#adora rants

[dulcealuf]

A while ago, I finished my mandatory She-are and the Princesses of Power rewatch.

So, I decided to redraw one of my old Catradora pieces. These two mean the entire world to me 💕

[manic-sapphic]

can we pls appreciate tho that even glimmer - who knew catra as nothing more than an enemy she bonded w aboard prime's ship as each other's sole connection to etheria - was legit still horrified to leave her behind, alone w prime? like, realized catra was saving her to save adora but W/O ANY EXIT STRATEGY FOR HERSELF. like when glimmer materializes just outside Darla (mara's ship) and bow catches her. she's crying. girl is straight bawling. like tf tho lol

[unicornblossom13]

[Catadora & Megop Parallels]

At the start of Transformers One, I think Orion Pax was a bit more similar to Catra, as both were stuck in jobs they were unsatisfied with and wanted to do something more with their lives.

Meanwhile, Adora and D-16 were more serious minded and content with following the rules and work their way up in an environment that was unfair, and sometimes cruel, but was all they knew.

However, in the second half of the movie, when the truth is revealed, that’s when they switch roles.

Orion wanted to fix the corrupted system, trying to avoid using horrible and unnecessary methods if possible. Adora wanted to immediately stop the Horde once she realized what their true intentions were, joining the Rebellion to fix the damage they have done.

On the other hand, D-16 became more and more consumed with wanting revenge against the lies fed to him his entire life. Now, while Catra was well aware of the Horde’s true nature, she desperately wanted to prove her worth to those that constantly doubted her since she was a child.

So driven by their desires and goals, both D-16 and Catra were willing to remove the ones they believed stood in their way, Orion in his case and Adora in hers.

Both Orion and Adora gained an incredible power that allowed them to make a difference and to right the wrongs they had seen.

But it came at the cost of losing their best friend, someone they loved and trusted more than anyone.

Even though these differences in goals and ideals caused them to drift away, their is no denying both pairs are always drawn to each other. Whether friends or enemies, they influence one another’s decisions and actions.

The lingering feelings they have for one another adds to the conflict as they are torn between longing, betrayal, what is right and wrong, and what they desire.

[flytomy134340]

the most realistic part of She-Ra is that as soon as anyone saw Adora transform into an 8ft tall buff warrior princess with a sword, they instantly fell in love, everyone is gay what a great plot twist

[that-ari-blogger]

"Do you want to know a secret?" (The Portal)

I think that the rules of writing are overblown.

Don’t get me wrong, there are things you should and shouldn’t do when telling a story, but those are more guidelines than actual rules.

Case and point, She-Ra is a story predicated on repetition, which shouldn’t be as entertaining as it is. The “bad ending” is effectively another season, which is a unique premise, and a threat that the story absolutely delivers on multiple times.

But, to me at least, the story is enthralling, and keeps me coming back to it. It works, not despite its repetition, but because of it.

Although, that isn’t exactly true. I’ve described the story as cyclical before, but it isn’t entirely. It’s a spiral, because the cycle of abuse is an innately unstable dynamic, and will only end in tragedy if it isn’t broken.

If you don’t want to take my word for this, I give you the season 3 finale, The Portal, which spells out the series’ thesis in about as blunt of a way as is possible.

Let me explain.

SPOILERS AHEAD: (She-Ra and the Princesses of Power, Watchmen, Batman: The Killing Joke, Superman: For The Man Who Has Everything, Justice League Unlimited)

I grew up reading Alan Moore comics, and if you don’t know who that is, I both pity you and envy you. Alan Moore is one of the most misrepresented writers of the modern age, and its entirely his own fault.

Moore is known for writing V For Vendetta, The Killing Joke, and Watchmen, all of which have a distinctly grim tone. He is one of those writers who seems to care more about the story he is telling than how much people enjoy it, and so he usually has a point to make.

Unfortunately, we end up with the Cyber Punk dilemma, in which Alan Moore’s genuinely unrivalled literary talent leads to people really enjoying his stories, which means they unintentionally miss the actual themes of those stories. In the case of Watchmen, this led to people seeing the gore and the violence and the depression and trying to replicate that.

This is where we get The Boys from, shallow sadness and spectacle. If that’s your thing, go for it, but it isn’t mine.

But I bring up Moore in a discussion of She-Ra for a reason, and that is the relentless hope inherent in his writing. In Moore’s stories, hope prevails every single time, with the only exception being extremely subjective. The Killing Joke focuses on the idea that everyone is one bad day away from becoming evil, and that gets proven wrong. Watchmen is about how small humans are and how annihilation changes people, yet the characters are able to find joy and an escape from their trauma, and show kindness to each other even when the sky almost literally falls on their heads.

The Boys isn’t very good as an adaptation of Moore’s themes (In my opinion). If you want one that actually understands the source material, watch The Incredibles, or Justice League Unlimited, or She-Ra and the Princesses of Power.

I have praised She-Ra for its animation and pacing, as well as its overarching story, but I think its greatest strength is its humanity. Characters in She-Ra are incredibly fragile, psychologically, and yet they are incredibly resilient.

Catra and Adora’s development gets methodically and efficiently destroyed by Shadow Weaver, and yet Adora becomes a hero and Catra… well, we’ll see how that works out in later seasons.

One of my favourite Moore stories is a superman story from 1985 called For The Man Who Has Everything. This was adapted into an episode of Justice League Unlimited, but I prefer the comic.

The story follows Superman being forced to live out his greatest desire. It doesn’t sound that bad, but the point is that he is kept happy and therefore out of the picture while villains can do villain things. It’s very much a story from its time, and I love it.

Interestingly, however, Superman’s dream takes him back to Krypton, where he isn’t Superman, and he is happy. He has a wife, and a son, and he never lost anything. He can spend time with his parents.

Even with the shenanigans that ensue (because this is a comic), his time in this dream is fun, and relaxing. Until he works out he’s dreaming, and has to let it go. Superman gets the choice of happiness, or duty, and he takes duty.

The scene in which he says goodbye to his “son”, who does not exist and therefore does not matter, is heartbreaking, and if I ever do comic reviews, I’m talking about this one first.

I now turn your gaze to queen Angella, from whose perspective this story is being told.

The episode actually does a bit of a bait and switch with the point of view, convincing its audience that it is about either Glimmer or Bow, and it kind of is, but not entirely.

Angella has everything she could possibly want, her daughter, her husband, her city. There is no war, there is nothing. Everything is perfect.

“This is perfect, my love, but it’s not real. I remember now. I miss you so much, but Glimmer needs my help, and I can’t stay with nothing but memories. Goodbye Micah”

Does this ring any bells?

I want to point out that this is still Catra’s hallucination, the thing that she wants. So why does she want Angella and Glimmer to be happy?

Catra wants Adora, and arguably loves her, but in an extremely dysfunctional way that says "if I can't have her, nobody can". She is petty, and fully the villain in this episode.

So, the way that she gets Adora to be hers is by ensuring that the people who accepted her would have no space for her in their lives. Why would Glimmer want to spend time with Adora? She has her father. Why would Angella accept Adora? She has her family.

What Catra doesn’t understand is that love isn’t transactional, and that these people are genuinely kind and accepting.

There's the idea of "what you are in the dark." The concept of what a person does when there are no consequences. Characters in this episode keep getting moments like this, when they know that they are fading from existence, and are given moments to show their true colours. Entrapta chooses to be grateful, Bow chooses to be reassuring, and Glimmer chooses to be emotional.

The thing that breaks people out of Catra’s reality is the unexpected. Its Catra’s lack of understanding of people that leads to those people being themselves and instinctively breaking free.

Case and point, Angella and Glimmer help Adora, and because this world was completely unprepared for that minour act of kindness, it can’t keep them contained.

Now, I know what scene you are expecting me to talk about, so I’m going to make you wait, and talk about Catra instead.

Catra is the villain of this episode. If it wasn’t for this being set in her mind, she would have zero nuance. By which I mean, everything about her as a character here is done externally, the way she acts makes her seem like a generic, abusive partner.

Because let me be clear about Catra’s actions here. This is abuse, and it is treated as such by the story. The show doesn’t make apologies for her in this episode, or try to justify it here. Subtlety be damned here, Catra is abusive.

And so, I will read her this way, for this episode. We have seen the nuance leading up to this moment, and we will see a redemption arc. But this is Catra at her lowest, and so I will put aside the past and future to examine the present and the present only. Catra is abusive.

There are two ways you could read this drop in subtlety. One, there are parts of this character that you aren’t seeing, left blank. This episode is presenting you with a character and not showing you the whole thing. Or two, this is a character who has been broken by the story, almost as if parts of her have been removed or lost. Catra is now a fragment of her former self.

I wonder if any of this is reflected in her character design.

“If you hadn’t gotten captured, your sword wouldn’t have opened the portal. If you hadn’t gotten the sword and been the world’s worst She-Ra, none of this would have happened. Admit it Adora, the world would still be standing if you had never come through that portal in the first place.”

This hurts Adora because it’s true. Ok that’s unfair, and inaccurate, but it’s not entirely wrong, and that’s the kicker.

Catra isn’t making this up, she’s just leaving out important details. Because of course, if Adora hadn’t been captured, things would have worked out better, but who was it that captured her? Who was it that made the choice to pull the switch? Who was it that destroyed the world out of spite?

Catra blames Adora for her own actions, and that is, once again, abuse. Which is why it’s so satisfying when Adora stands up for herself.

“I didn’t make you pull the switch. I didn’t make you do anything. I didn’t break the world. But I am gonna fix it.”

Hope is relentless.

But I also want to point out the claiming of agency here. Catra was weirdly insightful at the start of her monologue.

“It's always the same with you, Adora. ‘I have to do this. Oh, we have to do that.’”

Adora’s word choice is a flaw. I looked back at the past few seasons and did a word search through the scripts. I don’t think Adora uses the word “want” more than once at all up to this point.

Essentially, Catra sees things, but extrapolates exactly the wrong message from it. It’s almost as if she’s only seeing half of the world, like her vision is impaired or incomplete somehow.

I wonder if that is reflected in her character design.

In any case, Adora frequently says that she “has to” do things. “Need” is also something she says a lot, and this has the effect of making her an extremely passive character in her own story.

Like I said, this is a moment of agency, but the entire story is a story about that agency. The characters are making choices to either get out of or go along with the downward spiral that the tragic form has set out for them. Catra made the choice to follow, but Adora didn’t. Adora’s word choice makes her look like she has made no choice, but a lack of action is still a decision.

So here, when Adora declares she is “gonna fix it", she takes her agency and decides to walk in a different direction.

This reminds me of an earlier episode, that being Promise.

Hey, look at that action. Looks familiar, right?

This is the only episode I found where Adora says she wants something, although her actual wording is “I never wanted to leave you” when talking to Catra. Go figure.

The moment in question was the episode’s namesake.

“It doesn't matter what they do to us, you know? You look out for me, and I look out for you. Nothing really bad can happen as long as we have each other.” “You promise?” “I promise.”

Agency. Adora is making a decision to stay with Catra and protect her. She is knowingly choosing to do something.

It’s telling that the two most prominent times Adora has done this have been to protect people. It’s almost as if she wants to be useful, or helpful, or protective. Almost as if she wants to be wanted. It would seem Adora is just as addicted to the highs of Shadow Weaver’s programming as Catra, she just has a better support group.

Although this isn’t a full victory, she doesn’t want to save the world, she is just going to, – we still don’t know what Adora wants – this is a partial success. Hold onto that idea, it will come back later.

“Do you want to know a secret? I am a coward. I've always been the queen who stays behind. Micah was the brave one. And then Glimmer, oh, Glimmer. So much like her father. And once again I stayed behind, letting her make the hard choices, letting her be brave for me. I told myself I was being responsible, but, Adora, I was just scared. And then I met you. You inspired us. You inspired me. Not because it was your destiny, but because you never let fear stop you. And now I choose to be brave.”

Queen Angella is voiced by Reshma Shetty. She doesn’t get much praise, but for this monologue, I think she deserves so much more than she got.

In my fourth post about She-Ra, I discussed Adora’s ability to inspire and linked her to Batman, something I stand by to this day.

In universe, She-Ra isn’t important because she’s a warrior. She exists as a leader, to protect people and pull them into a greater tomorrow. She shines a light for others to follow.

That is what happens in The Portal, Adora succeeds not by fighting the enemy, but by being herself. She only becomes She-Ra to destroy the portal at the end. To save Etheria, the giant sword lady isn’t important.

I mentioned earlier that humans are fragile and resilient at the same time, and I give you Angella as evidence for that claim. Here is someone who has lost her husband, and makes decisions based on that fear and trauma. But when push comes to shove, the fear is secondary.

Reality falling apart lets directors get away with true nonsense. Micah's staff has no reason to be here, other than the fact that it makes a phenomenal metaphor for Angella's trauma. But that's all you need.

Jon Pertwee was the third doctor, and while he isn’t nearly as iconic or influential as some of his predecessors and successors, he did deliver the line that defined the whole series.

“Courage isn't just a matter of not being frightened, you know. It's being afraid and doing what you have to do anyway.”

I started my discussion of this season by claiming that this is the season in which the characters put a dent the tragic cycle, and I have mentioned several times that the cycle of abuse is unstable. So, here is my thesis.

Catra’s arc fails, not in a story sense, but in a personal one. The idea that every character has a single story arc is something is a specific bugbear of mine, and Catra is kind of my case and point for that. She has a redemption arc up to this point, and she ends up as a villain. Then the story continues and she has to start again and decide where to go next. She has no choice but to move in a different direction from here.

But she tasted redemption already. The crimson wastes gave her a taste of what she is missing, and it offered her an out. It gave her a choice, she made one, and consequences were served. I can’t help but imagine that for the entirety of the next season, she is considering running off to the wastes again.

That idea of consequences comes back with Adora, who makes a good decision, and is rewarded for it. Or rather, she makes a decision to actually do something. Adora becomes an active character, and that is what starts to break the cycle. Because now the motion is halted, and the puppets are pulling the strings.

But, this isn’t a complete victory. Angella is lost, Entrapta and Micah are still gone, none of the villains actually get defeated. For an episode with lasting consequences, not much actually happened.

This episode is big on the fact that this is all a dream, which should destroy the engagement. But it doesn’t. In reality, it preserves the status quo physically, but lets all the characters spontaneously experience character development. The victory of this season is that growth, but it came at a cost.

I want to briefly talk about that final shot, before I go, because this is how you introduce a villain. Sure, the voice acting is impeccable, and the cinematography gives an air of mystery and menace to this threat, but the showstopper is the reveal that this villain can destroy a moon with ease.

You see a fleet of ships, there was no battle here, just a villain showing off for nobody but himself. He gets interrupted by the plot, and he’s busy DESTROYING A MOON.

Horde Prime is f***ing terrifying.

This scene is in this episode too. It's meant to show how reality is falling apart, but I actually have a reading of why it's here. I think Catra wanted to preserve who Adora was, hence why she is the source of all the paradoxes. But Catra doesn't understand that Mara's legacy and Razz's teaching are a big part of Adora.

Final Thoughts

I’m going to talk about the implications for later seasons for a moment here, so if you’re avoiding spoilers, now you know.

I think Catra being the villain here makes her redemption so much more compelling, because she actually needs it. There is a difference between this and, for example, Hunter from The Owl House, who doesn’t really need redemption because he hasn’t done anything wrong.

Catra here has very much done wrong and is evil as defined by the show. But the show’s message is that anyone can change, and that the cycle of abuse isn’t set in stone.

So, Catra will redeem herself, and she will struggle, and fall back, and try again. Forgive her or not, the redemption is the effort to be better.

Next week (or whenever the next post is released, I have a terrible work schedule), I will be discussing The Coronation, so stick around if that interests you.

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[blonde-and-cat-suc]

Catra being anxious and having panic attacks over the bad things she did is actually counter productive to any hypothetical scenario where she is self reflecting and/or receiving constructive criticism.

Her potentially having crippling anxiety over being an asshole in the past PREVENTS and/or DELAYS any changes she might potentially make.

Making this character spiral over moral dilemmas does not inherently mean she’s actively working to change her ways. Her being afraid of facing her badness does not make her good; it simply means she has anxieties toward constructive criticism/dialogue.

[the-moonprophet]

“this is literally a kid’s cartoon wdym you want to be her??”

so you’re telling me you DON’T wanna be a buff baddie woman that's super hot and could get any guy you want except you don't want them you want the traumatized girl from your complicated past who had a villain arc but then she redeems herself by saving your friend and gets herself brainwashed in the process but then you save her and she joins the good guys and you slowly grow closer and catch feelings while you build up to the final battle with the main villain but ofc your plan to defeat him goes wrong and your bratty sassy childhood friend/ex-enemy rushes to save you and at the last moment she proclaims her lifelong love for you and you kiss and defeat the bad guy with the power of gay love

???? who wouldn't want that

[spop-romanticizes-abuse]

no one:

absolutely no one:

spop stans: omg adora is such a dumb jock haha i can't believe she's so dense she has no braincells stupid idiot

[ericas-spop-blog]

So I get a lot of comments taking issue with me calling Adora's behaviour towards Catra (specifically in Taking Control, but also just in general throughout the series prior to The Heart) abusive - that it can't be abusive because it's emergent from her trauma, that she doesn't "mean" it, that Adora is good and good people aren't abusers.

The problem with all of those is that they're incoherent.

If you don't consider this - the pervasive boundary violations, the physical assault, the use of a previous abuser as a threat, the straight up textbook DARVO of "I'm the victim because you told me no" - abusive... then what would you?

I'm being sincere here. These are fictional characters; there is no real person who needs defending. There is only your reaction as the audience, which I am inviting you to examine.

As an actual, meaningful question: What line would Adora have to cross, before you treated her actions as her actions? What would she have to do for you to call her abusive?

Can you find that line?

Because if you can't - if that line only exists for the Shadow Weavers and the Catras, the character who you've been told are "Bad" - Then you are admitting that, for "Good" characters, there is no harm they can be held accountable for, no violation for which they will not be absolved, no crime for which they will not be pardoned.

And that is fucking bullshit.

======================

"Good" and "Bad" are not intrinsic traits, which grant sanctification or damnation to those that possess them. There is no sorting of the sheep from the goats; no fundamental nature that changes the effect of one's actions.

Abusers are not a separate species; some Unknowable Other, irrecoverably tainted by the original sin of Being Born Bad. They're just people, with the same array of thoughts, feelings, and desires as everyone else. The difference is in their actions, and those actions are not modified by purity of the soul.

Abusive behaviours that are emergent from trauma are still abusive. Abusive behaviours the perpetrator believes are acceptable and justified are still abusive. Abusive behaviours done by people you love and respect and look up to are still abusive.

The fact that Adora believes her abusive behaviour is acceptable - even nescisary - doesn't make it other than the thing that it is; a fundamental hostility towards Catra's agency, manifesting in consistent, repeated attempts to control her - through conditional affection as much as through physical, verbal, and emotional violence. She is a person who engages in abusive behaviour patterns, and so she is an abuser. And, as a story element, that's fine. "Adora is abusive towards Catra thoughout much of the show" doesn't mean "Adora is an irredemable character" or "Catradora is a bad ship". It's just a conflict that needs to be resolved.

Adora has to come to grips with the toxic beliefs Shadow Weaver instilled in her - that care invokes a debt, that there are 'Bad' people who have no right to self-determination, that abuse can be justified - recognize that they are the thing that stops her from being happy, and reject them, fully and completely.

[unpersoniverse]

*me after going through the most emotional draining experience watching a show because I got too attached to the characters* ooohh that was so cute I love it :)

[manic-sapphic]

i'd like to give some cred to aj michalka rq ok

like dude - what even? the way she voices catra is just something i have no words for tbh. she gives her character a voice that is just so raw and real that her delivery straight up breaks me at times - and same goes for all the other voice actors in spop tho for real. it's part of why i love the show so much. lol that and their eyes. esp adora's and catra's eyes when they're looking at each other in s5 hah like the view is straight up nutrition. it keeps me alive lmao

[bkgrl]

So I have started watching She-ra and the princess of power...

And lemme tell you all that Catra and Adora have awakened something in me...

[wanderingghostz]

Sorry it's been a while, I've been really busy, and for a while, I've had major art block. I think I've gotten over it though. Recently I've been drawing art of the teen titans cartoon (original, not GO!) An AU, it's a highschool/modern with powers AU combine with secret identities. I'm still working on the design of the characters, I've gotten basically all of them done, just need to finish a couple of details, may post them this week or next.

In the meantime, have a she-ra band au, I found the reference on Pinterest, if anyone is looking for it.

[theunluckyvandalist]

i care them so deeply omg

also needed an excuse to draw more top surgery churchill content

i dont like portraying adora as like just scary and op, let her be flustered by compliments and genuine affection DAMN

[that-ari-blogger]

The Aftermath

The Beacon is a very... disjointed episode. It has the unfortunate placement of between two episodes that are, in my opinion, the two best that the show has to offer, and it doesn't matter how good this episode is, it suffers in the contrast.

The Beacon is trying to set up The Promise and still recovering from No Princess Left Behind, which means that it struggles to tie both together without feeling like a ton of disconnected events.

So, for the sake of analysis, let's look at those events on their own, and see what they do for the story as a whole. Because some of them are really well written.

Let me explain.

SPOILERS AHEAD

Catra's moments in this episode are genuinely some of the best little moments for her in the series. We see her kind nature start to show, ever so slightly. She is not kind, I want to stress this, a few actions do not make a redemption (yet), but we start to plant the seeds of that here.

In Entrapta's interrogation scene, we see Catra being manipulative, that much is obvious. But it's interesting how she does it. Catra doesn't belittle, or lie, or even seem disingenuous with her compliments, she is just aware that compliments lead to allegiances, and she is trying desperately to befriend the single smartest person on Etheria.

"You're not mad? People usually get mad." "Are you kidding?"

There is an empathy here with Catra. I mentioned in the previous post that everyone's greatest strength is their greatest weakness. And the same is true for Catra. She is exceedingly emotionally attuned. She sees herself in Entrapta, as the person left behind. The side effect of this is that she falls on her sword a bit when Adora leaves, but also in a weird, other way.

"Don't worry about that thing with Hordack. I've got plenty of experience getting yelled at... you get used to it."

Catra is talking to Shadow Weaver here, of all people. Why? Because she sees a person feeling low, and offers some condolences. Without concern for who she is, or what she has done. Catra offers a hand of peace. I want to stress that empathy isn't a weakness, that's not how this works, but it makes her easy prey for Shadow Weaver, because Catra is a child, a teenager, who is naive, and Shadow Weaver is evil.

But how does Shadow Weaver return the openness that Catra has displayed?

"I will not get used to mediocrity like you"

She returns kindness with an insult, and through her touch. Shadow Weaver desires power above all else, so when she is at her weakest, she tries to grab it from the one person she thinks she can mentally overpower.

This is why Catra is the way she is, any attempt at kindness is met with animosity for reasons she has no command in. But that little influence of Adora, and now Scorpia and even Entrapta, has kept the instinct alive. The empathy is there, just buried deep under the surface.

"I just wanted to prepare you for the world"

I love that Shadow Weaver has worked out her tactics are failing on Catra, so she tries giving the Adora treatment to her, and even that fails. I think that's rather satisfying. I pity her, but it is definitely gratifying to see her this low.

Shadow Weaver fits the same bill as everyone else in the series (strengths and weaknesses being the same), but she forms a weird parallel with Bow of all people. Shadow Weaver thinks big picture, she is the strategist, and she gets undermined time and again by the tiny things, such as personal determination, and unconditional love. This parallel isn't dwelled upon, but it's a neat thing to point out that Shadow Weaver's opposite isn't Catra or Adora, but Bow.

Speaking of Bow. The man is supportive of everyone, similarly to Sea Hawk. Bow still thinks big picture, but the difference between him and Shadow Weaver is that when Bow meets a wall, instead of thinking of a way to break it down, he finds another route. Bow is a strategist of the heart, making sure everyone is at their best and ready to step in to keep people's moral up, should they need it.

I also really like Glimmer's line:

"Your sorry is wrong and mine is right."

I think this is extremely revelatory about Glimmer, but that won't come up for a while.

Finally, there is Adora.

Under stress, she reverts. This is what Shadow Weaver did to her, she gave her a few set behaviours in response to certain stimuli. Notably, when scared, punch what I tell you. Shadow Weaver isn't here to give a target, so Adora decks the first thing she can get her hands on. Namely, this light.

There are other sections in the episode when she is in the background of other shots. And instead of just standing there, and looking apathetic, she shadow boxes. Adora cannot focus when she's directionless.

So naturally, she jumps at the opportunity to heal Glimmer, including possibly stabbing her, just to feel useful. Again, preprogrammed responses. She needs to feel useful, so she will run towards whomever is offering her that purpose.

"You want me to be weak? Well (Throws Sword), I am"

This leads into the above line. Adora believes she needs to be weak, and the first thing she does to achieve that is return to her original form and throw away her sword. Adora has associated strength with ability to achieve a given task. In this case, heal.

But the fascinating thing is how she goes about the accountability of failing. She has a weird internalisation of good things being She-Ra's fault, and bad things being Adora's fault. It's awful.

I'm going to finish this on a mildly happy note, because Glimmer and Angella have a really sweet interaction in this episode. Its the reassurance that a parent figure can offer. She offers support, and affirmation that this may not have worked, but it wasn't because of Glimmer's ideals, but her methods, which can be worked on.

Compare the following two lines.

"I will not get used to mediocrity like you" "We'll figure it out, together."

I have boldened a few words, because they reveal character quite nicely. One tries to separate the speaker from its subject, complete with an insult and a comparison, the other is supportive and constructive, and strives to make the listener understand this fact. Angella is a great mum.

Final Thoughts

This episode isn't particularly memorable. Which isn't its own fault. It is sandwiched by The Promise and No Princess Left Behind, which both render it rather uninspiring.

But this episode is actually quite decent. Its moments string together cohesively enough, and Marcus Scribner (Bow's Voice Actor) kills every line.

However, that opening sequence steals the show for me, as everyone leaves on their own way. That was why Entrapta's fake out death doesn't feel cheap. It actually hurts these people, and they don't get over it. This is a death that has its cake and eats it too, and that's a difficult thing to pull off. I think the thing that sells it is this is the only scene so far in the show (I think) in which Sea Hawk stays quiet, the events of the previous episode have managed to make the bard stop singing.

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[blonde-and-cat-suc]

If Adora and Catra both did crap to hurt each other then why do I never see comics abt Adora feeling like crap and feeling bad for hurting Catra