#a folky tale

[saucedlx]

[fizzymilkcan]

Homestar Runner Screenshot Redraws!

(Original Images under the cut)

Source: Sbemail #130 - Do Over

Source: A Folky Tale

[scratchy829]

gacha animation test.

audio is from "A Folky Tale" by homestarrunnerdotcom on youtube

[vo-vehc-base-audiopropprop-t]

Ah, who doesn't remember Saddy Dumpington, and his iconic quote from A Folky Tale Car-Toon!

[manysmallhands]

Favourite Songs of 2024: 19 - 11

If you've read one of these already you know the drill, if you haven't then it's really not that complicated. Previous entries can be found here, here, here and here. Read on as we approach the ALL IMPORTANT TOP 10...

19. Doechii - Wait

While busily dusting herself down from the wreckage of Katy Perry’s ill fated 143, Doechii found time to make some fantastic music on her own this year. Wait is the kind of slinky neosoul jam that wouldn’t have sounded out of place on Doja Cat’s Scarlet album, combining smooth RnB vocals with tight rapping in a plaintive tale about holding things together. I’m a sucker for this kind of classic era hip hop throwback and Wait is as good as any yr likely to hear.

18. Lizzy McAlpine - I Guess

While she wasn’t able to build commercially on last year’s surprise hit Ceilings, Lizzy made huge artistic jumps in 2024, mastering the kind of wistful retro sound that informs I Guess and helps to make it such a great song. While she's largely remade herself as a 70s folkie, there’s something quite widescreen to the sound here in places that feels more of a piece with a modern production. But her pleading, soft toned voice remains her best attribute, telling a story of desperate dating where the payoff feels more resigned than triumphant.

17. Eminem - Houdini

There are things that absolutely make me wince about this song - Eminem’s current era may be high concept and character driven but it still has a strong “does this offend you yeah?” element to it that made me switch his album off inside 3 minutes. But ropey as some of its schtick undoubtably is, Houdini really is an absolute banger, full of gross out and extremely bad taste jokes of course but also living up to his claims of being a ‘lyrical technician’, as he recaptures the goofy cartoonish energy of his early material while exerting the kind of performance control that allows him to ramp up the comedy, drama or tension at the drop of a single word. 

16. Taylor Swift - The Tortured Poets Department

Taylor’s all conquering *counts on fingers* 11th album was fine but a little too predictable by my reckoning and ran out of steam a bit in the 2nd half (as many of her records are prone to do). But when it did catch fire there were still some terrific songs and the title track was amongst the best of them. It channeled her newly verbose lyricism into a warm, diaristic romance with one of her finest melodies, a song which sparkled and burned with a nostalgic twinkle, as well as the sense of a life being lived that felt a lot more enviable than on some of her other songs this year.

15. Sonny Fodera Ft Jazzy, DOD - Somedays

Chart dance bangers have changed very little in the last 30 years: take a pounding beat, flashes of house piano, some generically uplifting lyrics and you may well have a hit. And yet it’s still possible to make these elements go extremely hard and Sonny Fodera - building on last year’s similarly terrific Asking - is the latest producer to really nail the formula. Jazzy’s vocal has the right mix of pathos, hope and yearning, the tension builds and dissipates in all the right places, but the thing that makes me love this unconditionally are the absolutely pummelling drops that run into the chorus, which blow me away every time this comes up on the radio and have given me life on so many occasions this year.

14. Charli XCX ft Billie Eilish - Guess remix

Possibly the crowning moment of the year in pop was hearing this daft, sleazy club banger crash into the charts at #1, the peak of a glorious ascent which had been rising steadily since the spring. Reminiscent of the kind of forbidden sing-song that you might hear in a school playground, Charli and Bilie’s back and forth adds an extra dimension to the already colossal OG version, spiking it with enough “what if?!” energy to set the internet alight for weeks on end.

13. Tate McRae - 2 Hands

While my Tate fandom has now reached mildly embarrassing levels, late entrant 2 Hands confirmed to me why she's still worth it all. It’s another iteration of her charming ‘tough but cute’ act, with a chorus just as strong as that of 2023 megahit Greedy, but this time as part of a more substantial song that works better as a start to finish listen. The breaks have a loose rattle that drift twds hip hop territory but there’s a space age zip too that feels new for her, adding extra energy to the already punchy production. And yet possibly the most intriguing aspect of all this is the “not one, not three” line in the extended chorus, posing important questions about exactly how many hands Tate’s exes have had?!

12. Beyoncé - Ya Ya

Beyoncé’s project to rediscover country music’s hidden past took a detour with this ramble thru a bunch of fun 60s RnB tropes. Ya Ya ties together Good Vibrations, Genie In a Bottle and These Boots Are Made for Walking as a way of reuniting some lost heritage, in a banging hard times anthem which, crucially, is a catchy song that you’d actually want to listen to (not always a given on Cowboy Carter). One of the most kinetic, powerful and often downright silly records released all year: if only all of her album had channelled this kind of energy.

11. Camila Cabello Ft Lil Nas X - He Knows

2024 was a tough year for Camila and Nas: both iconic hitmakers of the late 10s who made long awaited comebacks, both of which fell flat on their asses. Camila did at least get her album out tho, the flawed but fascinating “C, XOXO”, and this was my favourite song from it: a glitchy, minimalist pop banger where the momentum of two terrific vocal performances pull everything along in their train, the better to show that there was always more to them than star power alone.

[autumnwhistles]

Audition Masterpost and Song Info (2/2)

Part 1

Right at the end of the week, here's Part 2 of the information I promised. This talks about the styles of various songs of the roles, again to give more information before the audition form comes out.

Note: there's a chart I made of voice types I imagine different characters to have under a cut below. Please read the notes above it before looking at it, though!

General info:

More major (ie Wither), serious, or Watcher-centric events will be in a similar style to the first song, Middle of Nowhere (which is already on Youtube). A lot of the other songs focusing on delving into the lives of players will be in a more folky style.

Excerpts of people's songs, when necessary, will be posted in the coming days!

The deadline for the first round of auditions is 00:00 UTC on the 20th November. People who are in contention for parts will be notified about further processes after this date.

Part-specific info:

The three main parts are Martyn, Scott and Grian, in this order. Information about styles of their songs is listed below:

Martyn – you can actually hear an excerpt of his first song here – he'll sing in a similar style for more than just this. In general I've been inspired by a lot of Oh Hellos music (eg Where Is Your Rider). When focusing on the Shadow Alliance and Watcher lore side of things though, songs will be more in the style of Middle of Nowhere. I can post an excerpt of another of his songs if necessary (In Spring We Met).

Scott – his songs are generally quite regal and collected – though it doesn't necessarily embody the second aspect of it, you may find that Honour Bound from the Death Note musical has quite a similar atmosphere. I will be posting some excerpts from his songs played on the piano (not necessarily in the key they'll be in).

Grian – I haven’t found a specific song for him, but his style and songs are VERY clear, sharp, and punctuated – definitely more on the modern musical theatre end of things. A lot of the later ones are more angry (slightly unhinged, though not nearly as much as Joel, ie When Will You Learn. The others are quite charismatic (ie telling tales because he Watches things, acting as a leading figure to the Southlands, trying to get people to gather wither skulls eyc). If necessary, I can send recordings of me improvising/trying to figure out some of his songs. I'll also be posting a wordless excerpt with live singing of some of his part in the third song, which he shares with Bdubs, to get across some of the stylistic differences I have for them right now. Note that Watcher!Grian is canon to this, as we're following Martyn's lore.

Throughout the musical, we'll be dwelling on the Southlands and the Shadow Alliance quite a lot, and as such the information in this paragraph applies to BigB, Lizzie, Ren, Impulse, Mumbo and Jimmy. The songs of the Shadow Alliance are quite similar in style to Middle of Nowhere, whereas a lot of the Southlands songs are more similar to (though not exactly the same as) the excerpt of the Martyn song I linked and posted. I will be posting a piano excerpt of 'A(ha)lliances' as well.

(Note that with Ren in particular, I imagine the atmosphere of a lot of his lines to be similar to that of Hellfire from the Hunchback of Notre Dame (though obviously... without the same message).)

Other roles with either solo parts or large roles in duets consist of Pearl, Tango, Bdubs, Scar, Joel, Jimmy and Cleo. Song information for these roles is below:

Pearl – livelier and more chaotic than Scott, but they share quite a few of their songs together. However, her solo – as well as letting her be more unhinged – is somewhat dance-like (she’s killing people on a dance floor after all — it's more modern as opposed to things like waltzing, but it isn’t 'dance music’). Again, I'll send excerpts of me working things out in that style if necessary.

Tango – very showman-like, quite jazzy (think the music of his intro). An excerpt of You Bet Your Life, his solo, has been made and will be posted shortly.

Bdubs – similar to Tango, an excerpt of his song will be posted – it's in a similar style but not as jazzy. I imagine him to be quite loud and vocally powerful.

Scar – I imagine his parts as having an atmosphere quite similar to Jack’s Lament from The Nightmare before Christmas – and to a lot of Jack's songs, actually.

Joel – VERY unhinged. Though I don't imagine the voices being too similar, I imagine the atmosphere of his parts being quite similar to The World Has Gone Insane from the 1994 concept version of Jekyll and Hyde the musical.

Jimmy – this isn't set in stone, but I imagine his song (about being worried about dying first again) being quite similar to the atmosphere of the first 35 seconds of Waiting In The Wings (Reprise) from Tangled: The Series

Cleo – their solo is Die For Me, so you can rewatch the scene to get the atmosphere (her episode 5 – not sure about the exact timestamp). Again, I'll try to send excerpts of me working out things in that style, but note that I don’t have it pinned down as much the others.

Voice chart

Notes about the chart before you see it:

THIS IS NOT SET IN STONE. This is what the characters sound like in my head right now, with no reference points. Though it may stay like this, it can and probably will change based on who I hear – this has already happened with one character! So don't be afraid

Range-wise – I did put higher and lower there. HOWEVER, I can adjust the range as needed for each part. This is more to do with your voice sounding deeper or higher as opposed to actually being lower or higher – I can demonstrate this in a recording if necessary.

These are rough placements! Even if things do stay like this, there's a range of values each voice could be placed at – imagine a wide circle around every name.

In general, remember that though I have some ideas, I have not written most of it – I'm continuously working on it. There's always a possibility that things will change (although if you get a part

[barbwritesstuff]

do you have any plans for more if's?

Yes.

I'm going to release my visual novel, A Fairy Tale, later this year when all the sprites are done. This game is my first ever visual novel and will be free. The artist I've commissioned to do the sprites is doing an AMAZING job and I can't wait to show everyone the final version.

I'm also very close to finishing Something A Little Super, which is a parenting simulator about raising a super powered kid. It's very folky and homey and a wee bit bittersweet.

It looks like this when you play it:

I haven't decided on a final price for this one, but because the script is much longer and much more involved than A Fairy Tale, I don't think it will be free. Probably no where near as pricey as Blood Moon though so... maybe $2?

Links to demo versions of both these games are on my KoFi page.

However, I know a lot of people would prefer me to be working on a certain vampire choicescript game. Don't worry, I haven't forgotten about that, I'm just waiting to see Blood Moon's numbers... and then I'll know whether or not I can go ahead with Thicker Than as a project.

I also have an outline for a dark mermaid game which would be epic... but I'm not sure how or when I will be able to write that.

I hope people check out A Fairy Tale and Something a Little Super when they come out. Neither are very long, but I'm really proud of what I've been able to make.

[goldenfreddys]

re: the happiest day by fuckbunny massacre tracklist

I do have vague ideas for what every song would center around.

Moment of Silence is literally a whole minute of silence recorded before the band started up in the studio. If you crank the volume, you can hear breathing and shuffling around in the static, but that's pretty much it.

The Happiest Day! Title track. Classic upbeat ska melody with dark lyrics detailing the lead up to the Crying Child's fatal accident.

It Was an Accident, I Swear is one centering around Gene's personal regrets with some really gut punching lines about how his friends aren't bad kids, but they all got carried away and have to live with that for the rest of their lives. Catchy as fuck unfortunately

In Absentia is kinda centered around the MCI and how their families went about grieving their children after they were presumed dead. How the Sullivans never stop hoping they'll come home safe and sound and Gabriel's family have a funeral, how Cassidy's parents add her photo and a couple belongings to their household altar. How they cope with the uncertainty and fear around that.

Lucky Number Five is a short, spoken monologue:

There were five children at that particular table, on the fateful day in the summer of 1994. Cassidy Zhang, the birthday girl. Susie and Fritz Sullivan, the two youngest in attendance. Gabriel Carter-Reed, best known for his sunny smile and protective attitude towards his two younger sisters. The police never disclosed the identity of the fifth child, or if there was a fifth child at all. One thing is certain: there were five children at the table, and exactly one survived.

Blood in the Wiring is about the rumours of blood and mucus from the animatronics.

Urban Legend is another detailing several tales and theories about the incident that were passed around locker rooms and playgrounds.

In Absentia (Reprise) is an additional verse to the first iteration, slower and a bit more solemn. Vaguely describes Michael and Clara's state of mind after Elizabeth disappeared.

Survival of the Shittest swings right back into the funky ska bassline, though the song runs a bit more on the rough and folky side—

It's a dog eat dog eat dingo eat baby

World out here

It's pond water through a sieve and this

City where we live is what's left behind

God has all his angels in a lovely little line

And as for us, we're making rows by the sink with empty bottles of wine

But it's fine, that's just the way it goes

The human race ain't finished

It's survival of the shittest, all the time

Overture is an instrumental outro medley.

and that's the happiest day. woooo

[lifeina-glasshouse]

ROUND 1 MATCH 2

[mikewdriver]

Here's an artwork I worked on for Creative spark, for their annual charity exhibition, ‘The Little Print Shop of Horrors’, this year Creative Spark, have teamed up with Humans MCR to raise money to fight against food poverty in Manchester. As part of the project I was invited by Creative spark, to make an artwork based on a Horror Film.

When thinking about the artwork I wanted to make, I naturally gravitated towards something slightly more folky, there’s a number of A24 films I sat and watched before deciding to make an artwork inspired by 'The Lighthouse'. The movie tells the tale of two men stranded in a lighthouse in the middle of a storm and their slow demise as supplies and their sanity diminish. During the prep for the artwork I was looking at a lot of Gustave Doré’s etching plates, I wanted to make something that felt as emotive as those etchings whilst maintaining a degree of flatness.

In homage to the movie, which is shot in black and white, I thought I would try working with a monochromatic colour palette, which was a fun challenge!

You can pick up a copy of the artwork here...

[thislovintime]

(Photo 1) Peter Tork onstage at Carnegie Hall with Peter LaFarge, 1960s (photo by Bob Campbell); (photo 2) by Henry Diltz.

More about that gig with LaFarge here.

"I did some work accompanying Steve Stills when he was with Ron Long and the Buffalo Fish. I accompanied this black trio called the [Apollas], on the stand-up string bass." - Peter Tork, Goldmine, 1982

* * *

“[I] worked in a nightclub called The Shadow. And I think it was late June [1964] that the Phoenix Singers came through, and Peter was in the band, he was the banjo player in — behind the group… And he and I hit it off, and that Monday night, we did an impromptu show together, we just played a couple of tunes, you know, and had a good time, and stayed friends. And then when I opened a club in 1965, there was no place to play in the winter in that area — Virginia Beach, Norfolk… So I opened a club on my own with two friends, we called it The Folk Ghetto, and I contacted Peter in New York City and said, ‘I wanna hire you to come down here for a week and be the headlining act.’ Which he did. […] He was, he was fantastic. He was so good. It was wonderful." - James Lee Stanley, Tales of the Road Warriors, 2019 (x)

* * *

“Many people don’t know that Peter has a really rich baritone — had a voice like, it was like a cello, really rich and resonant, you know, and fun to listen to.” - James Lee Stanley, The Monkees Pad Show no. 11

* * *

“[E]ventually he had an offer to join the Phoenix Singers, who were short of a guy to play banjo AND guitar. And if you still have any doubts about whether he really does play, and play well, then the thing to do is ask the management behind the Phoenix Singers. Even without the Monkees, there is little doubt that the amiable Peter would have made the grade in the music business.” - Record Mirror, February 25, 1967

* * *

“[Peter’s] really a genius, a prolific musician — he plays about seven instruments.” - Micky Dolenz, Record Mirror, February 11, 1967

* * *

“Peter Tork has to be one of the best guitarists around — he can cut anybody on guitar. He plays about 10 instruments — banjo, uke, the lot.” - Davy Jones, The Ottawa Journal, January 20, 1967

* * *

“Peter was a much more skillful player than I was by some orders of magnitude.” - Michael Nesmith, The Monkees Tale (1985)

* * *

“[In the early 1980s, in NYC] I remember we went down to the China Club, and I took Peter down there, and… and I felt that a lot of the musicians, you know, disrespected him. He didn’t play, but I introduced him, ‘This is my pal, Peter,’ and they were kind of, like, blowing him off a little bit, and I remember seeing, you know, that pained look in his face as these guys were being rude — or condescending; not so much rude, it’s just condescending, like, ‘Oh, you were the Monkee, pfff,’ you know. And… and I know it troubled him. [Once the resurgence and 20th anniversary tour came around] that’s when Peter started — when they started giving him, you know, some regard.” - James Lee Stanley, The Monkees Pad Show no. 11

* * *

Q: "Most people know you from The Monkees but you were a well-respected musician before that."

Peter Tork. "You'll have to ask everyone else about the kind of respect I generated. I am a trained musician, somewhat trained. I took piano for six years and French horn. I took music theory for about three years. I learned to play the bass and the five-string banjo while I was learning a few other instruments here and there. So, I have some skills and some abilities. I'm pleased with what I got [...]. I wish I had more. But back then I was a folkie. Whatever I was, it seemed to be just the thing for The Monkees." - Daytona News Journal, October 8, 2009

[digitalclownery]

𝐓𝐀𝐆 𝐍𝐈𝐍𝐄 𝐏𝐄𝐎𝐏𝐋𝐄 𝐘𝐎𝐔'𝐃 𝐋𝐈𝐊𝐄 𝐓𝐎 𝐊𝐍𝐎𝐖 𝐁𝐄𝐓𝐓𝐄𝐑!

𝐅𝐀𝐕𝐎𝐑𝐈𝐓𝐄 𝐂𝐎𝐋𝐎𝐑(𝐒): Orange. Seconday favs: Blue, Green, Black. I also enjoy neons/very saturated hues when making art.

𝐅𝐀𝐕𝐎𝐑𝐈𝐓𝐄 𝐅𝐋𝐀𝐕𝐎𝐑(𝐒): Fruits. Tang. I'm that person who picks rainbow sherbet for ice cream.

𝐅𝐀𝐕𝐎𝐑𝐈𝐓𝐄 𝐌𝐔𝐒𝐈𝐂: Insert standard "I listen to such a huge variety of music" statement here. But stand outs are techno/techno remixes of music and folky stuff

𝐅𝐀𝐕𝐎𝐑𝐈𝐓𝐄 𝐌𝐎𝐕𝐈𝐄(𝐒): Nightmare Before Christmas, Mirror Mask, Spirited Away, The Cat Returns, Addams Family (the 2 1990s movies), and etc.

𝐅𝐀𝐕𝐎𝐑𝐈𝐓𝐄 𝐒𝐄𝐑𝐈𝐄𝐒: Courage the Cowardly Dog, Grim Adventures of Billy and Mandy, Are you Afraid of the Dark, Twilight Zone, Tales from the Dark Side, Good Omens, Great British Bake Off, Chopped to name a few.

𝐋𝐀𝐒𝐓 𝐒𝐎𝐍𝐆:

𝐋𝐀𝐒𝐓 𝐒𝐄𝐑𝐈𝐄𝐒: One Piece

𝐋𝐀𝐒𝐓 𝐌𝐎𝐕𝐈𝐄: One Piece Movie: Gold

𝐂𝐔𝐑𝐑𝐄𝐍𝐓𝐋𝐘 𝐑𝐄𝐀𝐃𝐈𝐍𝐆: Far too many books

𝐂𝐔𝐑𝐑𝐄𝐍𝐓𝐋𝐘 𝐖𝐀𝐓𝐂𝐇𝐈𝐍𝐆: One Piece

𝐂𝐔𝐑𝐑𝐄𝐍𝐓𝐋𝐘 𝐖𝐎𝐑𝐊𝐈𝐍𝐆 𝐎𝐍: Silly things.

tagged by @deepspacevivarium

tagging: @stories-of-the-multiverse @highclassmulticast and anyone else who wants to do this!

[immediatexmurderxprofessionals]

𝐓𝐀𝐆 𝐍𝐈𝐍𝐄 𝐏𝐄𝐎𝐏𝐋𝐄 𝐘𝐎𝐔'𝐃 𝐋𝐈𝐊𝐄 𝐓𝐎 𝐊𝐍𝐎𝐖 𝐁𝐄𝐓𝐓𝐄𝐑!

𝐅𝐀𝐕𝐎𝐑𝐈𝐓𝐄 𝐂𝐎𝐋𝐎𝐑(𝐒): Orange. Seconday favs: Blue, Green, Black. I also enjoy neons/very saturated hues when making art.

𝐅𝐀𝐕𝐎𝐑𝐈𝐓𝐄 𝐅𝐋𝐀𝐕𝐎𝐑(𝐒): Fruits. Tang. I'm that person who picks rainbow sherbet for ice cream.

𝐅𝐀𝐕𝐎𝐑𝐈𝐓𝐄 𝐌𝐔𝐒𝐈𝐂: Insert standard "I listen to such a huge variety of music" statement here. But stand outs are techno/techno remixes of music and folky stuff

𝐅𝐀𝐕𝐎𝐑𝐈𝐓𝐄 𝐌𝐎𝐕𝐈𝐄(𝐒): Nightmare Before Christmas, Mirror Mask, Spirited Away, The Cat Returns, Addams Family (the 2 1990s movies), and etc.

𝐅𝐀𝐕𝐎𝐑𝐈𝐓𝐄 𝐒𝐄𝐑𝐈𝐄𝐒: Courage the Cowardly Dog, Grim Adventures of Billy and Mandy, Are you Afraid of the Dark, Twilight Zone, Tales from the Dark Side, Good Omens, Great British Bake Off, Chopped to name a few.

𝐋𝐀𝐒𝐓 𝐒𝐎𝐍𝐆:

𝐋𝐀𝐒𝐓 𝐒𝐄𝐑𝐈𝐄𝐒: One Piece

𝐋𝐀𝐒𝐓 𝐌𝐎𝐕𝐈𝐄: One Piece Movie: Gold

𝐂𝐔𝐑𝐑𝐄𝐍𝐓𝐋𝐘 𝐑𝐄𝐀𝐃𝐈𝐍𝐆: Far too many books

𝐂𝐔𝐑𝐑𝐄𝐍𝐓𝐋𝐘 𝐖𝐀𝐓𝐂𝐇𝐈𝐍𝐆: One Piece

𝐂𝐔𝐑𝐑𝐄𝐍𝐓𝐋𝐘 𝐖𝐎𝐑𝐊𝐈𝐍𝐆 𝐎𝐍: Silly things.

Tagged by both @e-m-p-error and @raven-hellish-imp on this so thanks! lmfaoooo

Tagging: No one. Anyone interested do it!!

[heartsinthebasement]

A new-to-me Paul song. Which is not that difficult but this is one that I likely would never have stumbled across as it's not on any album. It was someone's hidden gem in a recent ep of One Sweet Dream, which is how I found it.

Nostalgic, folky, quite solemn and melancholy, an extended cry/howl mid-song and some intriguing references. Also he mentions a dog, Prince?

Walking with the boys of Dungeon Lane

Aimlessly towards the cast iron shore

Swapping tales about the Chinese farm

And getting caught

[toozmanykids]

First off, Tumble Down is the best name ever for a little town! Although Hammer Ford is a kickass name too. These are the little details such as the name, and your descriptions of the towns themselves, that make me squeal and get giddy. Like Knockemstiff, by Donald Ray Pollock.

OH MY GOD! I had no idea that Knockemstiff was a real place! I was just looking up Pollock's name.

"Ms. Medert said it quoted a resident saying that the origins dated far back, perhaps 100 years, to an episode in which a traveling preacher came across two women fighting over a man. The preacher said that he doubted the man was worth the trouble and that someone should “knock him stiff.” But variations on that story exist, as do ones that say the name is associated with moonshine and bar fights."

What’s in a Name? Ask Knockemstiff, August 5, 2008 by Steven Rosen, New York Times

Okay, I realize I've gotten a bit off track here (no surprise, I know) but:

For any of you who may have never been to the states or specifically the Midwest:

I grew up in Northern Indiana. Spent eight years down in Southern Indiana for university and then just hung around.

God, it's beautiful down there!

Just like Southern Ohio, Southern Indiana is all hills and caves until the Ohio River Valley that acts as the southern border between Ohio/Indiana and Kentucky. My parents lived in Central Ohio for a good 20 years. Central Indiana/Central Ohio and up are all flat still until the glaciers stopped. Except the further east you go in Ohio it starts getting closer to the mountains. In the Central and Northern parts of the states, chain lakes everywhere, amidst the cornfields. And of course the northern boundaries are the Great Lakes themselves.

Now I realize that Tumble Down and Hammer Ford are not necessarily in the Midwest—they could be small podunk towns anywhere. But the Midwest is full of little podunk towns. And these towns and people you describe, @darkficsyouneveraskedfor are so real and easy to relate to. So real!

And here's a great very folky sounding song by Pokey Lafarge called Central Time, to help everyone get in the mood for some more tales from Tumble Down or Hammer Ford maybe?

And a little factoid for ya.... Indiana is confusing as hell when it comes to time zones. The state was on standard time, with only a few counties on Eastern Time and a few on Central. The Standard Time counties never sprang forward or fell back. Now I think it's even more confusing because they are changing things between Daylight Savings versus the Sunshine Protection Act?????

ACTUALLY, Roo, several universities in the Midwest are university towns, where the university is the main 'industry' of the town. So it's the university people versus the "townies". And a lot of the students will never set foot off campus. There can be quite an attitude of 'Us versus Them', depending who you're talking to.

Going to school in a college town is a very different experience from attending university in a big city.

Oh wow. I really took this in several different directions this morning, didn't I? And to think I opened Tumblr to look for any Bad Bosses AU chapters that I might have missed. LOL

By the way, I wanted to mention the motorcycles hitting the gravel and dirt parking lot of the diner — that detail is GOLDEN!! I can hear that so vividly in my head!!! WOW! Love it! That alone paints such a detailed picture.

Roo, ALL of your AUs hold very permanent places in my heart and mind. Thank you again and again for sharing with us all these stories. Your writing truly enriches our lives. (And the dark violent smut is a fun bonus too. 😁)

I came to Tumblr for the smut, and stayed for the talent.

Down Home 1

No tag lists. Do not send asks or DMs about updates. Review my pinned post for guidelines, masterlist, etc.

Warnings: this fic will include dark content such as non/dubcon, and possible untagged elements. My warnings are not exhaustive, enter at your own risk.

This is a dark!fic and explicit. 18+ only. Your media consumption is your own responsibility. Warnings have been given. DO NOT PROCEED if these matters upset you.

Summary: The world's most famous heroes walk into a small town diner and change your life.

Characters: Bucky Barnes, Steve Rogers

Note: Because of this.

As per usual, I humbly request your thoughts! Reblogs are always appreciated and welcomed, not only do I see them easier but it lets other people see my work. Thanks to everyone who reads this one and thank you for all your energy.<3

Love you all to Jupiter and back. Take care. 💖

It’s a slow day. Every day is slow out in Tumble Down. The township’s name tells the whole story. Everything there is in decline. It’s hard to imagine there was ever a time when the people weren’t tiny and forgotten in the hubbub of the bigger world. Since the mines closed and the canning factory was outsourced, it feels even smaller. 

Smaller isn’t so bad. It’s simpler. You all know each other’s names and faces. You say hi and how are you and do what needs to be done. Simple is, simple as. 

You here there isn’t much to do in most small towns. Not for fun or for work. You’re one of the lucky ones. You got a job down at the diner in your sophomore year. It helped pay for your daddy’s new engine and since then, it keeps you all afloat in the rising waters of disparity as they close in on Tumble Down. 

You hum to the old radio that sits on the shelf you make sure to dust. The speakers crackle from time to time and the signal gets wonky in storm season, but the music’s never bad. It’s the classic stuff that always played in your mother’s kitchen. 

You wipe down another table. Not because it needs it, just because it’s something to do. The day has been long and listless. Even the breakfast rush was lower than usual. 

Darnell, the cook, whistles along from the back. Everyone knows he isn’t as mean as he looks. He just likes his space. 

As you go back to the counter and lean on it, staring at the ticking clock, a roar cuts through the distance. You blink and look up, narrowing your eyes at the dusty country road outside. Wind rustles through the tall wheat in the field opposite and the noise rumbles closer and closer. 

A man pulls in a motorbike. He’s going so fast that he has to circle the gravel lot before he can slow down. It’s not Lenny and his prized Harley but another man on a more modern-looking mount. Not far behind, another motorcycle zips through and the riders straddle their bikes as the survey the restaurant. 

You narrow your eyes. You probably need glasses but you make do. The last time you got your eyes checked, you didn’t have enough for the frames. 

The one man wears blue and red, an odd helmet on his head. Not a helmet at all but a sort of mask. The other man has dark hair to his chin and a beard to match. He’s all in black but his left arm shines with gold ripples. Not a sleeve, an arm, made of metal. 

“Oh my lord,” you murmur in shock, “Darnell!” You holler over your shoulder, “you’re not gonna believe this.” You turn to the window as he pokes his head around, “not sure I do myself. Tell me my eyes aren’t lyin’.” 

He looks above your head, an easy task for the mammoth cook. He hums and swirls around his spatula. “Thems those boys on the news. The one that was in the old war. Grandad’s battle.” 

“I’m not going crazy with boredom?” You bubble. 

He snorts. It’s as close to a laugh as you get from him. You spin back and hurry around the counter to grab a pair of menus. Still, you don’t want to seem too eager. You put down the menus and fiddle with a napkin holder instead. 

The bell over the door jingles and swipe up the menus and turn. You really can’t believe it’s them. Yet, as Captain America removes his cowl, you’re certain. They look just like they do on the TV. Even with your sight, you can tell. 

“Hello, fellas, how are you doin’ today?” 

The dark-haired one, the Winter Soldier, glances at the other, his cheek dimpling, “well... we’re... uh...” 

“We’re doing great,” Steve Rogers answers brightly. “Starving. You guys serve bacon? My buddy’s dying for some.” 

“Um, yes, sirs, yes. Can I sit ya down?” You ask, hugging the menus closer. 

“Please,” the Captain accepts as the other man stays silent and pensive, his eyes wandering down to the coffee stain on your apron. 

“Just here,” you sweep away and wave them on with you. You stop beside the nicest booth and lay down a menu on each side, “have a seat.” 

They do just as you bid. The blond puts his cowl on the table and unhooks the shield from his back to lay on the far end of the seat. He smooths back the sweaty strands of hair as his companion stretches his metal fingers. You sway nervously by the table, twitching as you remind yourself how to do your job. 

“Well, can I get ya started with coffee? You look beat from the road.” You beam with the smile Mr. Welk says could outshine the sun. 

“Not just the road,” the dark-haired one mutters as he rolls his shoulder. The one that connects to his real arm. “I’ll take one, please.” 

“Can I get an orange juice, please,” the Captain asks. 

“Course ya can. I’ll be right back. You have a look at the specials and give it a think,” you bounce and spin around. 

You go to pour the orange juice and a cup of black coffee. Darnell lingers by the window. He only ever really appears to put a plate up but he watches the new arrivals. 

You bring their drinks and step back, clasping your hands behind you. 

“Did ya need cream or sugar for your coffee, sir?” You ask. 

“Black’s fine,” he assures. 

“No need for the sirs. Steve, Bucky,” Captain America insists, “we’re off duty.” 

“Right, sorry about that, ssss...Steve,” you correct yourself. “You need some more time?” 

“Think I’m decided,” Bucky intones, “what about you?” 

“Set,” Steve confirms, “I’ll have the sunny side up with toast and sausage. Can I get some fruit on the side as well, please?” 

He hands over the menu and you take it as you hold your smile. Your cheeks ache. Not because you have to force it but because you can’t stop. This is the most exciting thing to happen in Tumble Down ever. If Darnell wasn’t there, no one would believe you. 

“Overeasy, bacon, extra bacon too, and some french toast, and uh... home fries.” Bucky offers up the second menu, “please and thank you.” 

“Alrighty,” you preen, “I’ll put your order in.” 

“Got it,” Darnell growls over the empty diner. 

“He’s got good hearing,” you giggle nervously as you look between the men. “Ummmm, sorry, I’ll leave ya be.” 

“You’re not bothering,” Steve assures. “I can see you’re dying to ask.” 

He gives a gentle smile. 

“Nah, oh, gosh. I’m sure ya get it all the time. I don’t wanna be one of those,” you put your hands up. “Really, you all look like you could use the peace and quiet.” 

“Well, actually, I’ve been stuck with this meathead for days,” Bucky scoffs, “so please, I’d love to hear someone else’s voice.” 

You laugh again. They’re funnier than you expect. They always look so serious on the TV. 

“What... what are y’all doing here in Tumble Down? It’s a bit far from... anywhere.” You ask sheepishly. 

“Tumble Down? Is that what it’s called?” Steve scratches his neck above his stained collar. “Well, we couldn’t get a signal so we’ve just been riding through. Saw the sign down the way and figured we’d get a bite.” 

“He’s lying. He was falling asleep on his bike,” Bucky teases. 

“Sure,” Steve shakes his head. “Only ‘cause I’m tired of you.” 

You giggle again, “I thought y’all were friends.” 

“Friends, partners, cursed with each other, have your pick,” Bucky snorts. 

“He’s playing,” Steve says. “Look, we’re boring. Despite what you think. We’re a couple of old men bickering with each other. What about you? What about Tumble Down?” 

“Ah, nothing really, sir. Steve,” you squeeze the menus tight at the edges. “Nothing going on since the coal law and that. Everyone’s all but run out. All but us.” 

“Just you? Your family?” Steve wonders. 

“Jesus, Steve, nosy much?” Bucky says over the brim of his mug. 

“Sorry. He’s right. Like I said. Crotchety old man. I talk to the pigeons.” 

You laugh again, “oh my, you are a hoot!” You slap your thigh emphatically, “I’m still my ma and pa. It’s just the three of us. They need help with the animals and that.” 

“Animals?” Steve wonders, his posture shifting towards you. 

“Chickens, cows. They got a farm. Was my grandpa’s. And his ma kept it going after he didn’t come home from... well, you’d know more about that time than me, I think.” You give a forlorn look to the floor. 

“Oh, I’m so sorry about your grandfather. Great grandfather,” he corrects himself. 

“Lotta good men gone,” Bucky mulls grimly. 

“Yeah, my great granny said as much. I wouldn’t know though, but I heard the stories,” you dare to look at them again. “Sorry to bring up the bad memories.” 

“Nah,” Bucky waves you off casually. “I got this nifty arm outta it.” 

“And I got a shield so, you know, not all losses,” Steve chuckles. 

“I s’pose,” you agree. “I’m gonna check on that food for ya. You good with your coffee?” 

Bucky raises the mug, “delicious.” 

You nod and turn with a swish of your skirt. You go up to the window and look over the ledge. “How’s it going, Darnell?” 

“Going. I’m happy it ain’t Raylene here. She’s got a mouth on her, don’t she? Them sort don’t deserve that trouble,” he tisks. 

“They’re nice. And Raylene is too. She’s just... Raylene,” you say, “can I help with anything?” 

“I don’t wanna be rude but I’m tired of tellin’ ya to stay outta my kitchen. You know the grill likes to spit,” he shakes his head. “You go, I’ll let ya know when it’s ready.” 

“Alright,” you back away and turn back. 

Steve and Bucky lean over the table, their voices low as they chat. As you move around behind the counter, they both sit up and the former clears his throat. You smile as you take the cloth from your apron pocket and wipe the already clean counter. 

As the radio buzzes, you hum without thinking. Stevie Ray Vaughan’s smoky voice mingles with the emotion plucked through electric strings. Your dad’s a big fan. He has old tapes with concerts on them and even went to one himself. 

The bell rings and you nearly jump out of your shoes. You turn and scoop up the plates as you thank Darnell. He grumbles that he’s going out to have a smoke; his code for having a Tootsie Pop by the backdoor. 

You bring the meals over to the table and set them down before the men. Their gazes make you sweat. It’s all a little more intense with no one else there. 

“Thank you,” Steve says and Bucky echoes him. 

“Not at all. Anything else? Water? Ketchup?” 

“It all looks great as is,” Steve says, “you got a nice voice.” 

“Oh, really? Ha, I was just humming out of tune. Sorry if I was too loud.” 

“Not at all,” Bucky picks up his fork as he leans forward. He tilts his head. “You know this one?” 

“Sure do. It’s Fleetwood Mac,” you answer. “One my all times.” 

He grins and nods as he looks at Steve. Steve watches you with a smile of his own. 

“Do you sing?” He asks. 

“Me? Only in my shower or to the chickens. They usually hide in the henhouse then.” You tinkle with laughter. 

“Ah,” Steve nods. 

“But if... if ya really wanna suffer, I could try it,” you smile, “but uh, you know, Stevie Nicks, she’s one of a kind.” 

“I’ve had worse,” Steve says. 

You look between him and Bucky. You chew your lip and think. You follow the song as you try to recognise which verse it is. You squint and perk up as you catch your place. 

“You just let me know when you’ve had enough,” you say before you start. Not only can you tell your pa that you met the super soldiers, you can tell him you sang for them. It’ll be a nice bit of excitement for the dinner table. 

[manysmallhands]

My Favourite Songs of 2023 part 1: 40 - 31

The route to this post has not been the smoothest. I've been working on this list since the end of November but I got Covid a few weeks ago and so writing became impossible for a while. Given the amount of time that's passed between then and now, it's become clear to me that some of my choices would be different if i did them over again. However, I am sticking to my original version of the list, a few ups and downs notwithstanding. This is because of one reason and one reason only: I am lazy and I don't want to do it again. My apologies to Troye Sivan and Baby Queen, who i'd probably have found places for amongst others. I can only imagine the streams these artists will lose by not being covered in my blog posts and I hope they can find it in their hearts to forgive me.

However! Every song here is still a banger and, even if I think there might be one or two that are better, surely that only adds to the fun of speculation: Which could it be? Which ones would I have left out? Don't imagine it's definitely the songs with the lowest numbers: my method of ranking is fairly haphazard and I might go so far as to say that these numbers are a load of old bollocks. Still, I've enjoyed myself writing this and, given the infinitesimal number of people who will read it, that is surely the thing that counts. I'm posting the songs in rounds of ten cos that's all that Tumblr will let me embed at a time. Let's go!

40. Girl Ray - Everybody’s Saying That

Girl Ray’s disco turn has in all truth been a bit ropey but Everybody’s Saying That is the best exception, all Nile Rogers shimmer and effortless Studio 54 cool. Poppy Hankin chimes in with the self confidence of the misfit (“Everybody’s saying that you could’ve done better but I really wanna end up with you!”), striking out with winningly frank charm against a backdrop of glittery nightlife

39. En Attendant Ana - Fools And Kings

En Attendant Ana’s third LP was a surprise critical hit but it was the more delicate songs which really stood out for me. Fools And Kings in particular ditches the jangly mathrock approach for a gentler, almost old style RnB feel, as Margaux moves to a more human level lyrically. I don’t think there’s another moment across the album nearly as touching as when she sings “Are you OK y’know?”, a question that we'd all benefit by hearing from time to time.

38. Cassö, RAYE, D-Block Europe - Prada

This thumping remix of DBE and RAYE’s Ferrari Horses takes the original understated vocal performances and hammers at them with a full range of doofs, bleeps, icy synths and the general sense of being in the middle of a cocaine heart attack. The result was wedged in the top 3 for weeks this autumn and, while doomed never to top the charts, it still feels as bracing as the first time I heard it.

37. Maple Glider - Dinah

Maple Glider is one of the new breed of folky singer songwriters but Dinah in particular has the same light as air charm as the sweetest kind of indiepop. Lyrically though, the song tells a much darker story, a tale of sexual abuse in the church where the ingenuousness in her voice underlines the deeply uncomfortable places that it goes. There's an obvious sense of queasiness in that contrast but Dinah's tuneful charm manages to hold it all together.

36. Dimension - DJ Turn It Up

I’ve spent a lot of the last 6 months listening to Radio 1 and this sort of 90s style rave banger is the kind of thing they play a lot. DJ Turn It Up has stuck with me more than most though: maybe that's cos it was the one of the first that I heard, or possibly because of the way the vocal is used as a kind of rhythm track rather than the focal point, relying on the song's musical hooks and twitchy energy to wind up the listener. Whatever it is, DJ Turn It Up slaps: do as the lady says.

35. Talib Kweli/Madlib - Marathon Thru Babylon

Following on from last year’s excellent Black Star reunion (also produced by Madlib), Kweli’s solo project was just as good, with Marathon Thru Babylon providing one of the highlights. Madlib’s signature of grainy old soul samples and booming beats underpins Talib and Mechell Ndegeocello as they trade verses on the nature of time and its malcontents and throw in some conspiracy theory for good measure too. Mechell’s wake up sheeple ending may prompt me to crack a smile but in truth it all just adds to the song’s murky charm.

34. Charli XCX - Speed Drive

One could make the case that Speed Drive has been phoned in a bit - trashy lyrics, yet another interpolation - but every time Charli says “HOT!” it probably makes me happier than I’ve been during any other song this year. The general impression I get from Speed Drive is that, not only would Charli and Barbie be fantastic pals, but also that I will cheerfully listen to any old bollocks that she puts out these days.

33. Free Love - Open The Door

The Glasgow duo probably have fewer listeners than anyone in this list but they sounded like the band who were enjoying themselves the most in 2023. While their Insides album was a more eclectic mix overall, Open the Door sticks close to a Jean Michel Jarre-like template of the future, all laser shots and weird analogue FX, while Suzi Cook’s smartly accented vocals managed to keep an indie vibe within its razor sharp pop hooks.

32. Miley Cyrus - Used To Be Young

Miley doing this kind of “looking back at my misspent youth” song aged 30 feels enjoyably transgressive in its own right but Used To Be Young is so much more than just its brilliant concept. A melodramatic power ballad with some fine turns of phrase, Miley stick two fingers up at the finger waggers and nails some genuinely colossal moments (her yelling of the title at 2.37 must surely become a karaoke staple) as the idea of Miley as ageing rock legend comes off as a surprisingly viable concept. 

31. Lana Del Rey - The Grants

There’s a gospel feel to the opener on Lana’s excellent Did You Know There’s a Tunnel Under Ocean Boulevard album, switching between a gloomy tone and something more redemptive as she contemplates reaching across the great divide. The effect is as uplifting as anything she's ever done, capturing that classic Lana space between the heartfelt and theatrical to create a secret third emotion that intensifies the whole idea. It’s another variation on her standard trick but what can I say, I remain easily pleased.

More tomorrow, if i get my act together.