranks galore! None of the other time-travelers even try to stop Naruto, except maybe Yamato.
Obito at the Uchiha compound is mostly "I don't want to participate" and then just uses Kamui to be intangible until people leave him alone. If it's not another time-traveler or Madara, he's not interested. He doesn't even care that much about Sai or Yamato, actually, so if it's not an original T7 member, he doesn't care, and if it's Madara, he's just here to make things Difficult.
The Kyuubi wanders up to the Uchiha compound one day and everyone's preparing for a battle, even Madara isn't confident that he can-- [BANG] "KURAMA!" [delighted squealing]
Naruto now has a pet. The entire clan is terrified. Kurama pokes his nose at Naruto's stomach and disappears into the memory of a seal.
Madara, frantically writing a letter to Hashirama "What do I do if my toddler is possessed?!?"
Hashirama: You have a toddler?!?!?! OMG you should organize playdates with Tobirama's kids! Madara: I'M GOING TO QUESTION THAT LATER, PLEASE HELP WITH THE POSSESSION THING
Kurama hunts down Naruto, and the Jinchuuriki situation is very much in the realm of "Dis Mine" Also a bit of "If I'm in the brat, there's at least one Mangekyo user in hearing distance who can and will risk his life to prevent brainwashing. (Kakashi. It’s Kakashi.)
Naruto: Kurama's one of my best friends! Every time traveler: Yeah, that tracks. Madara: [teakettle screeching]
Per @firebirdeternal​: I'm just loving the visual of Giant Nightmare Terror Kurama kneeling down and pressing his nose to Naruto's Smol Chubby Toddler self and closing his eyes while Naruto pets him and giggles and every single battle-ready Uchiha is just. "wat"
Everybody else: Cool so Madara adopted a witch Uchiha Elders: We need to be careful of this horrible creature The younger generation of Uchiha: Okay that was weirdly serene and adorable and frankly the brat is really likeable when he's not being adhd as hell I think this is actually pretty dope.
Madara really wants to be a Good Dad but he has no idea how he ended up being "a dad" in the first place. He just! He cares a lot about this random assortment of kids! Some of them are from prominent clans and there should be search parties for the Senju kid with the Mokuton, or the Hatake brat, or the Uzumaki that doesn't look Uzumaki but definitely feels Uzumaki.... and SURE the only Uchiha of the bunch is a stranger who hates him for no reason Madara can come up with, but! He wants to be a good authority figure!
At least the Uzumaki appreciates that he's trying.
Seriously, though, there are clan kids and nobody’s looking for them, what’s up with that?
Kakashi still has a prize copy of Icha Icha and nobody in the Uchiha compound does a thorough check of his reading material until like three months in.
He is blamed for Naruto developing the Oiroke, because where ELSE would a toddler get such ideas? (Yamato and Obito both tell him he brought this on himself.)
Naruto waits until a Big Important Meeting lets out, something about tithes or a merchant contract, and just pulls a Harem no Jutsu in front of the entire group of Elders And Main Family. First he does a Mass Shadow Clone, which makes everyone turn on Sharingan because Fancy New Techniques to steal! Sure, they were late on the shadow clones, but the kid is clearly gearing up for something! The something is Oiroke.
Anime Nosebleeds everywhere. Most of the elders were hit. Izuna was hit. Madara is not bleeding from the nose, but he is very upset about having semi-accidentally sharingan-memorized his weird adoptee’s Sexy Older Female Alter Ego. There is yelling.
Naruto’s like “Oh, I missed some!” and decides to try again with Reverse Harem no Jutsu because there are old ladies among the Elders, and maybe some straight women representing a guild, and maybe some gay guys he missed! Madara is still not bleeding. (He’s very demi and tbh Naruto only would have succeeded if he’d tried to use Hashirama’s face. Naruto does not know this. He just figures Madara is ace like Sasuke and that no variant is going to work.)
Izuna gets another nosebleed and is just like “Well, this is not how I planned on coming out as bi, but--” “Izuna, I literally do not care about you being bi as long as one of us has an heir at some point, I’m more upset about the fact that my child has been corrupted!”
Back in the Senju compound, there is... a lot of screaming, honestly, but every time Karin and Suigetsu start trying to kill each other again, Tobirama just shrugs and tells them not to break anything.
Very easy-going caretaker, really. He's got some very deadly toddlers in hand, but they're still just toddlers.
Sasuke: Yeah, I might want to go see my clan at some point. Suigetsu: Yeah, I might want to go see my clan at some point. Karin, clinging to Mito: Yeah, I want to go see my clan at some point. Juugo: Please never, ever take me to my clan. Ever. Please. I'll stay with Sasuke, thank you.
Naruto breaks out of the Uchiha compound the first time he enters Sage Mode, several months in (it took a while to get the privacy) because he feels Sasuke and lbr if Naruto knows where Sasuke is, nothing will stop him.
The Uchiha clansmen cannot catch the errant toddler. They fail to inform Madara until Naruto is already in Senju territory because nobody wanted to admit the toddler outmaneuvered them.
Naruto wasn’t sure how to get into the Senju Compound safely so he just goes full Kyuubi, bounds over the wall screaming SASUKEEEEE at the top of his lungs, and then shrinks back down to Tiny Brat size so he could hug his Bestest Friend Ever and cling like a limpet while Sasuke just sighs and stares at the wall.
Sakura ran after him.
Sai painted a bird and Yamato dragged Kakashi onto it to chase Naruto, because Kakashi is at a point of zen regarding Naruto's bullshit and fully trusts the kid to not die.
Obito refuses to look up from whatever he's doing and asks people why they think he cares.
“We told you to look after the toddlers!” “Why would you do that? Seems like poor planning on your part.”
Disappears when nobody's looking. Waits until the Ruckus at the Senju compound (where T7 has crashed in to tackle-hug Sasuke and Madara followed in and proceeded to get shouty, and nobody's dead or battling because they're too confused and also it's a comedy) has started to calm down, and then teleports in and demonstrates Mokuton just to make Madara's life harder when the Senju Elders start demanding answers.
His energy is very "I am here to make Madara's life harder" and Madara still doesn't know what he did wrong.
Madara: That brat has a Sharingan! Tobirama: Well THAT one has Mokuton! Obito: Yamato has it too. [angry teakettle noises]
Madara's first response to seeing Sasuke is to turn to Izuna and point aggressively at the toddler while making a tea-kettle noise "He looks just like you!" "He's four, he barely looks like anything!"
Naruto, tugging at Madara's hakama: You need to make a village with Hashirama so I can see Sasuke more often, cuz I don't wanna ditch you guys, but I gotta see Sasuke! He's my best friend! Madara, who is aware that he could fight this child but really doesn't want to, and also knows that a tantrum thrown by Naruto or Sasuke is capable of leveling mountains: Right, yes, we'll get right on that.
tbh Madara wants the village anyway but "The bijuu-whisperer said he wants it to happen" is a great way to push things forward.
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giorno-plays-piano · 4 years
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Pairing: Loki x Reader
Warnings: yandere, obsession, stalking, death of minor character.
Words: 1953.
Summary: Meeting a cosplayer in Berlin isn’t a big deal, really. You don’t actually know why you are drawn to this guy in his stunning horned helmet, standing on the train with a seidr in his hand.
P.S. I own the plot of this story to amazing @caffiend-queen​ and my determination to write it to lovely @kinathewolf​ <3 Although I changed the story a little (this post made us discuss the idea), I hope you will like it!
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Waking up when it was barely six, you kept yawning and rubbing your eyes while sitting on the train. You worked for one of the thousands of start-ups in Berlin, and your boss always liked to start pretty early. Well, despite waking up when it was still dark, you didn’t mind, really – the U-Bahn was much less busy now than thirty minutes later, and you didn’t have to stand the whole way to your station.
Today was a bit different, though. Not that there were too many people, but that one guy with his horned helmet looked so fantastic you simply couldn’t take your eyes off him. He had entered on the Bismarckstraße station, and since then you had been staring at him shamelessly. He was the spitting image of Loki, that god from Asgard, the one who had been released by Avengers not so long ago for his aid in protection of Earth from an invading alien force. Now Loki had his own fan club, and this guy was probably one of the squad. Seeing him in a full suit wasn’t surprising either – tomorrow was the first day of Comic Con, so he was probably going for a cosplay catwalk rehearsal before the event.
No one was really paying attention to him as he stood silently near the door with his seidr, but you just couldn’t help yourself. Come on, he was probably the most handsome guy you had seen in years, not even mentioning his gorgeous costume. Although you had never been Loki’s fan – for God’s sake, you still remembered that day in Stuttgart – this guy’s passion for cosplay was admirable.
When you reached Wittenbergplatz, a group of cheerful tourists entered the train, and the guy had to move further, taking a place close to yours. Of course, you still stared at him in awe, and he quickly noticed you. His piercing gaze finally made you realize it was unacceptable to gawk at someone like this, and you averted your eyes, feeling your cheeks growing hot. The cosplayer chuckled at your reaction.
“I’m so sorry!” You muttered, clenching the fabric of your jacket. “I just- ugh, I mean, your cosplay is stunning!” Now that you said it, you were just too humiliated to add anything. Why couldn’t you be like all other people who didn’t harass the poor guy with them staring? Of course, no one would be comfortable with some creepy girl watching over them.
But the guy didn’t look worried or embarrassed even the slightest bit. When you saw his face, you realized he was amused as he looked at you with a grin on his face. Now you even felt a little scared because there was something animalistic in his gaze.
“Thank you. I was spending day and night crafting this costume.” He was smiling, and you realized he was probably playing the role of Loki now.
Oh damn, of course. Being a cosplayer meant not only wearing a costume of your character but being this character, behaving like them, speaking like them, sometimes even moving like them. This guy was doing exactly this, and, to be honest, he was really good at acting since for a minute you believed he wasn’t just a mere human.
“I’m sure you will be the winner of the contest this year.” You smiled shyly at him, still embarrassed at your behaviour earlier, and the guy laughed at you a little. God, you felt so terribly awkward.
“Thank you. If my brother won’t show up, I’m sure I’ll have a chance.” For a second you thought there was something bittersweet in his eyes, but then it was gone, and the cosplay rose to his feet, shining in the electric light of the subway. “This is my stop. Have a good day, my lady.”
Of course, you barely nodded at him, felling like you’re gonna explode from the way he called you and how the guy bowed his head a bit at you as if you truly were some Asgardian goddess. Minutes later you would curse yourself for being so stupid to not even ask his cosplayer’s nickname – how on Earth were you going to find his profile on Facebook now? Since you were in the middle of a new marketing campaign, your boss would never let you leave tomorrow to visit Comic Con, and that was your only chance to ever see that amazing guy again.
Ugh, living with that useless brain of yours was quite a challenge.
You had already bid farewell to the cosplayer since you knew meeting him by chance again in a city as big as Berlin was impossible – especially if without his costume and wig and makeup the guy would be unrecognizable. The next evening you were sitting in the train just like all other evenings when you were coming late from work, a bag with a chicken sub in your hands along with an already cold cup of tea. You sighed, thinking of Comic Con and all the fun people were having there. Damn, next year you would definitely take a short vacation to finally visit the convention. Maybe you would have a chance to meet that mysterious guy again.
“It smells nice.”
You immediately raised your head, staring at the cold blue eyes of the guy you met yesterday’s morning. He was still wearing his horned helmet and shining golden armor, the Scepter in his hand. He sat close to you again, and you suddenly found the courage to smile at him widely. God, it was happening. He was really here, with you.
Was he coming back from Comic Con? You thought they finished way later, but maybe he was just tired to spend the whole day in this outfit – you could imagine how heavy it was – and left earlier. You couldn’t blame him, thinking of how many people probably wanted to take a photo of him during the day, too, and it was definitely tiresome as hell to pose in front of tons of people for hours.
“Would you like some?” You handed him your paper bag. “It’s a sub with chicken. I haven’t opened it yet.”
“Ah, it’s a very generous offer. It would be rude of me to decline it.” His smile sent chills down your spine, but you reminded yourself he was still playing his role. Anyway, what could he do? Follow you to your apartment in this outfit? Seriously? He would be stuck in the hallway with those horns of his.
You watched like the Loki-guy took a half of your sub and returned the other half to you, then taking a bite and chewing slowly. To your delight, he nodded, telling you he liked it without words, and you chuckled at him. Now he looked almost cute with his puffed cheeks as he kept biting more and more. Apparently, the sub wasn’t bad, and you dug in it enthusiastically, caring little for a few other passengers. No one was looking at you two, anyway.
Halfway through finishing his part, the guy stared questioningly at your paper cup of tea, and you smiled at him with confusion.
“You can have it, too, but it’s already cold, sorry.”
Now he was grinning like a Cheshire cat. Did he think it was funny? Was it because he thought real Loki would find it funny? You were too confused but decided not to ask. You looked silly enough yesterday when you were gaping at him with wide eyes. No more of this today! You couldn’t blow it if you wanted to ever see the guy again.
“It’s quite alright. Let me help you.” He carefully lowered his seidr so it touched your cup, and in the next moment you saw a soft blue glowing surrounding it. It was coming directly from the Scepter, and you literally opened your mouth while staring at it wide-eyed. Wait, did this guy put something inside the seidr? Like, a light bulb or something? God, it was beyond your imagination!
But before you started throwing questions at him, you suddenly saw a wisp of steam coming from your tea and felt how the cup grew hot in your hand. Oh shoot, it definitely wasn’t just some light bulb! His Scepter was a real machine!
You probably looked like a little kid, your eyes shining and jaw dropped at the sight of something that looked like a miracle to you, and Loki-guy chuckled softly. He was seemingly content with your reaction as you even sniffed your tea a little bit to feel it really was hot again. But when you brought the cup to him, thinking he wanted to drink, he gently refused it.
“Thank you, but you have already given me enough.” His smile was much softer, and your cheeks grew hot again at his kindness, though it was you who shared your food with him. Strangely, it was like this stranger had some effect on you, and you smiled back at him, lowering your head to have a sip of tea.
However, the next moment the guy furrowed his brows, looking somewhere behind you, and you saw him lifting his seidr again, pointing at something behind your back. You missed his concerned gaze, but not noticing the blinding light coming from the Scepter was absolutely impossible – for a second you almost lost your eyesight, squeezing your eyes shut and clenching the paper cup in your hand. What was that?! But before you got truly scared, the light had disappeared, and all you saw was that Loki-guy sitting close to you with a piece of chicken sub wrapped in a napkin in his hand. His Scepter looked the same as before, no blue glowing coming from it. Wait, you didn’t imagine this blinding light, did you? It was here just a second ago!
As you tried to turn back to see what was happening, the stranger suddenly stopped you, his warm hand on your shoulder as he leaned closer to you, smiling, “Your tea is going to be cold again.”
“Yes, b-but-“ You gawked at him and then stared at his seidr, unsure what to say. “I-I mean, have you seen that light? Did it come from this thing?”
You heard someone behind you letting out a sudden scream and smelled metal and plastic melting. It was disturbing enough as it was, but then you realized you smelled the burning flesh searing from someone’s bones.
The Scepter. The guy’s resemblance to the Asgardian God of mischief. Shit.
Before you tried turning again to see what was left of the seats behind you, Loki’s grip on your shoulder became painfully strong. You watched him leaning even closer to you in slow motion, the world around you slowing down as the man whispered to you in a dangerously low voice, “Don’t look back. You don’t want to see what is left of that creepy man who was staring at you all the time, do you, dear?”
Frozen on the spot, you barely nodded, your eyes not leaving Loki’s pale face as he smiled, letting go of your shoulder and touching your arm surprisingly gently instead. You heard the sounds of crying and whining, people around you scattering to the different part of the car to be as far as possible from a man in the horned helmet. But you just couldn’t move from your place, glued to your seat, an Asgardian God looming over you.
“I am grateful for you sharing your meal with me. I’d like to thank you properly,” he said softly, and you swallowed your tongue instead of letting out a loud scream. “Let’s leave on the next station. I know a few nice places in Mitte.”
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Tags: @finleyjayne​ @alexakeyloveloki​  @helenaeisenhower​ @villanellevi​ @hurricanerin​ ​@void-hoechlin @abyssaint​ @heeeyitskay​ @chris-evans-indian-fanfic​ @rosalynshields​ @brattycherubwrites​ @sllooney​ @angrythingstarlight​
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mytwistedhome · 4 years
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𝓕𝓵𝓸𝔂𝓭 𝓛𝓮𝓮𝓬𝓱 ~ 𝓓𝓮𝓮𝓹, 𝓭𝓮𝓮𝓹, 𝓭𝓮𝓮𝓹
Floyd Leech x Reader
This is something I wrote just for fun, and also to try writing a story in the present-tense. This was very much inspired by the plot of The Little Mermaid, as you might be able to tell xD I hope some people enjoy!
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You are kneeling down at the edge of a ferry boat, trying to get from one island to the next. These boats are built very small with open floors and railings that are hardly high at all, as they are meant to quickly take passengers from one place to the next around the peaceful and beautiful islands, running smoothly along ocean water paths that are usually short and quick to cross.
The water on this day looks particularly beautiful as the sun sparkles off the teal shades of the wave-less sea, and you, who normally feels so safe on these familiar ferries, decide to ignore the safety precautions yet again. You lean yourself forward... farther and farther, even more forward as more pressure shifts onto your knees.
It isn't dangerous. Nothing bad has ever happened before.
Oh, the breeze is so nice! Do you feel it as the wind runs past your face? The warm, gentle breeze of the calm and tranquil sea? Do you feel it? Does it make you happy?
The smile on your face says, "Yes, yes! Yes, it does!" And you lean forward still, your feet lifting off the ground behind you as you stare up, up at that clear blue sky.
A sprinkle of water jumps from the sea below and lands lightly on your cheek. You shift your gaze down to the water, the smile still spread over your lips. You can't see it, but the little drop of water glistens so beautifully against your skin. If only someone could see it...
But what you do see is still so beautiful--it's breathtaking! That serene scenery. It does take your breath away; you hold the air in your throat as you stare at every shimmery shade of blue becoming green in the glittery gradient of the sea.
You now release the air inside you because the sea isn't ready to take it all just yet.
You use your breath you've regained to inhale, exhale, over and over. Deeply, deeply, again and again. That aroma of the sea is too irresistible to ever stop indulging. The most refreshing fragrance, isn't it? And the fracturing rainbows that gleam up brightly every now and then as the sun glints off a perfect ripple of the ocean.
Everything is so wonderful! You push yourself further toward the edge. Further, further. It seems you cannot possibly be close enough to fully take in every aspect of the brilliant scene. You gasp at the beauty, smiling widely, leaning further.
Leaning too far.
Whoever could have seen this coming?
Your smile vanishes. A panic surges. Fear. Fight or flight, but there is nothing to fight, no way to take flight.
And you fall down, down, down.
The drop is like death itself. Knowing what is happening, wanting to stop what is happening, knowing you cannot stop what is happening--and, at the same time, too quick to even process what is happening.
And your body hits the water, hits the sea, lost of all tranquility. From all around your body, up goes the water. Up goes the sea as you fall deeper under.
And down come the waves, taking you further, deeper, deeper.
You thrash about in the water, unable to see any light, any hope. Your mouth is open wide, and it quickly fills with salty shades of blue and green. That glittery gradient of the sea. Now, it is inside you. In your panic, you are unable to think, and you still try to breathe. You inhale sharply through your nose, but instead of air, there is water. It stings your nerves, your brain, your eyes. Everything, all around. Water, water. Your lungs are unable to breathe.
The ocean really is breathtaking now.
You flail your arm in front of you, to your sides, and to behind. It is no use. You sink. Deeper, deeper. Your body does not float to the surface. The light begins to fade. The ship is no longer visible. You sink into the deep, deep, deep.
You cannot breathe. You cannot see. Your mind slows down... thoughts are but a whisper of a sound.
And you sink.
. . .
There is pressure at your back, something pushing against you. Something wraps around your waist and secures you in place, and then it drags you forward... No, upward. Toward the surface of the sea.
Something presses onto the top of your arm, wrapping around your skin so tightly that it tingles all the way down to your fingertips. It's numbing. And, it would be painful, but... you are hardly able to feel a thing. The sensation is but a light sting.
And, suddenly, you are yanked from the enclosing blanket of water up to the cold, windy air. Your back lands onto a hard surface of dry rock that's been warmed by the blazing sun above. That sun burns your nose and cheeks, while the wind simultaneously blows past your wet skin and makes you cold.
It takes several moments--many, many long moments--but at last, you realize the sensations you are feeling. You remember the the sun, the stone, the drowning. But, what happened in between?
"Oh, good~ You opened your eyes! I was getting worried for you, you know?"
You sit up slowly to see a blue mer-creature leaning toward you from where the stone meets the sea. He is beneath you, as the stone you lay upon slopes downward into the water, and his long eel-ish tail sways back and forth, creating gentle ripples all around. His teal color almost makes him blend perfectly into the clear water, and his smooth, wet flesh glistens and gleams where the sunlight hits.
And... He is quite handsome...
"Hm? What's that? Why do you look at me with such~ a frightful face?" He begins to laugh after saying that with a warm, concealed giggle that sounds from the top of his throat. "You should be grateful for me."
Unsure of what he means, you ask him to clarify.
"Oh, you poor~ unfortunate soul..." he drags the words out dramatically, giving you a sorrowful pout. "You fell from the ship way back there~ nearly drowned," he smiles, "I am the one who pulled you up!"
You look at him in disbelief. Did... did he really save you?
Of course. You have no reason to doubt.
"Thank you..." you say. And then, as politely as you can, you ask, "Your name?"
"Ah~~ I'm Floyd~ And it's no problem~!" he answers you, but suddenly, he pushes himself fully into the water, completely emerging his head beneath the surface.
And then, just as quickly as he went, he comes back up again and rests his elbows on the stone.
"I can't help but save those I see in misfortune. But..." his voice wavers at the last word, "these things are never free, are they~? There's a price~ Don't you agree?"
"Um... what do you mean?"
"I saved your life just now, didn't I? I think a perfect deal would be if you gave something else up in exchange, hm?" He has a way of speaking that sounds as though he's trying to hold back laughter at every moment, which seem to reveal something dark and insidious contained within the shallow layers of his demeanor. "And besides~ there must be something that you desperately want..."
You look past him out onto the open horizon, and then you stare down into your lap. He, indeed, saved your life, so... If he wants something in return, you can at the very least give him that, right?
But, what is your deepest desire?
Impatient by your silence, Floyd continues, "I know a very~ benevolent and generous sea witch who could give you anything you ever desire--for a price~! And a price seems to be exactly what you owe right now, hm? Because I saved your life~"
He sighs then, "Oh~ But what is it that you would give? You are just a simple human. Yeah~?" it seems as though he's cooing at you with the way he says each word, "Well~... Maybe you do have one thing~..."
He dips his head under the surface once more and quickly comes up again.
"Your pretty face~~!"
You stare at him, surprised by his words. Are you to feel flattered or... threatened? You can't tell.
"Fufu~" Floyd giggles from where he leans, laying his hand against his palm and looking up at you with a dreamy expression. "You really are so pretty... You don't plan to hoard all those good looks to yourself, do you~?"
Your heart begins to beat very, very quickly. Your breath comes out as huffs, and a chill runs down your back. Such a weird feeling. Is this fear? Flattery? You do not know.
You look down and begin to ponder all that Floyd has said. It seems that he... wants you to give part of your beauty in exchange for your greatest desire and as 'payment' for his saving your life... That isn't so bad, is it? After all, it sounds as if the deal is more rewarding for you, right? You get two things, and Floyd gets one.
But... how do you give someone your beauty? What can that even mean?
What can he really want from you...?
You sigh, allowing the warm air to settle inside--a refreshment that you very much needed after all that's happened to poor, unfortunate you. You look up into his eyes, but a second goes by, and now he is the one looking down.
Swiftly, he takes your hand into his own. His supple flesh feels like silk against your palm. With a low voice, he speaks his final plea, "What do you say~? Will you come with me?"
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magioftheseas · 4 years
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How would you rank the sdr2 girls from worst to best written?
That’s pretty hard considering there are like...different kinds of bad writing, from functional bad to offensive bad. But, then again, there’s both of that in sdr2. Also all but one of the girls who die only die in like... Chapters 2-3, the first half of the game, which come to think of it, is extremely fucking weird. Shouldn’t it be more spaced out...?
There’s also just that there are certain things that annoy me more than others, and I’ll maybe try to make note of that? Idk how solid this list is, but... Well, whatever.
Note: I’m only taking sdr2 proper into account.
Decent All Things Considered Tier
Mahiru - Probably the least amount of sexism in her character, with pretty defined flaws that contributed in her dying (her short temper and narrow-mindedness). Guess you could call them...fatal flaws. Hahahaaaa. Ah. Anyway, she was also fairly involved with story events before her death and her personality was pretty consistent. While there are still some issues and inherent sexism in her personality, at least she...still has...one? A nuanced one, at that? She’s not a shallow character, at least. Still, her “be a man shit” is annoying but I’ll take that over the other crap we have in this game.
Sonia - Generally involved and usually palpable in terms of handling. The sexist shit is more Souda’s fault than hers, so I don’t feel like knocking off points for it. The only issue is that she’s lacks big character moments and is overall a static character. She does get more fed up with Souda’s harassment though, which is something, even if nothing comes from it. Bah. Also the romantic subplot with Gundam is fine. It’s probably the most fine a romantic anything has ever been in this franchise. But because she lacks anything super profound, I can’t put her above Koizumi despite liking her more and her...surviving to the end.
There’s At Least Something Here But URGHHHHHHHH Tier
Mikan - Y’know I was pretty resistant to the idea of putting her at third because of her...everything. But, like, even so... I wouldn’t call her inconsistent, I wouldn’t call her shallow, and I think she’s fleshed out a decent amount. It’s just her...everything. Anyway, I’ve gone on length as to why I love Mikan’s writing on paper, supremely tacky and gross execution of her character aside. She’s probably the best example of a deconstruction in sdr2, being a ugu doormat with like, AAAAAAAALL the actual baggage and shittiness that kind of person would have. Mikan’s personality of being emotionally manipulative with a huge victim complex while also being incredibly resentful of those around her (for good reason) is still SUPER fascinating. There’s layers to how she even exploits herself for sympathy points as well as attention. But...y’know... Still inherently pretty gross and not handled deftly by someone who truly understands what a fucked up mentality that is. She’s definitely not palpable...but I guess the actual nuances of her personality make up for it in terms of...whether or not I think she’s at least well-written. Would have less qualms putting her this high if the characters actually learned shit from her.
Hiyoko - WE COULD’VE HAD IT AAAAAAAAAAALL. I love Hiyoko. She’s my other favorite sdr2 girl with Sonia. Bully girls often get a bad rap, but they can be interesting, and Hiyoko’s a particularly stand-out example. She’s not manipulative. She’s in fact, really soft-hearted and sensitive, and she hates those aspects of her, so she targets people specifically for having those traits. She’s insecure! And it makes her shitty! I stan! That she cares for Koizumi for actually reaching out to her is super important. She could’ve been one of the best if not the best...but then Kodaka had her killed for bullshit reasons and had to throw in a dumbass quirk about her not being able to dress herself to justify her bullshit death down the line, so any profound development she could’ve had is just...unceremoniously thrown out the window. It’s really so tragic. Hiyoko deserved so much better.
Peko - What’s worse, a terrible trope that’s fleshed out or a good trope that’s grossly wasted? Tough call, and this is what I ended up with. Still not sure if I made the right decision. Anyway, Peko’s entire character is based on the incredibly sexist trope of Girl Exists For Dude. Thankfully, she makes her own decisions and she’s presented as very woefully unaware of how Kuzuryuu actually feels. Her existing for Kuzuryuu’s sake to the point of happily sacrificing herself is, y’know, a flaw. That gets her killed. So I can pretend that Kodaka is saying it’s a bad thing that she’s like this. He’s probably not, given how Peko’s never really given a reason to live outside of Kuzuryuu, bUT I CAN PRETEND. Although I will say that as annoying as her canonically having romantic feelings for Kuzuryuu is, it’s still incredibly fucking funny seeing Hinata get crushed and rejected.
Just Not Good Tier
Ibuki - I sincerely had no idea where to put her at first. Ibuki’s writing is...fickle, due to primarily being comic relief so more often than not her dialogue and writing is more...jokes...than facets of a personality. And what personality is showcased has little variety. She definitely has those layers but they’re few and far between in the main storyline. And there’s stuff in her FTEs (her strong belief in individuality) that I don’t think comes up. Not to mention there’s completely untapped stuff such as how lonely she must be due to her band splitting, and... Really, she’s just the most wasted of the characters in term of how little she contributes beyond jokes. And sdr2′s sense of humor is pretty fucking shit, so I’m not a fan of a lot of the jokes, either. Ibuki is pretty...ahem, pardon the pun. Pretty one-note. The most offensive part of her character is probably from her attraction to women being portrayed really creepily, which I definitely super hate, but it’s only like...a few lines of dialogue and...I know for a fact how much worse it could’ve been. It could’ve been so, so, so much worse.
Chiaki - Could she have gone above Ibuki? Probably. I mean, her writing *is* more consistent and varied (even if she only has like, two more facets of a personality) buuuuuut. Kodaka literally said she’s his ideal girlfriend. And that grossness *does* seep into her writing to the point where it’s pungent. The fact that she’s idealized and that even her potentially off-putting traits are either meant to be endearing or desirable is... Ew. Pretty ew. But, with all that, she’s bland in what the narrative allows her to offer. Having her be the most moralistic of the cast also makes her pretty annoying when she starts preaching about trust, doubt, hope, killing is wrong, and then she makes excuses as to why she can’t be bothered to be involved with the plot a la Chapter 3 where she doesn’t do shit about the sick kids. She’s seriously more of a mouthpiece than a character and those can be fine...but maybe not so much in sdr2, and definitely not at the expense of other characters developing through learning this shit themselves instead of her having to tell them. The inherent gross sexism that she’s supposed to be Kodaka’s Ultimate Girlfriend sure doesn’t help.
Akane - I honestly feel kinda bad putting her at the bottom but...jeez, the more I think about it, the more Akane’s character really sucks ass. Like, she’s really shallow and uninspired. Even her damn “talent pose” is derivative of Sakura’s just with less ferocity and a panty shot. And as offensive as Nanami’s concept is, at least it can go unnoticed by the player. Akane being Boobs and Food girl is constantly shoved in your face. And the fact she has a history of sexual abuse really, REALLY makes it worse. At least with Mikan, there’s layers. With Akane, there ain’t. She’s just portrayed as too dumb to know any better. Urghhhhh. But what about her personality? Shallow. What about her arc? Frustratingly non-existent. She doesn’t learn a fucking thing despite her flaws actually making her a damn liability. Her...backstory? Well, abuse aside, it’s...weird. Her backstory is about struggling to survive. When...in the main story she's too stupid to live despite being a survivor. So, I don’t think it clicks, much less informs/fleshes out her character beyond giving us a reason for why she’s so sexualized and obsessed with food and...yeah, no thanks. Akane’s writing is the worst, both on the outset and in what little nuance we have.
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peytonclarke-s · 4 years
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“Oh. Hello! You’re talking to me? Oh… My thoughts on the program? Not much, really. I suppose it’s fine. Maybe people who want to get married someday will think it’s necessary. A-ah, my partner? (THE CHAMELEON) Well–would you look at that, I’m so sorry buuut I actually have to go! I’ve got a shift. Library assistant. Thank you, too! Stay safe!”
v excited to be here :D while i’m still fleshing things out, here’s some fun/fast facts ! lmk if you want to plot <3 
peyton’s a babie!!! she’s very soft-spoken, keen to avoid drama, and is generally just on the sidelines. there’s complex trauma as to why she’s so inclined to lose herself in fiction, but that’s a backstory for another day 
this doesn’t mean she’s antisocial, though; if you ask anyone, peyton’s actually a pretty fun friend to have around! she’s just a lot more introverted around strangers, but she has the tendency to see the best in people 
not at all daring (unfortunately), can be perceived as rather bland--and in general just awfully awkward! very girls-next-doorsy vibes + naive and all that
random hcs as necessary: loves theatre but only ever probably works backstage, lowkey deriving inspiration from her book thru the people she knows/the ttk program, allergic to cats, can’t dance for the life of her
plot w/me !
[LF] the person in the library, i’d like to see you try, pretend boyfriend for functional purposes + hmu for more!
the person in the library - for the longest time, peyton has been watching (in the most un-creepy way) this student studying at the library. she thinks they’re incredibly cute and it’s almost childish to admit she’s developed a crush on them, but she’s kept her spying lowkey and--oh my god, why are they coming her way, why are they saying they know what she’s been doing, what’s happening,
i’d like to see you try - peyton can’t possibly be *that* nice. would love to have someone to push/pressure her to get a glimpse of her mean streak, and maybe other adventurous things too; help her venture out of her comfort zone!
pretend boyfriend for functional purposes - whenever peyton’s parents have galas or fundraising events, they expect peyton to have a date--which is easier said than done, but thank god she has a pretend!boyfriend who shows up with her to these events & to appease her parents. she pays him by writing his papers, maybe, but it’s a beneficial gig they’ve been playing at for a year or so now; whether it’s become a running joke or it’s awkward is something we could flesh out!
relationships & connections !
the innocent - allie is the closest to a sister that peyton will ever get. peyton is fiercely protective of the younger girl, and always strives to be there for her when she can. 
the addict - it’s an unlikely friendship, but it works. peyton & [THE ADDICT] have known each other since their lab partner days, and they continue to bicker with/humor each other despite contrasting personalities. 
the shambolic - the two are cousins and extremely close with [THE SHAMBOLIC] even living in peyton’s house. ever since they got to river valley, though, peyton’s felt like [THE SHAMBOLIC] has been keeping secrets from her; something she could never quite bring up for in fear losing their great relationship. 
the chameleon - harry & peyton’s high school relationship was short-lived, especially since they were each other’s first significant other. flash forward to college and the two are ‘forced’ to interact with each other again after a long period of civilities and awkward smiles. though she doesn’t know quite yet how to put it into words, peyton had--and always will have--a soft spot for the boy. 
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Cupcake Writes: Making Good Super Humans
((Particularly for BNHA, but other places are included))
Ooh Boy. Thiiiis is going to get involved.
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After unveiling the Refrain Saga and my BNHA oc Curse- several people have come to me for some advice regarding how to develop powers and backstories for their super-powered ocs... And I am incredibly flattered; first of all- but also a little scared to offer my advice because it all boils down to a lot... And a lot of thinking. Moreover; although I know a good deal about the Marvel and DC comic multi-verse this is primarily written from the perspective of someone wanting to make a Boku No Hero Academia or My hero Academia OC.
Let me start off by saying; I have a few routines.
Routine A: The Character Arc route
1. Make a person (humanity not necessary)
2. Make a super power
3. How does #2 affect #1, and vice-versa?
4. You got a super human
5. Now break them-- But break them good.
Routine B: Ooh Cool, A Motif
1. Stereotypes?
2. Okay, but how can I make this different?
3. BADASS F*CKIN’ POWERS (or not. That’s cool too.)
4. Re-balancing more often than a narcoleptic ballerina.
5. Has super human???
6. What is character growth?????
As you can see both routes handle going about things in slightly different manners. Routine A is typically the route I make when I want to make a long-lasting and changing character-- I give them character arcs. Routine B; although can be applied to long lasting character as well, is geared further to making a fun character. In fact, Routine B I used to make my OC’s rival and people seem to like him even better than my Hero OC just because of his skill set and animosity. That being said; it’s time to take things from the top.
Routine A: The Character Arc Route
1. Make A Person--
Super humans are humans first and foremost. They have personalities, interests, hobbies, shortcomings, highlights, varying senses of humor... But even more than that they came from somewhere. What is their social-standing like? Where did they grow up? If they’re in the process of growing up how mature are they? What sort of clothes do they wear? How well do they care for themselves, others? Any lasting medical conditions to be noted (do your research on this)? What events in their life-time have shaped their personalities, goals or motivations? DO they have goals, motivations or personalities (if not this could be a thing they strive to achieve)? The list of questions goes on and on- and making sure these answers do not contradict each other is key to developing the base of a personality.
Non-human characters will have these questions- but they can also have VARYING questions. In Super-Man’s case you need to answer where he came from, why he’s there, what was life like growing up in Kansas being different from everyone else? In a case like Thor’s where he was an adult when he fell to Midgard questions about how he approaches social norms arise (remember the coffee mug scene?).
Having any background information on the world itself will help. If you’re making a character based from established canon (DC, Marvel, My Hero Academia) it’ll help for you to be VERY familiar with the background and lore. If you’re making a new universe it’s good to focus a bit on your world while you’re making this character.
2. Make A Super Power--
Next is the point of this entire post. I’m guessing if you’ve gone down this route you already have some sort of power in mind- but this is really where you get to make it your own. I’d like to stress to get familiar with whatever your source material is; because powers have different implications in different canon.
In DC powers are rare and only are possessed by a few handful of people or beings at a time and there’s no clear set of rules that they follow- in certain cases powers have weaknesses in others they don’t and in many cases we have non-powered humans able to stand toe-to-toe with literal gods and goddesses (Justice League)...
In Marvel: Super-powers are often a hereditary thing and it’s a pretty good chance that these powers could lead to your character being oppressed (as a mutant).
But in Boku No Hero or My Hero Academia super-powers are normal, and bordernline a rite of passage. Powers are often extensions of a personality in some way, and are considered as a sort of auxiliary muscle- most powers in turn have their limits and it’s up to super-heroes to discover how to use theirs most effectively.
Soooo... Consider the important questions for your canon. How does the world in general react to super-powers? Their super-power in particular? Are there any limits to their powers? Do they even HAVE super powers, or are they just really really good at one thing? Do these powers have effects on this character’s personal appearance? How long have they had these powers?... But most importantly; what are the potential draw-backs of using said powers?
At this point I’d really like to give props to Hero Aca because I’ve never seen collateral damage taken into such consideration as they have- and most every quirk (or power) has a draw- back. For instance- the main villain has the ability to dissolve anything he touches with all five of his fingers.... The drawback being that he dissolves things he touches with all five of his fingers-- this has been hinted at to be a huge part of his backstory and we know it likely affects his day-to-day life.... So get creative!
3. How does #2 effect #1 and vice-versa?
At this point you have your two main components-- now comes the hard part. Putting them together. It’s at this point you may want to adjust, change, or even ditch parts of the personality/power portion to make a character more balanced and get into detail into other parts.
A big theory of mine regarding the afformentioned Main Bad from Hero Aca is that he can destroy carbon-atoms, carbon-bonds, and anything connected to them with all five of his fingers. Since carbon is in most things now-a-days it would certainly give off the impression he can dissolve everything with just a touch-- but he’d be unable to dissolve a block of solid aluminium.
Though normally a soft-spoken and mild-mannered man, Bruce Banner’s ability to “Hulk Out” leaves him emotionally compromised and constantly seeking out ways to remain calm and not angry since “Hulking Out” is triggered by his now nuclear-mutated rage.
Bruce Wayne likely has a lot of personal expense explaining to do when it comes to the sheer amount of money it must take to develop all of Batman’s gadgets come tax season.... This isn’t even a joke. How the heck does he do that???
4. You have a Super Human--
Have fun! Go nuts!
It’s normally at this point I start rping and fleshing them out. The truth of the matter is putting your character into practice is the best way to develop them, and you can’t have everything prepared. Maybe there are some questions to be answered more clearly? Maybe change an aspect of the character because you don’t like where it’s going? 
5. Now Break Them-- But Break Them Good--
Now we get to the part you will take the longest to work on, by far. Establishing character arcs. You’ve changed a lot in the many years you’ve been around. Probably been through phases maybe a few phases stuck... Your character is no different. As I said before; your super human is a human being. They will change over time and react to the world around them.
Character arcs often have four main plots- Man vs. Man, Man vs. Society, Man vs Nature, and Man vs. Himself.
Man vs Man is the simplest in it’s origin. It’s a character vs another character(s). A protagonist vs an antagonist (but not necessarily a villain). See Batman vs. Joker in the Dark Knight.
Man vs Society is often used to exhibit the protagonist challenging a societal norm. It’s more symbolic than literal-- if you thought it was about a man fighting society all Agent Smith vs. Neo style- See Man vs. Man.
Man vs. Nature tends to be reserved for survival stories... Which I feel wouldn’t have a place on this list if it wasn’t for the sheer amount of superheroes having survival stories written into their background.
Finally we have Man vs. Himself-- the introspective one. This is the method by which a character is actively fighting to overcome what they perceive as a flaw within themselves.
Character arcs are often set up by the goals or motivations of a person. Whether it be working to deck someone in the face, checking into rehab and staying there because of a drug-problem, or really really REALLY needing to light a fire and get off this island; a character is greatly affected by their character arc.
THE THING ABOUT CHARACTER ARCS-- is that your character can fail them. They can fail their goals and have to re-adjust. They will probably need external help... Success or fail; character arcs establish timelines in a character’s canon.  Are you Pre-Avengers Tony Stark, or post? Are you Robin or the Red Hood? The choice is yours-- but never throw something at your character they can’t overcome unless they’re not supposed to. If they can’t- they’ll change.
Routine B: OH HEY A MOTIF
1. Stereotypes?--
Ah yes. Stereotypes and tropes.... The world of literary wonders has left us a whole slew of archetypes and cliches for us to pick from. Whether it be a simple trope such as “the boy/girl next door”, or the “Cheerleader”.... Or a more complex one such as the “Crouching moron; Hidden Badass” there are a slew of archetypes to chose from. You don’t even have to stop at TROPES.
The persona series consistently make characters with personalities based off of what the Major Tarot Arcana represent! Rpgs often have a stock selection of characters such as; “The Knight”, “The Prince or Princess”, “The Evil Sorcerer”... What-have you. Even character classes such as “The rogue” “The Bard” and “The Paladin” are all tropes to monkey with... Pick a trope or two you enjoy and see what combinations you can make.
Tropes, cliches, and stereotypes are not all that original, but certain combinations may be- but they are a good starting point to help establish a good sense of how your character should feel! This is when you ask... 
2. Okay, But How Can I Make This Different? (Obhcimtd)--
As mentioned above; tropes, cliches, and stereotypes are not all that original. People are more than just tropes and your characters should be more than that as well. The only people you could possibly describe by tropes would be people you don’t KNOW yet-- and you’re the writer. You should know your character.
Look at various ways to subvert or expand from where the tropes first brought you. For instance; Wolverine is someone I would say qualifies as the Papa Wolf trope... But why he qualifies for that is based both from his motivation and his backstory- literally being old as dirt he has a tendency to gravitate to a leadership role and takes on the responsibility of being in charge because generally he can just regenerate.... He’s... Also an emotional mess because of it.... Sooooo yeah. He’s not just adopting teenagers left and right- and there are REASONS why that trope applies to him- but doesn’t define him. He’s still the angry short stack of beef we all know and love.
3. BADASS F*CKIN’ POWERS-- 
The same rules from Routine A apply here. Powers have consequences, collateral, limits and draw-backs-- only in routine b I allow myself a little more lee-way to find something that is more cool than something that’s strictly effective for story-telling. It’s easier in a routine like this to give someone a power too great or with no real weaknesses; so watch out for that.
4. Rebalancing more often than a narcoleptic ballerina--
After I’ve had my fun giving near god-like powers to my OC I think of the practicalities more realistically. I do this multiple times and often seek outside help or references from other forms of media with similar powers. This often comes out to having a (still) really cool power, but maybe not one that’d just trump every other character’s power first.
5. Has Super Human???--
Yup. Potentially. This is the shakey- “Your character is ready, but not done yet” stage where you put their personality, and powers on display to practice and solidify. Just like a cake; If poking holes into your character causes the tooth-pick to come out wet then leave them in the oven for an extra few character speculations.
6. What is character growth?????--
As I keep pressing again and again; your character is a human... And they- whether they like it or not- will be subject to change over time. Events may cause them to change in personal beliefs. Perhaps even different scenarios entirely would have them acting VERY different from where they were. That My friend is the power of AU’s.
And now for the Final step to both Routes
ASK PEOPLE ABOUT YOUR CHARACTERS.
Assuming this is for RP purposes you don’t have to wait until everything is done before you can ask for feedback. In fact; I find that asking outside sources about character abilities or personalities is a good way to keep me humble. Getting caught up in making characters with cool powers can make anyone over-look some really glaring flaws they may have... Or on the reverse; someone could have given their characters too many flaws and made a misery porn backstory.
At any rate- these people you rp with will interact with your character through you and will have different opinions or ideas possibly for how your character is changing/doing-- not saying you should follow all advice they throw at you (an annoying character is meant to be annoying, don’t let anyone convince you otherwise); but it’s a good basis to go off of from the start and further propel your character into greatness!
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fordarkisthesuede · 7 years
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JOURNAL 3 BLACKLIGHT EDITION REVEALED! (Part 3)
Oh boy. This is it. The final stretch.
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A New Concern: “What if he wins? It is a thought to horrible to imagine, but imagine it I must. If Bill succeeds in opening the gateway between worlds, it will result in an… Odd-pocalypse? Weird-mergency? Unsual-tastrophe? No matter. If the big day arrives, coming up with a catchy nickname for it will be the least of my worries. To prepare for this worst-case scenario, I have begun stocking my old research bunker with supplies, rations, and weapons. I also tried to choose which theoretical physics books would be most fun to spend 50 years rereading, but they’re all so great I couldn’t decide!” [Picture of the Unseen Eye with the caption “Saw this symbol again recently!”]
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Hiding Spot? page:  “In case of catastrophe.” [The tree leading down the bunker is shown, with a staircase winding around it to the roots, with “danger!” pointing down, ending in a rectangle with “prepare for the end” inside.] “LAST RESORT – hopefully cryonics have sustained. Watch out for Shifty.”
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Page left of Security Room:  “I need to stop spending time down in this bunker. I was reprogramming my security code when I could have sworn I heard someone speaking to me. Maybe I’m just being paranoid. I suppose I was voted “most paranoid” in junior high, bt I thought I had gotten over that phase. Then again, maybe that’s what people wanted me to think:  that I wasn’t paranoid anymore so they could start plotting against me, plotting to take my precious thoughts, my MIND-thoughts! Okay, I’ve been inhaling bunker coolant for too long. Going up for some air now.”
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Security Room page:  [it now says “Security Code” and has the four buttons to open the bunker highlighted and numbered.] “If I forget this, I’ll be taking a trip to the FIRST dimension!” [There’s a picture of an exit door with “don’t forget!” pointing at it.]
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Bill’s Teacup page:  This one’s unusual. “One of Bill’s friends… Where have I seen him?” The face is so normal that I can’t really say who it could be. Seems masculine? I mean, my best guess is Alex, but who knows for certain…?
[Edit, 4/26/18:  I kept forgetting to fix this bit, but this is a reference to the “Have You Ever Dreamed of This Man?” hoax! Thanks to everybody that pointed it out! (ʃƪ ˘ ³˘) ]
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The machine pages:  “The machine was meant to create knowledge but it is TOO POWERFUL! The device if fully operational could”
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My Muse Was A Monster page:  All the eyes drawn here glow in the dark. It looks just as creepy as you’d imagine – especially the big one. It also says “Laseep”  “ELPH EM” “sit lal vero” and “rutts on eno”. This is just normal English with rearranged letters, so it says “Asleep”* “Please” “HELP ME” “its all over” and “trust no one”.
*in my defense, I was sleepy when I first unscrambled the words, and I peeked at that “Can’t Sleep!” page...guess I knew what was on my mind that night :/
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Bill Cipher pages: Spanning both pages:  “If he gains physical form then all is lost!” Left page - “If he entered our dimension, what form would he take? Flesh and blood? Metal? Vinyl? Spandex? Would he be a suave, well-dressed, possibly British man in coattails? Absolutely unequivocally not. Bill is a screeching, senseless lunatic. By best guess at his physical form is something like this.” [arrow points to Ford’s idea of Bill, which is like a triangle-shaped meatball with his eye and a strange large mouth]
I love you, Alex. I really do. Getting that nod at the fandom’s general depiction of human!Bill is the greatest feelings that I didn’t know I could have - yes, we had it before, but not so directly and in a published book. It still brings that certain level of satisfaction. I’m continually amused at the jabs at it, and I still to this day love quite a few depictions of him, but more than anything I’m flattered and amazed that fan-artists can get recognition at this level in this day and age. It is truly a time to be alive. I love this book.
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Right page: [the figure of the human head’s brain separated into categories reads “ego, deceit, lies, pride”.] “Counterattack strategy:  ?????? A triangle is supposed to be the most stable shape in geometry, but there is nothing more unstable than this angular psychopath. The damage he’s done to my thoughts is impossible to calculate….what havoc might he have wrought?” Underneath, Bill writes:  “Wanna know what I did last time I was in your mind, Sixer? I deleted the world “burden” from your vocabulary and replaced it with “sea otter”! Good luck next time you try to sound ominous, smart guy!”
You know, I’m surprised that Bill writes properly. You know, proper grammar, capitalization, punctuation… You’d think he’d be the one to write in all-caps, like he talks! I didn’t think about that before now. Weird, isn’t it?
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Blank page next to Invisible Ink page: “I have decided to use invisible ink to keep away prying eyes. ANYONE could be watching me!”
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Invisible ink page:  [the lightbulb has rays of light coming from it as well as a normal eye in the bulb. The ink pot has invisible written on it, with splatters where ink might drip from the pot. There are a series of odd symbols drawn around it as well as a few on top of the page.] “I may provide previous pages with new secrets I have learned since originally writing them, and perhaps reviewing old passages will stabilize my rapidly dwindling sanity…”
No picture, but the page where Ford goes into town has all the townsfolk’s eyes glowing. Even Paul Bunyun’s.
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Hiding Places:  [doodle of journal 1] Journal 1 – Describes my first 3 years in gravity falls. Focuses on mythical beasts, geographic anomalies, and my 30-hour arm-wrestling match with a very annoying unicorn.” [doodle of journal 2] Journal 2 – The most dangerous journal! Curses, incantations & dark power became an obsession in this volume. Describes the hiding place of the mystic amulet. I buried the amulet once I learned that it corrupts your soul (and whitens your hair)!” Journal 3 – The volume I hold in my hands. Describes my embarrassing defeat at the hands of Bill and the loss of my very sanity. Also contains a pretty good drawing of a plaidypus. Will soon be bestowed upon S and hidden at the ends of the Earth (I hope).”
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Hiding places page 2:  Underneath the scribbled out drawing is the picture of the momentum conserver Ford made back in the seventies. Underneath it is written “what might have been…”
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Trust No One page:  “Can’t sleep!” Is written nine times, and trust no one is highlighted and circled. 
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On the page next to it, it looks exactly like the show, with several spots on the odd wheel scribbled out, the sad face over the center, and “IS THIS RIGHT? I just don’t know anymore!” written beneath it.
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The next two blank pages are Bill’s:  “GUESS WHO! That’s right, pal, ol’ Six Fingers just conked out, & that means Captain Bill is steering the ship! And by “STEERING THE SHIP,” I mean making Sixer slap himself over and over! HA-HA-HA! That’s right, I just wrote down the sounds of my own laughter!” [next to the next paragraph, there is a drawing of Bill pouring gasoline on a flaming planet Earth, with the strange expression of someone watering flowers and encouraging their growth.] “Now where was he? Ah, yes! Mr. Serious was saying that anyone who was smart enough to decode these messages is smart enough to get on the right side of history! And that meant joining ME, your new best friend and style consultant, Bill Cipher! All it takes is a little handshake! Ever wanted to see inside the dreams of your crush? Or crush the dreams of your enemies? Or jet someone else control your body and take the old bone-mobile for a spin? ALL YOU HAVE TO DO IS SUMMON ME!”
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Page 2: “And it’ s so easy! Just say the words “BILL CIPHER” three times out loud, alone in the dark. Ready? I’ll say it with you! BILL CIPHER! BILL CIPHER! BILL CIPHER! See? That wasn’t so hard! Now there’s a pathway between your mind and mine. I can see everything you can see! Sixer’s about to wake up, but the business between you and me has just begun. Let’s just say I’ll see you down the road. And if you ever get a phone call from a number that says “UNKNOWN,” pick up. Your Guy on the Inside (of Your Mind), BILL”
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June 1 page (aka Dipper’s starting page]: “I discovered the Author’s black light secret! I invented some invisible ink and I’m going to try to write a few sneaky – Ugh! I spilled it! Now it’s everywhere! Oh, gross! It’s all over my pants! Ugh, this is embarrassing. I’m going to go wash it off. No black light for me. Yuck! –Dipper” [True to his word, dipper spilled the ink all over the next page, and indeed the page he was writing on. It’s like 2 giant splatter marks.
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Mabel’s Smile Dip page has the “Do you like me” letter!!! I’m so tempted to check Absolutely!!! BUT I CANNOT TARNISH SUCH A TREASURE!
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Bipper page:   Underneath the note Bipper left is the best gift this book has given me – a caticature of Bipper. It even says “Bipper as a cat!” underneath it. All is right in the world at this moment. I couldn’t be happier. If you can, look upon that drawing and feel the joy enter your soul.
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Category 11/Dipper’s page on Pacifica:  (underneath the photo of Archibald Corduroy) “Roses are red, Pacifica’s blood is blue, I read what you crossed out! I’m on to you! Start combing your hair, Brother! –Mabel” Dipifica fans are now 10x happier they purchased this book – or got to read that poem!
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I’m Back page:  “I have found my old bottle of invisible ink! It was right where I left it 30 years ago – hidden inside the science fair trophy in my electron carpet room. Unfortunately, most of the ink is gone, and there’s a note on the bottle which reads: “Hey, dude! I tried to drink some of this and it made my tummy glow. Like Shimmery Twinkleheart! Ha ha! I think I’m gonna go lie down forever now. –Soos”
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I’m Back adjacent page:  “What a waste! Although, I am amazed that “soos” survivied what should have been a lethal dose of ink. He must be one of the most fit and healthy men on Earth! It’s just as well – this ink did little to keep my secrets from Bill Cipher. And I may have permanent retina damage from constantly flipping the lights on and off while trying to read my own messages. NOTE TO SELF:  Invent bionic eyes. I’ll use what little ink I have left for some….private thoughts. NEW DIMENSION CHECKLIST:  
Read the past 30 years of newspapers. I wonder if whales have finally made it onto land and become the dominatnt species. Also, looking forward to seeing how advanced the lasted fax machines must be!
Catch my breath – literally! I haven’t breathed the proper combination of nitrogen, oxygen, and trace vapors in years. Air is great. Really can’t overemphasize how great air is.
Order red turtleneck sweaters in bulk.
Check out The Eurythmics’ latest chart-topper!
Invent something as a sign of goodwill towards my niece and nephew. What do kids like these days? Bionic arm-lasers? Maybe a pet Cthulhu?
ILJXUH RXW ZKDW D “VLOYHU IRA” LV DQG ZKV HYHUBRQH NHHSV. FDOOLQJ PH RQH.” [Translated with Caesar -3:  “Figure out what a “Silver Fox” is and why everyone keeps calling me one.”]
OMG
EVEN MORE PROOF THAT I LOVE THIS DAMN BOOK. THE LAST PAGE WHERE FORD WRITES:
“AN INITIATION:   to fully complete your initiation as an honorary Pines, there is one final task - to place your hand on this page, hold it while you charge up the black light and then remove your hand. See what happens? Welcome to the family! Zh’yh ehhq zdlqlqj iru brx – Stanford”
If that didn’t rip your heart out, translated with Caeser -3, the last line reads “We’ve been waiting for you.”
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I’m literally tearing up. Thank you to everybody who made this book possible. I’ve never been so happy to pay over a hundred dollars for a book. It was worth every penny. And the weird nightmares I got after receiving it.
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[Part 1 / Part 2 / Part 3]
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crimsonrevolt · 7 years
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Congratulations Amy you’ve been accepted to Crimson Revolt as Druella Black!
↳ please refer to our character checklist
We adored how much time you spent fleshing out her character, and how you took the extra energy to check in with us about how players connected to her felt about her character and their development to make sure your Druella would fit in like a glove! Your para sample was lovely and we’re so excited to see you explore the plot ideas you have listed -- your Druella will be a fantastic addition to the roleplay and we know she’ll have some amazing connections with players already and it’s so exciting to see that! *your face-claim change has been accepted!
application beneath the cut
OUT OF CHARACTER
INTRODUCTION
Hello! I’m Amy! I’m 18, and my timezone is GMT-6.
ACTIVITY
I’m always horrible at giving activity in numbers, but maybe a 6.5 or 7 out of 10? I’m in another RP, but I can still be on  at least every other day, with more time on weekends.
TRIGGERS
*removed for privacy
HOW DID YOU FIND US?
By looking through the “marauders rp” and “marauders rpg” tags.
WHAT HARRY POTTER CHARACTER DO YOU IDENTIFY WITH MOST?
Ooh, good question. I’ve loved Luna ever since I read the series for the first time, but I don’t think I’m like her at all. Hermione, maybe? I read a lot, and I get very, very absorbed in trivia and all kinds of learning-related things.
ANYTHING ELSE?
No, I think I’m alright, thanks! You’ve already been very helpful with answering my questions!
IN CHARACTER
DESIRED CHARACTER
Druella Black
FACE CLAIM
If it’s still alright with you, I’d like to go for Joely Richardson, please!
REASON FOR CHOSEN CHARACTER
Ah, Druella. Well, first of all, I was thrilled to see that she was available, since I haven’t seen the parents of the marauders’ generation in RPs much,  except as npcs. (I love playing older characters, so I was thrilled to see her.)
I’ve played Narcissa before in the past, so I’ve definitely wondered for a while how some of those family dynamics could look from the perspective of the older Blacks. People have gotten to play with how Andromeda’s departure impacts her sisters, but what about the parents?      
I see Druella as someone whose entire world is based on appearances and doing what is expected of her. She doesn’t mind this too much. She’s charming and confident and good with people, (and a snappy dresser too) so the demands of pureblood society come fairly easily to her.
Well, some of them do. Other things are beyond her control. For example, the inability to produce a male heir. This was a huge blow and source of stress to her at first. But with the addition of each little girl, she grew more and more resolved to… she would call it making up for things, but you or I might call it overcompensation. If her children were all going to be women, then they were going to be the most elegant, most ladylike women in all of the wizarding world.
I also think it might be really interesting to explore how Druella, as someone who is situated right at the heart of pureblood society, copes with its demands and problems. Especially when her life starts to go more awry than she thought it would. Given how important reputation is to the family, it could be really great to play with how she reacts to the shame of Andromeda marrying Ted.
PREFERRED SHIPS // CHARACTER SEXUALITY // GENDER & PRONOUNS
I’m not quite sure how to format this, so I’m just going to do the basics first, then the analysis.
Gender and pronouns: Cis female, she/her. // Preferred ships: I’m open to anything, except maybe incest.
Like most other women she knew, Druella did not have the luxury of marrying for love. Her marriage was orchestrated between the parents of her family and that of her husband. Her role in it all was to hope for the best.
And in her world, you couldn’t ask for anyone better than Cygnus Black. It came as no surprise to her that she could marry into the House of Black. After all, she was quite the catch. Beautiful, smart, in possession of some family galleons. Of course the Blacks would want her. But that didn’t mean she was any less pleased.
But how did they match up, in a more personal sense? If asked Druella would certainly say she loved her husband. Not with a burning passion, mind you, but she had few complaints. They made a good team, and they certainly looked good together.
She has wondered though, just a little, what life with someone of her own choosing. Not that she would ever do anything about it. She likes her life, for the most part. But everyone wonders a little. Even Druella Black.
In Druella’s experience, sex  has been more about creating a suitable family tree than anything fun or pleasurable. In the early years of her marriage, it was more of a source of stress for her. As a result, she’s not quite sure how to feel about it. She’s never been very adventurous with it, but that’s never bothered her. It’s just sort of…there.  
CREATE ONE (OR MORE!) OF THE FOLLOWING FOR YOUR CHARACTER:
-A MOCKBLOG
https://druellablackmockblog.tumblr.com/
I’ve never made a mockblog before, but I hope you have fun poking around!
-A FEW POTENTIAL PLOT POINTS
I would love to play around with Druella’s relationship to her two remaining daughters, and how desperate she is to make sure she doesn’t lose another one. I picture her as showing some favouritism towards Narcissa, but obviously I’d have to clear that with Bella and Cissy’s players, haha. I feel like Druella is one of those moms who’s always secretly (or not so secretly) judging her kids in everything they do, so that might provide a nice source of tension.  
I would also love to explore how Druella copes with the fact that people’s opinions of her family might have changed with Andromeda leaving. Status is very important to her, so it might be really fun to see how she tries to preserve her status among the purebloods. Depending on what people think of her now, she might pretend nothing ever happened, or spend years publicly disowning Andy, or even get more involved with the DEs to prove that she’s loyal.
I know Walburga’s still open, but I would love to see how their relationship might work, and how you might be able to play with how they each deal with their children defecting. Would they talk about it? Maybe it would bring them closer. Or maybe it would never be spoken about. (This could be interesting with Orion too.)  
IN CHARACTER QUESTIONNAIRE
The following section should be looked at like a survey for your character. Answer them in character and feel free to use gifs. Or, if you’d rather, answer them in third person or OOC without gifs. Answers do not have to be extremely lengthy.
♔ If you were able to invent one spell, potion, or charm, what would it do, what would you use it for or how would you use it? Feel free to name it:
“Hmm. Perhaps a spell to thin out the mudblood population? If not that, then one to make my house elves work faster. It’s so hard to find good help these days, don’t you find?”
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♔ You have to venture deep into the Forbidden Forest one night. Pick one other character and one object (muggle or magical), besides your wand, that you’d want with you:
“I like to think that I could handle myself fairly well in that situation, but given the chance I would probably take my husband — he’s a fairly proficient dueller, you see. And I would take… a mirror. If needed, I could throw it at any monsters. But if there weren’t any, I would be quite happy to use it for its normal purpose.”
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♔ What kinds of decisions are the most difficult for you to make?
“Difficult? I’ve found that in most matters — housekeeping, entertaining, even family — you can decide most things using the same method.You simply have to weigh your pros and cons. Look at what life will be like if you make one choice over the other. And then live with your choice, whatever it might be.”
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♔ What is one thing you would never want said about you?
“I would never want anyone to say that I… run in the wrong circles, if that’s the right phrase. But I doubt there’s much danger of that.”
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WRITING SAMPLE
One of the things Druella loved most about her family was their sense of tradition. Today, she was indulging in a favourite one. When her daughters had moved out, to begin their new lives, she’d suggested something to keep them close. A periodic lunch date with each girl. So they could catch up with each other. And also, though she would never say, so she could keep an eye on them.
Today was her day to catch up with Narcissa. As Druella walked into the little cafe they had agreed upon, she was immidiately flooded with a sense of being watched.  It was a feeling she relished. Where others might shrivel under the attention, she felt the curious eyes on her, the whispers of adoring gossip, and felt at ease. She was about to sit down with her lovely girl, the two of them looking like pictures, and provoke the envy of every soul in the room.
She weaved her way slowly through the tables until she found a suitably spotless one. She sat down, smoothed her already smooth hair, and checked her watch. She was early. “Excuse me,” she called to a serving witch. “Get me a glass of wine, please. Thank you.”  If she was early, she had time to think.
And today was a day where Druella did not want to think clearly.
Because, you see, today wasn’t just the day to meet her youngest daughter for a chat. Today was the anniversary of her middle child leaving the family.
The little mudblood-loving idiot. Tearing the family apart to hop into bed with Ted Tonks. Even his name sounded common. Why? Why had she done it?
Druella knew she shouldn’t think about it. Instead, she should rewrite things. She had two daughters. No third to speak of. No middle child off out there, on the other side of the war. Palling around with heathens in some commune for mugglle enthusiasts, or something.
She shouldn’t have suggested that Cissy meet her today. No doubt she’d been thinking about it too. But what other options did she have? Surely they all had to just carry on as normal.
Just as the wine arrived, Druella spotted a familiar blonde head. One that she hoped would arrive for many more lunches to come. “Darling!” She rushed over to her daughter and looked her up and down. “You’re looking thin, dear. We ought to get some meat on your bones.” She picked up Narcissa’s willowy wrist and examined it. “And pale. Like you’re made of parchment.” Druella lead her child over to the table and fixed her with a steady gaze. “How are you, sweetheart?” There. Just like any other lunch.
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theshatteredrose · 8 years
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Could you offer some tips/a guide to writing a good plot? I'm trying to write my own EO story and I can't seem to get it to work
Ah, that’s a tricky question. I’ll answer it the best I can.
This is just my opinion, but a plot is more of a theme for the novel. It’s a reason. And it has to be engaging. But it’s also important to remember that the characters are to enhance and carry that plot. Without the characters, the plot means nothing. If the plot isn’t working, try to focus on your characters. You don’t have to outright change everything. If you want to write this particular plot, then you do that. Don’t let anyone tell you otherwise. A bit of compromise here or there, a few minor adjustments can do wonders for the flow of the story.
But if something still isn’t working, perhaps focus on your characters for a bit. Are they able to carry this plot? Can you write them reacting to the plot defining events with ease? Do the characters involved have reasons to be in the story? Or are they just…there? Maybe they need a little tweak or two. There’s no need to go for a complete overhaul unless you want to.
What helps for me is to flesh out characteristics of my characters first. Not every single character you think you will use needs to have this, as minor characters can pop up as you begin to write. And that’s perfectly ok. There’s also no need to plot every single detail of these characters. Enough to give them background. To give them personalities. To give them connections to the plot.
For example, if I were to write about a space colony or something, I wouldn’t have a gun-slinging cowboy just hanging around for the sake of it. Unless, of course, that cowboy had been frozen for a thousand years as a test subject and found himself in a completely different world. You see what I mean? The characters got to have some kind of affinity with the plot. Characters that are dead weights have no impact on the plot.
While it’s important to keep your characters, well, in character; a person’s characteristics aren’t written in stone. They have ups and downs of their own. Let them do something uncharacteristic or surprising, and have someone comment on it. It makes your characters feel more ‘real’.
The story’s environment plays a factor as well. Since this is EO, characters carrying around weapons and using magic at will is completely acceptable. An alchemist setting a house on fire by accident is normal. A panda bear trotting around with steel claws is a-ok. A deer killing a man is just a bit of bad luck. What isn’t normal or acceptable is the use of iphones or phones/electronics in general. I doubt some of the towns even have electricity. Hell, even the introduction of vessels/sentinels/yggdroids would be approached with a sense of caution before eventually being accepted.
There’s a lot to consider when starting a novel and it can seem daunting, even to those who have several novels under their belt. But I believe once you start getting a feel for the characters, the plot should come more easily.
Ah, that’s the best I can do, I’m afraid. I hope this was at least marginally useful! The EO series needs more fanfiction ^^
Also, if it helps, I have a smorgasbord of EO based plots if anyone is interested or stuck.
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“Fanfic writer asks”: Skipping the “asks” and doing the answers!
I just saw this and I’m too excited to wait for someone to see this, decide what to ask, and I wanted to answer all of them, anyways.
Some of these are fill-in-the-blanks for askers, so I can’t answer them. But if anyone wants elaboration, or wants to know a specific something in regards to a particular story, or character: Absolutely, feel free to send me some!
Questions taken from here: http://criminal-minds-fanfiction.tumblr.com/post/172926526725
--
1) How old were you when you first starting writing fanfiction? Oh geez, we practically need a time machine for that. I was only 11 or 12! I started "writing" fanfics with my action figures (guest-starring other childhood toys) as far back as I can remember. Literally, from the time I was 5-8 and obsessed with Pokemon and Yoshi's Story and Powerpuff Girls, I was playing out stories and adventures, from beginning to end, imagining backstories for why they're there, what they were doing, what motivated them. They even came with continuity (from one play-session to the next)!
As for actually writing it down, though... That also started Very Early. I think I must've been 11 or 12? The earliest one I ever dated was 2005, anyway. They were descriptive, illustrating actions to display emotions, and characterization was... well, it Sure Existed (even if it varied from "So Wrong", to Definitely the Right Remark).
But ever since the moment I touched a pen to my first fanfic notebook, it was about my OCs (and Raven, because, surprise surprise, she was my favorite to write about). I've had plot since I first took those Crayola twistables to paper to illustrate the story in my head, the first story I ever Had a Solid Plot For (that is, Mystery Sickness-- which is being rewritten with Actual Explanations, re: Why Dove Made Her Feel So Shitty in the first place): that was also in 2005. (Fun fact: it was originally in Poorly-Drawn Comic Form). The actual "novelization" went through to 2007.
2) What fandoms do you write for and do you have a particular favourite if you write for more than one? As my fanfiction.net profile will tell you: "Author has written 32 stories for Teen Titans, Pokémon, and Ruby Gloom." - The Ruby Gloom fanfic was abandoned, unfortunately. (It was a direct and shameless self-insert, that got abandoned because, quite frankly, I had no idea what to do with it. Maybe I should put it up for adoption at this point...) - A Work of Magic (my Pokemon fanfic, with related bios/etc) gets written for very rarely, because the inspiration to do so is rare and sporadic, and more tied to a Specific Scene I want to write, than where I left off in the story. @w@;; - A Steven Universe fanfic is in the works, though I'm struggling to flesh it out.. due to the Aforementioned Preoccupation with The FAVE MOMENTS, moreso than the backstory and movement through those moments. @D;;
And then, you have the Teen Titans stories. You know, the ones with Dove, and Kary, and Srentha, and Leyla will eventually be there. My most precious, dearly beloved, absolutely irreplaceable OCs. My TT story folder has about 100 files, which belong to about 30 full-length stories. (And that's not counting the oneshots, like Heart to Heart, which is still one of the best things I've ever written.) There are also a few poems here and there, particularly Dove's Prophecy (of self-fulfillment, really), and stories illustrating Dove's childhood, her mother/grandmother's past, Srentha's childhood... There's just Quite A Lot! I've been doing this, writing them, for 12+ years.~ And my fandomatic obsession for Teen Titans has never dulled, quieted, or been forgotten. So yes, I definitely do have a "particular" favorite. I may prefer exploring their world through my OCs, but damn, is it more FUN than any other world to explore!
3) Do you prefer writing OC’s or reader inserts? Explain your answer. Ah, you can probably tell it's OCs by now. At least, MY OC's. Someone else's OCs, well, I tried that once, they were going to commission me. But I never got it finished. (I just didn't have quite the same connection. And I didn't know the canon; that can't have helped.) But character I *do* get to know, like my girlfriend's OCs in our collaborations (or characters I got to know so well through playing together that I just totally shamelessly adopted, specifically: Kary), I do enjoy writing for~ There's just something so incredibly special in knowing that you, solely, are responsible for their growth, their development, and their well-being. It's a bit like having kids, without the screaming. (At least, without them screaming in your ear. Dove and Kary have both done their fair share of screaming, come to think of it...)
( (( Although, to be fair: I've never tried writing a writer insert. I doubt anyone would actually WANT to endure the stories I put my characters through... ;P )) )
4) What is your favourite genre to write for? Fantasy? Action/Adventure? It's hard to say, because I actually write for a HUGE variety of Genres. But I guess my favorite, if I can encompass all of them under this one umbrella, would have to be Hurt/Comfort.
5) If you had to choose a favourite out of all of your multi chaptered stories, which would it be and why? DAMN IT, DON'T DO THIS TO ME.
Gods, that's hard! Basically ALL of my stories are multi-chaptered... Well, it's definitely one of my Teen Titans stories. DDD has definitely been the most challenging to write, the most fulfilling to finish chapters on, and the most pivotal point in Dove's life, so it will always hold a special place in my heart. Writing for Azar in "The Final Journey" and Dove taking her first unintended steps into heroism has been so personally touching for me, and it does so much good for Dove, and especially her relationship with the team, that it's just so, so special to watch. Something Special About Srentha is probably my most epic multi-faceted story, and the narrative timeline (handling two very distinct and separate struggles in totally separate places) is really challenging me to grow as a writer. "Continuum Wars" is going to be the grandest scale of struggle and magic, so I'm really especially excited to start figuring it out. It is just so, so HARD to decide on ONE; they're all so special, and I love watching my style evolve with each story, and more than anything, watching my characters come out of these situations alive. lD;;
6) If you had to delete one of your stories and never speak of it again, which would it be and why? you mean the Teen Titans and Pokemon crossover where Dove brings home a Misdreavus? been there, done that. Honestly though, every single one of my stories has its place in my characters' lives, and is important for continuity. And personal growth. And I've honestly never been ashamed of something I've written.
(If you travel far back enough in my fanfic archive, you WILL find a really old character bio for Dove, which I completely revamped, because I didn't learn until later how to frame her without comparing her to Raven, even though she's always been a very different and independently-extant character. Also, the bits I learned about Being Kept A Secret and her grandmother's exile were Nearly Learned around 2010, 2012...)
7) When is your preferred time to write? Whenever the inspiration bug bites! ASAP!! But as for general adding and editing, it's fairly late at night, usually~ Sometimes afternoons. Usually an hour or more after eating, and especially when it's cool and quiet in the room.
8) Where do you take your inspiration from? Canon, personal experience (my personal struggles, my search for my identity, and my struggle to define myself), and sometimes even my own spirituality. (Wild shit goes down when you get into astral exploration, let me TELL you!)
9) In your xxx fic, what’s your favourite scene that you wrote? Can I just... use my personal favorite? (If you have any questions about a particular fic, or universe, or point in a character's life that didn't happen in the fics, let me know and I'll gladly answer!)
- Holy GOD, the climax scene of Dove's Dark Discovery! It takes place entirely in Dove's mindscape, while Dove's power is maxed out, and you've got a very powerful telepath and a TREMENDOUSLY power empath battling within a mindscape that has been slowly devastated over the past few months, and it's just this absolute EPIC culmination of their powers and, to a degree, even the connection they'd been forging since Dove came. Dove seriously oversteps some boundaries, Raven nearly kills Dove by accident, it's seriously crazy stuff.
Bonus: Way back in, like, probably 2008 or 2009, when titansgo.net was still around: I had asked my all-time favorite fanfic author for critique on the climax. His advice, to make it "three times as long and nine times the punch", absolutely inspired me to reach WAY higher with their fight, and once I realized what kind of mind-bending maelstrom shenanigans can go down in a MINDSCAPE, the scene fairly EXPLODED with potential!
And I especially like the fact that, including the revisions after his (entirely justified) advice: This scene has gone through like nine different incarnations. And my favorite part: It was originally inspired by a battle in the Teen Titans videogame! I think my little sister was playing White Raven (who my mind always read as Being Dove, because White Cape and Magic Powers), I was playing Raven, and the battle took place in "Nevermore", Raven's mindscape. It was actually a good fight. And I was fucking AMPED... But also emotionally RAVAGED, because "holy shit, Raven fighting Dove... in a mindscape......" And the scene happened like two days later. (In middle school. Honors Spanish class. As a note in the margins of my assignment notebook!)
Gods, guys. That scene is just so incredibly important, and it has come oh, so very far~
10) In your xxx fic, why did you decide to end it like that? Did you have an alternative ending in mind? I'm gonna answer one that I really like the ending of, but feel free to ask for others. Like, maybe one I've actually published, that you've actually read? 8F But honestly: Spellbound pt. II. I haven't published it yet... but it ends in absolute tragedy. The reason is twofold: First off, I knew Dove and Srentha were end-game, so although Dove was falling pretty deep into love, I couldn't have him hanging around... 8F But also because I wanted to illustrate the strength of sacrificial redemption. (I don't want to give too much away, because... well, that's the ENDING. But it's heart-wrenching and I can only hope I've done it justice.)
Other faves include: Srentha having heart-issues at the end of Something Special (because it's the Very First Symptom that something is going to be Dreadfully Wrong with him in the sequel), DDD ending with Dove absolutely traumatized and seriously hurt (because the following story is going to be all about her learning to Take Action on her pain, instead of hiding herself away), and A Work of Magic ending with everyone thinking Mistress had died trying to save her family... but the ending is, and the epicness kind of speaks for itself in this: "You can't kill a ghost."
11) Have you ever amended a story due to criticisms you’ve received after posting it? You mean like the way I completely rewrote Dove's character bio 6 years later, in response to all the accusations of her being a Mary Sue? Despite literally nothing (but more specific illustration) changing in the way I wrote her? 8F Other than that, absolutely not! I mean, if someone made a valid point I would. But nobody can tell me how to write my OCs, you know?
12) Who is your favourite character to write for? Why? My OCs. But you probably mean canon characters... and that easily comes down to Raven. She's just so layered, working with very inward, introspective mechanics, before she takes her action, usually in a very well-thought out direction, or sometimes an INSANELY emotional outburst, and either way, it tends to be Very Important, Poignant, and Make a Difference in the scene. I relate to her; I idolized her for the longest time; I know exactly how to write the struggle between not being able to express your emotions, and being true to yourself, because I've lived it. I'm an empath, so writing her empathic powers is always sort of therapeutic, because outside of my mirrorbook, I'd never gotten to EXPLORE that aspect of myself before. Her wit is hard to capture sometimes, I'll admit, but, I mean, I was making the nurses at the hospital laugh all the way up to my procedure, armed with nothing but my dry remarks. I think I'm up to the challenge.
13) Who is your least favourite character to write for? Why? Beast... Boy...... I'm sorry, I really am. I've just never been able to relate to him, or understand how his mind works (if it even works at all?), or write him into any of the plots-- outside of, like, trying to cheer Dove up, which is iconic and appreciated on Dove's end. But otherwise? What do I even DO with him? His sense of humor is just... so lowkey annoying that I sincerely cannot fathom why it's So Funny, let alone make it up for him. (Thankfully, at least the comics come in handy for exploring Why he's Like That, which has honestly helped a lot more than anything the show ever did. All but ONE of his episodes, were... pretty crack-tastic. And that just doesn't mesh well with my stories that are Trying to Deal with a Serious Issue Here.)
14) How did you come up with the title for the xxx? - You can ask about multiple stories. Mostly, they're descriptive of the Most Iconic Thing, or Most Pivotal Plot Point, in the story! "Something Special About Srentha". "Dove's Dark Discovery". "Growing Up Demon: Leyla's Story". "Mystery Sickness", being renamed "Soul Sickness" for poetic value, but still keeping that iconic "Sickness" thing, while also making it More Relevant to Raven Specifically. The exception is probably "Unforeseen and Unforesaken". Yes, it's misspelled, I did that on purpose for visual balance in the title. It's weird. I know. But it's Intentional. (Still highly important things though, because it illustrates both Dove's arrival, and what happens once she's there, being unforeseen. And Dove absolutely hardcore valuing the team because they don't Forsake her.)
15) If you write OC’s, how do you decide on their names? Bold of you to assume I have this kind of CONTROL over them. Seriously, the way my writing works isn't so much "I get to decide what they do", and more like "huh, this Resonates. That must be a Thing... Let's try to seek out all the relevant details on why it happened, how they reacted, and how it ends!" It's like detective work. And this is absolutely best illustrated by trying to find Srentha's name. Because holy frick. What kinda name is that. (Turns out, it's literally in another language. 8F It means "flight", by the way! Onomatopoeia for the sound wings make.) Anyways, I literally found out one day that, "Dove tried to keep her pregnancy hidden... That must mean she had a kid. With someone." And thus began the Classic RHS Storytelling Search for "who's the guy?" And immediately I knew his name began with an "S". So I tried a bunch of names. I figured it was feminine-sounding, for some reason, thus I realized it ended in "-a". I knew it had two beats. Finding the "-ntha" was the easy part, it was figuring out how the heck to parse "Sren" into the right sounds and number of beats that was the REAL challenge. It wasn't until I remembered "Sri Lanka" exists that I figured out his entire name. (It's pronounced without the English "sh", though - it's just "Sren". As he says, "like Wren, with a Sss.")
16) How did you come up with the idea for xxx? Mostly, they came to me when I was thinking about my characters' lives. Except The Final Journey, that one was based on "the crystals" my girlfriend illustrated Dove having in her room, and I kinda just took that entire concept and made it Azarathean and RAN with it!~ (If you're curious about any particular story, let me know!)
17) Post a line from a WIP that you’re working on. "I killed six people. Do I deserve to die?" hello, this is your daily reminder that DDD absolutely Destroys Dove's self-image. But because it's So IMPORTANT and uhh, it was too Dark for me to leave that there, I also want to quote Raven's responses, which include "We all have our dark days," and "I do know that pain, that guilt. I know it better than anyone...[but] Solitary confinement won't cure it...[and] we don't want to see you leave." And also, "You won't be able to help anyone if you destroy yourself first."
18) Do you have any abandoned WIP’s? What made you abandon them? Oh, stars. Let's see... The first "wip" I abandoned was a character I named "gayla", not knowing "gay" was actually a word, first of all, but her concept turned out to actually be part of Srentha's story, and honestly I should've figured out that "heh, same name as Raven's nursemaid" wasn't a thing. {lD (Whose name was actually Galya, by the way. I didn't realize that mistake for like, five years.)
I only so very RARELY abandon an actual story, though. I know there have been a couple of Moment Concepts I've lost, due to not writing them down; that honestly hurts much worse. ;; But there's the aforementioned Pokemon+TT crossover, where Dove brings home a Misdreavus by accident. That was purely self-indulgent, and it just didn't fit with the timeline, so I decided to stop writing that AU. It was really more that I wanted to focus on The Other Stories, and only had 3 short chapters planned. (The one where the little ghost gets herself stuck in Raven's mind had so much potential! But I didn't know how to write Raven's emoticlones in without Raven becoming aware of it. And now that I think about it, that could've been what got Dove to send her back.. But, eh, I've long lost the story file for it, and long LONG lost interest.)
If anyone tells you "A Work of Magic" is abandoned, they're wRONG, I'm just really, really caught up in Dove's struggle with DDD and Srentha and Steven Universe (even if I'm not really writing that fic most of the time), so my inspiration to write that story with As Much Lighthearted Fun Silliness as it deserves is seriously impaired. =w=;;
Oh, but I did kind of abandon the story from Sieara's point of view, because honestly, I'd rather just explore her through Dove. (That little bird gets plenty of epic spotlight moments; she even channels Azar's spirit at one point. Or two. ;P ) But mostly, I abandoned it because I didn't want to write about a bird being too old to reproduce, getting close to death, and then dying, anymore? (It was going to be about her noticing Dove spending more time with Srentha, Srentha's bird dying, and Sieara meeting Dove's daughter, and dying shortly after. But I... don't know, I didn't want to write that Angst without a Resolution.) I wrote that story for Exactly 1 Day, and then decided to stick to writing about her through Dove.
19) Are there any stories that you’ve written that you’d really love to do a sequel to? I fully intend to do sequels to all of them, thank you very much.~ (At least for the TT fics, all of them are connected in some way. A Work of Magic has both a sequel and a prequel planned. And the Steven Universe fic is really only planned for One Conflict, I really don't want to explore it much beyond that singular unit of Canon Divergence.)
20) Are there any stories that you wished you’d ended differently? That would be akin to lying, with the way my stories and my characters go.
21) Tell me about another writer(s) who you admire? What is it about them that you admire? thechroniclerjon, holy stars and envy batman. This is one writer who knows how to build a conflict, write magic in a way that's both Believable, and Relatable, and Awesome, and interweaves different plot threads into one rather EPIC confrontation. Obviously I couldn't take the element of religion into my stories, being so totally personally disconnected from it. (spirituality? ABSOLUTELY. Let me explore aLL the Azarathean feels!) But like. Those descriptions. The conversations. The build-up. The plot-twists. The raw emotion. I aspire, very much, to someday, in my own way, find a style that translates as much Excitement and Tension and Delight as his stories manage to convey.
Also, the author of Learning to Breathe Underwater, because that story had amazingly spot-on characterization, included so many canon elements (despite being Canon Divergent) while still having its own (very well escalated, incredibly well-executed!) plot! I write for the Teen Titans universe far more than Steven Universe, but I really admire their way of including basically every single character, giving them plenty of attention and growth, and giving a lot of them development in the process. I don't know if I could do that, but someday, I'd like to try.
22) Do you have a story that you look back on and cringe when you reread it? The old Mystery Sickness. Like, the first version. It was, ah... originally what I now call an "emvent", and if you know what that is, great; if not, I don't want to go into details, but it's a story that helps me process my phobia? Which, geez, poor Raven okay, but what's really "cringe" about it is the way I narrated it in first-person. XD Weird metaphors, she had a Detective Noir tone for some reason, and let's just say there's a reason I never shared any of the panels. (I kept it secret because of the phobia. Equally as horrifying, I kept it in words because of the pictures.)
23) Do you prefer listening to music when you’re writing or do you need silence? Silence, but I prefer gentle background noises I'm used to. (Like birds fluttering around, gentle aquarium filters and the water rippling, wind in the trees, etc. It's an ADD thing; lowkey background noise, if kept at a distance, helps me focus.)
24) How do you feel about writing smutty scenes? Eh. I have the Occasional Mood for it... like, once a year. 8P But generally, I'm just Not Interested. Sure, Dove and Srentha have... done some things that would entertain fans of the genre. And actually, some things that get borderline supernatural. But mostly, I'd just really rather be writing other things.
25) Have you ever cried whilst writing a story? Oh, stars. Yes... Yes. Dove's Dark Discovery. (I drew on... an awful lot of personal experiences, and none of them were good.) Plus, her guilt and self-flagellating... let's just say it's a major Depression Mood. Also noteworthy: I cried writing the Death Sequence and farewell letter in Spellbound pt. II. I've cried for Dove's loss of Azarath, and her mother. I've cried for the things Dove and Srentha tell Leyla when she's really struggling (because, dear gods, if only I'd heard those words when I was a kid)... It doesn't happen often. But sometimes, it just... gets overwhelming.
26) Which part of your xxx fic was the hardest to write? ASK ABOUT ANY OF THEm, because DEAR GODS, there are PLENTY. But the hardest of all was DDD. I struggled with describing how/why an Extremely Gentle, Timid Pacifist was suddenly Losing Herself to Internal Evil, and doing Terrible Things. I struggled to capture the IMMENSITY of the mindscape battle, both in how these two Incredibly Powerful Demi-demons were unleashing their powers, and also in how much of a personal toll it takes on BOTH of them afterwards. And now, I'm struggling to find the words for Dove in the aftermath, because... Gods, there's just so much turmoil and emotion. It echoes an awful lot of Seriously Dangerous Depression Thoughts, right down to suicide ideation and lashing out at the people she loves because she doesn't think she deserves them, and aren't they all fools for loving her. All I can say is thank god Raven's such a realistic beacon of hope, because (much like she did for me, come to think of it) she's able to help Dove battle those thoughts with reminders, wisdom, and hope.
27) Do you make a general outline for your stories or do you just go with the flow? This one depends entirely on the story. Generally, it's really quite sporadic and incidental. I write out the scenes as they come to me (usually WAY out of order), and then figure out how they all fit together. Sometimes I don't even realize two scenes are in the same story at first! Or how they're related. I tend to write the beginning, several scenes from When Things Are Very Serious, then go back to fill in the blanks. A lot of times the climax happens either before I know how to start the story, before I know what led up to it, or before I know how it ends. (DDD began with the climax scene. Heart to Heart began with realizing Srentha had a heart attack as a child.)
And then other times, it begins with a vague concept, and I start writing right at the beginning. (Something Special was first written at the beginning, with Srentha performing a spell. I didn't know what it was going to do, just that it was Relevant. A Work of Magic started with me in the Pokemon world wanting a Misdreavus, and developed into a full-team adventure from there. Unforeseen and Unforesaken, or rather "Unforeseen Surprises" in its original form, starting with the very moment Dove showed up, was written as I went along, knowing which points I wanted to hit before the story was over, but writing the scenes as they came to me.)
A Work of Magic has a lot of travel scenes, and moments that take place in specific areas, with Specific Species, so I had to plan out a timeline from region to region, to make sure they weren't in Sinnoh one day, then encountering a Unova legendary, and battling a psychic type in a Kanto forest the very next day, you know? Then there's DDD, which is such a gradually PROGRESSING story that I definitely had to outline some of the chapters, too. Making sure Dove's gradually growing powers were highlighted, and she wasn't going from Total Telekinetic Failure to Suddenly Really Strong and Breaking The Entire Gym Room in the next scene. That sort of thing.
Either way, it's usually As I'm Writing that I notice the connections, the causes rooted in previous stories or scenes, and the Effects These Incidents Have as I'm writing it out. I always start with An Incident and A Concept, because I wouldn't have a story to write without it. But where it becomes Actual Scenes, and what order I write them, depends entirely on the order I discover them.
28) What is something you wished you’d known before you started posting fanfiction? What a Mary Sue was supposed to be, and that Dove isn't what they claimed. That criticism that so many reviewers threw onto her bio wasn't at all helpful, I didn't know what that meant, let alone how to fix it, and I didn't know how to demonstrate that Dove wasn't, in fact, "entirely like Raven", because she had her own powerset, her own history, and her own personality. To be fair, a lot of the Highlights on Their Differences happen in later stories, and it's the initial shock of "why the frick is wearing those clothes and using that mantra", so of course on first impression, it's like. "Raven? similarities???" But... I don't know, it's just so very OBVIOUS to me that, unless we're talking about Timid!Raven (the emoticlone), their differences are so VAST. And I spent a lot of time, WASTED a lot of time, trying to kill the assumption. It really wasn't worth it.
29) Do you have a story that you feel doesn’t get as much love as you’d like? DOVE'S! DARK! DISCOVERY!!! I nearly BROKE myself (both of time AND emotion) writing this thing! I understand that Some Friends can't Do Sadism, but like. This story is 250k words long, I've dumped a GREAT DEAL of my heart and soul into it, and Dove's plight seriously needs to be recognized to understand her growth moving forward. But! There! Are! So! Few! People! READING IT. The story has like 20 reviews on fanfic.net, BUT THE CLIMAX HASn'T GOTTEN ANY yet? ???? Please recognize the metaphorical blood, literal sweat, and literal tears I put into this. Gods. Yes I wish it got WAY more love.
30) In contrast to 29 is there a story which gets lots of love which you kinda eye roll at? That poem from middle school, "The Raven and the Dove"? It's a neat poem, sure. Kind, of, a unique concept? But it's not very well explored, it just goes "here are their differences. They're opposites. But they get along." No explanation of how or why. (That's all in the fanfics.) It's not nearly as rhythmic as Dove's Prophecy, it's not clever, it's not plot-twisty, and as far as poetic cred goes, I don't think it's anything special. ? ?? I mean, somebody found it online, and contacted me via email, and it nearly got PUBLISHED. (But I would've had to pay them to include it in their book, which I wasn't down with.) I just don't understand, literally at all, why so many people really LIKE it.
31) Send me a fic recommendation and I’ll post it for my followers to see! (The asker is to send the rec not the answerer) SEND ME FICS, I WILL READ.
32) Are any of your characters based on real people? Nah, they're all based on themselves.
33) What’s the biggest compliment you’ve gotten? My favorite fanfic author read, and then complimented, the (second or third version of?) the climax scene in DDD.~
34) What’s the harshest criticism you’ve gotten? Mostly just comments on Dove's first bio that went, "She's such a Mary Sue, burn it and scrap her entirely to start fresh"? (Thank *all* the gods that I didn't take that advice, because she's incredible and deserves to exist in her own right.)
35) Do you share your story ideas with anyone else or do you keep them close to your chest? Honestly? The first thing I do is WRITE about it. Unless I'm prompted to, or rambling about something that has me Inordinately Emotional, I don't really share them.
36) Can you give us a spoiler for one of your WIP’s? Don't worry, outside of Azarath's canonical demise, I only ever write somebody ACTUALLY dying once. But she comes back, because that's what she does, apparently.
37) What’s the funniest story you’ve written? Bold of you to assume I write comedy! But seriously, probably Srentha's debut story. When he discovers pizza, he assumes pepperoni isn't edible (a fair assumption, really, but he's vegetarian anyways). When he tries the cheese, his reaction is just so DELIGHTFUL and warm; he laughs so hard he's literally crying. The things he says and does when he's sugar-high are hysterical. He's just so exuberant and energetic, absolutely positive, he really brings a load of smiles to the table, and both I and Dove irrevocably love him for it.
38) If you could collab with any other writer on here, who would it be? (Perhaps this question will inspire some collabs!) If you’re shy, don’t tag the blog, just name it. I don't know if I have an answer for this. I don't really read a lot of Tumblr fanfics. I've already collaborated with Pix in RPs, my girlfriend and I have already collaborated on stories for both Kary and Pokemon, and the author of The Chronicler Saga implemented one of my scenes into his stories. What more can I really ask for?
I mean, if anyone WANTs to collaborate, just let me know, and I'd love to work something out.
39) Do you prefer first, second or third person? Third person, multiple, and preferably omniscient (or damn close to it)! Exploring everyone's inner workings is Exactly My Style. (And just more fun for me to write.)
40) Do people know you write fanfiction? Well, I only talk about it, like, once every three hours or so. (/sarcasm)
41) What’s you favourite minor character you’ve written? Sieara? Alerina? As for actual Canon Characters, I'm having a righteously wonderful time characterizing Azar. Lapis is fun and interesting to work with, but she's so full of emotional "tides" that it's really hard for me to write for her.
42) Song fic - What made you decide to use the song xxx for xxx. (I have only ever done songfics on papers, and wound up not needing the songs after all. They were all Evanescence, of course.)
43) Has anyone ever guessed the plot twist of one of your fics before you posted it? Not that I know of! Someone once guessed Dove was Raven's cousin, on Unforeseen+Unforesaken, and I haven't written the climax (when Raven realizes Dove is Trigon's child) yet. That's about the closest anyone has come.
44) What is the last line you wrote? Oh, stars, let me check. (This is where Tracking Changes comes in handy. ;P ) In Nothing Good Lasts Forever, the story that's (possibly going to be renamed "Even in Death", when Raven takes Dove back to Azarath for closure): This may or may not be polished before publishing. But this takes place immediately after Raven pulls Dove from a flashback.
"There's a lot you have to deal with. Your mind has been seriously damaged by what you've been through. I wonder..." And she trailed off there, hesitating, considering the concept before she dared give it voice.
Dove kept looking up at her, confused and seeming entirely absorbed in her analysis. It was so true. Tearing her apart, every time she remembered... The nightmares and flashbacks wouldn't let her forget it.
45) What spurs you on during the writing process? My own excitement, curiosity, and even desperation to learn what happens next! And a general sense of lowkey affectionate "tribute", like I'm the only person with these peoples' stories in my head, and they deserve to have their stories told. And also the hope that, maybe, someone, somewhere, will read the story, and if just ONE person feels their heart soothed or their struggle validated by my writings, then I've done a good thing, and that's all I really want.
46) I really loved your xxx fic. If you were ever to do a sequel, what do you think might happen in it? (Someone ask me, because EVERYTHING has sequels, and if you want to know about it, just Ask!)
47) Here’s a fic title - insert a made up title. What would this story be about? DO IT??
48) What’s your favourite trope to write? I'm... not sure, entirely, but probably "bullshit [insert genre here] magic".
49) Can you remember the first fic you read? What was it about? I remember one OF the first fics I ever read, because for about 7, 8 years, I was SCOURING fanfiction.net to find it again. It was about Raven having terrible visions, Azarath being destroyed, and Robin feeling her pain through their connection, but thinking it was heartburn. And then a group of people dropped in, took Raven away (on a spaceships? Though hyperspace???). And they were going to rebuild Azarath. And I think Robin had just discovered Raven was gone, before the story ended. Oh, and they spelled Azarath like "Azerath". That's all I can remember, but I really do wish I'd known what happened, because that story had me absolutely HOOKED. (But alas, I didn't have an account at the time, and I was reading it at the computer lab.)
50) If you could write only angst, fluff or smut for the rest of your writing life, which would it be and why? Ohh, this one's hard. I'd drop smut like it's hot (haha, get it?). But seriously, I'm a 99%-sex-repulsed aroace, and I've only ever written like 5 half-done smut scenes. Imagined a Fair Few more, but they don't keep my interest for the long multi-hour process of editing that comprises my writing process.
This probably means "romantic fluff" though, right? I mean, I HAVE to write angst (because let's be real, without Angst I wouldn't have much of a story, since all of my stories are Driven By Characters Issues, WAY moreso than external events). But I really think the REAL beauty of my characters is how they go through that angst, and COME OUT with each others' support. I don't know how to write angst without someone being supported (i.e. "Hurt/Comfort", really), and I don't know how to write fluff without something Heavy bringing it on.
Secretshipping (Dove+Srentha) is equal parts angst and fluff, because honestly Angst is in Dove's Job Description, and Srentha is so light-hearted and goofy and silly that he balances it out (and Dove has some goof in her, and Srentha has some rare moments of angst, and it's how they interact and balance out and HELP each other through it that really brings them to LIFE together). Kary's whole characterization is because The Angst seriously fucked up her psyche, but scenes between her and Dove (and Yo-yo!), even her future husband, can get seriously silly and fluffy. Leyla's real growth and development comes from Realizing that the World is Not Like her Sheltered Life. (And how she doesn't want to expose her parents to Her Angst.) But it's also the fluffy deep softness and sincerity she and her parents share that gets her through these realizations. So like... Angst and fluff go hand-in-hand for me? I wouldn't be able to write one without the other.
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