#actually drew a little comic about this but it was no good

[luckdovica]

Okay but what if the Alecto wedding is Judith and Ianthe

[feelo-fick]

miscellaneous au doodles + a VERY self indulgent song lyric comic :D

+ extra evil comic below the cut :

"chil!" "don't look at me like that..."

[chibigalaxies]

Cat Moon!

[arttsuka]

Augustus: *throwing a tantrum* "DAD WHY AM I LIKE THIS"

Octavius: "Well, I didn't sculpt you but it seems they ran out of marble."

Augustus: "DO YOU KNOW HOW MUCH IT STINKS HAVING NO HANDS"

Jed: "Or legs."

Octavius: "That's not helping."

Omg you can't just say that Jed!

[sabertoothwalrus]

here are some preliminary sketches I had done in my sketchbook for the peepaw chilchuck comic.

I wanted to follow it up with some worldbuilding thoughts I had while working on it, if that sort of thing is interesting to anyone:

- it’d take place 5ish years post-canon

- I changed almost everyone’s hair to show time had passed. Chilchuck and Kabru were the most drastic (I COULDNT STOP THINKING ABOUT THAT LONG HAIR KABRU THAT KUI DREW), Marcille grew out her bangs, Senshi’s beard is slightly shorter, and Izutsumi’s hair is mildly longer. Laios and Falin give me the impression that they’re the brand of neurodivergent that’d pick one haircut and stick to it for the rest of their lives. I almost gave Laios facial hair but idk he’s gotten over his daddy issue enough for that.

- Emertim Chils: I tried to follow both the half-foot and dwarven naming conventions for the baby, so Emer- comes from “emerald” (dwarven names are often gemstones or ore) and -tim because Chilchuck’s father’s first name was Tim :) Dwarves don’t have family names, so Emertim would take Chils, same as Flertom. Usually they’re named after their father but I didn’t wanna name a random dwarf man. thank you Chel for helping name him 🫶💕

- Initially the idea that Chilchuck would keep an entire grandchild a secret was just a joke, but it made sense when I thought about it. I wonder,, would dwarf/half-foot couples have trouble conceiving? Because if so, I’d imagine Flertom may have lost a couple pregnancies. Chilchuck is already such a private person, and I don’t think he’d feel comfortable airing his daughter’s grief like that. They wouldn’t wanna tell anyone until they were sure this baby was gonna make it.

- For the above reason, Chilchuck would absolutely spoil this kid. Not that he wouldn’t have spoiled his grandkids anyway, but I think after all that stress, he’d be extra extra doting. He’d be letting him do things he’d never DREAM of letting his own daughters do. Completely different parenting style.

- I think he’s still too prideful to take advantage of Laios being King (sidenote: is Laios even wealthy??? does a kingdom that sprung up from a previously-sunken continent even have money?? what the fuck is their economy), but like,,, if Laios offered any gifts he wouldn’t exactly say no.

- Izutsumi surprisingly really likes the baby :3 she’d like to take naps with him and he’d like her purrs and she’d have a lot of fun playing with him.

- SENSHI. meemaw mode. That kid would grow up not realizing Senshi isn’t technically one of his grandads. He is FEEEEEDING this kid.

- LAIOS DOES GET TO HOLD THE BABY!!!!!! just. eventually. They don’t actually expect a Tarrare situation LMAO they just wait until the kid is a little less fragile and a little more mobile. I think Laios would be really good with toddlers.

- Chilchuck is very thankful Emertim’s half-foot genes kick in sooner than later because he was getting too big for him to carry.

- Emertim would probably get the extended lifespan. He and Marcille would get to stay friends for a very very long time :’)

- my personal headcanon is that Chilchuck and his wife decide to split. He still loves her and it’s probably still a bit mutual, but after four years of almost no-contact, they decide their communication issues aren’t working well for their relationship. Plus, the Adventurer’s Bible says Chilchuck is renting their old house out to family, and he’d feel bad kicking them out so he and wife could move back in. They’d still be on good terms, and would be good at coordinating when to babysit.

[elwensa]

Little Companion (2021)

This is the second Outer Wilds comic I've ever done. You can see I was still a student back then, since it's in full colour lmao

This comic's inspiration was from a concept art: As I was cruising online for find references for Outer Wilds character, I found a concept art of the Hatchling drawn by artist Sojyoo, who draws them with a little plushie attached to their leg, showing "their approximative age and how they cope in space."

I found this idea quite adorable, and did a little sketch of the Hatchling hugging the plushie... and with time, I thought about telling a little story about it. I thought it was interesting to explore the idea that a teenager has to live through this, and having a childhood memory by their side for reassurance. After all, don't we all feel a little bit of comfort with an old plushie?

Then I thought about Solanum, who is also not quite an adult yet, and I thought that he would appreciate that childish comfort as well...

I absolutely cheated when drawing Solanum's mask. I believe I drew it in 3 different angles by tracing a reference, then copy-pasted it on the various panels. If I were to redo that comic, I would've probably just simplify the mask... but hey, it looks accurate!

Also, that lullaby that Hatchling sings is an actual polish lullaby. I am not good at writing songs, so I was looking for an existing lullaby that talks about stars or space. I found this one on an obscure website, and found a flute version on youtube: https://www.youtube.com/watch?v=orOmQPHrlp4

A little note on this comic: I technically made an error by making Solanum say that she's happy to see Hatchy "again". I wasn't that strict with the lore compared to now, and I thought that Solanum could remember their previous interactions, which is wrong. It's not a big deal, but also I don't want to modify the original dialogue, because it would feel wrong to me after so long.

[geezmarty]

Curtain Falling BTS! ✨

We're halfway through the month, which means you still have a couple weeks to grab my 2024 Shortbox Fair Comic, Curtain Falling!

I wanted to thank you for your support so far (many of you said the nicest things about it and I'm really glad you liked it!! It's the work I'm proudest of yet!) and what better way to do that than show you a BIT of the concepts and history behind it.

I will try to be as spoiler free as possible but I can't stress it enough: I think this comic is best experienced going in completely blind save for the brief description on the site.

But you can do whatever you like, so read on if you want.

I came up with the first concepts for Curtain Falling in 2021. At the time I was itching to try my hand at a short visual novel on Renpy (something that I'm still itching to do and that I may do?? Maybe soon??? My biggest maybe. Stay tuned on this page) and so I sat down and wrote a little something that didn't end up going anywhere.

(Some of the very first concepts I drew!)

The idea for the visual novel was simple, and actually very similar to the final comic: you'd get to play out a different fairy tale at a time, the eye and the mysterious woman would always be there, and the more you played the more you would find out about the truth. I always knew what the eye and the woman were, I think the only thing that changed along the way was the very ending and some details here and there (maybe I'll do a follow up about that after the fair is over).

(I drew this one while actively working on the comic but I feel like if I had stuck with the visual novel idea, this could be considered a concept for the "pick your fighter" screen)

After I shelved the idea, the concept just sort of sat untouched in my WIP folder for a long time. I would occasionally pick it up to roll it in my hands but I couldn't find an ending that felt satisfying to me.

Proto designs from 2021. The mysterious woman didn't change much but the protagonist is kind of unrecognizable to me lol

Of course, at some point last year after being accepted into the fair I was like well you know which story I'd like to tackle again. That's right. The perfect ending actually came to me halfway through production (I was set on just using what I had written down because a project that's finished is always better than a project that doesn't exist even if it's not as good) but the idea just struck me and I was actually pretty divided between it and keeping what I had gotten used to.

It was only after I was on call with a couple of friends that I decided - I presented both ideas and they GASPED and went "You HAVE to use the new one!!" that I was like well you're right actually. Let's go. This is all very cryptic if you're still here without having read the comic so what are you waiting for? You could find out what made my friends gasp if you go read it now.

There's more BTS to share but I don't want to give away too much so I'll leave you with a bit of fanart I drew in celebration of the fair starting. Thank you for reading!

[alllgator-blood]

Hi !

Your Leshy and Shamura comic left me in absolute shambles- I adore those two so much, they’ve been on the brain for so long- Shamura in your style also gave me brain worms. I just adore your art style so much-like AAAAA??? It reminds me of 90s Retro and I loveee ittt-

Little Shamura fanart for you ! <3 The brains worms you gave me are so intense and I love it- the little details- UGGHSHBDBDBD I’m so normal-

WAARHRGAHGRBELljdhsfsja

YOUR ART IS SO CUTE WTFFF. I WAS NOT EXPECTING THIS BUT I'M SO HERE FOR IT, I did the soyjak point at my screen even though I'm just like alone in my room and nobody's awake yet. As a token of my appreciation I drew a little continuation to your art cause you mentioned the shamura + leshy comic specifically and I feel like giving them a healing moment before the unending anguish inevitably returns. Leshy is not usually this succinct when it comes to responses to shamura's boomer moments so I'm assuming he rehearsed with heket and kallamar lmao

It's always funny to me when someone says my art has a 90s vibe cause I was not alive for the 90s BUT a lot of my influence comes from the cartoons back then, so I'm happy my art can still evoke the era!! Actually I'm just very happy about your drawing in general because I'm noticing little things like, their blue tongue and big neck fluff and crunchy speech bubble lines so I'm punching my desk irl. IN A GOOD WAY. I JUST DO THAT WHEN I'M REALLY EXCITED LIKE WHEN HYMNS OF THE UNHOLY DROPPED. I know shamura is not my character but I'm kinda overjoyed seeing the way I draw them as drawn by someone else just because you wanted to do it........thank you so much for this!! I'm having a weird time rn so this was the best possible start to my day

[intotheelliwoods]

2AL mini AU... the Leoverse.. Leo Generations...

What would their personalities be if they hypothetically did exist?

I actually had storylines in mind for a long while for both Big Leos bigger leo and Poptarts hypothetical little leo! :)

I decided that if Poptarts timeline DID go to shit... the reason would be due to Triceritons! (remember their damn skull in the krang ship? lmao what if they were still alive)

Anyways, the catch here and what makes this dynamic different is that, Poptart would not tell his little leo at all about Sprout. Not even a peep.

Poptart would also be all over this poor little leo constantly to the point of the little leo getting super annoyed. Poptart on the other hand is constantly cheery and upbeat and a giant nuisance! It is not until Poptart finally has some big mental breakdown, and tells his little leo about Sprout and the whole cycle, that the walls break and they can finally bond closely as a duo

Poptart would also, dub his little leo, Pudding. Banana Pudding. Why not.

Anyways Big Leos bigger leo is a bit of a darker story so, I am putting it under a cut, huge warning for character death:

Short version: Big Leo gets a grand total of 3 minutes with his bigger self, before said bigger self dies in his arms

Long version: I have had this one off comic in my head for so long but dont really know how to draw it and I kept thinking it was too dark to draw anyways so... I never drew it But the premise is...

It begins around the start of the Krang apocalypse in Big Leos timeline, him (still has the arm, age 18-20ish) and his brothers are all in some meeting frustrated not knowing what to do, eventually Leo decides he needs a break to think and heads off into another room and sits against a wall

A portal blue opens besides him, and out comes out his bigger self! Leo is freaked as shit before he realizes, oh, this guy is hurt. Leo goes to help his bigger self who is on the floor trying to crawl and check the damage since the guy was losing a lot of blood and it looks like a lot had already been lost

I do not have the exact dialogue down but, it is something along the lines of Bigger Leo insisting "dont worry about me, I need to warn you something, its amazing I made it here at all and.... I am sorry it looks like I showed up too late and...." He then looks into Leos eyes and becomes less tense, he goes "hey..... teacup, its good to see you before melting in for a hug. Leo hugs back and sobs, while the bigger leo soon after starts going limp..

Eventually Leos brothers would find where he hid after he stormed off to see the aftermath to the scene, they would take bigger leo over to their med bay maybe but it would be too late, and trying to get Leo away from the body was a nightmare, Leo could not stop staring

Did I just come up with the Teacup nickname while writing this all down? Yes.. yes I did....

Do you see why this might be too dark for a comic lmao?

This would also explain why Big Leo made no mention of this whole situation to Sprout, I dont think Sprout would have even wanted to know

[celestialalpacaron]

Ayo, someone by the name of Curly-B-Blog is redlining art of yours from 2020 (while pretending that it's actually Sai Scribble's work), and kind of being a dick about it. just thought you should know.

You know, originally I was just gonna brush it off, but then I went back to look at my old SU art from 2020 and did so much self reflection from then till now.

I think this was around the time I was just learning how to do perspective and tried to use the perspective tool on Procreate for the first time? :0 and I remember telling Sai “Sai I have this STUPID idea, I CANT believe it this stupid joke it’s so DUMBBBB, it’s living rent free in my BRAIN I SWEAR THIS IS GONNA BE SO STUPID DCIUWHEFIUWHIRFUIW4F” and being super excited to show her the finished product. People still think Sai created the Cursed Skin Gloves comic and I think it’s hilarious wjhwnuhwijwuiw

The comic was received very well and it made LOTS of people laugh and I’m still proud of this comic to this very day! :D and tbh if it wasn’t for my obsession for Sai’s Switcheroo AU I never would have found my passion in comic work! (love you you stinky hoe @saiscribbles 🩷)

HOWEVER…. I definitely still had lots to learn! I wasn’t very good at perspective at the time I’ll admit, but I was definitely having lots of fun learning :3

And throughout the past 4 years, ALOT has happened.

I graduated from college with TWO fancy pieces of expensive papers in Visual Development in Animation and Illustration learning from Will Kim and Jeff Soto, and as a I was working with the funny voice man Cougar MacDowall as a comic/story artist and reached in total around 7 million views for my fan series FNAF Security Malware Breached (it was even #21 on the trending list around the time of my birthday 🩷 what a lovely gift), had an insane opportunity to work with Mike Geno and with the voice cast from The Amazing Digital Circus for a fan song as a background and character asset artist, Vivienne Medrano liking and sharing my silly Overlord Husk AU comics, currently on my route to getting my certificate from Aaron Blaise’s Character design program and graduating from Marc Brunet Art School, and now I am completing my first year as professional colorist and art assistant for my storyboard and comic mentor Michelle Lam, aka Mewtripled! (Also I’ll be heading out to Lightbox Expo 2024 on October 26 with Michelle and the team so if y’all ever wanna meetup hahahajaj wink wink wink wink wink)

So you can say I learned ALOT and I enjoyed every minute of what I do :D I try to be humble about my accomplishments because blah blah being humble good yes yes but this time I wanna be selfish and say HELL YEAH I DID ALL THIS!!! AND IM SO EXTREMELY PROUD OF MYSELF FIUGEIURGERGGRS

Now here’s my most recent comic page that I posted like 2 days ago without the text.

That’s pretty freakin wild to me, I can’t believe I used to draw Steven Universe art like that back in 2020 LOL LIKE GUYS I DREW THIS!! WITH!!! MY HANDS!!! IS THAT NOT INSANE!!!???

Anyways moral of the story:

Learn from everyone and everything! Yes, even then mean ones too! If you can learn to work with anyone, I promise you’ll get to where you want to be faster. People can be a little mean on the internet, but that shouldn’t stop you from being where you want to be in the future. I’m so EXTREMELY grateful for all the opportunities and to all the kind professionals who were willing to give me a chance. Seriously, I’m so graciously thankful for everything, and I hope everyone here will support me and my silly little comics I will do now and in the future!

And one more thing:

Don’t be a jerk. Be to be nice to everyone :D nothing good comes out when you’re bad to everyone.

[thankskenpenders]

I'm curious, do you have any examples you could share of Pender's old art that's actually good (or even just decent)? Given that he's mainly talked about as a writer I assume he's not responsible for the visuals in the Archie comics, but it sounded in your Lara-Su writeup like he was an artist for comics professionally at some point too.

Ken occasionally drew his own stories at Archie, but usually they were handed off to other artists. Even back then he was always one of the weaker artists on the series. Like, here's a particularly notorious story he drew in issue #93, published in 2001. Notice the odd proportions, the weird legs, the awkward faces, and of course the blurry jpeg photo backgrounds which yes he was seriously already doing at the time

(don't ask why Knuckles is green)

But, okay! Let's find some examples of his better work.

Here's a page he penciled (and wrote the story for) all the way back in issue #33 in 1996. This looks totally fine. Tails is a little awkward, I guess, but the Swat-bot looks good and Sonic and sally look totally fine

For context, it's worth pointing out that that later issue is from a time when Archie gave way less of a shit about keeping the characters on-model, compared to these early days. In the late '90s/early '00s a lot of Ken's worst tendencies started to come out, and now those same quirks are even more pronounced when he's doing everything solo

It's also worth pointing to some of his non-Sonic work to show that the guy is actually fine at drawing humans. Here's a page from a Star Trek TNG comic he penciled in 1990, for instance

Again, totally fine! Nothing remarkable, but there's nothing wrong with it

So, no, his art did not always look Like That, we're just getting the raw unfiltered Ken now that he's left to his own devices

[velvet-games]

he’s so normal :)

I actually drew this before a lot of the recent stuff I've been posting; it was just me trying to figure out a good redesign for vox. I might make a proper redesign explanation later, but here are some quick notes while I'm still playing with it:

vox trapzod and alastor trongle :)

^^ ok but unironically this was kind of a hard decision since I have mixed feelings about vox's body type

stuff I was considering:

1) vox is alastor's foil and has a similar body type to alastor at least in part because you're supposed to be comparing them (It's actually so cool cause I was watching TB Skyen's reaction to ep 2 and he immediately predicted that they would have beef lol)

2) tumblr sexyman bod <3

3) I LOVE @/bestosunglass' way of drawing him, and it made me realize that I kind of love the idea of vox being a little bigger than alastor? it's very big himbo puppy + lithe cat energy

4) not sure what my headcanons about vox's body are in terms of biological vs tech yet, but I think I want to lean toward tech (which is customizable)

I love the angst concept of vox having the freedom to change his body with relative ease, which makes him feel like he has to constantly update and update and update and update and update and it's never good enough because he could always change something and he'll never quite be good enough--

basically being a victim to his own progress-oriented mindset

and also treating himself like a product; if it's not working, if it's not the best, newest model, then it's broken and useless and disposable

tbh alastor's ability to find beauty and art in the old (not necessarily based on function, but on character and care) would be good for him

ooc or not, as someone with dysmorphia issues myself, I really want an "I like your body because it's yours" moment from alastor

I think all of that + toxic masculinity would probably mean vox would make himself comically buff (at least at first) lol

5) but I like drawing him kinda scrawny ¯\_(ツ)_/¯ it's just weird because I kind of want to audience to pick up on the fact that he's not actually hypermasc but vox would totally (mostly successfully) broadcast that to the characters in the show

6) I think a trapezoid is a good shape for him! it contrasts well with alastor being a kind of sly and striking triangle shape. trapezoids are more interesting and dynamic than rectangles, but are still more stiff and business-like than triangles (p sure I am completely misunderstanding shape theory here but it makes sense to me lmao)

vox is such a mess of vibes? like he's a cult leader he's a televangelist he's a hypnotist he's a business shark he's a tech CEO he's a newscaster he's a TV he's a computer he's a literal shark he's a mastermind he's a pathetic fanboy

still not sure which of those is the most important/what should be obvious in his design

obsessed with the concept of TV knobs as buttons but it's kind of old fashioned

I headcanon him as having been a nerdy kid that got kicked in the shins for being obsessed with TV/tech lol

also hc him as being vaguely and very obliviously transfemme; the buffness can also be overcompensating for a lack of masculinity both physically and mentally

[thewertsearch]

Karkat's becoming cognizant of all the videogame tropes in his vicinity, and he is pissed. This is what happens when you’re exposed to that damn fourth wall for too long.

Jump cut to Gamzee squatting in a dark corner somewhere, a Google results page for ICP open on his laptop, absolutely seething with anger.

[…] KANAYA: Do You Think Terezi Is Aware Of Your Interactions With Her KARKAT: I DON'T KNOW, PROBABLY? KANAYA: I Dont Want To Sound Too Meddlesome Because I Know People Dont Like That Much But Didnt You And She Used To Have A Thing Like That […] KARKAT: THE THING WHICH MAY OR MAY NOT HAVE EXISTED NOTWITHSTANDING, WHAT RIGHT WOULD SHE HAVE TO BE UPSET ABOUT ME TALKING TO JADE. KANAYA: Maybe She Thinks You Are Trying To Make Her Jealous KARKAT: OH LIKE SHE'S NOT DOING THE SAME THING TO ME BY TALKING TO THAT POMPOUS TOOL WHO'S IDIOTICALLY INSECURE ABOUT THE COLOR OF HIS EYES. […] KANAYA: Do You Actually Believe She Was Pretending KARKAT: YEAH SURE. I DUNNO

As the trolls’ party begins to unravel, so too does their intricate web of relationships. The entire John/Dave/Karkat/Terezi/Vriska situation is already a mess, and if Karkat is developing a legitimate crush on Jade as well, things might be about to go nuclear.

Forget Jade - I think Kanaya’s the one who’s really thriving from this cultural exchange.

Well, that’s certainly more convenient for me. Saves me from having to check everything with everyone, as I was originally planning to do.

Initially, I thought the trolls were just losing cohesion naturally as Project Trolling drew to a close. A lot of them won't give a shit about Project Friendship, so I assumed they'd just left to do their own thing.

This, though, seems like a pretty ominous way to describe the situation. It's like the Veil is a little too quiet, and not just because people have dispersed. Has Vriska been doing a few offscreen murders, or is something completely unrelated going on?

KANAYA: Im Returning To The Core To Deposit The Matriorb […] KARKAT: I MEAN, THAT'S GREAT, IF THAT'S WHAT YOU WANT TO DO WITH IT. BUT YOU CAN'T GO, I NEED YOU HERE. LOOK AROUND, SHIT IS MAYHEM. KANAYA: Ill Only Be Gone For A Few Minutes KANAYA: Anyway Youre Doing A Good Job And I Think You Can Manage To Cope With My Momentary Absense […] KARKAT: IN THAT CASE KARKAT: GOOD LUCK, HOPE IT WORKS.

These two are such good friends. They're probably my favourite platonic friend-ship in the entire comic, just on the strength of how earnest their relationship is.

Damn it, did I seriously just get jumpscared by a ‘Be Eridan’?

[bernardisgross]

Bim bam boum ! Here's the whole comic i drew for Crossroads @zine--garden , a zine focused one showing and sharing love for Hunter x Hunter ^^

I chose to focus on my two favorite teachers !!!

Bonus, making of & talk in the read more⬇

I was very happy to be able to participate and even more happy to finally share a headcanon i've had for years about Bisky and Wing's meeting.

I don't know how clear it is but basically, Wing is a young nen user who happens to have been taken in by a big criminal family. The boss is using his abilities to forge precious gems from cheap materials, passing them as precious gems he bought for his collection. As a renown collector, he also sells the gems and makes tons of money from it. As Wing's skills become sharper though, his forged gems become more and more precious, making it difficult to tell them apart from real ones.

Having sold a good gem in a batch of "bad" ones, the boss is trying to get it back, framing his client as a thief. He calls for Bisky (a "young" hunter with a good resume) planning to trick her into committing insurance fraud in his place. Unfortunately, she's got a better eye than he thought, and asks for the good gem as compensation.

Feeling antsy about his money, the boss accepts, already planning to get rid of her once the job is done.

Bisky can sense the residual nen from Wing the moment she meets him, that's why she demands he comes with her. She wants to make sure at first that this is a normal child in the wrong place rather than the boss's actual associate.

Making him her disciple just came along the way because she honestly didn't know what to do with that kid LOL but didn't want to return him to a bad place. Also, she saw his potential. Here's a rejected final page (rejected bc I couldn't tie the text properly and wasn't very happy with the visual) where it's a bit clearer that she's got back with the good gem and values it a lot BECAUSE it was made by Wing. (also metaphor, analogy blabla)

I love teachers/masters in stories, i love that trope so much!! It's always so interesting to me to have someone older and wiser share their knowledge with the young waiting for nothing in return. Nurturing and loving, becoming a support with the only satisfaction to witness the growth and blossoming of someone else. I think it's so beautiful to help others in this way, to give a little of yourself with kindness.

I think if touches on other tropes i'm sensitive to like found family etc... So of course, i've loved Bisky & Wings for a looong time, and i'm even more obsessed with the fact they're on the same line of teachers 🥺💕

I was always curious about how they could have met and what could have moved Bisky to take him under ... her ..................... wing.....🔥🔥🔥 lol... anyways !!! I went full indulgence and comics are not my thing at all so if you've enjoyed it, i'm very very, very blessed and happy ^^ !!!

I've also included a rejected sketch of the cover with big Bisky :3

and here's a look at all her outfits !! I love Lolita alt fashion soo much, i do tend to latch onto characters who dress like this... and love making my own outfits for them too !!!

I also made a sticker of Palm for the merch bundles !!

Thank you so much if you've picked up Crossroads, it was great from the start !! I'm so lucky and so grateful to @/gachahugs and all the contributors for having me ^^ !! thank you thank you !

[thechekhov]

I kind of remember someone asking you that a long time ago, but can't really remember your answer (could be a totally fake memory actually)

Do you have any other stories you wrote and would be ok to share with us? Your writing is amazing!

Oh man.... The truth is, I've written tons of things. Not all of it is good! I've been writing for a long time - both fanfiction and comics. I don't know if I can recommend all of them, and I don't know if you want longer comics or shorter ones, but just as a few examples I guess there's these:

Pearls Before SW1N3 is my first long-form SU AU comic. I started it pre-Single-Pale-Rose. Looking back, the art isn't really all that great, and the story could be better, but I still think of fondly, because it was the first comic I did that surpassed 100 pages!

The Tale of Greatscale is a little comic about a DnD character I never got off the ground. I still think it's a neat venture into original comics for me.

And if you enjoy AUs and know anything about pokemon and Critical Role - I have another pseudo-AU that is basically a mashup of the Mighty Nein and Pokemon.

This is less a story - it's only a few pages. But I still think of this comic as a huge success, because I love the concept. However, I rarely go back to it because every time I look at the comments, I tend to go into a fugue state and commit atrocities.

And of course, if you weren't aware, I kinda accidentally drew uhhhh........ 5 seasons of a Steven Universe AU. Whoops.

I am also possibly maybe trying to work on an original story, a long-form comic. However, I haven't had a lot of time to work on it, so it's still very much being developed.

buuuuut I can't talk about that yet, because otherwise I'll stop working on it.

[signanothername]

firstly: AAA YOUR ART AND COMICS AND STUFF ARE SO AMAZING!!!!

secondly: do you have any advice on how to come up with comics and then get them out of your head and onto paper?

BZHXHXHD THANK YOU SM!!!

And ooh that’s a good question

I usually come up with comics in one of two ways, either seeing something (whether another artwork, a text, something irl, etc) that inspires an idea for a comic, or via artworks I made that I expand on

Other times, it can actually be both

For example, the “A little life update” comic was actually inspired by this beautiful artwork, I saw it, and I immediately thought of Killer, idk something something about the despair of being stuck between a rock and a hard place etcetera etcetera (yes the comic that shows Killer to be in such a better place in life and show the hope he has, was inspired by crushing despair in actuality)

It made me wanna do something with Killer trying to call someone on a public phone, and so the first page came to be

Here’s the twist tho, I originally was gonna just make it into an artwork (yes, one single decision could’ve meant that comic wouldn’t have ever been made)

But a lil habit of mine is ask myself a shit ton of questions when it comes to my own artworks (it actually helps me turn what’s supposed to be artworks into comics), and that’s another way of how you can come up with comics, ask yourself questions, why is the character doing this? What are they doing? What if character did this? Etc

so I saw what was originally gonna be an artwork, and asked myself, who would Killer be calling if he ever did and why?

And the answer to those two questions that made sense to me most was Nightmare, but that led me to two more questions, when would Killer be calling Nightmare and for what?

And that led me to have a basic idea of how I wanted the comic to go

So it was basically like

Who would Killer be calling? Nightmare

Why would Killer be calling Nightmare if he ever did? That actually had different answers, to taunt him, to inform him of something, cause he misses Nightmare in his own fucked up way, etc

When would Killer be calling Nightmare? After he’s saved, or while still under him? After he’s saved makes more sense

What would Killer call Nightmare for? To give him an update about his life with Color

How would Killer be calling Nightmare? Through a public phone

Where would Killer be calling from? Somewhere in an AU in the surface

These six questions, what, why, when, who, where, how, are important to think of, they give you a basis to work on when it comes to comics in general

You don’t need to have a very clear answer to each of them to be able to work on a comic, but if you can at least answer 3 of them, that would give you enough information to work with in a comic

Now that I have a tiny bit of a clear idea about what I wanted to do (it doesn’t have to be perfect or completely concise) let’s talk about how you take these ideas out of your head and into paper

You can do that by imagining the dialogue in your head and then immediately putting it into paper, as I mentioned here, I actually struggle a lot with dialogue, art? No problem, I can easily imagine the art, but dialogue? It’s hell (please take the time to read the linked post, I talk in depth about how I handle dialogue)

That’s why you shouldn’t worry about perfection at this stage, just put every little piece of dialogue you imagine into paper, even if it feels like it makes no sense or is out of character, that’s something you can worry about later

Put in the dialogue, every little bit of it, and draw the panels that feels right for the dialogue

Here’s a little bit of example about what I mean when I say put the dialogue in then draw panels that make sense for it

This is a comic I plan on making, I actually drew that first panel as a stand alone artwork, then that inspired the dialogue, I wrote the dialogue down immediately, it’s a rough version of it, maybe I’ll keep it the same, maybe I’ll change it up as I work through the comic, but so far, I’m drawing the panels based on the dialogue so far, see what I mean by write the dialogue down? It helps IMMENSELY

It doesn’t have to be perfect and it certainly doesn’t have to be the final version, but writing it down will help you imagine the art that comes with it

Does that mean you can never start with the art then think of the dialogue? NO

You absolutely can start with the art for the comic first, in fact, sometimes, doing that actually helps you imagine the dialogue better, other times you can’t really think of a dialogue but have a very clear image in your head about certain character interactions, draw that it’s ok, silent comics focusing on character interaction, is a thing that you can do without worrying about dialogue

Now when it comes to the actual making of a comic, first tip is find your own footing when it comes to comic making

Like listen, people are gonna tell you that the correct thing to do is that you have to make thumbnails for the comic before you make the actual comic to make sure the flow is good and you have room for speech bubbles and what not

Here’s the thing, making thumbnails for your comic is a life saver, it’s great, if you can do that go for it! But for a person like me with little to no energy, I can’t do that without losing interest and immediately abandoning my comic, I can’t do that without becoming frustrated and hate art for it

That’s why I say find your footing, if making thumbnails before working on the actual pages works for you go for it! or you can immediately just work on the actual comic itself like I do, it’s all about what you’re comfortable with and what makes more sense to you

That being said, when it comes to the panels themselves, always aim for less panels and more pages than the other way around

Sometimes, emphasis on certain emotions or aspects of the comic can only be done with fewer panels

That’s why my own comics would sometimes have pages that are either one or two panels max

The less panels you have in a page, the more concise, clear, and easy to follow your comic is, one of the biggest mistakes I made as a beginner artist, is that I focused on cramping the story in as few pages as possible rather than focus on the clarity of the comic

Here’s an example

Good luck reading that dggxgdgdh

This is a very old comic I made back in 2018? 2019?, I wanted the comic to be one page so bad I cramped everything into it without thinking about the fact people are gonna have a very hard time reading it, like this easily could’ve been 3-5 pages but old me couldn’t imagine doing that many pages (if she could see me now with 15 pages comics dhhdhdg) not only that, but the panels’ arrangement makes 0 sense

So when you make your panels there are 2 things to keep in mind:

1- less panels and more pages = clear easy to follow comic, as well as a better emotional impact

2- panel arrangement has to make sense and should be easy to follow, you can make sure it’s easy to follow by reading your own comic over and over as you’re making it, if you find difficulty following the dialogue or art, then it’s best to refine, change or edit your panel or dialogue arrangement

Another thing to keep in mind when making the comic is the flow, the best way to go about making sure that the flow makes sense is by thinking of the comic as you would an animation, how did the character go from point A to point B?

For example this page

Killer clearly has a bit of a distance from Nightmare in the second panel, so how did Killer go from being at a distance (point A), to right in front of Nightmare in the last panel (point B)? That’s what the two panels in between the these two points are for, is to show you that 1- Nightmare is using his tentacle, and 2- that tentacle wrapped around Killer’s arm, the rest would easily be filled in by your brain that Nightmare basically pulled him closer

Now for the ending of a comic, not every comic has to have a clear ending where it marks the end of a story, but rather, you can go for whatever satisfies you as an ending, or keep an ending ambiguous or open, to expand on a comic later

I say that the perfect ending for a comic is what gets the point of a comic across, if the point is made, then it’s a good panel to end the comic with

Don’t be afraid to scarp any page or panels if they make the comic awkward or if they don’t make sense or if it seems out of character don’t hesitate to change, edit or completely delete it

An example is the “choice” comic, it actually originally was 4 pages, I just decided to scrap the last page cause of two reasons

1- it added nothing to the comic

2- it was out of character for Stage 2 Killer

My last advice is don’t force the process, sometimes, the best way to go about making comics is to make them on your own time and slowly, sometimes, you get stuck with certain things in the comic, other times, you need a bit to figure out how to proceed with the comic, completely normal in the process, that’s why it’s important to work on comics in a way that suits you, but you can’t find what suits you without trial and error, so go and test the waters, you can never learn until you practice it yourself

Good luck, hope this helps, lemme know if you need more clarification or help, i’d be happy to help where I can <333