#african artis

[natureisthegreatestartist]

What's this? A male rock agama, nicknamed the Spider-Man lizard.

[johnnyslittleanimalblog]

African lion Artis ED8A1156 by safi kok

[browsethestacks]

My Love #023

"--But He's the Boy I Love!"

Script: Stan Lee

Pencils: Gene Colan

Inks: John Romita

Colors: ?

Letters: Artie Simek

Marvel (May1973)

[zootoo]

Dembe by Nick Dijkstra

[hsmagazine254]

Habanero Marmalade Chicken by Chef Eric Njue Mithamo, H&S Chef Of The Month

H&S Chef Of The Month Chef Eric Njue Mithamo Nationality: Kenyan Interview With H&S Magazine Who Is Eric Njue Mithamo? My name is Chef Eric, but many people know me more as Chef Makoti. I’m a proud husband and father of two. I’m a simple guy who finds satisfaction in making good food and, most importantly, enjoying the experience of eating.   Type Of Cuisine? I’m a lover of meat and all things…

[nature-nerd-sarah]

I went to the Amsterdam zoo with my parents and sibling yesterday.

[afrotumble]

At only eighteen, she recorded her first record as part of a studio group led by Benny Goodman. Her career quickly grew as she recorded songs with Teddy Wilson and began a long partnership with Lester Young, who gave her the nickname "Lady Day." In 1938, she was invited to headline an orchestra by Artie Shaw. Holiday became the first African American woman to work with an all-white band. One of her most famous songs, “Strange Fruit” was based on a horrific and detailed account of a lynching in the South. Many scholars now consider it one of the first protest songs of the Civil Rights Movement.

[diceriadelluntore]

Storia Di Musica #353 - Jorge Ben, A Tábua De Esmeralda, 1974

Tutti noi conosciamo una canzone di Jorge Ben, straordinario musicista e cantante brasiliano, anche conoscendo per niente l'artista. Perchè è autore di una delle canzoni più famose di tutti i tempi, e simbolo della musica brasiliana: Mas Que Nada! (1964 dal disco Samba Esquema Novo) portata al successo da Sergio Mendes e i Brazil '66 e poi divenuta uno standard jazz, una canzone dalle centinaia di cover, una sorta di cartolina musicale della musica brasiliana. Ma Jorge Ben (che fino al 1989 userà questo nome d'arte, ma poi lo cambierà Jorge Ben Jor, scritto anche BenJor, per frenare l'incidente legale che attribuisce parte dei suoi diritti editoriali al cantante e chitarrista statunitense George Benson) è uno dei grandi autori di musica carioca, e uno dei pochi non "bossanovisti" a travalicare gli argini internazionali con dischi importantissimi.

Bravissimo chitarrista, dalla fine degli anni '60, quando ottiene altro successo importante con il disco Jorge Ben, che contiene altre due canzoni famose come País Tropical e Charles, Anjo 45, inizia un percorso sperimentale musicale che lo porterà nel decennio successivo a scardinare le strutture classiche della musica sudamericana, intrecciando le influenze delle musiche occidentali come il soul, il funk, ma anche ribaltando completamente la traiettoria, rifacendosi alla radici africane della musica brasiliana. Questa ricerca si traduce in tre dischi, eccezionali, che pubblica tra il 1974 e il 1976: sono A Tabua De Esmeralda, la scelta di oggi, Solta O Pavão del 1975 e África Brasil del 1976. Non hanno il successo commerciale dei precedenti, ma sono unanimemente considerati tre capolavori.

A Tabua De Esmeralda deve il suo titolo all'interesse di Jorge Ben per la teosofia, il misticismo e le arti magiche alchemiche: in copertina c'è una riproduzione della tabula smaragdina di Nicholas Flamel, grande alchimista e massimo studioso del XV secolo della pietra filosofale: la tavola smeraldina è un testo sapienziale che la leggenda vuole opera di Ermete Trismegisto (la fortuna della tavola smeraldina e del suo potere magico ha avuto ultimamente una rinascita con la serie Netflix Dark, che prende spunto dal testo). Musicalmente il disco, dominato dalla sua chitarra gioiosa e variabile (sarà l'ultimo disco dove la suona, prima di trovare difficile le registrazioni dello strumento rispetto alle sue aspettative sonore) ebbe un'enorme influenza sui musicisti brasiliani dell'epoca e contribuì in larga misura ad accendere l'esplosione creativa che ebbe luogo nelle scene samba rock e samba soul brasiliane durante gli anni '70. Il sound di questo particolare album è molto semplice, dominato dalla atmosfere acustiche, con le canzoni guidate dalla caratteristica chitarra acustica di Ben suonata insieme a un basso e percussioni, in una sorta di brazilian folk, anche per gli innesti che Ben mette nelle canzoni: cori, arrangiamenti di archi e un contrabbasso che rendono le melodie magnificamente realizzate, fluide, vibranti e con quel tocco magico che sia la lingua che la stessa atmosfera danno alle composizioni. Tra le tracce, quella apertura è l'allegra e bellissima Os Alquimistas Estão Chegando, con i suoi divertenti testi sugli alchimisti. Altri momenti particolarmente belli sono Errare Humanum Est, a tema spaziale, Zumbi, con i suoi testi ispirati all'Africa e che anticipano il lavoro profondo ed essenziale che farà con Africa Brasil, Cinco Minutos e Magnolia. C'è spazio per le canzoni d'amore come Eu Vou Torcer e Minha Teimosia, Uma Arma Pra Te Conquistar. Brother è cantata in inglese ed è uno spiritual carioca, O Homem Da Gravata Florida è un brano diverstissement che parla di un uomo dalla bellissima cravatta, in pieno stile realismo magico. Molti critici hanno notato che in realtà alcune canzoni sono riferimenti simbolici a personaggi storici: l'uomo della cravatta potrebbe essere Paracelso, O Namorado Da Viúva, l'innamorato di una vedova, è lo stesso Flamel.

Ben è stato una grande fonte di ispirazione, anche a volte "incosapevole": una sua canzone Taj Mahal, che riprenderà nel fenomenale Africa Brasil, fu la base per quella canzone di grande successo che fu Da Ya Think I'm Sexy? di Rod Steward nel 1979: portato in tribunale il cantante scozzese, Ben vinse la causa sui diritti e donò il ricavato dei diritti del singolo all'UNICEF. Ben scrive e suona ancora adesso, portando sul palco l'energia magica e indimenticabile della sua musica e del suo paese.

[siryouarebeingmocked]

Someone recently claimed that the new Davies era of doctor who has no more wokism* than the show used to.

Now, maybe I've just changed in the past few decades, but from what I've heard of the 60th anniversary specials it does seem a tad more concentrated. Cherry-picking SPOILERS, sweeties.

- Donna got married offscreen. To what I can only assume is the last black cab driver in London.

- Her kid is trans. Specifically, non-binary, female presenting, says the wiki.** - In the next episode, we learn the Doctor is gay/bi when he thinks Sir Isaac Newton is hot. I'd smugly say this bit has no real relevance, but...the actual scene does carry the episode theme of accidentally changing reality. It's just the queer bit that seems tacked on. Though it does carry forward themes from 10s era. - Sir Zack himself is played by a half-Indian actor. It's not exactly hard to tell. I'm assuming they're running on Bridgerton logic. https://twitter.com/frozenaesthetic/status/1731332492282429950 - This episode is basically just Donna and the Doc exploring a weird location, and running into monsters, who happen to look like them. It would be a bottle episode, except for the large vfx budget. And yet ol' Rusty somehow managed to awkwardly wedge in an  progressive issue. - In the next episode, the villain explains how he's just exploiting the divisions that already exist in human society, including cancel culture. - no wait he's got a point. Jpg - This is ironic, given that Davies and/or his broadcasting house masters are pretty blatantly on the team that a) coined the word,  b) cancels people the most often, and c) defends the idea of Internet lynch mobs*** (***as long as they're left wing. If not, they're *ist "trolls", even if they're just complaining about the latest sacred cow.) Maybe the Davies was criticizing his own team. * Because the Toymaker was kind of racist back in the day (white dude dressed like a stereotypical Chinese dude), Davies made the new version a bit racist "as a callback to his original, problematic depiction back in 1966." - TVtropes, ref. DW Unleashed. On the other hand, the Toymaker also mocks and dresses as several other cultural archetypes. All the ones I've seen were white European ones. He just does this to everyone, apparently. - Toymaker also weaponizes the Spice Girls hit "Spice Up Your Life". No, I will not explain. Though I will note that a line about the "Yellow man in Timbuktu" was apparently drowned out in the episode. Probably for being a tad spicy. - One new UNIT character is a lady in a wheelchair. When the new Tardis - no, I will not explain - has a wheelchair ramp, she happily points it out. Which makes me wonder why the blue box would be so limited, considering it often deals with alien species. - Also, the same actress played a disabled Companion in the Big Finish audio dramas. I'm not sure why it was considered essential to do so in an entirely audio format, but there have been controversies over this sort of thing before (EG Artie on Glee, various racial voice acting controversies). - At this point, casting Ncuti Gatwa as 15 doesn't even register. Not really a blip on my radar. Black Doc? Whatevs. His sonic screwdriver has Rwandan words on it? So? I go to church with lots of Africans. Heck, I'm a black immigrant to ol' Blighty myself, just from the other side of the pond. Ncuti is, chronologically speaking, more British than I am. - Though given that he's Rwandan-Scottish, there may be some debate on the "British" part. - Wikipedia says the actor is pretty left-wing, but the actor seems good so far, so I'm willing to give him a sha-

Oh, come ON!

Maybe the original person speaking was comparing it to the Chibnall “history has always been a whitewash” era, which had a character who was a paper thin Trump satire. A tad ironic, when the whole point of bringing Davies, Tennant, and Tate back is to play on nostalgia.

*Tangent: that word was apparently voted  the most annoying words in English. Which is kind of hilarious if you know that it was originally created to self-describe certain progressives. And the "you can't even define that word!" meme was almost certainly ripped off from the right wing "what is a woman?" Meme. ** This is apparently because she's part Time Lord, through Donna. It seems a tad interesting to me that a few works featuring non binary characters happen to make them enby due to some sort of supernatural (Omniscient Reader) or sci-fi (SW Squadrons) influence which the vast majority of IRL enbies don't have. ...As far as I know.

[juhnkit]

Adult Movie Posters Resurrection of Eve (1973) Eve and her lover Frank, a disc jockey, live in the San Francisco Bay Area. They have a fight triggered by Frank's jealous nature. Frank is dismayed that Eve has gone to a boxing match featuring African American pugilist Johnnie Keyes. Jon Fontana - Artie Mitchell - Nancy Weich - Mimi Morgan - Marilyn Chambers - Johnnie Keyes

[greybitch]

At only eighteen, she recorded her first record as part of a studio group led by Benny Goodman. Her career quickly grew as she recorded songs with Teddy Wilson and began a long partnership with Lester Young, who gave her the nickname "Lady Day." In 1938, she was invited to headline an orchestra by Artie Shaw. Holiday became the first African American woman to work with an all-white band. One of her most famous songs, “Strange Fruit” was based on a horrific and detailed account of a lynching in the South. Many scholars now consider it one of the first protest songs of the Civil Rights Movement.

[abwwia]

Artis Lane (born Artis Shreve, in 1927) is a Black Canadian sculptor and painter. Her bronze bust of Sojourner Truth is on display in Emancipation Hall at the Capitol Visitor Center in Washington, D.C. It was unveiled in 2009, and was the first statue in the Capitol to represent an African-American woman. Lane's sculpture of Rosa Parks is on display in the Oval Office. via Wikipedia, photo: Lane at the unveiling of her bust of Sojourner Truth at the U.S. Capitol

Bust of Sojourner Truth (2009)

[johnnyslittleanimalblog]

African lion Artis ED8A1904 by safi kok

[lboogie1906]

William Ellisworth Artis (February 2, 1914 – April 3, 1977) was an African-American sculptor, whose favorite medium was clay. The freedom of modeling gave him a broad range of expression. During the latter part of his life, he began to focus on potting. He was a pupil of Augusta Savage and exhibited with the Harmon Foundation. He was featured in the 1930s film A Study of Negro Artists, along with Savage and other artists associated with the Harlem Renaissance, including Richmond Barthé, James Latimer Allen, Palmer Hayden, Aaron Douglas, Lois Mailou Jones, and Georgette Seabrooke. He taught at the Harlem YMCA after finishing high school, then was involved with Works Progress Administration's artist project. He served in the Army during WWII. He earned his academic degrees. He studied at the Art Students League of NY and Syracuse University. After leaving Syracuse, he taught at Pine Ridge Indian Reservation in SD. He, with fellow artists Romare Bearden and Selma Burke, were together in the landmark Albany Institute of History and Art exhibit and over the next decade found the black artist making inroads in national exhibits and major galleries. He joined the faculty of Nebraska State Teachers College. He taught at Chadron State College, where he was a Professor of Ceramics, and at Mankato State College, as a Professor of Art. #africanhistory365 #africanexcellence https://www.instagram.com/p/CoKUW6GLsZ9/?igshid=NGJjMDIxMWI=

[hsmagazine254]

Banana Muffins by Chef Eric Njue Mithamo, H&S Chef Of The Month

H&S Chef Of The Month Chef Eric Njue Mithamo Nationality: Kenyan Interview With H&S Magazine Who Is Eric Njue Mithamo? My name is Chef Eric, but many people know me more as Chef Makoti. I’m a proud husband and father of two. I’m a simple guy who finds satisfaction in making good food and, most importantly, enjoying the experience of eating.   Type Of Cuisine? I’m a lover of meat and all things…

[kudosmyhero]

Daredevil (vol. 1) #69: A Life on the Line

Read Date: November 01, 2022 Cover Date: October 1970 ● Writer: Roy Thomas ● Penciler: Gene Colan ● Inker: Syd Shores ● Colorist: {uncredited} ● Letterer: Artie Simek ● Editor: Stan Lee ●

Synopsis: While crashing in on a minor theft, the driver of the getaway truck crashes while trying to escape Daredevil, looking inside DD is shocked to find that the driver is a boy no older than 15. Running into the Black Panther, the two rush the boy to the hospital.

Black Panther explains that he was investigating the criminal activities of a local gang of African-American youths known as the Thunderbolts. The Thunderbolts, Panther explains have been recruiting members from the kids that he teaches in his civilian guise of Lucas Charles (during the conversation DD and Black Panther confirm each other's civilian identities). The group itself, is anti-establishment and is under the belief that the "white man" is the cause of their ills, and believes that violence and theft is the only way to get out from under the perception of oppression. (Tell it like it is!) DD also learns that the boy he saved (Lonnie) has an older brother Billy who has infiltrated the group.

Daredevil teams up with Black Panther to break up the group, and with the help of Billy, they break it up and turn them over to police. Billy then goes to check on his brother at the hospital and Daredevil and Black Panther decide to treat themselves to a Coke for a job well done.

(https://marvel.fandom.com/wiki/Daredevil_Vol_1_69)

Fan Art: Black Panther by agustinalessioart

Accompanying Podcast: ● Josh and Jamie Do Daredevil - episode 08