#a first book of fairy tales
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thatwritererinoriordan · 1 year ago
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iphigeniacomplex · 1 year ago
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it’s very easy to tell the good satires and pastiches from the bad ones because the bad ones are too afraid to live within the form. like if you are doing work with fairy tales and you are refusing to look closer at the underlying logic and unspoken rules of what can seem at first to be a senseless form, you are not going to create meaningful work. to borrow a turn of phrase originally used by maria tatar, if you refuse to enter “the house of fairy tale” as anything more than a gawking tourist, you will miss the particular order to the way the table is set, the rooms that are locked vs the rooms that are simply difficult to enter, the set of the floorboards and the position of the furniture. whatever you build will then be a gilded imitation of how you believe the house of fairy tale ought to look, the table set according to your educated specifications and every door open. there can be no interrogation of themes from a writer who views the form as beneath them!
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magpie-trove · 24 days ago
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Actually I don’t think you are actually fr an adult author if you can’t write something without a s*x scene in it
#<-trying to avoid our ancient enemy the evil bots#but literally. i will pick a book off the general fiction side and every time completely unnecessarily there will be such a scene where it#has no business being for the story#I’m about ready to fight over this#there’s been exactly one book out of the dozen or so I’ve done from that side that did not have it and it was Patron Saint of Second Chance#by Christine Simon#and I don’t think Road to Roswell my belovedest did either#but listen I think it’s a sign that something in society is fundamentally broken when I can pick too random books#and one is a cozy bookstore romance thing#and one is a weird travel fantasy that has nothing to do with romance#as a plot#and then both of them as soon as the girl comes across a guy and is like he’s likable#the next step is randomly try to sleep with him#evil evil evil evil#let’s not.#stop using sex scenes as shortcut for romance! it doesn’t work! you won’t have any!#this is wisdom and you should listen to it!!#I’m also gonna include the use of f-bombs in this post because if you can’t write a fantastical Victorian travel novel in fairy tale#style language without randomly using f bombs like do you even have a grasp of the language#those don’t belong in this story’s word set use your vocabulary!!#(there are times it makes sense in the story and the language catalog for the story and/or character for both of these but if you can’t do#story without them when they don’t belong that’s lazy I think#I’m throwing down the glove to adult authors I think they should try#this also goes for Jodi Picoult for whom the first thing did fall into the subject material but should not have been like the whole bull an#meat of that story at the expense of the actually interesting material#(couldn’t finish By Any Other Name between that the anachronistic feminism and the massive chip on her shoulder that seemed to be her subje#material
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missdarhk · 2 months ago
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the theme is: there is no heterosexual explanation for what they have going on
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honorable mentions:
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vero-niche · 8 months ago
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peace and love on planet omegaverse 💕
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chthonic-cassandra · 10 months ago
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The marvels and prodigies, the seven-league boots and enchanted mirrors, the talking animals [...] the stars on the brow of the good sister and the donkeytail sprouting on the brow of the bad - all the wonders that create the atmosphere of the fairy tale disrupt the apprehensible world in order to open spaces for dreaming alternatives. The verb 'to wonder' communicates the receptive state of marvelling as well as the active desire to know, to inquire, and as such it defines very well at least two characteristics of the traditional fairy tale: pleasure in the fantastic, curiosity about the real. The dimension of wonder creates a huge theatre of possibility in the futures: anything can happen. This very boundlessness serves the moral purpose of the tales, which is precisely to teach where boundaries lie. The dreaming gives pleasure in its own right, but it also represents a practical dimension to the imagination, an aspect of the faculty of thought, and can unlock social and public possibilities. [...] The enchantments also universalize the narrative setting, encipher concerns, beliefs and desires in brilliant, seductive images that are themselves a form of camouflage, making it possible to utter hard truths, to say what you dare. The disregard for logic, all those fairy tale non-sequiturs and improbable reversals, rarely encompasses the emotional conflicts themselves: hatred, jealousy, kindness, cherishing retain an intense integrity throughout. The double vision of the tales, on the one hand charting perennial drives and terrors, both conscious and unconscious, and on the other mapping actual, volatile experience, gives the genre its fascination and power to satisfy. At the same time, uncovering the context of the tales, their relation to society and history, can yield more of a happy resolution than the story itself delivers with its challenge to fate: 'They lived happily ever after' consoles us, but gives scant help compared to, 'Listen, this is how it was before, but this could change - and they might.'
Marina Warner, From the Beast to the Blonde: On Fairy Tales and Their Tellers
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tesnuzzik · 5 months ago
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Sharing a WIP for a picture I've been working on while rewriting the comic :)
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hanzajesthanza · 3 months ago
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"the michael kandel translation of "the witcher" short story can't hurt you!!"
the michael kandel translation of "the witcher" short story:
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#WE HERE IN K L O T H S T U R#the witcher books#[ Nobody liked that. ]#i like how the first two 'main' translations (like published for mass market circulation ones i mean)#were like 'no we can't call it a strzyga... no no...'#(maybe like: 'the english readers won't understand...')#and then when the game and book hit (i.e. both beginning with geralt fighting the striga)#everyone was like 'whoa that striga was really cool'#idk idk enough about it yet to say anything definitively#but my experience and all the other reviews and experiences i've read#from other anglophone readers with no prior exposure to polish or broader slavic myth or culture#has been just like: 'whoa i never knew about that... that's really unique and cool'#and on the flip side. originally witcher gained popularity in part because of the familiarity of the fairy tale#and so despite that witcher in general takes a lot of everything from across europe#if i may just summarize it really obtusely and without taking the precaution of nuance and all#although the first two translations were very much intended to feature polish writers and writing#in the way of the actual translation it feels like they tried to diminish its 'polishness' for the english reader#like for example in chosen by fate itself there are no diacritics (though idk maybe that was a lack of capability of the printing press)#it FEELS like that i'm not saying it was intentional but#for example when you don't say 'leshies' and instead say 'bugbears' that feels like diminishing it#but then later when the witcher's quote-unquote 'polishness' is allowed to come through clearer#then it actually is part of why english audiences were like whoa this is interesting i like it :)#you know real-life events are stories too. and i feel like this is a story with a good moral: 'be yourself'#this is also one of the prime subjects where i disagree with sapkowski lol#because re: 'death of the author' theory type stuff. authors cannot control how their works are interpreted by their audiences#works get interpreted on their own fortunately or unfortunately#so though i think it would be misled to engage with the witcher as if its ONLY good quality is its 'polishness'#i think that also it should be acknowledged how its unique take on culture made it appealing to both domestic and foreign audiences#i think where the problem lies is when we believe it can't be both polish and a blend of multiple cultures and traditions#because like yeah. author is an arthurian weeb
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gabriestat · 5 months ago
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the asylum where they raised me or whatever that woman said
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sergeantsporks · 1 year ago
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I should revisit my Little Red Riding Werewolf retelling where The Wolf is a werewolf that spoke to her in human form (and therefore she trusted him) and she’s still like 7 instead of a whole young adult and therefore turns into a wolf puppy when she transforms and the woodsman (also a werewolf) takes her in. I know so many wolf facts now.
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ladywatereton · 10 months ago
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30 years of Thumbelina🌹☀️🌈
🎥 Thumbelina (1994).
🎶 Golden Hour, JVKE (Quitezy Edit Audio).
📼 TOPxTOP (YouTube).
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asocial-skye · 6 hours ago
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i personally find it very funny that kitty is drawn to dating people where her relationship would cause the most amount of drama as opposed to lara jean where the drama just kinda comes to her despite her wishes. girly thrives in drama. every single crush kitty has comes at the worst possible time for her to have that crush. i don't think this girl has had a sustained crush that was not a rebound that wouldn't result in some catastrophe.
she likes dae for half of season 1 when dating him would land him in hot water with yuri's crazy family, yuri's quest to stay in the closet, min-ho, and his scholarship with the school, ending with kitty dumping dae to pine for a taken girl. then she likes yuri for half of season 1 and the first half of season 2 and that culminates in the worst ending for a ski trip sans discovering or creating a dead body, an avalanche or what happens in to all the boys i've loved. currently she likes min-ho, a dude who values his best friend dae to the point where the show's episode blurb puts his efforts to get his friendship back as equal to yuri's efforts to get juliana. this same dae also expressed great anger at the possibility that his friend could have any feelings for his ex multiple times and was pacified by min-ho saying that there was nothing (you lying dumbass) between the two of them. when that gets found out (and let's not kid ourselves it will), the friend group will implode again.
girly really entered season 2 saying that she was gonna avoid the drama from last season. girl YOU want the drama.
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flourmelon · 1 year ago
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Greenteeth did not slap one another—not out of any virtue, but because a slap was such a useless thing underwater. When greenteeth brawled, it was with teeth and strangling fingers, spines and claws.
T. Kingfisher in Thornhedge
01.12.2024
🐸🗼👸🏼⛲️🥀
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dystopiandramaqueen · 28 days ago
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"...maybe I would have lived in ignorance forever like some pet. I was a lonely, hopeless person, and I might have fallen in love with the first thing that showed me a hint of kindness and safety. Maybe he knew that- maybe not actively- and maybe that worked for who I was before. Maybe it doesn't work for who- what I am now."
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toonabby · 10 months ago
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Happy 30th birthday, Marisa Duran!
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therulerofallpotatos · 3 months ago
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Book about feminism not be super fucking annoying about Beauty and the Beast challenge: Impossible
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