#agent of asgard comic book

[cleabellanov]

“Sorry for the lying, it’s a coping mechanism - when all my branches were dying I had to grow them back somehow and I developed some schism between who I was and who I had to be in order to live. It doesn’t seem to work around you, though.”

[magpie-murder]

verity willis 💫

she’s just so aro

loki: agent of asgard

[nerdby]

🏳️‍⚧️Happy Trans Day Of Visibility🏳️‍⚧️

Please be good friends to the trans people in your life. It's what Loki would want❣️

Stills from Loki: Agent Of Asgard (2014)

[foreststarflaime]

I did my part today in The Bad Class, it was me in the trenches with one other guy defending stories told in mediums other than books against the world (the entire rest of the class) 🫡 (things I used below the cut)

It saddens me that the academic community is so biased towards anything other than published books. Don’t get me wrong, I’m a writer myself and I adore books, but they’re missing out on so many good stories that hit so much harder in mediums other than words on a page!!! ✨Stories of all kinds are equally precious✨ pass it on

Defending movies: Inception!!! If you’ve not seen it, it deals a lot with dreams and layers of dreaming, and thinking about reality. In it, there’s a gimmick where you have a certain ‘totem’ (item) that you can use to determine if you’re in a dream or awake, and the main character’s is a top—if he’s in a dream, it will never stop spinning, but if it’s reality, the top will eventually be stopped by gravity. (Spoiler alert) At the end of the movie, the mc finally gets home to his kids like he’s been trying to the whole movie, and as he embraces them in the background a little out of focus, you see his top on the table, spinning—and right before you could expect it to start to wobble, the soundtrack peaks (thank you Hans Zimmer you master) and cuts off and the screen goes black, leaving you to your own conclusions. It’s such an effective moment and it really would not be the same in a book!

Defending video games: Crisis Core lmao. I love how it uses game mechanics to characterize Zack in such a unique and creative way!!! The DMW is the main thing that comes to mind here, in particular in the final battle, but over the whole game and how it gets you used to it as well. You get a new thing every time Zack gets a new friend, and that’s the source of your strongest attacks throughout the game, a thing you’re constantly thinking about and relying on—which is such a cool way to characterize Zack, because then you realize your thought process has basically been turned into his! He loves his friends, they’re everything to him, and they’re the source of his strength! Which makes the final battle so so devastating when they’re fading away and you get to see, nay experience, his last thoughts as they’re happening. It’s so devastating in a way I’ve rarely been devastated before, and it would not be the same in words. Also there’s the funny haha that this adhd puppy’s brain runs on gambling because he has to get extremely lucky to be able to focus on anything lmaooo

Defending comic books: Loki Agent of Asgard!!!! My beloved! So this is the comic book run where Loki becomes the god of stories, and everything about how it was done here is just. SO so genius. When I say these comic books were a formative experience for me I mean it. But I’ll focus on the things that were great specifically because of the medium here, otherwise I’d be gushing for hours. Yknow how comic books generally have little narrator text bubbles telling you what you need words to describe? And then maybe have a different one for the thoughts of the character? Well this had that, and the narrator bubbles were styled like little scrolls. When you get towards the end of the run, after Loki has realized his power as the god of stories, you get to a part where he’s facing the gods of the gods, telling them a story—and then the little narrator scrolls have the speech bubble thing drawn off from them, to Loki. It’s been him as the god of stories narrating his own story the entire time, writing his own destiny. Such a powerful moment, blew my mind—you could do something similar in a normal book I guess, but it was just so impactful here that I think it wouldn’t be exactly the same. And also, earlier (I think in the second volume), a different future version of Loki is time travelling using his story god powers to write the past to his own ends (you don’t know his connection to story yet, so this is an example of such good foreshadowing), and to do this he reaches out of the panel and jumps into the margins to travel around the story!!! Mind-blowing stunning 1000/10

The strength of books: I just realized why I like my specific imagery-laden style of writing so much in the middle of class while I was explaining this. So in On Fairy Stories (the book the discussion was about for the day), Tolkien talks about how the invention of the adjective was the most important thing for the invention of fantasy, because it helps you change things—for example you can say things like the red sky or the green sun, and people can imagine that. There’s a linguistic concept called mental models which explores how we think in metaphors to understand more abstract concepts—for example, a lot of people tend to view how electricity works in terms of the flow of water. In fantasy, we can take our words and especially our adjectives and metaphors, and we can craft new mental models that wouldn’t work in the real world, and create our own worlds doing that to great effect. I find myself doing this SO much now that I think about it! And that’s something you can do really really well with words that doesn’t lend itself as well to adaptations in other mediums.

And that’s the thing, really—you can do things to amazing effect if you write them using the strengths of the medium you choose! That’s why adaptations rarely work I think, people just don’t play to the strengths.

[superheroes-or-whatever]

Thor (2020-) #24 art by Lee Garbett 

[userboard]

Loki Laufeyson

Loki: Agent of Asgard (Vol. 1) #13

Art by Lee Garbett

[pughsicons]

Hey y’all! This is my first ever post on this social media platform, I’ll post mainly icons ( that you can use as a profile picture ) and aesthetics from Marvel. From the comics and the MCU :) so let’s start with Loki, I haven’t added a filter so you can add your own ( if you want )

[laurits-enjoyer]

Just picked this up from my local comic book store. They finally came out with a Loki omnibus of modern Loki comics!! It collects the 2004 run, the 2010 run, the 2019 run, Vote Loki, Agent of Asgard and a few others.

If you're looking for AoA but can't find it since it's out of print, maybe pick this up instead 👀

I'm so happy rn :D (It's making up for the terribly depressing season 2 trailer)

[ikol-loki]

she is everything to me

[original sketch because i like it]

[cleabellanov]

LS2 episode 5 thoughts✨

The conversation Loki had with O.B. first concluded in Loki finding his "why" in order to control the time slipping. And, once he knew that and realized he needs everyone's temporal aura, where does he timeslip to? Back to Mobius. That's a sweet detail, and, similar to episode 1, reveals Loki's trust for this character. Even when Mobius doesn't remember him, Loki still believes in him. And in everything he was told back at the TVA, including the way he describe a jet-ski: "a beautiful union of form and function". Another detail that melted my fool heart was the way Loki laughed after Mobius's (or Don's, but I'm not calling him that) words: "Or did you follow me home?". They are precious.

"You saw something in me that I hadn't seen in myself". That says so much. It reminisces all those times in season 1 when Mobius was by Loki's side:

"A villain" "That's not how I see it".

"You can be whatever, whoever you wanna be. Even someone good. I mean just in case anyone ever told you different".

And we can see Loki learning how to trust, how to care. For his character, this is great development. He's not the same Loki that invaded New York blinded by pain and revenge. He's returning to himself and by doing so, he's returning to what truly matters to him. His friends, his found family. All those timelines he feels burdened to protect.

"It's not about when, where, or why. It's about who." EXACTLY. The other variables are unimportant if they're not in the hands of the right person. And, after the heartbreaking moments in which Loki is the only one left standing after everything falls apart in front of him, I think he understands that. To quote Tom Hiddleston himself: "He learns what heroicism really looks like." And this "who" goes both ways: who rewrites the story, and FOR WHO this is done.

"I can rewrite the story."

That line is epic! It shows the power he always had and can finally access. It puts the concept of free will in another light: it's THE story, not MY story. Also, how far back can this go? At the end of the episode, we see Loki back with O.B back when the Loom was stable. That's the point he chose, for everyone else, not only for himself. At this point, he could have gone back to Asgard, back to New York. Win it all, be king. But that's not his glorious purpose anymore. He's finally seeing what Mobius saw in him, even Thor, some time ago ("Loki, I thought the world of you."). And there was a lot of talk about stories, writing and rewriting them. That's sooo similar to the comic where Loki becomes the God of Stories!! Like, this is actually happening!

"They didn't get a choice in this".

I think this is an extremely interesting conversation he had with Sylvie, in which you can see both of their points, none entirely right. For Sylvie, free will is something left untouched. No intervention, ever, just moments and paths in a disarray only the one who takes them can know them truly. For Loki, it's more of a choice. Yes, we take our own path, but sometimes we're given a choice. There is no bad or right in this game, only choices. By giving everyone a glance at the TVA, Loki realises that. What if they want that life instead of the one they already have? They wouldn't know, if not given the choice.

"I want my friends back. I don't wanna be alone"

Okay, that hurt. In the time cell in episode 1, we remember Sif repeating the same thing over and over again to Loki "I hope you know that you are meant to be alone and you always will be." This says a lot about Loki's fears, and being alone is one of his biggest. But that's the thing, he found these people, he's not alone anymore! So of course it is extremely hard for him to just...give this up? It's not the first time he faces Casey and Mobius (Don?) not knowing him. His reaction "Not again" shows how scary this is, and we can obviously deduce that from the first episode. Not only everything is at risk of just disappearing into a void after the Loom explosion, when they are still there, still living, they don't remember him. Yet Loki finds a way to steady himself, and find everyone in all this mess.

But also, I don't think that wanting your friends back is something selfish, as Sylvie said. After going through different views over the same thing: "I want to stop He Who Remains" to "I want the TVA back" to finally Loki admiting that he wants his friends back, this is a matter that concerns many people, not just one. Besides, he did say that after all of it is done, they can return to their timelines as they never left. That doesn't sound really selfish to me. In fact, it reminds me of something Vision said to Wanda a whole ago: "What is grief, if not love persevering?". Then not wanting to be alone is a lack, a void persevering and waiting to be filled. And if that implies saving the Multiverse as well, then so be it (but that is definitely NOT the only reason Loki does all of this. He wants, and now can, rewrite the story for the better. For everyone, not only for himself.)

As of episode 5: Science/Fiction Loki is one of the most powerful beings in the entire MCU. Being able to travel back at any given point in time and space just by willing it into existence isn't a small thing. This, I believe, is something we deserve to see Loki in control of. Maybe it sounds a little too much to say that the whole fate of Marvel is in his hands now, but...it kinda is, isn't it? If not for Loki, we'd face the same disappearance as in Infinity War, only 100% now, not only 50.

I have been waiting and theorising for a long time that Loki will become the God of Stories. The fact that we might see it in less than a week is...something.

Also judging by the posters (which show different outfits from different times) there's a new suit we'll see him in on screen, and I can't wait!

Thanks for reading <3

[magpie-murder]

do not tag as "lady loki"

[nerdby]

Holy shit......The kiss was canon.

This is a still from Loki: Agent Of Asgard where we see Loki, the God of stories give forehead kisses to Ikol who was the previous Loki variant. I really need to reread this.

[walmart-the-official]

The Loki comics are so good holy shit. Like, the show is great and all, but the comics are just another level of batshit that really doesn’t work with a live action show format.

Like.

But it also has some deep stuff with Loki thinking about who he (or she sometimes) is and dealing with identity

And also ���her✨ (I’m not down bad you’re down bad)

She’s so pretty y’all

And then you have Vote Loki which is just a crack AU I’m shocked is official and not from tumblr

Anyway go read Agent of Asgard which is only 3 comic books which take less than an hour to read each. You could probably find them for free online

[genderfluid-info-blog]

Hi can you recommend something with genderfluid characters to play/watch/read ? (Plz i know 1 game , 2 films ,2 weebtoons and like 3 books with us in them I'm starving )

Hi, thank you for this ask, I'm sorry I took so long to answer! Sadly there isn't a lot of representation for us genderfluid folks in the media, but I tried my best to compose a list (keep in mind that I haven't read/seen all of these, so some of the representation might not be the best, sorry about that!!):

Books with genderfluid characters:

Alex Fierro (Magnus Chase and the Gods of Asgard triology)

Sallot Leon (Mask Of Shadows, main character)

Lua Novak (At the Edge of the Universe)

Riley Cavanaugh (Symptoms of Being Human, main character)

Harley (The Heartbreak Bakery, main love interest)

Carey (Can't Take That Away, main character)

Ash (Both Can Be True, main character)

Comics with genderfluid characters:

Rose (A Boy Named Rose, main character)

Yasel (Always Human)

Prince Sebastian (The Prince and the Dressmaker, main character)

Loki (Loki: Agent of Asgard, main character (much better representation than in the show!!))

Kitty (Lemonade Summer)

Shows with genderfluid characters:

Sabi (Sort Of, main character)

Loki (Loki, main character, but the genderfluid representation was sadly very little and dissatisfying)

Crowley & Aziraphale (Good Omens, angels & demons are canonically genderless beings but in my opinion there is a lot of genderfluid representation in the show, you can also read the book if you want to!)

Val/entina Romanyszyn (Gen:Lock)

[hexhomos]

HI! hope your day is treating you well, i’ve been interested in doomreed for some time but cape comics are sort of daunting to me just because there’s so much content and i really don’t know where to begin. what do you suggest? thank you!

STRAIGHT OUT THE GATE ill say, read [ "My Dinner With Doom" ] (this is a rly high-qual upload, open it up on desktop!)

It's a key issue oneshot with a lil bit of backstory retelling, featuring a private dinner that happens in the 00's - a good entrance point if you're curious about doomreed in summarization + generally speaking a Real Good Comic overall.

LONG POST INCOMING THIS IS A LONG POST / click readmore

the fantastic four are one of marvel's darling old founding teams so there is pretty much... endless archival, ongoing, multimedia and games content popping up all the time.

They are also kinda one of the rare teams where the growth of the characters is consistent? The kids are allowed to grow older and events from every major run are carried/referenced by the next author so if you want to do chronological there's a lot of incentive and fun stuff.

If you wanna dip your toes into the F4 as a concept, check out:

*the #1 issue of Fantastic Four By Waid & Wieringo (1997) *Mythos: Fantastic Four (2007) [ *The FF (1994) movie that is up for free on youtube!! ] *Fantastic Four (2022) by Ryan North as the current ongoing!

(Some) Singles centered on Doom/Doomreed:

*Fantastic Four (1961) Annual 2 is Doom's original backstory issue *Marvel Two-in-One (2017) by Zdarsky issue #11 & Annual #1 are both crazy good but they spoil big events/conclusions from previous runs if u care abt that!!! (My current fav fic came from these issues.) *Doomgate (novel) by Jeffrey Lang is a good option if you want something that is mostly prose, instead of a comic or movie

NOW BEFORE YOU JUMP AHEAD WITH ANYTHING I *am* following [ this reading guide ] which breaks down specific issues relevant to their relationship as a line through all the different authors over the years.

[ There's also this 2021 guide w/ a few other story/AU highlights! The author said u can send the blog questions and theyll answer too ]

The 'Modern era' (late 90s/00s/10s/Now) Starts with Waid and McDuffie's stuff. The latter wrote My Dinner with Doom!

If you're scared by all the names, don't be - when searching for the issues, just pay attention to the year, # number & author/artist creds.

What I'm reading/liveblogging rn is Hickman's Secret wars era, generally regarded as yaoi ketamine; It's a good epic narrative entrance point if you want to jump into it, and it eventually led into this huge marvel event that changed the multiverse and even brought miles morales into the main timeline, so its BIG and it happened in multiple books - the best way to go about it is;

Pre-hickman:

Fantastic Four (1961) #551 #552 #553 ➡️ (these introduce main ideas we will touch again in secret wars)

Fantastic Four (1961) #558 to #562 ➡️

Doom appears in these too, first/last issues more heavily. Stuff here will be ref'd during the next era.

If you're having fun and want to keep reading you can! Just know that the next storyarc has gathered a largely mixed response bc..... its Millar going hammywammy....... not that necessary.......

anyway when you see hickmans name in the cover STOP and

Jump to actual Hickman secret wars era:

Fantastic Four by Jonathan Hickman: The complete collection➡️

(optional, side plot) If you like Val + Doom, read specifically; *Fantastic Four (2014) #3 & #5 + Fantastic Four Annual (2014) #1 *Agent of Asgard #6 & #7 *Avengers World (2014) #15 & #16

New Avengers (2013) ➡️ check issues on picture, or, if you're a completionist, look for 'Avengers by Jonathan Hickman; complete collection' and skim for the doom/reed relevant bits. There's a lot of characters here but this is a buildup to the big secret wars. Secret Wars (2015) ➡️ (All issues!) Infamous Iron Man (2016) ➡️bendis' doom writing is not very good but hang in there because right after him: Marvel 2-In-One (2017) ➡️ (All issues!) is a banger. Yaoi btw.

You can basically read all the future/past ones as listed, or starting from the beginning of that author's period without worrying, bc they aren't as indebted to each other storywise.

You can also start somewhere else if you want or check out other single issues on the reading guides; It's not a crime! There's a lot of stuff with different takes and genres, I'm slowly chipping away at the secret wars era bc its just very thick and like a serious television drama attempt, except its also insanely funny sometimes.

(I'm still making my way through it so that's what I have at the moment!)

[doctorofmagic]

Why magic in the MCU has failed

I remember the "good" old days when Doctor Strange was about to debut back in 2016. I was obsessed with spotting every single little magic detail in the MCU in the hope that magic would slowly grow in status and importance, only to give up after so much disappointment.

But the major issue? The moment Feige stated that every side project was a part of the MCU. People who experienced phase 1 and 2 will remember that magic was a taboo. "It's just science we don't understand yet". While it's a common line quoted by Marvel's greatest geniuses, we all know it's pure arrogance on their part. Otherwise, they'd be doing what magic users do.

It was not MCU's case. Magic was INDEED treated as science. From Ghost Rider's portal being reproduced by a robot through the Darkhold to Wanda's powers being a product of an experiment but not explained at all. From a loooong season of Cloak and Dagger taking its time to finally introduce magic elements to Nico's staff almost falling to the same old "technology" trope. From whatever is happening in Asgard to Loki's limited magic. It's frustrating, but we'd still find a way to turn the tables, right? The Dark Dimension was introduced (twice?), the (third) Darkhold was finally attached to Chthon, Morgana and Lorelei debuted, Nico's powers were finally acknowledge as magic... So what happened?

My best guess? Structure.

There's no structure to define what is magic in the MCU. Doctor Strange (2016) tried. Really hard. And, although it got several things right, it failed in two fundamental aspects: pre-established comic book knowledge and magic deities.

Remember how we got three Darkholds? The first was just so detached from magic that it became a book used to create a VIRTUAL world in Agents of S.H.I.E.L.D. The second was used by Morgan le Fey, but how was she associated with the Dark Dimension? Moreover, that was NOT the Dark Dimension from the first DS movie (or any comic book, really). Its last appearance, as seen in WandaVision and DSITMOM, finally mentioned Chthon, but it literally did NOTHING it was supposed to do. That MCU!Wanda has nothing to do with her 616 version, this is not new. But if we're going to use comic books as foundation to adapt a story, the very bare minimum you can do is do it right. Point is, the book does corrupt people, but it's because of Chthon's influence and his connection to Wanda. Where's Chthon in the movie? The corruption was badly explored and her journey towards evil and redemption doesn't make any sense from a magic point.

Now, the "main" magic cast in the MCU could have worked... Except that there's little to no information regarding how Kamar-Taj works as a temple/school for new sorcerers. And worse even, magic isn't connected to its deities. Sure, there were a few name drops, but does it explain where it comes from? And who chooses the next sorcerer supreme if the Vishanti isn't involved?

The truth is, magic was all over the place, and the creative minds were either too oblivious to the importance of learning about how magic works in comics (to the point of adapting a second Dark Dimension that has nothing to do with the original one) or too shy to introduce a magic hierarchy (as in, deities).

There's an actual attempt to create this structure now, but it's too late. Sure, you can ignore past tv shows, but the mess remains. Eternity was supposed to be an abstract entity, deeply connected to magic, cosmic aspects and life itself.

Loki is still so embarrassing because the very foundation of Asgardian mythos started wrong (and why is that? Because no magic, of course!). While I find funny that Stephen trapped Loki in an endless freefall, there's no way the god of stories would be humiliated like that. Loki being taught magic by his alts is infuriating (and it's, again, mostly illusions).

Remember when Stephen was beaten by math? That also happened.

This is the moment I completely give up to see magic portrayed at its fullest, in all its beauty and complexity. Because it's not treated the way it deserves. It has never been.

And here's my boldest take: if you really wish to see the full potential of magic in the MCU, go for What If. The price you pay, the cosmic proportion of being misused, the creative elements... It's all there. Which is sad because it's not the main timeline. Anyways, this is it.

PS: This post may age poorly as DS3 comes out in 20 years. Let's wait and see.