#again this was just a post for me airing my grievances on a character i enjoy on my own blog
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doomednarrative · 2 years ago
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What the mere fact that he used Keiwa's death as a stepping stone to grant his wish, that he literally used the lives of civillians just to get the power to crush all Kamen Riders, used the misery of millions to get his wish not hypocritical to you. O Keiwa's hypocritical alright, I dont think any true Keiwa fan was blind to that, but that's just, the wishes need a sacrifice.
Just admit that you like the villain and we'll be done here. He's a good villainous character, but you are here glorifying his actions as if he didnt kill any innocents, caused property damage, terrorized a whole city.
It would be hypocritical if Michinaga was ever trying to claim he's better than the other Riders or something like that for what he's done, but he's not. He's never once claimed he's better than them, he literally agrees hes done the same shit he's angry at them for because it's how he knew how to get his way in the end when Beroba calls him out on it.
And I do like villains, but A. I'm not here glorifying anything first off considering this is fictional and none of it is real, and B. Michinaga isn't even a villain anymore. This isn't about moralizing what I like in Kamen Rider, that wasn't the point here. And I also never said that Michinaga didn't do shit wrong, because he clearly does and I'd be a liar to claim otherwise. What I was getting at in my post was how people seem to miss his Actual motives behind things because I like him for his depth and like to talk about characters I like because of those things. The only reason I even made my post in the first place is because I was tired of going into Michinaga's tag and seeing people either misunderstand or just be weird about people liking him, so I wrote my own post about what I felt about him.
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capybonara · 3 months ago
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More personal thoughts under a cut
I’m not trying to think about the other day’s rude message but here I am trying to get my thoughts in order. I was vague in my last personal posts because I want to air out my grievances but not in a way that spreads negativity. But for clarity's sake, this message was a private tumblr dm from someone who didn’t follow me. Like, I think they felt they were trying to be helpful, but everything about it screamed "passive aggressive I-know-better-than-you" energy. And the implications it had is what I keep dwelling on; that my characters in my friends comic are/will be terribly written. And I’m like THAT'S MY WORK, THAT’S OUR WORK 😤 and that’s when I spiraled with thoughts like “oh so people who viewed the comic disliked them the whole time? Are my contributions/ideas that bad?”
I've been talking with @semirampant-dwickery and @smackins about this, and how these collaborative projects with zora characters reminded me of CDN. For context, that was a mass effect RP forum I was part of that focused on the lives of OCs. @werewolfsister added this nice response to a comic of mine, and all of this got me thinking about past projects and the kinds of things that worked, did not work, and the troubles we had in the forum.
The basic definition of a collaboration is a project between two or more people to work to create something. Using my own experiences, it was common courtesy to ask others if they were interested in joining in on a project/story. After someone said yes, we started talking about our characters to give each other a basic insight on their personalities, and hopefully we got a rough outline of the idea we wanted to execute and then wrote it out, drew scenes, or both!
The roadblocks I've come across are sometimes characters (and people) don't mesh well. Their ideas might not vibe with mine, and vice versa. As an example, I really enjoyed a lot of slice of life scenarios and many others wanted to do action related plots! And try as we might, a middle ground couldn't be reached so while it was a shame, no harm no foul! The community had mods to keep the peace, so if someone went too far with crossing lines they were given the boot!
You never want problems but at times they happen regardless. One example for myself involved a former writing partner who didn't want to do any work, but they still wanted the rewards of the end game. We talked about developing a ship between characters, but they didn't want to work on the in-between details. Details like first meetings, going out on dates, the realizations, etc. It was difficult to push anything along, and their personal end goal was for our characters to have sex (I guess in accordance to mass effect tradition of “we’ll bang, okay?” haha). I didn't feel comfortable with that and wanted to have the characters build a rapport first. Despite asking questions about their OCs, it usually ended up like this:
“Let’s start with something basic. What’s your characters fav thing to eat” “Your character 😏” “Ew dude cmon” “Lol I dunno, just food”
 which made me go AUGH! 😂😅
So, I started chatting with other forum members who were more than happy to brainstorm and make ideas happen. My character started making friends with other OCs, I joined other threads, but my other writing partner was feeling left out. And I sympathized because I wanted to work on the ship, I wanted them to feel included. Every time we talked though it was like hitting a wall. I was slowly getting the impression they didn't want to write. But they sure didn't complain with the art I drew of their OC! 
There’s a lot of details regarding that experience that's still ick to discuss openly. In the end, they unfortunately got banned for their behavior and it took a while to recover from it.
The happier side was, in time, I began collaborating with other, kinder people again. But after bad experiences I learned how important communication was. My characters got to engage in all kinds of adventures because all people involved were willing to talk. I learned it was important to let others know that I wanted to join something. I couldn't sit in my corner and hope someone noticed me. It was hard, and it still can be now because I'm shy, and bad experiences make me wary to try again. Though later I found out everyone I worked with had the same anxieties so we would discuss how we can help fight those insecurities. @smackins and I would build each other up to make posts because we were so worried we came off as dumb or annoying. And sometimes that's all you need, a little support and the courage to speak up. 
@semirampant-dwickery and I ran into each other by chance via an “in character” argument and his OC challenged mine. Originally, I wasn't going to accept because I was scared and I thought it'd just annoy him. Whenever we talk about it now, he always expresses how happy he was that I accepted his offer to write a thread with our characters meeting. Said meeting ended up being one of my favorites, a lot of improv that included musicals, a hologram room, feasts and a hammer to his OCs face xD
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Werewolfsister’ss response to my comic got me waxing sentimental! This method of collaborating is a little different from CDN because it's more art focused but the same process applies. You chat with folks, you work on outlines or do fun improvs on the fly!
The other difference I noticed is how small cameos can turn into stories of their own!  Characters who appeared in her comic regularly are usually because communication continued between people. Some surprise art pieces prompted other people to reply with their own art. Like werewolf’s response said, it's how we ran into each other! I remember a few months back they were asking folks if they had diplomat characters they could include in their comic, and originally I wasn't going to join because of my own anxiety. But I realized nothing ventured, nothing gained, created Kaska and said “here's my submission!”
They later sent me a message asking if the zorca could participate in assisting other characters in a scene, and asked me questions regarding scenarios, and I answered to give an idea of what they could or couldn't do. I was excited for even the smallest role xD so when they asked more questions I gave more answers and ideas! The person who sent their “warning” to me the other day made an assumption my characters were being controlled by her, but everything dealing with them has my hand prints on it as well. Like with my friends on CDN, I offered suggestions, helped when they hit a roadblock and asked if I could contribute with my art!
Thinking on CDN, I know the roadblocks I personally hit was the lack of communication between parties involved. Like with my writing partner who didn't want to help do the work. I ran into others who came and went and the one complaint that stuck out for me was how I formed a “clique” with semirampant-dwickery, but the thing was, I sought their help the most because I knew they were fun and easy to speak with, and they helped me when I hit my own roadblocks. They proved to be a trustworthy and supportive partner! So of course I worked with them often! He’s done so much to write stories to get other members involved. 
I've received messages years later from people who admitted they made assumptions about us, and how anxiety kept them from joining our threads. I still grieve over those missed opportunities at times because I personally thought they were heckin cool! It is what it is though 😔
Because of those experiences and how difficult it can be to organize projects; I want to give werewolfsister praise for their hard work, their positive attitude, and welcoming presence. It's not easy communicating with a number of people, making outlines for the plot, and then drawing a comic where I've literally witnessed you dish out TEN+ PAGES A DAY. And you've been doing this since MAY! It's a lot of things to juggle alone. 
To the casual onlooker, it might look like a simple project with guest appearances she has full control of. But cameos remain cameos unless someone speaks up and offers more info and help. And characters who've had longer appearances were all discussed with her in chats; from permissions, to story outlines and boundaries. I've had the privilege to watch and be part of these discussions 👍 
I kept thinking about disengaging from the zora community, because of how that message had me focusing on the negative. It was one harassment message but honestly that's enough. I know why it came about, and I hate how that kind of negativity made me want to cut off from everything. Wanting to isolate is my knee jerk response because it made me paranoid. Who else am I upsetting? Who else will send more “warnings?” I'm an old millennial, I'm not here to have beef with strangers on the internet.
The paranoia has been an issue for me and that message “cemented” some other worries I had. For example, I made a previous post asking folks if they had characters that played instruments, then tried to clarify if anyone would be okay with their OCs interacting with Cironus. I got a few responses, but the tumblr dm responses I received, however, were details of who not to associate with, along with a fatphobic remark about Cironus. It left me feeling on edge: one wrong move from myself or my character, one piece of art that didn’t depict every detail correctly, and I was guaranteed to set something off.
I understand there are folks who have extremely personal connections to their characters, and I sympathize and respect that. And for the sake of everyone’s mental well being, I’m going to avoid them. Characters carrying that level of weight need complete control by the creator, and collaborating with others by definition means you have to relinquish some of that control. It requires that you retain a modicum of trust that other players are acting in good faith and not out to ruin your character. No one else gives over that control but you.
Collaboration is about trust, communication, and teamwork. CDN thrived when people came together, but if someone didn’t find the idea appealing, they chose to go solo and found other outlets. I came to this community with the hopes of creating stories with others. And if they don’t want that, like it was with the forum, we move on.
I know we can curate our spaces so we are surrounded by the things we enjoy, and choose to be around those who are supportive and understanding, but I’m not feeling very confident about finding more folks to work with. That’s not an invite to say you want to either. I need to think, and writing this helps me think. My original plan was to post about my zorca and Cironus to give what audience that's out there a better idea of my characters. 
As I write this I realize what I’m tired of is having to set things up like I’m preparing for an audition. I just want to draw, I want to include people and make them happy with the things I draw. This is a hobby I’m trying to have fun with. Outside of my friend group, I don’t think I’ve been able to casually share ideas about my characters with other people. I want to be seen, and connect with others. In turn, that usually became a chain of helping others feel seen too.
The negativity makes you feel powerless at times, but we have the ability to build the kind of communities we want. It takes time, it takes people you trust. I don’t want to say “be the change you want to see” because to me it always implied you have to do it alone. And we don’t.  CDN had a set of rules when working with others that allowed the community to last for years, and the one I try to follow the most is don’t be an asshole. Be kind, be respectful, uplift others when you can, and when you take, give back to others as well.
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skitskatdacat63 · 10 months ago
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Prince Jenson of Somerset
+ process & lore
Yayyyyy omg finally have drawn portraits of the four main characters!!!! I'll show the process of Jenson's first and then them all four together. Though it's a shame the Seb/Fernando ones are older, I think it's hopefully obvious how much I've improved since November?
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Look at him in all his handsome, princely glory 🥹 It's funny, I'm always happy with the second sketch and initial lineart, and then I start coloring it and I absolutely hate it, and it takes a significant amount of time into the painting for me to like it again. And then I reach a certain point and I'm in love with it again. Ugh though I gotta say, I love drawing the curls, it's just so 18th century, but at the same point, man I always will love my original lineart for the hair the best ah. Also yes I absolutely had to give him a big ass hat with feathers, he really is that kinda guy to me. I originally drew a bicorne and then realized that those don't really exist until basically almost a century later oops, so tricorne it is!!
Okay now omg look at them all together 🥹
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Haha wow I have improved a lot! Just like the Seb/Fernando ones, Mark and Jense's were meant to be put together. I think there's a lot of inherent characterization in their poses that highlight the difference between them. Mark is looking up, very wistful, looking up to greater people, greater things. Jenson's head is tilted down, almost looking at the viewer, he is very satisfied with his role and revels in it, he's here to slay!
Okay, yes, lore, characterization, sorry that it is so far down on the post!!
Jense would probably be the fan favorite if this AU was an actual book or show or something. He's the guy you randomly find while browsing Wikipedia and you're like, woah this guy is so cool??? Unlike Sebmarknando, he doesn't really have the same level of angst, he's kinda just chilling. He's a bit harder to write a lore post about, because he's basically that character who is always magically around the corner, ready to witness some crazy thing and just breeze past it.
He is less linked to Seb than people like Mark and Fernando, because he's basically just his personal minister of transportation(read: horse fucker), so he avoids a lot of the relationship complications and drama, but that isn't to say he's completely uninvolved. He really likes Seb, and loves to hang around with him and serve him, but he's not as beholden to him. He's who everyone goes to air their grievances or to get away from the others, and he's very happy with this role. He's generally willing to play any side in an argument, but does tend to have a pretty big soft spot for Seb overall(Seb also gives him cuteness aggression, and he wants to bite him. Especially when Seb puffs himself up and acts super bratty when he gets offended at not being seen as a proper ruler.)
He's royalty from other kingdom, but pledged his loyalty to Seb's kingdom when he was quite young and has served him(his father first) ever since. He started off somewhat low in the military, rose to a pretty high rank, was a renowed war hero, and then ended up retiring pretty early to tend to Seb's horses. That's an oversimplification, but yeah. He liked the military life, was very good at it, but decided he had done enough, and wanted to be involved in more direct service, albeit more laid back. As I mentioned in Mark's post, Mark *really* doesn't understand his choice to do this, because if Mark had been in Jense's position, he can't ever imagine being able to let all that go and living the quiet life.
He is the palace whore, everyone has been with him honestly. It'll be like, some man walks into his bedroom, only to see Jenson in bed with his wife, but instead of being angry, he's like "wow you couldn't even wait for me??" He's just very carefree, and happy to just slut around and tend to Seb's horses.
I think he definitely still advises Seb, and would go to battle if truly need be, but generally seems to be living in a different world than the weird psychosexual homoerotic political drama that the others seem to be living in. But as I said, it's not like he doesn't contribute to it! He loves to goad Fernando, and constantly plays devil's advocate in "debates" between Fernando and Seb. He's also obviously the one that keep "accidentally" locking them in rooms and forgetting where the key is.
Sorry if this isn't very explanatory, I hope it gives a general idea to the type of character he is???? As always, let me know if you have any questions! I kinda struggled on what to write here because I'm finishing this at almost 8 am 😭 so I'm not sure if it's great or not. But basically you need to know: horse fucker who is generally breezy and carefree but also can be a bit of a menace to society every once in a while.
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#YAYAAAAAAA PRETTY HAPPY WITH THIS ONE!!!!#lmfao tho not 100% sure about the lore notes because i wrote this at like 8 am#hope its understandable 😭 and that you love jense as much I do#hes probably the funniest character in the AU#and like if it wasn't centered on seb/nando he would be the favorite#hes just often there as my kinda reaction character#tho both he and Mark are reaction characters but on opposite sides of the scale and they play off each other#jenson walks into a room where sebnando are psychosexually glaring at each other from across the room#and hes like hmmm how can i make this worse#and mark is the type to walk into the room. see whats going on. and briskly walk away#so jense absolutely loves to tease him w this kinda thing and just make any situation 100x worse(aka funnier)#well funnier for him probably not the other people involved#but its okay bcs they love him. hes jense!!! who wouldn't love him!! hes our favorite guy!! our jense!!!#I just love to imagine he gets all the sides of the gossip and is like hmm yes yes interesting#but doesnt use it for scheming or evil but rather just to tease and be annoying and make everyone blush :)#okay well anyways wow im not really discussing the art itslef sorry!!!@#I think he looks so handsome pretty in this 🥺#hes pretty difficult to draw but i think it came together when i gave him freckles tbh#i hope he gives off carefree but seductive but laidback prince 🙏🙏#f1#formula 1#jenson button#catie.art.#boy king au#*not sure about his title officially yet. i mean hes from somerset but yeah idk its okay
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pepsiiwho · 2 months ago
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The Hulkenberg Problem
Hi metaphor refantazio fans. It's me, your favorite contrarian eyesore. (Advertisers have made me change this opening greeting)
As I've played this game I've found myself enjoying every character, flaws in all (the more flaws the better truthfully) but theres one that for the life of me I just can't get behind. Somehow in a game with characters with single portraits, a few voice lines and little to no significant plot relevance, one of the first confidants you make does nothing for me. I guess I just wanted to air my grievances a bit here and offer hypothetical writing solutions as I see fit. This is an open discussion, somewhat, so feel free to respond to the points shared here, but I'll warn you I don't respond to name calling lmao
Spoilers for end game kinda <3
So, mmm. Where to start.
Blanket statement for this post; TLDR: Hulkenberg feels like the physical manifestation of every problem I have with the game on a thematic and structural level and I think in a tighter story that's more willing to interact with it's chosen subject matter, could make her to be a standout character above the rest.
As I see it, Hulkenberg's (Hulk) story is on its head, really interesting. She was the personal guard of the, at this point in the story, ever elusive and mysterious Prince figure cursed to wither away. We know nothing about the prince save for 3 things:
MC (Will) adores him, for some fucking reason. We're talking a loyalty so strong that he's willing to go on a, self proclaimed, suicide mission to reinstate him.
He's cursed and left in a comatose state that, seemingly, has no real cure and leaves him catatonic
The world thinks he's dead.
Now, obviously, once we've gotten to the end of the game we know that the points above are all defunct. But, in the beginning of the game that's all we know.
I can't speak for you, reader, but I had wondered: "why is he at the sanctuary? just for safety?" "Is his father not at all curious about his body and where it was?" "what happened the night of the curse exactly?" and this just floated around my head until we meet Hulk— the personal knight to the prince and, presumably, his closest aid just based on proximity.
I think a natural question, when you first hear Hulk's story and then compare it to your mission and Will's truth in this world is— why weren't you invited onto this mission?
You're telling me the prince's personal tutor and sword teacher got to know his location and status before his knight did ? That doesn't make sense at all.
Okay so now more questions pop up from this silent implication: "was Hulk just incredibly inept?" Well, maybe. But when she reunites with the other members of the princes's team they assure her she was a wonderful aid. so, probably not?
"Had she shown herself to be too incapable of protecting the prince to join?" well if that's true Grius shouldn't have made the cut either. He failed to protect the prince just as surely as Hulk did.
"it was a quick thing, they couldn't bring everyone or it would raise suspicion" sure, this is the most reasonable option, I guess, but again— how did gruis make the cut then if it was only a few people allowed? I can't imagine he was a more useful team member than Hulk. She was his assigned knight! Ordained and everything! Would Hulk have raised too many flags? If so why not recruit her once everything had died down a bit. Hell, she goes off and throws herself into finding the prince and/or his killers for years apparently and no one batted an eye. They couldn't have reached out in that time?
But this is good! this is great actually. Already, without saying a word we the audience are told 'She wasn't picked.' And we're left to sit on that.
Where I think the game stumbles after this is shooting their resident elf girl in the back by giving her 'anime woe' disease, as I've coined, which is the disorder when you have (1) thing that's happened to you and you harp on it— tirelessly.
You've probably seen this a lot, it's everywhere in Japanese fiction (or at least the contemporary stuff that blows up into an international and online audience).
In Hulk, it shows itself through every other word being about her grief and failure, failure to the prince and the crown and the people for letting things get this bad. She isn't special here, Strohl and Heismay have the same problem (parents dead and son dead respectively) and its... grating, in them too, but I can't fully articulate why Hulk feels so offensively boring in comparison. If I were to try, I think compared to the grief of loosing someone irreversibly whom you loved (a parent or child), Hulk only loses her charge. Which she thought to be her duty of course, but this listlessness does nothing for her character.
Heismay, in his grief, becomes a recluse and racist who wants nothing to do with he world that scorned him, stole his son and tramples on the effort he did for the crown and common folk alike. He's aged with this grief and it's soured him even though he seems, generally, affable. Strohl is harder to place just because he was so young when it happened, so his grief has just fundamentally formed him as a person, but you see his behavior is shaped around this grief inside him. It's the core. He's impulsive and unable to sit aside for second chances, instead preferring to, say, run into the fire and do what he can. These two have been changed by their pain, irreversibly.
In comparison... Hulk is just... moping. She has, seemingly, changed very little since her time working for the prince. She's still happy and loves food, still serious but has a goofy side around those she respects and still speaks highly of the crown. Sure she could have changed from before, maybe she's less serious now but that doesn't make sense. It feels very one note. you complain endlessly about this failure, this loss that changed you and left you adrift, but really how lost are you? You're horribly casual during this journey. You, who wants the prince alive more then anyone on this damn ship— save will— are gallivanting around and partaking in local delicacies long enough to be distracted. It sends mixed messages.
Not to play trauma Olympics, but if you told Heismay that waiting at the end of this journey is his son, alive and well, I can't imagine he'd be enjoying any moment of leisure. Same of Strohl.
Right okay so what the fuck ever she's an inconsistent character. so what? that's why you hate her?
Well, kinda? More then anything I hate her eyes, but that's neither here nor there— 
but lets get into the fix. So on my YT channel I've talked about my problems with the game and fixes I wanna make, and here's another:
We need to rework her. Here's my pitch.
Hulkenberg is the oldest daughter of some dukedom, somewhere, and in the kingdom's employ as the prince's aid and personal knight. Though she is strong, she is haughty and sees the work to be her destiny and as such grows lax and unappreciative of what she's doing. She's a bold foodie who enjoys music and dancing more than weaponry and the job is a bit tiresome. But she is devout to the crown and her family are sanctists to their core. So her allegiance, at least outwardly, is less for the prince, and more for the institution itself.
fight happens, its a shit show. The prince is cursed and 'dies' on her watch. Because of this she is ousted from the royal guard and stripped of her titles, seen as a failure for her inability to save the prince. Wanting to prove herself, she goes on this journey to find the prince and fix her mistake, to repent for her failure that has haunted her since it happened.
What this new backstory does is:
1) explains why she wasn't taken along. This version of hulk is too tied to the church and powers that be to just disappear and never seemed to have much affection for the prince past pleasantries. It's too big a gamble to let her in the sanctuary, so less capable parties have to follow in her stead.
2) This would explain why she's left to her own devices. She's too important to her family to just be murdered outright and too strong to be assonated either, so covert options are out. Stripping her of her importance and ostracizing her from the life she knew keeps her quiet. this hulk is seen as a loose thread that needs to be cut, lest she grow discontent and cause fuss.
3) It allows for her to change from the more care-free version we'd learn she was. This failure stripped her of everything and now she's a husk of herself. But she can get it all back if she can get the prince back. Make up for her failure.
In this version of the story you'd get glimpses of who she used to be, brief flashes of the cute young woman who was left behind with the prince's corpse. Maybe not great waifu bait, but it's more fun so sue me.
I also need her to be a racist.
But, that's for the next post. This ones already way too long. If u want more my ask box is always open. mwah
Hope you enjoyed <3
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duckiemimi · 4 months ago
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Gojo deserved so much better :((
i completely agree, and if you look through the "jjk 236" tag on here in addition to what i've written about jjk 261, you'd see that i've said my piece and more. and if i ever have it in me again, i could say even more, too. this post (click) aired most of my grievances about gojo.
while i'm here, i guess i'll talk about gege's writing, his circumstances in the industry aside. as a reader, i try my best to understand where a writer is coming from and what they're trying to convey. i put effort into articulating what i think is happening and why it's happening, and then what might happen next based off of patterns, but of course, that doesn't come without my own subjective commentary. i think i understand the overarching thesis of the story gege's created. do i like how it came about as a whole? no, not exactly.
gege seems to be the type of writer who jots down major plot points weeks before they happen, and only later does he plan loosely around them. that's why the pacing seems so inconsistent, especially with the last arc. gege (under SJ as publishing) also relies too much on audience reactions to build hype around the story through shocking scenes, a misguided strategy to appeal to readers at the expense of cohesiveness. he also likes telling, and not showing. a big pet peeve of mine if it's not done right. you don't need to extensively world-build if you haven't developed the world you're writing about like that. i could do without careless exposition dumps that serve nothing else in the story. it almost feels condescending.
gege's magic lies in his more introspective and dreamy chapters, and even then they fall flatter than they should because he rarely ever develops themes and aspects well enough for them to feel earned. most times (as of recent especially), while nice and momentarily touching, they fail to convince me. they feel shallow. it's like writing a sentence without a period in the end, or not finishing the sentence at all. it's hard to pull off genuine introspection without actually developing characters and having them act like humans, or—human adjacent. gege sets his eyes on the prize, blinks, and doesn't quite know how he ended up at the finish line.
as much as i love jjk (and trust me, i really do), i try not to let my attachment get in the way of really looking. credit where credit is due, the good and the bad. but yea. i'm just looking forward to see how he ends this.
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jackalproject · 9 months ago
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Howdy everyone! It's me again. Can you believe it's been a month? I certainly can’t. It's wild how quickly time flies when you’re busy lol.
I once again unfortunately don’t have much for this update. I had the unthinkable happen to me and had my art tablet throw itself off a cliff and had to switch to a new one I had laying around from a friend who was moving out and graciously gave to me.
On top of learning how to use a much more advanced tablet, I also realized something: I am so incredibly spatially unaware that I am going to either need to learn how to use blender or hire someone else to do the backgrounds, but I am poor and can’t afford that unfortunately. But this is why I made the test comics: so I’m figuring this shit out before I actually have to tell a meaningful story. This just means we’ll be waiting a little longer than I intended for the first test comic issue unfortunately, while I figure this crap out.
I have also learned that attempting to not do shortcut shading doesn’t work for me and I will never do it again lol. It has been whats bogging this down.
Not to fret though! Since you all voted in a poll a week or two ago to have every issue be released as they are made, you’ll be getting it a lot sooner than you thought! And here is a little bit of the cover for the two test comic issues (I couldn’t find it in me to make two separate ones, so I just made one. The first issue is literally 3 pages.)
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No ones here to hear me air my grievances about the fact I have only been able to get 3 pages done in a month, but in my defense: I don’t have my own device (I share it with my father who works full time), I have travelled a lot, and I have literally no idea what I’m doing. So here's some doodles to make up for that, and a link to the Happy Birthday Barry post in case you missed it.
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Oh did I forget to mention that Barry is in this project? Yeah, they’re here.
Onto the actual progress update!
TEST COMICS: Scripts complete, Issues in progress
PART ONE: Script complete, final concept art in progress
PART TWO: Scripts begun
PART THREE: Storyboard in progress
SCHEDULED RELEASES: Test Comics Issue 1, PUSHED BACK to Early April
I’m sorry for not actually following through on the releasing, and I can’t promise an issue every month just yet either. Once I get my own device over the summer, things will be a lot smoother, especially once finals are done. I don’t think the second test comic should take nearly as long, since the learning curve should be less extreme.
The quality of the first test comic is less than I want to promise for the future, so please be patient!! I promise it’ll be worth it in the end. Maybe.
Man, this update is bleak. Have a frame from the first test comic as a treat, and a minor character from Part One, and I’ll see you in like, a week with a release announcement post. Also, keep an eye open for the directories I’ll be posting soon! They’ll all have their own cute little art to go with too. See you then, and thank you for your patience.
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Niko out <3
If you have any questions, feel free to shoot me an ask.
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breinjuice · 1 year ago
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i have tlou brain rot rn and have spent the past month working on an ellie sim and let me tell you, once you start you can never go back. i need to air my grievances. okay one, there only like TWO ellie specific hairs in the ENTIRE sims 4 community. and i show people my progress and theyre like "oh it looks good i just think you need a different hair" haha yeah I THINK SO TOO.
numero dos, i have never, EVER, scrutinized a character's minute facial details as much as i have these past couple weeks. i work on one part of the face and then i move on but then i look back and the part i already worked on LOOKS WONKY, and so i go back and forth and back and forth until it is 2 in the morning and i am exhausted.
and you might be wondering "jessica, why are you putting so much effort into a sim you already know you will NEVER touch again???" I DON'T KNOW?? i think i want to be THAT person, like the person that posts their replica sim and everyone is like "omg how??? did you do that???" and im just like "here my children, take this blessing. may your gameplay go crazy." i crave the perfection. i crave the AFFection. anyways if anyone has a hair that resembles any of the hairs ellie has in tlou2 PLEASE send it my way i am begging thank you and good night
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How about 1, 15, 23 for the air your grievances ask game?
Hi! :-)
What's your biggest __[insert fandom]__ pet peeve(s)?
Oof, okay... I think my biggest pet peeve with the M/C/U fandom is how greedy certain pockets of it can be. When 80-95% of either the canon or fandom is catered to you, I don't get complaining so hard about the slim percentage that doesn't. It's infuriating. But I've talked about that a bunch in the past.
Something I don't think ever talked about is how this fandom drives me up the damn wall as a music nerd. The biggest example is folks describing the Guardians soundtracks/"Qu*ll's taste in music" as "80s music." No. No, they're not. They're mainly the 70s. I know, I counted, after the fandom nearly gaslit me into doubting my own knowledge. In fact, out of the trilogy, IW, the Gro/ot shorts, and the Holiday special, only Vol 3 and the Holiday special contain any 80s songs. (And for record, this isn't me shitting on the 80s or anything. I'm an 80s baby and love tons of music from that era. This is just me being an insufferable know-it-all, lol.)
Another one is constantly framing Sam's recommendation of Tro/uble Man as some kind of come on. Like, first of all, that album is mainly a score and the few lyrics that do exist on it are not sexy. Second of all, oh my God, there's more to Marvin than just sex jams, holy shit. It's very obvious that some are only familiar with stuff like "Let's get it on" and "Sexual Healing" and that's it and... I can't help it, that makes me so sad.
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15. Name an aspect of __[insert character]__ that you think gets frequently overlooked in fanfiction characterizations/deserves more attention/exploration
I think fandom's really dropped the ball with post-EG Steve. We could've had sprawling epics with Steve creating timeline after timeline where he had full lives with every Av*nger and Guardian and whoever else and having D*ctor Who style adventures across space and time. But, noooope. Nada.
I'll also never understand how I've only ever seen one fic where Professor H*lk and Steve raise Baby!Scott. That's comedy gold, right there. And how the hell did Sh*-H*lk not spawn a ton of St*ve/Jen? Not to mention all the cool concepts WI? has given the fandom on a silver platter only for them to be completely ignored.
23. Share an unpopular opinion you have RE: __[insert fandom]__
At the risk of being skinned alive, I know that even people who don't ship St*cky romantically will say that they still love them as friends instead. And I... don't. I can't get into that dynamic, even platonically. Most of their relationship is told rather than shown and what little we are shown doesn't endear it to me at all. Fandom can scream "till the end of the line" until it's blue in the face, but that doesn't make up for its problems in the slightest. (And frankly, I think that was the main purpose of the line to begin with, but that's a whole other rant.) I mean, B*cky spends most of T/F/A coming off (to me) like a condescending prick towards Steve and then spends the rest of Steve's time in the films deliberately staying as far away as humanly possible. It feels very one-sided to me, overall. And why should I revere that period, but especially so when dynamics like the ones Steve has with S*m, N*t, and P*ggy exist? Dynamics where the love and respect is quite clearly mutual and they actively want to be in his life? There's just no contest as far as I'm concerned.
Now, in fairness, theirs isn't the only dynamic in the films that's way more tell than show nor is it the worst offender in terms of the discrepancy between what's told and what's shown, but again, those are other rants.
Sorry about this getting kinda long. I'd been holding that first rant in for a loooong time, lol, so thank you for sending this in and giving me the chance to finally get that off my chest. XD
Air Your Grievances Ask Game
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skullsmuldon · 6 months ago
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I took some time to look through your blog posts to put my thoughts in order. You offer some good perspectives.
Over the years, Gillian has somewhat distanced herself from Xfiles, but she does see the benefit in coming back because she knows that there is a draw to Scully and Mulder. They are the interest to the show, but her story was always screwed over. I think that pissed her off because she was not truly seen as a person but just as an object but Mulder wasn't. Why wasn't his fertility or utility as a man played with? She might have mixed feelings because it brings her joy of success and some good times but sadness of the creeps she had to deal with.
Then, couple this with what was happening behind the scenes, Gillian, as a woman, might not want to be in that environment again. The men are/were pigs. Perhaps she does care for the characters of Scully and Mulder and the actors, but how can she play out the story line when it's a joke when you know what the people really think about women?
I love the Xfiles, but I prefer that she doesn't go back after what I have learned from the different blogs of Duchovny's grooming of a young girl. It is hard for this viewer to separate the two because it obviously affected Anderson since she has not participated in a lot of comic cons with other cast members over the years.
Bottom line, the less we know about actors' personal lives the better because we can then truly enjoy the characters. I would like Anderson to be able to give a frank F all interview where she airs all her grievances because many female viewers feel aggrieved to what the male writers (I suppose this is primarily Carter) did TO Scully.
Exactly. I could have done without knowing about DDs sugarbaby and then seeing that awkward bed talk about dating younger ppl. Definitely ruined the scene.
I’m good with no more XF because I’ll always have season 1-9 and two good movies 🤗
I get what you say about Gillian and I can agree on some points but to me she also shat on Scully enough and when it’s convenient for her she pulls the XF money grab card. She does not need to respect CC or DD or the writing of the show but imo Scully is not boring etc just because she isn’t talking about sex all the time( Jean) or runs a round like a boss bitch banging fellow colleagues (Stella). if GA is frustrated fine but leave it with the ppl who frustrate you and not a character who is loved exactly because the way she is. And don’t get me started on the pregnancy BS with both Scully and Jean 🤦🏽‍♀️.
The good thing is GA gets enough projects and has enough exposure without XF which is sth you can’t say for everyone from the OG cast. She does not need DD or XF. For DD imo that’s another case but it’s also due to his lack of proper Social media representation. Again a whole other topic 😅
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ruinakete · 9 months ago
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☽ ・ 𝐀𝐏𝐑𝐈𝐋 & 𝐏𝐑𝐄-𝐌𝐀𝐘 𝐏𝐋𝐎����𝐓𝐈𝐍𝐆 / 𝐏𝐋𝐀𝐍𝐍𝐈𝐍𝐆 ━━━ ooc post.
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hello everybody! with my formal return to the dash sent to the masterlist, I thought it only necessary to make a post regarding my muses; interpretations, changes, mission board prompts, etcetera. we'll tackle only one of these as of right now since I'm already late on the mission board—
LONG STORY SHORT? recent events have made me unsure of myself and, unfortunately, I can tell that those insecurities are bleeding into my portrayals now. I apologize if my writing seems weaker than before because of this; it's something I simply have to work through to get fully comfortable again.
—simply know for the other listed points that, after threads are cut down for one muse, a cap of five per character will be set for all and a schedule will be implemented properly next week, as I've been slacking with reply times.
as always, I'm never the one to step first when it comes to thread statuses, so if you'd like a thread dropped, please let me know! no hard feelings! otherwise, I'll continue under the assumption that all interactions are a-go. concerning the mission board, feel free to claim a thread via DMs on Discord ( @ barelyelix ), since I do not check for Tumblr IMs and I sometimes overlook server pings. down below are the prompts I'm looking for, though my interest may exceed these:
━━━ MISSION BOARD: SHOWCASE !
ZEPHIA? @ here
none, as her character is the one I am now most unfamiliar with. not open for any new non-event threads until mid-May.
EREMIYA? @motheruin
FAITH +1: the specifics of this idea need to be fleshed out more but I am interested in exploring Eremiya's fear of fire and how it subconsciously ties into religious ideals and the life of magic. whether or not they save a maiden, her main intention is to selfishly steal the spell's makings for herself, despite it just being shown off for this occasion and nothing more. (GOLDEN DEER REQUIRED)
BOOMS: of course, Eremiya will do everything in her power to report the group; they're more than a disturbance, they're taunting. however, she'll begrudgingly require a partner who is like-minded as she, since the sudden bursts of fire in the air are hardly... tame, and productivity will not prosper if she remains uneasy with every passing image of a spiraling rocket. or you can be a BOOMS enthusiast stopping her before she snitches.
otherwise, she will only be open to pick up one new non-event thread come May.
EMMERYN? @emblemartyr
HEAVY ARMOR +1: has anyone ever sat a pirate down and asked them how they felt? no? alright then, Emmeryn's interested in serving as a more, pacifist diplomat between the Leicester Alliance and the pirates. no one acts so recklessly without a reason, right? has a grievance between the two parties caused the rift? besides, the fortified sea vessels will keep her, her partner, and the crew safe. hopefully. long enough to enjoy the ride, at least! (GOLDEN DEER REQUIRED)
FAITH +1: something something persecution... religious corruption.... something something fire and sacrifice.... insert sun metaphor..... curiosity equaling bravery and the opposite....... me and Emmeryn want the skill point, further plotting necessary (GOLDEN DEER REQUIRED)
PHOTO-ARTIFEX: a way to keep memories trapped within an image? perfect! Emmeryn's all too happy to volunteer herself for testing! she doesn't mind who wishes to help either since she mainly wants to see how well the machine works, and if she can satisfy the gaps in her memory by creating new, frozen-in-time moments she can never forget. also not against swaying volunteers who only want to help technical-wise and not have their pictures taken.
SWORD +1: half for the point and half because I am absolutely enamored by the return of the silly rat orchestra MSKMWNSDJ it's highly possible that Emmeryn was dragged into this, as her place in the town may have been too far from the monastery to notice students going missing; plus, she doesn't fit the criteria of victims, per se! of course, her first idea is speaking to the culprit, so your muse may have to be bait unless they mistake Emmeryn for a student. she won't let anything happen to you so no worries! worst case scenario, the culprit can't understand the common tongue and we have to play instruments to communicate.
always open for threads, as of now! necessary to bounce her voice testing off of someone else, whether mission board or otherwise.
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kikizoshi · 2 years ago
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A short dialogue between Fyodor's younger siblings, Andrey and Vera. I won't post fanfiction with them for a long time, yet I find them more fun and easier than Fyodor and Nikolai lately, and I'd like to post this now, since they'll likely change between now and when they appear in a story.
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“I’m going to kill him.”
  “Enough, Andryushka. He’ll arrive when he’ll arrive.”
  “And then what? What possible reason could he have this time? Fr Zossima kept him late? His studies were just oh so strenuous last night? Misha, sure, fine, he has plenty reason. But Fedya? At this point, I don’t give a damn if his entire apartment building collapsed! There’s no excuse to be this late.”
  Vera sighed. There was no point in arguing with Andrey; on this matter they would simply never agree, and that was that. It was better to let him air his grievances, she knew, and wished to let him, yet she found herself constantly lacking the strength to endure them, and often berated herself heavily later for this weakness in character. And yet it was as it was, and always turned out the same.
  “What time did you say the play starts?” Vera asked.
  “Twenty-one, so about a half hour. We should go in at least fifteen before to get settled, though.”
  Vera grimaced.
  “Are you able to stand much longer?”
  Vera nodded. “I’m not so weak today. It’s only the chill.” She huffed bemusedly. “I feel as though every mild breeze is blasting the North wind right through me.”
  Andrey frowned and went to remove his sweater, but Vera stopped him adamantly. “No, no, you musn’t,” she said. “I’m already wearing a shawl. If I take yours, you could catch cold.”
  “I won’t.”
  “But you could,” she insisted. “And I won’t; I’m wearing enough. Come, pull it back on.”
  Andrey stared at her with a concerned expression as he pointedly continued to remove his sweater. He handed it to her in the same manner. “It’s barely below sixteen,” he said. “Even you don’t get cold in this weather. If you need to go home--”
  “No, no,” Vera waved her hand negatively and took the sweater. “I’m alright. I wish very much to see Nikolai Bezfamilny in this role; it’s well worth fifteen minutes of discomfort.”
  Andrey still looked at her uneasily, evidently no more settled. It was clear in his face that he was thinking something along the lines of, ‘Fifteen more minutes, and all because a certain bastard couldn’t deign to show up on time,’ but he held off voicing these thoughts. He instead helped her pull her arms through the stretchy fabric. She shivered, rubbed her rouged cheeks vigorously against the soft sleeves, rocked and soaked up the warmth of the garment, and finally stilled.
  After a moment of peace, Vera sighed again. “How about this: if I don’t feel well, we can leave at intermission. But I want to experience this with you, and with Fedya, and I don’t want my accursed health to ruin yet another good thing in my life. I’m so sick of it!” Her eyes grew moist, and she cut off.
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catpine · 7 months ago
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gonna be real this has been eating at me for so long but i can finally get it off my chest since that hellsite is going down!
i’ve been envious of your writing for years. you are such a creative, fluid, and articulate writer i craved so much of your approval and honestly i’m too scared to say it to your face, even with the death of quotev, but i really mean everything i say even if i’m on anonymous.
sasha, you are gonna go so far with whatever you do wether that’s an article writer for some new york magazine or a cookbook writer - whatever it is. i have felt stuck in the same place with my writing for years and i’ve never improved. never gotten better, never gotten good, and i stopped trying. you are such a beautiful writer but i never had the confidence to actively participate in your groups. i would maybe join and never get past the forms because i never started in fear of writing.
when i joined aberdeen, it was so… weird. i don’t know if that’s the right word i’m looking for but when you accepted me it was like, “okay, cool, whatever.” and i convinced myself i was ready to write again and try for the millionth time to improve. reading the description over again and then the pre-planned episode introduction and it made me feel that same twisting in my stomach, one of dejection and excitement. on one hand i wanted to write like you and it motivated me to try again but on the other i knew i would give up too quickly before i could even study another style.
i always wanted to approach you to be like “hey sasha!! can we do a 1x1 roleplay i kinda crave your approval creatively but please don’t think i’m a weirdo for wanting you to like me!!” and i could never say it, could never get it out properly because i always wanted to be your friend, too, but i think i’m living way too different of a life. i’m sorry if this is weird but i just had to say it before it turned me into lilico and ate me from the inside out whole. i’m not saying this to just be like “i hate your writing, it makes me think low of myself” it’s more so just my way of trying to say you have a gift that you should never give up because some shitty site is taking that away. i’m sure you’ll get used to tumblr or discord or whatever else you move on to but don’t let quotev ruin your fun. percy is a character i love because he is so much fun, so realistic in the way you wanna hate him so bad because you’re a shitty, mean sorority girl at heart who has a trashy hot pink bra somewhere in her dresser but you know that growing up in such a lonely space, to know what it means to be a social reject with a sense of superiority that you just… relate to him in this gross way you can’t explain. you wanna scrub the skin off of your body because holy fuck, why are you still alive and your brother is dead? why are you miles away from his grave without a pulse and above ground but he’s six feet below the soil and not coming back? it’s almost unfair - no, definitely unfair.
don’t let quotev take away shit, adapt and develop. like i said, wherever you end up, you’ll do great.
can i just say i'm genuinely sitting here with my mouth wide open and almost crying because this is so unbelievably sweet. i'm writing this and visibly gesturing my head in disbelief. HELLOO????????????? this is the absolute kindest thing ever and i can't articulate my appreciation enough, this kinda made my life. did you know you were gonna make my life with this?!
but i'm gonna encourage you for a minute so buckle up. writing, at least for me, is such a tangible feeling and if i do not feel it, i do not do it. sometimes i'm okay with that, but the majority of the time it is the worst feeling. i'm sure you know, but some of my recent posts on quotev were me airing out (sometimes cathartically, but mostly just screaming to the void) about lackluster feelings within myself, the point of my writing and various other grievances. i say all of that to say: i've been there and will be there again. it comes with the territory of writing, with anything really, but if you truly enjoy it (and from this message, i get the feeling you do) you know nothing feels better than seeing it come together in words. whatever you were trying to communicate from something very literal to a description, to the effect certain verbiage leaves on you; you know it can make you proud, it puts you somewhere. i'm always trying to recreate that feeling. if i get it from my own writing, a quote somewhere, an entire movie: i try to replicate what it means to see so clearly a vision. like you mentioned rereading the aberdeen description, THAT IS THE FEELING. it's an obsession and i know that sounds so radical and comedic, but it's not. it's rewatching particular scenes to entire seasons of a show because there's that liminal, undefinable feeling to it. it's going back to annotated essays because there's something written with articulation pulled from your own unique, lived experience by someone who died before you were born. a song because that specific chord sounds exactly like the way a certain place looks. my simple understanding of it all is that if you get that feeling, you should probably continue chasing it. unless its like fatal, maybe not then.
as for everything else, i would love nothing more than to work with you on some writing project. if it ever comes to fruition or not, that's besides the point. i think it would be a great joy to just work with you and see what our minds cook up as that's always been my favorite part anyway. shoot me a DM, i don't care!
i just want to express how moving this genuinely was and how happy i am you reached out. the one thing better than that aforementioned feeling i described is someone to share it with and i swear by that.
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imagedescribed · 1 year ago
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[ ID:
Image 1:
Official artwork of the Omori characters posing together. All of the characters are colorful except for the protagonist who is depicted entirely in black and white.
Images 2 to 4:
A Twitter thread by Melon Kid @ animegirlcrimes that reads as follows:
fuck it whatever ill just air out my grievances now i dont feel like carrying this shit anymore
i joined the omori team in 2019, i remember being invested in production right away because getting paid to do dev work on a game i like is basically my dream
(1/whatever)
i went kinda crazy on it, i worked harder than i ever have in my life. i did not spend a second on the clock even slightly dicking around, i would regularly work like 12-18+ hour shifts just because i wanted to
people would leave for the day, come back in the morning and see me still working. by some divine miracle i somehow kept that up for like a half a year. i felt totally fine the whole time. i was flying bro
my smarter friend sensed something was wrong and tried to pull me away from work but omo resisted because at that time i was like her golden workhorse. anyway, fast forward to the 6 months later and i crash and burn out of nowhere i am straight debilitated
a lot of that was my own doing, of course, im under no illusion about that. but when it happened, omo suddenly started treating me like garbage. she didn't believe me, said i 'just didnt want to work anymore' and demanded a doctors note and i was like are you fucking serious
she would guilt me into keep working as hard as i did before despite the blatant toll on my body and say she expected better of me and would constantly downplay my illness
i felt miserable physically and emotionally, she made me feel even worse about it. and its like, this feels really shitty but fine it is what it is.
forward again to release, im really excited about the launch of the game. i put so much energy and emotional investment into this project, the thing i love the most about dev is seeing the game release and watching people play and enjoy the game
right before the game launches omo pulls the rug from under me and suddenly comes out to say she's taking back the royalties she promised earlier in the year. it soured the entire fucking launch. i couldnt even enjoy the one thing i spent a year working on and looking forward to
she goes on to say she put my royalties to a vote and said 'i thought you deserved it, but everyone else voted no :(' what kind of manipulative bullshit is that excuse me
first of all you are my boss, you know best what i contributed to the project, second you are a millionaire and i am fucking poor is this a game to you, third youre gonna throw the whole staff under the bus too? what the fuck is this
the worst thing is, i know someone who was fucked over by omo WAY MORE than i was. i wont name them (at their request), but i got like... basically the lite version of her fuckery and even THAT was personally devastating to me
i actually made a post like this shortly after omori released, but the entire team banded together voltron style and begged me to take it down and because im fucking weak i did
im STILL fucked up by the burnout i gave myself. im sore all the goddamn time, it didn't use to be like that. sure, my fault. i own it. but to treat me like shit and act like im just lazy? actually fuck yourself
oh, AND i dont show up as a member of the dev team on either their game website OR on wikipedia even though i show up in the actual game credits like 3 different fucking times?
thats interesting i wonder what thats all about
some other grievances: it was my suggestion to implement the survive at 1 HP mechanic for omori cause i could already tell players would get annoyed if they lost because he got mobbed by rng. wouldnt you know it, this also shaped the final battle to be as impactful as it is! wow!
the omoli character in blackspace was a thing that i pitched to omo and whose dialogue i wrote, it made me unreasonably annoyed to then see that character get used in promotional material for the game
you know that (in)famous aubrey school fight sequence? THAT WAS ALL ME BABEY. the base concept from omo was 'theres a bunch of aubreys because sunny has a crush' and i cooked up the scenario you see now and evented that whole sequence
(trying really hard to think of a game whose moral involves the guilt of hiding the truth of something wrong you did)
(and also explores the concept of being stressed out for being treated poorly despite working so hard for them)
/end ID. ]
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One of the developers of Omori recently shared their experiences in this thread about the treatment they had to go through during the development of the game. They're going through a rough patch at the moment. If you liked Omori, I think you should help Melon Kid out if you can!!
It's disheartening to hear that someone on a team was mistreated. Games are a beautiful medium, but the people who make those games come first. We've all got to work hard to ensure better environments for devs, and that starts with making sure they can get back on their feet!
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rottencandyapp1es-sideblog · 10 months ago
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The whole oot z*link vs. m*link debate is just so wild to me. People act like it's this massive love triangle when it just....isn't.
Like it's almost comparable to the whole ff7 LTD (but thankfully not nearly as toxic lol); however, it's between two characters the mc develops deep relationships with. Here it's like, character B actively participates in the story and drives it foward, alongside character A (aka the mc). The two characters develop a strong bond that can easily be interpreted as romantic, but mutually decide to part ways, as character B wants A to reclaim his childhood by going back in time; but, upon returning, A immediately decides to return to B's side. Of course A wants to warn her of the coming danger, but it's framed in a way that implies he also just wanted to see her again (which carries over to the direct sequel where you see they became close friends again).
On the other hand, Character C is an incredibly lovable and popular npc character. Her friendly nature towards A can easily be interpreted as either genuine romantic interest or simply the desire to have a friend her age. While C has a stronger connection to A than the other npcs, she is ultimately not important to the main plot.
So then you have AC shippers claiming that it's the ultimate end-game ship and going on AB posts trying to drag it down by saying that AB didn't have enough time together (a blatant lie) and claiming B ruined A's life and is an irredeemable monster. The constant massacre of B's character is treated as gospel to them.
On the other side, and possibly the most infuriating to me personally, you have AB fans treating character C like she's some horrible homewrecking jezebel. "ShE gEtS iN tHe wAYYY!!!" NO SHE DOESN'T!! I don't think C should be bashed because she just happens to be A's age and....exist??? Around him???
IDK man this ship war has ruined a lot of what I loved about this game and these characters in particular (which is entirely a skill issue on my end). Maybe writing this will help me air my grievances and put them to bed once and for all.
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counsellormurdock · 2 years ago
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Saw your post about Matt and his glasses. Can't speak on why he wears them at night and on the beach other than artist's choice or simply out of habit.
But one reason he might wear glasses in general is a blind person trait. When blind, the pupil has difficulty (or impossibility) sensing light and contracting like it would in a seeing person. If the pupil stays open under bright lights, this can cause damage to the eye. (It's the same reason we don't look at a solar eclipse and why optometrist give you sunglasses after a visit where they dilate your eyes.) Sure a blind person might not sweat further damage (though most legally blind people are not 100% blind), but there's no reason to hurt the eye unnecessarily. Many blind people wear glasses for this reason on top of the fact they claim their unfocussed eyes can make others uncomfortable. (I think it's a subtle character trait of Matt to watch whom he'll take his glasses off with.)
Why Matt's lenses are red is no doubt entirely due to the red motif in his character.
Or none of this matters and Marvel's thought process was, "Blind people wear glasses. Matt is blind. Matt wears glasses."
hi anon, thank you for taking the time to write me! i am well versed in the reasons that the visually impaired might or might not elect to wear glasses, my mother is among this population so it is something i’m very cognizant of but i do appreciate you wanting to share this information because it is something a significant amount of people remain unaware.
my issue with that particular panel is the how little we ever see matt without glasses on, when he’s being matt. yes, there are moments and i’m not including the time he elects not to wear them because he specifically wants to not be perceived as blind. i know it is also a potential symbolic gesture from the artists, but there reaches a point that the symbolism reaches absurdism. and as for making someone uncomfortable, if kirsten is uncomfortable with the fact matt’s eyes can’t focus on her; then she needs to do some soul searching - and i don’t think she is uncomfortable with this aspect of matt.
i have a suspicion that the perpetual wearing of glasses came of the early issues where likely the thought process was blind people wear glasses, matt is blind, matt wears glasses. especially because it is a trope in media for a blind character to act as a visual cue to the audience that this character is blind (the irony is not lost).
and since that’s just how it has always been, that’s how it has stayed. and because marvel does not regularly produce their comics in a medium that the visually impaired can partake (audio or tactile) the population that matt represents has no access to the media which he exists and cannot provide their voice in the representation of his character (let’s not get into how when netflix first released daredevil they did not include descriptive audio).
so i suppose my larger annoyance with this is what is probably a lack of research, understanding, and respect for the visually impaired through matt’s character.
but again, thank you for the ask, thank you for giving me a moment to air my grievances in further depth.
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unlimitedhorsepower · 2 years ago
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been rotating t&b2 cour2 in my mind like a 5D object...
i wanted to write more comprehensive post to air some of my grievances, and of course finally releasing my exclusive statement on my special beast ryan goldsmith.
however when i started to write this i realized i have a shitton of thoughts and could rewrite the entire cour if i really thought about it, so i actually mention most characters in this self-indulgent essay of mine and you can just skim through if you were interested in my thoughts.
i talk a lot of yuri here even if i went into this thinking that ive already talked about him enough, because he fascinates me...
anyhow, here they are, my more comprehensive thoughts under the cut because theyre not spoiler free:
this is unbearably long: ive bolded some key sentences that build up to something if youd like to skim it instead of reading it. i also suggest you using Ctrl+F to find mentions of characters you care about because ive literally mentioned every single character in this in some way and it genuinely is incredibly long and convoluted.
i talk about some characters way more because i wrote those parts earlier and felt more full of energy. i also talk a lot about ryan. perhaps even more than he deserves! but he is my favourite character, youve been warned. i didnt even mean to make him seem so important because hes not, lmfao.
ill say, it can definitely be a bit confusing if its not being read it order but like, meh... i guess it was also more important for me to get my thoughts out so that i can have other thoughts again.
this entire thing got away from me and at many points devolved to me not only ragging on t&b2 but extensively discussing my alternatives which couldve imo built the entire thing into something more worthwhile...
ive added like three screencaps to make it a little more exciting to scroll through, and if i have energy left im gonna add more images to make it less like a huge wall of text, which it is. but right now i just wanna post it because i genuinely spent 10 hours straight writing this and then woke up today and spent another 10 hours writing it.
i think this is my therapy over yuris arc, because that genuinely made me sick. maybe im unreasonable and just pissed off about that specifically, but who knows. not me!
so, to begin... t&b2 cour2.
hmm.
i initially called it “good” and said i enjoyed it besides yuris arc, but that feeling was born from the sheer emotional turmoil yuris death gave me. in comparison, everything else in the cour was fine- great, even!
there can be missteps and flaws that diminish your enjoyment but that are easy enough to fix in your mind, and then theres a misstep of the sort of a character dying after the narrative spends a lot of time giving me what i can only describe as trauma porn.
i already wrote about that here, so ill skip some of the things related to yuri (i just cant get over it... i keep circling back to him throughout this document because hes such a central figure to what we got and what i thought we would get).
cour2 had such a solid basic understanding of characters, but there was just way too much going on at the same time and way too many loose plot threads. cour2 was like building a house of cards on top of a solid brick foundation and expecting it to hold water.
cour1 isnt perfect, but it was pretty good in introducing us to new concepts, new characters (three new heroes to our ensemble cast, one returning talent from the rising who needs less establishing, and the new villains, and more) and the new plot threads, but i also feel that misogyny unfortunately played a great role in who got arcs and what sort of arcs.
season1 isnt perfect either, of course, but one could imagine a sequel follows up tonally with its predecessor and also improves upon it, especially because this has been explicitly suggested by the creators (like improving on nathans portrayal, for example!).
cour2 majorly failed to follow up on the promises of cour1 and the overall promises of what t&b is like in tone and content. there were too many plot threads and too many characters. i wouldve entirely cut out aurora and large parts of yuris/lunatics “arc”. the latter i wouldve tied into LL audun and a greater plotline of mr.legend and heroism.
speaking of mr.legend, yuris hallucinations of him were excessive and felt extremely cheap. i know i said i wouldnt focus on yuri, but i feel like i have to... mr.legends force ghost saying anything will never amount to any healing or retributive action from the man himself, but i felt like i was supposed to feel it was “good” he knew those things.
i felt that the narrative was telling me that indeed, yuri had loved his father once, and he had positive qualities, but i already knew that. i also never doubted that both of his parents had once loved him- its just that those things dont take away from how poorly they treated yuri in the end.
im willing to extend some sympathy to yuris mother, but to mr.legend, never. in one of the mangas mr.legend in the past asks young maverick to wipe his memories of him ever having powers (even though the memories will return to him in due time since thats a major thing to change) so that he can be free of the guilt he feels.
even without that, i already knew that the real mr.legend most likely felt some sense of guilt over his actions, not just the mr.legend force ghost/yuris hallucination.
i know: i simply dont care! he may have been put into a shitty situation and suffered, but it was his choice to hurt others. it was him who used his status to fix fights and beat his wife and child. he was in a position of power, and he took advantage of it to make himself feel better.
side note, alcoholism keeps being equated to evil by it being explicitly referenced with mr.legend and gregory sunshine even if by itself its a taxing addiction and addicts are people who are suffering, not caricaturish evildoers. antonios drinking habits have been equally worrisome sometimes -if you look at his schedule in KOW the rising, he is very much using alcohol to drown his sorrows- and this briefly comes up in cour1.
in cour2, its played up for jokes: antonio took ivan drinking and ivan drank way too much and did funny things while he was drunk (more on this later). antonios just different actually, because hes fundamentally good.
it was shown to us that mr.legend was very active in the match fixing himself... i think it wouldve been more fitting to show child yuri spying on his fathers discussion with maverick trying to suggest it to test the waters of seeing how easy it would be to manipulate mr.legend into it, perhaps about to offer him coffee to signify hes about to change memories if he needs to, and mr.legend jumping on the offer instead of declining it and shattering yuris high opinion of his father.
maverick not being included just reminds me how yuri is somehow a secret child nobody knows about. we remain in the dark on how yuri ended up taking care of his own mother and what he did to attain the position of a judge.
we still dont know the details of who covered up mr.legends death and why and how. it wouldve only made sense it was maverick, but how the hell did he then not know that yuri must be the one with the powerful NEXT power?.. how did he in general not recognize yuri once he became a judge? was he not distrustful?
more importantly, why did he not try to manipulate yuri? wouldnt it have been a huge boon for him to find a vulnerable child who is mr.legends son no less, and to raise him into a tool like he eventually raised barnaby?
i could see that yuris mother olga (i think its officially translated as origa, but its definitely olga) actually protected him back then. after all, he was the only remaining family she had left, even if she too grew to resent yuri at some point for some reason (and somewhat understandable, given how she was portrayed in s1 accepting mr.legends treatment: she had submitted to her fate and become traumatized).
however, olga has calmed down from her potrayal of throwing plates at yuri in s1 and the change happened without explanation but an acknowledgment from the caregiver, and she is never given any depth as to why she could blame yuri so deeply and fervently in some of her more lucid (?) moments.
in cour2, she becomes just a vessel for inflicting more trauma on yuri, and its her only purpose: shes not her own character. shes a woman, specifically a mother, and thats all we need to know about her.
i know that my tinfoil hat theory of gregory sunshine being yuris biological father is implausible at this point after all that talk about hero blood in yuris veins, but it wouldve genuinely given olga much more depth to give her a reason (not a justification) on why shes been so aggressive towards yuri and blames him specifically, if yuri had been an illegitimate child or somesuch. but i wrote about that already in the linked post and its replies.
back to parental figures, i think laras mother zamira was a great character in cour1. shes not a morally good character, no, but i think her portrayal was strong? it was very clear to me that shes treating lara as an extension of herself instead of her own person. she controls her and her life, and she reprimands lara for having thoughts and feelings beyond her control.
it is her who has set lara on this path to heroism, and it is for her benefit. lara is a vessel for her to life through, and this could be easily contrasted with yuri and his burden about being mr.legends son.
however, in cour2 the entire premise is undermined when zamira is proven to “actually care” about lara. if i dont remember wrong, paolin even says that “she reminds her of her own mother”, which i was meant to understand in a positive way. this is presented in tandem with mr.legend(s ghost) somehow “really caring about yuri” in that odd scene they had together.
its also proven that zamira wasnt an unreliable narrator about her prior tennis partner pamela, because we see pamela easily blame NEXT for existing in the news as proof that she is cruel. i get the sense were supposed to think zamira was just sad and trying her best to raise lara and make sure nobody takes advantage of her like she was taken advantage of.
i frankly dont care! she had, undoubtedly, treated lara the way she treats her in cour1 for laras entire life: shes 14. it leaves a lasting mark she can never take back. “im sorry” doesnt even begin to fix it.
i wrote about yuri adopting lara here, so i wont delve into some very specific AU, but it wouldve felt much more reasonable and realistic for lara to be freed from her mother, not even necessarily in the way my pipeline dream describes, in a way that couldve emphasized yuri and his good qualities.
t&b has never been free of misogyny and other issues, but i feel like this cour really brought a lot of those issues to the surface instead of improving on them... instead of a nuanced portrayal of a fractured mother-daughter relationship, we were given something that just felt like underlining the fact that zamira is a mother, of course she cares about lara in more ways than for her own benefit.
zamira is a mother like olga, and thats what we “needed” to know about them in addition to knowing that they experienced trauma that just made them forget about their motherhood for a moment, but we learn that olga cared too, she even made those cookies. their mother-son relationship is similarly glossed over.
lara -like yuri- is done a great disservice in the process of redeeming abusive parents. shes a kid who killed a villain on accident in self-defense in cour1, and it felt significant. cour2 doesnt bring this up as a plot point in any way.
i was imagining her getting a much bigger arc that couldve overall easily tied into revealing mr.legend as a horrible parent instead of being its own distinctly separate arc.
speaking of mr.legend being exposed, it was ridiculous that yuri revealed mr.legends awfulness to kotetsu and barnaby and it fell fully flat due to kotetsus and barnabys reactions, or rather due to their lack of reactions, which was strange for them both.
its realistic enough to have yuri do something like that, even if it was sudden: it feels like he was under a lot of duress and clearly seeking help in any way he could, justifying it to himself in some “logical” reasoning for it because i dont think he would consciously realize he needs and wants someone to believe him.
before i get into that and how i think they shouldve reacted with far more compassion, i want to say that to me its clear that kotetsus career in heroism has led him to neglect kaede, especially in the past when kaede didnt know that her father was a hero. this is brought up a bit in cour1, and for example is prominent in the beginnings additional scene where kaede begs for her father to show up at the ice rink just this once.
the series shows their father-daughter relationship mostly from kotetsus side, so that we know hes trying his best and really wants to be involved in kaedes life but hes genuinely busy, but if you think about it from kaedes perspective, kotetsu hasnt always been a good father to her and kotetsus business doesnt take away from his failings.
misogyny plays a role in this portrayal, and that i cant blame kotetsu for as a fictional character, but the fact that some of his actions are played for jokes and the fact that he continues doing them bother me, like pretending hes doing yoga like kaede suggested and instead of actually doing it. i wish he was more honest with her, even about those little things!
narratively in the rising, again, kaede is forced to adopt a tomoe-like role in encouraging her own father to continue his hero work, which isnt cute to me at all. its extremely emotionally taxing to have to be more responsible than your own parent and give them advice.. in cour2 she is again protecting her father from the truth that his mother is bedridden (nothing, afaik, comes out of that by the way?).
why is kaede protecting kotetsu, and why does she feel the need to do that? shes a child! she should be able to depend on his father, not feel like she has to protect him just because hes a hero.
those things frustrate me about kotetsu and the narrative around him and kaede, because i think this moment especially couldve used to do something about this dynamic and parenting. however, every parenting-related thing in cour2 was atrocious.
kotetsu has flaws and i think he has done wrong despite trying his best (sometimes your best isnt enough!), but he isnt cruel and genuinely does care about kaede, and he cares about others even if theyre not his family (he is a busybody, after all). he is a single father and a widower whose late wife pushed him into hero work, and his old mother supports him greatly, as does his brother.
despite family being so important to kotetsu, he ends up not reacting much to yuris admission that mr.legend beat his wife and child. doesnt that seem like something he wouldve focused on? good-hearted as he is, wouldnt he have been utterly shocked to hear that someone who “saved” him couldve been so thoroughly rotten?
it shouldve shocked him more than match-fixing and clinging to the identity of a hero: imagining himself becoming a cruel parent (and a husband).
i think he shouldve admitted that his own hero career has caused him to neglect kaede, and that he didnt even properly realize until as of late how much it had affected her- that he has flaws too and cant claim to be special or that mr.legend was an outlier, and that he cant imagine how hard it mustve been for yuri to go through that.
it wouldve been far more compassionate of him, and he really has a lot of compassion for others! i refuse to watch that scene again right now so maybe i remember some part wrong, but still: in my opinion he was a dick to yuri, and very defensive about himself. he didnt try to console him, it felt like he wanted to set himself apart as a better person than mr.legend.
i dont understand why he didnt at least try to find yuri after hes stormed off and hes realized that he said stuff yuri probably didnt want to hear? thats a thing kotetsu does all the time: he meddles. he gets things wrong, sure, but he meddles, and pulls people aside to have a chat with them and to try to help (like he later on does with barnaby).
kotetsu believes in heroism and his ideals of heroes, and its also very personal and family-related to him, so for him to be more shocked by mr.legend clinging to his hero image than the abuse part explicitly was a weird narrative choice to inflict more pain on yuri. i dont think yuri felt understood at all.
i think kotetsu wouldve been able to discern the most important part of this: that mr.legend was a bad father and husband, and he shouldve extended compassion to yuri (even if yuri didnt ask for any). thats what he did with barnaby in s1 as well!
just like kotetsus nonreaction to what really mattered in what yuri told the two of them, barnaby didnt have much to say which made the entire scene feel more callous.
its a deliberate choice, and its as odd as kotetsus reaction.
barnaby saw his parents dead in front of his eyes and was taken in by maverick and regarded him as a parental figure he could depend on up until the moment it was explicitly revealed to him that maverick had killed his parents and used him like a tool.
i could understand kotetsu initially being defensive (hearing someone he was “saved” by being thoroughly awful is not easy!) if barnaby had chimed in and snapped kotetsu out of it, which wouldve also played into the idea that people need others to support them and also to “steer them on the right path” so that kotetsu manages to focus on the most important but also the most painful part even if it also hurts him to think about, including admitting to his own failures as a father.
i think barnaby shouldve immediately been sympathetic towards yuri, and it couldve also signified how far he has come from his first appearance in s1 where he explicitly had closed himself off from others, and perhaps even realized that yuri is acting like he once did and is deeply lonely.
his sudden admittance to being mr.legends son is an urgent cry for help!
canonically, the moment started and ended and neither kotetsu or barnaby cared enough to say anything nice or follow after him. i think it was out-of-character, and they were forced to act like that to make sure yuris downwards spiral would continue. it was cruel.
the plot often felt explicitly manufactured towards a certain endpoint instead of feeling natural and in-character, going so far the narrative took explicit steps to prevent certain things from happening.
the “prevention of things” was especially obvious with ryan.
this is going to be long because not only is he my favourite character, but ever since his introduction in the rising he has occupied a specific niche that couldve played into the theme of questioning who really is a hero and why, and what makes a hero.
because karina forms blue golden with ryan, i dont think i can discuss ryans lack of any real arc without bringing her up, especially because karina and ryan have both been positioned as being more of “main characters” than the rest of the supporting hero ensemble, which is why i especially expected more out of them.
karina has been central ever since the pilot of t&b, in which she is featured: she has a lot of connections to kotetsu including her childish crush, and out of all heroes, it is her who kaede calls when she wants to plan something, and ryan was introduced as a main character in the rising and embodies traits from both kotetsu and barnaby, including visually.
to begin with, ryans themes from the rising arent contradicted by cour1 setting him up as having very personal beef with gregory sunshine, the most prominent antagonist because the heroes never properly meet rosicky and LL audun is a last-minute addition (who wouldve deserved more screen time, more on him later).
in cour1, we come to know that gregory caused ryan collapse a building on himself and nobody helped him, his fellow heroes laughing at him before they leave him bleeding underneath rubble. in cour2, we see more of it and that he didnt only get buried underneath large amounts of rubble, but that he majorly injured (or worse) a large amount of civilians as well.
again, im not sure because im not going to rewatch, but i understood it was supposed to be the same instance as the one where his fellow heroes laugh at him, unless its just a nightmare he has that civilians were injured as well.
regardless, he was personally affected by gregory, and he wants gregory to not to run free, and its a fact that hes actually very emotional and acts impulsively under duress, like trying to leave sternbild the moment he thought karina was going to ditch him as a buddy (because he, like yuri, is actually lonely and wants people to understand him but gives up way too quickly).
he also breaks the door into gregorys apartment without a second thought (this is breaking&entering!), and later on we see him yelling and gesturing at blue goldens manager in a quick background scene about their new contracts.
however, his reaction to mattia allegedly ratting them out to gregory is “slightly miffed” at best, even if gregory was so close to being caught by him. it feels unbelievable to me, especially because i think his loud and genuine emotions are his strength but also his potential flaw.
i think he shouldve acted way more unreasonably emotional about it, instead of only bringing up how anyone can betray you at any time. to take a detour to karina for a bit, it was also ridiculous that karina had nothing significant to say to that.
she has difficulties speaking up sometimes, but karina shouldve been allowed to feel personally slighted by ryan after all the buddy hero arcs being about trusting each other.
it seems that she can only be given arcs that revolve around men and not, for example, her feelings about herself and being able to take pride in being a very hard-working hero, idol, and now a friend too, especially when the new manga shows her reoccurring troubles in trying to balance different aspects of her life like studying and being a hero.
it wouldve stung to hear ryan say that like he was brushing her off: did ryan learn nothing, and was he just saying all that stuff earlier to put her at ease instead of being genuine? it also ties into ryans issue of always being genuine but his eccentric personality making him seem fake/suspicious, like in the rising.
his personality felt utterly stagnant in cour2 with smug quips, however, and he was just positioned as “morally good” instead of the narrative allowing him to reasonably continue his arc and meaning for the narrative by going after gregory as a hero even when its against the law.
some of the themes of ryans character pair off with yuris and any arc he couldve been given with gregory wouldve been perfect to compliment an arc with yuri/lunatic, the truth about mr.legend, how LL audun couldve tied into that.
yuri is positioned as a vigilante, even a villain, but hes shown to save kotetsu on-screen, and he follows his code of justice very strictly. we know his reasons to act the way he does, and he is sympathetic. ryan, on the other hand, is positioned as a hero, but he can be kind of a prick and his idea of justice is remarkably lax in some ways. we can make a good guess why he acts like that, and like yuri, he is sympathetic.
they both are characters kotetsu and barnaby know well, and theyre both more severe than the titular protagonists. kotetsu has bent the rules on occasion to act according to his idea of heroism, but in my opinion ryan is set up as someone who would explicitly break rules for his idea of heroism (or lack thereof).
ryan is a good person and very much a hero, but he isnt the flawed but idealistic hero full of passion like wild tiger, or the humble and pure-hearted storybook hero like sky high, hes the egotistical heracles clad in the golden pelt of the slain nemean lion who knows just how good he is (and thats all he has going on for him, that ego of his).
its obvious that he can be a bit selfish: in the rising he uses his gravity dome to not only to save the building, but he traps all the other heroes in it, including pulling sky high from the air. from the movie commentary track ive gotten the idea that he did it on purpose since he can control the height of the dome he creates.
he also stretches out his dome later, so it begs the question if it was ever necessary to get any of the other heroes trapped in it to begin with.
he does save that building and the civilians within and causes no significant harm because he really is good at being a hero and hes not evil, but the narrative shows that he doesnt treat heroism like the heroes of sternbild do: he lacks the same sense of honorable justice our sternbild heroes have.
being a hero is first and foremost his career, which is why he brings up that “the money is good”, and because hes positioned as an experienced hero, he mustve started out as a child, given that he is younger than barnaby (even if in my opinion is not so much younger than he is).
the rising is strongly themed around justice day and the myth, and its also about him seeing the heroes of sternbild care about each other and their bonds with each other, instead of them all regarding each other as competition like hes used to people treating him, given how unbothered he is by figuring out barnaby didnt only distrust him but outright suspected him of being a villain.
due to seeing the bonds of the heroes of sternbild, he starts to “carry a heart of justice” as per the myth. barnaby suspected that he is a villain and the goddess of the story even if he ended up being more like the people cast aside by the goddess for their selfishness.
in the end he makes a choice: he can stay and keep the central bond between kotetsu and barnaby broken, or he can leave and mend the bond his hiring caused and bring the two of them back together as a duo. in the last shot, the winged lion of apollon media faces away from the camera like the way ryan leaves, while the justice tower smiles.
justice was enacted and she approves of it, and funnily ryan never thought that he could be a part of these bonds which is why he wholly leaves sternbild. in his KOW the rising schedule he meets up with a lot of people but theyre all just acquantaices, and he talks with his iguana. he moves around a lot, its in his title of the “wandering gravity prince”.
he lacks bonds like yuri lacks them, but by giving him a buddy partner in t&b2, he becomes more of a part of sternbild heroes, but its not just going to change who he has grown into overnight.
its intentional that ryan has wings on his hero suit like the ones the goddess is portrayed with, and the rest of his imagery plays into the this theming of the goddess/the sun while echoing kotetsus “tiger”.
lions are associated with the sun, even the zodiac sign leo is ruled by the sun. royals and gods have been linked to the sun in many places, so his old hero suit and title play into it. gold, similarly, echoes this sentiment.
in the opening, ryan “sun” is composed of the streets of the city and missing its center where the sponsor is displayed, but knowing the legend, its where the city was caved in, and it uses the same colours as the illustrated parts of the legend of justice day (in which the sun is displayed similarly, and yes, if you disagree on it looking like the sun, you could be right, perhaps that part is a coincidence.)
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yuri is shown in the opening of the rising as well, his slide after ryans and his red moon the central piece of his background and juxtaposed with ryans hollow sun.
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and i want to be clear, ryans background changes into a sky full of stars before yuris slide is displayed, which also makes sense for ryan because the heroes of sternbild are portrayed as stars more than once (and its funny for ryan to be the sun because the sun is just a star, its just closer to earth. hes not special, hes just loud about it).
its also significant to me that all heroes are portrayed with slides with a side-view of buildings in the background whenever applicable, even keith who can literally fly: it is ryan who has a momentary birds-eye view.
its the opposite of yuris, in which the lines around his red moon are buildings as if someone was looking upwards from the ground and also somewhat echoes the parts, including colour-wise, where the people are trapped in the cave by the goddess.
lunatic features prominently in the rising once yuri figures whats going on, and kotetsu gets to talk to him about how hes trying to save virgil/andrew from the burden of having killed and whatnot. the entire movie is themed around a holiday called justice day and showing mercy and who deserves mercy and why?
i genuinely thought that ryan being brought back indicates that tiger&bunny continues to question what being a hero really means, by giving the titular protagonists and the narrative someone to contrast with lunatic while ensuring kotetsu and barnaby can stay on the side of “good”/heroes for the sake of them being the main characters.
it wouldve been a purpose fulfilled for ryan to go against the law and becoming a vigilante because of how badly he wants to catch gregory: he has a huge personal reason to do so.
instead of the narrative following the logical conclusion of ryan going rogue due to how badly he wants to see gregory out of the streets, we get a scene specifically to explain why ryan cant follow through with the logical next step of his arc?
what a waste of everyones time, and i get the sense that the writers understand how strongly ryan feels about it (the foundation is there!) because it required both the company owner and manager to hang karinas fate over his head to ensure he doesnt just go on his merry way.
(i dont, by the way, understand that scene, and i cant bear to look at t&b2 scenes again... if you can explain it to me, then please do lol. like i specifically dont understand why ryan doing anything would cause harm to karinas privacy.)
not only wouldve it been meaningful for the entire narrative and ryan, this couldve so easily been used to give karina a satisfying arc that also shows that she is just as capable and deserving of an arc as the guy heroes of the cast, especially as the most prominent woman hero. now, instead, she ends up being a plot device to make ryan feel one way or another.
even if blue goldens buddy arc included ryan realizing that he doesnt need to protect karina, it was immediately undermined by “protecting karina” being his only reason to not go rogue to find gregory?
instead of letting ryan go rogue and giving karina agency in going after him by his own choice, we get that. what was the point?
one buddy pair explicitly going against the (unjust!) law couldve served to put lunatic in a different light and interrogate the hero system as a whole, and it wouldve make sense for it to be blue golden due to their proximity to the titular main characters.
realistically i imagine ryan would have enough respect for karina to tell her beforehand what hes about to do, but unaccustomed to working together with people, he would imply that hes going alone and karina puts her foot down about it: shes not going to stop him, but shes not letting him go alone, because shes going with him.
it is her decision, and it gives her agency and an active role.
they cant have a character essentially say “yeah misogyny and gender roles and that shit is kinda fucked up” and then follow it up with Absolutely Nothing and also give karina an another arc about her crush on a man.
karinas potential as a character is squandered time and time again. in s1 its incredibly easy to miss that shes almost always the 2nd on the hero leaderboard because more attention is paid to her funny moments like her “cutie escape” and general fanservice which is awful by the way, considering that for the most part of it she is a child.
its also realistic for the idol industry, and at times the show comes close to making some sort of commentary out of it but it never quite manages, in no small part because karina is never allowed to really shine.
either way, shelving the heroes couldve been more impactful for muddying the waters about the hero industry. the cartoonishly evil interference from the cops only serves to promote the view that the heroes are acting Morally Good because theyre being hindered by not the hero system and the law but the individually selfish police chief and ouroboros interference, and serves to imply lunatic is definitely Morally Bad for acting outside of the law.
it is eventually agnes who “gets everyone to break the law, together!”, and it undermines any reasonable narrative meaning for the entire thing and makes it feel like our heroes couldnt be heroes for a bit for the sake of a meaningless and boring shock twist included for some shock value because nothing really comes out of it.
having blue golden go rogue and the police going after them wouldve forced their hands into actually fighting against non-heroes and the law, not just being on the run while they try to find gregory. ryan and karina could cause significant infrastructure damage very easily to make sure the police dont catch up, and it wouldve been easy to summarise it as collapsed roads frozen over.
while i wouldve in this hypothetical scenario loved an extensive focus on this because ryan is my favourite, i think the whole “going rogue” part couldve been conveyed without taking up an absurd amount of screentime, and couldve easily been condensed for time by having the other heroes watching a news segment about it which wouldnt have felt an out-of-place gimmick given that heroTV exists as a central thing and the fact that this has happened more than once in t&b...
kotetsu and barnaby, and the rest of the heroes could be watching a live feed, and surprised to spot ryan and karina on the run because its unlike they wouldve announced thi. our hero ensemble, especially the protagonist pair, would know that theyre not evil and that they definitely havent turned against the people of sternbild, no matter that theyve now been labeled dangerous NEXT vigilantes.
they couldve been compared to lunatic, which is a very overt way to make the hero ensemble question lunatics status as a vigilante both loved, hated and feared by the general public.
it would be ridiculously easy to play up ryans “evilness” by including a reporter from that introductory press event in the rising where he just randomly used his power on all people in the room to introduce himself (why did he do that. hes so quirky and random.), and then another shot from the rising where he traps all heroes in the gravity dome and thats feels like proof enough? they couldve also recycled the animation.
the narrative couldve made a statement on positioning medias reaction to the beloved idol blue rose on the run as “ryans bad influence” instead of granting her agency, and maybe some of the heroes couldve thought that as well, leaving it to someone else (most likely kotetsu because he is our main character!) to remark that karinas not the type of person to let ryan talk her into this sort of thing and that she mustve instead agreed with him.
having ryan on the hunt for gregory feels natural, but it couldve also been meaningful for karina.
another established thing about gregory is that hes a fucking creep. and karina has dealt with creeps her entire life due to being objectified idol. in cour1, we see that guy trying to hug karina “just this once!”, and it wasnt made into as much of a big deal as it shouldve been because we focused on ryans feelings instead.
that wouldve been fine if it was brought up again, and its utterly wild to me that it feels like they perfectly paved the way for karina to have some sort of arc with gregory herself with ryan bringing up “hug the gregory”, but then the show entirely bailed on it? why the hug theme, then?
it couldve been plot-relevant for karina and the narrative to question what being a hero means for her when her career in heroism has notably led her achievements being belittled in favor of “cutie escape" -moments and even now the media thinks shes out here because of “ryans influence” and not her own choice.
frustrated karina affirming the media somehow that shes doing this for her sense of justice, not because of ryan when some civilian fan of hers tries to save her, the poor little girl, from this vigilante escapade: what wouldve yuri thought of that?
to give karina cool moments wouldve been more impactful and couldve been plot-relevant instead of the disjointed ~girlboss moments~ of rosicky telling gregory to stop being a creep which equated to so little when rosicky is also killed by gregory.
capturing gregory couldve meant something, not been a footnote, and by showing us that fight with blue golden and gregory, they couldve showed us what they half-heartedly tried to show with the quick LL audun fight scene, with karina being the one who ends up protecting ryan after he was knocked out first?
ryan doesnt even need to have his skull caved in like that, all they wouldve had to do is to give ryan a reason to use his power and not be able to let go by having to continue holding something down with his gravity, calling back to barnaby accidentally letting him get knocked unconscious because he wanted to save schneider, except karina actually saves him.
in the process of capturing/pursuing gregory, karina wouldve had a reason to give us some sort of opinion on what she thinks about creeps without it being shoehorned in and how she has to tolerate them because theres so many loopholes in the law but finally, gregory is the one she can fight back against and its because now other people agree that hes evil!
also i genuinely think ryan wouldve loved to not only capture him but to beat the shit out of gregory because he really is different than our heroes from sternbild (and i think he wouldve been justified to do so too, lol).
to exemplify the themes of bonds, karina couldve stopped him but remarked that she feels like gregory wouldve deserved it, and she couldve vocally acknowledged shes having doubts on whether lunatic is so wrong or not, because has anyone or the hero industry itself ever really protected karina from creeps? no!
lunatic is actually making some sort of point when he kills a guy who is a serial killer of women? a bit drastic but hey. it works. that guy cant kill anyone ever again.
it would mean so much for karina to acknowledge that there indeed is something wrong with the hero industry as it exists now and heroes and heroism isnt just “morally good” by default, which also begs the question whether vigilantes etc are ontologically evil by default.
and personally, i dont think ryan would disagree with her? he is well-traveled and has seen so much more than just sternbild: im sure he has met corrupt heroes and heroes who arent even nice or “good”. im sure some places have very fucked up hero systems?..
they couldve made both ryans and karinas arcs mean something by having them face off against gregory (ive been talking of capturing, but they wouldnt even had to been successful and instead gotten captured by the police themselves or been forced to retreat), and it feels so obvious to me?
both members of blue golden wouldve gained something out of it, the overall plotline wouldve gained something out of it, and the setup of the plot wouldve benefited?
the viewer would also know that gregory deserves anything coming for him regardless of the media/public opinion because he is a freak, and the heroes too could explicitly acknowledge that maybe theyve been too harsh on lunatic by not trying to understand him like how blue golden is now misrepresented by the media without any grace? is lunatic just a killer, or... he does keep talking about that justice, after all.
both ryan and karina have interacted plenty with our protagonist pair, so it wouldve served well to draw kotetsus and barnabys attention to it. continuing to question lunatics “evilness” feels so central!
some of the children already said in the cour1 in that that law class of yuris that they thought lunatic was really protecting them and kotetsu was there to hear it, and then nothing came out of that? are you fucking kidding me? he was just like nope, wrong! its evil, end of story.
its like they were given the perfect foundation to do something interesting and valuable, and they didnt end up do any of that just to punish yuri for daring to exist in the way they forced him to exist since t&b is who made yuri the person who he is... but anyways.
yuri is prominently featured in cour2 for all of the wrong reasons, but his prominence couldve been interesting instead: he couldve been standing there looking over the heroes reacting to two of their friends gone rogue and given a cryptic statement on how it seems theyre no different than lunatic in the eyes of the public now that theyre pursuing their own brand of justice...
and everyone couldve been like alright director petrov:)! but also genuinely considered this while yuri is just there, observing the discussion and wondering how their bonds with the two new vigilantes makes it harder for them to be so sure who is a villain to be stopped and who is not.
unrelated to things i think explicitly realistic or in line of t&bs spirit, if i could choose i wouldve also had ryan and lunatic interact.
i think it wouldve been in-character for lunatic to show up to question what ryans going to do with gregory once he finds the man, with ryan answering genuinely but flippantly while karina is bewildered ryan is just trying to have a casual conversation with an fire arrow dramatically pointed at him.
lunatic questions his end goal, like are you gonna kill that guy maybe, and ryans like i dunno, i didnt think that far. now that you mention it maybe i should lol? and karinas like im sorry what is wrong with you?
we couldve gotten the yuri petrov comedy hes hard to rope into by having ryan act like he usually does with lunatic? you try to be dramatic and brooding when some guy is arguing with his emotional support buddy hero girl? ryans only prior interaction with lunatic is in the rising and saying that he looks creepy: he didnt care about a vigilante showing up because he knew the mecha flying over sternbild was the thing he should stop.
its funny because ryans notable trait is “treating everyone equally”, i dont see why he wouldve acted differently with lunatic, and to imagine karina interacting with lunatic because he showed up and ryan isnt having a normal reaction to it by being concerned. but why would ryan be concerned?.. hes good at insight and im sure he knows lunatics justice is very serious to him, and ryan knows hes not a killer so why would he be concerned right now?
but yes, the barebones idea of using ryan especially as a vessel to force the hero ensemble to reconsider vigilantism and lunatic couldve in my opinion been done without the two of them ever interacting directly, because its about what they stand for in the narrative.
what we needed to see was kotetsu (and barnaby) forming some sort of opinion on this, since we mostly see the hero side through kotetsus eyes: he is the main character, after all. all the narrative had to do was let ryan to go do what he clearly wants to.
my description of this all is very elaborate and keeps the entire thing somehow separate from the other heroes, but i think the idea or something akin to my elaborate view couldve been conveyed in a fairly conservative amount of scenes, because the cour only has limited time!
theres also a huge potential for the other characters to join in on the vigilante shenanigans like what ended up happening in the end in canon with all of them “going rogue”, and ryan and karinas involvement couldve been greater than other heroes but still far more smaller once kotetsu and barnaby get their ball rolling over the matter...
t&b2 has a lot of characters, and i think they couldve made it work, but the scenes wouldve had to been carefully picked without wasting scenes on counteracting things they had already set up?..
i dont feel like i can answer the question of “what narrative purpose did it serve to make sure ryan doesnt try to capture gregory on his own?” without pivoting back to “it had to be like this so that yuri would suffer and die and our heroes would stay morally Good unlike lunatic!”.
like, i LOVE ryan, hes my favourite character! and many of the scenes he was in i couldve lived without, because they didnt really add anything of worth to the overall narrative or plotline save for reminding us that he exists.
the entire thing where blue golden separates from the other heroes to go try to find gregory in the jail itself was similarly needlessly drawn out and condensed all the same?..
i understand it as necessary somehow (for the current plotline) to introduce LL audun, but because ryan and karina dont really have anything to do with the guy, it feels wasteful.
the pacing felt awkward to me overall. i was actually bored in some of the first episodes of the cour! and after that, everything starts happening so fast: the LL audun situation is especially sped through.
in cour1, heroes got progressively taken out until only “the essentials” in completing the arc were left, which was a great idea for the sake of stretching the limited screentime available.
it also had real in-world impact, unlike blue golden getting up a while later even if gregory flaunted that “it was so easy for LL audun to kill heroes”. it served so little purpose and was a waste of everyones time for a cheap “shock” because since it happened off-screen, i easily guessed they wouldnt kill a character off like that.
in cour2, we start knocking out heroes very late to the episodes and its not even semi-permanent. it wouldve been way more sensible to have some of the cast get knocked out somewhat early to let the remaining heroes to shine! they couldve even made to go berserk by gregory, so that we couldve then knocked HIM out and then gotten most of the heroes back for a grand finale of sorts, probably facing off LL audun and accompanied by lunatic.
even in the canon scenario, subaru couldve charged in (his whole thing is that hes hot-headed and a bit stupid even if his heart is in the right place!) and thomas couldve shown up earlier, eliminating many scenes that had little worth and focused on efficiently introducing LL audun.
they couldve had that fight with him and thomas couldve swiftly explained key details about him for exposition and made it natural because we already knew hes a fan. i also think their arcs werent so bad i suppose, but them fighting together was the conclusion to the mr.thomas buddy arc, so getting knocked out for a few episodes because theyre still rookie heroes and a bit silly wouldve made sense...
especially when they already were in the last fight in cour1!
it wouldnt have been a disservice to their arcs and wouldve given others more time to shine, and it wouldve been interesting to have other heroes react that the rookie team is presumed dead? they wouldve been fighting even harder against LL audun!
which leads me to say that the one good thing about cour2 for me was LL auduns character, but his potential wasnt realized. he was so prominent as imagery in cour1, with the twins and thomas both idolizing him.
we also know that mr.legend was a corrupt hero and there probably were others? instead of auroras introduction (it was such a gimmick), and gregory getting so much screentime for being creepy, it wouldve been far more interesting to focus on the fact LL auduns time active in vigilantism overlapped with mr.legends time as a hero.
i keep coming back to this, but LL audun couldve been the perfect setup for mr.legends crimes becoming public? it wouldve added intrique to the viewer too by have mr.thomas presumed dead and LL audun fighting the remaining heroes.
that wouldve made it harder to believe mr.legend really sucked so much by the general public and many heroes! kotetsu and barnaby wouldve felt inclined to share some part of what they learned from yuri earlier?
i feel like this wouldve been such an interesting way to make kotetsu and barnaby realize even more things about mr.legend, the hero system itself, medias part in who gets to be a hero and whos not, and lunatic... in a deeper way than the canon, half-hearted attempt at sympathetizing we got, because i just think its not in-character to have them react like that!
in-show its mentioned that LL audun “started to think hes a true hero around his tenth year in prison” but it felt like pure ouroboros/maverick interference to me (even if the current narrative mightve meant it for real).
wouldnt it have made more sense that LL audun was actually a "true hero” fighting against the establishment of the hero system itself, not because he hates heroes, but because he had figured out it was already rotten to the core becasue of maverick?
his simple nature was refreshing (in the same way i really liked fugan and mugan because they were villains but also funny about it) and kept the scenes with him light-hearted, a quality ive always been fond of in tiger&bunny. i do like intense scenes, but i think tiger&bunny should also be a little bit funny and not hard to watch.
he couldve lost his grip on reality a little bit since he spent decades in solitary confinement and focused very hard on his idea of heroism, or maverick couldve even fucked with his thoughts and made him into a ticking time bomb of wanting to destroy so many random people if he ever got out?
how the hell did maverick, mr.legend and the heroes of that time, realistically defeat LL audun back then? its not explained (again i could misremember) and its not important to the canon as-is, but imagine if the canon had focused on idk, being nicer to yuri and on the angle of mr.legends crimes and what if maverick, with mr.legend in tow, had promised to destroy sternbild if LL audun doesnt let them have their way?
it wouldve been, i feel, very easy to let us catch on that maverick was manufacturing LL auduns crimes and spread them on the media for the benefit of mr.legend and heroTV, and that LL audun couldnt stop maverick because he had been honorable about it, like a “true hero”?
hundred power is extremely versatile since it heightens all senses and weve seen that it can even boost recovery, and he can activate it almost continuously: what was it that stopped him from cracking mr.legends skull like an egg once the man himself had fully lost his power, given the canon itself features mr.legend worried about having to face someone he cant realistically win against?
LL audun outright refusing to kill mr.legend and/or maverick feels like the logical conclusion to the question of why he could be defeated. it would also give kotetsu something to think about, to realize this on the screen as our main character!
mr.legend was the hero who saved kotetsu, and then he learns from yuri that mr.legend was actually an awful person, and then, as i suggest, he sees a buddy hero pair go rogue- and then they all have to go rogue?
and to bring all of that to a satisfying conclusion, he faces off against LL audun, with the man questioning gregorys claims about who the real villains are because theyve all protected each other.
some further exposition later he could learn that mr.legend wouldnt have been able to be so awful if LL audun had just killed him when he had the chance, and that maverick couldnt have manipulated barnaby and been evil overall if LL audun hadnt taken up my suggested deal from maverick to voluntarily get imprisoned to protect sternbild and had gone the lunatic route instead?
kotetsu has always been so against killing people, and i dont think hes wrong to think so (well yes i think he is wrong. i think its morally okay to kill evil people! albeit not without emotional consequences for the person taking up that burden like lunatic. but i think its important for kotetsu to disagree with killing) and he wouldnt have had to abandon that principle of his, but this troubling reveal couldve given the narrative way more depth?..
and when kotetsu talks of the goal in the rising being saving virgil/andrew from himself: couldnt he have recognized the emotional toll lunatics actions take on him, and the emotional toll LL audun has taken due to his inaction?
like a real bit of some gray morality that actually has a purpose!
thinking about it makes me want to break something- i feel like everything was so perfectly set up for something like this, and not even this scenario but the concept of sympathizing with yuri further and helping him heal!
it couldve happened without revealing that lunatic is yuri and letting yuri continue in his position as the director of the heroes after the season has concluded (i wouldve enjoyed this personally so that i can imagine him out there), because i feel that revealing mr.legends crimes wouldve changed yuris position so significantly, and for the better!
kotetsu, as the main chracter, wouldnt have had to reveal judge petrov is mr.legends son either, maybe just lunatic for example! imagine yuri seeing people condemn his father? that wouldve been incredibly cathartic? that people agree that whoever mr.legends family was, they mustve suffered, truly and deeply?
yuri couldve gotten a scene like what kotetsu got at the end of the rising, with heroTV broadcasting random people having various positive opinions on him instead as he stands somewhere, contemplating taking off his mask and killing himself for his sins and his justice and whatnot while kotetsu and barnaby arent able to calm him down?
we couldve had a dramatic scene like that, and one of the manga chapters features that scene where yuri revealed his face to the terminally ill woman who had wanted to know who the man behind the mask is: he couldve even revealed himself to kotetsu and barnaby at least since theyre the main characters and still retained his anonymity by using his fire to shield himself from heroTV.
and on the broadcasted heroTV screen people from across sternbild could thank him for what hes done: could yuri, at that point, deny himself the possibility of being forgiven in some way?
it couldve also given us the hilarious dynamic of kotetsu and barnaby at least (and just for me, as a treat, ideally most if not all heroes) knowing that yuri is lunatic but they have a pact to keep his secret.
lunatic half-bleeds to death before jumping off but he doesnt set himself on fire and we dont see him fully fall but it serves as a momentary death fakeout.
then theres an ending scene of judge petrov opening the door to the hero lounge to give a briefing (returning us to the start of the season with yuri briefing everyone about buddy heroes) and he looks incredibly beat up.
agnes asks what the hell happened to him and he says he “got caught by one of the rampaging NEXT” or something else not unbelievable but ridiculous with a straight face, and none of the heroes contradict him.
like, wouldnt it be on-brand for kotetsu to try to joke about it while barnaby tried to shush him and causing someone like keith to quip that he doesnt really get it, isnt it a secret? and agnes could just scoff because whatever are the heroes talking about now...
my dream scenario is everyone laughing about this with yuri who is also laughing a little in confusion because now he has those bonds he hasnt had before? ngl i dont care i just want to see him happy lmfao<3
anyways see how ive lost the plot of this opinions document? bible-length and ive rambled about various topics, jeez. i also said i wouldnt talk about yuri so much but he just feels like such a central character and i like it- i just wish theyd been gentle with him instead of whatever we got. and yes, im about to talk about yuri again...
its unfortunate that with such a big cast, again, only the titular protagonists are often given scenes to interact with plot-relevant matters personally and with any depth...
of course, kotetsu and barnaby should remain at the centre of it all since theyre the protagonists, but cour2 especially included us seeing tidbits from the perspective of so many random characters, it begs the question why add so many bits from characters when i think its pretty clear the fans are interested in tiger&bunny for the ensemble cast too and want to see more of them?..
sorry to fervent mario the announcer fans or something i suppose, but if cour2 had used its time more wisely, we couldve gotten great moments from various heroes in the same time we didnt get anything done?
wasnt a single writer aware that the fandom adores the titular protagonists but theres also large fandom pockets for the other hero characters AND yuri? didnt anyone think that s2 and its buddy hero premise couldve more effectively been used to give us more lore and funny moments also for the supporting cast?
this makes me, for example, think of the scenes where everyone is deliberating X rampages and gregory things.
youre telling me that weve got all of these characters in a room and youre capable of making them act in-character while interacting with each other, but you chose the most boring ways to do it in pursuit of some sort of unneeded seriousness?
those scenes by themselves couldve been majorly improved by playing into what ive seen as the strength of tiger&bunny, with the way every hero has a distinct personality easy to play up for light-hearted moments without making it unnatural or forced?..
for example, they could be trying to talk of something serious when ryan, kotetsu and subaru get into a nonsensical argument because theyre all so loud and kotetsu and ryan actually get along well, so they couldve argued on purpose to ease the mood, while subaru got really serious about the argument because hes 17 and goofy?
barnaby, karina and thomas are all collectively sighing because of course their buddy partners are acting like this, and this goes on while keith is trying to get a word out on something actually valuable he thought of but hes too polite to interrupt the conversation, so nathan has to raise her voice and be like “boys can we please calm down keith wants to say something<3 you have 30 seconds before i get mad!″
and kotetsu, ryan and subaru are forced to apologetically sit on the floor or something, just to let keith convey an actually good point he came up just now while listening to them argue. expositional scenes dont have to be boring and lifeless?
of course its sweet to have them work together, but giving them light-hearted moments wouldnt have diminished that. theres just so much potential with the cast we have, and while they had a great foundation, the real potential was never really reached.
the way they neglect the strength of their ensemble cast repeats with who interacts with lunatic/yuri. and i know- kotetsu and barnaby are our main characters here, but sometimes i feel like hes in protagonist jail, because there are so many great interactions to pursue with him that could actually add something to the narrative!
nathan was kind of accidentally framed by him in s1, but we dont really get any follow-up on that. and for me, one of yuris greatest moments is in the manga when he saves keith (civilian) from dying while keith is trying to save the two criminals from dying himself, and keith is never none the wiser about it.
but thats more of a self-indulgence than a realistic critique, i imagine. however, from this i can get to talking about the heroes i didnt yet mention, because i can see so many ways to tie the supporting cast into the narrative and not just include scenes for “fanservice”.
the peripheral material has done this and more, why not include some of it in the show?
this is all mostly just a lot of musing on how underutilized everyone was, and how a lot of it felt disjointed and a bit wasteful of the time they had to convey the entire story.
ill start with keith: it was disappointing how he only smiled through the entire cour2, especially when you think about LL audun, who pretty much shares his “simple” worldview on heroism. we didnt even see him fight LL audun at all if my memory serves me right.
he didnt have any reaction to when the heroes get shelved, and keith arguably has pretty much no other life than being a hero, but he never has any sort of thoughts about the matter.
closest we get is firesky reminiscensing on the moments they had respectively gotten their hero suits, and keith remains one of the heroes whose backstory we know absolutely nothing about. i actually thought keith would drop some backstory lore there, but he didnt.
i feel that cour1 did a fantastic job on telling us what sort of guy he is in the episode nathan complains about him to kotetsu and barnaby: he is insecure despite all of his fame and how “perfect” he is without trying by nature, and he still he tries to act even more perfect to make sure other people would like him.
cour2 didnt really give us anything? i was genuinely expecting keith to break down at some point and that he was trying really hard to act unbothered to not make anyone else lose heart, especially after kotetsu remarked in cour1 that its keith and nathan who are really doing most of the advising around here and not himself and barnaby, the real senior buddy hero pair.
it wouldve not only given us a continuation of things from cour1 and given keith some sort of arc for the 2nd cour, but it couldve given us a character-driven moment used to show us why its kotetsu who is the protagonist even if we all know keith is such a picture-perfect hero.
ive always thought that kotetsu is more approachable than keith on purpose: hes a very normal person with normal concerns that are easy for many to relate to, and that is his charm and his strength, and he doesnt particularly stand out or excel, hes in the hero business purely out of his conviction and doing his best.
wild tiger isnt the most popular hero, but he has dedicated fans, okay! hes goofy and easy-going and meddlesome, and hes trying to make the world better, whereas keith could never be the protagonist in the same way kotetsu is because hes just too good, like how nathan found his projected perfection unnerving.
to let kotetsu participate in reassuring keith (since hes the protagonist and a busybody!) besides nathan as his buddy partner couldve served as a plot point to strengthen the idea that kotetsus various flaws are a part of what makes him great, and it couldve been used in tandem to again, interrogate the narrative about what heroism is, who can be a hero, and so on and so forth.
and with regards to my earlier thoughts about LL audun, keith represents the same type of ideal LL audun at least thinks himself to be, and the sort of ideal LL audun couldve embodied if they let me write t&b2, lol.
there couldve been some sort of plot-relevant parallel there that lets kotetsu actually figure out that LL audun is genuinely thinking hes doing the right thing and gregory was taking advantage of him- something to let kotetsu take the initiative in making LL audun question whether he actually is fighting against villains or not, because LL audun randomly questioning it himself was a bit too convenient.
it couldve been a time for kotetsu to shine with what he does best, trying to talk his brand of sense into the people hes fighting against, like how he always has a lot to say when hes facing off lunatic, or how in season1 his entire plan for making people remember who he is includes him showing up in his old hero suit and talking to them.
isnt that part of kotetsus charm as a protagonist?.. and LL audun wouldve been perfect for a discussion, because his personality wouldve lended itself to a very campy “two heroes having a dramatic discussion during a fight”.
i suppose i also personally dont need or want kotetsu be really good at fighting with the most powerful NEXT power, because thats not what makes him a fun protagonist. him goofing off and slipping on a banana peel on his way to an arrest makes him fun, and him talking the socks off of his opponents is just part of his way of being a hero.
kotetsu is into the whole “superhero flair”: heroes need to have secret identities, and heroes need to be a bit campy with thematic outfits and have dramatic discussions while they fight, and thats the spirit of tiger&bunny, isnt it? isnt that what were here for?
i at least never watched tiger&bunny for a yuri petrov suffering arc, when tiger&bunny has had an uplifting message throughout even if it tackles more adult issues due to the adult protagonists?
either way, to return to keith, i just feel like hes overdue for having that sort of very human moment to his character, because his nuance has largely been confined to manga and peripheral materials... it wouldve been nice to see him get a big moment on-screen.
even in cour1, the episode with firesky is largely shown to us from nathans perspective. having keith break down wouldve also been a great way to show how serious the shelving of heroes is and making the situation feel tense because keith especially is always so happy.
it couldve been a tipping point of sorts, where everyone starts to lose heart whether theyll manage to figure out the X rampage issue or not, because despite the boring seriousness of those scenes, i at least never felt a real sense of urgency or huge concern about them not being able to be heroes?
keith confessing that he is having a very hard time with the circumstances and making everyone visibly falter wouldve actually left an impact, and couldve let kotetsu shine as a protagonist by him trying to pick up the pieces.
it couldve also have bit of a callback to that scene where in the beginning movie hes called everyone together and claimed that the heroes and barnaby want to meet each other and everyone gets upset and leaves, one by one, but i guess it couldve been more that everyone leaves buddy pair by buddy pair since the season makes a big deal of pairing them up with them buddy pairs whenever possible.
it wouldve made me sad but not in an utterly desperate way because i know that the heroes will pull through and save the day, it wouldve been a good sort of sad.
this couldve also given nathan more of a spot to shine, because shes keiths buddy hero partner! she wouldve been there for him, but i also dont want to suggest any sort of reduction of nathan to a mammy stereotype-adjacent spot where her main function in the narrative is to take care of others, but more on nathan later.
the scene where nathan offers to hire keith as a secretary especially perplexed me and was left in the forefront of my mind. it was funny and cute, but thinking of keith losing his hero status and not immediately looking into civilian ways to help like finding volunteer organizations to sign himself up for them is so unbelievable to me, sorry...
and because i think cour2 shouldve used their episodes and screentime wisely, any such things with keith couldve been, again, tied to the bigger themes of heroism and such, right on the nose in fact! i dont think its far-fetched to have a moment of hopelessness by having keith break down and then reveal later on that hes signed himself up to ten different volunteer organizations when prompted by kotetsu.
one remark and everyone figures keith is so sad too, but hes still trying so hard to help?
keith is in many ways the best of them, and even if he was so crestfallen and suffering, hes juggling ten volunteer jobs at once even as people have complicated feelings about NEXTs due to the X riots and whatever. hes trying so hard to get people to like him and hes troubled by having NEXT powers and possibly putting people in danger if he lost control somehow (like, is he bad by showing up as keith goodman without admitting first thing he has NEXT powers, and also maybe without admitting hes sky high, as if it was a crime).
it was actually so odd how none of the heroes were ever really concerned about losing control?.. especially the heroes with powers that have the capacity to be really destructive?
and to return to keith, in my opinion he wouldve also suffered with the very human desire to be a hero again: its a huge part of his identity and it occupies almost all of his time! i think he would feel guilty that even if hes helping still in his own way by volunteering, he would specifically want to be reinstated as a hero.
it would feel selfish to him, that he has such a private desire. hes also extremely introspective and he canonically spends a lot of time thinking. he couldve delivered a very neat and conscise but very human monologue on the topic and it wouldve given the other heroes a great character-driven moment to share a bit more about how they feel about the situation?
to have our hero ensemble shelved from hero work and dedicate no scene for them to talk about how they feel about it specifically is such a waste, when it couldve showcased their personas and furthered the plotline by having them remember why theyre heroes in the first place and/or why they want to continue being heroes, etc...
what bothered me with firesky was that they also felt oddly separate from the rest of the cast at times during cour2 and the trailer made their role seem far bigger than it ended up being.
they had a bunch of nice scenes together that very funny and showcased their personalities, but i was very disappointing how those scenes kind of failed to tie into the main plotline so that they were just... there. even though theyve been a part of the main cast since the start:/
they didnt even get a major fighting scene with a big bad because LL audun knocked them out off-screen.
nathan suffers from many of the things keith suffered... she also didnt really have any significant role and well, it wasnt too bad i suppose, it was just oddly disjointed.
the heroes met up at helios energy, i think, but they couldve done so much more with nathans position as the CEO of helios energy.
it has always been a footnote in the show, even if the new manga shows us that nathan is aware of various changes in the hero system before anyone else by getting to participate in the discussions about those changes as her own boss! which is also weird ethically, but i guess its not taken so seriously.
it could have been easy to make nathan more prominent because of her CEO status. what if wed gotten to see the mayor talk to a wider board of people that included the owners of the hero companies etc and nathan was allowed to be there, hearing the talk about shelving heroes and being like wow! that certainly is a suggestion, but!..
this couldve also been used to emphasize that as his buddy partner nathan knows how important keiths job is to him? she couldve even alluded to how some heroes have really dedicated their entire lives to hero work and this is no joking matter!
instead of us getting scenes of the mayor and the assistant or somesuch, we couldve literally had a character there and given her a moment to shine while keeping it plot-relevant?.. she couldve given kotetsu and barnaby some insider knowledge on how to talk with the mayor, too?
i think her being a CEO and a hero is interesting because i dont think “CEO” is a very heroic civilian job, but i dont know if id want the series to ever delve into it overmuch because i dont know how it would be respectful to nathan who has suffered from being reduced to a homophobic/transmisogynistic stereotype before...
not like nathan is the only rich hero either, its just very different to gain income from only from hero work versus being a CEO. the peripheral material sometimes comments something about it like a gag strip making nathan say she wishes the heroes wouldnt go on a strike due to her being one of the shareholders.
what this does remind me of is that i dont think t&b2 really had any significant commentary on how money makes things go around? in s1, it felt kind of prominent. kotetsus old hero company literally went bankrupt and antonio suffers from his unpopularity driving down his sponsors profits.
its why the heroes have to also keep up appearances- its not enough to just be a hero, you have to work to be popular as well. in s1 kotetsu & barnaby cant go to a crime scene because theyre doing an interview and other popularity stuff so their hero alerts were cancelled for the duration.
we get the whole “ouroboros controls everything, actually!..” and a vague allusion to affecting The Economy, but thats it?
anyway, disregarding all of that, i feel like they couldve used nathans CEO status for something. what if she had put her career and status on the line to use her connections and money to reacquire the hero suits of those whose companies had really put them under lock and key...
i also think back to momentarily developing some sort of mega optimism brain rot and thinking that karina couldve had some sort of gay crush plotline with the girl who was trying to pretend shes rampaging and how incredibly sweet it wouldve if the noted LGBT icon of our lineup, nathan, gender-haver extraordinaire, had been able to support karina with that... like yeah ryan wouldve been there for her but... hes ryan. lol
overall, i thought the buddy pairs were fun, but man, i want to see the hero ensemble interact with everyone and not just one assigned "important” character per hero. it also made a lot of scenes a bit disjointed with how buddy pairs were a bit separated, in my opinion... it worked better when it was just kotetsu and barnaby, because theyre the main characters! of course theyll have more plotlines than the others.
one thing i already found a bit strange at the start of cour1 is that nathan didnt talk with antonio almost at all, and we know the new director is a huge antonio fan (which is actually funny to me, and you can see the antonio love shining through).
but.... in prior content nathan has also been regularly paired up with antonio, and i dont mean in a shipping sense (even if that has happened as well but it has only really been to make gags on nathan being creepy because of her poor portrayal before), just that theyve specifically been portrayed as friends before.
so it feels like nathan got sidelined purposefully while making antonio have that entire thing about agnes seep from mainly peripheral content into the main show... (i have a huge brain and am a gay antonio truther, btw.)
it left a bit of a bitter taste in my mouth that someone who has some say over the happenings in the show (?) and loves antonio hasnt acknowledged their friendship in any way... and nathans portrayal prior has been unfortunate, so it wouldve meant something to see nathan get to be friends with antonio with the gross sterotypes removed?
its not enough to say things have changed and you want to improve on nathans portrayal: i want to fucking see it!
while their dynamic is funny, the above has made me worry that nathan and keith were paired as a buddy pair because the writers didnt have anything better to do with them and keith is “naive enough” to hang out with nathan without them having to address anything about nathan properly, and cour2 really didnt ease my fear about it.
like one thing nathan has done explicitly in various material is to behave in a specifically “boy crazy” way which i as a lesbian dont really care about, but i think it wouldve meant something to let nathan act in that way without making it weirdly creepy and uncomfortable, and instead let nathan be a whole person of her own.
i am a serial friendzoner of everyone except characters who havent interacted in canon (lmfao) but the purposes of respectfully portraying nathan and proving that the horrible stereotuping is over, i think there couldve been real narrative worth in her being canonically romantically interested in keith and have that relationship develop, to show that nathan is so much more than those creepy stereotypical actions forced on her characterization before.
it wouldnt have to be keith in the case they didnt want to introduce any romance between the hero ensemble, but any romance plotline for nathan couldve been used to show they really did want to improve on nathans portrayal like nathan would deserve.
it couldve easily been used for a scene in which nathan properly brings up their identity because sure, its been discussed some more in peripheral material and the rising improves on what she was given before, but still retains multiple harmful elements... and it just makes me mad to imply youre going to improve on stuff like this and then not do anything with nathan.
as far as i know, her civilian outfit in the rising seems to be inspired by a japanese comedians gag character called “hard gay”, whose ensemble includes a leather bodysuit, and hard gay isnt exactly a respectful portrayal.
i also love to read tiger&bunny opinions online through google translate, from people who would understand nathans identity/possible tropes better than i do by the virtue of being LGBT+ and japanese.
one of the things ive seen raised is that nathans declaration of self-love in the rising is more compassionate than their prior portrayal, but that it unfortunately is somewhat of a trope in itself given the wording of it, which i think further explains how i think nathan wouldve deserved a bigger role?
theres also the recurring issue of misogyny, because nathan specifically says (dirctly copied from netflix translation): “they say a man is made of courage, and a woman is made of love. so what does that mean for people that are gay? we are invincible!”
men being courageous and women being loving is a cliche, which they included as a narrative choice and is not nathans fault... and t&b2 really didnt improve on the baked-in misogyny, which ive already talked about...
and ill be honest, i dont know how nathan romance shenanigans couldve tied into the main plotline lmfao, but they couldve called back to s1 and keith asking the girls for romantic advice, except now it wouldve been keith with the younger girls in tow trying to advise nathan, which wouldve been funny.
it wouldnt even had to have been a fuck you to people who like firesky romantically, because nathans plans couldve fallen through (by for example having the guy have been an antagonistic force in some way, perhaps interested in getting close to a hero after theyve been shelved just for the gossip, like an evil reporter, to make a point about media) and they couldve included a buddy hero scene afterwards where nathan remarks how keith would not do that.
because its true, keith would not do that, and it wouldve given people something fun to elaborate on?..
instead of remarkable improvements for nathans character besides the passive “no more creepy things”, we also get that scene at the end of the skyfire episode where subarus quip comes across as somehow homophobic to me, and i genuinely dont know what im supposed to feel about it. if youre wiser, then please enlighten me.
at this point i realized that talking about each character individually might kill me, because i have so many opinions, and maybe i should focus on buddy hero pairs a little better since thats how they were given to us in s2.
i also probably have more opinions on keith and nathan than the rest because keith is one of my favourite characters and i do really like nathan too, im just frequently haunted by the narratives past crimes against nathan and the currently occurring crimes as well, lol.
talking of subaru, his buddy partner thomas, and his sister ruby, why didnt they do something with thomas and the fact that nathan has been mentioned to have a little sister she cares a lot about? that couldve tied into the plotline?
i was very surprised ruby had no particular role and felt very separate from the rest of the narrative, and how nobody except subaru seemed to notice thomas wasnt present?
subaru begrudgingly (because hes 17 and wants to be independent) asking nathan or the firesky duo for advice because kotetsu saw he was acting weird and pulled him aside to talk about it and directed him to nathan on the subject matter couldve been a fun addition.
it couldve again showed that kotetsus strength is more than just some imaginary scenario where hes the smartest and strongest with all of the answers, because its not true. kotetsu couldve put himself down about it like oh bunny, i couldnt do anything, see! its those two giving advice again!
but barnaby wouldve correctly assessed that its only because of kotetsu subaru is doing this, and without kotetsu meddling, nathan or keith wouldnt have noticed to help subaru either.
mr. thomas overall had an alright arc. ruby was introduced, but much wasnt done with her. i sincerely thought she wouldve been adopted by ouroboros after everything that happened in cour1 and the mentions of orphans.
this drives me up the wall, because yet again, they had an obvious route to question heroism and villainy, and who is a victim of their circumstances and what acts exactly are evil.
kotetsu and barnaby wouldve had a lot of sympathy for ruby just because of their own backstories and personalities, and nobody else wouldve been unsympathetic either?
ruby is reduced to “little sister who loves and supports thomas”, and thats all: she barely has any real agency, even if it was her who sought thomas out. her personality is “gentle and understanding”. she continues the theme of being a woman in the show being reduced to narrative vessels to make the guys of the show do or feel something...
i also talked about them a bit earlier, so i dont have much else to say.
but one huge unresolved plot thread is their entire company? why did they even introduce the owner and manager of jungle when they werent relevant? and why did they seemingly sabotage subaru in cour1 by having his PDA not go off when heroes were called?
i thought it was significant? i thought jungle was sabotaging him?.. nothing came out of that?!
origami rock kinda won... they had a lot of good scenes. antonio was clearly beloved by the narrative. ive also spent two days writing this post so im kinda sick of writing it and this is one of the last parts im bothering to comment about so itll be kinda short, but...
like i mentioned earlier, alcoholism was kind of painted as something evil people do and antonios drinking problem was kind of bypassed entirely, when i feel like its a major thing for him? in the KOW the rising schedule, he really goes hard in on drowning his sadness and loneliness in alcohol.
it was also made into a joke moreso, with antonio and ivan apparently having gone drinking together?.. i feel like a more healthy direction for antonio wouldve been them focusing on things ivan wants to do... like, ivan went out drinking? seriously?
i guess that does feel like a major step for him in the sense that hes less shy and far less mortified by knowing he did silly thinks while drunk which is good for him to be less self-conscious... but its also like... i dont know, just weird me out that antonio would introduce ivan to that part of his life, which i felt was just his loneliness coping mechanism.
last but not least, kid cat... they really got the short end of the stick. they even lived in a dorm together and nothing ever really came out of that? it felt like a waste. i already talked about them a little bit.
paolin didnt really get a separate arc but she did really shine in cour1 at least, and maybe its just me but the whole situation around laras mom and kid cat being shoved into it soured their entire thing for me, especially the part of paolin comparing laras mom to her own mom, again... oof. that shit hurted.
i disliked that paolin was pushed into somehow vaguely motherly/caretaker-esque role with lara with her even looking up those damn parenting books and her fun energetic and somewhat goofy personality wasnt so well preserved. i wish a girl character was allowed to be goofy while still having serious and cool moments: they could do this with subaru but not paolin.
i already talked about karina earlier, but again, even if its actually incharacter and natural for karina to be be “the responsible one” in her dynamic with ryan which i do enjoy, i cant help but notice the narrative forcing all girl characters into that sort of role... i would include nathan (haver of gender) in this, because i feel like being goofy on the occasion is very central to her as well, but hmm.
its not even that i dislike karinas and nathans dynamic with their buddy hero partners, its just unfortunate that all girlies had to do similar things, because i cant ignore it... t&b2 really goofed with that.
it disappoints me personally that even if i dont understand how it wouldve made any sense wrt the narrative, i wish paolin had allowed to show her gender non-comformity somehow?.. i probably had my hopes up after hearing about them essentially saying they want to add a bit of representation into t&b2.
but i suppose that mainly meant ruby mentioning she has two dads and the girl with an ex-girlfriend.
all of the girlies got sidelined, which ive already talked about...
i feel like karina got the most major arc which does make sense because shes more of a main character than the rest, but it was also taken a little bit too seriously in my opinion, i wish the characters clearly treated it as karina being a teen who has a crush on some old guy because teens do that.
it was also kind of like a waste for me... i didnt need so many scenes about it personally. shouldve made karina do things for herself.
i have to admit that for a moment i genuinely thought that karina talking to that fake rampaging girl about her unrequited love for an ex-gf was going to awaken some feelings in karina, lmfao.
another thing about mr.legend i didnt manage to fit anywhere is that we still dont know his name? hes just mr.legend, even yuri doesnt say his name. it makes sense, but narratively, this ensures that mr.legend remains the stuff of myths. it feels like this is what they wanted, but it sucks!
to give him a name behind the hero gimmick wouldve brought him down from his status to that of a normal human. ive always been certain that petrov is yuris mothers maiden name as well, so dropping mr.legends name wouldnt have immediately implicated “yuri petrov” of anything.
nobody even knows he had a family! it feels like maverick scrubbed all of that clean, just in case.
as for mattia, i think his character has worth but is used wastefully: not only is he the one to develop the drug that drives much of the plotline, he gives us more insight to the worldbuilding of t&b and normal peoples opinions on NEXT powers. he doesnt hate the NEXT, but if he could choose, he would have NEXT powers himself.
this sets him apart from other similar characters like ben or saito, who are both normal people at the periphery of the heroes without NEXT powers who have been portrayed heroically in the past, since he explicitly wishes he could attain a sliver of the heroism he sees barnaby have, and he thinks he needs a NEXT power to be able to do so.
this couldve been, yet again, used to reinforce the theme that heroism is so much more than just having a powerful NEXT power. mattia couldve also been used more intelligently, and while connecting him to barnaby is nice to give him a new friend, some of his functions couldve been covered by kotetsu or some other members of the hero ensemble.
it couldve worked better if, for example, the hero ensemble had more strongly reacted to suspecting mattia to have ratted them out. i already said that i think ryan wouldve been more than annoyed about it, but the moment couldve been used to showcase various characters and their reactions to it!
i think the moment couldve been drawn out instead of being immediately resolved, maybe even included something about how mattia needs to prove himself to not to be a spy for ouroboros, not because i think its reasonable, but it couldve meant something to have our heroes be utterly wrong about someone!
i come back to this again and again, but it couldve been used as a point that the heroes arent necessarily right just because theyre heroes, and that mattia couldve worked with saito and proven himself to act more “heroically” (alongside saito!) than how the heroes treated him.
and, unfortunately, the narrative itself undermines mattia because of auroras existence.
she introduces a huge plot hole for me. mattia has worked hard to try to develop a NEXT drug, and has actually gotten results, its just that he hasnt gotten the specific result he wanted: why doesnt he just mail that drugs composition to aurora and have her complete it, since her unclear NEXT power seems to have no limits and gives her a vast intellect without even trying?
in fact, when theres any sort of problem, why dont we ask aurora about it? if shes so important, why havent we ever heard of her before? her inclusion didnt feel natural at all.
i really hated aurora, because her character felt so cheap and gimmicky in every possible way. sure, she was foreshadowed in cour1, but since she obviously didnt exist in s1, it felt incredibly stupid that there conveniently is one single person ouroboros has to assassinate to ruin all relations between people who have NEXT powers and those who dont...
her power makes no sense: if shes so fucking smart and has been Thinking of ways to better the world for literally decades, then why capitalism all over the world?
i do think its realistic to expect she cant force the world to become an utopia, but the way shes introduced and dealt with doesnt really give me a well-nuanced view of her. she looks to the side and saves some lizard species form extinction with an idea.
i think her character couldve been interesting if they had used the whole season to set her up and i guess made the themes of the season somehow align with her and “not being able to fix the world alone no matter how smart you are etc” and included her as the brain and LL audun as the brawns and how neither of them could ever fix the world alone according to their opinions, and only in their bonds can our heroes find the most of their strengths, including connections with other people like how kotetsu could chat with a child in s1 to ease him down from his rampage at the ice rink etc.
buuuut i feel like that couldve been the plotline for some other season altogether. now that we know LL audun, he could get him back later and see how hes doing, etc... in the case he was given more nuance or something and not just sent back to jail, i mean.
theres also the moment where aurora opened her eyes and i guess i was supposed to feel it was significant but i genuinely didnt care. like okay. yeah i noticed that. no i dont care that the day was saved and “she felt comfortable closing her eyes again”.
was that purposeful?.. the implication that shes closing her eyes from the world?.. and she only opened them when she realized she personally was in danger?..
that was so wild to me, i still dont know what the purpose behind that was, but that certainly was how the overall arc felt about yuri. eyes closed, who cares if some guy suffers for no reason.
rosicky was interesting to me, and it was a waste she got shot before she could have any sort of discussion?.. she just felt like a cheap trick to get yuris body fucked up. it couldve been an interesting moment overall, but, well...
not like were going to get anything about yuri reacting to how all of that went down? so it was just... weird.
and then rosicky died and gregory "won” their little squabble, and i wish gregory had fucking exploded because lunatics been making some points and i fucking hate him...
also just to return to the ouroboros ties of the season, they made ouroboros so all-powerful it was stupid and lost a lot of meaning to me. like alright, they can do anything, why are we even fighting, and why is rosicky alone in charge of this operation... makes no fucking sense, its such a forced situation.
the ending of cour2 was... well, it existed. i mean, i dont personally mind kotetsu retiring for good overmuch i suppose, but i think with everything that happened (especially in the way i think things should have happened) he couldve just continued as proof that even people without NEXT powers can be superheroes...
and also as a some sort of proof that it was mr.legends refusal to change any part of his hero image that really did him in: kotetsu could cling to his heroism while accepting hes just a guy without powers and not make it such an issue.
and i suppose if he retires, i wouldve loved to see him take some sort of director-like role instead: i dont think he would be able to let hero stuff go completely, but him being a senior you ask for advice would still give him a lot of things to do.
right now its also a bit of my fear, if they have any thoughts of continuing tiger&bunny in any way ever and yuri had to die so that kotetsu could take over the spot he ended up occupying as a director...:( genuinely makes me make a sad face in real life.
by the point we got to the end they had already fucked up the entire premise and any message they wouldve hoped to send and if they had some sort of uplifting message after yuris death, i failed to understand it. but it felt like a giant fuck you to the fans of the show called “tiger&bunny” to get that last bit of tiger&bunny pair disbanding because of reasons.
i mean, theyre not even remotely my favourite characters and i dont think about them overmuch, but leaving it more open-ended wouldve been so much more fun for so many fans? they really fucked up the shows undercurrent of interrogating who can be a hero and why in the first place, but like...
yeah that shit sucked ass sorry. i dont even have anything to add. people who showed up to see more kotetsu and barnaby content getting that half-hearted discussion about where theyre gonna go from here and then showing their plaque in the “true heroes” hall...
i feel like it undercuts kotetsus character so much, because hes always been the “underdog”, and hes pulled through everything that came before this. they explicitly mention that hes been working really hard to supplement his waning power, and then leave it at that: if i was supposed to understand from that part that kotetsu isnt really retiring or anything, it didnt really come across due to the other circumstances.
and again, i dont even really care about kotetsu! its just that he really exemplifies the tone of the show as a fact, and i like to think i have a modicum of media literacy. and by undermining the uplifting message of the show, they directly undermined him, and by undermining him, they further muddied the spirit of t&b.
i feel like an ending i wouldve killed for is one that couldve included that sort of tour of a museum, but it wouldve showed mr.legend paraphernalia being moved away from “true heroes” and also included our protags being inducted in there if they so wished, but leaving it more open ended... and definitely proving that mr.legend was not worthy of being thought of as a hero.
it was weird that the second league isnt brought up at all during the entire season from what i can remember? i dont even have anything significant to say about it, but i think second league heroes are and have been important, just by existing, to the narrative asking the viewer who really is a true hero and who insnt and what it all means.
they just didnt care, just like they didnt care about that question and yuri. again, they fully ignored anything they had set up before, and kept introducing new characters when old side characters couldve been brought back.
i have some thoughts on the police chief being a younger version of the police chief from double decker... im unsure if the implication is that double decker is more than a spiritual sequel and its not just cameo, or if its something more.
mattia did off-handedly mention that hes developing now trying to develop a drug that takes NEXT powers away if i read and understood it right, which would, i guess, make a canonical disappearance of NEXT powers possible.
i have actually never seen double decker myself, but i understand it references tiger&bunny while being separate and clearly “in the future” from it, and as far as i understand, it doesnt have people with superpowers.
i personally think that imagining double deckers world as a canonical sequel to the world of tiger&bunny sucks, but i dunno what the real implication there is.
i also want to talk about the art direction of t&b2 since im airing out my opinions and complaints, so why not: the art direction kinda sucks. everyone has been smoothed and thinned down and the essence of t&bs charming style has been lost in some ways.
you can really see the jump between older art and the newer art with ryan, for example... ill talk about ryan now because this is my post and i love this guy.
he is downright ugly in some parts of the rising, and i love calling him ugly, but in a serious way, yes, i think hes explicitly supposed to be handsome (because what else does he have going on for him even except being loud and looking good lol).
hes just a different kind of attractive than barnaby who is pretty, and theres various scenes in the rising where you can see that barnaby has more of a button nose while ryan has a sharp, short nose, unlike yuri for example, who just has a large nose overall (and its his charm point!).
ryans most notable quality is that his eyes are drawn to look hooded and deep-set with straight eyebrows that make his strong brow even more prominent, and he usually has a very distinct wrinkle across his forehead.
and what does he look like in t&b2? certainly nothing like that.
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i know that the rising has a much larger budget for the designs than the episodic show, and either way they wouldve had to simplify ryans design to translate it into the episodic format. and we all know the goofy parts of season1 they fixed in the bluray release...
that never was a huge problem, and i wouldnt mind it. yes, i guess ryan couldve been changed for marketing, but he looked like that through-out the entire movie and was hugely popular regardless and BECAUSE of how he looks. but its not just ryan, its that the art direction changed drastically, and it made all the characters look so much more generic and samey.
just after the scene i screencapped above, you can see barnaby and ryan from further away with less detail for a scene that passes by quicker, and you can see that less care was used to make them look good but they still were kept distinctive and different. (and sorry to barnaby, i caught him in in the middle of a movement, so he looks extra goofy.)
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t&b2 doesnt even have a lot of scenes that i can remember that really let the chracters emote and make goofy faces: kotetsu has always been hugely expressive! i want to see him make a funny face! kotetsu is also the main character, and part of his thing is being an Old Man (even if he isnt even that old for real, but thats beside the point).
he has wrinkles around his eyes in that shot even if its not hugely detailed, and in contrast i feel he was very smooth in t&b2. the art direction felt as aimless as the bullshit plotline, and equally as uncaring towards established characters!
everyone was drawn very samey. another example to me is the scene in cour1 where thomas inspects keiths pectorals is just sad, because hes been thinned down like everyone else. what was there to inspect? absolutely nothing.
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this screencap from s1 has more to inspect than the scene where keith is supposed to be noticeably buff. by the way, this entire scene with the girlies and keith has more personality and goofiness than most of cour2.
and heres a screencap of keith from that episode, where his face shape and features are distinct.
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ts been a decade and i know that anime production has gone through changes in this time and netflix-style mass drop of episodes may be harder on people in general, but comparing my s2 screencap below to the screencap above just makes me miss the old style because im scared to but s2 keith next to the one above... his eyebrows were so sadly thin and so were his face and body.
you know, lunatic doesnt even have a distinctly large nose, and his eyes arent even particularly sunken and he doesnt have many wrinkles around his eyes like i think is charming for him, because everyone is just smoothed down... and the above screencap isnt even a good example of it, but the charming thickening of lines at some parts is entirely missing in t&b2 from what i can remember? i feel like the linework used to be stronger and more interesting overall.
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anyhow, yes, t&b was also fixed up for the bluray release but i feel like the atrocious-looking parts are kind of funny to look back on. i wonder if theyll be editing s2 visually? (and please revise the entire storyline for yuri too, thanks.)
speaking of s1, where did this entire sentiment disappear to? into the ether?
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also, i cant help but be plagued by thoughts because the episode i got those keith screencaps from, kotetsu & barnaby are interviewed by kids who are taking the reporting very seriously, and their reaction to kotetsu saying the person he looks up to is mr.legend is lukewarm at best.
then barnaby talks of his parents and robotics, and they light up, which is funny because barnaby is way more popular, but it also narratively, in my opinion, shows that especially the new generation of sternbild thinks mr.legend isnt that impressive and would be more willing to accept that despite the myths around him, he was a man who severely sucked.
theyre ready for new heroes to commemorate, ones that really deserve it, and they (even in cour1!) dont see lunatic as a villain but an antihero who protects them.
oh well.
thanks for reading, even if you didnt read all of it and just read interesting parts or skimmed through it! i guess writing this was like free therapy for me because i need to deal with how deeply yuris cour2 canon arc affected me lmfao.
i dont think ive ever been so blindsided and taken aback by the total surprise i felt at the direction his arc took and that definitely factored into how deeply it fucked me up because if i couldve anticipated that yuri could for example die, i wouldve been a lot more normal about it.
but out of all things, i cant believe that tiger&bunny would do that to me, and make me see all of that pain... genuinely fucked up not going to lie. fugan and mugan and their father being shot to death is one thing because its shocking of course, but yuri has been in the show since the start.
yuri has existed in the minds of people for over a decade, now, so it feels so unexpected they would so callously kill him off, it feels entirely uncharacteristic, and i feel like its not something that anyone couldve expected, and maybe it wouldve been less shocking if season2 had come out like, say, an another year after the rising...
but still, i dont understand how we make the jump from yuris portrayal and the overall themes of the rising into t&b2 and his role in cour2. its wild, i dont know how to get over it.
breathing through gritted teeth how i published a few fanfics with yuri in a huge hurry before cour2 dropped because i wanted to have them started in case some major yuri details drop and ill feel compelled the rewrite the yuri parts of them but huh... well.... cry laugh
i love imagining scenarios with my favourite characters, but i tend to include yuri in the core ensemble cast of heroes: trying to imagine any post-canon shenanigans feels so hard right now like watching a VHS reel that ran to the end and has to be rewound, and actually makes me incredibly sad.
theres that new audiodrama coming out with ryan featured in it and i cant even be excited because i just get sick, like physically... i guess imagining myself casually engaging with tiger&bunny content makes me feel like im spitting on yuris nonexistent grave. woe is me. fuck you tiger&bunny2 cour2. TL;DR - my opinions, this entire post condensed somehow:
the whole arc for yuri felt like a giant fuck you not only to him and all of the fans too, and same with the ending kinda
ryan was brought back for a fun cameo only because he never became plot-relevant really so what was the point lol? screentime waste
plot points set up in cour1 and further before were ignored and scenes were specifically used to counteract them?!
big misogyny moment for all woman characters of the show
hero ensemble overall was underutilized
new characters/excessive focus on side characters like the fucking mayor and the police chief in cour2 felt gimmicky and unnecessary and generally didnt add much worth. i dont care show me my funny heroes instead
they tried to do too many things and lost sight of why t&b has been so great and why the idea of a more self-conscious t&b is so exciting: of course the show has had a lot of flaws, like nathans initial portrayal, and to imagine a show that has the same spirit but improves on those flaws is amazing. its just not even remotely what we got</3
never expected a flawless show but there are flaws that you can headcanon away and there are flaws that undermine the entire theme of the show this far. i dont know how to make s2 any better after seeing cour2 without totally ignoring any of it happened
cour1 wasnt even bad. it was solid. shit just hit the fan in cour2
the art direction was a huge downgrade, but maybe it was just budget constraints, so i dont know how harsh i want to be about it.
leave a comment if you want, lo, i love to talk, its relaxing. i also mightve mixed shit up so dont embarrass me too much if you notice any overt mixups since i really did marathon the cour once and i dont know how i can bear to look at it again. i also have some confusion over some parts of the story which i detailed above in my manifesto so if you wanna educate me, please do, lmfao...peace out...
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