#a lot of comics that feature Jason are Not Good to say the least and i find them ooc

[pinkiemachine]

Random Batman Thoughts…

This all partially began when I saw a post recently that featured an enraged Batman fan going after the “Soft Batman” fans. Aka, the “Good Father Bruce Wayne” fans. The person in said post claimed that, in reality, Bruce is a brutally tortured and mentally dysfunctional bad dad and frequently hits his children and should never, ever be considered “pure” as they seemed to think so many of these “naive” fans do.

I, personally, have never once considered Bruce a perfect father figure. However, I’d be lying if I said I have never wanted him to be. What’s alluring about the idea that so many of us “Soft Batman” fans have conjured up here on the internet is that, simply put, we just want to see Bruce get better. We want to see him heal. We want to see him happy, and for him to not hurt the people he cares about.

We all know he’s a brutally tortured character. We all know he’s hurting, and broken, and angry. If he wasn’t, he would cease to be Batman. However, I have a question for the people on the other side of the fandom: do you want Bruce to continue to be horrible? I feel the need to genuinely ask, because there are some individuals out there who seem to think the darkness is all there is to his character, 100% of the time (which is NOT true, by the way). I know it’s easy to come away from a run or two of the comics thinking that—the sheer number of comics written for Batman that are just so deeply depressing and dark and horrifying, is, uh… it’s not a small number—but again, that’s not every single panel of every single comic out there. There are plenty of moments where, even just for a little while, Bruce shows that he’s more than the mask. He shows us that he’s still a human being who wants to care about people. Who does love the people closest to him—or at least, he tries to, even though he’s really bad at it (and then there’s the trauma and etc etc…)

ahem

So… why do some fans want people to give up on “Soft Batman” and “Good Dad Bruce Wayne?” I’d like to think that it’s just because in the comics, by and large, Bruce is portrayed as an emotionally unavailable, difficult father figure at best, and a kidnapping psychopath at worst. And, you know, I do get wanting comic book accuracy (ESPECIALLY in this day and age) but I have a counter question… is it so bad to depict Bruce as—at the very least—trying to be a good dad? I know, I know, some fans get carried away and we make our silly little fan art of a hyper idealised Bruce, and everyone’s dancing and skipping and having a jolly good time, and I know that must seem off-putting to the hardcore fans—but guys… it’s fan fiction/fan art. This is just a playground where anyone and everyone can use their imagination to create whatever the snarfblat they want. It’s wish fulfilment, and fantasy indulgent, and good, plain fun. And for what it’s worth, I prefer people making wholesome, kind, and loving fan art rather than just more senseless blood, gore, and p***. The world doesn’t need more of that than it already has. But… as far as fans on the internet go, I say, get off their backs. This is supposed to just be for fun. I know it’s annoying, but so long as it doesn’t start affecting you and your section of the fandom and—especially—the mainline continuity, then what’s the harm? I say, let sleeping dogs lie.

HOWEVER, FOR THE RECORD I would like to say, just because I’m one of those people who enjoys the “Soft Batman” stuff, that doesn’t mean I would actually want a whole tv show of nothing but “Soft Batman.” Nor would I write a series of nothing but “Soft Batman.” (A lot of you are probably aware that I’m writing a series synopsis for my own Batman show, Superman show, Wonder Woman show, etc.) I’ve read a good chunk of Wayne Family Adventures, and while I did enjoy myself a lot, there were moments where I was like, “Okay, yeah, this is getting a little too sappy.” Like, I would never write Jason having a panic attack and all the Bat Fam being all cuddly and supportive and Bruce kissing him on the head. As sweet as the idea is… it’s just a little much. For a mainline Batman tv show or movie, it does still need the dark and the gritty and the serious, otherwise it’s just not Batman anymore. Actually, my ideal writer’s room for something like this would consist mostly of men. Preferably, men who all know, love, and respect the source material. For as much of an aspiring writer as I am, at the end of the day Batman is a boys franchise—and I think that’s how it’s meant to be and how it’s meant to stay.

To that end, there are aspects about writing Bruce’s story that I don’t have an intimacy with, but a lot of men do. And my end goal for making any kind of Batman show is to give the fans a ride they will never forget. I want to give them something that excites them, that compels them, that means something to them, that makes them cry manly tears on occasion, but mostly something that’s fun to watch. Something both kids and adults have fun watching. I love writing personal, sweet scenes, and they will still be present because I do think they matter and will make the overall narrative stronger, but I don’t ever want the show to come off as wishy washy or touchy feely all of the time. There still needs to be a lot of action, a lot of epic fight scenes, a lot of real detective work, a lot of serious discussions, a lot of world building, and as much DNA of the original comics as possible. (Minus the particularly infuriating overcomplicated plots, and the constant shock baiting for the sake of comic sales.)

I guess I say all this to say… there’s a time and place for all the aspects of Batman. There’s a time and place for the dark and the gritty and anger and the being a bad dad who doesn’t know how to raise kids, and there’s a time and a place for the healing and the love and mild silliness and Bruce trying to do better for the sake of the people around him. Isn’t that the end goal of a story like this? Isn’t the point of having Bruce go through all of this darkness to then have him learn and grow and heal and get to a better place? I personally don’t see any point in his story otherwise. The only reason—the ONLY reason—a sad, depressing story should have a sad, depressing ending is if it’s a cautionary tale and/or teaches the audience about something important. Without that, a fully sad ending to a fully sad story is just a pointless exercise in meaninglessness, and that makes for empty, shallow art and abysmal entertainment. (Perhaps there’s an exception out there, but I’ve never heard of it.) If it has to be sad, then let it be bittersweet. Let there be something of value that was gained during the story, even if the overall tone of the ending is forlorn/sombre.

As for Bruce’s story… what else could it be besides a story about healing? Bruce fights not just to keep Gotham safe, but he also fights in the hopes that at least some of his villains can be redeemed. Perhaps it’s his own way of hoping that he can be redeemed as well. And the BatFamily is, surprisingly, a perfect vessel for that story. I’ll try not to make it too sappy, but come on, going from an orphan who was almost completely alone, drowning in darkness and trauma and guilt and grief, to a man who’s made something of himself and made a difference in the world and made it better and finds himself surrounded by such a large family of people who care about him, even if it is still a little dysfunctional? That sounds like a story that’s worthwhile.

Batman cannot stay a solo act. Too much of his story DEPENDS on him having Alfred, on having Robin, and learning how to heal if he’s going to have any kind of meaningful ending at all.

Sorry for the long post, this has just been rattling around in my brain and I felt like I needed to tell someone…

[rmbunnie]

One of the funniest things about DC comics to me is the way that Jason Todd just won't stop fucking playing dress up. Every two issues he's in some bullshit disguise or somebody else's clothes and it's INSANE. Robin costume Nightwing costume a secret third costume he made up to wear for one issue and then pretended wasn't him, it just doesn't stop! and NOBODY ELSE in the verse is doing this for the sake of it like it's ONLY HIM! what's his problem.

[mysterycitrus]

I keep hearing people say to ignore Devin Grayson’s Nightwing but I also see people reference it. I feel like I’m getting mixed signals. Should I avoid it or read it? Are there specific issue I should avoid or read? is the avoiding advice only for people who are new to the comics? Or should I really just avoid the whole thing?

short answer — u do not have to read devin graysons nightwing run. i wouldn’t recommend it to new readers, and there isn’t anything significantly important that happens so like. it’s an easy pass. i do encourage people to at least read what she wrote about, though, because devin accidentally kickstarted the next twenty or so years of bad writing in nightwing books.

the long answer — devin grayson was a writer for nightwing volume 2 from like….. issue #70ish to #115ish. she did a lot of weird things during her run — her takes on dick’s relationships with bruce and slade and helena come to mind — but the most popular talking points wrt her writing are issue 93 and maaaaybe the renegade arc but that is literally the tip of shit mountain.

it’s funny u say that people are telling u not to read it cause based on my experience in fandom it is very, very clear that very few people have read any of the run at all, or even #93 and it’s preceding issues. which is fine, because it’s bad. but it’s important to understand why it’s bad, and how it’s affected dicks characterisation in both canon and fanon.

nightwing #93 is the issue people say to avoid because it features dick’s assault at the hands of a former ally that devin refused to acknowledge was rape until like… 2014. it’s bad. the build up to this point — haleys is set on fire, dicks apartment is destroyed killing everyone inside, dick watches this ally kill a man on his behalf while he is helpless to stop her — is rarely discussed in the context of the scene. it’s a lot, but because people haven’t read it they misunderstand the dynamics that devin had created.

the worst parts about nightwing in the present — his lack of conviction and competence, his sexualisation and dehumanisation, the fundamental lack of empathy for his retconned bg as a poc — all started with devin. literal ground zero. i cannot emphasise how her i incapability to understand that she’d written an assault arc with her self insert as the instigator has played into dick’s status as a character in the 2020s. many people accidentally engage with the same tired, racist tropes that devin herself contributed to, because people simply do not know (or care to know) what she’d written. think about much fanon content revolves around dick being an accessory to his own assault, or being literally unable to advocate for himself, or relying on jason fucking todd to kill his rapist. it’s like im rereading nightwing vol 2 all over again, and that’s not a good thing.

however what people also tend to forget about is the racism. devin grayson introduced dick having rromani heritage into canon, sure, but she did it because she thought it was sexy. we see this with her writing for roy’s navajo heritage too — a lack of research and care, though dick’s was clearly egregiously fetishistic. she retconned the character that assaulted dick into a latina character, and retconned her into being an aggressively sexual and violent person that was at significant odds with her og characterisation. that seems to be a trend with nightwing writers — wolfman did the exact same thing like fifteen years earlier with about the same degree of nuance and empathy.

ig my answer is that nightwing vol 2 is very much a pick and choose run, make ur own adventure type experience. bizarrely, u can get better nightwing characterisation in the titans 1999 run, or batman plus arsenal, which were both also written by devin (heartbreaking, the worst person u kno just made a good point). id be wary of people telling u to avoid it entirely, because i think ignoring its existence just exacerbates the problems devin created. just be discerning, ig. but also read nightwing vol 2 #118-#124 (just after devin leaves) because it is gd hilarious

[sineala]

Hi!! I used to be big into superhusbands till about the whole international iron man by bendis (i abandoned there..Tony was too different)... I was wondering, do you recommend current marvel comics? Are they still ridiculously interrupted by crossing over and events?

I am actually really, really enjoying current Marvel comics! I also think now is a pretty good time to hop on board.

If you want specific recs, I have lots of them.

Current comics:

We just got a brand-new Avengers run -- issue #2 just came out this week -- and although Steve isn't on the team (Sam is), Tony is there, and Carol is the team chair. Many of us, myself included, have been really looking forward to this run, because it's being written by Jed MacKay, who is a relatively new writer to Marvel who in my opinion writes comics with very well-characterized characters and a lot of love for the source material. (He is also currently writing what has now become my favorite Doctor Strange run.)

MacKay especially writes a very good Tony; he did an Iron Man annual and an Avengers annual back in 2021 (part of the "Infinite Destinies" series of annuals. The Iron Man one had some very good Tony characterization, and the Avengers annual instantly became everyone's favorite because about half of it is Steve and Tony hanging out at home together, and the other half is Steve and Tony punching robots.

So there's not really a whole lot to say about the new Avengers run yet, but I am excited for it.

(Jason Aaron recently ended a five-year Avengers run. I would recommend skipping it, except for the issue where Steve, Tony, and Thor all go skinny-dipping together in a hot tub. It is the highlight of the run.)

We are seven issues into a new Iron Man run, being written by Gerry Duggan (whom you may remember from 1872), and I swear this is the best Iron Man ongoing comic that has come out since I have been in this fandom. Every issue is actually good, and he's absolutely nailing the Tony characterization, and he's clearly done all the reading. And also Tony is getting whumped hard. I really love it. Every time we get a new issue I am excited to read it because I know it's gonna be good.

(You have missed a couple of Iron Man runs. The Dan Slott run was not all that great, but it had some very sweet canon Tony/Jan and also very pretty art by Valerio Schiti. Then we got Christopher Cantwell's Iron Man run, which was the worst Iron Man run I have ever read in my entire life and featured Tony being a privileged and out-of-touch billionaire asshole who then got addicted to morphine, acquired the Power Cosmic, murdered most of his friends (and, I mean, brought them back, at least), and then decided that he should maybe go to rehab so that he could learn humility which apparently he did not have? My least favorite moment was the bit where Patsy Walker tells him he has no idea what it's like to be suicidal and Tony -- a person who has had at least two on-panel suicide attempts -- agrees that, no, he has no idea what that's like. Anyway. You should skip that.)

I have been kind of meh about the current Cap run (other than the fact that it appears to have given us canon Steve/Emma femdom) because a whole lot of it is basically "CATWS but what if 616" and also they killed off one of my minor-character faves and I am very bitter. There is one more issue left in this run, so you might as well just wait a couple more months and start with the next run, which will be written by J. Michael Straczynski. I know a lot of people have strong feelings about JMS' comics work but I have been a Babylon 5 fan since it started airing and I am excited that JMS, the guy who gave us the "no, you move" speech, is going to be writing Steve. (JMS also wrote Bullet Points, if you liked the Steve in that one.)

(Cap runs you have missed include Ta-Nehisi Coates -- it was fine but for the most part Steve was wildly OOC -- as well as a very short run by Mark Waid whose first arc you should check out because it was absolutely amazing and had great Samnee art. I think you've also missed Nick Spencer's run, which. Uh. I don't even know where to begin with discussing that.)

Recent events:

Comics are still going to be comics, so, yeah, there are always events. Some of them are pretty good, though. If you haven't been here for a few years, you've probably missed AXE Judgment Day, Heroes Reborn, Empyre, and War of the Realms. Possibly also Secret Empire, Civil War II, and Standoff.

Of all of these, I would have to say that AXE Judgment Day (written by Kieron Gillen) was my favorite; it featured the Avengers, X-Men, and Eternals all coming together to save the world from a Celestial that was trying to judge all of humanity and then destroy the planet. You know, the usual. I thought it was pretty well done and had a lot for Steve and Tony to do. They got to be on the same side, for once. Steve got a whole bunch of speeches and everyone got a massive amount of angst; there was actually an entire issue devoted to the Celestial's judgment of Tony. So yeah, it didn't have a whole lot of Steve & Tony together but they both definitely had starring roles for the event.

Heroes Reborn (yes, it would kill Marvel to think up a new name) was an event where Phil Coulson sold his soul to the devil to make the Squadron Supreme have always been the best superhero team on Earth. Coulson has been wedged into the comics from the MCU but Jason Aaron clearly committed hard to making him the most evil person possible.

Empyre -- by Slott and Ewing, art by Schiti -- was probably my second-favorite recent event. It once again featured heroes fighting villains, as is right and proper. Steve and Tony weren't the stars of the event or anything but they did, you know, get to help out a bit. It was a bunch of Kree-Skrull stuff and everyone fought some tree people whose names I am blanking on and it also ended in Billy and Teddy's Big Gay Jewish Space Wedding, so obviously you have to appreciate that.

I remember very little about War of the Realms. It was one of those Asgard things.

You probably missed Secret Empire? And possibly the lead-ins to it, Avengers Standoff and Civil War II. This was infamously the event where Steve was replaced by an evil Hydra version of himself who decided to make America into his own personal fascist state. (Standoff was the event where he was secretly replaced although we did not know this at the time; he spent all of Civil War II -- a Carol vs. Tony event, this time with Tony ending up in a coma at the end -- gaslighting all the heroes pretty hard.) Public reaction to Secret Empire was, as you can imagine, very very bad (they decided to promote this as "this is the real Steve and he has been evil forever" rather than, like, "hey we're doing a villain AU for the next six months") and they ended up concluding the whole thing much faster than they had originally planned to, presumably because the sales tanked hard. They basically did a very, very bad job with this one.

Secret Empire has mostly provided a lot of source material for fandom to pick apart and improve upon -- especially the people who like villain AUs -- and its major highlight is a lead-in one-shot, Civil War II: The Oath, which is a villain remix of The Confession in which Hydra Steve addresses Tony's comatose body and, among other things, tells him that the real Steve loved him, and that he always loved him, even when they fought. So, you know. We all enjoyed that page.

Other fun things you might have missed:

There have been a bunch of fun relatively-recent miniseries!

The thing you will probably be most interested is Captain America/Iron Man, which is a five-issue miniseries by Derek Landy of Steve and Tony teaming up to take down a villain (who is, of course, one of Tony's exes). It has some lovely character moments. The collected edition of this is called "The Armor and the Shield."

Jed MacKay -- yes, the guy writing Avengers -- also previously wrote a run of Black Cat that had a lot of Tony cameos, and then decided to write an Iron Cat miniseries in which Felicia & Tony team up to defeat both of their ex-girlfriends who have decided to try to murder them because apparently, yes, they both have terrible luck with relationships. (In Tony's case, this is Sunset Bain.)

We're also currently getting an Ayodele & Akande miniseries, I Am Iron Man, which is set at various points in Tony's history and I have to admit that I have literally no idea what's going on here but at least it's clear that they really like Tony, and it's sweet.

In what I can only assume was an attempt at some kind of MCU synergy, we just finished getting a second Secret Invasion miniseries (written by Ryan North of Squirrel Girl fame) which was an extremely clever series in which basically nothing was as it seemed, and also Tony was one of the major characters. I really, really liked this one.

If you like weird AUs, we also recently got a (Tom Taylor, I think?) miniseries called Dark Ages, in an alternate future where electricity has stopped working. It did have Steve and Tony.

It is not specifically Steve & Tony related but we just got a Wasp miniseries by Al Ewing, which is Jan's first solo book ever. Yes, ever.

And it has nothing to do with Steve and Tony at all, but I feel like people who don't ordinarily read Guardians of the Galaxy might really enjoy Ewing's run on that, because it is incredibly queer. Phyla-Vell and Moondragon are main characters, Billy and Teddy come guest-star for a lot of it, Avril Kincaid (the new Quasar, who is also gay) is there for a bit, and also the overarching relationship plot is "Peter, Gamora, and Rich decide they all love each other and are all going to be in a relationship." This is extremely heavily implied. There are multiple love confessions and the run ends with them embracing. So yeah, Pete/Rich is canon now. It's great.

That's all I can think of for right now.

[lovingly-lightbulbs]

hey if i wanted to get into batman comics where would i start. i am asking this purely on the basis that u reblog a ton of comic stuff so u don’t have to answer if u dont want to haha

@amongusbabiescustodybattle

I'm so sorry I don't know how long this has been in my asks. Disclaimer: I haven't read comics in a while and these are purely my own opinions.

If this list is too overwhelming, start at either Detective Comics #568 (if you want 80s batfam vibes) or Detective Comics #934 (if you want modern batfam vibes).

I'd say a good starting place if you want a place to jump in featuring the entire modern cast of characters is Batman (2016) and Detective Comics (2016). A few Batfam characters have solos from this time too (These are at the start of Rebirth, which is one of the more recent reboots, this is where I started).

For individual characters, here are some recs. Most of these will not be from within the past 10 years.

Batgirl (2000): Cassandra Cain's solo, fleshed out her character a bunch. There's a few problems that are relics of the time but it's generally pretty well regarded

Batman and the Outsiders (Rebirth) is good for both Cass and Duke Thomas

Two good Duke comics are We Are Robin (2015 I think?) and Batman and the Signal (2018)

Batgirl (2009): this is Stephanie Brown's solo that only has (I think) 12 issues because of the New 52 reboot

SIDE NOTE DO NOT READ THE NEW 52 COMICS THEYRE SHIT AT LEAST MOST OF THEM

The 90s runs of Nightwing and Robin, starring Dick Grayson and Tim Drake respectively

Birds of Prey (1999): This is where you'll find a lot of Barbara Gordon as Oracle content

Batman and Robin (2009): Dick Grayson as Batman after Bruce's presumed death. Damian Wayne as Robin.

Red Robin (2009): Tim goes off the rails

Batman: Under the Red Hood (2005). Jason is back and murderous.

I'm also a big fan of Batman (2016) Annual #3 because of the Alfred content

Those are all I can think of at the moment. I'm sure some other comic people can think of a lot more (@junkoandthediamonds you are The Comic Person maybe you could give them some recs? No pressure)

Some individual issues I would recommend are:

Jason's robin run from the 80s: Batman #408-425 and Detective Comics #568-582 (thank you @dailyjasontodd because your post came up on google for this)

Tim's entrance: As a normal dude, Batman #436. As Robin, Batman #457. These issues are from 1989 and 1990 respectively.

Steph's debut: Detective Comics #647 in 1992

Steph's Robin run, Robin #126-128 in 2003 or 2004ish?

War Games. This is a 2004 event spanning multiple comic runs and crossovers. Stephanie's (fake) death. I'm not sure how good it actually is.

No Man's Land. This 1999 event was the debut of Cass.

That issue where Jason comes back and beats the shit out of Tim. It's in Teen Titans vol 3 issue 29

Damian's debut: Batman #665 (2006)

This is all I can think of atm. I hope it helped! If anyone else has some recs please rb with em!!

<3

[coyote-nebula]

20 Questions for Writers

Thanks for the tag, @cuephrase and @wildsofmarch!

Also, thank you @motleyfam for locating the lost question lol

1. how many works do you have on AO3?

29

2. what's your total AO3 word count?

182,782

3. what fandoms do you write for?

Just Batman now

4. what are your top 5 fics by kudos?

Spike (3,470 words) - the kudos leader by far. I gave Tim roofie trauma, invoked by being stealth drugged at home. Kind of a spite fic categorically, but I think I'd prefer awareness as an intention over spite 😂 this author's life has been a bit weird Tim in a Bottle (38,683 words) - Tim, trapped in an industrial freezer with Jason, is attacked by memories in the text equivalent of a bottle episode. I know it combines two tricky qualities-- extensive conversation in one room and flashbacks-- but it seems to work alright anyway lol Tap Out (8,002 words) - Jason and family attend a gallery event for Damian, and Jason reflects on trusting Bruce. Now that I think about it, this is quite a lot like both Spike and Tim in a Bottle 😂 Except Tim (2,772 words) - Tim gets lost in the woods with his abandonment issues for company. Featuring both Bambi and Lady and the Tramp references Harvest (30,129 words) - Bruce and Jason harvest some corn and engage in hallmark movie emotion-having. I like the punchability to huggability ratio Bruce has is this

5. do you respond to comments?

Yep! Sometimes, lol. I'd love to answer all of them, but I don't have the spoons. I still reread and kick my feet over them though

6. what is the fic you wrote with the angstiest ending?

Hmmm... Pretty much all my fics have some kind of comfort ending. I'm gonna go with a friend, though he may wander far, because of the guilt and injury it ends on.

7. what's the fic you wrote with the happiest ending?

Again, they all strive for a relatively happy ending... so I'll say sweetgum, which is pretty angst-free to begin with.

8. do you get hate on fics?

Every once in a while, but nothing memorable. Mostly they're some kind of out of nowhere complaint about deviation from canon, at which I tap the 'alternate universe' sign and delete

9. do you write smut? If so, what kind?

I don't. Not my thing!

10. do you write crossovers?

I haven't... if I did it would probably be pretty niche lol

11. have you ever had a fic stolen?

Not as far as I know

12. Have you ever had a fic translated?

Nope. There is a pretty cool fic inspired by TiaB written in Polish, though!

13. Have you ever co-written a fic before?

Not too long ago! Me and @batbirdies wrote Tip for a Successful Interview: Lie (Down) :)

14. What's your all-time favorite ship?

Platonic: whatever I'm currently writing, usually 😂Tim & Jason, right now Romantic: This isn't my thing as much, but I do get a lot of amusement out of an ace batcat ship concept

15. What's a WIP you want to finish but doubt you will?

I stubbornly hold out hope for the completion of all my WIPs. That said, probably the Jason & Tim horror one lol

16. What are your writing strengths?

Weaving in flashbacks has gotten good feedback. In general, I think I'm pretty good at being concise (at least, I find editing off words a lot of fun)

17. What are your writing weaknesses?

Being a little too concise or obscure, sometimes 😂 losing clarity. Overcomplicating things until I either have an unwieldy WIP on my hands or have sacrificed my motivation for solving all the mysteries before I write the fic

18. Thoughts on writing dialogue in another language in fic?

I've played with it a little. I think <using brackets> so the translation is in-text works best for me

19. First fandom you wrote for?

Star Trek: The Original Series, unless you count the thinly veiled MASH fan comic I messed around with

20. Favourite fic you've written?

make me a cradle (1,811 words) - wrote this in a semi-fugue state and I'm uncommonly satisfied with it-- Alfred's voice has a neat quality, it's sufficiently punchy, and it does exactly what I wanted it to do. It even manages a comforty ending! Ironically, it's my lowest ranking fic by kudos 😂 probably owing to the sensitive subject (attempted suicide) and being marked incomplete (with another sensitive subject, grief over Jason's death, promised). (Now that I think about it, I think I might have stealth released this also lol) Seriously considering marking it complete, though, since it stands well on its own. The mentioned follow up might happen someday, but the mood to write incredibly sad fic doesn't happen very often!

I will tag @batbirdies and whoever else would like to claim I tagged them 😂

[clay-cuttlefish]

Forging ahead with 52. #19 to #38. It's so much.

#19

The Evil Skeets plot is great. According to the omnibus it was a very late change away from a generic broken-time story, and I can kinda see that with how some of the earlier evil Skeets behavior doesn't seem super purposeful, but it all works for me.

#20

Mostly spaceguy plot that I don't care much about. The fight's cool at least.

I have no idea what fan speculation was like at the time but the idea of Supernova Jason Todd conspiracy theories is extremely funny so I support the intentional red herrings here.

#21

I keep changing my mind on which storylines I like more as I go. How could I not love Natasha?

#22

Dr. Magnus is back! I wish him being bipolar was handled more sensitively, the whole "oh the medicine keeps me from going ~crazy~" thing is :/, but I'm willing to read it charitably as his own perspective because I like him. He's a psychotic DC character who's heroic and not spooky or magical, just a guy who really doesn't want to have another depersonalization episode and has some internalized sanism about it, it could be so much worse.

#23

I like that Vic's more jaded to the horrors he can't stop than Renee is. He's had a lot of time to get used to the idea he can't save everyone - back in his own book he would've thrown himself in harm's way just like she wants to, but he's gotten better at not starting fights he can't win.

Hate to give Geoff Johns credit for anything but "What the hell are you doing?" "Seeing if it's contagious." is really good.

#24

"We were both guilty of ignoring Ted" Pretty sure Booster nearly died because he dropped everything to help but okay.

Osiris is just a kid...

Introducing a First Nations hero just to kill him off and give his stuff to a white dude sucks.

#25

Alan's out of the spaceguy zone and doing his own thing.

Almost halfway and the threads are still only starting to link up.

#26

I cannot get enough of Vic and Renee being friends with the Black Marvels. It's very sweet!

Tot my friend Tot :)

This is just a nice moment for them.

#27

I'm very into how Evil Skeets is drawn. He manages to be expressive despite having no moving features, it's a good trick.

Ohhh no it's now. I thought I had another issue, but no, this is the turning point.

#28

THE QUESTIONS!!! Love how they're heckling Kate together.

Kate is so cool.

Oh right, the spaceguys are still here.

#29

The way the mad science island handles mental illness generally sucks, but it's almost hitting at something interesting with Will being forced off his medication for the sake of "creativity".

#30

Get out of here Bruce.

I am going to cry!

#31

I don't even dislike the spaceguys really, but cmon, more of Ralph or Nat would've been better.

Ralph's still a detective even at his lowest! Strong foreshadowing.

#32

Uh oh, Ralph.

#33

Ohhh Charlie.

Him hallucinating Myra? Only able to admit he loved her at the very end?? It takes me out!

Almost all of his dialogue is straight from the O'Neil run. Rucka describes rereading the entire run just to write this issue because he had to get this right, and it shows.

There's a reason I consider O'Neil and Rucka the essential Question writers, and all the other takes to be interesting sidenotes.

#34

The kids aren't doing so well.

aaaaaaaa

#35

Hands you a picture of Nat. Hands you a picture of Nat. Hands you a picture of Nat.

Lex is the best villain in 52 and it isn't even close to a competition.

#36

AAAAAAA

Fuck dude! Nothing coherent to say here! Look at them!

#37

Wild emotional roller coaster for me as I go from Renee agony to cheering about Booster. My first read of this was a Time.

It's such a fun mystery. I can confirm it works if you know nothing about comics and are just along for the ride, and it comes together so well on the reread.

Mayor Ollie!

#38

AAAAAAA

"I'm afraid of who I'll become without you..." How am I meant to be normal about this!

I had to read this in two pieces because it made me need to get up and pace. It has done this every time I have read it. I am physically incapable of being normal about this.

Head in my hands. Comics are good and worth reading actually.

[rainbowgothdisaster]

For the artist asks, 2, 11 & 18 :3

2. 5 favourites of your own work?

in no particular order:

pokesona, the stars are falling (not posted, will be posted with this years redraw), jewel's house, sleeping jewel, jewel's bedroom (also an extra bcuz i really like it but couldn't find the compressed file to put here: be back soon screen)

i have a lot of fun drawing my pokesona, it was drawn completely using vector lines which was unbelievably enlightening

the stars are falling was first drawn back in 2020 and has become a way for me to compare how my art has developed over the years. 2020 only featured Jason (he/him), 2021 only had Zero (ey/em), and 2022 includes the former two plus Cleo (she/her, but shes bigender and also goes by Liam he/him), 2023 will include Jason and Ambe (she/her). its a way for me to basically do a benchmark test on my composition and anatomy and colours and shading. i always have a lot of fun drawing it and sometimes making whole new brushes. important note: this one was actually submitted to an art contest, sadly i lost but it was actually my first time since elementary putting my art out with the intent to be judged.

jewel's house was my first time drawing and designing a house and finding different places to incorporate hearts was literally so much fun.

sleeping jewel is just super cute and jewel's bunny hoodie is my favourite thing ever. i have it on my phone and could stare at it for hours.

jewel's bedroom is ALSO a redraw. i enjoyed trying to fit so many things in it, i enjoyed sketching, i enjoyed lining, i enjoyed colouring. though this is actually my least fav of the 5 bcuz i fully believe the idea that your art is only as good as its weakest point. that's not to say its bad or that everyone will approach it as critically as possible. not even to say that everything needs to be perfect. but when i was rendering it, i didn't want to shade. so i took a funky brush and just rushed thru shading. in fact you can see that when watching the speedpaint, i just kinda scribbled the shading. HOWEVER that doesnt take away from the fact i think the rest of it is really well done. i think i did well on the bed in particular and the fact that i stylized a real bed that we own and my actual childhood bed that i would die to get back (we owned two, mine was lost when mum and dad had to abandon my childhood home bcuz of shitty roommates and a shitty landlord) i enjoyed drawing my actual stuffed animals and my actual lolita dress. it like actually has sentimental value bcuz of all of that i just wish i did it better.

11. favourite comment you've ever received on your work?

uhhhh so like i dont usually recieve comments on my work aside from my family's "wow i could never do that" soooo well go with the comment you left on my bunny hoodie design bcuz as far as i can remember iirc it was the first time id gotten a nice comment about my fashion designs and i was really happy someone liked it bcuz im like super nervous about my silly fashion doodles :)

18. do you have any larger projects you'd like to pursue? like comics, shortfilm, a series, etc?

yes! id like House Of Misfits to be a cartoon, tho the show would probably be lighter than the short stories bcuz i don't imagine i could explore Amber's backstory on screen. im making a proof-of-concept website which is technically online and more than 70% unfinished.

i also have a coming-of-age novel i need to do research for called Saftey Blanket about a hijabi girl named Aminah in her senior year of highschool (if i made it a series wed get to see her twin siblings realize they're trans which would be fun but rn they are but lil babbies), id like to make a children's cartoon and a visual novel but i don't currently have any ideas for either.

btw despite the fact that i am an animator, i don't want to animate a show. i want to run a show. i don't actually enjoy animations longer than maybe 10 seconds.

i have a side project based around the album A Constant State Of Ohio by Lincoln that would be a very personal project around self image while having multiple personality disorders (and other problems), but i cannot for the life of me make an animatic. there's lots of ideas like this jostling in my brain, like a stop-motion animation of Through The Roof n Underground by Gogol Bordello, where i just simply cannot which i am fine with.

then theres the fact i do actually want to sew my fashion designs, at least that bunny hoodie if nothing else, and i cannot get my hands on any fabric despite owning a sewing machine

[disniq]

Heya, I was wondering if I could get a quick comic book rec. I've read RHaTO Vol. 1 up to issue... 27 I think it was? (Basically the first 4 volumes) ans RHaTO Vol. 2 up to issue 18 (end of Vol. 3)

Are volumes 6 & 7 of RHaTO vol.1, Red Hood & Arsenal, volume 4 of RHaTO vol.2, and Red Hood: Outlaw, worth a read?

Hi Anon! I apologise in advance because I was very verbose in answering this yes or no question lmao.

Disclaimer first, because RHATOs is always gonna be written by Scott Lobdell, so it's always gonna be at least vaguely misogynistic and full of heavy handed abuse apologia because Lobdell is a misogynistic abuser. That said, if you can stomach that, there's usually *some* merit to most of them.

(and, just to be clear, I am certainly not recommending you *pay* for any of them 🏴‍☠️🏴‍☠️🏴‍☠️)

So, RHATO vol. 1.

Volume 5 is actually one of the better ones imo, it finishes up the story from volume 4, and then has a few self-contained stories focusing on Roy and Kori individually (so depending on your opinions of nu52 characterisation ymmv). Bonus points for this adorable panel;

Volume 6 and 7 are a really weird mishmash of main plot about Kori doing space-drugs (which is unsurprisingly lacking in any nuance, making it especially frustrating when the book also features a recovering addict and a guy who grew up surrounded by drug users), their nu52 origin stories (which are retconned again in Rebirth anyway), then there's the bizarre little Christmas issue (which I don't hate), and the weird flash forward issue (which I *do*) that is also retconned out with the Red Hood/Arsenal run so. These two are entirely skippable for me.

Red Hood/Arsenal

There are only two volumes of this, and if you managed rhato vol. 1 then this is fine. It's a lot lighter in tone, even if I'm not a big fan of the Joker's Daughter plot in volume 2. Personally, I think this run is worth it just for the jayroy dynamic - genuinely don't know what Lobdell was going for but he accidentally wrote a gay sitcom. I mean seriously, look at this break up scene;

RHATO Vol 2.

I canNOT believe I'm saying this, but you should probably read through this one. #25 (MY BELOATHED) is actually the conclusion to the Bruce and Jason trust arc of early rhato rebirth, and as much as I hate the direction they went with it, it does fit with the general state of Jason and Bruce's relationship in rebirth. It also seems to be the jumping off point they've used for more recent interactions (Cheer and TFZ).

Red Hood: Outlaw

Volume 1: Requiem for an Archer. So, this is the start of Lobdell's shameless projection onto Willis Todd, and naturally they skip right over any consequences of Bruce beating the shit out of his kid AGAIN, but I actually quite like this one. It's nice to see Jason work competently alone, and I think it does a good job of letting Jason's grief breathe, after the chaos of everything in the previous volume. Also, this is where he meets Dog and she's a good girl.

Volume 2: Prince of Gotham. I like this one too, actually. Jason gets to wear his fancy little suit and be clever and calculating, he gets to actually use his criminal links for once, and it's the biggest fuck you to Bruce since utrh imo. I hate the random ass non-plot point of Jason suddenly having a public civillian ID again, but that nonsense is worth it for this scene alone;

Volume 3: Generation Outlaw. This one... I like in theory lol. Jason gets to be a teacher, I think putting himself between Lex Luther and a bunch of impressionable young metas is something he would do, and one of the kids is a non-binary entity (it's a little ham-fisted, but I never say no to more enby characters!) HOWEVER. The writing takes a turn again here, and where Jason was clever in the last one he's now a bit of a bumbling idiot being outsmarted by a bunch of kids. The Artemis and Bizarro plotline is weird and a but pointless, but they are back by the end of this volume, and it contains the one jaytemis kiss that I like (because they both hate it lmao. wlw mlm solidarity).

Volume 4: Unspoken Truths. This is just out and out bad. The writing goes from bad to worse, Isabel is dragged back for absolutely no reason other than Lobdell wanting his blorbo JT to be surrounded by women he's slept with at all times, the art is terrible. There's a single Joker War crossover issue which is meaningless without context, and also drags Joker's Daughter back up AGAIN, and it ends with the Outlaws breaking up again because Jason isn't allowed to keep any friends ever.

ANYWAY. All of that was a complete non-answer because it really does depend on what you like and don't, but I hope my rambling at least helps a little!

[river-bottom-nightmare]

hello - do you have any dick grayson-centric fic recs?

do i-do i have any dick grayson centric fic recs?? oh babe you have come to the riGHT PLACE. as any of my mutuals could tell you, i have so many goddamn fic recs it’s not even funny anymore. here are some of my personal top favourites:

1. And The World Came Crashing Down by @zhe-angst-diary  ~5k. a fic centered around dick’s self-sacrificial tendencies, especially for the batfam. a bit angsty, very much feels, a tad ooc, but i really did love it

2. bad signal by @prismatic-et-al 38k. the plotfic to end all plotfics. this author is one of the most brilliant dc fic authors i have ever come across, and the way they weave this dark, mysterious story is nothing short of ingenious. i was on the edge of my seat the entire time. again, brilliant.

3. Breathe In, Breathe Out by @kirazalea ~20k. this woman is one of my all time favourite writers for just some really really good stories about the batfam working through and overcoming their issues. this series is comprised of 2 fics that deal with the batfam discovering how much of an impact other people’s blatant sexualization and dehumanization of dick does to him, and how, over time and with help from his family, he picks himself up and starts to defend himself. really just a wonderful series

4. Declensions by @dustorange 13k. the best rom dick grayson fic to ever exist ever. you ever look at dc making dick romani and how they fuck up all the time and think “this could have had so much potential?��� this work of art tackles that issue and creates something spectacular. each line of this fic had me screaming with joy. the robin cape symbolism? beautiful. i reread it all. the. time.

5. Don’t by @haunt-the-stars ~4k. do i have too many fics on here about dick dealing with + recovering from sexual assault and rape? probably. do i care? no. this fic takes a dive into trauma and how it can affect victims. it was absolutely heartbreaking, but also has the actual best wally + dick friendship i’ve ever read ever. seriously. if “wally west is a Good Bro” could be condensed into one fic, it would be this one. 

6. the fit of the cowl by @quillium ~4k. some people could argue dick was the best batman. other could argue the cowl only hurt dick. still others say dick could’ve been a much better batman if was better written. regardless of your opinion, you should definitely read this fic. it delves into the different reactions the batfam have to batman!dick. the family dynamics in this one were super interesting, and it’s always wonderful to read a fic about dick grayson  but from someone else’s eyes

7. Hard Truths and Other Realities by @ckbookish  ~108k. a series about dick feeling lost after being fired from robin and eventually finding his way again. featuring very very much wonderful uncle clark, and bruce isn’t an asshole, he’s just a worried dad that fucks up a lot but tries his best to make amends. also, dick bonding with jason. it basically takes you through that time period from the end of dick’s robin to him solidly affirming himself as nightwing and starting to forgive bruce. a really cool take on canon, loved this series!

8. Job Performance by @i-just-want-to-destroy ~3k. ohhhhhh dear god does this fic give me the feels. set during s1 yj, it shows what being a vigilante since the grand age of 9 does to someone, how much it hurts dick to compartmentalize, how much he doesn’t even realize it. this fic leaves you with a sense of “wow. this child. he’s really fucked up.” in a heartwrenching way.

9. a soft place to land by @bluebeauregard 3k. the best dick + tim being brothers fic i’ve ever read. people like to expand on his gradual acceptance and love of jason, people go batshit crazy over him practically parenting damian. and while i do love those, dick and tim had the best canon sibling relationship in the comics (at least, in pre52). this fic takes that and runs with it, and it’s so goddamn unique. i have literally never read this idea anywhere, so i was blown away by both the fic and the way the author wrote it. 

10. touch starved by @iwhumpyou ~4k. we’ve all seen fics where timmy’s touch starved from not receiving much affection from his parents growing up and the rest of the batfam smothers him in hugs. but what i really want is a fic where dick’s the one touchstarved because he grew up in the goddamn circus where everyone was close, but ever since he came to live with bruce, he’s been starved of the affection he used to so freely get, because his entire family is most certainly not the touchy-feely type. and for added angst, he doesn’t do anything about it because he knows his family has issues with trust/intimacy and he wants to make them as comfortable as possible. anyway apparently that fic exists and it’s this one read it and sob with me will you?

11. you gotta tip on the tightrope by Anonymous 12k. for people that don’t actually know much about comics canon and why exactly dick went undercover at spyral, this fic is absolutely wonderful. it shows the lead up of events that led to dick faking his death and leaving, and why exactly he chose to listen to bruce. (i’m using “chose” liberally here). plus, sibling bonding!! specifically with jason!

12. young volcanoes by @dottie-wan-kenobi 3k. i haven’t read this fic in a while, so i don’t remember some of the finer details, but i do remember loving it. also i have it bookmarked on ao3 with the tag “THIS!!!!!!!” so that counts for something. this fic focuses more on dick’s relationship with the titans rather than bruce or the jl, and centers around what their friendship has done for dick/how it’s helped him, and how much he loves them. a wonderful team fic. 

anyway, i hope you enjoy these babe!! these fics are all so so incredible, and i just want to give all of these amazingly talented authors one big incredible hug. 

[why-this-kolaveri-machi]

just because you’re afraid it doesn’t mean you’re broken.

Titans 3.05

once more into the cold dark void of the internet with my stream-of-consciousness take on a superhero tv show...

spoilers ahead.

1. i cannot believe that among the first things i get to hear in this episode with my own two ears is the line 'eluded our overdudes'. why must you give me such pain along with so much joy, show?

1.5. scarecrow stringing jason along on this path to red-hood-dom is not something i would’ve ever expected, but does kind of make sense. 

1.55. i don’t know all the details of the original resurrection arc in the comics but i like that jason, weirdly, has a greater role to play in his own demise and rebirth? i think it makes it easier to draw a line between his past trauma, the demonstrably shitty and terrifying responsibility of being robin, the ways bruce and the titans wronged him, his responses to that, the reasons he turns to scarecrow, and his final evolution to red hood. it makes for a smoother character arc rather than a one that was interrupted for two decades before somebody went oh hey let’s resurrect that kid that the audience once voted to kill and make him an anti-hero!

1.75. what’s crane giving him? anti fear toxin? anyway, crane is a fucking creep and i’m not sure i want to see a whole lot of him on my screen.

2. oh, um, heads up: there’s a long sequence of unsteady cam + flickering lights right after the title card upto the 3:16 mark. it’s a bit headache-inducing so if you want to skip, you can go ahead and do that. 

2.45. that’s... weird... why would he dream about... donna...

ok, who am i kidding. i’m going to jump right into my theory about Why Titans Makes Sense Actually because the show itself is apparently not interested in explaining itself:

a) it makes no sense for jason to be conjuring up donna--who famously did not care much for him!--in his dreams. (he wasn’t even there when she died.) or for her to be telling him don’t go or there’s still time.

b) this leads me to think that that’s actually donna, in some sort of limbo between life and death, the kind of place where jericho used to be

c) rachel has demonstrated that she has the power to link the minds of the titans across great distances--she called jason and hank/dawn for help in 2.01, she linked up everybody later in the season, projected dick’s hallucination of his father into their brains without even realising she was doing it, and in the finale, she managed to get dick into conner’s brain. she’s in themyscira now. is this how she gets donna back to life? but reaching out to her in that non-space between life and death?

d) the next obvious question is: why isn’t donna appearing in the dreams of the other titans? she probably is, but they have better reason to be dreaming about her since they were actually close to her, unlike jason.

e) but why would she warn jason in particular? does she foresee jason entering the afterlife--however briefly? does she have an idea of what jason plans to do and what he will become?

f) anyway, more trippy mindscapes and weird psychic powers, yay!

2.5. my heart clenched when bruce comforted jason post-nightmare: clearly i’ve been reading way too much batfam fic. this is a side of bruce we haven’t really been told to expect by all the characters on the show calling him a ‘psychopath’ (*cough*unreliablenarrators*cough*) and him getting jason to speak to a professional speaks volumes about the kind of self-reflection he’s done post dick’s departure, and maybe some of the regrets he has with regards to how he dealt with dick’s traumas.

i mean, just look at him when jason dismisses his concerns! BRUCE IS TRYING JASON

anyway, i have a whole lot more i want to say about this, but i’ll save it for later. 

also: LESLIE THOMPKINS!!!!

3. i really like molly--and i love that she’s a friend from before jason got taken in by bruce, the implication that they meet up regularly and that she’s a grounding influence on him (tho clearly not grounding enough to not go along with his dumbass idea about confronting a child trafficker alone). 

3.5. aw, jason. robin was his armour against everything in the world that would throw him down and chew him to bits, but san francisco proved that even robin wasn’t enough to protect him. it’s really interesting how ‘disillusionment with the idea of robin’ is so integral to the traumas of both dick and jason but in such different ways. 

4. LESLIE!!!!!!! i even forgive her office being so goddamn blue because leslie! 

4.5. it makes so much sense for titans!verse leslie to be a therapist, because this show is so inward looking anyway, and therapist sessions are a useful tool to showcase this character work in a story. besides, at least in fanfic, leslie often seems to double up as a counsellor anyway. 

4.6. oh man. i’m not terribly convinced by walters’ red hood (tho i think that may be the point--argh. i’ll come back to this thought later. have to stop getting distracted!) but he plays the asshole kid that’s trying not to let any real emotion seep through really well.

“you’d like me to punch you, wouldn’t you”

5. not sure what to think of batman’s little trophy case other than the show winking unsubtly at us and going look look - catwoman! the riddler! two face! you excited yet?! it’s like the scene from the end of amazing spiderman 2 when they were trying to drum up excitement for a sinister six spinoff by having harry osborne walk by a bunch of display cases with stuff from iconic villains in them.

... but then again, bruce does like to display a lot of shit in his batcave, including his dead robin’s bloodstained costume, so.

5.5. bruce is so soft with jason it’s killing me. beyond just trying to learn from his mistakes with dick, it speaks to his own genuine desire to balance his dedication to gotham with doing the best by his sons, although he’s often not successful with that. 

i love that titans is really playing the long game with bruce wayne, with each season and character-perspective sliding in fresh pieces of a bigger puzzle. titans’ bruce has always been a phantom of other peoples’ making, but now we’re getting the idea that he’s a whole lot more complicated than other people make it seem.

5.75. it really recontextualises some of his actions from previous seasons: the fact that he locked dick out of his security systems in 1.06 is likely his way of respecting dick’s independence and his desire not to be associated with batman/gotham anymore. jason knowing about bruce’s tracker while dick doesn’t is probably bruce trying to be more honest and upfront with his charges. bruce sending jason packing off to sanfran to spend time with the titans is probably not him passing on a big responsibility to dick (as i first uncharitably thought) but him trying to get jason out of the toxic influence of gotham for a while and a sign of his trust in dick as a leader and a mentor,

5.8. i mean, bruce is a prick, but he’s also human.

6. i think leslie is doing some good work with jason here, though she may have overstepped the line with her line about robin as a construct being projected by a man with BPD. her speculations about bruce’s diagnosis have no place in her session with jason, and if bruce confides in her, an egregious violation of patient-therapist confidentiality. 

(about the diagnosis itself... i don’t know. i can’t really confirm or refute this without a whole lot more information, and i’m not sure if the writer of this episode means BPD in the same way an actual professional might.)

6.5. i think a huge thing that gets missed out in a lot of recent comics as well as movies/shows is that bruce didn’t create the robin persona out of whole cloth. dick did. he’s the starting point of that legacy and to call it entirely bruce’s creation is blatant erasure of that. in fact, i’m surprised that dick doesn’t feature more in the conversations they’re having about the pressures of being robin. after all, the guy had been robin--bruce’s partner--for such a long time before jason. 

6.8. (and here’s the primal part of me that resonates the deepest with dick grayson--the Eldest Daughter part--that’s sort of resentful: that jason gets the therapy and softness and the learning from mistakes when it took years and years for bruce to reach out in any meaningful way to dick.)

7. oooh that was a great scene!

it’s fun to do these stream-of-consciousness live reactions, because the moment you step down from your soapbox, the episode goes right into tackling what you were just complaining about. bruce means well, he’s learning, but he goes about exactly the wrong way to help jason: taking away robin now can’t be read by jason as anything but a devastating judgment call from bruce. and iain glen really sells the moment that bruce realises this--too late--and his helplessness in trying to get jason to see that it isn’t jason’s fault that he’s trying to do this. he loves jason enough that jason is enough. 

7.5. aaaah so jason brings up the elephant in the room at last. dick got everything makes sense from his perspective, where getting to put on a costume and fight crime means approval, means being something stronger and better than you are. dick got to be robin, then nightwing, and a leader of a whole team of other costume-clad heroes. 

8. ... how did jason just walk into arkham????? this is ridiculous.

8.3. i mean, clearly jason’s not thinking straight, but betraying batman like this puts his possibilities of being robin again even further away. 

8.5. watching that chemistry experiment montage was strangely funny. this guy is looking for an antidote to fear? well, constantly mixing up and inhaling gases concocted by a mad-scientist supervillain is something only the very fearless--reckless to the point of foolishness!--would do. what’s to say crane’s not given you a formula for a drug that will keep you tethered to his every will and whim? hmmmm?

8.7. so he sought out the joker to... test the formula??? 

9. wow the “loud and clear... boss” hits different after a whole episode of them referring to each other as father and son.

9.3. waitwaitwait HOLD UP. wait a DANG MINUTE. you’re telling me that scarecrow had enough resources that he could not only have folks on the outside steal jason away and dunk him in a lazarus pit (i TOLD you that this show would bring up and dismiss ra’s al ghul in a ten second aside! I TOLD YOU) but also have his own little chemistry lab in the basement, AND have enough resources for jason to build his red hood persona???????? all of this in barely twenty four hours?

well there goes my ‘jason orchestrated his death’ theory. it was nice while it lasted. *cups hands to the sky* fly away, my baby.

9.6. a part of me is gleeful at the rushed nature of such an iconic transformation though, especially when compared to all the character work that went before it. we’re so used to getting the opposite that it’s fucking delightful to have a show that’s more interested in exploring its characters’ minds rather than battle scenes or recreating transformations from the comics. that’s taken such bold and exciting steps to fully convey all the nuances of its most recognisable character, bruce wayne, from casting an older actor to play him to unflinchingly showing just how damaging the vigilante lifestyle has been to him and the people he loves. BRILLIANT

*sporfle*

10. again, heads up: a whole lot of flashing lights between 40:28 and 42:00. 

10.3. i guess it’s the super-compressed timeline that’s really throwing me off. where did he have the time to get/develop the mind control thing from? or is it something that he got from the cabal of villains that he intimidated at the beginning of 3.02? very messy.

10.5. i love molly, i hope she shows up again this season.

11. aaaand that’s it! that was a solid episode as flashback episodes go, but now i can’t wait to return to the present.

[fancyfade]

[image: 3 comic panels from batman 426. they feature Jason Todd at 15 years old, wearing a jacket and plaid shirt, and memories of jason’s parents. 

narrator: her name was catherine todd, a good woman who probably loved her son deeply, only wanted the best for him.  Willis todd probably loved jason also. Mabye that’s why he drifted into crime, hoping to give his son a better life. The poor fool realized too late that those kind of short cuts never pan out.

there’s a panel of catherine sick on a hospital bed, then a panel of willis dead in an alley and two face holding a smoking gun.

narrator: catherine todd's life was cut short by a disease that just didn't care how much love she had in her heart. jason's dad fell victim to the vicious gangster he was working for, two face. end image]

end image/begin commentary

continuing my reading of jason’s appearances... given how a lot of the fandom talks about them, i was not expecting the narrative to treat jason’s parents sympathetically. I don’t know whether the narrator is supposed to be a typical comics narrator (third person semi omniscient) or giving voice to jason’s thoughts, so no clue the objectivity here*, but it seems to be trying to cast them as people with good or at least not-malicious intentions towards Jason.

lots of the fandom seems to cast jason’s dad as abusive, which i don’t recall seeing in this re-read, and I wonder if DC retconned it or if fandom was like “well he’s poor and he’s a petty criminal, so obviously he’s abusive”.

*also like i hesitate to say “third person comics narrator” is always objective because... it’s so so easy to just put something in the narration box and never show it in actions or in the story in a way that matters.

[southeastasianists]

Making movies about lesbian, gay, bisexual, and transgender can be daunting under Singapore’s restrictive censorship laws, but that didn’t stop one filmmaker from doing so in his directorial debut. Getting his work to the big screen, however, was a whole other obstacle to overcome.

It only took one month for Jet Ho to conceptualize, write, cast and film Aqua Man, a short film about a young Singaporean boy that looks at the hot-button topic of gay conversion therapy. But that was just the beginning of his struggle for anyone to see it. Because it touches the media third rail of homosexuality, his story of student Jun Jie, his distressed mom, and Bible-armed pastor was rejected at least 15 times, by Ho’s count, by streaming platforms and film festivals.

“It [was] quite fast to film, but it took me a very hard time to promote the film,” Ho told Coconuts. “It basically was rejected everywhere from the start until I decided to just launch it on YouTube and give it some justice to itself.”

There’s no Jason Momoa here coming to the rescue, so why Aqua Man? Aqua sounds similar to a derogatory Hokkien term for gay men, Ah Kua, which literally means transvestite. In Ho’s film, actor Josh Lim is the titular character, who comes home one day to find his mother has brought a pastor to pray the gay out of him with a praying ritual form of conversion therapy.

It’s a timely topic as Singaporeans clash over extending or suppressing LGBT rights and recognition in an uneven struggle that has seen one side given a voice over the other.

Because of the subject matter, Aqua Man could never be shown on television, as films featuring characters who are gay – an “alternative sexuality” to government censors –  is automatically rated 21 and up.

That restriction, most often applied to movies containing nudity, was not something Ho was OK with. After all, he wanted to reach those who would most identify with his protagonist.

“It is a societal problem that starts out even with kids at a very young age,” Ho said, referring to the younger generation who struggle with their sexual identity. “This has got nothing to do with explicit pornographic material, that perhaps needs a higher age rating.”

So in December he premiered his film on YouTube, where it has struggled to find a large audience.

Unseen …

The commercial photographer for the National Museum and National Geographic channel said he was motivated to make his movie by the lack of a quality queer representation in Singaporean television shows and movies.

Queer characters portrayed as regular people are unheard of on national television, where they are relegated to cross-dressing tropes by the likes of Jack Neo and drag queen Kumar, or are sources of comic relief, such as transgender comedian Abigail Chay.

There is some good – last year’s depiction of a family man turning to drag culture to feed his family was nominated for two Taiwanese film awards – and a whole lot of ugly, such as Mediacorp TV series My Guardian Angels, which portrayed a gay character as an STD-infected pedophile.

“They just include this character and always hint him in a very bad light or bad influence, driving a misrepresentation of the LGBT population in Singapore,” Ho said. “Let’s say Disney has one gay character in a movie and it is premiering in Singapore. I can tell you a lot of people will make a big fuss out of it.”

Indeed Disney’s Beauty and the Beast did kick up some dust in 2017 from church councils, which denounced the film winning a PG-rating despite the inclusion of a gay character.

That said, Singaporeans are more open to discuss gender identity today than two decades ago, Ho said, noting that Aqua Man is set nearly 20 years ago, a time he thinks Singapore’s cultural conservatism was at its peak.

Now, in 2021, arch-conservatives appear to feel they are on the defensive, denouncing “woke cancel mobs” over arguments that seem to have moved on from their point of view as negative LGBT views continue to tick down. Singapore’s strain of evangelical Christianity remains a potent force, and the intersection between faith and family is an area Ho mined for his film.

“Sometimes when the parents face such a problem that is already existing in our very conservative society, they often find a solution with the church or with religious institutions but the answer to whether it is the right or the most moral approach, nobody is there to judge,” Ho said. “I find this dilemma in the film very interesting because there is no right or wrong answer.”

Ho, who is not Christian, had only heard stories of conversion therapy. So, prior to filming, he dove a little deeper into the topic by attending weekly sermons at churches and interviewing pastors in hope of portraying them more accurately. He sounded grateful for the opportunity.

“I don’t want to put any church or any organization in bad light, I want to make the whole film look as authentic as it is. With the church, I was very thankful to come out with this concept,” he said, describing them as “loving” and “very understanding.”

… but not unheard

Aqua Man could have reached a wider audience and been better funded were it not for the strict laws, believes Ho, who forked out S$16,000 (US$12,000) to make it. Even film festivals and competitions turned him down.

“The main problem was when I tried to send out to a few film competitions, I wasn’t notified on whether I lost or anything. Locally, like streaming platforms I actually send out a few emails to their main email and even directly to people who work there but I received zero emails,” he said. “That’s how serious it is, they are so repulsive against LGBT-centric films.”

Ho submitted his film to the Singapore International Film Festival and HBO Asia’s Invisible Stories series, which is marketed as surfacing untold Singapore stories. They were among the more than dozen platforms he says rejected or ignored his inquiries. But he took comfort in one HBO representative’s note.

“Even though we didn’t win anything, it was actually a great relief because she personally wrote an email to us, and that’s the only reply that we got. At first, I really thought the film was so bad and negative to the extent that it doesn’t deserve a place or it doesn’t deserve anything,” he said.

Though direct to YouTube wasn’t his first choice, Ho was gratified by the response he got.

“After the film was produced, it was very astonishing to find that many people actually reach out to say that this happened to them personally so it became a true story that I wrote. Initially, I just dictated the story and something I think will be interesting to show but it became a true story, told by people who watch the film,” he said.

Local LGBT group Oogachaga had also shared the movie on its online platform.

And it’s not the end of the road for Ho, who is still pushing for Aqua Man to reach a wider audience. He’s also writing another script and pledging to continue chasing stories on social issues such as transgenderism, racism, and abuse.

“Singapore has to have its own culture when it comes to filmmaking, our culture is our identity. We should portray more and show more, we shouldn’t hide it we should embrace it and move forward,” he said. “Trying to conceal the whole LGBT-centric material is not going to be helpful for us to progress into a more empathetic society.”

[jenniferisacommonname]

Bonus Level Unlocked

This week marks the release of Jason Schreier’s Press Reset, an incredibly well-researched book on catastrophic business failure in the gaming industry. Jason’s a good dude, and there’s an excerpt here if you want to check it out. Sadly, game companies going belly-up is such a common occurrence that he couldn’t possibly include them all, and one of the stories left out due to space constraints is one that I happen to be personally familiar with. So, I figured I’d tell it here.

I began working at Acclaim Studios Austin as a sound designer in January of 2000. It was a tumultuous period for the company, including a recent rebranding from their former studio name, “Iguana Entertainment,” and a related, ongoing lawsuit from the ex-founder of Iguana. There were a fair number of ghosts hanging around—the creative director’s license plate read IGUANA, which he never changed, and one of the meeting rooms held a large, empty terrarium—but the studio had actually been owned on paper by Acclaim since 1995, and I didn’t notice any conflicting loyalties. Everyone acted as if we always had been, and always would be, Acclaim employees.

Over the next few years I worked on a respectable array of triple-A titles, including Quarterback Club 2002, Turok: Evolution, and All-Star Baseball 2002 through 2005. (Should it be “All-Stars Baseball,” like attorneys general? Or perhaps a term of venery, like “a zodiac of All-Star Baseball.”) At any rate, it was a fun place to work, and a platformer of hijinks ensued.

But let’s skip to the cutscene. The truth is that none of us in the trenches suspected the end was near until it was absolutely imminent. Yes, Turok: Evolution and Vexx had underperformed, especially when stacked against the cost of development, but games flop in the retail market all the time. And, yes, Showdown: Legends of Wrestling had been hustled out the door before it was ready for reasons no one would explain, and the New York studio’s release of a BMX game featuring unlockable live-action stripper footage had been an incredibly weird marketing ploy for what should have been a straightforward racing title. (Other desperate gimmicks around this time included a £6,000 prize for UK parents who would name their baby “Turok,” an offer to pay off speeding tickets to promote Burnout 2 that quickly proved illegal, and an attempt to buy advertising space on actual tombstones for a Shadow Man sequel.)

But the baseball franchise was an annual moneymaker, and our studio had teams well into development on two major new licenses, 100 Bullets and The Red Star. Enthusiasm was on the upswing. Perhaps I should have paid closer attention when voice actors started calling me to complain that they hadn’t been paid, but at the time it seemed more like a bureaucratic failure than an actual money shortage—and frankly, it was a little naïve of them to expect net-30 in the first place. Industry standard was, like, net-90 at best. So I was told.

Then one Friday afternoon, a few department managers got word that we’d kind of maybe been skipping out on the building lease for let’s-not-admit-how-many months. By Monday morning, everyone’s key cards had been deactivated.

It's a little odd to arrive at work and find a hundred-plus people milling around outside—even odder, I suppose, if your company is not the one being evicted. Acclaim folks mostly just rolled their eyes and debated whether to cut our losses and head to lunch now, while employees of other companies would look dumbfounded and fearful before being encouraged to push their way through the crowd and demonstrate their still-valid key card to the security guard. Finally, the General Manager (hired only a few months earlier, and with a hefty relocation bonus to accommodate his houseboat) announced that we should go home for the day and await news. Several of our coworkers were veterans of the layoff process—like I said, game companies go under a lot—and one of them had already created a Yahoo group to communicate with each other on the assumption that we’d lose access to our work email. A whisper of “get on the VPN and download while you can” rippled through the crowd.

But the real shift in tone came after someone asked about a quick trip inside for personal items, and the answer was a hard, universal “no.” We may have been too busy or ignorant to glance up at any wall-writing, but the building management had not been: they were anticipating a full bankruptcy of the entire company. In that situation, all creditors have equal standing to divide up a company's assets in lengthy court battles, and most get a fraction of what they’re owed. But if the landlords had seized our office contents in lieu of rent before the bankruptcy was declared, they reasoned, then a judge might rule that they had gotten to the treasure chest first, and could lay claim to everything inside as separate from the upcoming asset liquidation.

Ultimately, their gambit failed, but the ruling took a month to settle. In the meantime, knick knacks gathered dust, delivered packages piled up, food rotted on desks, and fish tanks became graveyards. Despite raucous protest from every angle—the office pets alone generated numerous threats of animal cruelty charges—only one employee managed to get in during this time, and only under police escort. He was a British citizen on a work visa, and his paperwork happened to be sitting on his desk, due to expire. Without it, he was facing literal deportation. Fortunately, a uniformed officer took his side (or perhaps just pre-responded to what was clearly a misdemeanor assault in ovo,) and after some tense discussion, the building manager relented, on the condition that the employee touch absolutely nothing beyond the paperwork in question. The forms could go, but the photos of his children would remain.

It’s also a little odd, by the way, to arrive at the unemployment office and find every plastic chair occupied by someone you know. Even odder, I suppose, if you’re actually a former employee of Acclaim Studios Salt Lake, which had shut down only a month or two earlier, and you just uprooted your wife and kids to a whole new city on the assurance that you were one of the lucky ones who got to stay employed. Some of them hadn’t even finished unpacking.

Eventually, we were allowed to enter the old office building one at a time and box up our things under the watchful eye of a court appointee, but by then our list of grievances made the landlords’ ploy seem almost quaint by comparison (except for the animals, which remains un-fucking-forgivable.) We had learned, for example, that in the weeks prior to the bankruptcy, our primary lender had made an offer of $15 million—enough to keep us solvent through our next batch of releases, two of which had already exited playtesting and were ready to be burned and shipped. The only catch was that the head of the board, company founder Greg Fischbach, would have to step down. This was apparently too much of an insult for him to stomach, and he decided that he'd rather see everything burn to the ground. The loan was refused.

Other “way worse than we thought” details included gratuitous self-dealing to vendors owned by board members, the disappearance of expensive art from the New York offices just before closure, and the theft of our last two paychecks. For UK employees, it was even more appalling: Acclaim had, for who knows how long, been withdrawing money from UK paychecks for their government-required pension funds, but never actually putting the money into the retirement accounts. They had stolen tens of thousands of dollars directly from each worker.

Though I generally reside somewhere between mellow and complete doormat on the emotional spectrum, I did get riled enough to send out one bitter email—not to anyone in corporate, but to the creators of a popular webcomic called Penny Arcade, who, in the wake of Acclaim’s bankruptcy announcement, published a milquetoast jibe about Midway’s upcoming Area 51. I told Jerry (a.k.a. “Tycho”) that I was frankly disappointed in their lack of cruelty, and aired as much dirty laundry as I was privy to at the time.

“Surely you can find a comedic gem hidden somewhere in all of this!” I wrote. “Our inevitable mocking on PA has been a small light at the end of a very dark, very long tunnel. Please at least allow us the dignity of having a smile on our faces while we wait in line for food stamps.”

Two days later, a suitably grim comic did appear, implying the existence of a new release from Acclaim whose objective was to run your game company into the ground. In the accompanying news post, Tycho wrote:

“We couldn’t let the Acclaim bankruptcy go without comment, though we initially let it slide thinking about the ordinary gamers who lost their jobs there. They don’t have anything to do with Acclaim’s malevolent Public Relations mongrels, and it wasn’t they who hatched the Titty Bike genre either. Then, we remembered that we have absolutely zero social conscience and love to say mean things.”

Another odd experience, by the way, is digging up a 16-year-old complaint to a webcomic creator for nostalgic reference when you offer that same creator a promotional copy of the gaming memoir you just co-wrote with Sid Meier. Even odder, I suppose, to realize that the original non-Acclaim comic had been about Area 51, which you actually were hired to work on yourself soon after the Acclaim debacle.*

As is often the case in complex bankruptcies, the asset liquidation took another six years to fully stagger its way through court—but in 2010, we did, surprisingly, get the ancient paychecks we were owed, plus an extra $1,700-ish for the company’s apparent violation of the WARN Act. By then, I had two kids and a very different life, for which the money was admittedly helpful. Sadly, Acclaim’s implosion probably isn’t even the most egregious one on record. Our sins were, to my knowledge, all money-related, and at least no one was ever sexually assaulted in our office building. Again, to my knowledge. On the other hand, I’m pretty sure we remain the only historical incident of corporate pet murder. The iguana got out just in time.

*Area 51’s main character was voiced by David Duchovny, and he actually got paid—which was lucky for him, because three years later, Midway also declared bankruptcy.

[heroicadventurists]

Robin 80 ***spoilers***

Robin 80 was a wonderful celebration of the first sidekick... the Boy Wonder... Robin. This issue consisted of 10 stories focusing on the different iterations of Robin. While Carrie Kelley received a pinup in the issue, she did not receive her own story. Robin 80 focused on the five canon Robins. While some are upset that Duke was not included in this lineup, he was never an official Robin to Batman. If we count Duke, we have to count all of the "We Are Robin" crew. When given the choice by Batman, Duke chose to pave his own path as his own hero, which is commendable. Dick received 4 out of the 10 stories in this issue, which was fitting considering it is also his 80 year anniversay. My favorite thing about this issue was the acknowledgement that Bruce adopted the male Robins. Below I rank the stories in Robin 80 from my least favorite to my favorite.

10. Dick Grayson, Nightwing in Aftershocks

Writer: Chuck Dixon

Starting off my list is Aftershocks.  This story follows Dick after he has quit being Robin, and has assumed his new identity, Nightwing.  This story highlights perfectly how Dick operates as a solo hero.  He is brave, quick on his feet, witty, and of course, he saves the day.  This was a good one-shot but it didn’t have the impact that some of the other stories in this issue had.  However, it did serve it’s purpose of showing Dick coming into his own.

9. Nightwing and The Titans in Team Building

Writer: Devin Grayson

Like Aftershocks, this story serves to show how Dick operates as a team leader. He was smart, strategic, capable and decisive.  He was everything you want in a team lead.  As before, this was a good one-shot, but it also lacked the emotional impact that other stories on this list had. 

8. Dick Grayson, Agent 37 in The Lesson Plan

Writers: Tim Seely and Tom King

Like Aftershocks and Team Building, this story follows Dick as Agent 37.  In this story he is a mentor to a young recruit named Paris.  He gives her lessons throughout the story that contradict every lesson Batman ever taught him.  When he gets to the final lesson, he tells her the one thing that he agreed with Batman on “Ignore Your Mentor.  Do What You Do Best”.  One thing I really appreciate about the stories focusing on Dick is that each story is a progression in his vigilante career.  He has an actual arc in Robin 80.

7. The Supersons in My Best Friend

Writer: Peter J Tomasi

This was an adorable story about how Jon views his friendship with Damian.  Damian is a lot more vulnerable when he is with Jon, and honestly, he acts like the kid that he is.  This was a lighthearted and sweet story that shows a different side to our current Robin.

6. Tim Drake, Robin III in Extra Credit

Writer: Adam Beechen

This was a wonderful piece that highlighted how awesome Tim is.  For so many, Tim is their Robin, and it was nice to see him getting recognition in this comic. 

5. Stephanie Brown, Robin IV in Fitting In

Writer: Amy Wolfram

Out of all of the stories in this issue, Stephanie’s story made me think the most.  There was a very deep meaning behind this story once you get past the surface level.  So let’s breakdown this story.  The story begins with Stephanie showing up late to a training session.  She suits up in one of Tim’s old costumes.  Of course there are issues with this and Stephanie is busting out of the seams (not because she’s overweight but because she has breast, butt and thighs to contend with).  She complains about her hand-me-down costume while Bruce focuses on training.  Even with her top busted, Bruce is still training.  He even has the nerve to tell Stephanie she is distracted. Alfred shows up with Dick’s old costume as a replacement, and Steph asks for something “without a cup”.  Bruce FINALLY makes Stephanie a suit fit for a young lady, but when she puts on her new costume, Bruce tells her “no more excuses”.   Let that sink in.  He saw her complaints about wearing a male costume as an excuse not to train.  Let’s carry on.  They go to Western Town to take on Firefly.  The villain du jour does not take Stephanie seriously and calls her “Cosplay Girl”.  Stephanie is rash during the fight and does not follow Batman’s orders, resulting in her capture by Firefly.  She is able to avert disaster (barely) and saves the day, but Batman still chides her. 

Batman: “Tim would have waited outside”

Robin (Stephanie): “I’m not Tim!”

Batman: “I know”

Stephanie tells Bruce that she wants to be her own Robin and to stop trying to make her into something she’s not.  Bruce hears her and makes her a special closet in the batcave with her own costumes. This seems like a step in the right direction but we know how her Robin story ends.

At no point in this story did I feel like Stephanie was being sexualized.  it was more awkward and embarrassing than anything else. Neither Bruce nor Alfred said anything inappropriate to Steph, and no skin or nipples were shown thru her shirt.  She was just in a predicament where her costume was too tight because Bruce was making her wear Tim’s old costume.  And that was the point of the story (at least for me).  Bruce wasn’t trying to find a replacement Robin, he was trying to find a replacement Tim, and eventually get Tim back.

Bruce has a bad habit of trying to replace people in his life.  He did this with Jason and he did it with Stephanie, and the results where dang near the same.  Bruce replaced Dick with a direct copy, down to the hair color, race and costume.  Bruce was trying to do the same with Stephanie, however it was unsuccessful for obvious reasons.    This story really made me think about all the extra pressure Bruce put on Steph and Jason by trying to have them live up to Tim and Dick respectively.  Instead of playing up their strengths and letting them define what type of Robin they wanted to be, he wanted them to be replicas of their predecessors.    Both results turned out in disaster with Jason dying and Stephanie nearly being killed after she was fired. To me this story highlights how badly Bruce tried to use Stephanie to get to Tim.  It makes absolutely no sense that he wouldn’t make her a costume to fit her body.  But is it surprising b/c he did the same thing to Jason.  To me this story was a lot deeper than Stephanie busting out of her top.  It was about 1.  Bruce’s need to get Tim back 2.  Bruce’s lack of respect for Stephanie and 3.  Stephanie’s disastrous run as Robin.  Say what you will but she held the mantle for less than 3 months and almost died trying to prove herself to Bruce.  Stephanie never got a fair shake at being Robin, and this story highlights that perfectly.  She was literally setup to fail. Maybe I have overthought this story, but those are the points I got from it, and they are important points to be made, which is why it takes the # 5 spot.

4. Dick Grayson, Robin in A Little Nudge

Writer: Marv Wolfman

This is a story about a boy becoming a man and setting off on his own journey. In this story, we see Batman and Robin clashing on patrol, as Batman wants Robin to fall in line and Robin wants to make his own decisions. The issue ends with Dick thanking Bruce for everything he has done for him but leaving the nest to become his own hero. Bruce knew this day was coming, and instead of talking to Dick, he purposely picked small fights with him so he could make that step on his own.

3. Damian Wayne, Robin: Son of Batman in Bat and Mouse

Writer Robbie Thompson

This story lands in my #3 spot This story focuses on the fundamental differences between Damian and Bruce. Bruce knows that something is going on with Damian, he just can't figure out what it is. He wants to fix it but he doesn't know how. He can't rely on Alfred, as this story takes place after his death. On Damian's part, he is blaming everything on Bruce instead of taking responsibility for his own actions. While some see Damian's current storyline as a regression, I see a lost kid with no guidance. Alfred is dead, Dick is Ric and Bruce is emotionally inept. Jason tried to step-up, but that relationship soured quickly. Damian has no one to guide him, and is making bad decisions as a result. This story sets up the eventual showdown in the upcoming Teen Titans annual.

2. Jason Todd, Red Hood in More Time

Writer: Judd Winick

I was not expecting Jason to have the most heartfelt story in this issue. This story was beautiful and now I want Judd Winick to write another Red Hood miniseries or ongoing. This story highlighted the complicated relationship between Jason and Bruce in the most purest way I've ever seen. Even the artwork had an innocence to it. The story goes back and forth between a young Jason, who loves Bruce wholeheartedly, and an older Jason, whose relationship with Bruce is way more complicated and strained. This story highlights why Jason will always be a part of the Batfamily, because even with their complicated relationship, they love each other. This story just adds to the wonderful stories featuring Jason in 2020.

1. Tim Drake, Red Robin in Boy Wonders

Writer: James Tynion IV

The brotherly bonding in this story is what landed it in the # 1 spot. This story takes place prior to Detective Comics # 934. In this story, Tim cannot decide if he wants to attend college or join Bruce in forming the Gotham Knights. He seeks advice from Dick, Jason and Damian, with each one telling him something different. Dick tells Tim that he's a hero that the next generation can look up to. Jason essentially tells Tim that Bruce is stuck in his ways and he has the opportunity to be better than Bruce. The best advice however came from the little Gremlin in Tim's life. After some well placed insults, Damian tells Tim that he has accomplished everything he has set out to do, and has been successful in his endeavors. At the end of the day "You do anything you damn well please". The confirmations Tim received from his brothers was much needed for him and helped him make the decision to form the Gotham Knights with Bruce. I loved getting a "behind the scenes" look at how The Gotham Knights protocol was formed. Because of these factors, Boy Wonders has my #1 spot.

What is your favorite story from Robin 80?