#a magazine pt

[theforbiddeneden]

SLEEP TOKEN EDITORIAL PICTURES BY ANDY FORD

2018

2019

2020

2021

2022

2023

FULL CR TO ANDY FORD

[musicmags]

Pt 1 of 2

[nat20220]

2024 BEST LOOKING MEN

[sersh]

ESTE HAIM Photographed by Mark Hanson for 71 Magazine, July/August 2023

[thislovintime]

Peter Tork (and an apt notation) in the 1960s; and a self-portait sketch from December 9, 1986.

“My goal is to become completely happy. I am progressing in this direction all the time, but every time a bad thing happens to me it leaves a wound, a wound that can only be submerged or expressed. If it is suppressed, it affects my behavior always; if it is expressed, it is possible to get over it. If someone used to snarl at me, I would find myself snarling back until I could get off by myself and think, why did this person express anger toward me? Was he responsible for his feeling or did I create the situation that made him express it? And if I met his anger with love instead of a snarl, wouldn’t it make me feel better and happier instead of leaving me depressed and discouraged? More and more I try to meet anger with love. The world is love. Sooner or later everyone will love everyone else. That is the future. I think people are so hipped up on the point of view, us against them; it’s all a hangover from the days of the left wing or fascism. It’s not the way things are anymore; it’s just us.” - Peter Tork, Seventeen magazine, August 1967

“I learned a lot from and through the Monkees. I wouldn’t have traded it for the world in terms of experience. I feel real blessed these days. Partly because of the help I’ve received, I don’t have to drink and drug anymore, which wasn’t the case three years ago. I was in pretty desperate straits. I didn’t know which way was up. I didn’t believe I had a friend in the world. I didn’t believe anybody loved me, except the kids, who had to. Now all of that has changed.” - Peter Tork, The Monkees Tale (1985)

[stone-cold-groove]

They earned their keep a thousand times over. Thompson Products ad - 1943.

[morenotles]

Chapters: 2/2 Fandom: Teen Wolf (TV) Rating: Explicit Warnings: No Archive Warnings Apply Relationships: Derek Hale/Stiles Stilinski Characters: Derek Hale, Stiles Stilinski, Laura Hale Additional Tags: Do not repost my works without my express permission Series: Part 2 of Neckz-N-Throats Magazine Stories Summary:

This is a time stamp for the Sterek fic "The Collar" which is part of the Neckz-n-Throats verse.

[blessicablimpson]

you don't know how it feels, you expect me to deal with it 'til I'm perfectly numb but you don't know how it feels

[havithreatendub4]

#colorized #2004 #photoshoot #Life magazine #Life #magazine #Kate Winslet #Finding Neverland #interview #November 2004 #deleted scenes

✍️ Josh Young

📸 Jason Bell

Pt 2

[karinaing]

CRYING they used nct127 space as the song for when there's a new contestant on this trashy dating show

[lovesummertimetvmagazine]

Dock_Price_Plymouth_Famous_Tattoo_Artist #Plymouth_Tattoo_Convention 2011. LOVE SummerTime TV Magazine Worldwide #Chris_Summerfield #Video and #photography #Documentary since 1992 #Celebrity . https://rumble.com/v3i7ini-plymouth-tattoo-convention-day-2.-2011.-pt-2.html

[theforbiddeneden]

EDITORIAL SLEEP TOKEN PICTURES FOR MAGAZINES

CR: Andy Ford

[musicmags]

Pt 2 of 2

[joaobettencourtbacelar]

[thislovintime]

Peter Tork with the Fairfax Street Choir (in their bass vocal section); pictured in photo 1 with Ralph Pennuneri, Hosanna Bauer, and Bill Craig. Via the Fairfax Street Choir Facebook page, except for photo 4 (courtesy of Mark Kleiner).

Photo 2: “Peter Tork has his banjo but never played it with the choir that I remember but He was a really good musician and I remember him playing at the Lady. [...] I've heard some of his live stuff on tape that he did at the Sleeping Lady and was blown away by how great he really was as a musician.” - Marla Hunt Hanson, Facebook, January 3, 2021

“Peter showed me some banjo picking patterns... he was a nice guy fun to play music with.” - David Carlson, Facebook, January 2021

“To us, he wasn’t famous, he was just Peter. [...] He was just a sweet, dear man that, you know, everybody loved... He was just a good guy. You know, ‘Sleep on the couch, have a good one. You know, we love you. Come on in.’ [...] His destiny in this lifetime was with The Monkees. We were like his backup friends, or his backup band, whatever you want to call it.He came to us wounded, like a wounded bird, really. […] He never really got to escape from being one of The Monkees. It was very hard, you know, it was hard for him. I wish we could have given him more. [...] I said to him, ‘Well, why are you going back when they treated you so badly, and blah blah blah?’ And he said, they offered him something he couldn’t turn down, something like that, so it had to do with money of course, because… so, yeah, he went back, poor thing. God bless him. [...] [W]hen you’re a Monkee, the fans will come out of, you know, somehow they’ll seep in through the furnace floor or a little crack in the window. You’re always on display, you’re always having someone looking at you or tagging at you or pulling at you or saying, ‘God, I remember that episode…’You know, and you’re always having to be on the stage or on— in gear, or answering with a smile to your fan group, whatever that is. You’re trained to do that through the industry itself. You know, anyway, I don’t want to go that far. In this group consciousness that he was a part of for a short period of time, he didn’t have to do that. He just didn’t have to do that. And that’s why I think that was — he’ll never forget that group or the Sleeping Lady however many lifetimes he lives. And I’ll tell you this, he was happy in a very strange way for as long as he was there with us. He was happy in a different way, not in the way that you are when you’re famous. In the way you are when you’re happy. [...] Someone like Peter Tork, who shines a light out onto this world, can only shine as brightly as we allow them to. […] When you see a flame, move back and let it shine, don’t go in there and try to get it, because the reason that it’s alive is because it’s got oxygen, air, and there’s not a lot of moths hanging out around it trying to, you know, take its life. I think a lot of that is true about Peter. That’s how — what I think.” - Marla Hunt Hanson, interview with the Nesmith Tork Goffin & King podcast, February 2020

"Back in Marin. Peter Tork began to hang out at the Sleeping Lady. (He works there as a waiter now). One night The Fairfax Street Choir was there. He was amazed, saw a home, and joined. He grins as he adds: ‘In some ways I was a cold, lonely hitchhiker being picked up by a warm school bus.’ [...] He’s happy. Content. And hopeful. For the Choir. And himself." - San Diego Reader, December 6, 1973 (originally published in the Chicago Reader; interview conducted by Chuck Stepner) (read more here)

“What a group! 35 voices strong; some harmonies! It was something, very encouraging, very comforting.” - Peter Tork, Goldmine, May 1982 (x)

Peter Tork: "As soon as The Monkees was over, I went to Marin County to try to recapture some of my Greenwich-Village-days happiness, and I did. I was very, I was very lucky, there was a lovely scene in Fairfax, Marin County, and I had a great time up there for a couple of years, worked as a waiter in a cooperative restaurant and it was great, it was actually great. The thing about The Monkees, it was so difficult, was to be yanked out of — off the street, flung to the pinnacle and then, you know, and then dropped.” Q: “Yeah.” PT: “So, so I went back to the street, where I’d, you know, gotten my roots together. It was great.” - GOLD 104.5, 1999 (x)

[jungkookiexxx]

Jimin of BTS Breaks Down His “Very Intense” New Single “Set Me Free Pt.2”: Exclusive