You are now legally a bird
CAN I BE THIS BIRD
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why is this mf so fucking hot
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I forgot to share this, @kikker-oma had made this in honor of Abel's surprise appearance in the Healthcare AU and gave me permission to share it, so here it is in all its glory because she is an absolutely phenomenal artist <3 <3 <3 Healthcare Hyrule in his element, and Abel having a pretty typical day for his sad, angsty life (RIP my beloved blorbo LOL)
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Obligatory "I do not experience delusions but holy shit I keep seeing abelism in my communities and it pisses me the fuck off"
Hey if you harass ANYONE over delusions: fuck you.
I do not care how problematic the delusion may be, it is never fucking okay. Full stop, no argument.
The individual experiencing the delusion will not be helped by you realitychecking them or sending them hate or bullying them.
And yes, this includes people you don't like.
This includes people suffering from delusions that make them say "silly" and factually incorrect things (the earth being flat and conspiracies in general. That type of stuff).
This includes those who are alterhumans due to their delusions.
It's fucking disgusting the amount of abelism I see towards those with delusions within the mental illness community AND the alterhuman community.
Do better.
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Okay i'm not normal with these guys they should get more attention
my mostly art ideas of them are my headcanons alright
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My roman empire? How Abigail looks and acts so much more mature around Will in early season three compared to the scared child she is throughout the show- which is entirely because she's in Will's imagination. He's preserved her not as a broken and abused or traumatized girl, but as the young woman she would have grown into had he been given the chance to properly father her. Maybe that's why he lets her go; because he's seen her as all she could have been, and he knows he'll always have that version of her with him, wading in the stream.
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I think about you more often than I think about the Roman Empire.
whrn he's a ten because he thinks abt you more than the roman empire
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Gideon in *Antipasto* is an absolute force, and it’s such a delicious irony that he, the man with no limbs and nowhere to run, has Hannibal completely on edge. Gideon’s presence is the ultimate power move. Every word, every utensil tap is a challenge, a reminder to Hannibal that he’s no longer the puppeteer pulling all the strings.
Hannibal’s reaction when Gideon refuses to be cowed—his fumbling “you still have to eat”—is not just desperate; it’s telling. Hannibal, who thrives on control, is visibly rattled by a man who’s supposed to be powerless. And when Gideon taps those utensils, it’s like a slap in the face, a reminder that Hannibal’s carefully crafted world is slipping through his fingers. Gideon’s sharp “Why do you think I’m allowing this?” slices deeper than any knife, and Hannibal’s empty response shows just how lost he is—because Gideon’s not just sitting there; he’s indulging Hannibal’s pathetic need for an audience, for companionship, in the most twisted way possible.
Hannibal’s arrogance has always been his defining trait, but this scene strips him down. Compare it to *Aperitif*, where Hannibal is reveling in his solitude, dining on his secretary’s offals, radiating superiority. It’s all gone now. After Will Graham shattered his defenses, exposed his weaknesses, and took a sledgehammer to his heart, Hannibal’s left grappling with a stark new reality. He’s reduced to this shadow of himself, sharing joyless, empty meals with a man who’s more interested in psychological warfare than in the food. Gideon hurls truths at him like weapons: that Hannibal’s dining games are nothing but a sad parody, a hollow echo of his former grandeur.
Gideon’s relentless needling cuts through Hannibal’s pretense, exposing a rawness we rarely see in the cannibal. Gideon knows he’s living on borrowed time, and he uses every second to tear into Hannibal’s ego. He’s not just some victim; he’s a mirror to Hannibal’s own emptiness. And let’s not forget the meta-layer here—Gideon’s awareness of Hannibal’s desperate need for an audience mirrors the way Hannibal manipulates others but can’t handle it when the tables are turned.
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Is this meme still funny?
Anyways, my two most favoritest blorbos in all the world.
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