#abigail stark

[macaulaytwins]

they are all patron saints TO ME

[omercifulheaves]

Days of Heaven #1 Art by Mike Mignola

[smashpages]

Out this week: Parliment of Rooks (Ablaze, $4.99): 

Abigail Jill Harding and Richard Starkings’ gothic tale was originally published digitally as a Comixology Original, and now Ablaze is bringing it to print for the first time.

See what else is arriving at your local comic shop this week.

[positivelybeastly]

Hey there! The post you made about the core of a well written Hank McCoy inspired me to ask if you'd be willing to do a similar deep dive into Hanks various relationships over the years. Not in a shippy way in so much as a pros and cons of the relationships ( all relationships have them , even good ones) and how they reflect on and influence Hanks character over time.

Hello hello! I would indeed be willing to do a deep dive, and, at the same time, find out if Tumblr text posts have a word limit! I also realised maybe 20 characters in that you meant actual. Relationships, as in romantic, and I've done just. Basically. All of his relationships. Including platonic ones. Oops. Oh well, hope you enjoy!

These won't be quite as exhaustive as if you asked me about a particular relationship, since I always work best with plenty of image resources and I already know I'm going to hit my image limit early, but I hope I can give at least my general thoughts on how Hank has influenced and changed, and been and influenced by, the following characters.

Edna and Norton McCoy

X-Men Unlimited vol. 1 #10, 1996.

You have to start all the way back at the beginning, and Hank's relationship with his parents is crucial to understanding why he is the way he is. Hank is the by product of a radiation accident that nearly killed his father, which led to the odd nature of his mutation - namely, that it manifested at birth in the form of abnormally large hands and feet.

This was, in many ways, the best case scenario that Edna and Norton could have hoped for, that their child not miscarry, be stillborn, or be born with a disability that would massively impact his quality of living - this was a very real possibility for them. So Hank being the way he was, actually stronger, more agile, and more dextrous than a normal child, and not to mention a genius intellect even at a young age (not related to his mutation, but it certainly didn't hurt) created a bit of a miracle baby effect.

They were unremittingly supportive and loving - they supported his choice in academics, they supported his football career, they supported his choice of girlfriends, they pushed him to be the best that he could be but never put undue pressure on him. He grew up feeling like he could do anything he wanted to, if he simply chose to.

The worst I can say about this relationship is that you could view it as fostering his ego - perhaps if they had tamped down on his ambitions a bit, maybe he never would have turned himself blue and furry in a fit of 'I know better than everyone else,' but I think that's a lot to put on his parents, honestly. He made that decision, and he has no-one to blame but himself for making it. Blaming his parents for that is like blaming your parents for daring to make you believe you can grow up to be somebody - like, what's the alternative, making you believe that you'll never be anybody? Horrible way to parent.

There's a bump in Marvel Team-Up #124 (1982) where Edna freaks out about her child growing up to be a superhero and more physically obvious mutant, but it's resolved when Hank proves himself to be a man of caliber and altruism, putting himself in harm's way to save a child - proving himself to be the boy that Edna raised, and she returns the favour, putting her life at risk to save him from Professor Power.

He may not be the CPA or 'normal' genius she may have wanted, but he's still brilliant, and she realises that quickly. I also think it's notable that Norton, his father, doesn't go through a similar patch, which is attributable to the fact that he sees Hank's mutation as his 'fault', as you can see in the panels above - he can't exactly blame Hank for being who he is, he's explicitly responsible for it. It would be the height of ridiculous for him to come down on Hank for who he is, when who he is is a direct result of Norton's act of heroism.

In many ways, Hank can do no wrong in his parents' eyes - but in many ways, Hank never does do wrong by his parents. He makes their lives comfortable and improves on it in a lot of ways with his intellect, and he keeps them safe as best he can. They're a little disappointed they aren't grandparents when we last hear from them in 2018, in the X-Men Christmas Special, but they're still defensive of him and love him, even though he's changed for a third time.

Charles Xavier

X-Force vol. 6 #20, 2021.

You knew this one was coming. You'll note that this is one of the few times that I'm going to use something from Benjamin Percy's X-Force in this deep dive, mostly because it's one of the few times that Percy comes close to examining who Hank is and why he is the way that he is. It's one of the few times in X-Force that anyone asks, why is Hank doing what he's doing? Why is he committing these actions?

Because, in many ways, he's still chasing Charles Xavier's approval.

Charles does Hank maybe the biggest disservice of any of his original X-Men, save maybe Scott - while he plucks Scott out of an abusive home and then moulds him into a soldier for his dream, pretty much completely failing to give him any coping mechanisms for what that's going to do to Scott's relationships with other people and his ability to maintain a normal life, Charles plucks Hank out of a loving home, and cuts him off from it. He telepathically wipes Hank's parents' mind of his existence for a while, to 'protect' him, but really, he's isolating Hank, and installing himself as a father figure.

Whether he realises he's doing this or not is immaterial, because it's canon, as established in Marvel Presents #85-92 (1991) and reaffirmed in X-Men Origins: Beast (2008). And though Hank doesn't appreciate it, on some level hates Charles for it forever, he falls for it, because he is a fundamentally altruistic person who knows he has a responsibility to use his intellect and his mutation to make life better for other people - this is the canon reason he joins the X-Men, and it's important to remember that, because he has no need of training to foster his gifts like Jean or Bobby, and he has a home, unlike Scott. In many ways, he's actually most like Warren, but we'll get to that.

There are moments where Hank separates from Xavier, most notably in Uncanny X-Men #8 (1964) and Amazing Adventures #11 (1971), and it's significant that the latter split leads to, arguably, the best years of his life, where he's freest to be who he wants to be and enjoy his life. He joins the Avengers and the Defenders, he becomes a sex symbol, he feels comfortable in his own skin, he explicitly feels no pressure to use his intellectual gifts, and instead is, arguably, most himself.

It's especially interesting when you consider that even with all that in mind, he still matures and grows up and realises, independently of Xavier, that he still has a responsibility to help - but rather than being inorganically forced to take on that role by a man he doesn't know, he realises it in New Defenders #142 (1985) when a mutant activist calls him out on his immaturity and his lack of forward momentum.

Hank self-reflects, and self-actualises, and forms a grassroots mutant political activist group called M.O.N.S.T.E.R (Mutants Only Need Sensitivity, Tolerance, and Equal Rights), which is something that Charles would NEVER do. Its emphasis on elevating mutants everywhere, rather than focusing on providing examples of mutant heroism like the X-Men, is unique, and I really do wish we'd gotten to see more of a grass roots approach to mutant politics. But.

Then, Hank gets pulled into X-Factor, and all of that goes away. Then, he gets pulled into the X-Men, and his life becomes smaller. And smaller, and smaller, and smaller. And his life becomes worse, and worse, and worse. Eventually, he hits the point where Charles is handing him an Infinity Stone, and consigning him to joining the Illuminati in his stead, and Hank doesn't want to be there, but he feels obligated to, because this was Charles' last wish, his literal will and testament, and he can't say no to that. But he should've. Because it tortures him, and it all ends up being for nothing anyway. Thanks, Chuck.

That being said, I think one of the most telling depictions of Hank and the Professor's relationship actually comes from Astonishing X-Men vol. 3 #12, where Scott is dressing down the Professor for enslaving Danger. Something I really appreciate about that scene is that it highlights how different Hank and Scott are in their relationship with Xavier.

Perhaps because Scott grew up with an abusive parental figure in Jack Winters and Hank grew up with very loving parents, Scott was able to recognise Charles' toxic behaviour and break away from Xavier - it might also have had something to do with the fact that at least one of Charles' biggest fuck ups had to do with Scott's brother Gabriel? Hard to say. But Hank, who Charles very carefully isolated from his parents by mindwiping them for years of Hank's whole existence, never really managed to break free of him, and it shows here really acutely.

Hell, it arguably never went away, even into the Krakoan era - a more interesting version of X-Force would have really dived into the kind of fucked up dynamic they have, where Chuck keeps covering for Beast's moral transgressions for seemingly no reason, because in some respects, he's responsible for them. He gave him the power, he gave him no oversight, but even more pressingly, he wasn't there for him emotionally. He pulled him into this life and didn't prepare him for the toll it would take, how much it would ruin Beast by the time he gets to Krakoa. Beast needed someone to help him there, and no-one did, which is part of why he went on the skids, I think.

But anyway, Whedon does a lot of moments where Hank is present for scenes but doesn't speak, which is important for a character who's well known for not shutting the fuck up. This, the initial cure conversation, the whole conversation about Piotr - Hank clams up. He doesn't feel like he can talk about it. He's off in his own head, his thoughts are his own, he doesn't feel the need to share them.

And here, it's especially important, because this is a big moral violation that Charles has committed in their name. I know it may be hard to remember, but back in the day, Hank had a moral opinion that was worth something, so the fact that he doesn't say anything here speaks volumes about just how much he feels capable of calling out the Professor, i.e. not at all. He craves Xavier's validation, his approval, he feels a kinship with Chuck. So he doesn't criticise him like he should.

It's especially interesting given that this would continue through the Utopia era. Every time Scott distanced himself from Xavier, Hank was there to comfort Charles, and I feel like that's just something he feels like he has to do. He feels like the devoted brother to Scott's more radical, more willing to criticise brother, and if Bendis had any interest in Beast as a character, he would've played on that in All-New X-Men - the fact that Scott killed their toxic father figure, and Beast feels both free of an influence he didn't know was choking him, but outraged that Scott would break their 'family' like that.

I find Beast compelling because of his flaws, and this is an interesting moment when you take all of that into account. I don't even know if that was the intention of this scene, or if Whedon just wanted to give Scott the speech, but it's interesting, nonetheless, and it really shines a light on how Hank and Charles see each other. I'm very interested to see Hank's take on where Charles has ended up in From the Ashes, because it has the potential to really change that dynamic.

Scott Summers

Astonishing X-Men vol. 3 #34, 2010.

Hank McCoy is Scott Summers' best friend.

I said it because it's true, and it's true reading all the way back to the Silver Age, honestly. Even as Bobby's screaming his head off about Scott being a stuck up asshole, Hank's quietly reminding Bobby that Scott can't be anyone other than who he is, "he can't help his psychological make-up," and I think that gets at a really important part of their relationship. Just as Scott's mind is attractive to telepaths because it's so neatly ordered and makes perfect sense to them, Scott's personality is appealing to Hank because he makes sense to him. Scott is orderly, anxious, dedicated, intelligent, hides his true feelings, and wants to belong, even as he stands apart. Hank is most, if not all, of these things, and so, they get each other. Bobby fucks around, Warren schmoozes and gets cocky, Jean is a GIRL AND THEREFORE SCARY, but Hank and Scott just get each other.

Which makes it all the more tragic when they fall apart, because Hank sees it all and it makes sense to him, even as it breaks his heart. What a lot of people misunderstand about Hank's arc during Utopia is that they read his moral grandstanding as self-righteousness or hypocrisy or a big ol' stick he wants to use to hit people with, and it's honestly not that. I really don't think it is.

I think he sees Scott sacrificing the parts of himself that make him a good man so that he can make a better general, and it terrifies him. He sees him become callous, manipulative, cold-blooded, willing to risk everything on a course of action because he believes he's right. Hank thinks he's fighting for the soul of the X-Men, for his own soul, for Scott's soul, even as everyone else is fighting for mutantkind.

Hank went through his own journey in Endangered Species, and he knows that there's nothing he can do, so why fight it? Why not just stop, and live out his days being the best man he can be, a member of the first and last generation of mutants, and let it go? Because no-one saw what he saw.

No-one saw the end of mutantkind inscribed on the vellum of reality like he did, saw what he would become if he did what Scott did and did anything and everything to stop the death of the mutant race - no-one else knows how close he came to jumping into the abyss and becoming Dark Beast. And no-one, honestly, cares. Hank doesn't tell anyone, because he never does, but it absolutely informs his views going forward. It can't not.

But no-one is interested enough in Hank McCoy's feelings to really ask why he's so insistent, or what happened when he was gone. He's a private individual, and he never told anyone. He felt profoundly ashamed of what he did while he was gone, which didn't exactly help. So his moral insistence just comes across as hatred, and it's not. He loves Scott Summers like a brother. That's why he fought so hard to keep him the way he was, not the way he became.

I also find it interesting that, in some ways, Hank is responsible for Scott becoming a happier, more well-adjusted individual, if in the most fucked up and irresponsible and manipulative way possible. Even in the midst of their relationship being at its lowest point, Hank was inadvertently responsible for time displaced Scott joining the Champions and getting to spend time with his father, giving him precious memories of a life not lived for Xavier that he didn't have before, and it's arguable that that's part of what mellowed Scott, coming out of the Death of X/revolution era.

It's not a good thing that Hank did that, obviously, he did it because - well, because he was having a brain aneurysm called Brian Michael Bendis, but whatever, it wouldn't have happened without Hank's intervention. I don't know if it's fair to give Hank credit for this, because those are Scott's choices and Scott's relationships, but the sequence of events is such. Idk. I try to see the best in Hank's actions and make them make sense to how I see the character.

A better version of X-Force would have made Scott central to Hank's descent into darkness, because it's frankly too obvious a connection to make, but whatever, we missed that boat. I just know that, just like how Hank didn't want for Scott to hollow himself out like he did, Scott wouldn't have wanted Hank to hollow himself out like he did, either, and I'm glad to see that reflected in MacKay's X-Men #1. I hope that friendship is rebuilt, because it deserves to be.

Jean Grey

New X-Men #124, 2002.

Hank McCoy is Jean Grey's brother.

Okay, so maybe not biologically, but they are basically brother and sister. It's why the stabs at making a relationship between them have never really worked for me, and I just enjoy the friendship moments between them too much to think of them together romantically. They're both intensely empathetic, deep feeling, loving characters, and in some ways, despite Jean being a literal telepath, Hank actually gets people better than Jean does sometimes (see X-Men Annual '95) because where she can be blinded by anger and passion and justice, Hank sees people for who they are and what they want very easily.

Almost any time that Hank is feeling blue (heehee) in 90s X-Men or New X-Men, it's Jean that pulls him out of it, because she's spent the most time learning what his habits are, when he's not really feeling as all right as he promises, and I honestly don't think it's a massive coincidence that the period that adult Jean spends dead (2005-2017) is a period that Hank spends alternately depressed, irrational, or alone. Maybe that's a form of dependency? Possibly. I just think they're best friends and that they make each other better when they're around one another.

Hank believes in Jean. He walks through the snow, thinking the rest of the X-Men are dead, believing that if he can at least get Jean out, then maybe he hasn't failed. He gets yanked onto the Shi'ar flagship, hears about what Dark Phoenix did, and instantly tries to throw the book at Empress Lilandra because he believes in Jean, and he believes in justice and law and due process. He watches her manifest the Phoenix and piece Emma together with her telekinesis, yanking her consciousness into her body once more, and even though he's afraid, he sticks with her. He trusts her with his mind, giving her his anatomy knowledge so she can work informed, even as the flames of her Phoenix form lick at his arm and burn him.

Hank believes in Jean Grey.

Bobby Drake

X-Men: First Class #4, 2007.

Bobby Drake is Hank McCoy's first best friend.

There were definitely great friends beforehand (Jennifer Nyles comes to mind), but in terms of making Hank feel normal, in terms of becoming friends to have fun and just hang out and because you simply like each other's vibes and feel comfortable each other? Yeah, Bobby is absolutely Hank's first best friend.

It's probably best exemplified in New Defenders, especially #122, where Bobby just. Needs Hank. He needs his best friend. Hank always has a knack for chasing away Bobby's blues, and you see it again and again throughout that run, where Hank is just who Bobby goes to first whenever he's feeling bad (as well as in 90s X-Men), because Hank always seems to know what to say.

I also don't think it's an exaggeration to say that there must've been a lot of good feeling going on for notable stick in the mud 60s Hank and retroactively gay Bobby to go out on double dates with Vera and Zelda. Hank bought an entire cabin so that they'd have a place to go to. Can you think of anyone else that Hank's done that for? I rest my case. (Is it all a little gay? Maybe. But it's not gay if the socks stay on.)

Where this relationship falls apart is when Bobby stops growing before Hank does, and what Hank needs outpaces what Bobby can provide, as seen in Uncanny X-Men #518. It's not necessarily Bobby's fault, he's just - not a very emotionally capable person, a lot of the time, his primary character flaw is an inability to grow up, and so Hank throws something heavy at him, and his best, most immediate impulse is to just say, well, deal with it how you've always dealt with it.

And that's just not good enough. And in many ways, I think Hank just stops trusting Bobby at that point, to the extreme where Bobby calls out for every other member of the original X-Men but him at the 2023 Hellfire Gala as he dies, and I wasn't surprised one bit. They stop appearing in comics together, Hank doesn't feature in his modern solo series' at all, and their interactions are fine, but nowhere near what they were.

Warren Worthington

Uncanny X-Men #297, 1992.

Warren is the original X-Man that Hank is most like.

Which, you might think is strange, given that Warren is a rich kid with wings and Hank is a farmboy quarterback with big feet, but it's true, by virtue of three facts - one, they're the two most obvious, physically mutated members of the O5.

Two, they came to heroism on their own. Warren's turn as the Avenging Angel, and Hank's fighting against the Conquistador in his origin, both predate their time as X-Men, and this is massively important in their development because it demonstrates that altruism and self-sacrifice are intrinsic in their characters. They believe in doing good things to help people, or stopping bad people from doing bad things, because it's the right thing to do. Whereas Scott and Jean and Bobby emerged from tragedy and ruin, Hank and Warren came from a place of stability and a desire to do good.

Three, they both undergo a terrifying physical metamorphosis that causes massive changes in their personalities, Warren becoming Archangel and Hank becoming a much more literal Beast. This point of commonality is a rock for them both, and as you can see, it helps them through. They realise that for all their struggles with the other aspects of their new selves, they're still, in the ways that count, the same people - they're still the friends they always were.

It's also very significant to me that Warren is the X-Man that Hank first 'comes out' to as the Beast, in Amazing Adventures #15 (1971), and I don't think it's a real coincidence that even as Charles tries to assert that Hank's protest that he's his own man, not an X-Man, and Jean shies away in shock from the vehemence with which Hank rejects their telepathic call, Warren calls bullshit and just goes.

He asserts himself. He's independent, and he breaks from the X-Men, much like Hank and Bobby did, Hank going to the Avengers and Bobby and Warren to the Champions, then all three of them to the Defenders - even as Scott and Jean stay with the X-Men, a decision that will lead to a whole line of catastrophe that ends with Jean dead, and Scott resigned to a life left unfulfilled because his one true love is dead.

Meanwhile, Hank, Bobby and Warren are clustered in a borrowed quinjet in their best togs, going to a wedding. Warren asks why he and Bobby are going along, given they hardly know the couple. Hank replies Warren that he's family, and he wants them there, and that's that, and there's a quiet, warm little smile on his face, because he is. They are.

I also find it very interesting that Hank and Warren undergo a very similar trajectory, tracking from Utopia to the Dark Angel Saga for Warren, and All-New X-Men to Krakoa for Hank - they cloister themselves off from others, they lose sight of who they originally were, they roll around in the blood of innocents, and in the end, they both end up dying and losing their memories, born anew.

Like I said. Warren is the original X-Man that Hank is most like.

Jennifer Nyles

X-Men Unlimited vol. 2 #10, 2005.

Jen is an underrated figure in Hank's history, and that's mostly because she has very limited appearances, none of which quite make sense with one another. Her first appearance in Marvel Presents #85-92 posits that she was, in many ways, Hank's first love, the person he missed most of all those who were made to forget him, and that the absence of him in her mind compelled her to study the mind so that she might try and unlock what she knew was missing. In the end, he stays away from her, because she nearly dies and he feels he endangers her. He probably does.

Then, we have a retroactive appearance in Origins: Beast, and the above story in Unlimited. Origins: Beast doubles down on her importance, stating that she's the person who encourages Hank to come out of his shell even before he's an X-Man, to use his gifts and be the brilliant person she knows he is, and while Unlimited agrees with that importance, she knows who Hank is at a time when she shouldn't. How to square it away? Ehh. I kinda don't. I like the three stories and how they impact and change and demonstrate Hank's qualities too much to try and change them. Instead, I just enjoy them.

In another life, Hank and Jen absolutely got married and they had a brilliant history together. She's almost as smart as he is, just as fiery (she punches out a bully antagonising Hank), and she has a strong moral, empathetic core. Hank, honestly, has a type. But even more than a romantic figure, I like her as an inspirational figure for Hank, someone that pushes him in the right direction and leads him to the right answers without giving them to him. She accepts him at a time when he needed it most, and helps him rebuild his life.

Tony Stark

Amazing Adventures #14, 1972.

For a pair of geniuses that snark at each other almost non-stop whenever they're around, and who feel almost constantly at loggerheads in classic Avengers, Tony is very important to Hank's development, sometimes by virtue of his faults.

First off, he's the superhero who turns up to investigate Hank's transformation at Brand, and his apparent death there at Hank's hands (a Mastermind illusion) and his mercy and understanding of the torment that Hank is undergoing are massively formative in Hank coming to terms with his new bestial form. He teaches Hank's two lessons - one, that he needs to control himself in a way he didn't need to before, and two, that he can still rely on people to see the human in him if he acts it.

Secondly - it's his inadvertent dismissal of Hank during the Avengers' examination of Wonder Man that sparks off Hank getting annoyed about his genius being ignored, pushes him out of the Mansion in a snit . . . and that's when he discovers that he's not just adjusting to being a beast anymore. No, he's fucking hot now. Even when he's being a dick (without really meaning to), Tony helps Hank grow, helping him realise that he doesn't need to be the high performing intellectual he was on the X-Men, the Avengers have that covered, but also, that he can afford to be someone else as well.

They continue to be friends for years and years, with their friendship built up over the course of plenty of classic Avengers issues, leading to a complete bypassing of a big ol' hero vs. hero fight in X-Factor Annual #1 (1986) because Hank's just like, oh hey, Iron Man, it's me, and Tony's just like, oh hey Beast, what the fuck's all this about? And it just. Fixes the problem.

I also don't think that it's a coincidence that Hank and Tony are the two most visibly affected when the Illuminati mindwipe Steve during the Incursions arc, with Hank unable to even really look at Steve when it happens, and Hank is constantly pulling on that morality chain even as they tie each other into knots, trying to justify the destruction of worlds. For as much as they give each other shit, Hank and Tony can rely on each other to give it to 'em straight, and that's important when their heads can get as big as these guys.

Wanda Maximoff

Uncanny Avengers vol. 3 #30, 2017.

Hank should hate Wanda more than he does.

The event that Wanda caused, the Decimation, was, in a lot of people's opinions, the beginning of the end for Henry McCoy. It stripped him of his morality and his pretensions and his ability to do anything. It was the height of cruelty, and Wanda did it without arguably meaning to. Not casually, but in a moment of instability. Leaving a gaping wound in evolution that Hank tried to fix.

He threw away a lot, trying to fix it. He wrecked a lot of relationships, came away feeling dirty, consorted with demons. Became acutely aware of every one of his limitations. And yet. He never really blamed her. Because how could he?

After all, he knew Wanda before the mess. When she was a brilliant friend and teammate on the Avengers. When she was shining, glimmering proof that people could change and become better, if only they tried and were given the chance. When she was at her best. And he never stopped believing she could be that again. It certainly didn't help that they had a certain wonder man in common, but honestly, they're just great friends.

Hank supported her in Children's Crusade, even in the face of the X-Men going kill crazy, and he never held a grudge. Even when he finds her, at the end of his rope, in Endangered Species, when he's at his most fraught and defeated, he just. Wants to fix things. It would be so easy to be hateful and resentful, but he just doesn't have it in him. After all, he knows what it's like to ruin your life in an instant because of a bad decision, and to want to claw it back however you can.

Carol Danvers

Ms. Marvel vol. 2 #18, 2007.

Honestly, for someone who you often see getting blasted on the X-Men Reddit for the Superhuman Registration Act/where were you when our babies were burning panels, Carol has a lot of really strong relationships within the X-Men, but I think her bond with Hank is especially strong - which is saying something, considering their first meeting was a fight! But, honestly, they just like and respect each other. They don't tolerate injustice, they believe in being heroes for everyone, not just the few, and they support each other.

Even in the midst of Civil War II, arguably the single worst that Carol has ever been written (not counting Avengers #200, take your pick of a character assassination), there's a moment where Tony is begging Carol to rethink her Minority Report bullshit, and she says, fine, I'll consider your evidence - but only if Hank checks it. And he says he has, and it's not wrong. And she knows that that means something.

The best friends will tell you when you're wrong. And you'll listen to them.

Heather Douglas

The New Defenders #139, 1984.

Hank and Heather have an almost constantly combative relationship from the instant Moondragon joins the Defenders, with Hank never afraid to let her know that he doesn't like her and that he doesn't want her on 'his' team. In his estimation she's high, and mighty, and conceited, and possessed of more power than wisdom.

And. Guess what?

Hank's fucking wrong. Heather is trying. Yes, she backslides, she has her moments of true ego and duplicity, but it takes Hank far too long to come to realise that she's trying as hard as she is - and frankly, she's right to smack him down and humiliate him from time to time, because he can be conceited. He acts as though the Defenders are his team, and he harbours pretensions of leadership that no-one takes seriously, because Hank is not a leader, you don't even have to dislike him to know that - and it takes him a while to realise that.

Their combative relationship keeps the other in check. They grow as a result of being around one another, even if they never quite settled things between them. Hank's maturation into a grown adult, into a man able to be more than just a superhero, is in no small part thanks to Moondragon's barbs and pushes and slaps at his ego, and he should be grateful that he got the chance to make good on that chance to mature, because Heather didn't, in the end.

Alison Blaire

Marvel Heartbreakers #1, 2010.

I'm gonna be real, the Beauty and the Beast miniseries by Ann Nocenti is not great. It has moments of fun, some pathos, but for the most part, it's incredibly soapy, incredibly hackneyed, goes nowhere, has a lot of weird anti-set up, and Hank is strangely incredibly violent and cruel in it at times. For someone claiming Hank was his usual charming self, Nocenti sure wrote him as a borderline psycho.

But. The Heartbreakers epilogue for that relationship redeems it, honestly, and it gains added poignancy when a future version of Alison is killed in Battle of the Atom, in one of the few instances of that series actually managing a moment of pathos. There's no magic trick to why Hank and Alison work, they just sort of find each other hot and fun and they're there for each other in a weird, fucked up time in Alison's life, so maybe it was inevitable that it faded to nothing.

I just like to think there's always a lingering softness, a lingering what if, for the both of them. A potential of something, if not an actual something.

Vera Cantor

The New Defenders #149, 1985.

Oh, Vera . . . you deserved better.

Gonna be brutally honest, Hank treated Vera kinda like shit. I don't think he meant to, it was never a relationship he was invested in, and he said as much, he was interested in the stability it represented, but I'm genuinely sorry for Vera that she got caught up in the crossfire of it. She was dismissed and treated like a pick-up, drop-off girlfriend when she was looking for a good man - and Hank is a good man, but at this point? Not what she was looking for. Not what she needed.

I'm glad we see her again in X-Factor and she's doing well for herself. I'm fairly convinced that she's a lesbian because Hank may have ruined men for her (in the not good way), but hey, a pro-mutant activist? That's pretty worthy - and considering how Hank treated her, pretty big minded. I like to think this taught Hank to be more considerate of people's feelings and grow out of his womaniser stage.

Julio Richter

X-Factor vol. 1 #18, 1987.

For a character often defined by his teaching abilities, Hank actually wasn't a particularly great teacher or carer for children when he first started - I always think there's a good deal of significance in the fact that X-Factor #1 has him searching out a position in academia, being rejected out of prejudice, but then finding his way to a teaching position through way of X-Factor, though I doubt that was planned.

Regardless of whether or not it was planned, I do think his relationship with Julio Richter, or Rictor, is massively important to Hank's development, because everything that Hank gets wrong with Tabitha Smith, he gets right with Julio. He encourages him, gives him his clothes, never talks down to him, nurtures his potential, pushes him to learn and think for himself - and it's rewarded.

Julio imprints on Hank strongly, and you can see that he favours Hank amongst all the other X-Factor members for a reason. This relationship largely went away in future, sadly, but I always like to think that it remains in some fashion, even if only in small ways.

Trish Tilby

X-Factor vol. 1 #36, 1988.

Yeah, you knew this was coming.

Honestly . . . I can see what Hank saw in her as a human being. She's a woman of fierce convictions. She believes in truth, and honesty, and justice. She is pro-mutant, after a fashion. And I have to give her credit, she does have her moments of heroism, like in this issue, when she risks her life to help Hank save a bridge of people as Inferno kicks into high gear. There are moments of good between them.

But fuck me she's an awful human being.

Leaking the fact that the Legacy Virus has jumped to humans directly leads to a mutant hate crime that ends in a death. She barges in to a sick, dying man's hospital room in the search of a scoop. And I'm not even gonna get into what happened when Hank turned feline.

She's just a trainwreck of breaches of journalistic ethics, and I hate her to bits. If she taught Hank anything, it was that the people you admire and love can disappoint you, and it says a lot that it's a one-two punch of her, and Cassandra fucking Nova that shatters Hank's self-esteem into a million pieces. What rarified company. The very fact that she tries to get back together with Hank after this, like, what even the fuck, man.

Jubilation Lee

Uncanny X-Men #308, 1993.

These two make me smile.

I think Jubilee awakens something very simple and immature in Hank, but something healthy at the same time - she encourages him, and everyone else at the Mansion, up to and including Professor X, to have fun. At a time when they were losing people left and right, it would have been easy to lose heart, but Jubilee kept Hank and the rest of the team bolstered, kept them focused. That's no small thing, honestly. Maybe she doesn't have quite as strong a relationship with Hank as she does Logan - that's a hard bond to match - but it's hard not to look at these two and see a true blue friendship.

I also adore that it came back in full force in X-Men vol. 4 (2013), where Hank often acted as mission and home support for the all-female team of X-Men that featured in that book. Taking care of baby Shogo, helping Omega Sentinel with her physical rehab - Hank was an invaluable asset in that run, and his scenes with Jubilee were always a treat.

Dark Beast

X-Men: Endangered Species, 2007.

"For now we see through a glass, darkly; but then face to face: now I know in part; but then shall I know even as also I am known."

Dark Beast is such a well constructed character because he is not just Henry McCoy if Henry McCoy were evil. Dark Beast is, what if Henry McCoy were raised in an evil world that believes in evil things and the only thing to do is be evil, lest it kill you? There's such a curious drive to betterment, to becoming stronger, smarter, more, to him, that speaks to the same in Hank, but it's all just so twisted up. It's driven by fear where it's driven by hope in Hank.

Because he is afraid. And he is human, much as he might hate the label.

He's a warning. He's a check and balance. He's a cruel joke. He's a monster. He's the other side of Hank's fears. Hank fears devolution, becoming more of an animal, giving in to the Beast, but Dark Beast represents evolution, becoming less animal and more - other. Something that considers itself above human, animal, mutant. Intelligence without conscience, drive without wisdom.

He's not what all Hank McCoys inevitably become. That's stupid, and basic, and anyone who believes that is stupid and basic. That's genetic essentialism, and it's shit media literacy. It's also the basis for X-Force (2019) and I reject that hypothesis entirely.

Henry's much more interesting than evil Hank - not just because he's funnier, and better at his job, and a more efficient villain, but because try as he might, there's still something essentially human inside of him. Something stopped him from killing Hank's - his - parents.

An essential, viral, inescapable fact.

There's something good in him, just as there's something bad in Hank. And it will bedevil them both forever, because they can't get rid of it.

Cecilia Reyes

Astonishing X-Men vol. 3, 2012.

Honestly, maybe the most grown up and equal relationship that Hank ever had, and I don't really feel like he even really had the chance to have it. Cecilia is everything Trish wishes she could be, and much more besides. Uncompromising in her morals, fiercely dedicated to healing, defensive of her boundaries, strong, independent, intelligent, funny - and kind.

She held a torch for him, for a long time. There's a lot of pictures of him in her apartment, both from the 90s and his feline form. She felt for him in a way maybe he didn't realise. Maybe he's the one who got away. Maybe she is. Either way, these two just. Work. There's a world out there where they became something more, and that's a happier world for Hank, honestly. But, hey ho.

Emma Frost

New X-Men #123, 2002.

Sometimes friendships don't make sense. Other times they do.

The friendship between Hank and Emma always made sense to me. The wit, the banter, the emotional intelligence, the willingness to play to roles assigned to them by their image - they were practically destined to be friends. And yet, often forgotten. Every now and then, it crops up, and I cherish it, but for the most part, they're just irrepressibly bitchy all the way through Morrison's run, and that'll always be special to me.

I always try and see good where I can, and I wanted to post an exchange from Secret Empire Omega where Hank tries to bolster Emma in the wake of New Tian's fall, because I like the moment for them, but in the end, it's just too poor of an event and a context for me to share it. All my props to Nadia Shammas in the X-Force Annual, the one issue of X-Force I thought actually had a decent handle on a villainous Beast - by sheer virtue of actually remembering that people would care. Emma would care.

Abigail Brand

Siege vol. 2 #2, 2015.

Abigail Brand did not make Hank McCoy into a war criminal.

To say so is to betray a basic lack of understanding of this entire relationship, but then, what else is new? A lot of people seemingly don't get who Hank is and why he works. Out of universe, but also in, oddly enough.

Kate Pryde and Kurt Wagner both speculate about what made Hank into what he became in X-Force, and they think it's Abigail, because that's an easy explanation, but it's not the truth. Not remotely. It betrays that they didn't know Hank as well as they thought they did, and Hank died not being known by a lot of people.

Which . . . sucks. But it is what it is.

Abigail knew him. She knew him as a kind man. Kinder than her. Kinder than anyone. She wanted that kindness. Craved it. Needed it. Managed to jam it into her work life, by hook and by crook. But I don't think Hank minded. At that point in his life, he needed what she offered, and though I don't think either of them ever thought they'd catch real feelings, they both absolutely did.

He kept her honest, she gave him options. He gave her moral dimension, she gave him self-esteem. They complemented each other perfectly, and I'm sorry that they never got a fair chance, really.

Sure, it was all essentially motivated by a desire to get good dick, but sometimes, that's all it needs to be.

Kurt Wagner

Uncanny X-Men: The Heroic Age, 2010.

Ahhh, Kurt . . . honestly, I don't think Hank and Kurt were ever shown to be quite as close on panel as you'd think they would be, in part because there's a One Blue Limit on X-Men teams for a while (seriously, check the X-Men team line-ups, and you'll realise that Hank and Kurt are pretty much never on the same team until 2015, with Amazing X-Men, a team Hank promptly leaves at issue #5).

But I like to think they're good friends, even if Kurt does fall for Hank's facade of being okay, just like a lot of other people. I like to think that Kurt represents a kind of ideal to Hank - he's what Hank, in many ways, wishes he could be. A better man. A happier man. A more hopeful man. A man who believes in a higher power, still. I certainly don't think it's a coincidence that it cuts Hank deep, when Kurt dies at Bastion's hands.

Steve Rogers

Secret Avengers vol. 1 #21, 2012.

Hank and Steve have an odd relationship. In a way, he does a lot for Hank, bolstering him during his time in the Avengers, treating him as a valued teammate - even if, as is typical of 70s writing styles, they can both come across as cunts to one another occasionally - and one of my favourite moments for Hank is in Avengers Annual #11, where Steve calls Hank out as a man who won't kill. Doesn't have it in him.

Which makes this moment, a sequel to what Steve pushes Hank to do in Secret Avengers #16, hurt so much. Steve had to know what it would cost Hank, to shortcut his way into an Oppenheimer arc, but he hoped the math would comfort Hank. I don't think it did.

I don't know if it was intentional, but it haunts me that both Scott and Steve use Hank (Scott during Secret Invasion, and Steve in SA #16) to commit acts of mass murder, and try to console him with the numbers of people saved through atrocity. Hank tried to escape all of that, fleeing from Utopia, and maybe he was naive to think a band of Secret Avengers would be a place to hide from doing bad things, but it doesn't change the essential fact. Scott and Steve used Hank to achieve their goals, and he had to just deal with it.

"Are you seriously asking a mutant what he'll do to avoid extinction?" Mindwiping Steve in New Avengers vol. 3 hurt, I'm sure, but it's a fine old thing, trying to morally grandstand to a man you explicitly used to make a nuclear bomb. A lot of mixed up history in that room.

Broo

Wolverine & the X-Men vol. 1 #7, 2012.

If only Hank's adopted sons were given as much attention and care as Wolverine's adopted daughters. Ah well. There was a lot of work being done over this run, to make it clear that Hank, Abigail and Broo were forming a family unit, including Abigail being there as Broo's parental figure during his graduation and a possible future showing Broo as head of S.W.O.R.D, but all of it eventually came to naught, which saddens me. Broo deserved better. So did Hank.

Time Displaced Beast

X-Men: Blue #35, 2018.

There was a kernel of an idea here.

It was inevitable that Hank was going to end up hating himself. He's a character largely defined by self-hatred, in most of his forms. The thread that never got pulled was the fact that, honestly?

Older Hank should hate younger Hank just as much.

Younger Hank is much closer to the man who turns them blue, who's ego tripping at Brand, than older Hank is. That's what leads him down this entire path, of magic and demon summoning and servitude, that's broken only by the intervention of other X-Men.

But, whatever. The era of lost potential, tbh.

. . . . . . . .

Oh, hey. You're still here?

Yeah, I guess there is someone missing, huh?

Simon Williams

Uncanny Avengers vol. 3 #28, 2017.

Avengers Annual #6, 1976.

X-Force vol. 6 #49, 2024.

Avengers vol. 3 #14, 1999.

Wonder Man vol. 2 #5, 1991.

Avengers Annual vol. 2 #1, 2012.

They complete one another.

They simply are their best selves around one another.

Even when sick, and twisted, and cruel, and beyond redemption, Hank couldn't bear for the possibility of harm to an invulnerable, immortal, ionic man. He would rather dash all of his plans, make it all for nothing, kill himself, than risk hurting Simon.

At the start of this whole ass breakdown, you said, all relationships have pros and cons. And I think that's true. Mostly. But when Hank and Simon are together, nothing can tear them apart, nothing can bring them down, nothing can stop them, nothing can keep them from doing the right thing.

I can't think of a negative to them being together.

They love each other.

Thanks for bearing with me. :)

[chic-beyond-the-wall-oc-acct]

What Abigail wore to Tyrion & Sansa's wedding

How much slaying is too much slaying when at someone else's wedding in ASOIAF? /G (no pun intended) I toned it down a bit but I am curious 🙃

I don't have an excerpt for this but I feel like a good summary would be "When your father marries your forced proximity bestie and only three people are happy about it"

[not-alesha]

Does anyone see a movie or series or even game that has the same actor in it as another thing you've seen, and then your mind comes up with a crossover or just me?

[buddieisgoingcanon25]

I very strongly agree that Tim's words implied a one night stand and I strongly feel it will be with Abigail Spencer's character and that she's the killer I just feel it in my BONES. It looked exactly like her hair in the shot where Maddie was drugged and the actress has a stunt double credited on imdb for 8x09! I think she's going to try to get information about Maddie out of Buck and it's going to parallel season 2 when Doug got close to Chimney to get information about Maddie and then he got hurt and Maddie got taken.

Oh interesting take nonny. I’m here for that version as well.

[cynicalclassicist]

With how much GRRM loves that theme, this is very suitable!

Sansan inspo! Beauty and the beast, art by AbigailLarson deviantart.

[aadamantine]

HOLY WOWZERS

i love a woman thats super chill with any crazy transformations

shout out sapphire stagg

[thegirlwiththelantern]

Parliament of Rooks #5

All of Parliament of Rooks beguiling mysteries have come to a head as Darius’ world burns down around him. Hell beckons. And it is a feast for the eyes. A world saturated in red and horror. It’s ambitions, however, don’t quite suit the medium. “Malphas’s domain pulled at my lifeforce like gravity pulls at men to hold them to the earth” is a great line but not something it manages to portray. And…

[graphicpolicy]

ComiXology Originals expands its print distribution to Ablaze

ComiXology Originals expands its print distribution to Ablaze #comics #comicbooks

ComiXology Originals is expanding print distribution by releasing three titles from Amazon’s comiXology Originals exclusive digital content line in print for the first time with Ablaze. Ablaze will distribute Harvey Kurtzman’s Marley’s Ghost, the Eisner award-winning version of Charles Dickens’ A Christmas Carol in graphic novel form, the stunning Eisner award-nominated gothic love…

[chic-beyond-the-wall-oc-acct]

My friend (imma just start calling them Limbo cuz they don't have an account but i mention them a lot) made a little speech bubble thing for some of my characters so now I'm going to start using them

Who the fuck is the "red wolf of Winterfell"? Is it Robb Stark? Sansa Stark? Bran Stark? Rickon Stark? Ned Stark while wearing a red wig ?

Find it out on the next episode of stark fandom being weird.

[leclerc-hs]

save a bull! - cl16

pairing: bull rider!charles leclerc x fem!reader summary: in which a city girl meets a cowboy OR charles finds himself infatuated with the visiting city girl warnings: language, NOT PROOFREAD, no smut (maybe in part 2 if y'all want smut), bad writing (sorry lol) word count: ~4.4k author's note: HI. did you miss me? i sure as FUCK missed y'all. so I started writing this MONTHS ago but then took a very long break from this website and writing. it might be very shitty so i apologize for that. it was originally going to be just 1 part but I found myself writing so much that I think 2 parts will be better in the end. PLEASE REACH OUT TO ME WITH ANY FEEDBACK. sorry if this sucks. love you all.

✦ . 　⁺ 　 . ✦ . 　⁺ 　 . ✦ ✦ . 　⁺ 　 . ✦ . 　⁺ 　 . ✦

“Will you please just consider it!” Abigail pleads beside you on the sidewalk, weaving through the bustling crowd with an effortless grace. The sun casts dappled shadows on the pavement, and the scent of street food mingles with the crisp urban air.

The city feels particularly relentless as you trudge along the crowded sidewalk, your third cup of coffee from the corner deli clutched in one hand, its steam mingling with the bustling street air. Your shoulders droop under the weight of fatigue, a stark contrast to the frenetic energy of the city around you. Each step towards your office tower feels heavier, as though the concrete beneath your feet has turned to lead.

The tall buildings loom overhead, their steel and glass facades glinting under the midday sun, but their gleam only seems to amplify the oppressive weight of your exhaustion. The vibrant hum of the city—a symphony of honking taxis, chattering pedestrians, and distant sirens—becomes a monotonous drone.

Your dress, once crisp and sharp, now feels more like a burden, its fabric slightly rumpled from a day spent at your desk.

“I can’t take that much time off of work,” You say, your voice tinged with frustration but softened by a hint of regret. You’re caught in that all-too-familiar tug of war between professional obligations and personal desires. You finally get the chance to turn your head to look at Abigail as you reach a crosswalk, blinking not to cross. You see the disappointment flicker in your friend’s eyes.

“I get it,” Abigail says, her voice steady and tinged with understanding, “I know how demanding your job is. But that doesn’t mean you can’t work from home. Or take personal time. I know you have that option.”

You chuckle softly, admiring her persistence to some degree. “You’re persistent, I’ll give you that.”

“When is the last time you even took a personal day.”

The answer was never. But she didn’t need to know that.

“Will you stop begging me every second of every day if I say yes?” You ask, half in jest but with a trace of genuine curiosity.

“Obviously,” she replies, her smile widening as she sees the shift in your stance.

The pedestrian light turns green, and as you start to cross the street, you take a deep breath, blinking to steady your thoughts. “Fine.”

Abigail’s face lights up with a victorious grin, her eyes sparkling with triumph. “Really?”

“Yes.”

-

Nestled amidst rolling green hills and expansive grasslands, Abigail’s small family farm is a picturesque retreat. The scene unfolds like a charming pastoral painting, with vibrant hues of green and wheat fields stretching out as far as the eye can see, interspersed with splashes of color from blooming wildflowers.

At the heart of the farm stands a quaint, cozy house, its charm amplified by a wraparound porch adorned with potted flowers. The house itself is a delightful mix of rustic and charming, with its whitewashed clapboard siding, and a steeply pitched roof. 

Adjacent to the house, a well-tended vegetable garden thrives, it’s neat rows of tomatoes, lettuce, and peppers bordered by a low wooden fence. A couple of well-worn garden tools lean against a small shed nearby, evidence of the daily care given.

Further out, a classic red barn structure where a white trimmed roof sits atop. The sounds of clucking hens and the occasional bray of donkey create a lively atmosphere. Near the barn, sits a small paddock with a couple of playful horses, their sleek coats gleaming in the sunlight. 

The fresh air of the farm is almost a sensory overload compared to the city’s fumes. Unlike the city’s dense cocktail of exhaust fumes, asphalt, and various street food vendors, the farm air is pure.

As you sit at the kitchen table, the warmth of the farmhouse envelops you. The rustic charm of the kitchen, with its large wooden table and mismatched chairs, is filled with the sounds of cheerful conversation and shared laughter.

Abigail stands at the center of the room, animatedly catches her family up on the latest happenings in her city life. Her eyes sparkle with excitement, her gestures lively and expressive. The tales of the city hustle almost seem foreign in this serene setting. 

Danny and Luke, her two older brothers, sit across from you at the table. Danny, with his sandy blond hair and easy-going demeanor, leans back in his chair, his face lit up with a relaxed smile. He listens attentively, occasionally interjecting with teasing remarks or playful banter. His presence is warm and reassuring. His wife, Gianna, sits beside him with a small baby boy on her lap.

Luke, on the other hand, exudes a quiet strength. His dark hair is neatly tousled, and his gaze is both thoughtful and amused. His demeanor calm yet engaged.

“It’s so nice to finally meet the girl who makes our Abigail so happy in the city,” Abigail’s mother continues, her voice carrying a note of heartfelt sincerity. “She’s always spoken so highly of you.”

You feel a flush of warmth at the compliment, a mix of gratitude and slight nervousness at the attention all on you. 

“Thank you so much for having me,” You smile softly. “I don’t know what I would do without Abigail in my life.”

With a playful glint in Danny’s eye, he chimes in, “I do.”

The room erupts in a chorus of laughter, the sound ringing out with genuine warmth and affection.

You decided right there you may just like it here a lot more than you thought.

-

The silk dress that adorned your body was utterly unsuitable for the rugged rodeo environment, but you didn’t really care. The delicate fabric, with its soft sheen and flowing lines, clashed vividly with the dusty, rough-and-tumble atmosphere of the rodeo.

As you moved through the arena, the contrast became more pronounced. The silk, while beautiful, struggled against the elements—dust from the arena settling onto the fabric, and the occasional splash of beer threatening to leave their mark. The sight of your delicate dress among the crowd of rugged cowboys and cowgirls in their jeans, boots, and plaid shirts drew curious glances.

But you didn’t care. You liked your clothes, the luxurious feel of the silk against your skin, the way it draped with effortless grace. The expensive fabric was a statement of your personal taste, and you embraced it fully, regardless of the setting.

“You could’ve borrowed some jeans, you know?” Abigail chirps beside you, her jeans mostly ripped and worn matched well with her cowboy boots. 

You shrug your shoulders in a noncommittal way. “I’m going to head to the bathroom before this starts. Grab me a drink?” 

“Duh. See you at the seats?” Abigail laughs before sauntering off towards a beer vendor. 

You stand still for a moment, observing Abigail and her brothers joking around as they stroll across the lively rodeo grounds. You can’t help but smile at their playful banter, you didn’t have growing up.

As you watch, lost in the charm of the moment, a rough shoulder unexpectedly collides with yours. The sudden contact jolts you out of your reverie, and you turn to see a burly cowboy in worn jeans and a dusty plaid shirt. 

You swore he was one of the hottest men you’ve ever seen in your life until he opened his big fat mouth.

“You lost?” He laughs, his green eyes bright and mischievous as he adjusts the hat on his head.

“Excuse me?” You reply, a mix of confusion and irritation threading through your voice.

“The city is a long way from here,” He drawls, the smirk on his lips widening with a hint of amusement.

The combination of his cheeky grin , the twinkle in his eye, and the dismissive tone ignites a flicker of anger within you. It feels like a mix of condescension and teasing that sends a sharp heat coursing through your veins. You roll your eyes, unable to hide your annoyance.

“Thanks for the information, jackass,” You snap, shoving past him with a forceful nudge. You march away with purpose, the silk of your dress swishing around your legs with each determined step.

Unbeknownst to you, as you walk away, he can’t help but turn his head to watch the sway of your hips in the thin, delicate fabric. His gaze lingers for a moment longer than necessary, a mixture of surprise and lingering admiration in his eyes as he takes in your retreating figure.

A hand lands firmly on his shoulder, and a voice calls out, “C’mon Charles, you need to get changed.” The words cut through his moment of distraction.

With a slight jolt, he snaps back to reality and glances over, meeting the eyes of his friend who is already gesturing towards the changing area. Reluctantly, he shifts his focus and starts to follow, his gaze now shifting into a more focused, practical demeanor.

-

Finally settled into your seat, far too close to the metal fence for your liking, and smothered between Abigail and Luke, you feel yourself relax as Luke places a tall boy can of beer in your hand, the wet condensation soaking your hand. 

“Hope you can handle a beer,” Luke states, a smile on his lips. “It’s all they had left.”

You bring the can of beer to your lips slowly, savoring the crisp, cool sensation as you take a smooth sip. With a playful glint in your eye, you send a wink in Luke’s direction. “I promise I can handle a beer,” you say with a teasing smile.

Luke’s eyes crinkle at the corners with amusement, and he lets out a hearty chuckle. He lifts his own beer in a casual salute, the gesture accompanied by a nod of approval. As he takes a sip, the cool amber liquid reflecting the warm light of the evening, he meets your gaze with a grin that mirrors your playful confidence.

“So how does this work?” You ask, turning your full attention to Luke while Abigail and Danny are engrossed in their own conversation on the other side of you.

Luke raises an eyebrow in curiosity. “How does what work?” 

You gesture broadly with your hands, waving them in animated circles as you take in the bustling rodeo arena before you. “This,” you say, trying to encompass the entire scene with your sweeping motions.

As if gaining a sense of clarity, the corners of Luke’s lips tug upward. “Why don’t you just watch and find out? It’s about to start.”

You turn your head back to the dirt ring, feeling the adrenaline of the moment as you witness a big brown bull in the chute. Its snorts are visible through the gaps in the metal fences, each exhalation a cloud of steam in the crisp air.

A handsome cowboy, his broad shoulders accentuated by a fitted vest, mounts the bull with practiced ease. He glances up with a confident, almost cocky grin that makes your heart race even faster. Your gaze follows every move he makes, captivated by the way he balances on the bull’s massive back as the gate swings open.

The bull bursts into action, hooves flying and muscles rippling as it twists and bucks in an attempt to throw the rider off. The scene is a whirlwind of motion and raw power—an exhilarating display of skill and bravery. It’s almost surreal, the sheer intensity of the bull’s movements and the cowboy’s unflinching composure.

As the bull spins in tight circle, you glance over to the timer mounted on the fence. The seconds tick away, each moment bringing the eight-second mark closer. When the buzzer finally sounds, signaling the end of the ride, the cowboy springs off the bull with an effortless grace. He tosses a hand in the air, his expression nonchalant as if the wild ride was nothing more than a casual stroll.

The crowd erupts in cheers and applause, their excitement palpable as they all stand up with shouts.

You turn your head back towards Luke, one of the biggest smiles on your face as you meet his eyes in pure astonishment. 

“How about it?” Luke chimes in, taking yet another chug of his beer.

“This is insane!” You take another sip as well.

-

Charles lived for bull riding. It was more than just a passion—it was his livelihood. The cowboy lifestyle, with its raw, untamed essence, had shaped almost every aspect of his existence. 

To him, the bull was not just an animal but a formidable partner in a high-stakes dance of power and control. Two things Charles always loved to have. Every successful ride was a testament to his skill and courage, a dance with danger that left him both exhilarated and humbled. Like this ride. Right now.

He throws his hand in the air, the rush of pure adrenaline coursing through his veins. The feel of the dirt beneath his boots, the deafening roar of the crowd, and an impressive score of 91, was enough to send him shouting in joy. He let his eyes wander the crowd around him, taking it all in like he always loves to do. He livesfor the attention.

So, when he notices a familiar woman seated right before the metal fence, paying little to no attention to the dirt ring, he can’t help but feel just a little annoyed.

He also can’t help but feel more annoyed when he takes notice of that silk fabric again, immediately remembering when he bumped into your frame mere moments ago. Your cherry lips and silky-smooth hair flash into his mind. For a second, he almost forgets the fact that he’s standing in the middle of a dirt ring.

He can’t quite shake the memory of your demeanor and the way you seemed detached from the rodeo’s thrilling chaos. The way you could care less about who he was. It’s a curious juxtaposition against the fervor of the crowd and the adrenaline that still courses through him.

One thing about Charles was that he wanted attention, yes. But right now, he only wanted yours. With that unshakable desire in mind, he strides confidently toward where you’re seated. The metal fences between you both form a barrier, but that doesn’t deter him.

As he approaches, the crowd senses a shift in the energy and falls into an anticipatory hush. Their collective gaze shifts to you and Charles, creating a palpable focus on the interaction.

Charles, his presence commanding and confident, slips his hat through the gap in the metal fence, offering it to you with a smirk. The hat, wide brimmed and well worn, represents a piece of his world.

“To help you fit in better.” His tone a mix of challenge and amusement.

Without waiting for a response, he turns on his heel and finally saunters off, his gait relaxed yet purposeful. 

-

“What just happened?” Abigail smacks your arm, the one not jolding the hat, as you walk side by side. Her brothers loom behind you, their presence adding to the charged atmosphere of the moment. “Why did Charles fucking Leclerc just give you, his hat?”

You glance at the hat, a bemused expression on your face. “That guy is a total dick is what just happened.”

Abigail’s eyes widen, her excitement barely contained. “What do you mean!” She practically shouts, her voice a mix of disbelief and thrill. “He’s like famous here. Every girl probably hates you right now.”

“Why?” You ask, genuinely puzzled.

“Are you blind?” Abigail’s voice now full sheer joy. “The dude is practically sex on fucking legs. And he’s one of the best bull riders around!”

You look back at the hat again, it suddenly feels heavier in the grasp of your fingertips. “Charles Leclerc is a big deal around here. And he just gave you, his hat. That’s a huge deal.”

You roll your eyes, trying to ignore the slight flush of embarrassment creeping up your neck. “Well, it doesn’t change the fact that he was a jackass earlier. But I guess it’s good to know he’s a big deal around here.”

Abigail bursts into laughter. “You really are something else.”

-

The narrow aisles of the tiny market, with their cramped and cluttered shelves, had you aimlessly strolling in circles. The items on your list—given to you by Abigail’s mom—seemed to elude your every turn. The overhead lights cast a harsh glare on the disorganized assortment of product, making it difficult to find what you needed. You stood there, your eyes narrowing in annoyance, at the crumpled list clutched in your hand.

“Need some help, sweetheart?”

The sound of the deep, velvety voice was enough to draw your attention away from the list. You turned to see Charles standing not even a few feet away, a smirk playing on his lips as he leaned casually against a shelf. His eyes, green as ever, created a swirl of butterflies in the pit of your stomach.

Although you were known for your stubbornness, often digging your heels in even when it wasn’t your best interest, you had to admit you were out of your depth in the tiny market. There were no signs. No directory.

“Depends,” you reply, the hint of a playful challenge in your voice. Charles raises his eyebrows, a silent prompt for you to elaborate further.

“If you call me city girl even once,” you continue, your tone firm but light-hearted, “I’ll knock you right out.”

The challenge is met with a shit-eating grin, so wide on Charles’s face that it seems almost infectious. His cheeks stretch into an exuberant smile, his eyes sparkling with amusement. And it takes him one step, and one stretch of his arm, to snag that grocery list right out of your dainty fingertips.

-

“You’re cute when you’re real mad, y’know?” He drawls, placing the groceries into the bed of the pick-up truck you borrowed from Abigail’s family.

“I’m not mad.”

“You’re right.” He says, placing the final bag into the truck and leaning against the frame of it with an arm propped up. “You’re just cute.”

“Don’t call me that.”

Charles doesn’t miss the subtle flush the tints the apples of your cheeks with a delicate shade of red. The reaction stirs a flutter in his chest, almost like an addiction that he never wants to stop. 

You’re undeniably cute, with an effortlessly enchanting beauty that makes it difficult to look away. A magnetic pull that Charles just can’t shake. It’s almost as if he’s addicted to getting a reaction out of you. 

-

It’s been days of settling into the rhythm of farm life—enjoying family dinners filmed with hearty laughter and home-cooked meals, gathering around late-night fires that crackle and warm against the cool night air, and rolling up your sleeves to help with daily chores.

Even had a few more run-in's with the famous bull riding man himself. He was sweet, but you couldn't help but feel at complete unease around him. Not in a bad way, but in a my heart won't stop pounding against my rib cage kind of way.

Like when he covered you in his flannel at the latest bonfire, taming the rising goosebumps along your body.

"I don't need this, y'know?"

"Sweetheart, you're cold. Just wear the damn thing."

Or when you bumped into him at one of the farmer's markets and it took no hesitation for him to grab all of your purchases out from under your arm.

"What are you doing?"

"What does it look like I'm doin?"

"Stealing my stuff"

His laugh shot butterflies right into your stomach. "You're something else, sweetheart."

You make a point to be as involved as possible, driven by the genuine desire to contribute and make a sense of responsibility. 

“Should we hit up Rusty Spur’s tonight?” Abigail asks from beside you, her voice light and relaxed as she stands wrapped in a fluffy robe, freshly showered. She’s casually brushing her long, damp hair, the strands falling in soft waves around her shoulders.

“What’s Rusty Spur’s” you ask, leaning over the bathroom sink for a closer look as you apply your last coat of mascara, adding the finishing touch to your makeup.

“The bar,” she replies nonchalantly, her tone suggesting it’s a place she frequents often. “I think we need a night out.”

You glance at her through the mirror, a smile spreading across your face at the prospect of a night out. 

“Yes.”

-

Rusty Spur’s was the kind of country bar that instantly feels like home, even if you’ve never been there before.

As you step inside, the scent of aged wood, spilled beer, and a hint of smoky warmth greets you. The place is packed. 

The flimsy spaghetti straps of your short white dress dig into the skin of your shoulders, their delicate fabric offering little support. Despite its ethereal look, the dress feels unexpectedly snug against your skin. The soft white fabric sways with each step you take as you slip your body in between the crowds of people.

Abigail leads you to a cozy corner of the bar. Almost instantly, a bartender approaches, his familiarity with Abigail evident in the easy smile and warm greeting he offers.

You can’t help but notice just how easy on the eyes he is. He’s dressed, like almost every guy in this bar, in snug jeans and a flannel shirt with the sleeves rolled up, revealing strong forearms. His casual yet confident demeanor, coupled with the slight scruff on his beard and his easygoing smile, makes him stand out in the dimly lit bar. 

Within the span of five minutes, a chilled, neck-bottled beer is placed gently into your hand. Taking in the view of the crowd, which is large but not overwhelmingly so, you scan the faces around you. As your gaze moves across the room, no one stands out as particularly familiar—until your eyes land on a table not too far away.

There, seated with a group of friends, is Charles. His presence is unmistakable. Even from a distance, he exudes a charismatic confidence, the kind that draws attention without even trying. He’s relaxed in his posture, laughing and engaging with his companions, the flannel from earlier now swapped for a casual shirt. 

“Wanna dance?” Abigail chimes in your ear, her beer already half gone in the span of a minute.

-

It was almost as if Charles could feel your presence without even seeing you. The dim light of the bar cast flickering shadows. He leaned back against the worn leather of his chair, his senses heightened.

You found yourself completely immersed in the music, your body moving almost involuntary as your shoes glide smoothly across the weathered wooden floor. You’re not exactly sure when it happened, but your body eventually became pressed up against a random guy you’ve only just met on the dance floor. His presence both surprising and pleasant. He’s cute—definitely cute. His hands are gentle on your waist, guiding you through the steps with a natural rhythm. 

He twirls you effortlessly around, guiding your movement with a deft touch that brings a burst of joy. As you complete the spin, you find yourself facing him once more, his eyes twinkling down at you.

With a playful flourish, he slips his cowboy hat onto your head. You can feel the subtle press of the brim against your forehead, much too big for your head. You tilt your head back and laugh, the sound a melodic blend of joy and unrestrained happiness woven into the music. 

In this embrace, everything seems to align perfectly—the rhythm of the music, the warmth of the body, and the whimsical charm of the cowboy hat resting lightly atop your head.

“Do you want t-” The words began to leave the man’s lips, but they were abruptly cut off as a firm muscled arm shoved him away from your embrace. The unexpected force sent him stumbling back, surprise flashing across his face and yours.

The man recovered his footing, confusion turning into indignation as he glared at the one who interrupted. Charles. Meanwhile, you stood your ground, heart racing, caught between the thrill of the moment and unexpected clash.

If looks could kill.

“Dude, what the fuck?”

Large fingers reach for the brim of the hat atop your head, snatching it right off before Charles shoves it back into the man’s chest. “Don’t ever put a hat on her head again.” 

His voice was rough and terse, cutting through the ambient noise like a blade. “Let’s go,” He says, not giving the man or you a chance to react. In an instant, his fingers snake around your wrist, pulling you away from the dance floor and into the shadows of a secluded table ticked into the corner of the bar.

The abrupt shift caught you off guard, and your heart raced as he led you through the sea of bodies. The air between you was thick with unspoken words as he tucks you between him and the edge of the table. His grip on your wrist loosens, but his proximity is too close.

“What the hell was that?” Your senses heightened as your eyes locked onto his. The usual light green of his irises, often warm and inviting, was now obscured by a much darker hue, swirling with intensity and something primal. 

His gaze was pointed, sharp, and unyielding. You sensed a storm brewing behind those darkened eyes, and the air around you crackled with anticipation. 

“He put his hat on you, sweetheart.” You scoff almost instantly, bubbling anger simmers in your chest as you let out a soft laugh over the situation.

“Really?” You throw your head back for a mere second as the laugh pushes past your throat. “You shoved him over a hat?”

His eyes remain narrowed, the amusement that might have danced there moments ago, no longer present. “Do you even know what that means?” He presses, his voice low and intense as he leans into your ear, the weight of his words hanging between you.

“What a hat means?” Confusion flickers across your features. The question so out of place, and yet the gravity of his tone suggests otherwise.

Before you can grasp the implications, you felt his fingers sneak their way to you, warmth and firmness splayed along your waist. The contact sent a jolt of awareness through you, igniting the tension the crackled in the air. It was a possessive gesture. 

His gaze never wavers, and the connection between you deepens.

“You wear that hat; you ride that cowboy.”

For a moment, you freeze. 

“And in no fucking world, would I let you wear anyone’s but mine.”

[woman-of-balnain]

maybe a smut where the reader is jealous after seeing mary and arthur hanging out, argument sex brrrrr. <<33

Masterlist | A03 Ver. | Part 2

Title: Bold as Love

A/N: Hopefully this is what you wanted anon! I'm used to writing a more soft and affectionate Arthur, but this was definitely a fun change for me. I hope it's okay... I took your request as wanting him more on the dominant side.

Also, I hope it's ok to cross-post this on A03. If not, just send me another anon ask to let me know and I'll delete it.

Warnings: Possessive Reader, Possessive Arthur, Jealous Reader, Arthur and Reader fighting for dominance, arguing, smut, unprotected sex, creampie, NOT proofread, I literally wrote it and posted it, so there might be mistakes.

Word Count: 2,781

Dividers by: cafekitsune + newlips

Your blood boiled when you saw them together. If Miss Grimshaw hadn’t let you come into the city that day, leaving your chores back at camp to get what Arthur had requested from the store, then you wouldn’t have even known. It was only by chance that you even found out, which made it so much worse.

You remembered seeing her come into camp, back when the gang was at Horseshoe Overlook and leaving that letter for Arthur. And of course, he’d gone straight to her, as if no time had passed, as if she hadn’t hurt him all those years ago, as if he wasn’t with you now.

He’d reassured you afterwards, told you what happened and more importantly what didn’t happen, but it had taken a while for him to calm you down. That was what made seeing him with Mary again, outside the Théâtre Râleur, hurt and anger you so much more.

She had her arm linked with his, pressing her body close to your man and laughing coyly at something he’d said. You had watched them coming out of the building, which told you they’d just watched a show together. Dim lighting, seated closely together for a whole show… the possibilities were endless in your mind and just made you feel worse.

Almost as though he sensed angry eyes on him, Arthur turned his head away from Mary, looking around before his gaze met with yours. A look of surprise spread over his features, but there was no guilt. You didn’t really know if that was a good thing or not.

Mary followed his gaze, wondering why his attention had strayed away from her. She looked at you with confusion, even though you’d already met when you took the letter for Arthur from her at the old camp.

“Do you two know each other?” Mary enquired.

Her voice was soft and pleasant. A stark contrast to how you saw her.

“Yeah,” was all Arthur said, eyes still not leaving you.

His blasé answer was the worst one he could have chosen in your mind. He didn’t tell her that you were together, that he was now yours. He didn’t put up any boundaries and it caused your anger to get almost to its breaking point.

“Oh,” she looked at you with faint recognition. “You’re one of those… girls…”

The way she said it made it clear how she saw you. Like some two-bit whore who she viewed with obvious disdain. There was nothing wrong with being a working girl. Abigail had been one before she fell for John. But you weren’t that to Arthur and you wanted to make it very clear to her.

“I’m his girl,” you gestured to Arthur, the venom dripping from your voice.

Mary glanced at him with uncertainty, but he just gave you a strange look, as though you were intruding on a moment you shouldn’t have been. As though your hurt and anger and jealousy were unwarranted somehow.

“I have to take Mary to the station,” he told you, voice deep and gravelly.

It was the tone he had when he was either angry or very, very turned on. You knew it was the former this time though.

“I’ll see you back at camp,” he continued, dismissing you.

You clenched your fists, fingernails digging into the skin of your palms as he began walking away, Mary’s arm still linked with his. He was acting like such a… gentleman with her. You knew a softer, more affectionate and loving side to Arthur in your private moments, but the way he was being with her seemed almost unnatural compared to his true personality.

She turned her head only once as they walked away, still eyeing you with uncertainty before saying something quietly to him. You didn’t hear what she said, but it didn’t matter. You’d seen and heard enough.  

You’d kept to yourself after returning to Shady Belle. Your chores were done in record time and before Miss Grimshaw could find other tasks for you, you’d stormed off to the open area behind the house. Hiding yourself away, you sat behind one of the smaller, empty buildings and tried to sort through your feelings regarding Arthur and seeing him with Mary.

That was where he found you, late in the afternoon, when the sun had almost met the horizon.

“There you are,” he said, his tone the soft lilt you were used to in private moments like this.

“What do you want?” You fumed, unable to hide the anger still bubbling inside you.

“Darlin’, why’re you so angry?” He asked.

You looked up to glare at him before standing so he wasn’t towering over you.

“Are you serious right now, Arthur? I catch you off on a date with her and you ask me why I’m angry?”

“It wasn’t a date,” he insisted.

“Whatever,” you were seething, letting all the pent-up emotions spill forth. “I don’t care what it was. I don’t like it.”

“Mary… she was just askin’ for a favour.”

“To go to the theatre?” You asked incredulously. “I’m not an idiot, Arthur.”

“Sweetheart, it’s like you said. You’re my girl.”

The sweet endearments didn’t feel so sweet right then, so you continued taking your anger out on him.

“No, I’m not yours,” you hissed. “Not anymore. Not after that. You want her so bad? Go have her. But you and me? We’re done.”

Arthur’s gaze darkened but you ignored it, moving to brush past him and head back towards the main house. You didn’t get very far though because he grabbed your arm and held you in place.

You felt Arthur move so that he was right behind you, chest pressed against your back. His arms snaked tightly around your body, keeping you firmly in place.

“Calm down,” he said lowly in your ear.

His own voice was too composed for your liking, like he wasn’t taking you seriously.

“Just let me go,” you struggled against him.

“No,” he kept you held in his arms. “Take it back.”

That angry tone was coming back, the one that always sent shivers down your spine. You tried to resist it, but when he started pressing kisses along your neck, it became harder.

“Cut it out,” you snapped at him.

“Take it back,” he repeated, lips brushing against your skin. “Say you’re mine.”

His teeth nipped at the place where your neck and shoulder met, and you let out an involuntary moan. You could feel the curve of his lips as he smiled against your skin and when his arms loosened a little in their hold around you, it was the perfect chance to free yourself. So that’s exactly what you did.

Turning to face him, you saw him get irritated as well, annoyed that you were still so defiant. You opened your mouth to say something snarky to him, but Arthur didn’t give you a chance. He closed the distance between you, taking hold of your hair and pulling your head back a little, forcing you to look him in the eye.

You glared at him, and he challenged you right back with his own commanding and unwavering stare. When he saw that you weren’t going to give in, Arthur smashed his lips against yours in an angry and domineering kiss.

You struggled a little, still infuriated with him, but his hold on your hair and the other arm he had wrapped around your waist made it impossible to get away. His lips were bruising and dominant against your own, forcing you to submit.

Eventually, you gave up, giving in and opening your mouth a little wider, allowing his tongue to wrestle with yours. You moaned again, unable to deny how much you loved this forceful side of him.

You always got lost in the feel of his lips, the things he could do with his tongue, the firm grip of his hands, the coarse hair on his cheeks and around his lips that tickled and teased your skin… it was all familiar. It was all yours and you weren’t about to have it any other way.

You managed to pull your head back a little, his grip on your hair having loosened at your submission to his kiss. Breaking your mouth away from his, you looked into his eyes, seeing the way his pupils were dilated and his hair was wild and messy from your fingers running through it.

“You say it first,” you demanded breathlessly.

“What?” He asked, like he was in a bit of a daze.

“Say you’re mine,” you insisted, your tone a little more composed this time. “Only mine.”

“You’re beautiful when you’re jealous, darlin’,” he teased, lips curving up into a devilish grin. “All wild and ferocious.”  

“Say it,” you demanded again.

His gaze softened a little, but the dark lust never left his eyes.

“I’m yours,” he promised.

It was enough for you, so you brought your lips back to his, both of your lips fighting for dominance. You gasped into his mouth when you felt him slam you against the wall of the small building you’d previously been sitting by. His hands were everywhere, possessively exploring your body.

“You’re mine too,” he murmured against your lips. “Ain’t you?”

It was spoken like a question, but you knew it wasn’t. He was telling you to admit it, but you weren’t ready to just yet, so you refused to answer, seeking his lips for another kiss instead.

“You’re really pissed off, huh?” He let out a light laugh, pulling back so you couldn’t kiss him again.

You just glared at him once more, feeling like he should know the answer to that. Arthur didn’t seem to mind, his hands reaching down and taking hold of your skirt. The fabric bunched up under his hold, snaking up your legs tantalisingly until the entirety of your lower body was revealed to him.

His gaze darkened even more when he saw that you weren’t wearing anything underneath.

“Don’t worry, sweetheart,” he said, tone more menacing than anything else. “I’ll have you admittin’ it for me soon enough.”

You looked down, seeing the way his erection was straining against his pants and you couldn’t help but to get turned on by the insinuation of his intentions. You could feel the desire spreading through your lower belly, and the way your pussy reacted, already getting wet.

Arthur took hold of one of your hands, bringing it to his clothed cock. You let your instinctual lust take over for a moment, cupping your hand around it and relishing the faint groan that escaped his lips.

If this was how he wanted to play it, you decided to comply. You were quick to get rid of his gun belt before unbuttoning his pants and pushing them down his hips. When his cock sprung free, you saw that it was already fully hard, and it just spurred you on even more.

Your hand wrapped around it, tugging up and down on the velvety skin that covered the steel hardness underneath. His lips sought yours again and he groaned deeply into your mouth as your thumb swiped over the head of his cock.

It wasn’t long before he took control again, though, because he pushed your hands away from him before using one of his to grasp your hip tightly and the other to line him up at your entrance.

Your head fell back onto the wall behind you with a moan as he moved his cock back and forth along your slit, coating it in your wetness.

“Your body can’t lie to me, darlin’,” he groaned out. “You can be angry, but you’re still mine.”

You reached down, taking control by grasping his cock and putting it right where you wanted it. You pushed your hips forward, causing him to enter you and savouring the way his eyes fluttered shut and his mouth fell slightly open at the feel of your tight walls squeezing down on him.

“Yours doesn’t lie either,” you grit out, thrusting up your hips a little.

Both his hands gripped at your waist forcefully, ensuring that he had some hold over how much you could move. Arthur lifted you until your legs wrapped around his own waist and then he began thrusting into you.

“Just… admit it,” he managed to get out, voice rough as he slammed into you.

“No.”

Yet, with each time his cock entered you, it pushed a little deeper and teased that one spot that always brought you undeniable pleasure. If you kept letting him have all of the control, it would be a losing battle for you.

You squeezed down on his cock, milking him and causing him to get lost in the feel of you again.

“Why didn’t you tell her that I’m yours if it means so much to you?”

To your ever-increasing frustration, Arthur just grinned.

“Wanted you to get jealous,” he admitted, one hand moving down to grip your thigh as he continued pounding into your tight pussy. “Because you’re so god damned gorgeous like this.”

“I’m not jealous,” you lied, wanting to goad him. “I’m done. Enjoy this, because it’s the last time.”

His fingers dug into the skin of your thigh possessively at your words and he brought his lips back to your neck, covering your body completely with his. It meant that every sensation you felt was from him. The familiar smell of Arthur wrapped around you and all you could feel was his hands, his lips, his tongue…

“You’re mine, sweetheart,” he insisted again, teeth scraping at the column of your throat. “This pussy is mine and you know it. Just admit it.”

He was clearly frustrated with you too and while it brought you satisfaction, you knew that you wouldn’t last much longer. His long, thick, perfect cock was dominating every aspect of you, eating away at your resolve.

“Apologize then,” you requested of him softly.

He pulled his head back to look at you, his pace never once faltering and the dark desire never leaving his eyes.

“’M sorry,” he admitted instantly.

You knew it was sincere, you could see it in his eyes. He may have liked frustrating you and making you jealous, but you could see in that moment that he realised the hurt you felt too.

“She… doesn’t… mean anything… to me,” he promised, getting the words out between his deep and brutal thrusts. “Not anymore. Not since you.”

“Good,” you replied heatedly, pulling his head closer. “Because you’re mine and I’m yours.”

He was obviously pleased with you finally admitting it and your lips met in another kiss, tongues moving languidly this time, as you savoured the feeling of one another. You could feel the familiar build up within you, knowing that you were close. Bucking your hips slightly, you let him know without words what you needed, and Arthur was quick to oblige.

He knew you like the back of his hand, every aspect, and every desire. So, his hand left its bruising hold on your thigh and moved upwards, caressing and teasing your skin until his fingers finally brushed against your aching clit.

You squeezed down around him again and he broke the kiss, his head falling to your shoulder. His thumb moved perfectly against your sensitive nub, rubbing in circles, and applying just the right amount of pressure.

“God…” you moaned out, now constantly milking his cock inside you as your pussy edged closer and closer to release. “Arthur…”

“That’s my girl,” he murmured against your skin, loving the way you said his name. “Let go, darlin’. I wanna feel you cum around me.”

With two more strokes of his thumb against your clit, along with a teasing nip of his teeth against your shoulder, you came undone around him. Your back arched and your body was overcome with ecstasy.

Your orgasm washed over you blissfully and the vice-like grip paired with the spasming of your pussy sent Arthur over the edge too. You felt his cum fill you up, as well as his cock throbbing deep inside you and it just made your own orgasm intensify.

His lips never seemed to leave your skin through it all, pressing countless soft and loving kisses all over your neck and then up to your jawline and finally on your cheeks. As you both came down from your highs and your frustrations with each other ebbed away, his fingertips stroked along your thighs.

“You’re… incredible…” he breathed out, nuzzling against your cheek affectionately.

You turned your head to capture his lips once more, determined to make sure he never forgot it again.  

--

Part 2

--

[margaux-saltel]

Kissy Bewbs :3

For the recent kickstarter of "Parliament of Rooks", I had the chance and the honor, to draw a variant cover. Abigail, the creator, named the illustration "kissy bewbs" (follow her Tumblr).

I'm sharing with you today, the WIP of the cover! It was made on paper (alcohol markers and pencils on A3 paper), and Photoshop!

sketch version on Photoshop - original illustration on paper

cleaning on Photoshop - adding the shadow

close up

Don't forget to buy your copy here

Thank you again @abz-j-harding and Richard Starkings <3 We will all be at Thought Bubble in two weeks!

[chic-beyond-the-wall-oc-acct]

So the poll where i asked if i should make Robb Stark Abigail's second husband came in ans yes for Robb got 81.8% so i immediately went to go make them a child and i hesitated cuz like Abigail and Tommen already have six children and then i thought "well wasn't there Targaryens who had a crazy amount of children and i googled it and Jaehaerys and Alysanne had thirteen children...and technically Abigail is trying to reinstate house Blackfyre so i figured why not? A few more wont hurt. I just have to figure out a timeline for when Abigail and Robb would actually get married and why because they do already know eachother, they met when Abigail visited Winterfell with the royal family but they have been at war for a long time. Abigail doesn't become the ruling queen until a year after Tommen is made king and in canon Robb is long dead by then...so please help me out here y'all😭