#about a specific writer

[bardofavon]

not to be controversial bc I know this is like…not in line with shifting opinions on fanfic comment culture but if there’s a glaring typo in my work I will NOT be offended by pointing it out. if ao3 fucks up the formatting…I will also not be offended by having this pointed out…

‘looking forward to the next update’ and ‘I hope you update soon!’ are different vibes than a demand, and should be read in good faith because a reader is finding their way to tell you how much they love it. I will not be mad at this.

‘I don’t usually like this ship but this fic made me feel something’ is also incredibly high praise. I’m not going to get mad at this.

even ‘I love this fic but I’m curious about why you made [x] choice’ is just another way a reader is engaging in and putting thought into your work.

I just feel like a lot of authors take any comment that’s not perfectly articulated glowing praise in the exact manner they’re hoping to receive it in bad faith.

fic engagement has been dropping across the board over the last several years, and yes it’s frustrating but it isn’t as though I can’t see how it happens. comment anxiety can be a real thing. the last thing anyone wants to do is offend an author they love, and that means sometimes people default to silence.

idk where I’m going with this I guess aside from saying unless a comment is outright attacking me I’m never going to get mad at it, and I think a lot of authors should feel the same way. ESPECIALLY TYPOS PLZ GOD POINT OUT MY TYPOS.

[whoosh-whoosh-tardis-noises]

Doctor Who solved the death of the author debate by never having one author, having no canon, and all of the authors are already trying to kill each other for you. Don’t like a particular writer’s interpretation? Great grab some popcorn and watch as 30 acclaimed science fiction writers go Julius Cesar on them over the span of 20 years.

On top of that most of the current writers grew up on the show and are fans, so it creates a story that feels completely untethered from any one person’s perspective. It's a universe in the hands of the audience.

[mentally-ill-for-bes]

It's almost hilarious how even when Viktor is trying to get rid of his humanity it just highlights how partial he's to Jayce. His villain speech isn't even threatening, he searches for Jayce to talk especifically, he is still trying to convince Jayce to join him or to see the benefits of glorious evolution, I would say even trying to impress him. He touches Jayce's forehead even when it's not necessary to know his mind, he keeps the blanket even when he does not feel cold or warm long ago. He could have easily kill him but instead he decides to talk more with him about glorious evolution hoping he to accept him without realizing that Jayce is what makes him look the most human, the most desperate for company and understanding

[jomeimei421]

Felt a bit nostalgic watching RT shut down…Here are the og faves again for old times sake 💙

[bruciemilf]

I’m actually really sad I have to communicate this, but yall should REALLY consume fandom media created by actual, human people, not AI.

[twingeof-cosmic-angst]

God bless fanfiction and its writers. You don't exist yet Doctor/Rogue tag on ao3 but the tears I will shed when I get my hands on you...

[randomsufff]

You know what I really need in fanfics? More confession scenes where one person drops the confessions then runs, fast as fuck, in the other direction.

Like, obviously they’ll meet back up eventually and talk about it (which is hilarious in itself that they would have to sprint to catch up while yelling why they’re like this) , BUT THINK ABOUT IT!!! It 1) give the other person a chance to gather their thoughts so the person confessing doesn’t have to sit in anxious silence and 2) allows the confessor to get it over with quick and overcomes that anxiety over confessing. Also it’s just fucking hilarious.

Like imagine your fav paring or whatever, they get to that part where one (or both idk) realizes their feelings for the other but they’re just anxious to be vulnerable like that or they fear rejection, whatever. One of them suddenly goes, fuck it, and they turn to the other. (Maybe they’re on a sidewalk, maybe they’re in a park IDK endless possibilities here) and they go:

“ok I’m about to say something, it’s nothing bad (I hope) and I’m willing to talk about it after I say it. I’m 100% serious, this is really not a joke. But I’m going to say this and run to (relevant location). Ok? Ok…. Don’t freak out… iminlovewithyou” *Cue maniac SPRINTING as fast as humanly possible in the other direction* (Bro I’m cracking up just typing about this)

AND THEN!!! You get to chose how they react after a few stunned seconds. Do they sprint after them? Do they shout to bring their ass back over to them? Do they race like hell to beat the other at the determined location??? I don’t know, but it’s hilarious as fuck and can transition seamlessly into heartfelt feeling talk.

(Thinking about this with specific ships is funny as hell too)

Idk I think of more fics had this trope we could all have a grand ol silly time instead of accidentally speed reading through confession schemes because the stress is too much then having to go back and re-read it to fully process it, as one does. You know?

[francy-sketches]

rhaenyra could say 'I wish I was a man with dick and balls' and hotd twitter would still be like 'umm she just means she wants freedom and respect but otherwise she is a FEMININE WOMAN stop making her into a man you weirdos'

[casscainmainly]

Since it's StephCass week, I wanted to share one of my fav StephCass moments, from Batgirls #16. Cass' promise to never abandon Steph hits so hard when thinking about their relationship in Batgirl (2000). They have so many good moments it's easy to forget one of the longest running threads in their relationship: Steph leaving Cass, and Cass letting her go.

From Batgirl (2000) #28, #38, #53, #54. It all leads to their final confrontation in #55:

Before she can give chase, Cass gets called away by Batman. Though rooftop tag is a cute tradition between them, in reality Cass never chases after Steph, not once; this final time, letting Steph go results in her death. Of course it's not Cass' fault, as much as it's not Steph's, but she probably does blame herself in some capacity.

Which is why that moment in Batgirls #16 is so moving. For two people who have been torn apart time and time again, sometimes by external forces, sometimes of their own volition - for someone like Cass, who spent most of her life without someone to come home to - finding someone who stays, who fights to stay, is incredibly special. They won't leave each other alone. They never will.

[the-one-that-weeps]

Every time someone in this godforsaken fandom says "I think we've talked about misogyny enough" I want to hit them with a hammer. No we haven't.

We haven't even talked about the deep "Ruikasa&Akitoya Vs. literally everyone else" imbalance enough but imagine all of the people that get pressured into writing specifically for male/male ships simply because otherwise they won't get any appreciation.

Yes it's a cowardly thing but when you see Ruikasa having over 4000 fics and Ichisaki having like 5 in total obviously you're going to be discouraged. Obviously you'll be biased into creating Ruikasa instead of other ships.

And as someone who depends on appreciation in particular to do any work at all obviously that's going to have a lasting consequence. Some people spend 4 hours crying in front of a screen just for 3 people to like their work and leave, it's understandable if they lose passion for creating at all, you guys killed them.

It's even in how we handle m/m ships. You go into a fic that's tagged Rui&Tsukasa(platonic), someone in the comments always goes "okay but when do they kiss". You go to an action-packed longfic, someone always ends up going "okay but when do they kiss".

Fuck you guys. Actually. This is a silly piano tiles game about Hatsune Miku, we should be one of the MOST CREATIVE fandoms in history and somehow people still get mad over two boys not kissing immediately after getting introduced. It's so fucking difficult being a content creator in this fandom because you always end up having to take the same route. They meet they tease they kiss. End of story. "Oh you're doing something "lame" instead? -1 kudo. Bring me my yaoi next🖕"

[carriewhiteislove]

“i can fix him” “i can make him worse” well you know what?? i can project onto him

[welcometogrouchland]

I understand that literature nerd Jason Todd is kind of overblown in fanon compared to it's actual presence in canon (a few issues during his pre (and post?)crisis Robin tenure that highlight it) BUT consider that I think it's hilarious if the unhinged gun toting criminal has strong opinions on poetry

[companion-showdown]

Who had the worst time aboard the TARDIS?

TOURNAMENT MASTERPOST

[youaskedfurret]

The lack of media literacy in the baldurs gate fandom is astounding. There's a good ending for Astarion and a bad ending for him and people keep picking the bad ending for him and being shocked when he's mean to them LMAO.

[jesncin]

A Queer and Asian review of Xanthe Zhou + Spirit World

I haven't exactly been thorough about how I specifically feel about Xanthe Zhou as "representation" for people like me and a part of me didn't want to be too harsh since they're a fan favorite and I'm sure the writer did their best and what not- but there is this sense of "I'm not even whelmed I'm underwhelmed" by Xanthe as a character. I don't dislike them, but I can't say I'm a fan if I don't find them particularly interesting.

I'm sure for a lot of people the idea of a Chinese non-binary anime sword wielding, bomber jacket wearing, shaved cut having, envoy between the living and spirit world character is a novel concept. But when you've lived the reality this character attempts to represent (ghosts and spirits are a tuesday where I'm from) and have sought out that representation from within your own communities, Xanthe pales in comparison like a really corporate product. So I want to talk about intersectional storytelling and what a holistic queer Asian superhero could look like.

Again I'm aware Spirit World was written by a queer Chinese author (+ an all Chinese team) and as a fellow author who has to navigate mainstream publishing and deal with attempts at sandpapering authenticity for capitalism I want to stress that I Get The Struggle. But I'm allowed to be critical of how the final product turned out. Some of this is subjective musing even.

Here's the premise of Xanthe Zhou's character: When Xanthe was a very tiny kid, they were run over by a car when they were walking alone at night in the rain. They're resurrected by a powerful spirit called Po Po to be the half-dead, half-living Envoy of the Spirit World.

Everything about Xanthe is exhaustively corporate for me. Like industry planted representation designed to be as safe as possible and attempts at being intersectional are limited. Spirit World features Cassandra Cain Batgirl and John Constantine Hellblazer because that's how we get Asian and queer DC fans to hop onto out new queer Asian character! Xanthe doesn't get to stand out in their own world, or have an established cast system the way Kong Kenan gets to. Spirit World suffers from being a follow up to an Event comic, with all these characters crossing over- but it didn't rise to the challenge of including Batgirl and Johnstantine in meaningful ways. The story would've been better if they were replaced by characters unique to Xanthe's cast system.

I've become pretty cynical about scenes like this one. It's a scene where Xanthe is forcefully invited to have dinner with their family they haven't seen in years. The transphobic dinner pages made rounds on social media because "ooh look at John Constantine gendering a non-binary person correctly even when Xanthe's family keeps misgendering them", and "whoa even the magic system respects a trans person's name". It's free marketing, you can see comments on these posts asking what comic this is from to read more. People will start discourse over "Constantine going woke" and the defenders will pull up receipts that "John has always been a lefitst" and so on and so forth. I saw the promos for Spirit World, but these panels were what piqued my interest early on.

My twin and I were taking turns reading Spirit World- Jes asked Cin (who finished reading first) "so what about that transphobic dinner scene? Was it there? Are there other scenes that talk about it?" and Cin said "nope that's it. The rest is magic fight scenes and spirit world stuff." And honestly that feels calculated. It's like that Jenny Nicholson Star Wars Hotel thing: "whoa if they have this droid and this animatronic alien performer, imagine what else they have!" but nope. That's it. Just enough to fit in a tik tok promo. Just enough to fit in a tweet and make rounds. It's not like Alan Scott's Green Lantern solo, where his queer identity isn't limited to one scene designed to go viral. The whole narrative holistically discussed what it was like to be a gay man in that era. Spirit World on the other hand felt like it had a representation quota to fulfill before moving on to the generic Superhero Stuff- an entirely separate plot.

Then there's Xanthe and John. As a Hellblazer purist I already knew this was going to be a hard read for me since I'm not a fan of DC!Constantine but I've talked before about how Spirit World still has that appeal for me because sometimes og Hellblazer is a pain to read as a person of color. Maybe I can enjoy the fantasy of Constantine being an ally to an Asian person instead of fetishizing them like he did in those old Vertigo comics (people love to leave that out when they're defending Constantine as an ally but whatever). And people kept talking about how this is an elder and younger queer friendship dynamic and I love those.

So where was that? Sure, John genders Xanthe correctly over transphobic dinner and comforts them afterwards. But nothing he says or does is specific to a queer elder. Any ally or character can say these things or do these gestures. He doesn't speak from personal experience about how "it gets better" or "I know what it's like" it's just. "yeah throwing up in Gotham is great I do it all the time". Excuse me if I don't think that's substantial.

Ooh but the ghost of Johnstantine's ex boyfriend Oliver showed up! And then there was a bi joke about how John hooks up with a clone of himself a "dozen times" because he's such a slut amirite, gays. Diversity win. I expected bi jokes from DC!Constantine but marketing this as a queer narrative or generational friendship is a stretch.

Spirit World would've been a more holistic queer narrative if Wan Yujing, the villainous corrupted spirit that wanted to be remembered properly (or reincarnated, depends on the writer's mood)-was revealed to be a queer person. This would've been a fantastic opportunity to recontextualize Xanthe's personal transphobic encounter with their family into a larger systemic theme of queer historical erasure. The original meaning of a "dead name" is the idea that when a trans person dies, their family will put the wrong name on their grave. It's literally their "dead" name, erasing their legacy in writing. So why not include that in your conflict?

Wan Yujing is revealed to be a famous poet, slowly forgotten because "time erodes everything" (vague and bad writing btw). Why not pitch something more motivated and specific? Make it so that she wrote queer literature that was destroyed. Make it so that her lover was rewritten in history books as her "friend". Then when Xanthe makes the promise to remember Wan Yujing as she truly was, it'd be a holistic act of queer recognition and solidarity. But instead the resolution is just Xanthe Zhou promising "hey I'll remember you" and Wan Yujing just takes their word for it.

Can we talk about the huge missed opportunity of what this dialogue implies? Xanthe proclaims that they are both living and dead, granted the living's power to remember and the dead's immortality. Why was this not thematically paired with their experience as a non-binary person struggling in a cis-heteronormative world. Heck, why not pair this with how they're a queer Asian American, a perpetual foreigner wherever they go? Not Asian enough for traditional spaces, but not white enough for a majority of queer American spaces. Are we worried we'll scare off the white audience if this got too intersectional?

Xanthe gets more fleshed out under a different writer (Jeremy Holt) for one of the DC Pride stories (2023). Here, Xanthe talks about how being in the land of the living feels like going about a routinic obligation; "Reminding me that home isn't necessarily where the heart is". This is so much like the disassociated way trans people go about life before figuring themselves out. It's also like how a perpetual foreigner doesn't fit in anywhere. But it's not paralleled to that experience. The fantasy aspects of Xanthe Zhou the Envoy, are completely separate from the very few personal civilian parts of them. Like they're a Superhero first and a person second. The later half of this story gets overtaken by a team up with Batwoman, because once you have a new character set in Gotham you are at the whims of being absorbed into the greater Batfam conglomerate.

There's interesting concepts at the center of Xanthe's character. But it's hard to give credit to writing that doesn't follow any of that through. Xanthe's a hero motivated by making sure the dead are remembered and respected. That's a decent motivation in general, and a pretty resonant one for a queer hero-but everything surrounding the execution of that idea feels so half-assed to me. Xanthe's origin story has so many plot holes, it feels like it was thought up in 5 minutes.

Why was their death just some random car accident and not something more motivated? Why did the all powerful Po Po decide to resurrect them specifically? Where's the tension in any of the many excessive fight scenes in Spirit World, if Xanthe's apparently immortal? Also they age? What are the stakes for a character like this? This isn't even covering the shoddy writing for their transphobic family drama (Why did they just stalk their family after being resurrected? Why did their mom recognize them even though they've been gone and have aged for 15 years? so many questions ugh).

(why was this toddler walking around alone in the rain with their own umbrella. In Gotham. What is this-)

I casually propose that instead have Xanthe's origin be that they died as a runaway trans teen who went missing and was murdered. Maybe because the way police and society in general don't look into the disappearances of trans poc, Xanthe's death went completely unnoticed. Maybe as Xanthe's dying, Po Po sees their determination to fight for the forgotten and chooses to resurrect this kid specifically. Then we'd have a really motivated origin story that ties their identity to their heroism. Instead we get these over the top fantasy concepts + transphobic dinner with my talisman wielding mom.

Spirit World is a fun enough action fantasy with troubled pacing and generic MCU-quippy dialogue. It's so overwhelmed by it's own spectacle that we don't get a chance to get to know our new hero. What is Xanthe's character development? What flaw do they grow out of or overcome? If I'm honest outside of the attempt at quippy banter, what even is their personality? The ending is rushed; not only is the conflict resolved with Xanthe just promising to remember a dead poet, but they also make a deal to work with the Spirit World authorities. Because it's always so fun to watch queer people assimilate to the powers that oppress.

In one of these action sequences, I guess the writer decided there needed to be a semblance of themes to make it feel like the readers' time isn't being wasted. So while Cassandra Cain Batgirl from Detective Comics and John Constantine from Vertigo Hellblazer are holding the giant anime sword, Xanthe goes on an internal monologue about how change is natural and people's fears make them resistant towards it. Xanthe says that to embrace magic, "you need to look at everything you think you know about the way the world should be...and imagine something new."

It's a nice sentiment that isn't reinforced by anything else in the story, but it does make me think. What is "new" about Xanthe Zhou to someone like me who seeks out representation like this? I've seen queer characters with the shaved hairstyle, I've seen queer coded Asian girlies with the bomber jacket, heck I've even seen the giant anime sword. I kinda cringe at seeing "giant spiritual sword" at this point even. But you know what I don't see as often? In real life I've seen the bravest Asian queer people reclaim cultural hairstyles, clothing, practices and beliefs (that originally excluded them). I've seen them join communities and create entire subcultures and lingo in a way that would be unrecognizable to the typical queer readers who enjoy Hellblazer-but I certainly don't see it reflected in fiction a lot.

(Is it really new if I've seen it in a Disney movie)

The premise of a Chinese American non-binary half-dead-half-living Envoy for the dead is something so metaphysical in its intersectionality, world building, stakes and themes that it would require Sandman-levels of out-the-box creativity to pull off. Which is why getting a generic action adventure (+ one scene about transphobic dinner with the family) feels so disappointing. I wish Spirit World took its own words to heart; I wish it took everything we're used to, everything we've known about how the world is and dare to imagine something actually new.

[bruciemilf]

Comic book writers who still make Bruce hit his kids even after years of mass criticism from fans who TELL you it's a bad creative choice that pushes them away from the fan base and comics in general,,, you did this for what?