#a thing i dont even have a name for.

[summerstrash]

there's something buried deep in the connections between Alex, Maddie, Cable, Kwannon, Mystique, Destiny, Kurt, Forge and Greycrow (and a little bit Betsy & Rachel, too) in the Krakoan Era, and I think it's going to take a lot to unpack but for the moment, suffice to say:

it's somewhere in the idea of women bearing messiah-children they will never raise, women losing their children, the spectre of catholicism juxtaposed with ghosts and devils in the machines, women lost in the desert, the destruction of the body as the creation of the weapon, blood and destruction and undying love and mirror images and queer women and the men who love them —

it's all here and I wish I had better words for the web of connections I see in my head, but I don't, it's not a thing I can express in an essay form yet but it's so vibrantly present and I'm expecting it'll take me five more years to unpack it all.

[inkskinned]

i love when words fit right. seize was always supposed to be that word, and so was jester. tuesday isn't quite right but thursday should be thursday, that's a good word for it. daisy has the perfect shape to it, almost like you're laughing when you say it; and tulip is correct most of the time. while keynote is fun to say, it's super wrong - i think they have to change the label for that one. but fox is spot-on.

most words are just, like, good enough, even if what they are describing is lovely. the night sky is a fine term for it but it isn't perfect the way november is the correct term for that month.

it's not just in english because in spanish the phrase eso si que es is correct, it should be that. sometimes other languages are also better than the english words, like how blue is sloped too far downwards but azul is perfect and hangs in the air like glitter. while butterfly is sweet, i think probably papillion is more correct, although for some butterflies féileacán is much better. year is fine but bliain is better. sometimes multiple languages got it right though, like how jueves and Πέμπτη are also the right names for thursday. maybe we as a species are just really good at naming thursdays.

and if we were really bored and had a moment and a picnic to split we could all sit down for a moment and sort out all the words that exist and find all the perfect words in every language. i would show you that while i like the word tree (it makes you smile to say it), i think arbor is correct. you could teach me from your language what words fit the right way, and that would be very exciting (exciting is not correct, it's just fine).

i think probably this is what was happening at the tower of babel, before the languages all got shifted across the world and smudged by the hand of god. by the way, hand isn't quite right, but i do like that the word god is only 3 letters, and that it is shaped like it is reflecting into itself, and that it kind of makes your mouth move into an echoing chapel when you cluck it. but the word god could also fit really well with a coathanger, and i can't explain that. i think donut has (weirdly) the same shape as a toothbrush, but we really got bagel right and i am really grateful for that.

grateful is close, but not like thunder. hopefully one day i am going to figure out how to shape the way i love my friends into a little ceramic (ceramic is very good, almost perfect) pot and when they hold it they can feel the weight of my care for them. they can put a plant in there. maybe a daisy.

[feketeribizli]

category is: beefing with rookies

[samipekoe]

IM SO NORMAL ABOUT THIS ASCENSION!!!!!!!!!!!!!!!!!!

[loserifer]

i survived another week under capitalism's thumb. w me. anyway, here's some Tension >:)

Page 5/?

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reblogs are appreciated!!! 🕺🕺🕺

[batcavescolony]

I see a lot of people upset about William Kaplan being dead and no one mourning him cus Billy stole his body and I just don't see it that way. The kid in Wanda Vision is Billy Maximoff, The teenager at the Bar Mitzvah is William Kaplan, the Teen that got taken to the hospital after the wreck is neither and both Billy Maximoff and William Kaplan. That Teen went home with the abilities of Billy Maximoff, to the home of William Kaplan, with memories of neither and lived there for three years. He cares about Rebecca and Jeff, he lied to the to protect them from pain, they are his parents. He wants to find Tommy, he has magical powers, he wants to know who he is. All of these things are true. I wouldn't say William Kaplan is dead he just doesn't remember, like Agatha wasn't dead when he was Agnes, she just didn't remember.

[umblrspectrum]

Can we get more of the murder drone x rain world au?

ok

[obsob]

here is the root of the root and the bud of the bud!!

✷(print shop)✷

[whumpering-heights]

Whumpering-heights here with bad news...

Hi, you might know me from stories like Behind The Masks. Here's some of my art:

The bad news is that I have lost my blog. I have had it for nearly half a decade, then one accidental click and it's deleted forever. (I had meant to delete a sideblog I wasn't using anymore. I didn't realize it would nuke ALL my blogs.)

So I guess there's nothing to do but start over from scratch. I'm going put this in the whump tags, in the hopes of letting people know what happened. I would like to ask people to reblog this, so as many of my old followers can see this as possible.

(EDIT: thank you so much to @meaculpameahugeculpa for recovering my taglist of Behinds the Masks! ! @why-not-ask-me-a-better-question @pumpkin-spice-whump @fanastyfinder @whumpy-arts-and-crafts @arsonfrogger @burtlederp @harri-00 @akito-fuckn-fear @potatoo-whump @jo-castle @mannerofwhump sorry for the bad news, but at least now I haven't left any of you in the dark.)

EDIT 2: I want to thank everyone for the support!!

You can find a checklist HERE of all the chapters I've been able to find. Once I have collected all I can, I will reblog the chapters in the right order, reposting where necessary.

[dukeofthomas]

Do you see my vision

[mamawasatesttube]

the problem with reading comics (superboy (1994)) is that every time i see a post referencing a plot from the comics (superboy (1994)) but it's clear from the post they have not actually read the comic in question (superboy (1994)) or at the least, if they did, they missed some of the biggest and most significant themes in that comic (superboy (1994)), it leaves me sitting here and grumbling to myself because of the very loud voice in my head going "well that actually contradicts the comics (superboy (1994))", but i know that that is not actually a productive thing to say and that i should simply block the post/person and move on. even though i would love for more people to read comics (superboy (1994)). especially before they reference things about those comics (superboy (1994)). that would be cool

[piratefishmama]

Pt1

It continues, also with Robin. She leaves Steve on that floor, pathetically cycling through this random metalheads video game music repertoire, sending a silent apology for her fallen friend to the lady in the apartment below them, sure she got to hear Steve practicing his songs every now and then which was a blessing, but she also now had to deal with his pathetic puppy crush as well.

Sorry two (definitely not house-trained) poodle owning lady, Robin sent her condolences for her hearing. But only a little condolence, one of those dogs had left a steamer in the elevator and it was a tall-ass apartment block. Karma really, sweet sweet karma.

It continued because Robin had a mild gift for hunting people down on the internet, it was a skill she’d developed and honed purely to hunt down the assholes who occasionally popped up on Steve’s insta with threatening messages and dumb as shit behaviours that a best friend refused to abide by. Steve had never allowed her to do anything with the knowledge, but one day, one day, the dogs of war would be released, and she would rain fury down upon them for making him make the sad puppy eyes.

He was just a dude, sure he grew up with wealthy parents, sure he had connections since birth to help him get to where he wanted to be, but… that didn’t make him any less of a soft-ass with a genuine love of sports, and sweaters, and listening to audio books in reading nooks with mugs of coffee like some kind of pinterest mood board model.

That didn’t make him any less of an actual mother hen to several child actors and young musicians ensuring they got fair treatment, ensuring they were never taken advantage of by the industry or the people around them.

It continued because within an hour of sleuthing, Robin poked her head back around from Steve’s guest room (read: Robin’s second home), and proudly announced “Found him!” As loud as she could to get over the cover of the final boss battle from Banjo and Kazooie that Steve absolutely did not recognise but was clearly vibing to.

“Found who?”

“Your mystery hater! He’s a—”

“Robin!! You can’t dox people!!”

“I’m not doxing him, I’m telling you exactly where he is so you can go confront him.”

“That is exactly what doxing is. How did you even find him?!”

“Dumbass posted a pic of a newspaper article that his friend wrote, which, uhm, that’s pretty cool I guess, but it had her name on it! All I had to do was search LinkedIn for her and boom, I gottem.”

“…Okay so he’s basically asking to be found is what you’re saying right now.”

“EXACTLY, can we go? Can we? I wanna see him squirm like a little bitch baby when you turn up to confront him.”

“All you’ll see is my pathetic attempts to flirt with him because I don’t know how I’d be anything but pathetic around him I mean have you seen his hands? Do you remember the Hemsworth incident? Do you remember the Hemsworth incident, Robin?” The incident in question involving a low doorway and a concussion that left him delirious in the fantastic arms of the God of Thunder.

“Do I remember you acting like a drunk school girl with her first crush around a guy with biceps bigger than your head? Yes. Yes I do. It was hilarious and you gained a handsome Aussie as a life-long friend out of that pathetic display—"

“I was concussed.”

“Drunk school girl. That doesn’t mean you can’t manage to charm a little bitch from Indiana, we’re from Indiana, we have common ground, you can bond with him!”

“Oh, because being born within the same state makes for such a conversation starter… should we really go?” Would that be stupid? Would that be crossing a line? Would that be absolutely batshit insane?

“For true love—" and champagne in First-Class "I think we should.”

“…Fine.”

Part 3

[babypanther95]

One of my first experiences, upon no longer being in Israel and returning to my regular job as a teacher, is a student leaving a note in my classroom that says "Ms. --- is a Jew. No Jews. Hitler to come back." So you know. Really wish I was still in Israel or at least wasn't the only Jewish person at the school (teacher or student). By the way, I teach 6th grade...

[froschli96]

You know what, fuck it, I have to speak my truth! (this is gonna be a rant, so anyone who actually likes assassin's creed revelations and/or the secret crusade, be warned or maybe don't read this at all)

remember how altaïr talks to king richard at the end of ac1, and richard is like "[humans] come into the world kicking and screaming, violent and unstable. it is what we are. we cannot help ourselves."? and how altaïr answers "no. we are what we choose to be." and how that ACTUALLY has meaning bc he himself was "violent and unstable" at the beginning of the game but he has learned and is now CHOOSING to be a better person who cares about others and humanity at large? remember how his calmness and gentleness was something that he ACQUIRED over the course of the story?

and remember how in revelations they then suddenly had a PRE-AC1 altaïr say about the first of his targets "no man should pass from this world without knowing some kindness." and be all wise and calm and collected during a nice little chat with al mualim, who suddenly acts all fatherly? (like, this is suddenly supposed to be a positive relationship? what??)

also, during the confession the target says to altair: "you put too much faith in the hearts of men, altaïr. [...] humans are weak, base, and petty." and altaïr answers: "no. our creed is evidence to the contrary." KJASJFJDKL???? like, it’s almost insulting how close this exchange is to the one with richard. you know, the one that was actually earned after a whole game of character development. like WTF??? cool congrats now that development means nothing. like, apparently that was just altaïr reverting BACK to being the exemplary assassin who understands and believes in the creed that he was apparently just born as. (i also hate how having a young inexperienced altaïr saying this implies that altaïr's faith in humanity is a sign of naivete instead of a sign of the wisdom he has gained after being confronted with counter arguments for a whole game, and also something that distinguishes the assassins from the templars who use humanity's supposed wickedness to justify controlling them like in AC1, but whatever)

altaïr’s development in AC1 mattered BECAUSE he is not NATURALLY a good person, it actually said something about humanity's capacity for both bad AND good and how humans don't have to be forced to be good through mind control bc they can by their own free will choose to be better when taught how and when allowed the freedom to grow. but no. apparently altaïr has just always been calm, wise and gentle. and he just sort of forgot about that during AC1 bc…. ? bc of adha?? bc of abbas???

oh don’t get me started on the whole abbas thing. (it doesnt even make sense that abbas is so hung up about his father and "his family’s honor", like what about the whole point of al mualim not allowing parents to be close to their children bc it would make them weak? like, my dude, you’re not supposed to HAVE any family aside from the brotherhood)

they used the throwaway character that had like 5 lines and made him into altaïr’s main antagonist in revelations… like, abbas wasn’t supposed to be this ONE dude who had personal beef with altaïr, he was just supposed to show how while altaïr’s revered by many, a lot of his brothers also hate him, bc 1) altaïr is a shitty person at this point and 2) bc there’s no real feeling of community and family in this version of the brotherhood, but just a pervasive sense of competition and jealousy — these assassins don’t care about their goal of safeguarding humanity bc they’re too hung up on petty squabbles and divided by rivalries (you know, the things that made malik hate altaïr even before solomon’s temple and that he overcomes in the end which enables him to forgive and to reconcile with altaïr so they can work together and stop al mualim? (you ever just think about "we are one. as we share the glory of our victories, so too should we share the pain of our defeat. in this way we grow closer. we grow stronger." and cry? bc i do. all the time. malik, the man that you are))

and now abbas is altaïr’s childhood best friend turned lifelong enemy?? like, bowden bent over backwards to come up with an explanation for why altaïr is an arrogant ass at the beginning of AC1, when the explanation is right there: he was raised to kill without asking questions and was constantly praised for how good he is at murder, which resulted in him becoming arrogant and disregarding human life. like, it doesn’t have to be some shakespearean family feud type shit. and guess what, this "simple" explanation actually plays into the story’s themes, who’da thunk!

(like, abbas might not have been a "fleshed out" character in AC1, but he had a specific function and now that function is gone. mr bowden, mr mcdevitt, you know characters are allowed to simply exist to tell us something about their worlds and the systems they live in and sometimes that’s more important and also more interesting than having every single character have a detailed backstory to explain all their behaviors, right?)

with all of this revelations loses all nuance in regards to the levantine brotherhood and also the creed in general. like, altaïr being a master assassin at the beginning despite being a terrible person and not actually understanding the creed is a criticism of the brotherhood and the creed itself. like, it said something about the order that someone like altaïr was able to get that high in rank, simply bc he's good at killing, which also tells us what is considered important in the al mualim era assassin order. when you make altaïr’s arrogance the result of his personal conflicts instead of how we was raised by a brotherhood that only valued one's ability to kill, you lose that characterization of the assassin order itself!

and by suddenly making al mualim a semi good "father figure" you also downplay his manipulation of not only altaïr but all those under his care. (altaïr says something about al mualim being "as a father" to him exactly twice in the codex, but he doesn’t mean by that that he WAS a father to him, what he means is that he was the CLOSEST THING he had bc HE DID NOT HAVE PARENTS, not because his mother died in childbirth and his father was executed when he was young btw, BUT BECAUSE IT WASN’T ALLOWED, like his parents actually lived but weren’t allowed to be close to him, he says he came to view al mualim’s "weak and dishonest" love as enough and even better BECAUSE HE HAD NOTHING ELSE, BECAUSE AL MUALIM ISOLATED HIS ASSASSINS FROM THEIR FAMILIES. al mualim "loved" him bc he was good at killing people for him! hm, i wonder if this could be trying to say anything about cults and indoctrination and the inherent contradiction in fighting for peace and free will by taking children away from their parents and raising them to become killers?? like, altaïr wasn't ~the special orphan boy~ taken in by al mualim bc his father died a hero's death, it was "the way of the order" to have al mualim be the closest thing to a parental figure for everyone to ensure absolute loyalty! altaïr saying al mualim was like his father is not supposed to make you go "oh, he must have actually been a good guy for altaïr to consider him a father", it should make you go "oh that's kinda fucked up that he considers the dude who made him into a killing machine and who manipulated him a sort of father figure"!)

and then in revelations they suddenly portray that relationship as positive and healthy??? like, it would be one thing to give it some nuance by delving into the psychology behind al mualim’s "love" and maybe showing how al mualim did care about altair in a complicated, fraught sort of way (like, you know, there’s a lot of interesting things you could say about al mualim at several points addressing altaïr as "my child" in AC1 and how that parallels Garnier referring to the people he drugged and abused as his "children", and what that says about how the templars view the people who they say they want to save and in whose best interests they supposedly act (in any case, al mualim doesn’t use that phrase because he has any real parental feelings but rather to patronize and to invalidate any objections, like in a "mother knows best" way))

but they even fucking DARE to parallel that relationship with that of altaïr and darim in revelations, by having the reflection in the puddle of darim hugging altaïr showing altaïr hugging al mualim…. like their relationship wasn’t inherently abusive but just tragically cut short because al mualim was just "corrupted by the apple"… like WHAT???? so it’s not the very real problems like grooming, manipulation and indoctrination and the hierarchical structure of the brotherhood itself (all of which are antithetical to the assassin ideology), it was just the evil apple all along. great. that’s DEFINITELY a lot more interesting.

god im sorry i really dont want to spread negativity but this is driving me INSANE. like, somebody please tell me im not crazy bc i feel like somehow most of the fandom is in agreement that revelations and the secret crusade have better storytelling and characterization than ac1.

SPEAKING OF WHICH, can we talk about how, even IF we completely ignore AC1 and treat revelations altaïr as his own character…. the narrative still doesn’t really work?

basically, the whole point of his story in rev is that "he gave his whole life to the brotherhood", this obsession led to him not using his time with his family which has him ending up dying alone in a dark library and this in turn makes ezio reevaluate his life choices…. except. he doesn’t? neglect? his family? or whatever? like, his devotion to the assassins is sort of painted as this tragic flaw that leads to a lonely death bc it supposedly comes at the cost of his family, but… his wife has joined the assassins, (at least) one of his sons is in the brotherhood and even when he goes to protect the assassins against the mongols, he takes his family with him (except for the son who stays behind bc he has a family of his own and who, ironically, ends up dying bc of that)… like, you can’t describe altaïr as a good husband and father in the database and have his son tell him that "everything that is good in me began with you, father" when they say goodbye, and then want to make us believe that he put his family behind the brotherhood and that that is a character flaw that leads to his tragedy.

because you HAVE to have a character’s tragedy be the result of a character flaw. like. that is how tragedies work. otherwise it just becomes tragedy for the sake of tragedy which is… boring bc it has no purpose. and we know it is SUPPOSED to have purpose bc ezIO FUCKING QUITS BEING AN ASSASSIN AFTER WITNESSING IT!

it’s like they want to have their cake and eat it, too — they didn’t want to actually make altaïr a bad husband/father, but still wanted to make his life a tragedy where he loses his family which is why instead they outsource all responsibility to abbas who now has to be the reason for ALL the deaths.

like, they try to make at least maria’s death kind of sort of the result of altaïr’s rashness or whatever but like… these guys KILLED THEIR SON and TOLD HIM THAT ALTAÏR HAD ORDERED HIS DEATH. like, altaïr losing it in response to that is not rash, it’s fucking logical and justified! if anything the scene made me angry at maria for trying to stop him. like, GIRL, he was YOUR son too??? but god forbid we give female characters actual real emotions, she has to fill the role of "voice of reason who dies for altaïr’s man pain" i fucking guess.

like, it’s this weird mix where his tragedy is simultaneously painted as his own fault but also not really bc abbas is the one responsible for all the shit that happens. it just… it just doesn’t really go together.

the only way to make his story make sense narratively and to give it actual purpose is by looking at it in the context of ezio’s story, bc the things he sees in altaïr’s memories are supposed to be a revelation (ha!) to ezio specifically. and i guess that’s maybe the crux of it all — altaïr’s story in revelations was conceived of first and foremost to support ezio’s story and development. which is probably also why many people maybe don’t notice bc, having skipped ac1 and started with ac2, the majority of people mostly care only about ezio and only really appreciate altaïr’s story in as far as it serves to push ezio forward. (tho i’ve also seen a few people say that ezio is also written kind of weird in rev, but i’ve never really been an ezio girly myself so i can’t speak to the truth of that)

like, altaïr dying alone in the library doesn’t really have to make sense for his character, i guess, bc it’s only really supposed to be a cautionary tale for ezio.

so, i guess, for once, they actually had a MAN dying for another man’s character development, which is pretty woke actually. ubisoft, i take everything back jksdsfjhgdsahfhsdhfghfdsgjhsdgjh

[casualavocados]

so i've been going down several translation holes while giffing kiseki... finding different sources which have their own translations, etc. then trying to choose the words that fit the meaning of the scene im giffing best.

i just wanna talk about two lines in particular that have made me tilt my head and wonder about nuances, so here we go:

the first line/translation i want to mention is from ep9, and is to do with the meaning and intention of the characters/story. it's when chen yi is confronting ai di after he gets out of prison about the time ai di slept with him four years before. i found three different versions of what ai di cuts him off with:

these all contain insanely different meanings in english. i was losing my mind trying to figure out the subtleties of what ai di was saying here, so i reached out to a very helpful speaker of the language who has made kiseki translation posts before, @nikkotinamide , and they said this about it:

and i just got so excited about that...the nuance! the specifics! referring to it as "settling accounts" is likely where the first translation about "the past" comes from, but the other two are closer to the true meaning. however, if you simply went with the revenge line you would miss the complexities that are being suggested in ai di's character.

thinking of that night as a debt he owes to chen yi and has to pay back... as something to be settled - something he isn't even really asking about but more expects chen yi to follow through on... it makes this line so much more poignant to me because it describes his guilt and heartbreak about what happened between them - about what ai di chose to do - in a much more specific and cutting way. ai di expects anger, rejection, and retaliation from chen yi, and tries goading him into reacting in those ways bc he believes he has done something unforgivable (and also that chen yi doesn't (and will never) love him), so he would rather chen yi push him away than risk being that close again.

(un?)luckily for him chen yi is absolutely smitten with him and doesn't let him get away with it. ♥️

the second translation i want to focus on is in ep12 & has more to do with words that don't translate exactly into english, but i went on a similar bender trying to decipher it:

specifically the translation of the last two characters: "堂口 (táng kǒu)" - the word translated here as "office".

bc outside of youtube i found those characters also translated as "headquarters," "gang," and "hall", which are all, again, wildly different from each other. so my best guess was that it was actually a very specific word that highly depended on the context it was being used in, and that context was being translated generally so that non-speakers in the audience would understand. but i wanted to know what that specific word and context was!

so i reached out to a bestie who did some more digging and she found this:

which IMMEDIATELY made me batshit insane because of course that's what it means; of course it's that specific!!

"office" is too professional for where chen yi lives - it's a car garage; it's their front as an auto shop. but it's also not yiyun's "headquarters" because that's the building with the spa where chen dongyang and his husband operate out of: the true central point of the gang. but because of this other line in episode 3, we know chen yi (and ai di too through association; they're a pair, do not buy separately, etc.) leads a specific division of yiyun gang:

so when chen yi asks ai di in ep12 if he's going to the bar or to "堂口" he's asking if he's coming home to the auto shop: their specific division of the gang, (which we knew all along was what he was talking about in the first place).

(...and this is just me continuing with the meta side of it, not the translations, but i also think this connects to what xiao jie and ai di were both talking about when they brought up chen yi's succession as the leader of yiyun:

because chen yi is currently just a leader of one branch of the gang, and young (25 at the point where cdy retires), so to me it makes sense that older, senior members of the gang - possibly even leaders of other divisions - would want that spot. but chen yi is practically cdy's son so get wrecked guys the gang passes to him. 🥰

and that's also why cdy is urging ai di to just come back and be a member again. bc he raised both chen yi and ai di (they are a pair, do not buy seperately) and because chen yi is gonna need ai di to watch his back as he takes over full responsibility. ...im mad we didn't get to see more inter-gang dynamics. that could have been so COOL let me IN.)

anyway those are the two translation bits that have left the biggest impression on me while i've watched and giffed kiseki so far. i just think language is so fucking neat.

[crunchy-rocc]

does anyone here like ttrpgs that take place in scifi settings. if you do im holding my hands up and offering you an au where the foxes are pirates (in space !)

some notes under the cut because i didnt want to write it out lol

—kevin is an ex-solider of the new world order. he was riko’s right hand man when he was still on the E.A. Raven.

—he’s a navigator! which is the only type of person able to safely plan out courses through the Void, a dense part of space that can help ships travel faster AND is the source of power in this world.

—the scars on his hand displays a sky full of stars. this is NOT normal, it’s caused by void exposure, which every member of the fox crew has with few exceptions. they manifest in different ways.

—kevin gets two guns ❤️ the riffle is based off of one i had in a campaign that did so much damage

—neil was a stowaway on a ship when an accident on it occurred, leaving him the sole survivor and stranded in the middle of nowhere, empty space. the foxes rescued him.

—insists he’s not part of the fox’s crew until he meets riko. he immediately gets his first wanted poster plastered everywhere afterwards

—neils gun used to belong to mary. there’s an H engraved onto it

—andrew has two spirits bound to him, and they’re sir and king. they can converse with andrew and only andrew, as well as act as armor/weapons for him. cats are seen as good luck for ships btw . if tou even care

—didnt draw andrew’s knives because most of them are concealed and its funnier to leave people guessing. he does have four of them that are visible at all times though