#a tale of two sams

[just-an-enby-lemon]

I mantain that S1 Jon would besties with Anna Enfield. I can absolutly see an alternate reality where Sasha survived the worms and convinces the Archival Crew into suing the Institute for Workplace Endagerement and Anna ends up being their lawyer. Bonus points for Sam Enfield and Martin bonding.

[I can also easily see Anna as Gwen's lawyer. They have a mostly professional relationship buy Gwen has a crush on Anna and, as things worsen for Gwen, Anna's older sister instincts turn her a little protective over Gwen's well being. Bonus points for Alice deciding to buy Sam Khalid a poted plant as some joke and becaming friends with Oliver]

[tsuyonpuu]

Now and for always 🍃

[acourtofquestions]

Kingdom of Ash Chapter 20 …

oh my gods chapter 20…

I am dead inside.

And somehow dying more per chapter.

Ow. THE NIGHTMARE DREAM SEQUENCE

"Do you know the story of the queen who walked through worlds?"

Seated on the mossy carpet of an ancient glen, one hand toying with the small white flowers strewn across it, Aelin shook her head.

In the towering oaks that formed a lattice over the clearing, small stars blinked and shimmered, as if they'd been snared by the branches themselves. Beyond them, bathing the forest with light bright enough to see by, a full moon had risen. All around them, faint, lilting singing floated on the warm summer air.

"It is a sad story," her aunt said, one corner of her red-painted mouth curling upward as she leaned back on her seat carved into a granite boulder. Her usual place, while they had these lessons, these long, peaceful chats deep into the balmy summer nights. "And an old one."

Aelin lifted an eyebrow. "Aren't I a little old for faerie stories?" She'd indeed just celebrated her twentieth birthday three days ago, in another clearing not too far from here. Half of Doranelle had come, it had seemed, and yet her mate had found a way to sneak her from the revelry. All the way to a secluded pool in the forest's heart. Her face still warmed to think of that moonlit swim, what Rowan had made her feel, how he'd worshipped her in the sun-warmed water.

Mate. The word was still a surprise. As it had been to arrive here at spring's end and see him beside her aunt's throne and simply know. And in the months since, their courting ... Aelin indeed blushed at the thought of it. What they'd done in that forest pool had been the culmination of those months. And an unleashing. The mating marks on her neck— and on Rowan's-proved it. She would not be returning to Terrasen alone when autumn arrived.

"No one is too old for faerie stories," her aunt said, faint smile growing. "And as you are part faerie yourself, I would think you'd have some interest in them."

Aelin smiled back, bowing her head. "Fair enough, Aunt."

Aunt wasn't entirely accurate, not with generations and millennia separating them, but it was the only thing the queen had suggested Aelin call her.

Maeve settled further into her seat. "Long ago, when the world was new, when there were no human kingdoms, when no wars had marred the earth, a young queen was born."

Aelin folded her legs beneath her, angling her head.

"She did not know she was a queen. Amongst her people, power was not inherited, but simply born. And as she grew, her strength rose with her. She found the land she dwelled in to be too small for that power. Too dark and cold and grim. She had gifts similar to many wielded by her kind, but she had been given more, her power a sharper, more intricate weapon-enough that she was different. Her people saw that power and bowed to it, and she ruled them.

"Word spread of her gifts, and three kings came to seek her hand. To form an alliance between their throne and the one she had built for herself, small as it might have been. For a time, she thought it would be the newness, the challenge that she had always craved. The three kings were brothers, each mighty in his own right, their power vast and terrifying. She picked the eldest among them, not for any particular skill or grace, but for his countless libraries. What she might learn in his lands, what she might do with her power ... It was that knowledge she craved, not the king himself."

A strange story. Aelin's brows rose, but her aunt continued on.

"So they were wed, and she left her small territory to join him in his castle. For a time, she was contented, both by her husband and the knowledge his home offered her. He and his two brothers were conquerors, and spent much of their time away, leashing new lands to their shared throne. She did not mind, not when it gave her freedom to learn as she would. But her husband's libraries contained knowledge even he did not realize was held within. Lore and wisdom from worlds long since turned to dust. She learned that there were indeed other worlds. Not the dark, blasted realm in which they lived, but worlds beyond that, living atop one another and never realizing it. Worlds where the sun was not a watery trickle through the ash-clouds, but a golden stream of warmth. Worlds where green existed. She had never heard of such a color. Green. Nor had she heard of blue-not the shade of sky that was described. She could not so much as picture it."

Aelin frowned. "A pitiful existence."

Maeve nodded grimly. "It was. And the more she read about these other worlds, where long-dead wayfarers had once roamed, the more she wanted to see them. To know the kiss of the sun on her face. To hear the morning songs of sparrows, the crying of gulls over the sea. The sea that, too, was foreign to her. An endless sprawl of water, with its own moods and hidden depths. All they had in her lands were shallow, murky lakes and half-dried streams. So while her husband and his two brothers were off waging yet another war, she began to ponder how she might find a way into one of those worlds. How she might leave."

"Is such a thing even possible?" Something nagged at her, as if it might indeed be true, but perhaps that was one of her own mother's tales, or even Marion's, tugging on her memory.

Maeve nodded. "It was. Using the very language of existence itself, doors might be opened, however briefly, between worlds. It was forbidden, outlawed long before her husband and his brothers were born. Once the last of the ancient wayfarers had died out, the paths between realms were sealed, their methods of world-walking lost with them. Or so all had thought. But deep in her husband's private library, she found the old spells. She began with small experiments. First, she opened a door to the realm of resting, to find one of those wayfarers and ask her how it was properly done." A knowing smile. "The wayfarer refused to tell her. So the queen began to teach herself. Opening and closing doors long since forgotten or sealed. Peering deep into the workings of the cosmos. Her own world became a cage. She grew tired of her husband's warring, his casual cruelty. And when he went away to war once again, the queen gathered her closest handmaidens, opened a door to a new world, and left the one she'd been born into."

"She left?" Aelin blurted. "She she just left her own world? Permanently?"

"It had never been her world, not really. She had been born to rule others."

"Where did she go?"

That smile grew a bit. "To a fair, lovely world. Where there was no war, no darkness. Not like that in which she had been born. She was made a queen there, too. Was able to hide herself within a new body so that none could know what she was beneath, so that even her own husband would not recognize her."

"Did he ever find her again?"

"No, though he looked. Found out all she'd learned, and taught it to himself and his brothers. They tore apart world after world to find her. And when they arrived at the world where she had made her new home, they did not know her. Even as they went to war, she did not reveal herself. She won, and two of the kings, her husband included, were banished back to their own world. The third remained trapped, his power nearly broken. He crawled off into the depths of the earth, and the victorious queen spent her long, long existence preparing for his return, preparing her people for it. For the three kings had gone beyond her methods of world-walking. They had found a way to permanently open a gate between worlds, and had made three keys to do so. To wield those keys was to control all worlds, to have the power of eternity in the palm of your hand. She wished to find them, only so she might possess the strength to banish any enemies, banish her husband's youngest brother back to his realm. To protect her new, lovely world. It was all she ever wanted: to dwell in peace, without the shadow of her past hunting her."

From far away, that ghost of memory pushed. As if she'd forgotten to douse a flame left burning in her room. "And did the queen find the keys?"

Maeve's smile turned sad. "Do you think she did, Aelin?"

Aelin considered. So many of their chats, their lessons in this glen, held deeper puzzles, questions for her to work through, to help her when she one day took her throne, Rowan at her side.

As if she'd summoned him, the pine-and-snow scent of her mate filled the clearing. A rustle of wings, and there he was, perched in hawk form on one of the towering oaks. Her warrior-prince.

She smiled toward him, as she had for weeks now, when he'd come to escort her back to her rooms in the river palace. It was during those walks from forest to mist-shrouded city that she had come to know him, love him. More than she had ever loved anything.

Aelin again faced her aunt. "The queen was clever, and ambitious. I would think she could do anything, even find the keys."

"So you would believe. And yet they eluded her."

"Where did they go?"

Maeve's dark stare unwaveringly held hers.

"Where do you think they went?"

Aelin opened her mouth. "I think —

She blinked. Paused

Maeve's smile returned, soft and kind. As her aunt had been to her from the start. "Where do you think the keys are, Aelin?"

She opened her mouth once more. And again halted.

Like an invisible chain yanked her back. Silenced her.

Chain—a chain. She glanced down at her hands, her wrists. As if expecting them to be there.

She had never felt a shackle's bite in her life. And yet she stared at the empty place on her wrist where she could have sworn there was a scar. Only smooth, sun-kissed skin remained.

"If this world were at risk, if those three terrible kings threatened to destroy it, where would you go to find the keys?" Aelin looked up at her aunt.

Another world. There was another world Like a fragment of a dream, there was another world, and in it, she had a wrist with a scar on it. Had scars all over.

And her mate, perched overhead ... He had a tattoo down his face and neck and arm in that world. A sad story—his tattoo told a sad, awful story. About loss. Loss caused by a dark queen.

"Where are the keys hidden, Aelin?" That placid, loving smile remained on

Maeve's face. And yet ...

And yet.

"No," Aelin breathed

Something slithered in the depths of her aunt's stare. "No what?"

This wasn't her existence, her life. This place, these blissful months learning in Doranelle, finding her mate—Blood and sand and crashing waves.

"No."

Her voice was a thunderclap through the peaceful glen.

Aelin bared her teeth, fingers curling in the moss.

Maeve let out a soft laugh. Rowan flapped from the branches to land on the queen's upraised arm.

He didn't so much as fight it when she wrapped her thin white hands around his neck. And snapped it. Aelin screamed. Screamed, clutching at her chest, at the shredding mating bond—

She screamed again. Screamed at her ruined arm, the unscarred skin, screamed at the lingering echo of the severed mating bond.

"Do you know what pains me most, Aelin?" Maeve's words were soft as a lover's. "It's that you believe I'm the villain in this."

Whenever that had been. If it had even happened at all.

"I have no doubt that your mate or Elena or even Brannon himself filled your head with lies about what I'll do with the keys." Maeve ran a hand over the stone lip of the altar, right through her splattered blood and shards of bone. "I meant what I said. I like this world. I do not wish to destroy it. Only improve it. Imagine a realm where there is no hunger, no pain. Isn't that what you and your cohorts are fighting for? A better world?"

The words were a mockery. A mockery of what she'd promised so many. What she had promised Terrasen, and still owed it.

Aelin tried not to shift against the chains, against her broken arms, against the tight pressure pushing on her skin from the inside. A rising intensity along her bones, in her head. little more, every day.

Maeve heaved a small sigh. "I know what you think of me, Fire-Bringer. What you assume. But there are some truths that cannot be shared. Even for the keys." Yet the growing strain cracking within her, smothering the pain ... perhaps worse. Maeve cupped her cheek over the mask.

"The Queen Who Was Promised. I wish to save you from that sacrifice, offered up by a headstrong girl." A soft laugh. "I'd even let you have Rowan. The two of you here, together. While you and I work to save this world."

The words were lies. She knew it, though she couldn't quite remember where one truth ended and the lie began. If her mate had belonged to another before her. Been given away. Or had that been the nightmare?

Gods, the pressure in her body. Her blood.

You do not yield.

"You can feel it, even now," Maeve went on. "The urge of your body to say yes." Aelin opened her eyes, and confusion must have glittered there, because Maeve smiled. "Do you know what being encased in iron does to a magic-wielder? You wouldn't feel it immediately, but as time goes on ... your magic needs release, Aelin. That pressure is your magic screaming it wants you to come free of these chains and release the strain. Your very blood tells you to heed me."

Truth. Not the submission part, but the deepening pressure she knew would be worse than any pain from burnout. She'd felt it once, when plunging as far into her power as she'd ever gone.

That would be nothing compared to this.

"I am leaving for a few days," Maeve said.

Aelin stilled.

Maeve shook her head in a mockery of disappointment.

Fenrys sat by the wall, concern bright in his eyes as he blinked. Are you all right?

She blinked twice. No.

No, she was not anywhere near to all right.

Maeve had been waiting for this, waiting for this pressure to begin, worse than anything Cairn might do. And with the collar Maeve now went to personally retrieve … She couldn't let herself contemplate it. A more horrific form of slavery, one she might never escape, never be able to fight.

Not a breaking of the Fire-Bringer, but an erasure.

To take all she was, power and knowledge, and rip it from her. To have her trapped inside while she witnessed her own voice yield the location of the Wyrdkeys. Swear the blood oath to Maeve. Wholly submit to her.

Fenrys blinked four times. I am here, I am with you.

She answered in kind. I am here, I am with you.

Her magic surged, seeking a way out, filling the gaps between her breath and bones. She couldn't find room for it, couldn't do anything to soothe it.

You do not yield.

She focused on the words. On her mother's voice. Perhaps the magic would devour her from the inside before Maeve returned.

But she did not know how she'd endure it.

Endure another few days of this, let alone the next hour. To ease the strain, just a fraction ...

She shut down the thoughts that snaked into her mind. Her own or Maeve's, she didn't care.

Fenrys blinked again, the same message over and over. I am here, I am with you.

Aelin closed her eyes, praying for oblivion.

"Get up." A mockery of words she'd once heard.

[mrsthunderkin]

Every prince needs his princess~

Tamara belongs to @owlcatchyoul8r

[bearlytolerant]

A Tale of Two Cities

[aura-oracle]

A Tale of Time City is my favorite book. I wish there was more content about it here and other social media. It’s an excellent book. Let’s talk about anything in it. Any theory or lore or knowledge they have to learn or cool futuristic inventions. Also, I wonder how do you make a butter pie?

[thecurioustale]

(Re)introducing the Author

I have two main series: a fantasy series called The Curious Tale and a sci-fi series called Galaxy Federal.

For those who are newer here, or wouldn't mind a refresher, here's a little about me and the kind of stories I write:

My name is Josh, pronouns they/he. (I am agender but I don't get upset if you gender me masculine; I do it myself sometimes out of force of habit.) I am 41 years old and live in Washington State not far from Seattle, in the beautiful but troubled United States. I am left-handed, hence my proudest epithet, The Sinistral, and I have been a writer for basically my entire life—even as a kid!

I published my first and so far only novel in 2015, Prelude to After The Hero, which you can currently buy as an e-book or read for free in HTML. Additionally, I have published countless worldbuilding articles and meta-discussions of my fiction over the years (see my previous post about Curious Tale Saturdays), and countless nonfiction essays and personal musings on my personal journal, which in more recent years I have updated much less frequently (but am still active on).

As an author I mostly write stories about "power" and "beauty." I'll have more to say about my specific stories over the next couple days when I do corresponding (re)introduction posts for The Curious Tale and Galaxy Federal, but the bottom line is that I am very interested in human potential, both at the individual and collective levels, and in the beauty of being alive and experiencing "the world," i.e. our material reality and our own headspaces within it. Other topics that interest me and frequently show up in my writing include justice, creation (both the acts and products of creating), civilization, Illumination (what many would call wisdom or "enlightenment"), ambition and desire, animism, and the poignance of the fleeting nature of all things.

I am fascinated by liminality and subliminality; boundaries; vast indoor spaces; megastructures; mysteriousness; "the magical"; surrealism; absurdism; nostalgia; pathos; journeys that do not involve backtracking; and other such things as generally might describe a vast world with hazy horizons lit in twilight. I also strive in my writing (less successfully, I fear) to convey a sense of mystery and wonder.

At the same time, I am also fascinated by human emotionality and subjective experience; personal relationships; the human condition and the human psyche; and narrative life arcs. Some who know me through my nonfiction or by talking to me in person have been surprised to see how passionate and emotional my fiction is.

My writing style tends to be long-winded and self-indulgent; deliberate and precise; esoteric and bespoke. I usually set a slow pace, and seldom indeed will I resort to cheap action or thrills. Most of my fiction is either long-form play-by-play scenes in high resolution, or Tolkienian epic narration far removed from the ground level.

With certain exceptions for key locations, I usually don't reuse a given location in a story; the locations are usually new from scene to scene, and thus there is a lot of environmental description throughout the whole length of my works and not just at the beginning. This creates a certain quality, where everything is always new, that I find engrossing.

In terms of the three most popular conventions, political intrigue, violence, and sex and romance: My writing mostly rejects the treacherous political intrigue genre conventions that are so prevalent in sci-fi and fantasy today, even though "politics" is definitely an integral part of my writing (and I am not shy about sharing my opinions, though I try to do so through specific characters rather than on narratorial authority). When it comes to violence, there is a lot of death and killing and suffering in my work, but I am not a big fan of writing extremely graphic violence and torture, mainly because I don't have the heart to dwell on it in great detail most of the time. (It's very draining for me.) And on the sex side of things, I eschew tacked-on romantic subplots and in general I would say that there's too much damned snogging in our contemporary storytelling, but I definitely do explore and depict matters of love and sex in my work in my own way—though not at a very high frequency, and, I would like to hope, never gratuitously. (Unless the gratuitousness is a tongue-in-cheek joke that we're all in on—which can be said of many other aspects of my writing as well.) I never write explicit, graphic sex scenes, although I do sometimes write sex scenes.

Which reminds me: My stories tend to have a lot of "competency porn" in them; my characters are usually intelligent, thoughtful, and logical. Ignorance and luck are not big plot story drivers for me, generally.

My favored characters tend to be some combination of fat, left-handed, and female; and, of them, my central protagonists additionally tend to be extremely powerful, demigodlike individuals who are able to operate within their respective domains virtually without limitation. In critical respects my characters are only vaguely-defined; I usually avoid character archetype trope reinforcement, so my characters are ideally as internally diverse as real-world humans are...which means you can't actually know them right away. And that opens the door for you to project your own personality ideas onto them. Which...I suppose is a feature?

I have a cinematic mind, and I think my stories are best appreciated with a strong visual imagination. I try not to smother readers with too many unnecessary details, though I confess I am only partially successful at this and often find myself hanging on every word of my lengthy environmental descriptions. I think some of my most satisfied readers are those who enjoy digesting these elaborate visuals as a reward unto itself.

I am a big believer in the idea that obvious story setups should have payoffs, that narrative arcs should eventually be resolved, and that plots and subplots should be be highly interconnected. I am chiefly theme-driven in my writing, as opposed to character-driven or plot-driven, and oftentimes the central purpose of a given scene will be to express one particular idea (or more than one)—either a conceptual idea, or a specific moment in the story. If you read the Prelude and remember Silence's introduction, I wrote that entire scene just to be able to describe the image of Silence in silhouette standing against the evening sky, and her powerful, predator-like movement as she turns around.

Add it all up, and my stories are definitely out of the norm for today's fashions and quite possibly for any fashion in history. They are slow and heavy and long. Their vastness belies their thrilling internal intricacies and shapes. The characters are highly realistic. The plots tend to feel emergent and organic. Or at least I think so. I am very much "writing the stories I want to see."

My stories tend to be incredibly long. Like...just know that going in. There are many sources for "tight," "fast" writing in the world. I am not one of them.

Oh, one more thing: There are various types of representation that are important to me and which I don't see the current state of sci-fi and fantasy storytelling doing a good job of delivering, so I explicitly lean into that, on top of my natural proclivity to write these kinds of characters anyway. So, if you're ever reading a scene and you find that the demographics of the people in it are noticeably unusual for contemporary American fiction, that's why.

More about me as a person: When not writing, I am a fan of sunsets, sunrises, and twilight; clouds and water; saying "Merciful McGillicuddy!" a lot while sighing loudly; solving Wordle; trying mostly in vain to gain weight; and being a curious information sponge.

[viky2318]

(i thought i posted this a while ago but hey sounds like Tumblr broke again or something ._.)

so: i know no one seemed to care about my last story. i'm just here to tell you that I DIDN'T STOP WRITING!!!!!!!!!!! A new tale isn't discontinued, i'm still working on it!!!!!!!!! i simply noticed nobody seemed to enjoy it and decided to take my time. when i'll have finished writing it all i'll post the chapters one by one once a week.

with that said, have a nice day :3

[rainey-staerie-daize]

If I had a nickel for every piece of media that exposed me to religious themes recently, I'd have three nickels, which isn't a lot, but it's weird that all three happened within the same week.

[spn2006]

the funniest part of dean making fun of sam for being sensitive and calling him a pansy in the tall tales episode is that it implies that sam is canonically gayer in dean’s head than in real life

[tenderrot]

Why doesn’t sam, the largest winchester not simply kill dean? (Smaller)

[demisexualnathanvuornos]

Ohio

The Colorado Kid (2005) Stephen King/ Haven pilot script (2009) Jim Dunn & Sam Ernst / Haven 1x7 Sketchy (2010) W. Matt McGuinness D. TW Peacocke / Haven 2x1 A Tale of Two Audreys (2011) W. Jim Dunn & Sam Ernst D. TW Peacocke

[leeloooonfire]

Steve hasn't read out loud since 4th grade - he still remembers the snickers of his classmates when he stumbled over the words as the letters twisted and turned on the page.

He doesn't like to read in general. It takes him so long to finish a story, let alone an entire book. He tried to read Hamlet once. When he and Nacy were a thing and he knew she liked classic literature. He hated it. Shakespeare, while the storyline seems to be interesting enough, nearly bored him to death.

So, that's the thing: Steve doesn't read, especially not out loud.

But then Vecna happened, and while Max and El finished the bastard off, they barely managed to get a deadly wounded Eddie out of the Upside Down.

(Eddie died in Dustin's arms and came back to life under Steve’s furious hands.)

While Eddie is bound to the hospital bed, unable to move, Steve picks up The Hobbit. He doesn't intend to read it, but when Edide can't hold the book long enough, let alone concentrate on it, Steve takes over. (He always does these things for the people he cares about. It is a small mystery to Steve when he started to care about Eddie.)

So, he reads - stumbling over the words, stuttering and slowly, but instead of laughing or making snide comments, Eddie listens to him patiently, a small smile on his lips.

(They finish The Hobbit and the first of Lotr before Eddie is allowed to leave the hospital.)

Steve thinks with Eddie free to go, that's it. No more hours sitting together and learning the tale of Frodo and Sam.

He is surprised when Eddie wants to hang out with him every other day. (He didn't think Eddie would want to be his friend.)

Two months after Eddie was allowed to go home, they lie in Eddie’s bedroom, sharing a joint and listening to Dio when the cassette comes to an end and Eddie turns slowly to him, brown eyes wide.

(Steve doesn't try thinking about kissing Eddie. He fails. Just a little bit.)

it's then when Eddie turns and grabs something from underneath his bed. A book. The two towers. "Aren't you interested how the story continues?"

Instead of waiting for Steve to answer, Eddie lays back down and starts reading. He is so much better than Steve at it - voice animated, each character distinguished.

(Steve loves it. Maybe even loves Eddie a bit.)

After a while, Eddie's voice gets rough and he pushes the book into Steve's hands, "Your turn." And he's too high to say no, so he reads. Less animated, less practiced, but Eddie lays his head on Steve's stomach and he smiles, humming whenever they reach parts he especially likes.

(If Steve's free hand runs through Eddie's curls every now and then, there's no one here to call them out for it.)

The letters still play tricks on him, turn and twist and make it hard for him to read, but Steve gets better. He doesn't really care if he comes to a stuttering halt or if he doesn't know how to pronounce a word, because Eddie doesn't seem to mind and only speaks to help when Steve gets frustrated with himself. Then they take turns and Eddie takes over reading.

(If Steve gets frustrated on purpose so Eddie reads for him, it's our tiny secret.)

[mrsthunderkin]

Panique~*•°○☆▪︎°•○~

[wulfhalls]

And thus it was. A fourth age of middle-earth began. And the fellowship of the ring though eternally bound by friendship and love... was ended. Thirteen months to the day since Gandalf sent us on our long journey we found ourselves looking upon a familiar sight. We were home. How do you pick up the threads of an old life? How do you go on when in your heart you begin to understand there is no going back? There are some things that time cannot mend some hurts that go too deep that have taken hold. Bilbo once told me his part in this tale would end... that each of us must come and go in the telling. Bilbo's story was now over. There would be no more journeys for him... save one. My dear Sam. You cannot always be torn in two. You will have to be one and whole for many years. You have so much to enjoy and to be and to do. Your part in the story will go on.

the lord of the rings: the return of the king (2003) dir. peter jackson

[johnbrand]

Quincy

Since we first became roommates, Quincy's transformation over the years had been quite spectacular. When we had first started college and been randomly assigned together, I had not thought anything of him. Quincy was not special, just a lanky ginger from the next state over. But I soon came face to face with the tale-as-old-as-time book cover expression, as his first impressions have meant little over the years we have spent together. Now in our mid-twenties, it was fair to say that the only part of Quincy that was still that lanky freshman I met was the bright red hair.

Quincy had come in as a socially-awkward bookworm, an accounting major who aspired to join his father’s practice after graduation. He was smart, soft spoken, and lean, which I soon learned was because he had been a decent swimmer in high school. But over every winter and summer break, Quincy came back to campus looking just a little bit different, and eventually acting a bit different too.

It started that second semester of freshman year, when I entered the dorm after a rough baseball practice. The team had been forced to stay nearby over the holidays, so I had not seen Quincy in almost a month. When I walked through the door all sweaty and gross, I had not expected for Quincy to be there.

“Quincy?” I smiled, being friendly. “You’re back already?”

“Yeah, I uh…had a project to finish with Sam, you know the basketball player from down the hall?” Quincy replied, shifting awkwardly a bit. It was strange, but it almost appeared like he had grown an inch in our time apart, but his fidgeting prevented me from truly discerning this difference. “You can ask him, if you don’t believe me...”

Sensing the nervousness, I put one of my best traits to work. “Nah bro, I was just surprised. Glad to see you back though.” It was a strong suit of mine, controlling the room without appearing like it. I was confident and casual, something that made others like and respect me. “I’m gonna be leaving in a bit though, I got a date with Kenzie tonight. We’ll have to catch up later.”

In the hallway on my way out, Sam caught me to say hello. I had not recognized him at first, the coppery color of his hair a stark difference from his once raven black. I assumed it had been a bad dye job as a result of initiation hazing from his teammates. Our conversation was quick, but long enough for me to notice that our eye levels met. I could have sworn he was taller than me.

The second semester flew and by the time we considered sophomore year, Quincy and I agreed to room with each other. The next time I saw him, it appeared he had taken an interest in weightlifting. I applauded him for his efforts, asking how he had packed a good amount of muscle in a short time. He said that Vance, one of my baseball teammates, had been at the same gym as him and the two became fast buddies. I felt bad breaking the unfortunate news that Vance was no longer on the team, stating that he was taking a break for “strength conditioning.”  I had not seen him since he tendered his resignation, his fiery hair drawing my attention more than his prepared remarks. Quincy appeared unaffected by my announcement.

Winter break, another summer break, junior year, and senior year all flew by, and Quincy continued to grow. Somehow, he became jacked, like really jacked. He gained bulging biceps and triceps that had taken me twice as long to develop, quads and calves that put mine to shame. He also got more attractive, something that I hated to admit. His abs, which had popped up out of nowhere, had become the talk of the campus, and by our last semester, his face had appeared to be carved by Greek gods. more visible than ever. He had practically become a sensation overnight: not too big and intimidating, but not to shrimpy and unnoticeable. Yet at heart, Quincy was still the same accounting nerd, and I was actually happy for him, until he started stealing my hookups. 

In all honesty, I was probably just jealous of his incredible growth. And the fact that he constantly had girls and guys (to my surprise, but I had no problem with it) working his monster-sized cock–the size assumed by the noises from his room. But I kept my cool, and when he asked if I would consider continuing our living situation, I obliged. More time passed, and I watched him become quite the alpha male. At a certain point, it felt like everyone in the city knew Quincy. And strangely unrelated, at a certain point, it felt like everyone who Quincy brought home was a redhead too, or at least the ones I saw leaving the next morning. 

“God, he is such a pathetic dick,” Quincy groaned, changing into a more casual fit after having come home from a rough day at work. I was perched on the side of his bed, my muscles still sore from the two hours I had just blown at the gym.

“It wasn’t Marco again, was it?” I asked casually, referencing the twink who had recently been avoiding Quincy’s advances.

“I just don’t get it, what else could he want from me?” Quincy flaunted his body. “Everybody wanted me; I’ve got everything he could want!”

“Bro, he probably knows that you're hot,” I remarked. “If I were you, and Marco was like Marcie or something, I’d just be cool about it, and after a bit act like you're indifferent. Make him miss the attention, and soon he’ll rush out and profess his feelings or whatever. If you hold a stronger resolution, rather than flaunting it, he will do all the work and come to you.”

Quincy considered this for a moment, but then another idea appeared to flick through his head. “Yeah…but, it could also just be easier to…”

In a flash, he grabbed my head and I dazed out in front of him. It felt like something was being absorbed out of me, but I assumed my energy had just been spent. After about a minute, I came back to full consciousness. I realized I had fallen back into Quincy's bed during my dizzy spell. 

“Thanks for sharing, man,” Quincy sneered, crawling forward on top of me. “You were right about that whole resolution thing. I feel like I can stay assertive and collected enough to lure Marco in now.”

I tried to question what Quincy had meant by that. Why would such a cool, confident guy like Quincy ever want to take advice on how to be nonchalant from me? After all, I had always been quite the nervous wreck; in fact Quincy had been the one who had helped me get rid of my stutter freshman year. But before I could consider the thought further, Quincy’s hands pulled my jeans down, and then my legs up and over my head. Unable to voice a word or protest, I let him.

“Why don’t you show me how Marco will react after I lure him in?” Quincy smirked. I gulped weakly, his strong resolution overwhelming and obliterating my own.

“Yes, that’s it,” Quincy grinded his hard member against my bottom. “I should’ve done this a long time ago, I always knew you’d look better as a ginger.”