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#a rare conundrum
oceanwithouthermoon · 20 days
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people who say that theyre "the only one right about this character" and then u open their page and its the most horrendous, twisted, far-fetched mischaracterization youve ever seen
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quelsentiment · 5 months
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dndtreasury · 1 year
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Fine Woodsman's Axe
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streaming comic-makin sessions would be a nightmare cause i know damn well id just be digitally pacing between twitter and youtube before actually doin shit. it'd be like trying to host a writing stream where everyone would look at a blank canvas for half an hour as i try to figure out what the fuck im gonna do
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crazydoodlez · 1 year
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WHY AM I DOING THIS. I DO NOT HAVE THE MATERIALS TO EVEN FILL A RARE WUBBOX. WHY DID I IMPULSE BUY IT. WHY CAN’T I BE PATIENT. WHY DOES EVERYTHING IN THIS GAME TAKE SO DAMN LONG
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faepunkprince · 1 year
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Needa tag ramble dw
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obsidiansworld · 1 year
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LATE UPDATE!!: I AM SO FUCKING SORRY I DIDN'T POST ON FRIDAY! I'm dumb and I forgot BUT, HUGE HUGE UPDATE! as you can see we have a tawkerr in the incubator, a shugabush AND A RARE WUBBOX! Oh and I did some redecorating. ALSO ALSO I GOT G'JOOB! aiming to get gazt next
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Also:
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clanoffelidae · 2 years
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Finally remembered I have a fuckton of frozen veggies lol
Munch munch peas and broccoli
#also havin some fimsh and cheesy potats#i have a hard time getting myself to MAKE food but im actually a fairly healthy eater after that hurdle#not even out of a conscious choice i just genuinely like fruits and veggies#and if i dont eat a green thing for more than 48 hours my body will notify me lol#ill feel like dogshit till i give it the desired nutrition#i literally had to restrain myself from scarfing the peas down like a starving dog lol#cause they were the first thing ready#and its the neurodivergent conundrum of i actually really like peas but theyre not part of my routine#bc they werent a common dish in my house growing up#so i rarely think to buy them when im in automatic mode at the store#and i even struggle to remember to MAKE them once i have them#bc again theyre not part of my usual routine#(id say spinach broccoli and green beans dominate my usual veggies - but again those arent the only ones i like)#(theyre just the routine ones so i tend towards them on automatic)#so whenever i DO remember to buy/make them its always like ‘god i havent had these in forever’#and i just go feral on them lol#i love peas <3#also havin some brogle#bc lately i havent had much its been mostly spinnach and grean beans#which im far from complaining about bc i like both those things but yknow#variety#im rlly fucking lucky that i just LIKE healthier foods by both nature and nurture#bc i have a hard time making myself eat stuff i dont like lol#but thankfully i DO like many fruits and veggies so i dont have to worry about it lol#just gotta get over that hurdle of making the veggies#instead of just trying to live off fruit cheese and crackers bc executive dysfunction lol
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conundrumcomics · 4 months
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"Kindergartens of the Yam"
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bunny584 · 5 months
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OBSESSED: SHOKO (feat. The Boys)
A/N: This took an entirely different route than I expected when I first started dribbling it. This was a fun one 🤭
C/W: Cuckholding, Mature, 18+
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Fact: You are the hottest woman alive.
Fact: Shoko is no better than a man.
Shoko is no better than a man because she has used you — your pictures, your smile, your tight hugs — as her personal spank bank.
Truthfully, she can’t really pinpoint the moment you broke her brain.
All she remembers is that there was an inflection point in time. Before meeting you. And after meeting you.
And the funniest part of it all is that you two have nothing in common.
Shoko is a sorcerer at Jujutsu Tech. You are a normie at University of Tokyo.
Shoko can count on one hand how many people she can tolerate. People flock to you in droves. And you like it.
Shoko is red wine and cigarettes. You are champagne and birthday cake.
So how the hell did a bubble gum, pretty pink, girly girl, princess work her way into Shoko’s life? And take permanent residence in a little (extremely large) part of her brain?
Not to mention the havoc you are wreaking in her heart. Whatever is left of the cold, shriveled plumbing system keeping her alive.
When was it exactly?
Shoko lights another cigarette on her short 2 mile walk home. You have a habit of making her burn through her vices.
Was it the night you went out dancing?
When the dress you wore made Shoko see God?
You grinded every part of your mind-altering curves on her, and Shoko left sopping wet. At home she immediately reached for her vibrator. Unable to look herself in the eye for a full day after that.
Or maybe it was the time you fell asleep curled up in her lap. Wearing one of her old ratty softball shirts, smelling like her shampoo. Small, rhythmic breaths flowing from your lips.
You looked like the missing puzzle piece in Shoko’s life.
No, no.
It’s definitely was the time you came barreling into her apartment with balloons and flowers and cupcakes that were too sweet. All because Shoko had finally mastered her reversed curse technique before the prodigal sons.
You can barely even grasp the concept of curses. And why would you?
A soft, gentle soul like you couldn’t muster enough negativity to form a curse.
You live in the clouds. Among the angels. You can’t see curses and yet — somehow —you’re the most supernatural person in any room.
She’s completely, fully, idiotically smitten with you.
And so is everybody else.
You pretty, unaware little thing. You have the two strongest sorcerers at Jujutsu Tech and their personal medic wrapped around your dainty fingers and you have no idea.
Suguru? He stares. Vision sharper than a hawk. He watches you talk, eat, walk, text, think. Suguru anticipates your next breath and would kiss oxygen into your mouth if he could. Even still, despite how taken he is, Suguru is the best at concealing his puppy love.
Satoru is the absolute worst.
Limitless goes off the second you step into a room. And Satoru rarely clicks off his technique otherwise. Even when it’s just Shoko or Suguru around.
He all but chains you to his body. He’s always lifting you, hugging you, carrying you, holding your hand, holding your hair. Satoru would crawl inside of your body and live there, if he could.
Then there’s Shoko.
Who seethes when anyone looks your way. But also masturbates to the thought of other people touching you.
A fucking mess of a conundrum, right?
The first time it happened was about 8 months ago. Definitely one too many glasses of Cabernet were poured. You two were gabbing on the phone. Exchanging the best and worst sex you’ve had to date.
And you. In that melodic, breathy, gossamer thin voice of yours that belongs in Heaven’s choir started saying the dirtiest things. About how cock-drunk you were. How you begged and pleaded for more. Swallowed cum like it was your only sustenance. And squirted all over your lover, only to kiss it off his face after.
Shoko touched herself until she came right then and there. On the phone. You unknowingly talking her through her one of the most satisfying orgasms of her life.
Since then it’s been a horrible habit she’s given into time and time again.
And who’s to say? Maybe it’s from constantly being in the shadows of Suguru’s Sun and Satoru’s Moon that there’s comfort in watching from the side lines?
Maybe she’s found the sweet pleasure in that pain and it’s manifested as her lust for others having their way with you? And her blind infatuation with you?
No, wait.
Not blind.
With you it’s like she has the Six Eyes. And with you, so does everyone else.
Shoko drags in a long, exasperated breath. Pausing just outside her apartment entrance, stomping out the last of her menthol.
If the time she spent mulling over you in her mind could be converted caloric energy - she’d be a supermodel by now.
Whatever.
Today’s the best day of the week. Friday.
Which means when Shoko opens her door, you’re going to be fussing about the kitchen. Cooking some kind of dessert for Movie Night.
The Boys usually trip over themselves getting to Shoko’s apartment after classes. But there’s always an idyllic 15 minutes where Shoko has you all to herself.
15 minutes in Heaven. Like she’s a damn middle school girl.
Shoko opens her door and nearly flatlines.
You’re evil.
An evil, mean, cruel tease.
You KNOW anyone with eyes would have a stroke at the site of you.
Fully bent over at the waist, rummaging through pots and pans. Not a single blemish on your silky smooth skin. Your lilac boy shorts could not BE any tighter. And of course, they’re just short enough to not cover the plump shelf of your lower ass cheeks.
Shoko’s hands start twitching. Like she’s going through withdrawal.
You pop back up with a triumphant “there it is!” An empty small pot in your hands. And Shoko thinks she’ll have to add a heart attack to her growing list of ailments.
Your matching lilac tank top is egregiously and deliciously small. The sliver of tummy between the hem of the top and waist of your shorts could bring civilizations to collapse.
Not to mention that the apartment is cold. And your nipples are so painfully responsive.
Sin.
You are sin.
Wrapped in the most beautiful frame of a woman.
“Babe!! You’re already home. I let myself in because the icing for these cupcakes takes forever to get right.”
You flash your Colgate smile, ensnaring Shoko in your trap.
“You’re going to give Satoru and Suguru a heart attack.” Her, you’re going to give her a heart attack.
“Hmm? Why do you say that?” So non-chalant. So oblivious.
Shoko gestures to your outfit. Attempting to mirror your nonchalance. But, ironically, she can feel her face tumbling down the descending shades of red.
Genuine confusion weaves though your features and she almost screams.
“Shoko please. You know they don’t see me that way!”
Everyone, gorgeous. EVERYONE. Sees you that way.
Before she could edge another word out, the familiar hum of Limitless buzzing inward splits Shoko’s thoughts in half.
Dammit, they’re early.
“Daddy’s Home!”
Satoru charges straight at you because of course he would.
“Satoru!!!” You’re a plaything in his arms. Legs tightening around his waist.
Shoko would pay an inordinate amount of money to trade places with him.
She watches through an envy-green screen. How easily Satoru spins you and tosses you on the kitchen counter. Situating himself between your soft thighs.
How would your body bounce against his hips thrusting into you?
“You have to taste this, pretty boy.”
Tsk. He’s not THAT pretty.
Both Shoko and Suguru watch through parted lips as you shove half a cupcake into Satoru’s mouth. Neither of you miss how his tongue flicks between your fingers. Or how his hips lean closer to your barely clothed flower.
He lets out an exaggerated groan. “Fucking, perfect. I could eat your cupcake..all night.”
“You perv.”
You laugh and shove Satoru back from between your legs. Then turn in Shoko’s direction.
Silently curving your index finger forward, you beckon. Both Shoko and Suguru start toward you like well-trained, love-struck pets.
“No pouting Suguru, you’re pretty too. And up next.”
And Shoko’s shoulders sink like the child who is picked last for dodge ball teams.
Her eyes trail Suguru’s back - wishing to every God she was born with a technique allowing her to take over a host’s body.
“Me next.” He settles between your legs.
Suguru, the master of subtlety. Everyone but you can pick up on the strain in his baritone.
There’s something so painfully sensual about the way he grips both of your thighs. Your skin is so smooth, so pliant under his large hands. Waiting on your fingers to invade his mouth.
How pretty would your lips look like wrapped around his fingers? Do your cheeks hollow out when you suck on something larger?
Shoko crosses her right foot over the left. As if jamming her thighs together would stop the growing pool of lust between her legs.
“Alright babe, best for last. I have something for you too.”
Suguru takes his time pulling away from the warmth of your core. And Shoko has to strap her mind to her body to keep from sprinting at you.
Eventually, she nestles between your legs and is at eye level with your pert nipples. Immediately caught in a trance. So close to her mouth.
“Blushing so much!” Your thumb pulls Shoko’s focus back to earth.
Blushing so much because she wants to watch her best friends fuck you. Then lick your cunt clean after they’re done.
“I’m not, what’s my surprise?”
“So demanding.” You giggle. Your palm takes away Shoko’s view of your perky, hard nipples.
“Open.”
Shoko’s jaw hangs at your command. Cold glass hits her lips before the full bodied, decadent Cabernet does.
Red wine. Because she hates sweets.
You’re as thoughtful as you are beautiful and everything you do is a turn on.
“Mmmm,” Shoko hums and you gift her vision back.
“Amazing, right?” You take your own sip, maintaining eye contact.
Shoko’s eyes fall to your lips. And how you roll the wine over your tongue. Savoring each drop.
How would your tongue feel rolling around her mouth? Her neck? Her nipple? What kind of sounds would you make if her tongue rolled around your petals? Your clit? What do you taste—
“Movie time?” You break Satoru, Suguru and Shoko’s daze.
All three of them scramble around you. Grabbing your cupcakes, snacks and wine to settle in on Shoko’s huge sectional couch.
You drape your body over Satoru and Suguru’s lap. A little loose limbed kitten. Shoko situates herself on the long arm of her chair.
Far enough to drown into her own spiral. Close enough to register everything you do in the the most permanent part of her mind.
You nuzzle your cheek into Suguru’s thigh. His forearm immediately drops in front of his crotch. Undoubtedly to avoid spearing you with his manhood.
“Play with my hair, Suguru?”
“Yes. Of course.”
His free hand weaves into your hair. The soft, decadent moan you exhale sent visible shudders down their spines.
Shoko’s eyes laser to Satoru’s hands. His eyes haven’t touched the screen since the movie began. His grasp encompasses your entire back thighs. Slowly gliding them up to the delicate mounds of your ass.
“God that feels amazing.”
Satoru’s Adams Apple drags along the column of his throat. “Yeah?”
“So good.”
You deepen the arch in your back and the physical restraint Satoru imposes on himself is visible.
The only person watching the movie is you.
And the room tilts on its axis the moment you melt deeper into the boys’ hands. Their names, quiet praise, seep from your lips.
Satoru and Suguru exchange hooded gazes.
As if to commiserate about how fucking hot you are. And how it’s taking active awareness of every single muscle to not do vulgar things to you.
Not even a backward glance Shoko’s way.
Again.
Leaving Shoko out of the conversation. Again.
She angrily tosses a blanket over her lap. Frustration bubbling up her throat. Her fingers clumsily fumble with her zipper. She’s pissed. Angry. Fucking jealous.
And so turned on she might crawl out of her skin if she doesn’t touch herself this goddamn second.
Shoko’s fingers are ice cold against her warm, wet clit. It’s agonizing. How incredible the pressure feels.
You look delicious. So small between their laps. Far too tiny to handle them both.
But God it would be so hot.
It would be so fucking hot. To watch you choke all over Suguru’s cock. Slobber into his lap. All while Satoru bullies his length into your soft, dewy pussy. Helpless. Overstimulated.
Getting used like the pretty Barbie doll you are.
And the way they touch you, so brazenly, in front of her.
Like Shoko’s presence isn’t even remotely threatening. She isn’t any competition for their big hands and broad shoulders. Masculine frames. That’s why she’s just sitting there. Pathetic. Rubbing herself dumb just watching.
She would be so happy, so fucking eager to lap you clean. Pet your swollen, abused folds when they’re done with you. Hump a pillow while she sucks your nipples. You’d moan and whine and squirm under her touch.
Would you beg? Or laugh at how pitiful she is? Getting off to remnants of you when the Boys have had their way?
Shoko accidentally choking on her own drool draws almost everyone’s attention to her. The hand that was molesting her sensitive bud freezes.
Suguru’s eyes flicker back down to you, sleeping beauty.
Their coordinated touch lulled you to bed. Satoru’s eyes linger on Shoko long enough to make her simmer under his gaze. She blinks back to the movie, credits now scrolling up the screen.
How long was Shoko day dreaming?
“Let’s get her to bed.” Suguru gently pulls you onto his chest. You sleepily drape your arms around his neck.
Satoru follows close behind him into Shoko’s room. Because putting the smallest little kitten to bed is a two person job.
Shoko scrambles to zip up her pants and swipe the last of her arousal on the blanket. She gets to the doorway and watches the Boys dote over you in a way that makes them slightly more endearing.
You wake up long enough to murmur goodnight. Floating your arms in the air so the boys can bring their hugs to you. Both of them place quick pecks on your forehead. Leaving you with the cutest, most content smile on your sleepy face.
At least Suguru can hold it together. He weaves out of Shoko’s room quickly.
Satoru, however, keeps stopping along the 10 foot pace to the doorway to just stare. As if a monster from your nightmares will pop up the second he leaves you alone.
Shoko snorts, arms crossing her chest. “Put it back in your pants, yes?”
“Look who is talking.” Sly grin pulls across Satoru’s perfect, blinding teeth. Shoko could punch him right now.
“What the hell are you talking about?”
“Ieiri. I have the fucking six eyes. What do you think I’m talking about.”
Satoru wires around Shoko’s stunned body.
He and Suguru are out of her apartment before she can bat her eyelashes 5 times.
Shoko all but sprints to the kitchen. She gulps the rest of her red wine. Something. Anything to burn Satoru’s comment out of her mind. And to put out the desperate flame between her legs.
You’re in her bed.
She’s just been masturbating watching her two best friends touch you.
One of her best friends is FULLY aware of this all.
Her hands shakenly pour another, head sized glass of Cabernet. Which is doing absolutely nothing for how lusty she feels right now. And everything to destroy her self control.
Why does she have to sit on the sidelines?
Why do they get access to you that she doesn’t?
She downs the last few drops of red wine. Storming back to her room. She’s going to confront this once and for all.
You’re strewn over her bed like a silk scarf. Rolling, tender hills of flesh. Valleys of feminine curves. Shoko grips both of your dainty wrists. Tossing you onto your back.
Sleepy groans bubble out of you. Your eyes lazily slide open. Not an ounce of concern on your face. Full of trust. Even though Shoko is glaring down at you like she wants to crawl in your skin.
“Bad dream?”
“No.” Shoko is kurt. Angry. Jealous.
“What is it?”
“I just…” Moonlight is kissing your face in the way Shoko wants to.
“T-The boys,” Your eyes flutter expectantly. Nose crinkling in fuzzy confusion.
“The-the boys always get to touch you. And pick you up. And tuck you in. And kiss you. And-and I-im just…”
“Do you want to kiss me?”
Shoko hears her heart stop beating.
What did you just ask? So casually. As if you didn’t just catapult her into another dimension.
“H-huh? What?” Shoko didn’t hear you right.
There’s no way.
“I asked if you want to kiss me.” Something other than innocence lines your voice. And it pets Shoko’s flame
“I—I uh. M-. Yes.”
“So kiss me.”
Only one second of shocked hesitation passes before Shoko crashes her lips into yours.
Of course your lips taste like this. Marshmallow soft. Cotton candy sweet. Mini explosions of pleasure surge in all directions of her body.
“God,” Shoko groans, bringing the back of your head impossibly closer to her.
Melting into the soft hills and rolls of your sweet tongue. Shoko whines into your mouth like the desperate puppy she is. She’s drunk. Intoxicated. And it has nothing to do with the wine.
Do you know that?
Have you always known?
How does anyone ever make it out of their embrace with you with their wits about them?
“Baby,” you sigh into Shoko’s swollen lips.
Her hands tremble against your waist. Twitching to explore. Dying to map every inch of your body.
She lets out little, staccato moans of protest when you pull away.
“Feel better?”
Your starry eyes sparkle between Shoko’s. Sleepy, pretty smile playing on your puffy lips.
Shoko nods wordlessly. You’ve already stolen her logic and her heart. Might as well add her voice to the list.
You place a chaste kiss on Shoko’s lips before cocooning underneath the sheets.
Like you didn’t just make her fall in love.
“Goodnight, baby.”
PART. II
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angryisokay · 2 years
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Aesthetically, dresses and skirts are cool, very nice, love to look at them.
Physically wearing dresses or skirts however? Horrible, uncomfortable, I’d prefer not to thanks.
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rebeccathenaturalist · 11 months
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This ties into one of the big conundrums of restoration ecology. When trying to decide what plants to add to a restoration site, should we add those that are there now, even if some of those species are increasingly stressed by the effects of climate change? Or do we start importing native species in adjacent ecoregions that are more tolerant of heat?
Animals can migrate relatively quickly, but plants take longer to expand their range, and the animals that they have mutual relationships with may be moving to cooler areas faster than the plants can follow. Whether the animals will be able to survive in their new range without their plant partners is another question, and that is an argument in favor of trying to help the plants keep up with them. We're not just having to think about what effects climate change will have next summer, but also predict what it's going to look like here in fifty years, a hundred, or beyond. It's an especially important question in regards to slow-growing trees which may not reproduce until they are several years old, and which can take decades to really be a significant support of their local ecosystem.
For example, here in the Pacific Northwest west of the Cascades, western red cedar (Thuja plicata) is experiencing increased die-off due to longer, hotter summer droughts. Do we continue to plant western red cedar, in the hopes that some of them may display greater tolerance to drought and heat? Or do we instead plant Port Orford cedar (Chamaecyparis lawsoniana), which is found in red cedar's southern range, and which may be more drought-tolerant, even though it's not found this far north yet?
Planting something from an adjacent ecoregion isn't the same as grabbing a plant from halfway around the world and establishing it as an invasive species. But there is the question as to whether the established native would have been able to survive if we hadn't introduced a competing "neighbor" species. Would the Port Orford cedars and western red cedars be able to coexist as they do in northern California and southern Oregon, or would the introduced Port Orfords be enough to push the already stressed red cedars over the edge to extirpation?
There's no simple answer. But I am glad to see the government at least allowing some leeway for those ecologists who are desperately trying any tactic they can to save rare species from extinction.
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eldritch-spouse · 4 months
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Sometimes greedy gambits do work out.
Your typical greedy fiend may wax about their insatiable desire for the material, how satisfaction is the death of their nature and never shall they cease stretching their fingers towards the next shining trophy-
But they know limits.
They have that little bit of normalcy that tells them when it's time to drop something, even if it leaves a taste like curdled milk in their mouths.
Not Xiko.
Xiko grabbed onto something and he did not let go.
Not even when death came knocking at his door.
This celebrity of the Greed Ring was known for being the biggest, most successful human/monster trafficker of Hell itself. Xiko, a mere mid-ranker, yet clever and crafty enough to dethrone nearly everyone in his field of vile work.
Wanted humans and monsters worth owning? In mint condition? With some really rare traits? Leave it to him and his boys, you won't be disappointed.
With great skill and talent comes great danger, but Xiko didn't cower when he started to gain many an enemy, when he could no longer count them, when he spent most of his time hunting them down rather than hunting the poor souls he's supposed to sell. With each visit, he'd return home with a few trophies to remember his victory.
Things were going well.
His empire of fifth kept growing, enough so that it garnered the attention of the very Lord Rinx, a client Xiko both reveres and dreads, due to his extravagant tastes. Why, he ever earned himself a juicy deal with this strange, extremely popular establishment on the surface that constantly bulk-orders humans. The Clergy's Eye or something of the sort, he knows the Icons had been there before.
How impressive is that? Enough for prideful folk to eye him wantonly.
Xiko had the opportunity to grow in rank, to sit at Rinx's table and negotiate starting a little jewelry store in the heart of Greed to keep up appearances and branch out. What luxuries.
Unfortunately, all highs lead to lows.
His health starts deteriorating inexplicably. Xiko begins being unable to move properly without chronic bursts of pain debilitating him from doing much of anything other than lie and wait for the wave of torment to pass. He has no idea where it's coming from. The pain is so great he gets blinded and passes out in some episodes.
The best doctors he can find tell Xiko he developed something terminal. Not quite a cancer, similar, something only demonoids can exhibit.
But what did the name of it matter? His own monumental riches wouldn't save him from certain doom.
One might think Xiko would do some soul searching with the time he had left, as laughable as that sounds for a being as rotten as him.
Not even close.
You don't get this far without being stubborn.
Things can't end as they are. Xiko can't die, he has so much to do and so much to oversee, it's simply not an option. He can't.
In the midst of despair and hopeless solution-seeking, Xiko finds a possible answer to his impossible conundrum inscripted in his most favored trophy, a timeless chalice.
Between its jewels and lovely finishes, the instructions for a ritual sat written in one of the oldest tongues in Hell. Having a historian for a friend sure comes in handy, doesn't it?
Said acquaintance is there to witness it when Xiko grows mad enough to try it, at the hands of demons who perpetuate these ancient practices.
A mummification-like ritual.
Except, to avoid death, Xiko must remove the two organs which the soul is most connected to, the brain and heart.
He knew what he was getting into when he laid on that altar.
He knew that he would suffer physical trauma beyond anything he could ever have experienced in life. He knew he would come out of it looking like a completely different being. That he would no longer be a demon.
And he was ready.
He was ready when they started chanting.
He was ready when his jaw was stretched to absurd proportions.
He was ready when his chest was torn open.
When he danced in that barrier between life and death, looking down at himself while his figure withered and contorted.
Those memories are... Scratchy, to say the least.
Xiko recalls screaming at the top of his exposed lungs and feeling his skin rip from several sides all at once, as if rejecting him. He remembers when his skull was crushed and how he could hear it for a moment. He knows he twisted and shriveled like a bug on that marble.
And that he woke up.
Wrapped like a present.
Dead yet amongst the living.
To continue his work. To remain forever at the top.
So what if he was emaciated now? If he'd never get rid of the massive scar where his figure was torn open, if his eyes now reside inside his bizarre gaping maw and his arms are elongated? Xiko had made it.
And while death was unavoidable, it was not the end.
In fact, it was the beginning of something a lot more amusing for Xiko.
He found his new appearance frightened his competition. Rumors of him being an undead diety spread. No longer featuring a core name or even something as simple as a sigil, Xiko was freed of even more weaknesses.
He made no effort to hide what he had become the next time he was present at Greed's Conqueror's Spoils festival. His mangled, infernal undead form on the spotlight.
Some of them were smart enough to understand what he had turned into, knew to stop pursuing him. For when you take something from a mummy, it cannot rest until it retrieves its possession.
Others came to find that out eventually.
Perhaps the person Xiko feels most sorry for is, not one of his enemies, but you.
You poor thing, still trying to escape him, still trying to lockpick your cages and manipulate his men, trying to make it out at all costs.
You never think twice when you set foot outside his territory.
Unaware that he'll always instinctively know where to find his "stolen" possession.
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comicaurora · 4 months
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In the latest trope talk you used Odo as part of your examples. I think You've talked about Star Trek: The Next Generation before but not Deep Space Nine and I just had some questions about what you thought about the show.
What did you most/least enjoy about the series?
What did you think of DS9's syndicated episodes compared to contemporary trek's (TNG, VOY) episodic nature?
How do you feel about the Dominion storyline as a whole? Did you feel like it went against Star Trek's utopian future?
Which characters stood out to you the most/had the most engaging development?
What do you think gagh tastes like?
Any other thoughts about the series?
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Oh man, DS9.
I have this very consistent pattern of thinking that the star trek I have most recently watched is the best star trek. When I watched TNG it was the best because of its standout episodes that let Patrick Stewart and Brent Spiner show off. Then when I watched Voyager it was the best because Janeway was incredible and 7 of 9's arc was a beautiful iteration on the "inhuman character explores humanity" star trek trope. Then when I got to DS9 I was like "Oh, so this is what actually good Star Trek looks like." I do think I'm actually right this time, though.
I think they really took advantage of how different the core premise of the show was from previous Star Treks. Because the setting was very consistent, the episodic variations on the formula weren't dedicated to seeking out Weird New Shit, but to focusing on the characters and their dynamics with one another. Correspondingly I think the best thing in the show is the character writing and how everyone's arcs are built up. This was something I think they were building towards with the previous series; TNG would occasionally have character-focused episodes, but for the most part everybody on the ship operated like a well-oiled machine, inputting the Weird Thing Of The Week and outputting a solution. Voyager destabilized the formula by yeeting the heroes halfway across the galaxy and well outside the safe confines of federation space, so you got a lot more opportunities for drama caused by limited supplies or existential despair, and a lot more character-driven conundrums without clean or flawless solutions. DS9 is kind of the apotheosis of this shift away from "seek out new life and new civilizations, boldly go etc etc" because instead of our heroes briefly interacting with Bajor and then fucking off into the end credits, they're sitting right on top of a planet undergoing tumultuous social restructuring after the end of a long and horrible military occupation, and they're there for 7 seasons. Because they aren't following an adventure-of-the-week formula, absolutely everything they do has consequences they have to deal with later down the line, and that lends itself very well to longform character arcs.
I liked the Dominion storyline well enough, and I think the existence of an evil space empire to fight doesn't preclude the Federation being a utopia. Utopias are internally perfect systems, not worlds that have absolutely no conflict. I think the part of DS9 that does undercut the utopia is the whole thing with Section 31, but I think that's part of a very intentional move on the writers' part to highlight that Section 31 is not as necessary as they think they are, and that doing all this stuff unethically is a moral concession and a shortcut that demeans the principles of the Federation. That's part of why I like that they serve as a nemesis to Doctor Bashir, who has very personal reasons to despise the idea of taking the easy way out.
Character-wise, I have very predictable favs. Jadzia Dax is fascinating to me, and I love the way they play with her past lives and centuries of experience to create this very layered character packed with plothooks. Also I have very simple tastes, and "woman fills narrative Man Role trope and nobody is weird about it" is an itch I so rarely get scratched despite how not complicated it is. Jadzia gets to be a swashbuckling romantic hero with a tragic starcrossed lover; she gets to be a wise yet cheerful mentor to Captain Sisko; she gets to be a noble warrior honoring debts from a lifetime ago. And I adore how her dynamic with Sisko plays out over the seasons - another completely uncomplicated trope I so rarely get to enjoy, male and female leads who are profoundly ride-or-die for one another and have absolutely no interest in making out. I am still so mad about how Jadzia gets iced, but that doesn't mean I don't like Ezri, and there is something very beautiful about how when she gets Dax'd and her existence becomes an absolute mess of confusion and conflicting memories and she doesn't even know who she is anymore, her single point of stability is Sisko.
That said, Garak is probably my overall fav. The man is an absolute drama hound and since he's not technically main cast it's a rare treat to get him focused on. He is so much fun on a rewatch when you can see exactly when and how he's lying and when he's telling the truth in a way that everyone thinks is lying, and what I think is most interesting about him is how absolutely everybody else on the station has him figured out. There's this "I know he knows I know they know" loop underlying almost every interaction. Everyone knows he's a spy, he knows everyone knows, and they're all just vibing anyway. It's like his entire character is built on telling the truth in a way that sounds like a lie, to the point where it always manages to surprise people when he does something absolutely ruthless. He's been saying he's a bad guy the whole time! People seem to keep forgetting!
Also, fun fact, the very first chunk of DS9 I caught was the back half of the episode "The Wire", and when I was mentioning this to my dad, I was like "yeah I don't remember their names but these two guys seemed extremely married-" and he immediately went "oh, Garak and the doctor?" so that's very telling I think
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copperbadge · 1 month
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It's still kind of wild to me to sometimes have a day where there's nothing on the to-do list.
That wasn't something that ever happened before I started medicating for ADHD. I rarely fell catastrophically behind on anything, but there was always something left undone, something that would be on fire soon if I didn't attend to it. With medication, it's like everyone else had an eight hour workday and I only got six in which to get the same amount of work done, and now I get eight too. So on my days off sometimes...it's just a day off.
And there is of course stuff I could be doing, like deep-cleaning the bathroom or working on the novel, and there's always emails and asks that I'm behind on, but there's nothing I have to do today that can't wait. Even stuff like getting a jump on the week's work, that's optional. Mind you I'm also Very Tired, so I have this whole day off but also I don't want to go out or do anything too mentally strenuous. I'll just stay home and quietly entertain myself.
But then the question becomes: do I take an Adderall so I can get a few things done I want to do and feel nicely alert, or do I take an edible because I've got nowhere to be and could maybe actually watch some movies I've been meaning to watch and enjoy them? I don't like to take both in a day -- it's not good for you, and I don't like the feeling of taking an edible after an Adderall dose wears off, so it's got to be one or the other, or neither.
It's a great conundrum to have, but still a conundrum.
In any case, I think I'll try a few chores and see how far I get, and that'll be a good measure of what I ought to aim for.
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randomfoggytiger · 20 days
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The Evolution of Gillian Anderson's Friendship with David Duchovny
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Early friendship:
He was an experienced actor when they started The X Files, she had been receiving unemployment benefit and had been in front of cameras only once before.
And she admits: "I desperately needed someone to show me the ropes and David did. He was wonderful."
There were rumours of a secret romance, which would have got them both fired on the spot. It is a strict studio rule that there will be no intimacy between the stars - off screen as well as on.
But Gillian did find love on The X Files, in the shape of assistant art director Clyde Klotz. And she did turn to Duchovny for advice after acting spontaneously on her wedding night, taking no precautions and finding herself pregnant.
She was horrified, believing she would get herself fired and ruin her career.
[“I went into his trailer,” she recalls, “and I said, ‘David, I’m pregnant.’ It looked like his knees buckled.... And he asked me if it was a good thing. I said, ‘Yeah, it is.’]
But her co-star, who was the only person she confided in apart from her husband, put Gillian's mind at ease.
He advised her not to have an abortion - that things would work out. And they did.
He kept her secret while Gillian thought things over for a month.
1995:
David Duchovny is not happy.....
Anderson, sensing Duchovny’s mood, looks down at his hand on her left shoulder and tries to brush it away, as if it were a mosquito. Then she turns and jumps into his arms, laughing, looking like a little girl making trouble for a protective older brother. Startled to be holding her, the smile on Duchovny’s face is forced no longer.
...“We really trust each other,” Duchovny says simply.
There is, between these two, a real-life camaraderie born of necessity, a friendship strong enough to survive too many work hours, and a chemistry powerful enough to rearrange the atoms on-screen. “Whenever we’re acting together,” says Anderson, “it’s there.”
1997:
But in real life, Duchovny and Anderson have a relationship as much a conundrum to outsiders as any X-File.
“We have a relationship that is completely odd and fabricated,” Duchovny says. “We’ve been thrown together, two people who don’t know each other, and we’ve been forced to spend more time together than married people do. So you can’t describe our relationship as ‘like’ or ‘dislike.’ ”
Sounds a little frosty.
“It is frosty,” Gillian Anderson agrees when she is read Duchovny’s description of their relationship. “But it’s accurate.” She laughs. “It’s not that we don’t like each other. It’s complicated.”
2008:
Question: Can you talk about getting back into these characters after a five or six year period?
David Duchovny: The first two weeks I felt a little awkward and I didn’t really feel like I wanted to do longer scenes. I was just fine running around. Then as soon as Gillian and I started working and it was Mulder and Scully, then I kind of remembered what it was all about and that relationship kind of anchored my performance just as I think the relationship anchors this film.
Shock: What’s that like with David now that you’re not with each other 16 hours a day on a series?
Anderson: It’s great, but it was great then, too. This is like a sibling relationship and I never had siblings.
What is your favourite thing about each other?
Duchovny: Gillian just doesn't give up.... She'll hang in there 'til we get it right.
Anderson: ...The easiest answer, I guess, is his sense of humour. He's always looking at the funny side of things, especially when he's around other actors who are comedians or funny themselves - it can turn into a bit of a contest to see who does the best impressions and such. But aside from that, there's a gentleness inside him that comes out every once in a while that is quite disarming and lovely. It's rare, but very nice.
2014:
Q: Was there a sense of almost a bunker mentality where you were at least going through this process with David? You mentioned he had more experience, he had done some bigger films but still the phenomenon that emerged within the first couple years was pretty remarkable. Did it help to have him there too and kind of like “Are you getting this too? Are you going through this too? Is this weird?” 
A: No. No, not really. We talk about the fact that it’s crazy that we didn’t. And that we didn’t take advantage of the fact that we had each other but it was complicated. These were long hours that we were working. We spent more time in each other’s presence than we did with our, you know, spouses and children, etc.
But also, you know, I think we p***ed each other off, quite frankly. And I have no doubt that after they’re waiting – we’re gonna roll and somebody has to come in and redo my lips and the difference between the maintenance for guys and gals and we’re shooting in all weather – you know, we never shut down except for one day for weather in the entire show.  We were shooting up in Vancouver through rain, sleet, everything. And my hair would frizz up to here in between takes and they’d have to get the blow dryer out under the tent and we’d be waiting for Gillian’s hair to do another take. You know, that p***es you right off. It adds up. So I, you know, I’m sure there were plenty of things he did that p***ed me off too. It just wasn’t, you know, but on the other hand.. NOW, we get to talk about that and we’re probably closer than we’ve ever been. 
2015:
Not surprisingly, she and Duchovny also became the story – according to the press, they were having an affair, hated each other or both. “I mean, yes, there were definitely periods when we hated each other.” She starts again. “Hate is too strong a word. We didn’t talk for long periods of time. It was intense, and we were both pains... for the other at various times.”
How was Duchovny a pain... for her? “Erm ...” Ten seconds pass without a word. Meanwhile, her smile gets wider and wider till it’s halfway up her cheeks. “I’m not going to get into it. I’m not even going to begin to get into that. But we are closer today than we ever have been.”
2016:
Anderson on working with Duchovny “Our relationship has definitely become a proper friendship over the last few years. I think we’re more on each other’s side. We’re more aware of the other’s needs, wants, concerns, and mindful to take those into consideration— and just sharing more about our experiences in the moment, under the sudden realization that we’re both in this together, and wouldn’t it be nice if it were a collaboration?”
2018:
They've worked together for 25 years but Gillian Anderson wants to make one thing clear: David Duchovny does NOT feature in her Ex Files.
While on screen their relationship left viewers wondering whether they would ever hook up romantically, Gillian says that off camera they were never very close.
In fact, she goes so far as to admit: "I don't know much about David Duchovny. If you asked me 10 things about him I'd probably get nine of them wrong."
...But now Gillian sets the record straight, saying: "We were never close. It's true we spent more time together than we have in any other relationship but it doesn't mean we were close.
"Very often when you're working long hours you may have a chit-chat between scenes but you're not really standing around talking about personal lives.
"And very often you don't have meals either at work or outside of work together because you're in each other's company all the time.
"So I actually don't know very much about David Duchovny, but we appreciate and respect each other."
2021:
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Stella made a new friend today.
2023:
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A huge congratulations to my old friend @davidduchovny on the world premiere of his film Bucky F***ing Dent @tribeca which he wrote, directed and stars in! A massive accomplishment and can’t wait to see it. (ps I’d say some of your prior writer / director gigs with me went pretty well and this was all just yesterday, right? 😉) #Tribeca2023
2024:
Awww Double D I’m so sorry. He was your guy. RIP Brick Duchovny
Lastly but not least,
a comment from David, 2024:
"My former X-Files costar Gillian Anderson and I are really good friends. ...When you share a seminal kind of experience in your life-- the huge success we had with that show-- only we know what it's like to be in the center of that. It's almost like being in the same family...."
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