#aerophone

[dozydawn]

La Locura Tango Festival, 2019.

[antoncorazza]

"Scrimblo Type Beat"

Been a while y'all. This ain't nothing huge (the big stuff is coming soon). Some people told me this sounds like Klonoa. Some say it sounds like a classic JRPG village (in other words, where my brain lives). Played on Aerophone like usual. All of the lead sounds are in UVI Synth Anthology 2. Most of this song was composed in 2 hours, but I spent more than twice that amount of time after that EQing that first lead and I still don't love it but I'm calling it a day lol.

[goodguygadgets]

HONOR Philippines showcases the latest HONOR X7c; opens new store at SM J Mall in Cebu

The wait is over! The HONOR X7c arrived in Cebu during the First-Day Sale event at the HONOR Experience Store in SM J Mall on November 9, 2024! 🎉 HONOR fans joined the celebration as HONOR Philippines showcased the new All-Angle Water Resistant smartphone to the Cebuanos. #HONORX7c #AllAngleWaterResistant #HONORPH #GoodGuyGadgets #LetsTalkTech

The highly anticipated HONOR X7c has arrived in Cebu, officially debuting at the newly opened HONOR Experience Store at SM J Mall. This launch signifies HONOR Philippines’ commitment to bringing cutting-edge technology closer to Cebuanos, delivering an affordable, reliable smartphone designed to withstand the demands of daily life. Equipped with All-Angle Water-Resistant, and Drop-Resistant…

[themusicpilgrim]

Latin Percussion Udu Drum Mbwata (Model LP1400-MB)

@lpmusicofficial

https://lpmusic.com

#latinpercussion #ududrum #ududrums #udu #mbwata #latinpercussionududrummbwata #claydrum #claydrums #ceramicdrum #aerophone #idiophone #drumoftheigbopeopleofnigeria #percussion #madeinthailand #designedbyfrankgiorgini

[no-nic]

it's

🎼💗 forbidden 💗🎶

(on my dentist's orders)

[jstor]

So some of you knew that there were these musical instruments (aerophone-lip-vibrated horns, technically) called "serpents"? And what, you were just going to wait until we ran into them while whiling away time on the Metropolitan Museum of Art collection on JSTOR (which includes nearly half a million open access images for everyone, btw)?

We don't even care what they sound like, we love them.

[dustedmagazine]

Rempis / Adasiewicz / Abrams / Damon — Propulsion (Aerophonic)

The title of this recording is apt. Saxophonist Dave Rempis, vibraphonist Jason Adasiewicz, bassist Joshua Abrams, and drummer Tyler Damon sustain direction and momentum throughout its three lengthy tracks, which are excerpted from a concert that transpired on August 31, 2023 at Elastic Arts in Chicago. But it could just as easily be called Cusp, since it captures the precise moment when the quartet’s leader transitioned from one career phase characterized by intense community engagement to another that will focus upon articulating a mode of improvisational music-making that’s taken decades to develop.

Besides his dogged work as a musician and label proprietor, Rempis is an indefatigable organizer. He’s had a strong hand in the production end of the Hyde Park Jazz Festival and Pitchfork before that, and for 21 years he ran a weekly concert series presenting improvised music for the Elastic Arts Foundation. The latter affiliation came to an end the night that this music was played, when Rempis booked himself to play the final concert of his tenure with Elastic Arts. It fell on the same weekend as the Chicago Jazz Festival, which has often been an occasion when he would choose to play with one of his more enduring ensembles in some smaller venue after the main festival closes for the night. But this time he picked a new combo, albeit one with deep roots. Rempis, Adasiewicz, and Abrams are part of a cohort that came onto Chicago’s jazz scene in the 1990s, and they’ve been appearing on records together in varying combinations for nearly two decades. Damon and Rempis have been frequent collaborators since 2017, when their trio Kuzu (with Tashi Dorji) was first born on Elastic’s stage.

This web of associations is key to the character of the music on Propulsion. Everyone here understands what Rempis is after, and knows how to make it happen. The essence of his aesthetic is a convergence of the micro and macro. He’s committed to total improvisation. The music is made in the moment that is played, and the selection of personnel is his chief compositional decision. But that’s still very much a compositional act, since Rempis wants his improvisations to develop cohesive forms shaped by the imagination of every contributor. Even an unaccompanied passage, such as the incandescent, circular breathing-fueled four-minute line drawn by Rempis’ alto that opens “Egression,” is simply part of a larger, collectively conceived work. While his keening instrumental voice pushes forward, a calmer vibraphone melody wreathes it, and a seething maelstrom of bowed bass and Sisyphean drumming first fuels the progress and then resolves it as the music gently lands night quite fourteen minutes later.

Music like this doesn’t work unless all parties involved are tuned into each other from moment to moment. But it also requires musicians with sufficient recall where the music has recently been to make contributions that make sense as part of a larger developmental arc. While nothing quite matches the experience of being present when such music is being willed into existence, Propulsion comes close enough to deliver the feeling as well of the sound of committed co-creation.

Bill Meyer

[femmeterypolka]

i want a shruti boxxxxxx

[evil-bonched]

Sometimes I sit on the phone with my dad and we just google things. Peace and love on planet earth

[amarilla16]

[trendfag]

a little post class survey after my music exam and one of the questions was like “these instruments make sound by vibrating a column of air” and i was like…is that not just literally what sound is??

[juan-dreamsk8]

[goodguygadgets]

Aerophone celebrates 28th Anniversary with Exclusive Offers and Warehouse Sale in Cebu

🎉 Get ready for Aerophone's 28th Anniversary Warehouse Sale 2.0 in Cebu City! Enjoy up to 50% exclusive discounts and exciting giveaways! Don’t miss it! 🎈 #Aerophone #Great28thanniversary #UpgradeWithAerophone #GoodGuyGadgets #LetsTalkTech

Aerophone is thrilled to announce its 28th Anniversary with an exclusive Warehouse Sale 2.0, taking place on October 11-12, 2024. This two-day event promises unbelievable discounts, exciting giveaways, and fun experiences for tech enthusiasts in Cebu. Celebrate with Aerophone on its 28th Anniversary Warehouse Sale The Warehouse Sale offers exclusive discounts of up to 50% on popular gadgets and…

[themusicpilgrim]

Latin Percussion Udu Drum - Tambuta (Model LP1400-TM)

@lpmusicofficial

https://lpmusic.com

#latinpercussion #latinpercussionududrumtambuta #lpududrum #ududrum #ududrums #tambuta #claydrum #claydrums #drumoftheigbopeopleofnigeria #africanpercussion #percussion #idiophone #aerophone #designedbyfrankgiorgini

[no-nic]

when will they* text me about our date** ???

* the music shop

** trying out this baby

[foone]

The equivalent of the Dewey Decimal System for music instruments is the Hornbostel–Sachs system.

The Western concert flute is 421.121.12.

That's:

421.121.1 for Open side-blown flutes,

421.121 for (single) side-blown flutes,

421.12 for Side-blown flutes,

421.1 for flutes without ducts,

421 for edge-blown aerophones or flutes,

42 for non-free aerophones,

4 for aerophones.

Yeah it's a weird non-decimal concatenative system.