#account runner is a published poet
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//nonaskBUTWITHBRINKTHISTIME AND ARMAGEDON STUFF AND A BIT OF BRAMBLE ARC
obligatory @doors-worstenemy for anything considering tussler. Half of this may be brinkborgish because like. My mind is kymudd>brinkborg>blink>slinkborg/whatever the fuck that poly am clusterfuck is /neutral
anyhow. Thinks about armagedons ending. How quickly they left for the witherbanes. How brink was at the bar thar night. Do you think he saw kydelious in his old rivals eyes? Do you think he saw the blood stained tunic of a man who should have died- submitted to dia- claimed in the wreckage- with his people--
reborn?
do you think in that second, brink saw peace in his enemy turned friend ((turned crush maybe im pandering a bit but awaygh enemys to lovers has my sorryass)) and he felt happy? Or perhaps was it offputting to see the fire in kyborgs eyes calm down?
do you think at a point, kyborg ever introduced himself as kydelious after, and brink would wonder from his carful mayoral perch of what shifted in his mind? What brought that old dog of a name home?
do you think he ever knew the days before? Were they ever recounted to him, the plights of somebody he was so bitter towards who just wanted love?
Do you think that night in the bar, when the eye lock of knowledge of knowing an evil had been dealt with-, they both felt relief?
whatever the answer is, its between the two men, and that hate and that love and that burning question may never find a place to rest.
"what changed, rust bucket..?"
#kyborg#tales from the stinky dragon#stinky dragon pod#brink tussler#i dunno if yall know this#But#account runner is a published poet#And an author#Well#I write agriculture magazines#But i do have a book in the works#Account runner is a stupid gay ass poetic bitch
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FLP BOOK OF THE DAY: Widow Maker by Pamela R. Anderson-Bartholet
TO ORDER GO TO: https://www.finishinglinepress.com/product/widow-maker-by-pamela-r-anderson-bartholet/
Please share/please repost. RESERVE YOUR COPY TODAY
Pamela R. Anderson is a traveler, blues music lover, yoga practitioner, and former public radio fundraiser who grew up in Northeast Ohio’s Steel Valley. Her chapbook—Just the Girls: A Kaleidoscope of Butterflies; A Drift of Honeybees—was published by the Poetry Box in 2020, and her collection of children’s poems—The Galloping Garbage Truck—is forthcoming from Kelsay Books. She is a graduate of the Northeast Ohio MFA Program.
ADVANCE PRAISE FOR Widow Maker by Pamela R. Anderson-Bartholet
Widow Maker is a powerful collection of poems that draws the reader through the heart-rending trauma and horror, tinged with hope and mercy, that the author and her husband face as he endures a medical crisis that few survive, including “the fear that my heart might continue beating/after his is done.” There are also moments of grace and unexpected joy as the couples’ love persists through the ordeal. While reading, I experienced chills, shed tears, and in the end, immediately had to go back and read it all again. Highly recommended!
–John Burroughs, Ohio Beat Poet Laureate 2019-2021, author of Rattle and Numb
In Widow Maker, Anderson-Bartholet skillfully confronts life in all of its hard and soft urgencies; frailty, mortality, and the literal heart’s “tribal beating.” This collection is part invocation, part accusation—how we both praise and curse the body that both sustains and fails us. But like her narrator, the poet asks the reader to never glance “down or back,” and we don’t want to. This courageous, at times wrenching, collection shows a poet who understands language as grace.
–Jessica Jewell, author of Dust Runner
Widow Maker is an intimate lyric account of a wife’s crossing the threshold of cardiac trauma where “we breathe metrics” after a husband’s failed heart “snaps…in half” the speaker’s own heart. In apt metaphor, the physiology of cardiac arrest is projected into the world outside her door―a world of “slender arteries” of mud daubers’ nests. We lean into these poems to catch every nuance and sift the subtle layering of experience and emotion captured in clean speech lines. In gripping narrative, the poet depicts a season lurking at the “intersection between earth and sky.” This exceptional collection is an invitation to join the poet through the great personal distance she covers: a speaker “stunned” by the widow maker’s work moves through an enormous room of dread, guarded hope and ultimately comes to celebrate and “claim what’s left of the day.”
–Barbara Sabol, author of Imagine a Town
#flpauthor #preorder #AwesomeCoverArt #poetry
#poetry#chapbook#preorder#flp authors#flp#poets on tumblr#american poets#leah maines#women poets#chapbooks
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It's a bit quiet with anniversaries today, I missed yesterday as I was busy so here is a round up of what happened on the 15th of January in Scottish history.
In 1923, Glasgow, Scottish poet, songwriter, humorist, writer and teacher, Ivor Cutler was born. If you haven't heard of Cutler please check him out on Youtube, my favorite is Life in a Scotch Sitting Room, Vol. 2, but don't look for volume 1 there isn't one! He appeared in The Beatles' Magical Mystery Tour film in 1967 and John Peel was a big fan.
Born in Edinburgh in 1932, Author Joan Lingard and famous for her bestselling Kevin and Sadie young adult series, Lingard is also notable for her Buxtehuder Bulle prize-winning work Across the Barricades and for her Carnegie Medal-shortlisted book Tug of War. She published her debut novel, Liam's Daughter, in 1963, and her first work of children's fiction, The Twelfth Day of July, in 1970. Her work Tom and the Tree House received the Scottish Arts Council's 1998 Children's Book Award. She has published over 50 works of literature, split between children's stories and adults.
Child prodigy and writer Marjory Fleming was born in Kirkcaldy on January 15th 1803, Marjory was an accomplished and witty poet and diarist although she was not published until 50 years after her death. Her writings became hugely popular in the Victorian period albeit with the published editions severely altered as some her her language was thought inappropriate for an eight year old. The first account of her was given by a London journalist in the Fife Herald and reprinted as a booklet entitled Pet Marjorie: a Story of Child Life Fifty Years Ago. The nickname ‘Pet’ and the spelling of her name with ‘ie’ were inventions of her biographer: both appear on Marjory’s gravestone in Abbotshall Kirkyard, Kirkcaldy erected in 1930. Marjory contracted measles in November 1811 at age 11 and died the following month, her cause of death was recorded as "water on the head" but and is now considered to have been meningitis.
Born on January 15th 1948 one of Scotland's besy long distance runners Ian Stewart. To many particularly of a certain age in Scotland, Ian Stewart is best remembered for his magnificent victory in the 5,000 metres at the 1970 Commonwealth Games in Edinburgh. In front of his "home" crowd at Meadowbank Stadium, the 21-year-old defeated Ian McCafferty and two legendary world distance stars, Kipchoge Keino and Ron Clarke in a European record time. The year before on11 June 1969 at Reading, Ian and his older brother Peter became the first brothers in the world to break the four minutes barrier for the one-mile in a race won by fellow Scotsman, Ian McCafferty. Ian Stewart clocked 3 mins 57.3 secs, four-tenths of a second ahead of Peter. Although he brought home a bronze medal from the 1972 Olympic Games in Munich, Stewart was deeply disappointed at both his performance and how the final had been run. On 8 May 1977 Stewart produced arguably his most remarkable athletics performance when he got away from the field in the first mile to complete the Michelin ten miles Road race in Staffordshire in a time of 45 minutes 13 seconds. Because the time was so unusually fast, the race organisers remeasured the course and found it to be the correct distance. One of six children, three of the siblings won European Athletics titles, surely a remarkable fete in itself. The picture shows Stewart winning from fellow Ian McCafferty in the Commonwealth games 5000 metres at Meadowbank in 1870 The 15th of January 1974 saw the birth of Edith Bowman, Scottish radio and television host in Anstruther Fife. She gained her primary education from Waid Academy and then joined Queen Margaret University in Edinburgh. Edith's debut television appearance was on the MTV UK as a news reader. She also hosted several shows for them. Besides her TV shows, she has been gifted with amazing voice. In the year 2005 she participate in the show Comic Relief Does Fame Academy and win the title by performing the song named Champagne Supernova. Having her legs deep in many field, she has also deep interest in charity programs. She has been raising funds for many causes and for many occasions. In the May of 2008, she organized Fashion Targets Breast Cancer campaign for helping the organization Breakthrough Breast Cancer. She has broadcast radio shows on BBC Radio 1, 2, 5, 6 & Scotland and is currently host of the Virgin Radio UK Breakfast Show. Bowman has also been the host of British Academy (Bafta) Scotland Awards.
Two Scottish Rugby players were born on the 15TH of January, first Scott Murray, in 1976, he won 87 international caps for Scotland and was picked as player of the season in the year on three occasions, he won the final ever 5 nations championship in 1999. The Herald newspaper have him at number 39 of our all time best players.
The second player is Sean Lamont born in Perth in 1981. Sean is the elder statesman of Scottish Rugby at 36, he is also the second-most capped internationalist; surpassing the other birthday boy Scott Murray in the all-time list when he played against Canada in Toronto in June 2014. Sean Lamont is still plying his trade for Glasgow Warriors who have been having a great season but defeat in their last game at Munster leaves them needing a win against Leicester Tigers this coming saturday to guarantee a place in the last eight of the European Rugby Champions Cup.
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Fancy Yourself a Poet? Submit Your Work to These Sites and Get Paid
T.S. Eliot opens “The Wasteland” lamenting April as the cruelest month. But he couldn’t have known it would one day be deemed National Poetry Month, celebrating his cherished form.
You don’t have to be Eliot or Frost or Dickinson to make a little money writing poems. There are paying markets out there if you know where to look. Some offer a lucrative sum, and others — well, it’s more about putting your poetry out there for the world to see.
For most poets, persistence is the name of the game. Small journals are typically slow to respond, if they ever do. It’s common to rack up scores of rejections before your first acceptance. So don’t hold your breath if The New Yorker doesn’t get back to you. Just keep submitting.
“Submit everywhere,” says Jerrod Schwarz, a creative writing instructor at the University of Tampa and the poetry editor of Driftwood Press Literary Magazine. “You lose nothing by submitting to 100 journals.”
That is, if there’s no submission fee. To keep the volume of submissions manageable, some journals and competitions charge submission fees, but the ones we vetted do not. At the very least, we believe your sonnets and couplets shouldn’t have you hemorrhaging cash.
Get Paid to Write Poetry
To point you in the right direction, we’ve compiled some publications, competitions and greeting card companies that meet a few criteria:
They must pay you something, even if it’s $5.
They must not charge you to submit your poetry.
They must accept poetry submissions year-round.
In most cases, creative writing is submitted via email or a submission-management website called Submittable. Before you get started, you should make a free account if you don’t already have one. On Submittable, you can track your current submissions and find other publications that are open to submissions.
Submit everywhere. You lose nothing by submitting to 100 journals.
Blue Mountain Arts
Susan and Stephen Shutz founded Blue Mountain Arts, a greeting card company, in 1971. Initially, the cards featured Stephen’s illustrations and Susan’s poems. As the company expanded, they brought in new writers and illustrators, but the focus remains on the same themes: “genuine emotions on topics such as love, friendship, family, missing you, and other real-life subjects.”
They advise against sending in humorous, religious and rhyming poetry. In your submission email, include as many poems as you like in the body or as an attachment, but don’t link to poems on your website.
Make sure to review the other submission guidelines before hitting send.
How to submit: Email [email protected]
Category: Greeting card
Pay: $300 per poem
Christian Science Monitor
The Christian Science Monitor newspaper accepts poetry for its culture section dubbed “The Home Forum.” Thematically, your poetry should celebrate life and should be uplifting. Avoid topics such as death, darkness and despair and sounding overtly religious.
Submit only one poem per email as a Microsoft Word document or directly in the text. Also include your contact information (phone number, email and mailing address) with each submission.
How to submit: Email [email protected]
Category: News magazine
Pay: Varies per poem
Poetry Foundation
The Poetry Foundation is the nonprofit publisher of Poetry magazine, which has been in print since 1912. The monthly magazine has helped establish some of the most cherished poets of the last century, including T.S. Eliot and Ezra Pound.
To join the ranks of our nation’s most elite poets, submit your best four poems in one word document that does not exceed 10 pages. On the first page, be sure to include your contact information. After that, you’ll receive an automated confirmation email. Hold tight, and don’t submit again until they contact you, for better or worse.
How to submit: Through Submittable
Category: Poetry magazine
Pay: $10 per line ($300 minimum)
Poetry Nation
An online community for amateur poets, the Poetry Nation website holds biannual poetry contests, which publish 121 poems each: 100 third place, 20 runners-up and one winner.
All three categories are awarded a wall plaque. Third place gets a $25 gift card, while the runners-up and winner get cash: $100 and $2,000 respectively. To enter a contest, fill out the required form and include one poem, which should be 26 lines or less and 70 characters across. Using vulgar language and “texting lingo,” or submitting more than one poem per competition is grounds for disqualification.
Double check that you’re adhering to the contest rules before entering.
How to submit: Through the Poetry Nation website
Category: Competition
Pay: $25 to $2,000 plus a wall plaque
Poetry Nook
An online hub of poetry news and discussion, Poetry Nook is an excellent resource for budding and veteran poets alike. Each Monday at midnight, it hosts a weekly poetry contest, which ends Sunday at 11:59 p.m. Eastern time. Contests are for members only, but making an account is free.
There are no theme, style or length restrictions for poetry submissions. The poem can even be previously published. Each winner is awarded a $50 prize plus a chance to win an annual prize of $1,000. Sometimes, when the competition is tight, an honorable mention is awarded $20.
Note: The link to each contest changes weekly. To ensure you’re submitting to the current contest, visit the Poetry Nook home page and look for “Weekly Contest” under the headers.
How to submit: Through the Poetry Nook website
Category: Competition
Pay: $20 to $1,000
Rattle: Poets Respond
Rattle, a quarterly nonprofit journal, wants to make poetry a part of our everyday lives and not just a dusty half-shelf at Barnes & Noble. To do so, it publishes poetry only and runs a weekly contest called Poets Respond.
This competition challenges writers to craft a poem based on a news event within the last week and submit it by midnight Friday, Pacific time, for a chance to win $50. Submitting early could help your chances.
Other than the timely news event, there are no limitations. All reactions and opinions are valid.
To get a sense of what the judges are looking for, browse through the list of previous winners.
How to submit: Through Submittable
Category: Competition
Pay: $50
Snafu Designs
Snafu Designs is an independent greeting card company founded by illustrator Scott Austin in 1985. The outsides of his cards still feature his quirky comic-book style drawings, but he’s turned to writers over the years for what goes inside. Puns, one-liners and off-beat humor are welcome here.
View recent greeting card designs to get a feel for the style and tone, then send up to 12 ideas at a time in the text of an email. No attachments.
To help spur ideas, the submission guidelines recommend putting yourself in the shoes of the buyer. Think of who they are and why they’re buying the card.
Pro Tip
Since you’re working with a blank slate, it may help to imagine an accompanying illustration to give the words more context.
How to submit: Email [email protected]
Category: Greeting card
Pay: $100 per idea
Schwarz, the creative writing instructor, says your patience will pay off.
“Don’t feel like you have to shoot for [the] upper echelons to get paid,” he said. “These little places — they might not pay as much — but they certainly pay.”
Adam Hardy is a staff writer at The Penny Hoarder. He specializes in ways to make money that don’t involve stuffy corporate offices. Read his latest articles here, or say hi on Twitter @hardyjournalism.
This was originally published on The Penny Hoarder, which helps millions of readers worldwide earn and save money by sharing unique job opportunities, personal stories, freebies and more. The Inc. 5000 ranked The Penny Hoarder as the fastest-growing private media company in the U.S. in 2017.
Fancy Yourself a Poet? Submit Your Work to These Sites and Get Paid published first on https://justinbetreviews.tumblr.com/
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THIS WEEK: Winter Words Festival at Pitlochry
New Post has been published on https://gardenguideto.com/awesome/this-week-winter-words-festival-at-pitlochry/
THIS WEEK: Winter Words Festival at Pitlochry
Pitlochry Festival Theatre has an amazing array of demonstrates for this year’s Winter Words Festival from 14 – 17 February :P TAGEND
Thursday, 14 February
Mary Miers and Christina Noble: Journey To A Highland Estate
Enter the wonderful world of the Highland Estate with two fascinating writers. Mary Miers will introduce some of the most dramatic and little-known homes in the romantic north of Scotland, with some specially commissioned images, many from the world famous Country Life picture archive. Christina Noble will focus on one estate- Ardkinglas, a 45,000 -acre estate at the head of Loch Fyne- now famous for its Oyster Bar. She’ll tell the story of the estate, based on personal memories, letters and household diaries- from her great-grandfather buying the estate in 1905, to the community Ardkinglas has become today, looking at a Highland estate in the modern world and asking what is it for?
10. 00 am- 11.00 am | PS8. 50
Ken Cox: Adventures In Woodland Gardening
Festival favourite, Ken Cox returns to Winter Words with a talk on Woodland Gardening, detailing how to landscape with Rhododendrons, Magnolias and Camellias. With plenty of gorgeous images, Ken will take audiences through the history and evolution of the woodland gardening style, from Japan and China, to Europe and around the world. Plus insights and advice on intend, management and restoring woodland gardens. Ken is a third generation woodland gardener at Glendoick, Scotland, a nurseryman and writer of 11 volumes on Scottish gardens, gardening and rhododendrons.
11. 30 am- 12.30 pm | PS8. 50
Chris Townsend: Strolling The Spine Of Scotland Literary Lunch
Chris Townsend, passionate hillwalker and backpacker, is currently Hillwalking Ambassador for the British Mountaineering Council. Here he turns his attention to the spine of Scotland,’ The Watershed’ which operates between the Atlantic and the North Sea, covering 1200 km and describes his walk along the line where fallen rainfall operates either west to the Atlantic or east to the North Sea, showing us some of the stunning images he’s taken along the way. But this tale isn’t simply a travelogue, instead Chris will reflect on nature and history, conservation and rewilding, land use and literature, and change in a time of limitless possibilities for both better and worse.
12. 45 pm- 2.15 pm | PS24. 50 includes a two course lunch and coffee or tea.
Gary Sutherland: Walk This Way
Gary Sutherland is not your typical nature writer. He lived on the doorstep of the West Highland Way for many years, dismissing it, until one day he started to walk- and walking and walk. Gary tells how mounds dedicated him the heebiejeebies, and woods frightened him. Add to that his deep aversion to most forms of wildlife. Then, one day, he decided to tackle the West Highland Way … and the Great Glen Way … and the Speyside Way. This is a tale- with images- of fortitude, cows, resilience, feral goats, ambition, Belgians, ludicrous ridges, cataclysmic quagmires and creepy messages spelt out in pine cones!
3. 00 pm- 4.00 pm | PS8. 50
Donald S Murray and John MacLeod: Remembering The Iolaire Disaster
In 1918, more than 200 men succumbed when His Majesty’s Admiralty Yacht, Iolaire sank, just outside Stornoway Harbour. It was one of the worst shipping catastrophes in British history. The 100 th anniversary of the Iolaire disaster is a time to remember, and we’re doing just that in this event. Donald S. Murray will discuss his fictional account of the tragedy, As The Women Lay Dreaming, while John MacLeod brings us a factual story from the day that so many Scottish hearts were violated. Join us for what will surely be a moving and fascinating discussion.
4. 30 pm- 5.30 pm | PS8. 50
Liz Lochhead with Steve Kettley: Something Old, Something New
A selection of favourites, old and new, from fifty( ouch !) years of bittersweet, polemical, comical, in-character monologues, theatre pieces and performance poems by the former National Poet of Scotland and recipient of the Queen’s Gold Medal for Poetry, Liz Lochhead. Plus bluesy, soulful and playful saxophone stuff from musician, composer and occasional performer, Steve Kettley of long-standing quartet, Steve Kettley’s Odd Times, whose varied career includes work touring the UK and with residencies in New York and Baltimore.
7. 30 pm- 9.00 pm | PS12. 50
Friday, 15 February
Donald S Murray and Robin A Crawford: Discovering The Story Of Peat
Peat. The Dark Stuff. Art historian, Robin A Crawford delves Into The Peatlands of the Outer Hebrides over the course of the year, explaining how they have been created and examining how peat has been used from the Bronze Age onwards plus many other aspects, including the wildlife and folklore relating to these lonely, watery places. Playwright-poet, Donald S. Murray’s talk extends from Lewis and the Highlands to the Netherlands and Australia, unpicking how this landscape affected him and the ways that humans have represented the moor in literature, art and folktale. Together their conversation is a fascinating discourse on this most Scottish of materials.
10. 00 am- 11.00 am | PS8. 50
Andy Howard: The Secret Life Of The Mountain Hare
Andy Howard is a wildlife photographer, ecologist, and expert on the mountain hare. “Usually shy, always charming, they can run like the wind and their presence is an indicator of a healthy environment, where predators and prey live their lives in a constantly changing balance.” In this event Andy will take the audience on a journey with this ultimate survivor, accompanied by his own stunning images.
11. 30 am- 12.30 pm | PS8. 50
Polly Pullar: A Richness Of Martens Literary Lunch
Polly Pullar is a novelist, photographer and field naturalist. She has a particular passion for wildlife, the countryside and in particular remote the sectors of the Highlands and Islands.
Join Polly for a fascinating insight into the story of the Humphreys family and their pine martens, a much misconstrue animal, and a passionate portrait of one of Scotland’s richest habitats- the oakwoods of Scotland’s Atlantic seaboard. Polly’s previous Winter Words appearances ought to have festival highlightings- knowledgeable and packed with energy!
12. 45 pm- 2.15 pm | PS24. 50 includes a two course lunch and coffee or tea.
Alex Boyd: Images Of St. Kilda- The Silent Islands
Alex Boyd’s photographs of the ever-mysterious St. Kilda archipelago depict the beauty of the islands, but he also captures the modern signs of military presence- jarring with the empty landscape: the inter-relationship between heritage, myth and Britain’s ongoing role on the world stage as a major weapons producer.
Alex will take you on the journey across the largest isle of Hirta, from the hills above Village Bay, or in the valley of Gleann Mor beyond, pointing out the structures both ancient and modern built by the St. Kildans themselves.
3. 00 pm- 4.00 pm | PS8. 50
Christopher Baker: J.M.W. Turner, A Life In Watercolour
J.M.W. Turner( 1775 -1 851) was perhaps the most prolific, innovative and one of the best-loved of all British artists. His outstanding watercolours were bequeathed to the National Gallery of Scotland in 1899 by the distinguished collector, Henry Vaughan, and are one of the most popular features of its collection. Join Christopher Baker, Director of the Portrait Gallery, for an illustrated talk that will provide a remarkable overview of many of the most important aspects of Turner’s Career.
4. 30 pm- 5.30 pm | PS8. 50
Doddie Weir: His Name’5 Doddie
Scottish rugby legend, George Wilson Weir is better known to the world as Doddie. Winning 61 caps, he was a fan-favourite of the Scottish crowd, before retiring in 2004. Then, in 2017, Doddie announced he had motor neurone disease. There is currently no remedy, and most patients diagnosed with this illness die within three years of developing symptoms. His foundation, My Name’5 Doddie, is creating money to help find treatments and a remedy. Come along to this special evening and hear Doddie, along with his ghost writer, Stewart Weir, talk on this funny, moving and fascinating uncover of Doddie’s career and life.
6. 00 pm- 7.00 pm | PS10. 00
Prof Dame Sue Black& Dr Richard Shepherd: The Truth About Life And Death
Professor Sue Black is known the world over for her work as a forensic anthropologist and anatomist. From uncovering war crimes in Kosovo to identifying bodies in the Indian Ocean tsunami, she’s returned bodies to their loved ones, often years after they disappeared.
Dr Shepherd takes nothing for granted in the pursuit of truth. Each post-mortem is a detective narrative in its own- and Shepherd has performed over 23,000 of them and involved in some of the most high-profile cases of recent times.
How do these extraordinary people was also able to separate work and the rest of their life- and what happens when those lines blur? Sue and Richard will discuss this and some of the extraordinary instances they’ve covered in their long careers. Q& A conference and book-signing.
7. 30 pm- 9.00 pm | PS14. 50
Saturday, 16 February
Jonny Muir: The Mountains Are Calling
Jonny is a successful hill and fell runner. In an exhilarating story of runners who go to high places, he explores the history and culture of the athletic, and meets the legends who are venerated for their extraordinary endurance. Discovering the insatiable lure of the hills led Jonny to the supreme test of mountain operate: Ramsay’s Round- a daunting 60 -mile circuit of twenty-three mountains, climbing the equivalent height of Mount Everest and culminating on Ben Nevis, to be completed within twenty-four hours. Did he manage it? Find out in Jonny’s talk- illustrated with some of the incredible photo as well as maps contained within his book.
10. 00 am- 11.00 am | PS8. 50
Hamish Brown: East Of West, West Of East
Hamish Brown is a legendary climber, traveller and author. Here he tells the story of his remarkable family, caught in Japan at the outbreak of the Second World War in the Pacific. With letters, journal extracts , notes from his mothers, and his own recollections, he brings the epoch to life: is not merely the dying days of the British Empire, but the terrible reality of the intrusion of Singapore into which they escaped. In 2015, Hamish Brown was awarded an Outdoor Novelist and Photographers Guild, Lifetime Achievement Award for outstanding contribution to outdoor writing and photography.
11. 30 am- 12.30 pm | PS8. 50
Rosemary Goring: Scotland: Her Story Literary Lunch
Scotland’s history has been told many times, but never exclusively by its girls. Rosemary takes a unique view on dramatic national events, as well as ordinary life, as experienced by women down the centuries. From the saintly but severe medieval Queen Margaret, via Nan Shepherd and Muriel Spark, to today’s First Minister, Nicola Sturgeon, Rosemary encompasses females from all stations and notoriety and brings to life the half of history that has for too long been hidden or ignored.
12. 45 pm- 2.15 pm | PS24. 50 includes a two course lunch and coffee or tea.
Penny Junor: All The Queen’s Corgis
The Queen has had corgis by her side ever since she was seven years old and persuaded her parent to buy one for the family. The dogs are the Queen’s constant companions and Jenny’s book discloses the scraps and scrapings in which the dogs have been involved.
Daughter of Sir John Junor and school-mate of Princess Anne, journalist, TV presenter and popular novelist, Penny Junor is maybe best known for her royal biographies, originating with Diana: Princess of Wales, earning her the label of’ royal expert’. This is a fascinating and affectionate look at the Queen and her most faithful companions on what really attains our much-loved and longest reigning monarch truly light up.
3. 00 pm- 4.00 pm | PS8. 50
Gabriella Bennett: Coorie In, The Scottish Way
Coorie, or cosagach in Gaelic, is the Scottish version of hygge- a recently popularised Danish word, meaning to create a warm ambiance and enjoy the good things in life with good people. Gabriella Bennett has travelled Scotland speaking to people whose love of coorie shows in their homes, ingenuity and approach to a life lived well. Join Gabriella as she explores what coorie is and how it has helped nurture the astonishing creativity for which Scotland is famed, despite an often harsh and unforgiving climate.
4. 30 pm- 5.30 pm | PS8. 50
Richard Holloway: Waiting For The Last Bus
Get together with one of the most important and beloved religious leaders of our time as he widens an invitation to reconsider life’s greatest mystery. Now in his ninth decade, former Bishop of Edinburgh, Richard Holloway presents a positive, meditative and profound exploration of the many important lessons we can learn from death: facing up to the limitations of our bodies as they falter, reflecting on our fails, and forgiving ourselves and others.
A reviewer and writer for the press, including The Times, The Guardian and The Scotsman, Richard is a frequent presenter on radio and television and is well known for his support of progressive causes, questioning and addressing complex ethical issues in the areas of sexuality, drugs and bioethics.
6. 00 pm- 7.00 pm | PS10. 00
Neil Oliver: The Story Of The British Isles In 100 Places
Archaeologist, historian, conservationist, writer and broadcaster, Neil Oliver is best known as presenter of the BBC documentary series, Coast. This event is his personal account of what induces these islands so special, told through places which have borne witness to the unfolding of our history. Cradling astonishing beauty, the human narrative here is a million years old, but the tolerant, easy-going peace we’ve enjoyed has been hard won. We’ve made and known the best and worst of days. We have been hero and villain and all else in between.
Beginning with humankind’s earliest ancestors, he takes us via Romans and Vikings, the flowering of religion, civil war, industrial revolution and two world wars. From windswept headlands to battlefields- each is a place where the spirit of the past seems to linger. “I have chosen what I consider to be the most characteristic features of the face I have grown up to know and love … in this present climate of public anxiety, disagreement and uncertainty about the future, I think it is timely to seem again at the past, the histories of this place from its earliest times.”
7. 30 pm- 8.30 pm | PS14. 50
Sunday, 17 February
David Ross: Highland Herald
From 1988 to 2017 David was the Highland Correspondent of The Herald. His patch stretched from the Mull of Kintyre in the south to the Shetland island of Unst in the north; from St. Kilda in the west, to the whisky country of Speyside in the east. David helped the first community land buyout in modern times in Assynt, covered the anti-toll campaign on the Skye Bridge, together with the efforts to save Gaelic and protect ferry services. Join David reflecting on the issues affecting the Highlands and Islands during his time of coverage.
10. 00 am- 11.00 am | PS8. 50
James Crawford: Scotland From The Sky
Accompanying the BBC documentary series, novelist and broadcaster James Crawford’s talk will be based on his lavishly represented volume which draws on the vast collecting of aerial photography held in the Historic Environment Scotland repositories. Opening an extraordinary window into our past this is the remarkable story of a nation from above, showing how our great cities have dramatically altered with the ebb and flow of history, while whole communities have faded in the name of progress. James reveals how aerial imagery can unearth gems from the ancient past, and secrets interred right beneath our feet. Come along to get a glorious bird’s-eye opinion of this story of Scotland, from the sky!
11. 30 am- 12.30 pm | PS8. 50
Christopher Fleet: Scotland: Defending The Nation Literary Lunch
Scotland has had an important military history over the last five centuries. 16 th century conflict with England, Jacobite insurrections in the 18 th century, two world wars, as well as the Cold War, all resulted in significant cartographic activity. Christopher Fleet, Senior Map Curator in the National Library of Scotland will explore this rich legacy through rare maps, some reproduced in book sort for the first time. These maps tell particular tales about both attacking and defending the country: castles, reconnaissance mapping, battle schemes, military roads, mines, adversary maps, unrealised proposals and projected schemes.
12. 45 pm- 2.15 pm | PS24. 50 includes a two course lunch and coffee or tea.
Kaye Adams and Nadia Sawalha: Disaster Chef
Are your family rude about your cook? Do you think cake-bakers come from another planet? Disaster Chef is borne out of MasterChef-winner, Nadia Sawalha’s annoyance with Kaye Adams’ kitchen mishaps. It is a recipe volume for the culinary-challenged to be able to dish up delicious maggot fast. Best friends and television services and facilities presenters Nadia and Kaye are well-known for the ITV daytime show, Loose Women. Nadia rose to fame as Annie Palmer in EastEnders, and Disaster Chef is her sixth cookbook. Kaye, meanwhile, is a highly respected journalist and broadcaster, for ITV and STV and BBC Radio Scotland. Join Nadia and Kaye as they chat about quick and simple recipes, and how not to be a Disaster Chef!
3. 00 pm- 4.00 pm | PS10. 00
Denise Mina and Lin Anderson with James Crawford: Bloody Scotland
In Bloody Scotland twelve of Scotland’s best crime-writers use the sinister side of the country’s build heritage in tales by turns, gripping, chilling and redemptive- exploring the potential of Scotland’s iconic sites. Join writer and broadcaster James Crawford as he talks to two of the twelve: Denise Mina- win of the Short Story Dagger for her story in this collecting, the 2017 McIlvanney Prize and Theakstons Old Peculiar Crime Novel of the Year Award( twice !); and Lin Anderson, best known as creator of the forensic scientist Rhona MacLeod series of crime thriller fictions, and her part in founding the Bloody Scotland crime-writing celebration itself. From murder in an Iron Age broch, to a dark psychological thriller set at Edinburgh Castle, uncover the intimate- and deadly- connections between people and places, as James guides you on a dangerous journey into the dark darkness of our nation’s houses- where passion, ferocity, longing and death collide!
4. 30 pm- 5.30 pm | PS8. 50
Peter Cairns: SCOTLAND: A Rewilding Journey
Not so long ago vibrant, wild forest stretched across much of Scotland. Beavers and cranes were at home in extensive wetlands. Salmon and trout filled the rivers. Lynx, wolf and wild boar roamed wooded glades. Today, it’s easy to be seduced by the raw beauty of the Scottish landscape, but it is sadly an ecological darknes of its former self.
It doesn’t have to be this way. Join conservation photographer Peter Cairns, who results the call for a new vision of a wilder Scotland, where woodlands abundant with life are regenerating, rivers lined with alder and willow operate freely, injury peatlands are revitalised and oceans support the great whales: a place where nature works as it should, wildlife prospers and crucially, where people prosper.
6. 00 pm- 7.00 pm | PS8. 50
Read more: glasgowtheatreblog.com
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WD Poetic Form Challenge: Rhupunt
It’s about time for the first WD Poetic Form Challenge of 2018. Let’s write the rhupunt!
Find the rules for writing rhupunt here. This Welsh form is loaded with rhymes, variability, and fun.
So start writing them and sharing here on the blog (this specific post) for a chance to be published in Writer’s Digest magazine–as part of the Poetic Asides column. (Note: You have to log in to the site to post comments/poems; creating an account is free.)
Here’s how the challenge works:
Challenge is free. No entry fee.
The winner (and sometimes a runner-up or two) will be featured in a future edition of Writer’s Digest magazine as part of the Poetic Asides column.
Deadline 11:59 p.m. (Atlanta, GA time) on February 28, 2018.
Poets can enter as many rhupunts as they wish. The more “work” you make for me the better, but remember: I’m judging on quality, not quantity.
All poems should be previously unpublished. If you have a specific question about your specific situation, just send me an e-mail at [email protected]. Or just write a new rhupunt. They’re fun to write; I promise.
I will only consider poems shared in the comments below. It gets too confusing for me to check other posts, go to other blogs, etc.
Speaking of posting, if this is your first time, your comment may not appear immediately. However, it should appear within a day (or 3–if shared on the weekend). So just hang tight, and it should appear eventually. If not, send me an e-mail at the address above.
Please include your name as you would like it to appear in print. If you don’t, I’ll be forced to use your user/screen name, which might be something like HaikuPrincess007 or MrLineBreaker. WD has a healthy circulation, so make it easy for me to get your byline correct.
Finally–and most importantly–be sure to have fun!
*****
Order the Poet’s Market!
The 2018 Poet’s Market, edited by Robert Lee Brewer, includes hundreds of poetry markets, including listings for poetry publications, publishers, contests, and more! With names, contact information, and submission tips, poets can find the right markets for their poetry and achieve more publication success than ever before.
In addition to the listings, there are articles on the craft, business, and promotion of poetry–so that poets can learn the ins and outs of writing poetry and seeking publication. Plus, it includes a one-year subscription to the poetry-related information on WritersMarket.com. All in all, it’s the best resource for poets looking to secure publication.
Click to continue.
*****
Robert Lee Brewer is Senior Content Editor of the Writer’s Digest Writing Community, which means he maintains this blog, edits a couple Market Books (Poet’s Market and Writer’s Market), writes a poetry column for Writer’s Digest magazine, leads online education, speaks around the country on publishing and poetry, and a lot of other fun writing-related stuff. He’s also the author of the poetry collection Solving the World’s Problems.
Follow him on Twitter @RobertLeeBrewer.
*****
Find more poetic posts here:
Wednesday Poetry Prompts: 403.
Rannaigheact Mhor: Poetic Form.
Ellen Birkett Morris: Poet Interview.
The post WD Poetic Form Challenge: Rhupunt appeared first on WritersDigest.com.
from Writing Editor Blogs – WritersDigest.com http://www.writersdigest.com/whats-new/wd-poetic-form-challenge-rhupunt
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THE 2017 WICKED YOUNG WRITER AWARDS today announced its winners during a ceremony involving over 115 shortlisted finalists and their families and teachers at London’s Apollo Victoria Theatre, home of the award-winning musical WICKED.
Amongst this year’s finalists were consciously crafted stories, poems and non-fiction pieces of writing. The brave and honest writing showed a hopefulness for the world and understanding of the importance of empathy and the need to give a voice to issues that concerned them, including mental illness, dementia, kindness to strangers, hope in adversity, forced marriage, the importance of community in the digital age and the value of education to change the world and help us feel compassion.
Now it its 7th year, the Awards encourage young people aged 5-25 years to use writing as a way of expressing themselves, producing unique and original pieces of prose and poetry. Over 25,000 young people have entered the Awards since they began in 2009, with this year seeing the fastest growing level of entries to date. Over 600 primary and secondary schools and colleges entered this year’s competition from all over the UK with a particularly impressive rise in entries for the 8-10 and 18-25 categories.
Championed by Patron, Her Royal Highness, The Duchess of Cornwall, this year’s judges included former Labour MP, Ed Balls, ITV News Arts Editor, Nina Nannar and the acclaimed performance poet and writer Laura Dockrill. Author and illustrator of the How to Train Your Dragon books, Cressida Cowell, returned as Head Judge for the third consecutive year, together with long-standing judges Jonathan Douglas, Director of the National Literacy Trust and Michael McCabe, Executive Producer of WICKED. Anna Bassi, Editor of The Week Junior is also a guest judge for the FOR GOOD Award for Non-Fiction.
Gaby Roslin, TV and radio presenter, hosted the ceremony with prizes presented by Head Judge Cressida Cowell and the panel of prestigious judges.
Cressida Cowell said of the winners, “This year, my fellow judges and I read poems and stories addressing really big issues – mental illness, hope in adversity, kindness to strangers and the value of education. There was an incredible range of styles and an array of brilliantly original voices, but they all had this in common – they made us as judges feel something.”
Jonathan Douglas, director of the National Literacy Trust said, “Every year I am moved by the incredible writing of the children and young people who enter the Wicked Young Writer Awards – and this year was no exception. Children tackled incredibly difficult subject matters with originality, creativity and an undeniable sense of hope buoyed by the good that can come out of bad situations. Well done to everyone who took part in this year’s awards and congratulations to the worthy winners! We hope that the Awards will continue to inspire children and young people to give their thoughts, ideas and passions a voice.”
WICKED cast members also performed songs from the hit musical including the popular ‘For Good’, as well as readings of the winning entries, which were revealed as:
5-7 Category: Winner: Adam Rafael Holmes, 7, from Islington, London for Auntie Helen has gone to heaven (This is an honest and heartfelt poem about life and death. Thoughtful, playful and positive about death and a celebration of life).
Runner-up: Rosa Little, 6, from Botley, Oxford for The Four Seasons (A poem about the seasons full of imaginative description and inventive use of words language. It also features a unique and heartfelt welcome to refugees).
8-10 Category: Joint winner: Iona Mandal, 10, from Birmingham for Indigo’s Adventures With Love (A sophisticated and lyrical meditation on the nature of love, both tangible and abstract.)
Joint winner: Miranda Tansley, 10, from Tunbridge Wells for The Suffragettes of Tunbridge Wells. (This story breathes life into a true episode from the frontline of the Suffragette movement).
11-14 Category: Winner: Isla Siggs, 13, from Eastbourne, for A Spot of Bother (A grisly tale! A meticulously detailed history of a truly disgusting spot that simply will not be defeated).
15-17 Category: Winner: Julia McGrattan, 17, from Hemel Hempstead for Perfectly Unstable (A brave, brilliantly executed, short story tackling a difficult subject of mental health. A calculated deception or the beginning of decent into madness. A satisfying twist forces the readers to draw their own conclusions).
Runner-up: Ilana Pearce, 15, from Leeds for Why Don’t You Just Stop? (This poem is an insightful account of living with OCD, expressed in language and rhythm that reflects the real struggle that sufferers face every day).
Winner: Claire Joicey, 22, from Cornhill-on-Tweed for The Attic (A haunting and atmospheric story told in richly descriptive prose, painting a portrait of sorrow and buried grief).
‘FOR GOOD’ Category: Winner: Scarlett Rushton, 25, from Chalfont St Peters for Bus 305 (A surprising true story of community and the beauty and importance of connection in the digital age).
WICKED YOUNG WRITER AWARDS
The WICKED YOUNG WRITER AWARDS, created by the award-winning musical WICKED, were set up to encourage and recognise excellence in writing, and creativity, and help develop literacy and writing talent in young people between the ages of 5 and 25. Since launching in 2010, over 25,000 young people have entered original and thought-provoking pieces of writing that consistently reflect the interests, concerns and deepest thoughts of young people, providing a first-look at the emerging voices of a new generation.
The Awards are separated into six categories, for entrants between the ages of 5-25. They allow young people from across the UK and Ireland to enter a piece of writing on a theme or subject of their choice. Young people are free to submit entries written at home or at school, and teachers are encouraged to enter writing on behalf of their pupils. Exclusive teachers’ resources can be found online including tips for inspiring and encouraging writing in the classroom.
The 2017 Awards sees the second year of the FOR GOOD Award for Non-Fiction, encouraging 15-25 year olds to write essays or articles that recognise the positive impact that people can have on each other, their communities and the world we live in. This category celebrates the WICKED: FOR GOOD philanthropic programme, which supports the work of multiple charities.
115 finalists from across the UK will see their work published in the Wicked Young Writer Awards Anthology, which will be published in association with Young Writers (http://ift.tt/2tW964i). The 115 finalists are also invited to an exclusive ceremony at the Apollo Victoria Theatre, home to the musical WICKED since 2006, where judges and members of theWICKED cast announce who has won in each category.
Prizes include:
The overall winners from each category will win £50 book/eBook tokens donated by National Book Tokens and the 5-14 year old winners will receive £100 worth of books for their school library kindly donated by Hachette Children’s Group, a subscription to young people’s current affairs magazine, The Week Junior and a bespoke WICKED workshop for their school.
Winners in the 15-17, 18-25 and FOR GOOD categories will also win a self-publishing package from Spiderwize and an exclusive writing experience with one of the Awards’ literacy partners. In addition, the winner of the FOR GOOD category will win a work experience placement at The Week Junior.
The three schools that submit the most entries will also win a Creative Writing Workshop for their school for up to thirty students delivered by WICKED’s education team.
All winners will win four tickets to see the London production of WICKED at the Apollo Victoria Theatre and an opportunity to meet cast members after the show along with an exclusive backstage tour.
http://ift.tt/2sYBRAe LondonTheatre1.com
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National Grammar Day Haiku Contest Winners 2017
The winner of the National Grammar Day Tweeted Haiku Contest submitted a single entry that uses grammar terms in a humorous senryu, a poetry form closely related to haiku.
Senryu follows the haiku form of three lines and 17 onji, usually simplified as syllables. Unlike traditional haiku, a senryu doesn’t necessarily make a statement about nature.
With a pregnant pause I calculate periods Here come contractions #Haiku #GrammarDay #GrammarGirl
— Lills (@LillaryBlinton) March 2, 2017
The winning entry may have come from Sophia Loren. But probably not. We just don’t know.
The poet goes by Lills on Twitter with the handle @LillaryBlinton. The profile photo is a caricature of Sophia Loren. (Ms. Loren, is it really you? Please call.)
The Twitter account was started this week and has a single tweet: the winning haiku.
But the anonymity of the poet didn’t bother the judges, who chose this tweet from approximately 500 contest entries.
Runners Up
Did I mention we had hundreds of entries this year? Being a runner-up is still a huge honor. Congratulations to these fabulous poets:
A semicolon separates us; but still I feel subordinate#GrammarDay #Haiku
— Holly Jones (@TheHollyJones) March 2, 2017
Hyphens have no sound. Mouthfuls of modifiers get stacked silently.#GrammarDay
— Zelc (@Zczartist) February 27, 2017
A modifier. Seeks squinting relationship. Ambiguous terms. #GrammarDay #haiku
— npettengill (@commaspice) March 2, 2017
To fight legalese / Semicolonoscopy / Is recommended. #GrammarDay #haiku
— Andy Hollandbeck (@4ndyman) February 28, 2017
Honorable Mentions
There is no doubt that if I were the subjunctive you would not exist.#GrammarDay
— Sue Archer (@dbwcomm) March 2, 2017
Between you and I, I could care fewer about hypercorrection.#GrammarDay #haiku
— Stan Carey (@StanCarey) March 2, 2017
Why do the’se writer’s in’si’st on apo’strophe’s when an “s” come’s up?#GrammarDay #haiku
— The YUNiversity (@The_YUNiversity) March 2, 2017
counting syllables is no way to make sense of grammar and usage.#haiku #GrammarDay
— [ pf ]* (@FyfePeter) March 2, 2017
When recalling the dead, all pronouns should have clear antedecedents. #GrammarDay #haiku
— Andy Hollandbeck (@4ndyman) March 1, 2017
You can review all the entries by scrolling back through the hashtag #GrammarDay on Twitter or at the Storify.
A huge thanks to our expert panel of haiku judges:
• Emily Brewster (@eabrewster) is an associate editor and lexicographer at Merriam-Webster, Inc. As a general definer, she’s covered all kinds of vocabulary, from grammar to finance to slang. Her videos for Merriam-Webster’s website tackle such vexing issues as lie vs. lay and its vs. it’s. She’s also worked as a poetry editor.
• Laura M. Browning (@ellembee) is co-editor-in-chief of The A.V. Club and a board member of the American Copy Editors Society. She once won a poetry award in high school.
• Amorak Huey (@amorak), a 2017 National Endowment for the Arts Fellow in poetry, is author of the poetry collection Ha Ha Ha Thump (Sundress, 2015) and the chapbooks The Insomniac Circus (Hyacinth Girl, 2014) and A Map of the Farm Three Miles from the End of Happy Hollow Road (Porkbelly, 2016). He teaches writing at Grand Valley State University, before which he spent 14 years as a reporter and editor at newspapers in Florida, Kentucky, and Michigan.
• Tom Freeman (@SnoozeInBrief) is an editor at the Wellcome Trust, a foundation that supports health-related research and publishes longform science stories at mosaicscience.com. He is the winner of the 2016 ACES National Grammar Day Tweeted Haiku Contest.
• Paula Froke (@PaulaFroke) is the AP’s special liaison editor with MSN/Microsoft and lead editor of the AP Stylebook. Her 30-plus years with the AP has included jobs as news editor in Minnesota and Michigan, deputy national editor at headquarters and assistant managing editor/nights on the AP Nerve Center in New York. She worked on the editing desk at four Olympics.
from Grammar Girl RSS http://www.quickanddirtytips.com/education/grammar/national-grammar-day-haiku-contest-winners-2017
0 notes
Text
National Grammar Day Haiku Contest Winners 2017
The winner of the National Grammar Day Tweeted Haiku Contest submitted a single entry that uses grammar terms in a humorous senryu, a poetry form closely related to haiku.
Senryu follows the haiku form of three lines and 17 onji, usually simplified as syllables. Unlike traditional haiku, a senryu doesn’t necessarily make a statement about nature.
With a pregnant pause I calculate periods Here come contractions #Haiku #GrammarDay #GrammarGirl
— Lills (@LillaryBlinton) March 2, 2017
The winning entry may have come from Sophia Loren. But probably not. We just don’t know.
The poet goes by Lills on Twitter with the handle @LillaryBlinton. The profile photo is a caricature of Sophia Loren. (Ms. Loren, is it really you? Please call.)
The Twitter account was started this week and has a single tweet: the winning haiku.
But the anonymity of the poet didn’t bother the judges, who chose this tweet from approximately 500 contest entries.
Runners Up
Did I mention we had hundreds of entries this year? Being a runner-up is still a huge honor. Congratulations to these fabulous poets:
A semicolon separates us; but still I feel subordinate#GrammarDay #Haiku
— Holly Jones (@TheHollyJones) March 2, 2017
Hyphens have no sound. Mouthfuls of modifiers get stacked silently.#GrammarDay
— Zelc (@Zczartist) February 27, 2017
A modifier. Seeks squinting relationship. Ambiguous terms. #GrammarDay #haiku
— npettengill (@commaspice) March 2, 2017
To fight legalese / Semicolonoscopy / Is recommended. #GrammarDay #haiku
— Andy Hollandbeck (@4ndyman) February 28, 2017
Honorable Mentions
There is no doubt that if I were the subjunctive you would not exist.#GrammarDay
— Sue Archer (@dbwcomm) March 2, 2017
Between you and I, I could care fewer about hypercorrection.#GrammarDay #haiku
— Stan Carey (@StanCarey) March 2, 2017
Why do the’se writer’s in’si’st on apo’strophe’s when an “s” come’s up?#GrammarDay #haiku
— The YUNiversity (@The_YUNiversity) March 2, 2017
counting syllables is no way to make sense of grammar and usage.#haiku #GrammarDay
— [ pf ]* (@FyfePeter) March 2, 2017
When recalling the dead, all pronouns should have clear antedecedents. #GrammarDay #haiku
— Andy Hollandbeck (@4ndyman) March 1, 2017
You can review all the entries by scrolling back through the hashtag #GrammarDay on Twitter or at the Storify.
A huge thanks to our expert panel of haiku judges:
• Emily Brewster (@eabrewster) is an associate editor and lexicographer at Merriam-Webster, Inc. As a general definer, she’s covered all kinds of vocabulary, from grammar to finance to slang. Her videos for Merriam-Webster’s website tackle such vexing issues as lie vs. lay and its vs. it’s. She’s also worked as a poetry editor.
• Laura M. Browning (@ellembee) is co-editor-in-chief of The A.V. Club and a board member of the American Copy Editors Society. She once won a poetry award in high school.
• Amorak Huey (@amorak), a 2017 National Endowment for the Arts Fellow in poetry, is author of the poetry collection Ha Ha Ha Thump (Sundress, 2015) and the chapbooks The Insomniac Circus (Hyacinth Girl, 2014) and A Map of the Farm Three Miles from the End of Happy Hollow Road (Porkbelly, 2016). He teaches writing at Grand Valley State University, before which he spent 14 years as a reporter and editor at newspapers in Florida, Kentucky, and Michigan.
• Tom Freeman (@SnoozeInBrief) is an editor at the Wellcome Trust, a foundation that supports health-related research and publishes longform science stories at mosaicscience.com. He is the winner of the 2016 ACES National Grammar Day Tweeted Haiku Contest.
• Paula Froke (@PaulaFroke) is the AP’s special liaison editor with MSN/Microsoft and lead editor of the AP Stylebook. Her 30-plus years with the AP has included jobs as news editor in Minnesota and Michigan, deputy national editor at headquarters and assistant managing editor/nights on the AP Nerve Center in New York. She worked on the editing desk at four Olympics.
from Grammar Girl RSS http://www.quickanddirtytips.com/education/grammar/national-grammar-day-haiku-contest-winners-2017
0 notes
Text
National Grammar Day Haiku Contest Winners 2017
The winner of the National Grammar Day Tweeted Haiku Contest submitted a single entry that uses grammar terms in a humorous senryu, a poetry form closely related to haiku.
Senryu follows the haiku form of three lines and 17 onji, usually simplified as syllables. Unlike traditional haiku, a senryu doesn’t necessarily make a statement about nature.
With a pregnant pause I calculate periods Here come contractions #Haiku #GrammarDay #GrammarGirl
— Lills (@LillaryBlinton) March 2, 2017
The winning entry may have come from Sophia Loren. But probably not. We just don’t know.
The poet goes by Lills on Twitter with the handle @LillaryBlinton. The profile photo is a caricature of Sophia Loren. (Ms. Loren, is it really you? Please call.)
The Twitter account was started this week and has a single tweet: the winning haiku.
But the anonymity of the poet didn’t bother the judges, who chose this tweet from approximately 500 contest entries.
Runners Up
Did I mention we had hundreds of entries this year? Being a runner-up is still a huge honor. Congratulations to these fabulous poets:
A semicolon separates us; but still I feel subordinate#GrammarDay #Haiku
— Holly Jones (@TheHollyJones) March 2, 2017
Hyphens have no sound. Mouthfuls of modifiers get stacked silently.#GrammarDay
— Zelc (@Zczartist) February 27, 2017
A modifier. Seeks squinting relationship. Ambiguous terms. #GrammarDay #haiku
— npettengill (@commaspice) March 2, 2017
To fight legalese / Semicolonoscopy / Is recommended. #GrammarDay #haiku
— Andy Hollandbeck (@4ndyman) February 28, 2017
Honorable Mentions
There is no doubt that if I were the subjunctive you would not exist.#GrammarDay
— Sue Archer (@dbwcomm) March 2, 2017
Between you and I, I could care fewer about hypercorrection.#GrammarDay #haiku
— Stan Carey (@StanCarey) March 2, 2017
Why do the’se writer’s in’si’st on apo’strophe’s when an “s” come’s up?#GrammarDay #haiku
— The YUNiversity (@The_YUNiversity) March 2, 2017
counting syllables is no way to make sense of grammar and usage.#haiku #GrammarDay
— [ pf ]* (@FyfePeter) March 2, 2017
When recalling the dead, all pronouns should have clear antedecedents. #GrammarDay #haiku
— Andy Hollandbeck (@4ndyman) March 1, 2017
You can review all the entries by scrolling back through the hashtag #GrammarDay on Twitter or at the Storify.
A huge thanks to our expert panel of haiku judges:
• Emily Brewster (@eabrewster) is an associate editor and lexicographer at Merriam-Webster, Inc. As a general definer, she’s covered all kinds of vocabulary, from grammar to finance to slang. Her videos for Merriam-Webster’s website tackle such vexing issues as lie vs. lay and its vs. it’s. She’s also worked as a poetry editor.
• Laura M. Browning (@ellembee) is co-editor-in-chief of The A.V. Club and a board member of the American Copy Editors Society. She once won a poetry award in high school.
• Amorak Huey (@amorak), a 2017 National Endowment for the Arts Fellow in poetry, is author of the poetry collection Ha Ha Ha Thump (Sundress, 2015) and the chapbooks The Insomniac Circus (Hyacinth Girl, 2014) and A Map of the Farm Three Miles from the End of Happy Hollow Road (Porkbelly, 2016). He teaches writing at Grand Valley State University, before which he spent 14 years as a reporter and editor at newspapers in Florida, Kentucky, and Michigan.
• Tom Freeman (@SnoozeInBrief) is an editor at the Wellcome Trust, a foundation that supports health-related research and publishes longform science stories at mosaicscience.com. He is the winner of the 2016 ACES National Grammar Day Tweeted Haiku Contest.
• Paula Froke (@PaulaFroke) is the AP’s special liaison editor with MSN/Microsoft and lead editor of the AP Stylebook. Her 30-plus years with the AP has included jobs as news editor in Minnesota and Michigan, deputy national editor at headquarters and assistant managing editor/nights on the AP Nerve Center in New York. She worked on the editing desk at four Olympics.
from Grammar Girl RSS http://www.quickanddirtytips.com/education/grammar/national-grammar-day-haiku-contest-winners-2017
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National Grammar Day Haiku Contest Winners 2017
The winner of the National Grammar Day Tweeted Haiku Contest submitted a single entry that uses grammar terms in a humorous senryu, a poetry form closely related to haiku.
Senryu follows the haiku form of three lines and 17 onji, usually simplified as syllables. Unlike traditional haiku, a senryu doesn’t necessarily make a statement about nature.
With a pregnant pause I calculate periods Here come contractions #Haiku #GrammarDay #GrammarGirl
— Lills (@LillaryBlinton) March 2, 2017
The winning entry may have come from Sophia Loren. But probably not. We just don’t know.
The poet goes by Lills on Twitter with the handle @LillaryBlinton. The profile photo is a caricature of Sophia Loren. (Ms. Loren, is it really you? Please call.)
The Twitter account was started this week and has a single tweet: the winning haiku.
But the anonymity of the poet didn’t bother the judges, who chose this tweet from approximately 500 contest entries.
Runners Up
Did I mention we had hundreds of entries this year? Being a runner-up is still a huge honor. Congratulations to these fabulous poets:
A semicolon separates us; but still I feel subordinate#GrammarDay #Haiku
— Holly Jones (@TheHollyJones) March 2, 2017
Hyphens have no sound. Mouthfuls of modifiers get stacked silently.#GrammarDay
— Zelc (@Zczartist) February 27, 2017
A modifier. Seeks squinting relationship. Ambiguous terms. #GrammarDay #haiku
— npettengill (@commaspice) March 2, 2017
To fight legalese / Semicolonoscopy / Is recommended. #GrammarDay #haiku
— Andy Hollandbeck (@4ndyman) February 28, 2017
Honorable Mentions
There is no doubt that if I were the subjunctive you would not exist.#GrammarDay
— Sue Archer (@dbwcomm) March 2, 2017
Between you and I, I could care fewer about hypercorrection.#GrammarDay #haiku
— Stan Carey (@StanCarey) March 2, 2017
Why do the’se writer’s in’si’st on apo’strophe’s when an “s” come’s up?#GrammarDay #haiku
— The YUNiversity (@The_YUNiversity) March 2, 2017
counting syllables is no way to make sense of grammar and usage.#haiku #GrammarDay
— [ pf ]* (@FyfePeter) March 2, 2017
When recalling the dead, all pronouns should have clear antedecedents. #GrammarDay #haiku
— Andy Hollandbeck (@4ndyman) March 1, 2017
You can review all the entries by scrolling back through the hashtag #GrammarDay on Twitter or at the Storify.
A huge thanks to our expert panel of haiku judges:
• Emily Brewster (@eabrewster) is an associate editor and lexicographer at Merriam-Webster, Inc. As a general definer, she’s covered all kinds of vocabulary, from grammar to finance to slang. Her videos for Merriam-Webster’s website tackle such vexing issues as lie vs. lay and its vs. it’s. She’s also worked as a poetry editor.
• Laura M. Browning (@ellembee) is co-editor-in-chief of The A.V. Club and a board member of the American Copy Editors Society. She once won a poetry award in high school.
• Amorak Huey (@amorak), a 2017 National Endowment for the Arts Fellow in poetry, is author of the poetry collection Ha Ha Ha Thump (Sundress, 2015) and the chapbooks The Insomniac Circus (Hyacinth Girl, 2014) and A Map of the Farm Three Miles from the End of Happy Hollow Road (Porkbelly, 2016). He teaches writing at Grand Valley State University, before which he spent 14 years as a reporter and editor at newspapers in Florida, Kentucky, and Michigan.
• Tom Freeman (@SnoozeInBrief) is an editor at the Wellcome Trust, a foundation that supports health-related research and publishes longform science stories at mosaicscience.com. He is the winner of the 2016 ACES National Grammar Day Tweeted Haiku Contest.
• Paula Froke (@PaulaFroke) is the AP’s special liaison editor with MSN/Microsoft and lead editor of the AP Stylebook. Her 30-plus years with the AP has included jobs as news editor in Minnesota and Michigan, deputy national editor at headquarters and assistant managing editor/nights on the AP Nerve Center in New York. She worked on the editing desk at four Olympics.
from Grammar Girl RSS http://www.quickanddirtytips.com/education/grammar/national-grammar-day-haiku-contest-winners-2017
0 notes
Text
National Grammar Day Haiku Contest Winners 2017
The winner of the National Grammar Day Tweeted Haiku Contest submitted a single entry that uses grammar terms in a humorous senryu, a poetry form closely related to haiku.
Senryu follows the haiku form of three lines and 17 onji, usually simplified as syllables. Unlike traditional haiku, a senryu doesn’t necessarily make a statement about nature.
With a pregnant pause I calculate periods Here come contractions #Haiku #GrammarDay #GrammarGirl
— Lills (@LillaryBlinton) March 2, 2017
The winning entry may have come from Sophia Loren. But probably not. We just don’t know.
The poet goes by Lills on Twitter with the handle @LillaryBlinton. The profile photo is a caricature of Sophia Loren. (Ms. Loren, is it really you? Please call.)
The Twitter account was started this week and has a single tweet: the winning haiku.
But the anonymity of the poet didn’t bother the judges, who chose this tweet from approximately 500 contest entries.
Runners Up
Did I mention we had hundreds of entries this year? Being a runner-up is still a huge honor. Congratulations to these fabulous poets:
A semicolon separates us; but still I feel subordinate#GrammarDay #Haiku
— Holly Jones (@TheHollyJones) March 2, 2017
Hyphens have no sound. Mouthfuls of modifiers get stacked silently.#GrammarDay
— Zelc (@Zczartist) February 27, 2017
A modifier. Seeks squinting relationship. Ambiguous terms. #GrammarDay #haiku
— npettengill (@commaspice) March 2, 2017
To fight legalese / Semicolonoscopy / Is recommended. #GrammarDay #haiku
— Andy Hollandbeck (@4ndyman) February 28, 2017
Honorable Mentions
There is no doubt that if I were the subjunctive you would not exist.#GrammarDay
— Sue Archer (@dbwcomm) March 2, 2017
Between you and I, I could care fewer about hypercorrection.#GrammarDay #haiku
— Stan Carey (@StanCarey) March 2, 2017
Why do the’se writer’s in’si’st on apo’strophe’s when an “s” come’s up?#GrammarDay #haiku
— The YUNiversity (@The_YUNiversity) March 2, 2017
counting syllables is no way to make sense of grammar and usage.#haiku #GrammarDay
— [ pf ]* (@FyfePeter) March 2, 2017
When recalling the dead, all pronouns should have clear antedecedents. #GrammarDay #haiku
— Andy Hollandbeck (@4ndyman) March 1, 2017
You can review all the entries by scrolling back through the hashtag #GrammarDay on Twitter or at the Storify.
A huge thanks to our expert panel of haiku judges:
• Emily Brewster (@eabrewster) is an associate editor and lexicographer at Merriam-Webster, Inc. As a general definer, she’s covered all kinds of vocabulary, from grammar to finance to slang. Her videos for Merriam-Webster’s website tackle such vexing issues as lie vs. lay and its vs. it’s. She’s also worked as a poetry editor.
• Laura M. Browning (@ellembee) is co-editor-in-chief of The A.V. Club and a board member of the American Copy Editors Society. She once won a poetry award in high school.
• Amorak Huey (@amorak), a 2017 National Endowment for the Arts Fellow in poetry, is author of the poetry collection Ha Ha Ha Thump (Sundress, 2015) and the chapbooks The Insomniac Circus (Hyacinth Girl, 2014) and A Map of the Farm Three Miles from the End of Happy Hollow Road (Porkbelly, 2016). He teaches writing at Grand Valley State University, before which he spent 14 years as a reporter and editor at newspapers in Florida, Kentucky, and Michigan.
• Tom Freeman (@SnoozeInBrief) is an editor at the Wellcome Trust, a foundation that supports health-related research and publishes longform science stories at mosaicscience.com. He is the winner of the 2016 ACES National Grammar Day Tweeted Haiku Contest.
• Paula Froke (@PaulaFroke) is the AP’s special liaison editor with MSN/Microsoft and lead editor of the AP Stylebook. Her 30-plus years with the AP has included jobs as news editor in Minnesota and Michigan, deputy national editor at headquarters and assistant managing editor/nights on the AP Nerve Center in New York. She worked on the editing desk at four Olympics.
from Grammar Girl RSS http://www.quickanddirtytips.com/education/grammar/national-grammar-day-haiku-contest-winners-2017
0 notes
Text
National Grammar Day Haiku Contest Winners 2017
The winner of the National Grammar Day Tweeted Haiku Contest submitted a single entry that uses grammar terms in a humorous senryu, a poetry form closely related to haiku.
Senryu follows the haiku form of three lines and 17 onji, usually simplified as syllables. Unlike traditional haiku, a senryu doesn’t necessarily make a statement about nature.
With a pregnant pause I calculate periods Here come contractions #Haiku #GrammarDay #GrammarGirl
— Lills (@LillaryBlinton) March 2, 2017
The winning entry may have come from Sophia Loren. But probably not. We just don’t know.
The poet goes by Lills on Twitter with the handle @LillaryBlinton. The profile photo is a caricature of Sophia Loren. (Ms. Loren, is it really you? Please call.)
The Twitter account was started this week and has a single tweet: the winning haiku.
But the anonymity of the poet didn’t bother the judges, who chose this tweet from approximately 500 contest entries.
Runners Up
Did I mention we had hundreds of entries this year? Being a runner-up is still a huge honor. Congratulations to these fabulous poets:
A semicolon separates us; but still I feel subordinate#GrammarDay #Haiku
— Holly Jones (@TheHollyJones) March 2, 2017
Hyphens have no sound. Mouthfuls of modifiers get stacked silently.#GrammarDay
— Zelc (@Zczartist) February 27, 2017
A modifier. Seeks squinting relationship. Ambiguous terms. #GrammarDay #haiku
— npettengill (@commaspice) March 2, 2017
To fight legalese / Semicolonoscopy / Is recommended. #GrammarDay #haiku
— Andy Hollandbeck (@4ndyman) February 28, 2017
Honorable Mentions
There is no doubt that if I were the subjunctive you would not exist.#GrammarDay
— Sue Archer (@dbwcomm) March 2, 2017
Between you and I, I could care fewer about hypercorrection.#GrammarDay #haiku
— Stan Carey (@StanCarey) March 2, 2017
Why do the’se writer’s in’si’st on apo’strophe’s when an “s” come’s up?#GrammarDay #haiku
— The YUNiversity (@The_YUNiversity) March 2, 2017
counting syllables is no way to make sense of grammar and usage.#haiku #GrammarDay
— [ pf ]* (@FyfePeter) March 2, 2017
When recalling the dead, all pronouns should have clear antedecedents. #GrammarDay #haiku
— Andy Hollandbeck (@4ndyman) March 1, 2017
You can review all the entries by scrolling back through the hashtag #GrammarDay on Twitter or at the Storify.
A huge thanks to our expert panel of haiku judges:
• Emily Brewster (@eabrewster) is an associate editor and lexicographer at Merriam-Webster, Inc. As a general definer, she’s covered all kinds of vocabulary, from grammar to finance to slang. Her videos for Merriam-Webster’s website tackle such vexing issues as lie vs. lay and its vs. it’s. She’s also worked as a poetry editor.
• Laura M. Browning (@ellembee) is co-editor-in-chief of The A.V. Club and a board member of the American Copy Editors Society. She once won a poetry award in high school.
• Amorak Huey (@amorak), a 2017 National Endowment for the Arts Fellow in poetry, is author of the poetry collection Ha Ha Ha Thump (Sundress, 2015) and the chapbooks The Insomniac Circus (Hyacinth Girl, 2014) and A Map of the Farm Three Miles from the End of Happy Hollow Road (Porkbelly, 2016). He teaches writing at Grand Valley State University, before which he spent 14 years as a reporter and editor at newspapers in Florida, Kentucky, and Michigan.
• Tom Freeman (@SnoozeInBrief) is an editor at the Wellcome Trust, a foundation that supports health-related research and publishes longform science stories at mosaicscience.com. He is the winner of the 2016 ACES National Grammar Day Tweeted Haiku Contest.
• Paula Froke (@PaulaFroke) is the AP’s special liaison editor with MSN/Microsoft and lead editor of the AP Stylebook. Her 30-plus years with the AP has included jobs as news editor in Minnesota and Michigan, deputy national editor at headquarters and assistant managing editor/nights on the AP Nerve Center in New York. She worked on the editing desk at four Olympics.
from Grammar Girl RSS http://www.quickanddirtytips.com/education/grammar/national-grammar-day-haiku-contest-winners-2017
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WD Poetic Form Challenge: Ottava Rima
Time for another WD Poetic Form Challenge–this time for the ottava rima!
Find the rules for writing ottava rima here. Popular with English poets, this Italian 10-liner looks a lot like a French form.
So start writing them and sharing here on the blog (this specific post) for a chance to be published in Writer’s Digest magazine–as part of the Poetic Asides column. (Note: You have to log in to the site to post comments/poems; creating an account is free.)
Here’s how the challenge works:
Challenge is free. No entry fee.
The winner (and sometimes a runner-up or two) will be featured in a future edition of Writer’s Digest magazine as part of the Poetic Asides column.
Deadline 11:59 p.m. (Atlanta, GA time) on December 31, 2017.
Poets can enter as many ottava rima as they wish. The more “work” you make for me the better, but remember: I’m judging on quality, not quantity.
All poems should be previously unpublished. If you have a specific question about your specific situation, just send me an e-mail at [email protected]. Or just write a new ottava rima. They’re fun to write; I promise.
I will only consider poems shared in the comments below. It gets too confusing for me to check other posts, go to other blogs, etc.
Speaking of posting, if this is your first time, your comment may not appear immediately. However, it should appear within a day (or 3–if shared on the weekend). So just hang tight, and it should appear eventually. If not, send me an e-mail at the address above.
Please include your name as you would like it to appear in print. If you don’t, I’ll be forced to use your user/screen name, which might be something like HaikuPrincess007 or MrLineBreaker. WD has a healthy circulation, so make it easy for me to get your byline correct.
Finally–and most importantly–be sure to have fun!
*****
Order the new Poet’s Market!
The new 2018 Poet’s Market, edited by Robert Lee Brewer, includes hundreds of poetry markets, including listings for poetry publications, publishers, contests, and more! With names, contact information, and submission tips, poets can find the right markets for their poetry and achieve more publication success than ever before.
In addition to the listings, there are articles on the craft, business, and promotion of poetry–so that poets can learn the ins and outs of writing poetry and seeking publication. Plus, it includes a one-year subscription to the poetry-related information on WritersMarket.com. All in all, it’s the best resource for poets looking to secure publication.
Click to continue.
*****
Robert Lee Brewer is Senior Content Editor of the Writer’s Digest Writing Community, which means he maintains this blog, edits a couple Market Books (Poet’s Market and Writer’s Market), writes a poetry column for Writer’s Digest magazine, leads online education, speaks around the country on publishing and poetry, and a lot of other fun writing-related stuff. He’s also the author of the poetry collection Solving the World’s Problems.
Follow him on Twitter @RobertLeeBrewer.
*****
Find more poetic posts here:
Wednesday Poetry Prompts: 403.
Rannaigheact Mhor: Poetic Form.
Ellen Birkett Morris: Poet Interview.
The post WD Poetic Form Challenge: Ottava Rima appeared first on WritersDigest.com.
from Writing Editor Blogs – WritersDigest.com http://www.writersdigest.com/whats-new/wd-poetic-form-challenge-ottava-rima
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WD Poetic Form Challenge: Roundelay
Time for another WD Poetic Form Challenge–this time for the roundelay!
Find the rules for writing roundelays here. A good, old school French poetic form packed with plenty of rhymes and refrains (plenty of rhymes and refrains).
So start writing them and sharing here on the blog (this specific post) for a chance to be published in Writer’s Digest magazine–as part of the Poetic Asides column. (Note: You have to log in to the site to post comments/poems; creating an account is free.)
Here’s how the challenge works:
Challenge is free. No entry fee.
The winner (and sometimes a runner-up or two) will be featured in a future edition of Writer’s Digest magazine as part of the Poetic Asides column.
Deadline 11:59 p.m. (Atlanta, GA time) on October 31, 2017.
Poets can enter as many roundelays as they wish. The more “work” you make for me the better, but remember: I’m judging on quality, not quantity.
All poems should be previously unpublished. If you have a specific question about your specific situation, just send me an e-mail at [email protected]. Or just write a new roundelay. They’re fun to write; I promise.
I will only consider poems shared in the comments below. It gets too confusing for me to check other posts, go to other blogs, etc.
Speaking of posting, if this is your first time, your comment may not appear immediately. However, it should appear within a day (or 3–if shared on the weekend). So just hang tight, and it should appear eventually. If not, send me an e-mail at the address above.
Please include your name as you would like it to appear in print. If you don’t, I’ll be forced to use your user/screen name, which might be something like HaikuPrincess007 or MrLineBreaker. WD has a healthy circulation, so make it easy for me to get your byline correct.
Finally–and most importantly–be sure to have fun!
*****
Order the new Poet’s Market!
The new 2018 Poet’s Market, edited by Robert Lee Brewer, includes hundreds of poetry markets, including listings for poetry publications, publishers, contests, and more! With names, contact information, and submission tips, poets can find the right markets for their poetry and achieve more publication success than ever before.
In addition to the listings, there are articles on the craft, business, and promotion of poetry–so that poets can learn the ins and outs of writing poetry and seeking publication. Plus, it includes a one-year subscription to the poetry-related information on WritersMarket.com. All in all, it’s the best resource for poets looking to secure publication.
Click to continue.
*****
Robert Lee Brewer is Senior Content Editor of the Writer’s Digest Writing Community, which means he maintains this blog, edits a couple Market Books (Poet’s Market and Writer’s Market), writes a poetry column for Writer’s Digest magazine, leads online education, speaks around the country on publishing and poetry, and a lot of other fun writing-related stuff. He’s also the author of the poetry collection Solving the World’s Problems.
Follow him on Twitter @RobertLeeBrewer.
*****
Find more poetic posts here:
Wednesday Poetry Prompts: 403.
Rannaigheact Mhor: Poetic Form.
Ellen Birkett Morris: Poet Interview.
The post WD Poetic Form Challenge: Roundelay appeared first on WritersDigest.com.
from Writing Editor Blogs – WritersDigest.com http://www.writersdigest.com/whats-new/wd-poetic-form-challenge-roundelay
0 notes