#about my writing lol

[inkskinned]

please i love you i'm begging you bring back suspension of disbelief bring back trusting the audience like. i cannot handle any more dialogue that sounds like a legal document. "hello, i am here to talk to you about the incident from a few minutes ago, because i feel you might be unwell, and i am invested in your personal wellbeing." "thank you, i am unwell because the incident was hurtful to me due to my childhood, which was bad." I CANT!!!!

do you know how many people are mad that authors use "growled" as a word for "said"? it's just poetics! they do not literally mean "growled," it's just a common replacement for "said with force but in a low tone." it's normal! do you hear me!! help me i love you please let me out of here!!!

[valtsv]

being someone who's passionate about their interests when you're a horror fan really is a special layer of hell because every interaction you have with another person where the conversation turns to your hobbies and personal entertainments is a trial where if you show too much unrepentant glee at getting an opportunity to talk about your preferred subject you get to watch them mentally move you onto their list of untrustworthy individuals to avoid in the future in real time

[eridan-ampora]

i love it when characters are codependent. i love it when losing someone feels like losing a limb. i love it when two people "complete" each other so wholly and terribly that one can barely function without the other. i love it when the fear of losing the only person who understands them is so all-consuming they'll destroy anything to stay together, including themselves.

[crispyliza]

I've got you all figured out fanartists

[katsinspats]

Tragic: Guy you based your entire villain backstory on doesn't even remember you

[wykonii]

They’re having a nerd-off

[buggachat]

something so fucked up about Chat Noir’s whole deal is that he is in a lot of ways Adrien playing a character. Like Adrien picked up his miraculous and was told he’d be a superhero so he was like “ok, time to act like a superhero!” and he lets himself have fun w it and play up the role and let loose and kind of just allow himself to be silly and goofy and have fun and for once in his life not care about performing Perfection™.

But. But none of the other characters KNOW THAT. So everyone just sees Chat Noir and is like “look at this guy’s ego. He’s so full of himself. Surely it’d be fair to knock him down a few pegs” without being aware of how few pegs he actually HAS. He’s like the “insecure character who overcompensates in ego” trope except he’s really not doing it unironically, he’s just having a fun LARP pretending to have self worth in his off-hours but nobody else is on the same page about it being a game and he refuses to tell them. He just dramatically pouts about it and lets them laugh and pretends like he’s not internalizing it and it is almost 3 am and my brain forced me to write this instead of sleeping I’m gonna take a melatonin

[grey-viridian]

Leonardo

I finished this comic about a month ago but couldn't bring myself to post it. It started as a simple illustration and then I just kept adding more and more and at some point I had to stop myself and cut the story short. I'm still not entirely satisfied with the result but... well. I like it. That's enough.

[drgnflyteabox]

mdni - implied fat!reader x bluecollar!simon riley drabble - simon is a bit of a creep also lol

Bluecollar!Simon Riley whose house floods so he has to spend the next few days in a cheap, seedy motel

First morning there he's leaving for work just as the sun is rising. Its hot, humid, and he's a shitty mood because he'll be working all day and it's only gonna get hotter

Simon Riley who smokes a couple cigs before he goes, sitting on a plastic lawn chair on his concrete faux patio when he sees you

You're flustered, damp with sweat and skin sun-kissed. You've got a laundry basket on your hip and immediately he's imagining a baby there instead. His baby.

Simon Riley who's shameless about staring at you struggling with the laundry door, dropping your clothes and giving him a view of your wide hips and plush ass in very short pajama shorts

You're so flustered:(( nearly in tears while you pick everything up. The shorts are a little tight, a little worn, and the thin material gives him just enough of a view of your pussy that it sustains him the whole day :')

All he can imagine is coming back and sinking into you :') not even necessarily fucking right away, but keeping his cock warm and relieving the tension in his body. He deserves that, no?

He's not creeping, necessarily, when he takes note of the lotion you use. Vanilla. He just happened to be having a smoke and walking right by your window, where you've got one foot propped on a chair rubbing it into your skin.

Your room is tidy. Despite the stained walls, cracks in the ceiling and overall dingy-ness, you've managed to make it look cozy.

New sheets, a fluffy blanket, string lights strung across the wall. Beside you, lotions and creams and washes - he snorts a little to himself. The bathrooms here don't have any counter space or mirrors to set them down on.

But his house does. In fact, most of his shelves are empty everywhere. His pantry, his closets. The only thing he's got are work clothes and beers in the fridge. Maybe a stray heel of bread.

Simon Riley who decides he'll have you move in before he even talks to you, before he starts memorizing your schedule on the weekends and evenings he gets home. You're struggling, on the edge of homelessness, but he knows you'd be the perfect wife and mother. That you'd bring light and warmth to his house, fill those empty shelves and empty rooms...

[the-raindeer-king]

Imagine Simon's mom doesn't die with Tommy and Beth. Maybe she was out of town, or at a friend's house, and Roba's men were sloppy and missed her. Anyway, so it's just Simon and her now, and because he blames himself for what happened, he's pulled away from her.

He pays her rent, even if he wanted her to live in a nicer apartment complex. And he visits during her birthday and Mother's Day, and sometimes just randomly stops by. But he never stays very long, and he doesn't tell her a lot about his new life. It's a very one sided relationship, but she tries to make the best of it.

And then you move in next door, during one of Simon's deployments. You feel bad for the sweet lady that lives next to you. She never seems to have much company, and you take it upon yourself to befriend her, spending more time in her apartment than your own.

You learn about her ex husband, her sons, the tragedy, and most importantly, you learn about Simon. And you hate him. Mrs. Riley (she insists you call her Sarah) is such a lovely woman, and it's clear how much she cares about her living son, how hard she's trying to keep their relationship alive.

It's the second Mother's Day after you move in when you finally meet Simon. Your relationship with your own mother is complicated, so you've opted to spend the day with Mrs. Riley. You'd gotten her a small present, and had planned to spend the day drinking wine and watching historical romance movies.

You're thoroughly shocked when you knock on her door, and a man answers. Six feet, built like a brick house, but under his scowl, you recognize Sarah's eyes.

“You must be Simon.”

His scowl deepens, but before he can say anything, Mama Riley is pushing past him, pulling you into her apartment to fuss over you.

She apologizes for not telling you sooner, but your plans will have to be rescheduled. Simon's back early, and she can't waste a precious second.

You're understanding. You've listened to her worried rants, given her space to cry over how things have turned out. You know she loves spending time with her son, even if the visits are short and he doesn't talk much.

Simon doesn't miss the way you glare at him. There's a fury in your eyes, even as you cheerily wish his mother a happy mother's day. For a moment, he wonders if you're a spy. But that thought is quickly diminished, when you verbally eviscerate him at the door.

You're quiet, not wanting to upset his mom, but your anger is clear. It may not be your business, but Mama Riley is your friend, and you adore the older woman. And you cannot stand by while he treats her like this. She loves her son so much, and he needs to step up and try harder.

As you're chewing him out, Simon's already head over heels, planning your wedding as the seconds tick by.

(A/N: You can read this as a stand alone piece, but I did write 3 more drabbles (four in total!) for this! They're all on my blog under the tag mama riley au. Thank you for reading!)

Part 2 Part 3 Part 4

[just-a-whumping-racoon-with-wifi]

Some small details for a character learning sword fighting for the first time:

- sore wrists

- blisters on hands

- every movement opens you up to be hit

- they will hit the tops of their arm and own sides with the sword while learning

- there is a primal sixth sense when you know you’re being toyed with

And, for your typically nonviolent characters.

You don’t aim for the swords. You aim for the person holding the sword.

It sounds so obvious but needs to be accepted. Actively. When holding a sword you have to understand you’re attacking another person. Even to block you have to aim your blocks at the other person or they won’t be strong enough to actually protect yourself.

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[druid-for-hire]

hawkeye and trapper get fake septums

(id under the cut)

[image id: a three-page digital comic about characters from the TV show MASH, illustrated by "druid-for-hire." On page 1, frank burns squints at Hawkeye from a short distance, who is next to Trapper, who is reading a newspaper that obscures his face. "Pierce," Burns asks, "what's on your face?" Hawkeye turns to face him, revealing a septum piercing. "what's what, Frank?" he asks. Shocked and affronted by this breach in army regulations, he shouts, "I can't!! Believe you!! It's not enough for you to disagrace the army uniform by being out of it all the time? You have to go and--and do that! You look like a punk! Or a cow!"

On page 2, Hawkeye, unbothered, replies "Y'know, Frank, I'm finally living up to the Pierce name. I was thinking about going for some ear tag earrings. Maybe I can get a nurse to pull my udders." Frank howls, "That's disgusting!" Turning to Trapper he shouts, "Did you have anything to do with this, McIntyre?" Trapper pulls down the newspaper to reveal that he's wearing three septum rings and says, "I sure did! He stole my look!"

On page 3, Frank says "You're both terrible. Both of your butts are going on report!" while Hawkeye takes out his apparently fake septum ring behind his back. "Report for what, Frank?" he asks; Frank turns to see that the piercing is now missing. "Yeah, what's the matter, Frank?" Trapper says, whose piercing is suddenly missing as well. Frank storms off, yelling "Neither of you can pull the wool over my eyes!! Just wait until General Barker hears about this!" Some time later, Frank is standing next to General Barker, pointing at Hawk. "General, I'm telling you, the hole is THERE!" he shouts. "Go and take a look in those nostrils for yourself!" There is a long and awkward pause. The General did not like that. Hawkeye remarks, "Gee Frank, take a girl to dinner first." end id]

[bluerosefox]

To Protect Them

Another DPxDC idea with twins Danny and Damian.

'He knows.'

That was only message Danny received before he felt like he had dropped in freezing cold Arctic waters naked and felt if he remembered to breathe at this moment he would see his own breath, even though he had an ice core and no longer felt actual cold anymore, and for a moment the world around him faded into nothing.

No sound, no touch, not even smell.

Nothing.

Then like a supernova, everything around him exploded.

Everything was too loud, to strong, his skin felt hot and cold at the same time somehow. The feeling of dread crawled up his body.

He needed to go.

Run.

This message was his only warning. The only thing his birth mother could send him in regards of help. He knows it, he knows she can't do anything else but this. He also knows she wants to do more but in order continue to be the eyes and ears inside of the hellhole he once called home, a place he both hated and feared yet somehow still loved if only for the memories of his mother and brother, she could not do anything more.

"Hey Dann-o! Anything good in the mail today!?" Came the loud voice of Jack Fenton, his adopted dad, from the doorway. The same man who took one look at a muddy, dirty, tense, untrusting, almost fully feral little six year old Danyal al Ghul who held onto his only daughter hand when she dragged him home after finding him behind the Nasty Burger looking for food, and decided point blank that he was now a Fenton. That Danny, Daniel was his son as if he always was.

Danny could feel his lip tremble when he realized if he ran, if he booked it out of Amity now, the people he loved, the people he would happily die for, would be targeted. It wouldn't matter if he faked his death, or just left with no warning and never contacted them ever, ever again.

They would be killed for just knowing him.

For their deaths would be his punishment.

Danny could feel the rest of the mail in his hands, the ones he had went outside to get before breakfast cause his mom asked him to, fall out of them, the only one staying was the message from his birth mother. He took in a shaky uneven breath and turned around.

His face no doubt was pale, paler than it normally was, and his body trembled, and Danny had no doubt that despite all the training he had learned when he was in the League that even if he brought it out and pretended he was fine, his dad would be able to tell something was wrong.

Because his dad's happy cheerful face shifted to a concerned worried frown, a frown Danny hadn't seen in a few years, a frown that was common when Danny would wake in the middle of the night screaming, begging, or cursing in his native language or when he would be spooked enough to reach for a knife. But even with those moments the man never ever found fault in Danny, instead he would lower his voice and speak softly to Danny, waiting until he calmed down before asking if it would be okay to touch or hug him. Then he would sit with Danny for hours, keeping his normally loud and booming voice soft as he talked about random things, like family fudge recipes and how they came to be.

"Danny?" Jack asked softly as he took a small step forward, one of his hands lifted up as if asking permission to reach out.

Danny wanted nothing more than to rush into his dad's arms and hide in his large frame. Hide from the world around him but Danny knows he didn't have time, none of them did.

He took in one more breath and could feel his body stop shaking, his mind no longer chaotic, and his nerves steeling up. For the first time in a long, long time, he wasn't Daniel 'Danny' Fenton anymore.

He was Danyal al Ghul again.

"Dad. Get mom and Jazz into the GAV. Now." Danny ordered, his eyes narrowing as he clutched the message in his hand tight.

His dad knew something big was going down.

And he trusted Danny enough to do so quickly.

Danny closed his eyes as his dad ran into the house, yelling for Maddie and Jazz to get into the GAV. Danny opened them when he could feel the message in his hands slowly being covered in ice and knew his eyes were now glowing green.

He didn't have a lot of time. He needed to get his family, Tucker, and Sam out of Amity.

He needed to get them someplace safe.

He needed backup. More than his family and his friends.

He needed-

Danny nearly jumped when he realized who he can call to help.

In a flash he took his phone out of his pocket and quickly dialed a number he barely liked calling but needed to do so at this moment.

He waited, it felt like ages and it was agonizing, before the person on the other line finally picked up.

"What do you want-" came a somewhat same but rougher sounding of his voice but Danny cut him off.

"Dan, he knows." was the only thing Danny needed to say because he could hear the sharp intake of breath.

"Get them here now." was the order.

"Already on it. Is Ellie and Vlad with you?"

"Yes."

"Good. We'll be there shorty. Keep them safe."

"And then what?" Came the gruff question.

"Then... Then we'll prepare and call in Father and Damian. We need all the help we can get."

".....He won't be happy... About everything. Our... your fake death you know."

".... I know. But hopefully Father and the rest of his batclan will keep him from lashing out too much, especially with civilians and innocent lives on the line."

The two, Danny and Dan fell into a silence for a moment. Danny could hear his dad trying to hurry his mom and Jazz into the GAV despite their questions

".... Explaining all of this is going to be a shit show isn't it." Came Dan's voice after a couple of minutes.

Danny winced because yeah, not only explaining his actual past as Danyal al Ghul to the Fenton's, Tucker, Sam, and to Ellie, and Vlad but also having to explain his new life to his birth father and twin brother, a brother who thought he was dead, was going to be a hell in a handbasket.

"Yeah... it will be." Came his only response as he heard the GAV starting up and the garage door opening. Dan must of heard it over the speaker phone and said "Get Sam and Tucker and get here soon. No stops. We'll fortified Vlads dumb place in the meantime."

Dan didn't wait after that and instead just disconnected the call. Danny removed his phone from his ear and quickly pull up the group chat he had with his friends, sending them a quick message to meet him now. He used the code they had set up incase the Fenton's didn't take to him being Phantom well, he never had to use it since they took the news good, well as good as one could be after finding out their invention had half killed their son and that they had been hunting his ghost side down, but since this was important he needed them to be ready now.

He frowned as the Fenton GAV pulled up towards him and knew that what happens next would be...

Stressful.

[mimikyuno]

im literally sobbing in bed trying to sleep but mizu5 literally tore my heart out. i cant stop crying fr. i genuinely think mizuki akiyama is making history as one of the best written trans characters im so serious. the kindness and carefulness in which her story is being told is mindblowing. this event was perfect tbh. im so fr. no way after such a long wait the secret was gonna be revealed with happy tears and there. done. this event Physically altered the game. it’s the only event to do so, and the only event to end on such a cliffhanger. the way the whole event gets the player to empathise fully with mizuki - you feel her anxiety and her fear and pain. and then the rooftop scene. it was unbearable. her coming out was taken away from her. she had to see ena’s shocked expression from the sidelines. ena, the one she wanted to tell the most. ena, who has been waiting for her by her side for all this time. seeing the realization dawn on ena is too much for and she runs, like she always has. even though she Knows ena was just shocked. she Knows ena and niigo will accept her.

(sidenote i cut lots of dialogue from the screenshots above bc tumblr 10 images limit)

“you’re so kind, ena.” but that does not matter. it’s all ruined. in niigo’s eyes, mizuki was just a girl. a “normal girl”, as the classmates called ena. even if niigo accepts her, she’s terrified that they’re never gonna see her as a “real girl” again. just like her classmates. this change in their perception is heartbreaking, terrifying. and even more than that is the fear that from now on, niigo is only gonna act normal around her out of pity. the thought is unbearable. it’s all ruined. nothing can ever be like before in mizuki’s eyes. her precious, safe place was ripped away from her. mizuki’s pain felt so real and raw that i still get chills when i think of the last two chapters of this event. the way ena screamed and ran after her, her desperation to reach her, her horror at seeing how much mizuki’s been suffering, the way mizuki’s coming out was also taken away from ena. their precious moment, long awaited, stolen and destroyed by some careless, transphobic comments. “are you also a dude?”. ena’s anger at herself for not being able to reassure mizuki, for not knowing what to say in the face of all that hurt and fear.

the event ends with an unskippable black screen, and mizuki’s voice saying “you reap what you sow,” and then these lines:

mizuki’s dissociation and suicidal thoughts hit me like a truck. as meiko told kaito, this situation is so fragile. and all it took was ena’s shocked expression to send mizuki into a dissociative spiral.

(continues in rb)

[beetleandfox]

I love how unsanitized The Terror feels. Like there’s grime everywhere. You can tell those men smell bad. When they do surgery you can hear the bone being cut, when they get sick they look genuinely ill. The main character’s actor even has pockmarks, he LOOKS like he could be from the 1800s! And idk, I think it’s cool that we’re so aware of the characters’ carnal desires. They’re hungry, thirsty, freezing, etc, and it is so obvious that they have a body with needs!!

I think this also accounts for how horny the show feels, even though everyone is bundled up 90% of the time and there are no real romantic subplots. Besides the fact that it’s a very carnal show, it just has the intimacy and grime of true horniness. Is this thing on