#aaa this is so scary

[willthespy]

my posts have been too positive lately so have this solangelo doodle where i depicted two different sides of ptsd/trauma bc i hate joy!! yay!

literally two sides of the same coin

[thestarlightforge]

What do you call it when the gay buries your gays 💀

[clownmoontoon]

I KNOW A LOT OF MATSU FANS STILL HAVENT BEEN ABLE TO WATCH THE NEW MOVIE SO HERE IT IS FANSUBBED!!!

got permission from op to post here ages ago but completely forgot!! ( sorry!! adhd ;o; )

it should take you to a page that looks like this:

you can just click on the file name and itll take u to the page with the video!

ENJOY!!

[ragnarockz]

"Maybe this is the end!"

"Don't be such a bummer."

[windydrawallday]

🎃 WELCOME TO THE FRIGHT SIDE! 🍂

These are circa 2021 when a dear friend suggested watching Scary Godmother's animated movie. I gotta confess: until then I never knew the existence of it... and less that it was based on a series of short stories and comic books! I fell COMPLETELY IN LOVE with the characters and setting and AAA

But especially, what held tight to my heart was the narrative of this amazing writer and illustrator, @jillthompson , creating this whole fantasy world to make "friends with the scary side" and reveal that even monsters fear and can be your best allies ♥

I'm so glad I found her work, it keeps inspiring me to reach that level of love for storytelling and to never be afraid to show the themes and aesthetics that move us deeply!

PS Those last pics portray a grown-up Hannah Marie based on Miss Thompson's concept art she showed in one of the books.

[marimbles]

Commissions open!

Tier 1: simple sketches—$15 base

Black and white or partial/low-opacity color

two characters: +$10

Tier 2: colored sketches—$25 base

full color with simple shading

two characters:+$15

Tier 3: full-render sketches—$35 base

full color, shading, environmental lighting, etc.

two characters: +$20

If interested, please DM me or email me at heymarimbles@gmail.com!

Reblogs appreciated💜 thank you!!

More details under the cut:

Will do:

fanart (miraculous ladybug, the owl house, and the legend of Zelda are my main fandoms, so those are the characters I’m most familiar with drawing, but other fandoms are also welcome!)

OCs/sonas (MUST provide references and detailed description)

real people (in my style)

ship art/light romance

Won’t do:

NSFW (or anything that feels too steamy to me djdjkd)

furry

mecha

gore

Other guidelines:

Prices are USD

Payment through PayPal or ko-fi

No price distinction between bust, half-body, and full-body

If you want more than two characters, we can talk about it!

Very simple background included in base price (like a solid color or gradient, a circle or square behind the character, etc). Anything else is negotiable depending on complexity.

Props and small companions (like kwami, palisman, pet, etc.) are negotiable depending on complexity.

These are sketches, so the lines will be somewhat rough and you may see structure lines underneath. If you are not satisfied with the level of cleanliness, I can clean it up a bit, but these tiers don’t include clean lineart. (If you do want clean lineart, though, we can talk about it!)

I tend to experiment a bit with my rendering tools/style, so if there’s a particular piece of mine you like and you want me to try to recreate that style, lmk!

References photos are super helpful! (And for OCs, they’re essential.)

If you’re interested in something that doesn’t fall under one of these tiers (like a comic, doodle dump, etc.), just talk to me and we might be able to figure something out :)

[liliaceaae]

back to our regularly scheduled rhea brainrot!

some explanations under the cut ^^

top 5 saddest rhea moments 😹🙀

1. Eating her devil fruit

One night, Rhea finally had enough of being forgotten and ignored by her family and ran away to the forest, planning to never come back. She thought that if she was “gone for good,” it would make them realize their mistake.

Over the course of a week, she sustained herself off of the diverse plant life, and learned survival skills by following the patterns of a family of wildcats.

However, only while watching the mother cat gently care for her cubs did Rhea realize that no one had come looking for her. She had purposefully stayed near the edges of the forest, hoping that maybe someone would find her. There among only the trees, she cried until her chest hurt; unheard, unseen, & forgotten.

She spends one more night out in the woods, running low on accessible food sources in the forest shallows. She spots a new fruit that she’s never seen before, and in a moment of naivety, cuts a piece and pops it into her mouth. So shocked from the bitterness, she instinctively swallows the fruit. Effectively traumatized, she leaves the rest of the fruit for the animals and heads home.

There was no one to greet her when she arrived home, no greeting in the following days, no greeting from even the townspeople. No one had noticed she had even left, and somehow, she felt more unheard than before.

2. Learning to be selfish

The Whitebeards notice the way Rhea doesn’t ask for things the way kids normally would. Over the smallest requests, she would avert her eyes and bow her head. When shown the barest act of patience or compassion, her eyes would gloss over a little bit.

Marco, being the one she trusts the most, decided to address this. Through various conversations, Marco attempts to piece together the life Rhea lived before setting sail. She would talk about God and punishment, the sea and vengeance, earning and losing love through action. While much of her worries were padded in metaphor, wether from fear of admission or simply the phrases she was fed, Marco could gather that her sense of self worth was too damaged for a girl of 10 years old.

On a day where Rhea was feeling particularly vulnerable, she finally tells Marco about her family. How she was forgotten in place of the new “first son” of the household; how she made herself small so that, maybe, she’d be good enough of a daughter to be remembered. She laughs emptily about it, claiming she understands the pressures of having a second child.

“Well, It’s their first life after all,” She gives her parents too much grace for Marco to accept. “But isn’t it yours too?” That short sentence is enough for Rhea’s world to break.

She’s overwhelmed with all the things she wants but never asks for. “Tell us what you want, and you’ll have it. You can be selfish, you’re a pirate!” Marco encourages. “I want to have my hair brushed,” she starts at a whisper. Her voice grows louder as she states her greedy desires. “I want to be hugged,” “I want to be noticed,” “I want to be loved!”

She’s sobbing into the fabric of her too-big sleeves by the end, and Marco holds her close in comfort.

3. Father

Her struggle to feel worthy is a difficult unlearning process. No matter the words of support that her brothers gave her, it didn’t make the feeling of weakness go away. When you’re surrounded by men as strong as monsters, it’s difficult to not compare your own abilities.

Her feelings of inferiority are especially supported when she needs to be comforted from whispers of battle on the wind. Too many times has Rhea watched images of her brothers’ blood from the backs of her own eyes. Her observation haki forces her to listen to their panicked heartbeats from where she tucks herself away in the smallest corner of the ship.

“She’s just soft,” she overhears Thatch say, after another dizzying afternoon of trying to press the remnants of wounds not her own out of her head. “I know, and that’s why I’m worried.” Marco responds quietly.

She tries to swallow her pain, make herself tougher in order to earn her place in the crew. She fails relatively quickly, lashing out due to the suppression of her hurt.

Whitebeard confronts her when she’s sulking while walking along the railing late at night. He calls her over to his throne, reprimanding her for her dangerous habit. She’s quiet when crawling into his lap, and still while wrapped into his cape.

“Rhea, did you know, I wanted to say yes. The very moment you first asked to fly under my flag.” Rhea was confused, Pops was rarely this sentimental unless he was drunk. “Why didn’t you?” she asks. “On these seas, there’s no guarantees. I could tell you were a child who deserved a long and happy life, there was no guaranteeing that if I had immediately said yes.”

“I don’t understand…” her confusion and hurt grows, “You don’t have to. What matters is now; and now, I see I made the right choice. I want you here, and I’m glad that you’re my daughter.”

The words from Pops felt concrete, they held the truth that Rhea was seeking. It extinguished her tangled feelings of jealousy and insecurity; The words she needed from a father.

“Even if I’m useless?” “You don’t need to prove your value to be loved! Who do you think I am, Big Mom!?” Whitebeard jokes, and Rhea laughs easy.

4. & 5.? Permanence

Rhea holds onto familiarity with desperation. She refuses to let go of things that are long gone, deluding herself that somehow she’ll get it back.

She had blissfully ignored death, convincing herself that her family was untouchable by those things. Ignoring the signs of age and wear on her crewmates. When Thatch dies, and the Paramount war happens, and she can no longer cling onto childish fantasies.

Rhea’s birthday is shortly after the Grudge war. Her brothers ask her over the snail what she wants, promising they’ll get her anything to cheer her up from their bleak loss streak. All she wants is to go home.

She misses the rock of the waves when she sleeps; The old doors that she needed to close with a little more force; The faces of her family and the easy conversations. Now, her heart twists at the thought of the Moby Dick. The ship sits in pieces under its enemy’s water.

She feels nothing but sickness when she turns 21. The thought that she had out-aged Ace haunted her all day. She couldn’t stand it.

[penny-drops-in]

Some episode doodles! :D

[oliveroctavius]

for some reason the evilest thing Miguel does when he's beating up on Miles is lean in to whisper into his ear. Like up until then it's a grown man freaking out at a teenager but hey man he's upset he probably doesn't mean it but the whisper implies (1) he knows exactly how evil he sounds and is still going and/or (2) he really really wants Miles to internalize this shit. this isn't a villain speech anymore it's a personalized humiliation

[ruskatuskapuskasapuska]

(Oop, I don't think I ever posted this here! (This is from november 2022))

Eldritch abomination does a cute little "blep"-pose :3

[sonic-adventure-3]

squabble redux is underway. really funny that im remodelling squabble before finishing jerry n rig or even starting carrion lol

[redr0sewrites]

spotify wrapped reveal,,,

[shadowofmoths]

tmrw i have a rly scary meetiiiing (´°̥̥̥̥̥̥̥̥ω°̥̥̥̥̥̥̥̥｀)

[aofikofi]

accidentally watched a scary video so now im jamming to sewer cats trying to unafraid myself hghsgdshg

[snitewing]

LONG time no post, might drop off the face of the earth again. But here's Cavalrak! Wet cat of a man, everyone (?) desires him carnally

[sanchoyo]

sapote is officially, as of now (3 days in...) the most attacked chara of mine on art fight. missus worldwide. miss universe. going 2 usurp queen and take this 👑