#a call this God’s Energy ⚡️

[chloeworships]

I found him. He will walk again. He is a powerhouse!!!! Phew chile.

This will be a testimony of God’s healing power. Recall I received that message from our “guardians” about the spine and the new technology

I’m also sharing this particular message because of what he says ⤵️ It’s not long and it’s important.

Sadly judgement was called on South Africa 🇿🇦 for bringing a false case against Israel 🇮🇱 His vision for South Africa will come to pass but after God has dealt with them.

He said what he said better than I ever could. I honestly believe God is speaking to someone watching because I had to share this. We may have secular people here or other unbelievers.

Welcome 👋🏾 I’m so glad you’re here 🫂😘

[awakentrashpanda]

What the smiling critter you Simp for says about you 

Disclaimer do not take any of this seriously all of this is for the sole purpose of shits and giggles 

Bubba Bubbaphant

💡As a wise YouTuber once said, there’s people who are attracted to Daddies, and then there’s you, people who are attracted to fathers 

💡You like big men and you cannot lie you other brothers can’t deny (I’m sorry)

💡You’ve also got a thing for polite and classy men, you don’t just want some bum, you want a proper gentleman

💡You probably also like nerds

Dogday

☀️Himbo kisser/pos

☀️Also, I’m a little worried that you might be depressed because Dogday is a constant serotonin dispenser 

☀️You either are a serotonin dispenser or you need a serotonin dispenser 

☀️You’ve probably played Poppy Playtime chapter 3, or at least watch a playthrough of it 

☀️Also I’m willing to bet that cupid’s arrow immediately shot straight through your heart when  Dogday called us “angel”

PickyPiggy

🍎Mommy? Sorry

🍎You probably, if not definitely, like country girls 

🍎*Insert obligatory cannibal sympathizer joke here*

🍎You either are the parent friend in your group or you want to kiss the parent friend in your group 

🍎You either love cooking or you barely know shit about cooking and you want her to cook for you (only if she wants to, of course)

🍎Also you’re probably me 

CraftyCorn

🎨You love shy girls, and you love psycho bitches and with her you get both 

🎨I’m also willing to bet that you’re a Weeb 

🎨Or an artist 

🎨Probably both 

🎨You know the “I will protect this smile” meme? That’s basically you

Catnap

🌙First things first, please for the love of God tell me that you’re referring to the fandom version of cartoon catnap and NOT Theodore 

🌙Catboy kisser/hj

🌙You have a thing for villains, and/or villain-coded characters, and you’re not even remotely shy about it

🌙You know the song “Emo Boy”? That’s basically your theme song

🌙Also, your sleep schedule is probably a disaster

🌙If you play Stardew Valley I’m willing to bet that you married Sebastian 

KickinChickin

⭐️Your taste in men is dumb sons of bitches

⭐️You like men who end up doing something that is prefaced with the phrase “Hey y’all watch this” every single day 

⭐️You also probably had crushes on your high school bullies

Hoppy Hopscotch

⚡️There is nothing you want more in this world than Butch women 

⚡️Also, you probably either are, or know somebody, who drinks at least 3 5-hour energies a day 

⚡️In at least some way shape or form, you want the lesbian version of Kurt and Ram from Heathers 

⚡️You know those muscular women who look like they could benchpress a truck? that’s what you want 

Bobby Bearhug

❤️Very very affectionate 

❤️You probably need a hug 

❤️You also want a very protective woman 

❤️Also you might be into Yanderes 

❤️ if somebody asked you “man or bear?” you would immediately say bear in a heartbeat (and you are incredibly valid for that)

[goodlucktai]

give me something that’ll haunt me when you’re not around

chapter three: me and you and the whole town underwater

rise of the tmnt pairing: leoichi (leonardo / usagi yuichi) word count: 3k title borrowed from dark blue by jack’s mannequin post-movie

(previous) (next)

read on ao3

x

Usagi: Good morning Leonardo. Unknown: USAGI Unknown: there are so many snacks in here oh my god Unknown: what the hell 😭😭😭😭 Unknown: im heavily medicated its not fair to do nic ethings ill cry Unknown: tell ur aunt i said THANK YOU!!!!!!! and the blueberry buckle was SO GOOD😭😭 Unknown: i shared some w mikey and he wants the recipe like yesterday Unknown: we actually ate like. all of it in one sitting. raph was pissed lol

Yuichi lays in bed smiling at his phone for a while before he gets around to pulling his braincells together to form a reply.

He starts and stops typing so many times that it’s embarrassing. He’ll pretend he didn’t do that.

Usagi: Those snacks were specifically meant to aid in your recovery. Unknown: so idk how familiar u are w baby brothers but typically mike gets whatever he wants

Yuichi thinks of his youngest cousin Jomei. Tiny and soft, with huge gray eyes, and unfortunately already self-aware at four years old. If Mike—Michelangelo, Yuichi thinks he remembers the boy being called—is even half as powerful as Jomei, then Leonardo’s blueberry buckle didn’t stand a chance.

Usagi: Fair enough.

It’s a good thing he woke up early. He doesn’t get anything else done for hours. Leonardo is an enthusiastic conversation partner at all times, and his texts manage to translate that energy effortlessly.  

Typically, Yuichi lets his friends save their contact IDs in his phone however they want. Leonardo isn’t there to do it himself, but Yuichi makes the rookie mistake of giving him free reign anyway. So Leonardo insists his number go in under ⚡️⚡️NEON LEON⚡️⚡️ and Yuichi has something to roll his eyes at every time they message each other.

It also makes him feel warm. There’s an affectionate little tug in his chest at this clear proof of Leonardo in his hands.

Now that he has this unfettered access to the very same person he wants to talk to all the time, Yuichi checks his phone a lot more than he used to over the next couple days. He even keeps it in his waist apron pocket at work, which some of the other servers do, which technically isn’t against the rules because none of them have abused the privilege so far.

Yuichi will feel extremely bad and guilty if he’s the one who abuses the privilege and ruins it for everyone. But when it vibrates in his pocket while he’s going outside to dump the trash anyway, he might as well linger for an extra minute and check his messages, right? Right??

Once, Señor Hueso catches Yuichi lingering in the employee lounge after his lunch break is well over, moving at a snail’s pace back toward the dining room with his nose buried in his phone. He almost walks right into his boss’s chest, saved only by the last-minute sense of someone else’s immediate presence that Karasu-Tengu-sensei mercilessly trained into him years ago. So he freezes a few inches away instead and his eyes dart up to the skeleton yokai’s unamused expression.

Oh boy. Señor Hueso is generally a very patient person but he’s no-nonsense about work. Is Yuichi in trouble? Is he going to get fired?

“I’msosorry,” Yuichi whispers.

But instead of scolding him, Señor Hueso only gives a pointed look to the phone in Yuichi’s hands and says sternly, “You tell Pepino to give it a rest. He’s still recovering from a concussion, he doesn’t need to be staring at a screen all day, madre de dios. Please be a good influence.”

“You don’t know I was talking to Leonardo,” Yuichi says defensively. He has other friends he could be texting! Then he takes a second look at the older yokai’s face and backtracks immediately. “I mean. Uh. Yes, sir. I’ll tell him.”

“Good. Now you have tables seated in your section.”

It’s a dismissal if Usagi’s ever heard one, so he scurries into the dining room with five times his original speed, sending one last message before he shoves his phone away.

Usagi: Señor says no more screen time while you’re recovering from a concussion. ⚡️⚡️NEON LEON⚡️⚡️: what?? how even??? ⚡️⚡️NEON LEON⚡️⚡️: he doesn’t KNOW ur taking to me

Thank you, that’s exactly what Yuichi said!

He makes it a point to actually focus for the rest of his shift, but it’s a Wednesday afternoon, and things are slow. Sunita is off for the day, and Qiao is studying at the bar when they’re not actively pouring drinks, and those are the only two coworkers Yuichi is familiar enough to strike up conversation with, so he keeps to his own section and works quietly.

It’s been brought up a couple of times now, in passing—Leonardo’s condition. Apparently, even a month after the invasion, he’s still healing. Yuichi didn’t know the symptoms of a concussion could last whole weeks. He doesn’t really know much about kappa, or whatever manner of creature Leonardo and his brothers are, but for a head injury to be that severe…

Suddenly, the sight of Raphael’s damaged eye jumps to the front of Yuichi’s memory. The clean hole in the big turtle’s rock-solid carapace. What the hell could have done that? What happened to them?

His brain is coming up with nightmare fuel like that’s its job. Something horrible went down behind-the-scenes while Yuichi was completely ignorant—while Yuichi was waiting tables and getting into trouble with Kitsune and Gen and helping with the tomato harvest, Leonardo and his family were in almost certain danger. And Yuichi didn’t know.

He plops down on a stool at the bar at the tail end of his last break for the day, and Qiao wordlessly slides him a cranberry juice on the rocks.

“How do I get my friend to tell me about something that may or may not be a sensitive subject?” he blurts.

“Have you tried asking him about it?” the ram yokai replies in a tone that manages to be both over-exaggerated and monotone.

Yuichi doesn’t even know why he bothers. He taps his phone on the counter a few times, takes a big gulp of cranberry juice that he pretends is something much stronger, then goes for it.

Usagi: I need to talk to you. ⚡️⚡️NEON LEON⚡️⚡️: oooooo ominous Usagi: It’s not ominous, weirdo. I have to go now but I’m off at 7.

Any normal person would have taken that last text at face-value, but Yuichi isn’t dealing with a normal person, is he?

So maybe he should have been expecting it when he leaves the restaurant a few hours later and finds Leonardo waiting for him outside. He's leaning heavily on one of his katana, either in an attempt to look cool or because he’s having trouble staying upright.

Yuichi is not inclined to give him the benefit of the doubt.

“What the fuck are you doing here?” he blurts. His flat tone definitely does not convey his shock, but he’s feeling too much right now to articulate any of it properly.

Leonardo laughs out loud. It’s a different sound than it used to be—hoarse and a little restrained, like he’s trying to remember he doesn’t have to be quiet. But it’s still bright, and it still makes Yuichi’s heart do backflips in his chest.

He’s wearing a hooded sweatshirt that looks way too big to belong to him, a deep maroon color, repaired with clumsy pink stitches along the shoulders. One of the sleeves is hiked up to Leonardo’s elbow, due to the unwieldy cast on his left forearm, covered in doodles and stickers. The hoodie is unzipped down the front, so Yuichi can make out the cracks in Leonardo’s plastron, spiderweb lines cutting cruelly through the armored scutes. It’s hard to imagine the kind of pressure it would have taken to crush his shell—the same kind that drilled that hole through Raphael’s? What happened to them?

The skin around Leonardo’s neck and the side of his face is still discolored from what must have been pretty nasty bruises, and there are puffy red marks where scars haven’t settled yet. He looks older than the last time Yuichi saw him.

But he’s here. And he’s smiling, a footprint of that laughter left on his face. And now he’s—oh boy, now he’s starting to list to the side.

Yuichi crosses the distance between them at a run, catching Leonardo by the arm before he can topple all the way over.

“I don’t see what’s so funny,” Yuichi says waspishly, afraid to let him go.

“You wouldn’t,” Leonardo says cheerfully. He’s leaning heavily against Yuichi’s shoulder, his hand is shaking as he sheathes his katana over his shoulder, seriously, what the fuck is he doing here? “Everyone’s cussed me out at least once since I woke up. Add you to the list.”

Flustered, Yuichi says, “I did not do that.”

“You did! You said the fuck word!”

Yuichi rolls his eyes and begins the process of dragging Leonardo toward the nearest bench, staring down anyone who drifts into their path. The tree yokai already reclining there takes one look at Yuichi’s expression, grabs her bag, and takes off without a word.

Maybe he’ll feel bad about being impolite later. He doesn’t have any room for it in his brain right now. He doesn’t even think he remembers to breathe until Leonardo is safely sitting down, slumping onto the bench seat like someone five times his age.

Yuichi crouches down in front of him, giving him a hard look. If he needs medical attention, Yuichi will kick Run of the Mill’s doors down and drag Señor Hueso out here by his tie. Who needs a part-time job anyway?

But Leonardo seems to be okay now that he’s caught his breath, and he’s still grinning, like Yuichi is the best thing he’s seen in days.

“Do you use your scary face to get what you want all the time, or is this a special occasion?” the turtle asks coyly.

“I am beginning to understand why everyone has cussed you out since you woke up this morning,” Yuichi replies, sitting back on his heels.

Something tight that’s been clenched in his chest like a closed fist has suddenly loosened, a letting go when Yuichi didn’t even know he’d been holding on.

He’s missed Leonardo. Being around him has always been easy, even when looking directly at him is like staring into the sun, even when Yuichi’s words get lost somewhere between his head and his throat and he ends up spending most of their conversations just listening and watching.

“Not since this morning,” Leonardo interjects. “Can you imagine everyone getting on my case like that all in one day? That would just be bullying. I meant since the coma.”

There it is again. Little breadcrumbs, teasing scraps of information.

Yuichi gazes up at him, and has at least a dozen questions he wants to ask. That’s why Leonardo is here, even if he doesn’t realize it. Yuichi’s curiosity inadvertently dragged his friend from the safety of his home and the safe harbor of his family to the chaotic streets of the Hidden City.

The trip itself seems to have been hard on him, when usually it’s little-to-no-effort to step through a portal between one location and the next. His forehead gleams with sweat, and he’s still breathing a little heavily, like he just ran a marathon. He’s a pale shade of the vibrant boy Yuichi first met a year ago. He looks like he regrets bringing up the coma.

But he’s still here.

Abruptly, Yuichi doesn’t want to ask any of his questions. He just wants his friend to be here.

When Leonardo says, “Sooo, what’s so serious you dragged me all the way out here?” Yuichi pushes himself to his feet and takes the seat on the bench beside him with a theatrical sigh.

“Nothing, Leonardo,” he lies. “I just wanted to talk to you. You’re the one who jumped to conclusions.”

Some tense line in Leonardo’s shoulders that Yuichi hadn’t noticed before seems to go lax, even as he rolls his eyes. “I’m a ninja, we jump, it’s a whole thing. Anyway, more importantly, did I see a stall selling dumplings down the street or nah?”

“There’s no way I can convince you to stay on this bench, is there?” Yuichi knows the answer already and he’s getting up before Leonardo has a chance to say anything, offering him his hands. When Leonardo takes them, Yuichi hauls him up onto his feet.

They stand there together for a moment, neither of them letting go. Yuichi doesn’t even feel the usual need to spring away from him before he gets too close because he’s missed this stupid guy. And his stupid face, and his stupid big hands, and the stupid way Yuichi feels around him.

Whatever happened to him, happened. Yuichi can’t change that now. And if Leonardo wants to tell him about it, he will. But Yuichi gets the feeling that what Leonardo really wants right now is to feel normal. To feel like maybe one thing in his life is the same as it’s always been.

“Dumplings,” Yuichi announces, with all the enthusiasm of his little cousins faced with the unjust trial of bedtime. “If you fall on your face, I’m leaving you there.”

“If I don’t, you’re buying,” Leonardo quips back.

Yuichi scowls, remembers he’s still holding Leonardo’s hands, and then sort of forgets how to person for long enough that Leonardo lets go and goes a few steps without him. His brain literally goes offline for a minute. That’s never happened before.

“No it’s okay,” he hears Leonardo saying to someone on the street nearby. “It’s not his fault, he’s never been the same, you know, not since the storm.”

Fur bristling, Yuichi hustles to catch up, hopefully before Leonardo has done any actual lasting damage to his reputation. He has an image to maintain around here! He’s Usagi Miyamoto’s direct descendant, and Miyamoto was never anything but cool!

“Quit making up lore about me!” he hisses.

“Quit being weird!” Leonardo replies, clearly enjoying himself. “Dumplings!”

Yuichi scowls but falls into step beside him anyway. This is the guy he missed so much?

As soon as he has that uncharitable thought, he regrets it.

He thinks about April saying he always seemed pissed off to have Leonardo around, and darts a quick look at the striped turtle ambling along beside him. Leonardo doesn’t seem put off by Yuichi’s prickly attitude, but still—it wouldn’t hurt to make sure.

Yuichi waits until they’ve paid the elderly yokai woman running the food stall for two paper plates of crispy gyoza, so he has something to do with his hands, something to focus on besides his awkward tongue, to say, “I’m glad you’re back.”

Leonardo glances sidelong at him, crunching through a dumpling unselfconsciously. His mouth is full but his expression very clearly says ‘say what now?’

“Here, I mean,” Yuichi tells his plate. “Back here. I didn’t even know you were—I’m just glad you’re better.”

They walk the length of the block before Leonardo replies.

“I wouldn’t worry about us, Usagi. Me and my brothers can take a hit. You could even say we were made for it.” That’s a strange sentiment, and something bitter comes and goes across Leonardo’s face before Yuichi can make sense of it, as swift and darting as the little minnows that flit through the creek that winds past his family’s farm. Then Leonardo adds, sounding much more like himself, “My stupid arm is all that’s slowing me down now.”

“Considering it was broken in eight places, I would take six weeks in a cast as a solid win,” someone says from directly behind them.

Yuichi doesn’t jump in shock, he freezes, rabbit-still. Leonardo doesn’t seem surprised at all—he just groans theatrically.

“Oh nooo, it’s the consequences of my actions.”

Donatello snorts. Because that’s who it is, Yuichi realizes as he turns to get a good look at him.

“You can’t just run off, Nardo,” the purple-masked turtle says. His tone implies that this is not a suggestion. “You get why that’s uncool and unfair, right? Like, I don’t have to explain that very simple, elementary-level concept to you?”

“I left a note,” Leonardo argues in his own defense.

“You sure did,” Donatello replies, so level and calm that it sets Yuichi’s whiskers on edge, because that level calmness is very much a thinly veiled promise of bodily harm. “You left a note on your door that said “Do Not Disturb, Beauty Sleep in Progress.” And then you left one on your empty bed that you just drew a winky face on.”

“I realized I didn’t need any more beauty sleep, Dontron. I decided to save some for the rest of you sad scrubs. You’re welcome.”

“How magnanimous.”

Beyond the color-coded masks and the dramatically different body shapes and skin tones, there’s another easy way to tell the Hamato siblings apart; all of them have brown eyes in varying shades. Michelangelo’s are warm, tempered honey, while Raphael’s are darker and richer, edging into red.

Leonardo and Donatello, the twins, have identical golden eyes, piercing and impossibly bright even in the semi-dark of falling dusk. Under the warm lantern light, with their defining characteristics all but overshadowed, it would probably be easy to mistake them for a perfect mirror of each other.

But Yuichi could never make that mistake. Donatello’s eyes are different, because the way he looks at Yuichi is different.

Especially now. Where Leonardo was delighted to see Yuichi for the first time since before the invasion, Donatello is looking at Yuichi like he’s a clear and present threat.

Yuichi doesn’t know what Donatello has to feel threatened about. He has a good grasp of his own abilities and he’s self-aware enough to admit that Donatello could definitely take him in a fair fight. Any of his siblings probably could, up to and including his sister, out of stubbornness and spite alone. Yuichi is the one who feels hunted, like a tiny fluffy animal that was just sighted by a bored, hungry hawk, all because of the cold, calculating gold in Donatello’s eyes.

Then Leonardo plants his good hand on the side of his twin’s face and shoves it an arm’s length away. Donatello sputters and flails, and Leonardo talks over him with the ease of years of practice.

“Thanks for the dumplings,” Leonardo tells him. “See you when I’m finally un-grounded, someday seven years from now.”

Yuichi nods, offering a little wave. He watches Leonardo unsheathe a katana and form a bright, spinning blue portal with one swift downward slice through the air. Donatello is griping at him in harsh undertones, and Leonardo is giving back as good as he gets, but it doesn’t escape Yuichi that Donatello has gravitated protectively to Leonardo’s bad side, and Leonardo is leaning his weight against his brother like he’s actually much more tired than he was willing to let on.

Leonardo needs a break. He needs fresh air. He needs to—to not disappear again, even if it probably won’t actually be for seven years.

Before he can second-guess himself, Yuichi blurts, “I’m off on Friday! You should come to the farm. One of our tokage’s nestlings just hatched so we have babies to play with and they’re really cute!”

Donatello makes an antagonistic noise under his breath and hauls Leonardo through the portal. Before he disappears, Yuichi watches Leonardo’s whole body light up, a grin splitting his face in half.

“It’s a date!” Leonardo calls cheerfully in the seconds before he’s gone.

The portal closes. Yuichi stares at the empty space where it used to exist while the word “date” bounces around in his head like a free-floating balloon filled with screaming instead of the more traditional helium.

Usagi: Important time-sensitive HYPOTHETICAL question Usagi: When you make plans with your friend and he calls it a date, how do you ask what he means by that without sounding like an insane person?? SUNA: oh my god!!!!!! ꒰☉ｪ☉꒱

[voluptuouslover16]

Call ‘‘em trap Gods with that voluptuous energy ⚡️ to match 🤘🏾💎🤪💤🗣️

[ran-orimoto]

But why would you put Junpei in the fire group with Takuya? They never interacted in the series. But I support the idea of Junpei and Izumi as a couple mixing fire and light and their children being a mix. Bye

Because I hardcore ship them.

And because ATLA teaches us the danger coming from lightning and fire together.

Jokes besides, I’m not really saying the teams have got no logic, but I don’t like how Junpei’s speech about balance doesn’t really mirror the Fire group’s conformation: Fire is the only element acting as the powerful one needing to be dominated; Wind and Ice exstinguish it. If you take in consideration the Light group, instead, Thunder is supposed to generate light (for a second ,though, so it’s kinda…Forced🤣), while darkness turns light off. It works a little better, even though Junpei’s element should have been called Lightning and not Thunder. Isn’t thunder only the sound energy, after all? And why should I ask myself these questions to make my life more complex than what it already is?

Next.

Returning on the main topic, thunders can trigger fire and playing the destroyers role in the team would have been perfect for Takuya and Junpei, since they hold the most dangerous and untamable elements of the six kids, along with Izumi, I guess? Still, fire and thunders will always bring along risks, whereas wind can also blow in the shape of a kind and innocent breeze. So on a side you’d have Junpei and Takuya’s might knowing no control, on the other you’d have Tomoki or Izumi controlling that fire. In my opinion, it would have worked better if both groups had had a similar scheme. They should have originally picked an element that could have grown in might along with Fire, like, idk, something related to Sun since the Moon had a pretty important presence in Frontier…Again, mine is just wishful thinking.

I also find it interesting the Agni God from Hinduism, the one from whom Agnimon’s name (and concept too?) derives can assume three forms; On the earth He is fire, in the sky He is the Sun and in the atmosphere He is Lightning.

Moreover, when it comes to these teams, -which could have never existed in the story and we all would have been fine-, I would have loved it if the logic behind them had been based on relationships too, you know? I would have loved it if the kids in each group had been in that specific group because of a special development going on between them and the “leader”. Pff. Taking in consideration the elements thing didn’t really make that much sense, they could have taken this route, I suppose.

I frankly believe Izumi had more chemistry with Kouji than Takuya, not only because the very first drama and Izumi’s VA did make us understand she had a crush on Kouji, but also because Izumi and Kouji/ Lobemon and Fairymon had a history of collaboration behind them. I can think about Izumi’s infamous first battle where Kouji rescued her (…….) or the moment Fairymon convinced Lobemon to hold her hand. And, besides the fact Light and Wind were sealed together by Seraphimon (I remember?), even the movie seemed to like playing about hinting Izumi and Kouji were a team still missing its third member, while Junpei, Takuya and Tomoki were another one, already settled, with their dynamics playing in both directions:

-Junpei/Tomoki, who have always been considered as a duo even in cards.

-Takuya/ Tomoki sibilings bond

-Takuya/Junpei.

And here comes it: me disagreeing with you about the fact they have never interacted and showing you Junpei would have been a great member for the Fire team.

Both have had very intense moments of fights and arguments. Junpei has always buttheaded with Takuya because, like I was saying before, their tempers clash and explode when they enter in contact XD, and also because Junpei has always been bitterly envious of him, kinda feeling inferior than him and utterly useless from the very first episode.

(Ahh the flavour of the first Frontier half🔥⚡️⚡️⚡️⚡️⚡️🔥🔥🔥🔥).

This can also be applied to Junpei/Kouji, but their development limits itself to that moment when Kouji rescues him (unnecessary trash I can ignore) or to the one before the Kerpymon fight, but at the end of the day that scene was focused on Junpei cheering both Takuya and Kouji up. That was the testament of someone who had started off as an egocentric kid and had had to gradually accept to be a shadow in a show he believed it was his (main love interest lady *cough* included💔⚡️).

You see, Takuya’s and Junpei’s growth as people who respect each other but still retain their bickering had more potential than Junpei/Kouji. A friend of mine also reminded me how similar they are, which is hilarious because Takuya asks Junpei if he’s an only child, but he himself has always acted as such as well, a spoiled kid, no matter he has got a younger brother.

In a certain sense, despite how much I dislike some writing choices thrown in there, the Dark Blitzmon episode also played a very good job at showing they had arrived so far in their relationship.

So I would have loved it if their development had had a good outcome, featuring Junpei, the one who has always refused to obey Takuya from the start by acting as an anti-leader, trusting him his powers. It would have been much more meaningful to me and that’s why Junpei will always be a member of the Fire group in my heart🔥🔥🔥🔥🔥⚡️⚡️⚡️⚡️.

[blazerwyvernmaster]

How Magic Works In Tathylia Chronicles

(And also possibly my other games, idk)

Alright, so I've been thinking about Tathylia Chronicles' magic system and lore, and I've finally decided to work on it and post it somewhere fully.

🕯Origins and Harnessing 🕯

Magic was created long ago when spirits guided the world as much as the gods did. Once they left, it was significantly harder to harness and use magic.

Nowadays, in order to use magic, you need to have some sort of magic potential inside you. About 35% of the population of the world can use magic to some degree.

Keyword being can. There are many who don't have the resources to learn magic or don't want to learn magic or don't even know they can use magic.

Either way, in order to actually use magic, you need some sort of magic conduit or focus.

This type of conduit is usually a tome or a staff, our next topic

🔮🪄📚Tomes,Staves, and Enchanted Items📚🪄🔮

In order to use magic, most spellcasters have to channel their magic into magic tomes and staves, along with any other enchanted weapon or item.

Tomes and spellbooks are created by magic who fill pages of a book with instructions, mystical runes, and information about the spell, bound by magic (and regular book bindings.) The user must study a magic tome in order to weave its magical contents around them.

Staves are made with a rod, usually made with metal or wood. Then, a magic crystal is placed on it, along with decorations. Another way is to just infuse the rod with magic. Using a magic staff is as simple as focusing magical energy into the staff and letting it expell that energy.

Enchanted items or weapons all have magic inside of them, either because they are enchanted, blessed, cursed, or otherwise infused with magic. It's also as simple as energy in magic out.

One thing you need to know is that the magic in these tomes is somewhat finite. Once a tome runs out of magic, you can still cast magic out of it, but it will not be nearly as potent, usually being useless for combat. Same goes for staves and enchanted items. After this, they usually get used for training and teaching, allowing budding mages to safely practice spells.

🍃🏔🌊Druidic Magic: The Magic of Wild Spirits🌊🏔🍃

Druidic Magic, also called Spirit or Nature Magic, is magic gained by studying and harnessing the power of the spirits that still live in the world. Practitioners are guided by the wind, water, and earth of the world, and use their guidance to expel magic.

Druidic Magic bests Holy Magic, but is withers by Arcane Magic

🔥⚡️❄️Arcane Magic: The Magic of Elemental Power❄️⚡️🔥

Arcane Magic, also known as Raw or Anima Magic, is magic derives from the study of nature. Only, instead, it draws magic from the raw energy of the world around them, rather than just being guided by the world. Wind becomes thunder,earth becomes fire, and water becomes ice. It's more commonly studied and practiced than druidic magic,but it loses some of its inate power.

Arcane Magic trumps Druidic Magic, but withers to Elder Magic

💀🌌🌑Elder Magic: The Magic of Dark Ages🌑🌌💀

Elder Magic, also known as Cursed or Dark Magic, is magic that gains power through the soul of the user and their foe. In times of old, this magic was discovered and molded from the darkness of the earth and night sky. It was/is immensely powerful, but its dark nature led to many problems. Its spells usually have negative effects on the user, like hexes. Using it too much may prove dangerous...

Elder Magic trumps Arcane Magic, but withers to Holy Magic.

☀️🌟✨️Holy Magic: The Magic of Divine Light✨️🌟☀️

Holy Magic, also known as Divne or Light Magic, is magic that is gained from the heavens and the sun. It requires the user to be deeply devoted to a cause, usually a religion. While it is not the strongest type of magic, its purifying and blessed light purges demonic essences from people, beasts, and places.

Holy Magic trumps Elder Magic, but withers to Druidic Magic

[evicted-oc]

══⚡️ Thor the god of thunder, sky, and agriculture ⚡️══

══════════⚡️ Godly Information ⚡️══════════

⚡️Full name : Thor Odinson [he/him]

⚡️Son of Odin

⚡️ Brother of Loki, Höðr, Baldr, and Hœnir

⚡️Known for being a symbol of masculinity and strength

⚡️Has a hammer that's called Mjölnir

⚡️Abilities: Lightning (bends lightning to his will), thunder (creates thunder at will), rain (rains when he gets too emotional), superhuman strength (insanely strong)

══════════⚡️ Godly Appearance ⚡️══════════

⚡️Age: 1,055

⚡️Height: 6'9 | 205 cm

⚡️Body build: muscular, athletic

⚡️Eye colour: bright blue

⚡️Hair: firey red, white streaks | long

⚡️Noticeable features: red war paint, scars on his biceps, red beard

⚡️Usual fashion: carries around a hammer and shield, wears a helmet, shirtless, leather skirt

═════════⚡️ Human Appearance ⚡️═════════

⚡️Age: 25

⚡️Nationality: German

⚡️Birthday: April 11 | Aries

⚡️Height: 6'0 | 182 cm

⚡️Body build: muscular, athletic

⚡️Eye colour: blue

⚡️Hair: black | long and wavy

⚡️Noticeable features: white eyeliner, calloused hands, large muscles

⚡️Usual fashion: nude, goes shirtless in public, will wear a skirt if asked

⚡️Job: YouTuber, Only fans

════════════⚡️ Personality ⚡️════════════

⚡️Traits: sweet, loud, dramatic, dumbass, hot tempered, arrogant, proud, demanding, emotional, energetic

⚡️Fears: Loki, out living loved ones, losing his worthiness, cutting his hair

⚡️Irritants: too much axe body spray

⚡️Likes: food, beer, mjönir, jokes, friends, thunderstorms, snakes, videogames, energy drinks, Asguard, Loki (sometimes)

⚡️Dislikes: being stabbed, Loki (sometimes), war, fighting, scissors, others touching Mjölnir

══════════════⚡️ Nsfw ⚡️══════════════

⚡️Position: Pleasure dom with a switch lean

⚡️Loves to make his partner feel good and has a hard time trying to stop

⚡️Lowkey wants to be forced to submit

⚡️Kinks: oversimulation (giving), marking (giving and receiving), biting (giving and receiving), oral (giving), light bondage (giving), manhandling (giving)

═══════════⚡️ Relationships ⚡️═══════════

⚡️Sexuality: Bisexual | Polyamorous (0/5)

⚡️Dating: Single, uninterested

⚡️Friends: Morrigan (bestie), Lugh (bestie)

⚡️Family: Odin (dad), Loki (brother), Hodr (brother), Baldr (brother), Hœnir (brother)

⚡️Pets: Chica (white golden retriever), Thori (hellhound)

[folklorebae]

𝐈𝐧𝐬𝐭𝐚𝐠𝐫𝐚𝐦 𝐀𝐔 - 𝐒𝐞𝐜𝐫𝐞𝐭𝐥𝐲 𝐘𝐨𝐮𝐫𝐬

𝐏𝐚𝐫𝐭 𝟐 𝐅𝐢𝐜

Cast(s): Actress!Reader & Actor!Suna Rintarou

Warning(s): Swearing, slut-shaming, reader is using she/her pronouns, slight semi x reader

A/n: I recommend you to read my drabble first. But this could be read separately

Liked by sydney_sweeney and 5,946,073 others

yourinstagram un cappucino s'il vous plaît

tagged: @bellahadid

View all 28,745 comments

bellahadid Love you, ma fée🧚‍♀️

Liked by yourinstagram

rintarousuna Me after downloading duolingo

↳yourinstagram 😀😁😐🤔

↳ynfan1 LADIES AND GENTLEMEN, THEM!

ynfan2 SHUT UPPP. THIS WHOLE WEEKEND YOU'VE BEEN SLAYING😩❤️‍🔥

yn.sassy Another day, another slay

↳ynln.xo Perioddd

7,659 likes

itsunadaily WIRED Interview ft. Rin and Y/N is out now!

View all 214 comments

sunafan1 PLS PLS PLS THEY'RE SO FUCKING ADORABLE

↳sunafan2 IKR

ynfan3 Okay okay, I'm curious. WHO IS Y/N'S S/O?

↳ynfan1 I think it's clear that there's something between them

↳ynfan3 I thought Rin has a gf? I mean, that mysterious girl?

ynfan4 I NEED TO SEE THESE TWO AGAIN! CANT WAIT FOR THE SEASON 2😩

Liked by atsumumiya and 4,825,948 others

rintarousuna Thanks @wonderland and everyone who played a part⚡️🖤

Order now.

View all 22,864 comments

yourinstagram Damn boy, can I get your number?

↳rintarousuna I'm taken, sorry

↳ln.dailyyy Atp I don't believe you guys are just friends

aquariusuna JAW ON THE FLOOR

sunafan3 RINTAROU SUNA THE MAN THAT YOU ARE

netflix [CAR CRASH] [GLASS SHATTERING] 'GOOD LORD!' [GENERAL COMMOTION] [BABY CRYING] 'WAAAAH WAAAH' [YELLING] [POLICE SIRENS] WEEWOO WEEWOO [HELICOPTERS] 'WE'RE REPORTING LIVE-' [EXPLOSION] 'MY LEG... MY LEG...' [DOGS BARKING] ARFFF ARFFF 'OH MY GOD MY CHILD!!!' [CRASHING BUILDING] 'MY FUCKING HOUSE IS ON FIRE!!!!'

↳ynfan5 Bro... you good?😭

↳ynsangel I believe this is an easter egg for season 2

11,736 likes

rintarouflorals RUMOR (via deuxmoi): Rin was seen with Y/N in Paris

P.s I beg all of you to not believe everything you read on the internet. Please keep the comments respectful, thank you.

View all 753 comments

sunafan4 Isn't it obvious that they're more than friends?

↳sunafan5 Maybe, but I think people should leave them alone and mind their own business lol💀

sunafan6 I will never trust that stupid gossip page

sunafan7 Idk bout you all, but Rin and Y/N don't make any sense

↳ynfan6 FINALLY. Someone say this! They don't give any romance energy imo

21,858

florenceflorals Florence via instagram story!

View all 275 comments

florencefan1 OKAY BUT Y/N IS IN FRANCE RN?!? I WANT TO MEET HER

↳ynfan7 She has been in paris for a week😭 That ig story is from yesterday

↳florencefan1 WHA–😭

florencefan2 Are we going to see Ms. Flo and Y/N work for the same project again👀

↳florenceflorals 🕯manifesting🕯

florencefan3 Y/N and her are together. Those people who ship Y/N with Eita or Rin could go😍

ynflorals I LOVE THEM SM OMG😭❤️

Liked by privyn and 31,837 others

rintarousuna.com RINTAROU FUCKING SUNA VIA IG STORY

P.s GOODBYE Y'ALL IM DEAD RN. THIS ACCOUNT IS NO LONGER ACTIVE

View all 3,846 comments

privyn My bf is hotter than hell

↳sunafan8 Girl, he's OUR bf

↳privsuna lmao

sunafan9 Oh God... Idk how many people died because his whore behavior

ynfan8 FUCKKKK I JUST ORDERED HIS MAGAZINE AFTER THE WEBSITE IS GOING DOWN FOR AN HOUR AND NOW THIS MOTHERFUCKER HAS THE AUDACITY TO BE THIS HOT

ynfan9 @yourinstagram, ISTG you're the loml. But babe, I am this close 🤏 to steal your man

sunafan10 WHY THIS PIC IS TAKING ME BACK TO THAT VIDEO EDIT WITH "WHY'D YOU ONLY CALL ME WHEN YOU'RE HIGH" AS A BACKSOUND?!?!

37,975 likes

enews The fans have been speculating about L/N and Semi's relationship for months. But after attending his concert last night in Paris, the "I Know Places" star was seen having dinner at César Paris with co-star Rintarou Suna. Click the link in bio for more👀 (📷: Instagram/Getty)

View all 535 comments

ynfan10 You guys need to stfu and get a life. Leave my girl alone

↳ antiyn1 Your fav is a hoe, just admit it lmao

↳ ynfan10 "TPWK🌸" in your bio is bs. Your fav is ashamed of you lmao

semifan1 Ok but imagine being that pretty and people make rumors between you and these two fine men🥲

privsemi Wtf is wrong with these people💀 @privyn

↳privyn Apparently netizens can't see a woman supporting her male friend😍

sunafan11 Rin ily, but you and Mr. Rockstar need to leave and let me be with Y/N

44,748 likes

lnandsuna.media “I don't think I owe anyone an explanation about it (his romantic relationship). For now, both of us have agreed to keep our relationship out of the public eye and as long as we're happy, it doesn't matter what strangers think about us.” — Rintarou Suna for Wonderwall, 2022

View all 3,639 comments

ynfan11 Um... where is this coming from?😭

↳lnandsuna.media papz took some pics of him with his girlfriend kissing in the alley earlier this year

↳ynfan11 OH YEAH SHIT. I JUST REMEMBERED. THANK GOD WE CANT SEE THE GIRL'S FACE.

sunafan12 Even deep down I wanna know his girlfriend's face, these paps should leave them alone omfg.

sunafan13 I feel so sorry for him, he deserves better:(

ynfan12 Paps need to chill omg. What if that girl isn't a celebrity and suddenly everyone in her life knows that she's dating a famous actor?

↳sunafan14 That girl is a public figure (my aunt used to work for her stylist) and everyone around her knows her bf

↳ynfan12 So what if she's a public figure? She deserves a privacy

↳sunafan14 I didn't say she didn't deserve privacy. I just said that she's a public figure

Another a/n: I'll do a part 2! (If you wanna be tagged lmk) Stay tuned mwah<33

[vindelllas]

hii i love your blog <33 if you haven't yet, can you do beauty of vishakha lagna? if you already did do you mind giving me the link to the post? I can't find it :(

thank youu so much :)

absolutely hun! i truly adore all of you vishakha lagna natives <3

the beauty of vishakha ⚡️: an analysis of destiny, love, femininity, and the creative path (part I)

⚡️taylor swift: scorpio vishakha lagna

i encourage anyone wishing to understand the influences of shukra, brihaspati, and vishakha to read this post, as i intertwine their respective principles throughout! additionally, as you read this post, please listen to this vishakha playlist i made for the full experience:

*MAJOR TW// i discuss a lot of potentially triggering topics, i.e. abuse and the s*x industry.

⚖️ in the beginning of the libra rashi, we learned how to accumulate merit throughout life from the punya cayani shakti (the shakti of the chitra nakshatra). bestowing the innate ability to find the equilibrium between difficulties and enemies (the virgo rashi/sixth house) and law (a characteristic of the seventh house). in doing so, chitra combines the qualities of both law and truth to produce fruitfulness. chitra is the lesson that shows us the power in righteousness, accumulating the astute intellect, and applying the dharmic principles throughout all aspects of life, while simultaneously savoring and enjoying the sweet progeny that is the fruit of our labor. it’s the joy of the most tired miner who eventually uncovers the rarest jewel of them all. in the heart of libra’s rashi is swati, who accumulates the most venusian energies out of the rashi, extracting the energies of shukra and wielding it’s airy element under the supervision of vayu (the god of wind). these natives have the unique pradhvamsa shakti, the ability to scatter like the wind. it can mold and move ether and transform the prana of the body. while having this shakti is incredibly powerful, these natives run the risk of destructing what the wished to only reconfigure. this disharmony is often a result of abiding in the shadow states of rahu and shukra. the ethereal winds may heal or harm but will always result in an end product of transformative breakthroughs or major energetic shifts. swati has this almost indescribable freedom of motion and movement and distortion. they are not held to the same responsibilities of others because they control what the concept of responsibility is in itself. their only fault is struggling with building consistent endurance and perseverance. however, this is the only way they can master their beautiful gifts and grant eternal existence to not only the things they morph/reconfigure, but grant eternal existence to their higher state. in the final portion of the libra rashi, vishakha’s fiery path leads us to the destination of scorpio, but this energy differs from chitra or swati. it is the dawn of divine combination, the swirl of potent energies. vishakha is the shelter of shukra, kuja, ketu, brihaspati, indra, and agni. what lies on this path is both energetic cultivation and the lightning that which calls upon the cosmic powers bestowed by the divine.

🌸 the entire libra rashi is linked to kamala, the tenth mahavidya goddess. the goddess kamala is traditionally said to be linked to shukra and she is considered to be the supreme form of the tantric goddess. kamala is also considered to be a form of goddess lakshmi (the goddess of material fulfilment and contentment, luxury, and fertility who is also said to be a manifestation of shukra). hence, kamala is regarded as the tantric lakshmi. in her mahavidya state, kamala also bestows matters of lakshmi and shukra when she operates in her higher state, such as prosperity, fertility, and good fortune. kamala is often portrayed as making the gestures of boon-giving and fearlessness. she sits on a lotus and holds lotus blossoms in her two upper hands, correlating to her name meaning “lotus” (symbolic of the lotus of surya). while kamala is not a divine consort to a male deity, she is representative of the independent and all-supreme divine mother. kamala does represent divine auspiciousness that is birthed from the mother but she is not completely auspicious or solely devoted to matters of prosperity. it is sometimes said she is referred to as rudra, “the howling one”; ghora or bima, “the terrifying one”; and tamasi, “the dark one”. kamala encompasses the ugra, crocodile features of shukra and the rejuvenating purity of shukra. a common misconception about venusian natives is that they all inherently favor matters of lakshmi and want the finer, more luxurious aspects of life and only seek to embody the utmost refinery of the soul. what people fail to realize is that these concepts cannot be fulfilled or implemented until you understand and worship alakshmi (the goddess of misfortune and grief) and cross the figurative muddy waters to sit on the highest plain of utgrasati.

🔪 to clairfy, ugra is not solely associated with the vimshottari venusian nakshatras (bharani, purva phalguni, and purva ashadha) but also purva bhadrapada and magha. ugra is often translated as “fierce”, occasionally “angry”, but actually it is said to truly mean “utgrasati”, the etymology of ugra. the term utgrasati means “one who sits at the highest plane”. this highest plane/realm being ugra. this is why it is common to see ugra dominant individuals, specifically women, who avidly play anti-hero hero characters or save others and use tactics of bodily discipline and weaponry in films. such as, lucy liu (possible bharani chandra) in “charlie’s angels”, uma thurman (bharani surya and magha lagna) in “kill bill”, and krysten ritter (purva bhadrapada lagna and magha chandra) in “jessica jones”. ugra has the ability to sit above on it’s higher plane but also is capable of bending down and elevating others to join them in this higher state. this is a quintessential characteristic of all ugra-influenced individuals. most people struggle with building the capability and personal foundation to save the lives of others, sometimes even ourselves. however, the ugra devatas, naturally wish to exalt their surroundings. the final venusian vimshottari nakshatra is the purva ashadha nakshatra. the shakti of this nakshatra is the varchograhana shakti. similar to the bharani, this shakti is correlated to the divine element of utmost femininity: water. as the varchograhana shakti uses the nature of water to bestow a heavenly like quality within and the ability to provide inner purification.

⛓ there is a specific cycle of death and rebirth that is referred to as samsara. in ancient texts samsarana, is said to mean "going around through a succession of states, birth, rebirth of living beings and the world", without obstruction. it is a metempsychosis of sorts that represents the transmigration of the soul. samsara is frequently contrasted with the concept of moksha: representing spiritual liberation and enlightenment. the cycle of samsara is often repeated and executed involuntary throughout the lives of most people, it’s materialistic nature satisfies those who value luxurious expression of lavish means. this phenomenon establishes a false illusion of ownership over the world and their surroundings and can leave one forgetting about the necessity that is moksha. people mistake samsara for freedom but, in reality, it is binding you from moving into the spiritual realm of ugra. beyond the mystical well of the conjunction of libra and scorpio, there is an abundance of freedom and radiating heat from the nakshatras mula, purva ashadha, and uttara ashadha. these natives of vishakha must learn to crawl out of this well of comfort and contentment. it can be tempting to remain indulgent in samsara and the waters of maya and struggle with seeing beyond our current surroundings. simply reveling in the connection of all occurrences to ourselves and refusing to break the shackles of identity.

🌑 kali yuga is the fourth and present age of the world cycle of yugas or "ages." it is also the end of the four ages that comprise a cycle and is often referred to as the dark age of spiritual degeneration. when one is submerged in the throws of kali yuga, it is said that god will come in the same nakshatra and save you. this is because each yuga has a corresponding nakshatra associated with it. the yuga avtaara will come bearing that nakshatra as their janma/chandra nakshtra and will spread light to the world.

⭕️ each yuga is said to be connected to a certain rashi: satya yuga is connected to aries; treta yuga is connected to cancer; swapara yuga is connected to libra; and kali yuga is connected to the final movable rashi of capricorn. makara (otherwise known as capricorn) is defined by being encompassed in mysterious illusions and symbolisms which cannot be easily fathomed nor defined by the exoteric cycles of nature. these mysterious revelations refer to the core meaning of the capricorn rashi: the tropic of makara. the tropic of makara is theorized to be the seat of the guardians of this globe, correlating to the direction of capricorn facing north. the north direction is ruled by kubera (the god of wealth and guardian of the world). therefore, capricorn is relative to the spiritual impulse which guides the world towards its destiny. it is the process in which one universalizes the collective energy of this physical plane. during the universalizing of the people of this earth, there will be hardship and suffering. thus, activating our spiritual mechanism of involuntarily aligning our consciousness with thought currents and vibrations from the higher realms of existence and the governing powers of the universe. due to this distancing of oneself from samsara, on the material or maya realm of living, difficulties and dissatisfaction with contemporary expressions of wealth may arise, but inwardly the manifestation of makara will bring peace with one’s spiritual purpose.

💸 kubera’s mythology and etymology is the perfect analogy for the purpose of capricorn. as mentioned previously, kubera is considered to be the god of wealth and the god-king of the semi-divine yakshas (typically benevolent spirits who dwell in nature). kubera is often depicted as a dwarf, with a complexion adorned with lotus leaves, and a big belly. he is described as having three legs, only eight teeth, one eye, and being adorned with jewels. these descriptions of deformities, such as the broken teeth, three legs, three heads and four arms appear only in the later puranic texts. he holds a mace, a pomegranate, or a money bag in his hand and is occasionally seen carrying sheaf of jewels or a mongoose with him. kubera’s seemingly “unusual”looks symbolizes the external distancing of oneself through the rashi of capricorn, in order to further oneself spiritually. the pomegranate is a symbol of prosperity and fertility, similar to kubera’s yakshas and moksha-bestowing lord ganesha (who is said to be fond of fruits with seeds). as the pomegranate is fruitful and bountiful and cleansing, as the jnhm (pomegranate), was once used to treat infections by the ancient egyptians. whereas, in tibet, the mongoose is considered a symbol of kubera's victory over the nagas—the guardians of treasures. in addition to the mongoose being the solitary, victorious yoni which resides in primarily the capricorn rashi.

💰in the vishnudharmottara purana, kubera is described as the embodiment of both artha ("wealth, prosperity, glory") and arthashatras, the science of wealth. his iconography mirrors his association with artha, as his complexion is described as that of auspicious lotus leaves. he is adorned in golden clothes and ornaments, symbolizing his wealth. his left eye, the eye of chandra, is yellow, symbolizing his internal harmony and imagination. the vishnudharmottara purana further describes his face to be inclined to the left, sporting a beard and mustache, and with two small tusks protruding from the ends of his mouth, representing his powers to punish and to bestow favors. his wife riddhi, representing the journey of life, is seated on his left lap, with her left hand on the back of him and the right holding a ratna-patra (jewel-pot). whereas, kubera holds a gada (symbol of dandaniti: the administration of justice, standards, shakti, and the quasi-divinity of royalty) in his left pair of hands. he is also depicted bearing a lion—representing artha as well. whereas, two of the treasures, padma and shankha, stand beside him in human form, with their heads emerging from a lotus and a conch respectively. the lotus/padma being symbolic of the minerals and jewels in the himalayan lake and the conch shell/shankha corresponds with higher frequency universal sounds associated with hindu belief of musical spheres.

🐚 the sound of the conch shell or shankha symbolizes the sacred om sound (the essence of ultimate reality and conscience). vishnu holding the conch represents him as the god of sound. brahma vaivarta purana declares that shankha is the residence of both lakshmi and vishnu, as maa lakshmi is the consort of vishnu. due to shankha being the abode of lakshmi, bathing by the waters led through a shankha is considered as bathing with all holy waters at once and frees one from the cycle of births. it is even said the mere sight of the shankha dispels all sins as surya dispels the fog.

🌞 the third note in indian raga (a pattern of notes having characteristic intervals, rhythms, and embellishments) is the sweet sounding gandhara note. it is the first note that sounds harmonious and is extremely auspicious when audibly consumed. it is a good omen that is considered to be deva loka and determines whether a raga will be joyous major or sad minor. this essential role of determining the character of the raga, is symbolic of surya who rules our very self and personality in vedic astrology. interestingly enough, the swapta swara gandhara originated from the sound of a goat (the emblem of capricorn). now, the conch shell has been incorporated as one of the eight auspicious symbols (ashtamangala). the right-turning white conch shell (therefore, moving in the direction of yang/surya), represents the elegant, deep, melodious, interpenetrating and pervasive sound of buddhism, which awakens disciples from the deep slumber of ignorance and urges them to elevate oneself and ensure welfare of others. in this state/sound, we have learned the power of authority, judgement, and guardianship from kubera; how to cleanse and awaken ourselves in the shankha, determine our self/spirit in the solar purity of gandhara; and we are now able help others and embody utgra sati.

🌊 one of the aquatic nature of the water-, earth-, or mine-dwelling nine treasures (or nidhis) is the makara/crocodile. in the throws of kali yuga, it feels as if you are drowning in a deep, crocodile-infested trench. here in the capricorn rashi, even brihaspati is debilitated. in order to free ourselves from this trench, we must turn to the other guru: shukra. in kali yuga, another graha must uplift and aid lord brihaspati and the guru to the asuras is able to do so. because, in order to uplift others, we have to elevate ourselves so much so that we will not fall into the ditch of the shankhas we originally cleansed ourselves with. if our spirit is not stable enough, we will be incapable of helping others, as you cannot pour from an empty shell. because the ugra devatas are confidence in their internal composition and stability, natives of shukra have the ability to uplift those drowning in makara. this reflects the nature of the nakshatra of shukra and shankha: purva ashada. because of its residence in the sagittarius rashi, purva ashadha natives have the innate ability to battle, fight, and educate their surroundings to beautify the lives of others. this is why some astrologers theorize the yuga avatar is going to come in the nakshatra of purva ashadha, bearing both the knowledge of shukra and brihaspati. dharma can then be reinstatated. this is why the agni purana states that kubera should be installed in temples as seated on a goat and with a club in his hand. the goat being symbolic of the symbolism of makara and the club showing what it means to truly fight for others and the weaponry of the mind by simply aligning the opposing sides of knowledge within ourselves, embracing the guru of duality (shukra) and the guru of wisdom (brihaspati).

💎 similar to the first mahavidya kali (representative of shani), the tantric form of kamala embraces both the light and dark undercurrents of life, for she is totality. she understands the maya of samsara; the waters of shukra, shankha, and rudra and the bharani/purva ashadha shaktis required to cleanse ourselves; the power that results from the combination of ugra and tara, and the necessary duality of lakshmi and alakshmi. you can not reap the diamond, without sifting through the coal (chitra). you cannot gain or lose in life but only morph and reconfigure your surroundings as you flow through the currents (swati). in vishakha, you cannot reap the fertile crops of kamala without the ability to achieve our goals abundantly through the force of time (kali).

⚡️grace kelly: libra vishakha lagna

⚖️ in the libra rashi, particularly the vishakha nakshatra, we see themes and elements of sexual abundance and overstimulation of shukra driving one to exploring sexual spirituality or, in more disturbing circumstances, towards harmful sexuality. it is a reoccurring theme for western libra celebrities to be candid about their participation in tantric acts. think of celebrities like gwyneth paltrow (libra chitra surya), sting (libra swati surya and chandra), scarlett johansson (libra vishakha surya), sean combs (libra swati surya), and heather graham (libra swati chandra) who have been frequently quoted for their appreciation of tantra. however, it is important to note that the common western popularization of tantric practices is typically inaccurate and both neglects the vast majority of nonsexual practices of tantra and sensationalizes what seems most appealing or convenient at that time. tantra should be taken seriously and not just flirtatiously used in a terminological sense. another person’s culture, religious traditions, or spirituality should be approached with respect and not used as a trendy fashion statement.

📖 the tantric books themselves act as a guide and explorative avenue for growth and harnessing our libido and intertwining that with our spirituality. one of the many characteristics of tantra is its use of mantras. while i implore you all to delve into the tantric books to familiarize yourself with this concept, i will try to sum up this concept as easily as possible. in the chapter pertaining to mantras in tantra, terrestrial water is drawn by the power of surya and rises to the solar region. it is this power of the sun that is referred to as rudra. the three gunas, sattva, rajas, and tamas, are respectfully considered to be the creatrix, preservatrix, and destructress, as these three shaktis whose forms are meditated upon in the solar orb at the three sandhyās. in the creation, preservation, and destruction, which take place in our everyday lives: the morning sandhyā is a period of creation, the noon sandhyā is a period of preservation or maintenance, and the evening sandhyā is a period of destruction. in the morning, the world is freed from sleep, the tāmasa shakti of dissolution (the dominant shakti at the time) is loosened from the grasp of darkness and awakes. during the night, the universe, although existing as before, remains covered by a film of tāmasa, “so that, notwithstanding its actual existence, it is not perceived by jīvas in a state of sleep. for this reason, the universe must then be considered “non-existing,” otherwise dissolution' has no meaning.”. in dissolution, the world of jivas exists in the womb of prakriti in a subtle form as seeds and then later the first blooms of creation appearing through the power of brahmashakti. during this daily of form of creation, brahmashakti’s shakti, meaning “to make things able”, bestows the power by which things can happen or transpire. that power belongs to brahman/god and can manifest in a variety of ways. at sanndhya, the sadhaka worships the three powers of the brahman as the creator (brahma/brahmani), the maintainer (vishnu/vaishnavi), and the destroyer of all things (shiva/maheshvari).

✨ in the evening, when the world of jivas participated in its daily activities and the weary of body seek to enjoy the blessing and balm of the sleep of dissolution, it is then that shivashakti, she who gives the unalloyed bliss of the enjoyment of the balm of dreamless sleep and is the destructress of the universe, appears (in order to provide that balm) in the solar orb in the form of maheshvari. she covers life with the veil of tamasa shakti and drops the curtain of sleep on the samsara, the maya playground of error, and dispels from the minds of jivas all the impressions which they have received from the outer world. tantra describes mahāprakriti as the aggregate of the three shaktis of creation, preservation, and destruction who is composed of the three gunas of sattva, rajas, and tamas. “it is not that when one of the guna is in play that the other gunas remain dormant. the eternal play of creation, preservation, and destruction is ever equally present in her, but we fail to recognize this with our imperfect vision. let us suppose, for instance, that we see a hungry tiger killing a deer. we think that it is the play of destruction of the mother of the world. but a keener insight into the incident will make it clear to us that even in this play of destruction there equally exists, in succession, the play of the three gunas of her whose substance is the three gunas. we see only the destruction of the deer. but although this is a case of destruction so far as the deer is concerned, it is a case of preservation if we look at it from the point of view of the tiger. for the tiger's body is preserved by the blood and flesh of that deer. again, the generation of the tiger's cub is due to the maintenance of the tiger's body. consequently, what is destruction for the deer is creation for the tiger's cub, just as our own eating involves destruction of the seed-power of the tree, preservation of ourselves, and creation of our children.”.

🌬 this is why it must be understood that in mahaprakriti, the three manifesting forms of the three gunas exist equally and always, but they appear as creation to some, preservation to others, and destruction to the rest. for example, the same water which quenches the thirst and gives life to one man may give death by drowning to another. what do you associate water with? the power of preserving life or the power of destroying it? the makara is born in that same water and lives in it and will not survive for a long period of time without it. are we to understand from this that water has the power of creating and preserving life? the same sunshine that destroys the life of the wayfarer oppressed by summer heat in some far-stretching plain gives life to the cold traveller whose limbs have been stiffened by the fall of snow. does this indicate the life-destroying power or the life-preserving power of sunshine? without sunshine, trees, shrubs, and flowers would dwindle and die. however, this very sunshine draws water from the earth and carries it to the solar orb.

☀️ the energy which draws water from the earth is rudra, meaning “terrible”. the same solar energy which previously manifested as a nourishing different form of energy then assumes a tamasic role, due to its purpose for drawing water. this is why, although it is solar energy, it is simultaneously rudra. thus, sunshine is called “rudra”. the term “sun” is used to describe a mass of compact energy, while rudra or sunshine is the name of the rays which it scatters off of its surface. tantra states, “the difference between the sunshine and the sun is the same as that between the waves of the sea and the sea. just as in the sea, water exists in a collected form, so in the solar orb energy exists in such form. just as in the sea single waves heave eternally, so do waves of energy in the solar orb. it must, therefore, be understood that wave is the same thing as water, and sunshine is the same thing as sun.”. the solar orb lies above (terrestrial water) and terrestrial water lies below (the sun).

⚡️ the issue with vishakha natives is they struggle with their perception of the three forces (creatrix, preservatrix, and destructress) and the gunas. they act as the tiger of mahaprakriti, the yoni of vishakha, and wish to stalk their prey to feed and preserve their ambitions, only to find themselves blinded by their pursuit and embodying the forceful state of rudra and drying their well of makara before they can peacefully drink from it. thus, eradicating their own personal preservation of spirit. they become blinded by power, this, in culmination with their innate spiritual abilities, can result in a multitude of dangerous behaviors (that i will elaborate later on).

⚡️vanessa paradis: libra vishakha lagna

🪷 during my hiatus from this platform, i heavily divulged into venusian manners and projections. as i was perusing the pages of “the life of the mind” by hannah arendt (purva phalguni chandra), i was further awakened to the cosmological significance of the teaching of shukra vs brihaspati.

🪬 i quote arendt’s words on understanding the thinking process of the mind from a metaphysical (the transcendence of reality) vs philosophical (the fundamental essence of reality) standpoint: “was it not precisely the discovery of a discrepancy between words, the medium in which we think, and the world of appearances, the medium in which we live, that led to philosophy and metaphysics in the first place? except that in the beginning, it was thinking, that was held to reach truth or true being, while by the end the emphasis has shifted to what is given to perception and to the implements by which we can extend and sharpen our bottle he senses. it seems only natural that the former will discriminate against appearances and the ladder against that thought”. it was often considered that both metaphysics and philosophy stem from the origin of poetry, an undoubtedly knowledgeable plane. therein lies a distinct need for intellect and knowledge in order to further cosmological understanding. similar to the kabbalah, brihaspati and shukra are intertwined via the chesed (jupiter) and (netsach) branches, which are immediately connected to each other. chesed is the love in which one feels for god and is the basis of mercy. it’s the charitable sustenance that nourishes those around someone. this is why it is able to channel netsach, as shukra is the mercy incarnate, hence it’s connotation with the “fall” or lucifer himself. whereas, jupiter gives thanks for the mercy and receives. venus is constantly discharging (hence, the popular “shukra/s*men” association) and projecting its desires onto the metaphysical. brihaspati is the nourishment within, his process is not as direct or refined, but slower and atomic. similar to how fat takes awhile to accumulate in the body, so too do brihaspati’s works take awhile to accumulate into philosophical fruition.

🫧 a primary example of this distinction is david lynch (libra vishakha lagna) in an interview with charlie rose in 1997. he describes his distinction between daytime (the summit of terrestrial waters) and night time (the peak of jīvas) dreams and the energetic properties of both. he states he prefers day dreams, as it is a meditative practice in which “the dream takes over” (aka the waters of the outer plane). furthermore, he describes this practice as an “unraveling” without intervention. the presentation of creative works is revealed to him, as the turbulent spirits of rudra (the storm) are eclipsed within the mind. this is ultimately why many vishakha natives (specifically lagna placements, as it is the sun being eclipsed by the energies of indragni) benefit from utilizing their minds during the day to create and refine their artistic endeavors. for example, many venusian/jupitarian ceos have been quoted to use the daytime as a primary form of artistic discipline, such as tim cook (libra swati surya native) who was quoted to arise at “3:45 am” and dan lee (libra vishakha surya native) was quoted to arise at “3:30 am”.

🎨 later in the interview, he states that when going to therapy, he asked the therapist “could this process i am going through affect creativity?”. when the therapist agreed that aiding in his mental distresses could create blockage in lynch’s creativity, he stopped going to prevent further artistic stifling. lynch later says he does not understand the very notion of creativity, but he does understand the “the manifestation of the idea in the material world” and the beauty of such; alluding to the importance of trusting the maddening process of artistry.

🪄 he sacrifices the stability of his mind in the future for the purpose of arousing creativity in his works. he wants to nourish the material plane with the artistic fats of the mind. this is why in works by jupitarian natives, such as twin peaks (directed by david lynch), casino (directed by scorpio vishakha surya and aquarius purva bhadrapada chandra native martin scorsese), and taxi driver (also directed by martin scorsese), there is this distinct build up or accumulation of insanity. it’s losing yourself to the creativity of the mind and for the sake of encouraging the poetic nature of philosophy. it’s the unraveling to receive and bestow mercy. it’s the masculine principle of the mind — philosophy. shukra is contrasted, in the sense that brihaspati is the benefic masculine and shukra is the malefic feminine (when untamed). it’s the dissent into the madness of repetition. it’s the “fall” personified. brihaspati remains conscious of his choice to crawl into the darkest depths to further the receptivity of the mind, but shukra does not. shukra slowly becomes cloaked in the veil of illusions (rahu) and steadily starts to lose all grip of the metaphysical. time and time again, shukra works capture heavy or disturbing mental imageries that illustrate the mind of the torturers in dante’s inferno (written by a vishakha chandra). vishakha acts as the astral guide to dante as he journeys through shukra (hell). symbolizing shukra’s corrosive mental state, think of films such as “black swan”, “to the bone”, “mad love”, and “girl, interrupted” who were largely influenced by venusian natives, all of which resemble the harsh realities one’s venusian-bound mentality imposes on their surroundings.

🦋 this distinct harshness of intellect is further exemplified by possible purva ashadha native james mangold’s interview about why his film, “logan”, had to be rated R. mangold responds that emotion (brihaspati) and bloodshed (shukra) are almost the same. it is the primordial, renaissance, biblical fate of film and fairytales. the mature connotation of rated R films gives mangold the freedom to explore his creativity without restriction of intensity. it is poetry in the sense of unconsciously (metaphysical pursuit) and consciously (philosophical pursuit) depriving the mind of sanity for the sake of art.

📕 this artistic difference is ultimately why brihaspati pasts the testaments of sanjeevini vidya through repentance and mercy and shukra fails and is cursed as a result in the following story of sanjeevini, vidya, shukra and brihaspati:

🪞“the devas and asuras were at war from time to time. however, whenever there was a war, shukra brought the slain asuras back to life with his sanjeevini vidya. this meant that the devas had to fight the same asuras repeatedly. they went to their guru brihaspati and requested that he learn this vidya. they suggested that brihaspati send his son kach to shukra in order to learn the secret sanjeevini vidya. shukra was very fond of his daughter devayani. so, the devatas suggested that kach also become friendly with her. brihaspati at first did not agree to this scheme. but later he decided that it was the best way for the devatas and sent his son kach to shukracharya. kach went to shukra and requested to be his disciple. all the asuras were unhappy about this. they warned shukra that this was a plot to learn the secrets of shukra. they were not in favour of their enemies’ guru’s son becoming shukra’s disciple. however, shukra could not say no to a request to learn from him. so he conditionally accepted kach as his disciple for a period of 1000 years only. kach was a devoted disciple. he served shukra with all his heart and soul. devayani was very impressed by his great devotion and faithfulness. she fell in love with kach. she was always watchful for him and would worry if he was late. kach, however, did not have any romantic feelings for her. he saw devayani as his guru’s daughter and nothing more. as the 1000 years of kach’s agreed upon tenure as a disciple of shukra was nearing its end, the asuras were uneasy. they plotted to kill him so to prevent the knowledge of shukra being taken back to brihaspati. the presumed that since devayani was in love with kach, he would have easy access to the sanjeevini vidya. they plotted amongst themselves to kill him. when kach went to graze cattle in the forest they killed him and abandoned his body for the wild animals to devour. devayani, however, was watching for the return of kach. when he failed to return from the forest she alerted her father. she declared that he was killed by the asuras and insisted that her father should go and look for him. though shukra did not believe her he investigated and found that it was the truth. he then used his sanjeevini vidya to bring kach back to life. the asuras failed in the first attempt on kach’s life. but they were still eager to kill him. the second time they killed kach they ground his body to a paste and put it in the sea. however, shukracharya used his knowledge and brought kach back to life again. the asuras were still not deterred. they killed kach yet again and burned his body. the asuras then took these ashes of kach and dissolved it in a wine goblet. they served this wine to shukra and he drank it. devayani was worried about the absence of kach. she again tried to persuade her father to find him. shukra was fed up with repeated requests and told her to forget about kach. but devayani was not easy to put off. she threatened that she would kill herself if kach was not found. shukra was very attached to his daughter and called out asking kach where he was. 

🔥 “kach replied from the stomach of shukra that he was here. shukra asked how he entered his stomach and kach narrated the whole story. when shukra asked him to come out he refused to do so, saying that if he did, it would kill shukra. he did not want to commit the sin of killing a guru. deveyani suggested that her father teach her the sanjeevini vidya. this would enable her to bring him back to life after kach exited his body. shukra had no choice but to teach devayani the sanjeevini vidya. while he taught her, kach who was in his stomach also learned the same. shukra then ordered kach to exit his body. kach came out of his body and shukra died. devayani then brought her father back to life. shukra was furious with the asuras and cursed alcohol for making him speak what should not be spoken. as kach’s discipleship was over he wished to leave. devayani wanted to marry him as she was so in love with him.

💧”the king of the asuras was king vrishparva. he had a beautiful daughter sharmishta. shukra was the guru of the asuras. this meant that sharmishta and devayani were good friends. once they went to a lake with their friends. they left their clothes by the lake and were playing with their friends when suddenly indra happened to come that way. the group of friends rushed to the banks of the lake and hurriedly put on their clothes. in the confusion, sharmishtha inadvertently wore devayani’s clothes. this annoyed devayani. she rebuked her friend saying that it was improper for sharmshitha to wear her clothes. though sharmistha explained that the incident was not intentional and only happened because of their being in a hurry, devayani would not relent. she was still angry. sharmishtha lost her temper as well and taking off devayani’s clothes, threw them into a dry well and went back home. devayani was angry for a while and then started calling for help. at this time king yayati was hunting in the nearby forest. he approached the well looking for water to quench his thirst when he heard the cries of devayani. he rescued her and covered her with his own clothes. devayani thanked him profusely. she explained the incidents that led to her predicament. she requested him to marry her since he had seen her unclothed. he replied that since he was a kshatriya and she a brahman, the marriage would not be proper. she replied that it was their destiny that this had occurred. king yayanti agreed. when devayani went home and recounted the incident to shukra he was furious. he threatened to leave the asuras but the asura king vishparva begged him to stay. king vishparva asked devayani what her wish was. she said that she wished that sharmistha should go with her as a maid with her 100 maids when she married. so, when devayani married king yayati, sharmishtha went with her 100 maids to her marital home. when shukra gave his daughter in marriage to king yayati he warned him that if he took any woman other than his daughter to his bed he would bear the consequences. king yayati agreed. devayani and yayati had two sons. however, when king yayati came upon sharmistha one day he was attracted to her. she explained that she was a princess but brought to his palace as a maid by devayani. she requested him to unite with her. yayati agreed and had a son by her. she then had two more sons by him. when devayani found out about this she was very angry and complained to her father. king yayati explained the reasons for his actions but shukra would not relent.

🌫 “shukra cursed him with premature old age. since yayati knew that this would also affect the happiness of devayani he asked for forgiveness. shukra then said that if he found a person who was willing to take on the curse, he could transfer it to that person and live a happy life. all of yayati’s elder sons refused to exchange their youth for his old age. the third son that he had by sharmshitha named puru was willing to take on the curse. yayati enjoyed his youth with devayani for 1000 years before he realised how worthless sensuality was. he returned youth to puru and renounced the world. shukra’s representative then explained to the audience in king vikramaditya’s court the lineage of yayati. he was the son of nahush. he divided his kingdom into five and gave one share each to each of his sons. the five sons of yayati were the ancestors of the five clans. one of his descendants was king dushyant whose son was bharat. it was bharat who adopted bharadwaj, brihaspati’s son. once brihaspati desired his brother’s wife mamata. when he approached her, she refused him saying that she was already pregnant. but he persisted and the child her in her womb also objected. he got angry and cursed the child”.

video references: https://youtu.be/-OXhMc0wpes & https://youtu.be/1tCzthgGxuo

⚡️ sydney sweeney (libra vishakha lagna) as pictured sucking from the intoxicating/maya mouth of rudra/ardra native to renew herself —as discussed in the character analysis below

🌀 the aforementioned winding and webbing of shukra and brihaspati is both mythology and a metaphor for the love lives of vishakha natives. there are three evident manifestations of vishakha natives: the innocent, purity state of the creatrix; the wealthy, accumulative state of the preservatrix; and the awakened, domineering state of the destructrix. all of which are evidentiary of the shattered minds of creativity within the natives’ sensuality. a primary and popular example of all stages of the vishakha mind in the midst of the romantic waters of rudra is none other than cassie howard (played by vishakha native sydney sweeney) in “euphoria”.

💕 the object for cassie’s addiction is love (as devayani’s). cassie’s origin begins with her turbulent childhood of growing up with an alcoholic mother and an absent addict dad. being sexualised at a young age by older men and the absence of a masculine/solar figure in her adolescence primed her for a dependency on male validation. this unfortunate storm of toxicity has created a lot of backlash with avid viewers of “euphoria”. this poises the question as to why the public despise women like cassie, but secretly relate to her needs in private? this is because vishakha/jupitarian women personify what we are so afraid to understand or become.

🔮 cassie embodies so many of the things the public ridicules, the things we collectively recognize are objectively and incredibly annoying. her problems pale in seriousness compared to the others, as she is not suffering from suicidal ideologies or abusive relationships as her peers are, and so her struggles seem out of touch. cassie’s primary dilemma is that she is sleeping with her best friend’s ex-boyfriend (played the rudra/ardra native jacob elordi). she falls into a depressive spiral and treats her friends badly and drinks in excess (immersing herself in the intoxicating jīva nature of alcohol & symbolic of vishakha’s correlation to liquor and intoxicating spirits). cassie throws herself at a man who clearly does not want her. when she is exposed by a fellow character, she deflects the blame with panicked vindictiveness. cassie is completely wrapped up in herself and her struggles, to the point where she doesn’t seem cognizant of the power and privileges she still possesses (she lies in the mirage of the night). this is why it easy to dislike her, because it is relatively easy to see ourselves in her destruction. while the problems faced by other characters might be so far away from our own lives that we can safely say we would do it all better and never let ourselves get in those dangerous situations, cassie’s messy emotionality and teenage angst are uncomfortably close. it is no surprise then, that cassie has become an emblem of equally painful-to-follow “toxic” female characters. when cassie asks her sister whether she looks different, shortly after finding out she’s pregnant with her ex boyfriend’s baby, her sister becomes a stand-in for the audience, lashing out at her sister and pointing out how absurd she sounds. for the audience, the dramatic irony is even more potent: we know that while cassie is experiencing her own personal trauma, she was also totally unequipped to deal with her ex boyfriend’s (who had just experienced a violent hazing at the hands of his fraternity brothers, and was coming to the crushing realization that he would never be a professional athlete), which many viewers interpreted as an unwillingness to engage with it too.

🤍 in the beginning, cassie aligned with the creatrix path: the path of saraswati. saraswati, being the goddess of knowledge, speech, and wisdom, bestowed cassie with the ability to gain confidence in vocalizing her needs to others while simultaneously abiding in this aura of purity. during this time, she incorporated white-colored outfits (such as white cropped hoodies, butterfly tops, newspaper dresses, and cow print skirts - a subtle nod to her additional solar influences). this frequent coloring of white imitates the unblemished and untouched nature of saraswati and shukra abiding in its auspicious state. white, being the reflection of the sun, additionally attracts the solar perception onto oneself. as saraswati’s form dissolved herself to become the gayantri mantra dedicated to the sun/surya. thus, a hint to the submissive, yet solar-craving nature of the creatrix path who longs to fully harness the power that lies within themself.

🪄 cassie transcends to the preservative path of the preservatrix in later episodes. this is the path of lakshmi. lakshmi is the goddess of wealth, fortune, maya, power, and love. she is the conch (shell) that flows against the turbulent waves of rudra to the destination of the shoreline (the height of cosmic awakening). lakshmi is often associated with gold and occasionally pink/red. in this period, cassie becomes more confident in her sexuality to garner solar energy. she attends more parties and begins to become more sexually aroused. her usage of gold is evidenced by her frequent pairing of gold hoops, studs, and necklaces with her outfits. additionally, she adorns herself in frequent pink outfits (such as the pink swimsuit, crocheted top, floral and puffy dresses, and sweatpants). this is a reminder of her feminine nature and to emphasize and remind her of her once approachable/creatrix nature. the color pink, being a combination of red (kuja/mars) and white (shukra/venus) hints to her progression in angst and anger as a character—she now lies in the midst of flames. cassie faces the turning point of love: will she fall as devayani and the venusian lucifer once did or transcend yet again?

💙 while cassie has yet to enter the destructrix stage of kali in the show, we are alluded to her potential. kali is the goddess of time, change, creation and destruction. she lies in the center of the yoni as she has the innate, feminine ability to both bestow life through birth or take life through the sexual/tantric magic of intercourse. this is the stage in which a woman has learned the importance of spirituality and wants to guide herself to finding love with someone who is trustworthy and empowering. she has abandoned the tempting powers of the jīvas and now arrives at the shore of spiritualism with promise. kali is often associated with saddening and authoritarian nature of blue, as evidenced by cassie wearing a blue two piece set in the scene where she breaks up with nate (her boyfriend). she lies in wait for her destiny, this is ultimately why kali is the first mahavidya in spiritual ascension.

🖌 now, during this evolution of style and love, you may have wondered why the mahavidyas associated with their respective states are not given in chronological order. this is because all goddesses and mythological beings exist in a stage of constancy. the goal for cassie, vishakha natives, and all is to harness the powers and properties of all tantric knowledge not just the lessons that are most appealing and favorable at the moment. embody the creatrix, the preservatrix, and the destructrix. do so with feverish enjoyment because in the shoreline of destructrix, you must either lose yourself to the maddening, carnal knowledge within or perpetuate the cycle of romantic mistreatment. refute the manipulation you once felt, as have other vishakha natives (such as beyonce, taylor swift, lana del rey and katy perry) who have all been taken advantage of and embody what the divine feminine means to you.

⚡️lana del rey: libra vishakha lagna

🏺 with jupitarian women, there is often a frequent upset or rampage around the degree of masculinity or femininity they choose to present themselves as. for example, miley cyrus (scorpio vishakha chandra) has been quite candid on the public expectations for her to adhere to a “super femme” identity. ruby rose (pisces purva bhadrapada surya) remains vocal about their journey towards gender identity and its intertwinement with authority. debbie harry (pisces purva buadrapada chandra) who has frequently detailed the role of her bisexuality and “masculine drive” in her musical career, detailing how many thought she was a man. a possible reasoning for this dichotomy is their importance in the stratosphere of the feminine vs male gaze.

👁 if have you scrolled through tiktok or watched any of the numerous video essays on youtube, it is likely you have heard of the term “male gaze” or its possible antithesis: the “female gaze”. the “gaze” is a term that describes how viewers engage with visual media. once originating in film theory and criticism in the 1970s, the “gaze” refers to how we look at visual representations, such as advertisements, television programs or cinema. the “masculine gaze” showcases, or rather embodies, the sexual politics of the gaze and suggests a sexualized appearance that simultaneously empowers men and objectifies women. in the masculine gaze, women are visually positioned as an “object” of heterosexual masculine desire. their feelings, thoughts and personal sexual drives are less important than her being look upon by masculine desire.

🏹 the concept of the male gaze was originally introduced by scholar and filmmaker laura mulvey (purva bhadrapada ketu native) in her 1975 essay titled “visual pleasure and narrative cinema”. mulvey argued that old hollywood films catered to a deep-seated drive known as “scopophilia”: the sexual pleasure involved in looking. she argued that most popular movies are filmed in ways that satisfy/engage masculine scopophilia. visual media that respond to the masculine gaze tend to sexualize women for the purpose of entertaining the masculine viewer. as mulvey once wrote, women are characterized by their “to-be-looked-at-ness” in cinema. they are viewed as a “spectacle” and inversely men as the bearer of the look”. this objectification of women rarely takes regard for their own voice and subjectivity.

💐 in the “postman always rings twice” (1946), we see a primary example of the masculine gaze. in one of the scenes, the audience is introduced to cora smith (played by brihaspati atmakaraka native), the film’s lead female character. utilizing close-ups, the camera forces the viewer to observe cora’s body. in doing this hyperfixation of cora’s figure, the film is inherently creating a mode of looking that is sexual, voyeuristic, and observing cora solely through the lense of the male protagonist’s point-of-view. this also establishes some important plot points: that the hero desires cora and cora is cognizant of his lust. however, it is clear the strongest message in the scene is that cora is sexy. even if a viewer isn’t attracted to cora, the scene still makes sense. a lifetime of seeing women sexualized in television, music videos and advertisements has made many individuals immune to witnessing the comfortability of assuming the masculine gaze.

🃏a more contemporary and famous example of the masculine gaze is harley quinn (played by gemini punarvasu lagna conj. brihaspati and surya native margot robbie) in the film “suicide squad” and “birds of prey”. the most telling example of “birds of prey’s consideration on the feminine gaze pertains to harley’s style. in “suicide squad”, harley quinn’s primary look features a red-accented baseball tee with “daddy’s lil’ monster” inscribed on her chest. the shirt showcases harley’s body as she strips down in front of a predominantly male audience in order to put on the item of clothing. her outfit and performance was designed to cater to the fantasies of a specific kind of viewer in mind, as opposed to the character actually catering to the character wearing it. whereas, harley’s aesthetic in “birds of prey” is consistent—shorts, t-shirts, heavy makeup—but the details and the subtext of the film’s director cathy yan’s (birthday unknown) portrayal of harley opposes “suicide squad” filmmaker david ayer’s (uttara ashadha surya and magha chandra) interpretation of harley. for most of harley’s screen time in the film, she is adorned in a loose-fitting t-shirt patterned with her own name in all caps and a bold font to indicate she is her own. in “birds of prey”, the camera follows what harley is doing, not typically following how good her figure looks in the process. for example, in the trailer for “suicide squad”, there’s a moment where harley steals a purse from a busted window display. it is hard to visibly see what accessory she stole because it was out of focus. the purse might be what her character cares about in that moment, but the camera shot focuses on her figure as she bends over in her leather shorts to pick up the bag. in a way, that is what the primary focus is and what the film is saying that matters.

🪞it is not the existence of this gaze that does the damage but it is seeing it in constant repetition that does. when you’re an impressionable audience growing up caring about films or television and you see girls and women in those films treated in this fashion, it leaves a profound impression. the point of this example is not that the masculine gaze should not be allowed to fantasize or that it is inherently negative, but rather the need for more diverse representation of lives, needs, and wants of women in film. the “daddy’s lil’ monster” shirt makes an appearance in “birds of prey” as well, as harley insists on keeping it for sentimental reasons. the shirt and all it represents does not need to be destroyed and can even be kept and recalled fondly. the primary point of pointing out the masculine lense is that there needs to be room at the table for everybody else. historically, visual arts has favored one specific gaze, but these stories appeal to and owe their success to audiences spanning over multitudes of different demographics and backgrounds—not just those favoring this gaze. now that we have a basic introduction of this topic, let’s delve deeper into what this means in vedic astrology and mythology…

🤍 traditional associations with femininity vary across the multitude of regions and cultures on this earth. therefore, it is important to stress that the feminine gaze or concept of femininity is not concrete in its definition or associations, but varies from person to person. for example, the traditional western association with femininity (primarily by european-americans in the 1950s) tends to view femininity from a virginal or purity-based lense. this consists of a focus on sterility and illusionary appearances, sexual fragmentations, and voided perceptions. denying the maturity of the flesh and focusing on latent p*d*philic associations like associating physical femininity with a smaller, waify stature; soft voices; and subservience. this can be quite a restricting perception as it ignores, sexualizes and denies the feminine experience for those who do not fit this specific stereotype. therefore, resulting in traumatization, mental restriction, and worldly duality (often associated with rahu). eventually producing neuroticism and causing the masculine gaze to use escapist fantasies of the feminine life force that originate from their insecure reality or political distortions. this perceives femininity to be a dependent infantile state where masculine individuation is not a reality.

🍵 conversely, in eastern countries (such as india, nigeria, kenya, etc.), femininity is not viewed through a traditional lense but rather an ancient one. it it is not to be demonized for its fixation and roots in the physical plane, but venerated and cherished for its primary spiritual abilities, as women are the gates to the ascension from materialism to the divine path. this is why women in eastern cultures are often believed to hold the power to revealing the true state of one’s soul, the source of true sexual liberation, and the source of all gnostic knowledge. notice how these ancient beliefs are not focused on the physical appearance of women, instead their evil-destroying and life-affirming abilities. it does not dehumanize the gender of women as a whole by solely contributing their femininity to “softness” or looks, it rather glorifies the gender as a whole and recognizes the intuitive power us feminine beings can hold. as a child, i was taught this eastern perception of femininity breeds true masculinity, as it does stress molding or conformity in order to embody your higher self. instead of telling you how you should be (in the case of western-european femininity), eastern femininity brings emphasis to who you already are in your natural state and the power in such. therein lies the planetary dichotomy of these two sides of the feminine spectrum… to be the virginal creatrix or empowered destructrix feminine?

⚡️lily rose depp and eva longoria: libra vishakha lagnas

TW// discussion of tantra and it’s use of bodily fluids

📖 the beauty of vishakha is it forces you to come to terms with what you have long been running from. you cannot escape the forked destiny of vishakha, as it is unrelenting and unforgiving. so why is it brihaspati forces so many women to awake to their gendered destinies? while there are plenty of theories, a prominent correlation is the co-ruler of vishakha: agni. agni is the god of fire, creativity, and wealth. he is married both to the goddess and svaha and with the male moon god soma. in mythology, agni ingested received soma’s semen orally, resulting in the birth of skanda, the god of war. semen/shukra is actually within both men and women, except those assigned female at birth are said to possess semen/artava in the rasa dhatu or blood. this is actually the realm of maya and lakshmi (according to tantra) and is why men are typically said to struggle with possessing too much or too little shukra. when our shukra is unbalanced, it completely destroys our artistic completion and confidence and warps the mind. one of the primary tantric practices, maithuna, is said to be centered around male abstinence but others have said early maithuna might have consisted on generating sexual fluids in order to be ritually ingested. the shedding of shukra is compared to a water-offering. this is why possesing too much shukra is watery/kapha in nature. kapha being soma-like, watery substance of the planets venus, jupiter, and moon. it is also involved in the mixing of the five ingredients to create amrita in the temple of puri.

🌀 whereas, the siddhas teach that the sexual reproductive power (the kundalini/life force) can be transmuted into superior forms of energy (ojas and tejas). ingesting semen causes it to rise up to the crown center, once it reaches the brain, it can be processed into extremely subtle energies (ojas and tejas) used by the higher mind. as the physical brain requires oxygen and proteins to function properly, the higher mind (superconsciousness) needs big quantities of ojas and tejas energy. the tejas is the energy in which "produces the halo around the saint's head". the ojas is the energy in which confers an extraordinary vigor, power and virility. this is why some cultures believe gemstones to be drops of divine semen, specifically jade being of the dried semen of the celestial dragon.

🌌 ejaculation is thought to be like the concentrated yin and yang essence of the partner. according to ancient taoist and tantric traditions, absorbing it either orally or genitally is meant to be profoundly nourishing and balancing. the genital fluids people emit are the deepest essence of who they are. by absorbing them, you take in the very essence and core of your partner. this goes for all shukra and is customary to be initiated by the feminine life force first.

🧿 the sixth sense is considered to reside in the communion of sex and is completely intuitive. sexual energy travels in a circle from the feminine third eye, or sixth chakra, over to the masculine sixth chakra, then down to the masculine second chakra, over to the feminine second chakra, and then back up to the feminine sixth chakra. this is because sexual energy travels in this cyclical motion, which is controlled by the feminine life force. because sexual communion cannot happen until the feminine life force knows their divinity and manifests the faculties of the moon/soma as the masculine life force manifests the faculties of the sun (agni). then a couple can understand and appreciate the waning and waxing of each other. issues with sex pertain to ego. engaging in egotistic sex harms and debilitates venus and our shukra. because unfulfilled sex is debilitative in nature and in which only ego is only fulfilled.

📿 this is ultimately why many brihaspati natives participate in tantra and are vocal of their distain for s*x work. for example, meryl streep (pushya lagna—ruled by the deity brihaspati), anne hathaway (vishakha buddha, shukra, surya, and brihaspati), and lena dunham (purva bhadrapada brihaspati atmakaraka) have repeatedly spoken about the disempowering nature of p*rn. as these natives view this line of work caters to male supremacy, due to the feminine life force not initiating s*x in most films/the male gaze being the dominant perception of the industry. they view the field as economic coercion for the purpose of poverty liberalization. while i am not anti- the industry per se, their points of female commodification and opposition to intimacy are valid, as p*rn does violate the spiritualism of tantra and accumulation of fats/tissue (shukra).

🌸 shukra dhatu affects one’s ability of creativity. when your body is composed of healthy shukra dhatu, your natural creative instinct remains sustained and enhances the ability to take this creativity to its results. people with shukra deficiency may still have their creative instinct but they will face difficulty in maintaining their interest to see it through the completion. conversely, when you have an excess of this dhatu, your instincts towards creativity can get completely blocked (hence, the opposition of p*rn by brihaspati natives).

🪸 this interference of knowledge can pose to be sacrificial to vishakha’s occultic creative process, because of brihaspati being the son of sage angiras: who is known to possess the knowledge of black magic, sorcery, and witchcraft. as stated previously, both shukra and brihaspati saught to learn sanjeevini vidya (the knowledge that gives the ability to rouse the dead back to life) by means of foul play. this is ultimately why natives going through great, possibly distressing, ways to illuminate harsh realities or fantasies (e.g. cassie howard).

⚡️janet jackson and diana ross: libra vishakha lagnas

🪹 because of these natives’ value of occultic knowledge, many brihaspati natives struggle with receptivity (the heart of yoni, kali, and femininity). this is why jupitarians find issue in learning how to respond to male energy. these natives struggle with harnessing their libido to harness his or her sexual tension and subsequently have the ability to embody another’s fantasy. women are the natural embodiments of maya via their rasa dhatu. these natives must learn that maya (rahu) is not evil, but a necessary part of existence. they must learn not to to run from maya (themselves), but simply control and project their energy into matter only in accordance with our will.

🪺 every individual has a distinct sexual polarity that responds to certain imagery and scenarios, which causes their libido to begin uncoiling, and sexual arousal is the result. all form is a product of essence, and certain elemental combinations produce certain physical traits. an abundance of the earth element produces a curvy form, while more water element yields a smaller, thinner, dainty frame. if a man is a mixture of fire and earth, his energy will naturally respond to and uncoil around a mixture of air and water, as these traits are a relief to him from his own condition of heat and heaviness. the cool, ethereal, subtle and fluid nature of the water and air women causes his heated and rigid nature to begin relaxing and arousal occurs.

🪴 arousal has a parallel to hypnotism in that it is a sort of dilation of the sexual, kali center, which produces a feeling of pleasure and intoxication. loosening the libido of a man or woman from the proper stimuli is the essence of the female path, which is learning how to embody all sexual fantasies possible. on the physical plane, any given person can never really embody more than one type of fantasy in a truly successful way, which is the type correlated to their elemental constitution. however, on the astral plane a woman can obtain kama rupa siddhi, which is the ability to assume any form she or her partner desires. like parvati when she assumed the form of any of her 10 mahavidya forms, a woman with this siddhi can take on any form her partner desires, and contain their sense organs within herself, through becoming their entire reality and universe (the creatrix, the preservatrix, the destructrix). depending on their partner's willpower, he will either resist and maintain his individuality or succumb totally, and willingly allow himself to be absorbed into her "space" through stimulation of their every fantasy.

🌱 with kama rupa siddhi, it is difficult for many people to resist, as a person who masters this ability can offer to be whatever that person wants them to be, and most individuals (in the privacy of dream plane) will agree to sexual activity that is offered to them when it embodies their exact fantasies. this is why if these natives are in a relationship it is important to learn how to control your dreams so that you or your spouse do not commit infidelity in your sleep. a vishakha woman can open herself to the wrong force, if she is not aware of her dream life. this is why for a woman, loving must be done under will. this control over dreams is very important for men who attempt to be celibate, because more and more powerful female beings will be drawn towards the solar energy he is attempting to collect, and will assume forms he is unable to resist, and which he will agree to relieve his sexual tension with in his sleep. these being are comparable to saraswati who wanted to divulge into surya. these beings will form a link to his nervous system and project his fantasies to him, and he will continuously pour himself into them until they totally consume him. this is why directing one's sexual energy is better than celibacy, especially before one has total control over one's dreams.

🌿 vishakha natives must learn that in order to fulfill their role as a sexual priestesses, they must never hold back her sexuality or gender identity for fear of anyone losing control, as they must become able to embody the fantasies of anyone they sleep with. in order to generate energized enthusiasm and stir the libido and kundalini to direct it for spiritual and magical purposes. they must to learn how to lose control. in doing so, they fulfill their role as mother nature herself embodied on earth, and are able to allow every being they encounter to use their sexual energy as they see fit. mother nature rewards these natives, as this constant churning of sexual energy (shukra) ensures the constant change and generation of and breaking down of life forms that causes all of reality to move to higher and higher levels of perfection. thus, eliminating all stagnation, repression, and misery that results from lack of magnetic sexual exchanges.

⚡️pam grier: scorpio vishakha lagna

💋 as always, i am open to any constructive criticism! this is roughly about 40 pages so savor it my loves. this is only part one. i always encourage people to treat my posts like fine wine, they age better with time. i tried to touch on the multitude of astrological involvements in the appearances, manifestations, and symbolism of vishakha. vishakha natives will often go through life feeling the need to find identity in unique, coveted personas that are original, yes, but not true to their inner identity. it is okay to peel back the layers you have grown so accustomed to embodying and be who you truly feel called to be. tap into your ability to be the “forked one” and pierce through your personal veil, which accumulated through trauma or outer/external expectations and demands throughout your life. free yourself from the restrictive and often unnecessary rules and patterns, expand your knowledge, and rise to your throne.

if you are looking for more information about vishakha, get to know the overrulers and supreme deities of brihaspati, indra (king of the gods) and brahma (law giver); shukra, indrani (queen of the gods) and indra; kuja, bhumi (earth goddess) and skanda (war god); and ketu, chitragupta (god of karma) and brahma (god of knowledge). also—and i cannot stress this enough—familiarize yourself with the deities of this nakshatra: indra and agni. if any of my placements or information are incorrect please feel free to let me know! also, i am fully aware of the origins of vedic astrology and if i was in anyway disrespectful to hindu culture, i will take down this post immediately. i am incredibly honored to know such lovely vedic astrology enthusiasts. you all mean so much to me xx

a lil update: i sincerely apologize for being so out of touch lately. my life seems to only become more haphazard as the days pass, me and my family recently went through some terrible events. i need time and space. i implore you all to dm me as you wish but—i will reiterate—i am not here to provide you a FULL chart reading for free. i love to help but i am not an ever-flowing, continuous fountain of knowledge who will drop my needs at one’s every whim. i am going through a difficult time right now and i ask you honor this. if people continue to curse me out in the dms or send hateful messages simply because i do not answer your questions immediately, i will turn off dms. this is not to be rude but sometimes i feel that many people lack boundaries. i am a human being too and i refuse to tolerate hatred. for those who have sent me such constructive or kind messages, words cannot genuinely express how happy i am to have gotten to know such a lovely community on here so i want you all to know i treasure y’all.

**all of these placements were found using astrotheme/.com and/or astro-charts/.com. it is important to note that some chandra (moon) placements may be off by up to 6 degrees and lagnas (risings) as well, due to the fact that many websites do not have 100% accurate birth times for the given celebrities.

**i take absolutely no credit for the invention of vedic astrology-based appearance profiles. please watch claire nakti on youtube or look into @/cn0bles and @/lovejustlied on twitter for more in-depth analysis on vedic astrology xx

“i was always an unusual girl. my mother told me i had a chameleon soul, no moral compass pointing due north, no fixed personality; just an inner indecisiveness that was as wide and as wavering as the ocean. and if i said that i didn't plan for it to turn out this way i’d be lying- because i was born to be the other woman. i belonged to no one, who belonged to everyone, who had nothing, who wanted everything with a fire for every experience and an obsession for freedom that terrified me to the point that i couldn’t even talk about and pushed me to a nomadic point of madness that both dazzled and dizzied me.” - lana del rey (vishakha lagna and ketu)

xoxo, angel <3

[1111jenx]

Hi ❤️✨ can you tell me something about Saturn in the 1st?

Ofcourse luv! ( omg i had this whole 2 pages typed out for yall but my computer decided to be silly all of the sudden now i'm redoing everything so pls b patient with me 🥲💞 )

my rising series(on-going)

Saturn 1st house/ Capricorn rising:

cold, distant exterior⚡️( saturn is very far from the sun, is also a v "dry" planet )

air of regality and entitlement to them. almost similar to leo/taurus rising but wayyyyy more detached imo(saturn=teacher)

usually comes from a very well educated family or very expressive, socially active family.

i notice they're super drawn to fire heavy people? maybe its because their aries 4H they feel very comfortable with fire energy and perhaps even find us chaotic people entertaining to a degree🤣

these babies are their worst enemies. they're extremely self critical and no one sees their own flaws like they do🥺

others rely on them, they just seem so put together and you know that once they're stepping in to take over, things will be okay.

coldest fucking stares when they're mad. omg just don't get on their bad side. watch them come to y'all with receipts and fact-checking while you're going off on your bs🥰 ( even worse than virgo rising, trust me on this. )

constant identity crisis and worry about everything🥺 they always feel as if they can never truly be content, they always yearn for more, for "perfection" and they feel that their success is too minimal.

overachiever. some people said they're not competitive?? honest to god they'd probably just didn't care enough. once they do watch them pour their heart and soul into it.

dedicated💞 loyal💞 lowkey affectionate💞

want to make a saturn 1H/cap rising feels good? compliment them on their success! acknowledge their hard work and sleepless nights! they may act as if they're happy on their own but they secretly need that reassurance.

not the type to be irrational with you when things are rough. my capricorn rising libra sun friend deadass screamed at me while I was fired up in one of my tantrums like "sit your ass down we're gonna figure this out". wouldn't bullshit or give me superficial support, just started to create a freakin list with bullet points, detailing step by step to overcome my problem💀

if you're acting stupid, watch them call you out on your bs. they have no problem with that.

hates hatesssssss crying (in public especially). a lot of cap rising has Aries 4H so they were taught to be independent and self reliant from a young age, to them individuality means more than anything and they'd literally die before being embarrassed in public💞

gets ANNOYED when people don't follow "the plan". if you cancel on them last min without giving a concrete reasons like your mom was hospitalized or something, they'd get very veryyyyy mad. if you can't do something, let them know beforehand, don't wait til 20 mins before the thing happened 💀 ( i learned this the hard way guys. lessons learned )

trendsetters🕊 elegance style, looks expensive without trying, literally anything look hella boujee on them!!!

picky with their appearance. takes criticism seriously too!!

sarcasm and extreme dry sense of humour. naturally serious nature but their jokes are so goofy and dry?! but its so sooo funny for some reason

they bite. i'm so serious have you seen them losing it on someone? watch them drag you to hell and back with their words.

a taste for finer thing in life (taurus 5H). they truly appreciate aesthetics and beauty🖤

an animal in the bed, so sooo dominant and they have this appraisal kink? worship them and watch them treat you like royals. (leo 8H) like is that really the person who just did an hour long presentation about types of bureaucracy ???

when traveling with them you'll b sure they'd plan out everything for ya, they know people and they have done their research on almost everything.

they love when someone makes them feel like home. (cancer 7H) they're super into caring and observing people. they notice the smallest thing so don't try to manipulate them haha🤣

the type that sees everything and sees through your bs but will ignore it for your sakes if they like you🥲

THEY HATE LOOKING STUPID. DONT MAKE THEY FEEL STUPID YOUVE BEEN WARNED

mature from a young age or was forced to grow up. as a child they were pretty care free but soon were introduced to adulthood almost immediately.

amazing bodies. models. bone structure > (saturn rules bones of the body)

materialistic. don't blame them they just know better than yall. money can't buy love but it can buy that LA mansion.

suprisingly into charity and believe in giving back to society tho!! esp if well aspected. (aquarius 2H)

metal mentality. unfazed. watch them go "oh?" when you tell them something shocking. they predicted it but chose to be silent because "its not their business"

dont insult their family, close circle. they're pretty drama free and honestly don't have time for your petty stuff but would not hesitate to come for your throat if you cross the line.

well-mannered to the core and dislike people who are socially clueless.

tendency to love people who rely on them. motherly nature.

secretly LOVE it when other confide in them. don't worry they're not virgo rising they wouldn't let it burden them but they appreciate your honesty a lot.

expect people to open up FIRST. then maybe they will if they deem you as worthy✨

Sorry for the long post luv🤣 I just really love my Capricorn rising/Saturn 1H people. Only with them can my chaotic ass be calmed down��

love,

saint jenx🥀

[illusionoftheabyss]

Started studying ceremonial magic rituals from the Hermetic Order of the Golden Dawn and Aleister Crowley’s Astrum Argentum and Ordo Templi Orientis . Although I have my feelings about Crowley as a person, He no doubt created brilliant and illuminating occult literature that teaches the Qabalah so well that I must separate the Art from the Artist. Began to record my Gnosis for thy own Order called “ The Qabalistic Templum Atra Flamma “ = The Qabalistic Temple ov the Black Flame. The Black Flame refers to the Qabalah and the Ain Soph Aur : The Limitless Light ov God, Infinite Creative Potential that Exists above Kether And is the internal invisible Etheric flame of light/energy that exists within us all. Also the Torah was allegedly written with black fire. The limitless Light ov God brought into manifestation through Kether That gives Chokmah The Wisdom of Everything and Holds the Science of the Holy Tarot and the Zodiac with all Stars and All Divine Light, blasting into Binah, which gives Form, Time, and Space for the lower 7 Sephiroth to form emanations and Our Multiverse and reality is created. I am becoming a Wizard. 🤣

The Black Flame corresponds the Supernal Triad of Kether-Chokmah-Binah also, with emphasis on Chokmah: Infinite Potential and Super-Consciousness This is my book of shadows that I have titled “ Libre Umbrarum “ In the photographs, I have presented the formulae for the Qabalistic Cross, The Lesser Banishing Ov The Pentagram Ritual, The Lesser Invocation Ov The Hexagram and The Lesser Banishing Ov The Hexagram along with detailed explanation of the Rite Ov The Analysis Ov The Keyword:

Part i: The rest will be in next post🌓⚡️🪐🕍

May The Light Be Extended To You Upon The Path ~ In L. V. X. < Fratre J.A.H. ☿ 93 65 78 22 33 609 17 ☥ ❤️‍🔥♒️🔯☸️✝️☯️🕉💟🔮

[monamors]

Positive Energy⚡️📈

#100 Dialogue Prompts to Make a Reader Swoon… (Okay maybe not all of them)

“Why do you have to look at me like that? It’s making me weak, please stop.”

“Oh god, how can you manage to switch from cute to sexy in under a second?”

“I’m so lucky.”

“I can’t stop thinking about you.”

“I’ve realised that you keep interrupting my daily and, holy shit, do I love it.”

“Is this the moment that we kiss?”

“The more I look at you, the more I think we need to leave.”

“Look at me. I love you.”

“What took you so long? I missed you…”

“I-I think we should go for dinner first.”

“I know you’re working, but can I come over because I miss seeing your face?”

“I never thought I’d be so lucky, especially not in this lifetime.”

“I love you more than coffee.” *distant gasps*

“And when you’re not around I keep thinking I might cry.”

“I’m asking because I’ve seen the way you look at me.”

“I’m tired and my bed feels so empty without you here.”

“I think I’m in love with you and I don’t know what to do.”

“I desperately want to take you out for dinner and slow dance with you until the sun comes up, but I also want to grip your hair as I watch you writhing underneath me.”

“If you don’t stop looking at my lips without doing anything about it, I will take you right here on this counter.”

“Every inch of you is the most incredible thing that God ever created.”

“I know you don’t like labels, so will you be my married-person-thing?”

“Are you going to kiss or keep staring?”

“I fell for you without even knowing it and, jesus, does it hurt that you can’t see it.”

“Stop doing that with your face, someone else is going to snatch you up.”

“Please just look at me while I confess, after that you can look anywhere you like, I swear.”

“For you, darling, I would collect every cherry blossom in Japan- no- in the world.”

“And now your hand is in mine and I feel like the luckiest person to walk the planet.”

“Don’t hesitate, just kiss me.”

“Everytime I look at you, I think I fall a little more in love.”

“You are more than you think of yourself. You’re everything to me.”

“Don’t look at me like that and then feign innocence.”

“You’re the best thing that has, and ever will, happen to me.”

“I think you need to tell me the truth about how you feel towards me.”

“I shouldn’t be allowed to be this happy.”

“You keep saying that we’re friends but you look at me for a moment too long for that to be true.”

“Not only am I deeply in love with you, you’re my best friend.”

“I would honestly die before I let anything happen to you.”

“Please don’t love me the way you loved your exes.”

“I’m not materialistic. I like being happy and having lots of sex.”

“I don’t care if you think you look like godzilla when you wake up, you’re my beautiful godzilla.”

“I know you haven’t done anything, but can you please stop looking so goddamn kissable, my parents are here.”

“You’re the only person I’ve ever actually wanted to spent the rest of my life with.”

“The things I would do just to see your face right now.”

“Please come home, this doesn’t feel right.”

“Will you stay the night?”

“I made breakfast, but I didn’t know what you liked so I made enough to probably feed a small tribe.”

“Hold my hand.”

“Shall we- shall we go back t-to my place?”

“How can you stand there looking like that?”

“Why do I feel like I’m home whenever you’re near me?”

“I will love you forever and when ‘forever’ ends, I’ll love you some more.”

“If only you could see yourself the way I see you, because, holy shit, you’d realise how much I’ve fallen for you.”

“Are you awake? Oh my god I was so worried, holy shit I thought I was going to lose you.”

“Don’t think about anything. Just tell me that you love me and hold me tighter.”

“I think we need to talk about the fact that I’m in love with you and also that I’m pregnant.”

“Call me everyday, I just need to know you’re okay.”

“I know you think we aren’t right for each other, but we’ve run into each other too many times for you to tell me that this isn’t fate.”

“There’s always a place in my bed for you, I will wait no matter what.”

“People like me aren’t supposed to have someone like you, I think fate was being harsh on you.”

“I’m so madly and deeply in love with you, please meet me so we can discuss this.”

“I would’ve waited an eternity if I knew you were what I’d get at the end of it.”

“I hope you’ll never forget how much I adore you.”

“Why didn’t you answer your phone? It was an emergency, I needed to tell you I loved you.”

“I hope our love never gets boring.”

“I want to spend the little time I have left with you and only you.”

“Thank you for loving me, I couldn’t have been more lucky.”

“Every morning you kiss my forehead before I leave for work, why was it my lips today?”

“My heart hurts when I look at you.”

“I’ve fallen for you and it’s becoming difficult for me to get anything done.”

“All I can think of is your lips on mine.”

“Don’t blame it on the alcohol, you tasted like you wanted me.”

“You keep that photo of us in your wallet?”

“If anything ever happens to me, remember that I’ll always love you.”

“Darling, your heart is too pure for me.”

“I got everything I wanted. My everything was you.”

“Kiss me like you mean it.”

“All I ever wanted is right here in front of me.”

“Don’t pretend that you don’t feel the same way.”

“I fought so hard to get you and thank god I can finally rest.”

“Don’t leave me like that again, you scared me.”

“I never thought we’d end up together, but here you are confessing everything to me.”

“I can’t be without you.”

“You were never the person I wanted, but you were the only one I ever needed.”

“I don’t know how you’ve put up with me for this long, but I love you for it.”

“I hope we last.”

“We could be an epic novel of forbidden lovers, like Romeo and Juliet without the ending.”

“Don’t tell me you love me unless you mean it.”

“Every little thing you do, makes me want to hold you forever and never let go.”

“If marrying me will make this relationship boring, then let’s just date forever.”

“I want to love you like it’s our last day on earth, but you beat me to it.”

“That night you kissed me and I thought I might melt.”

“My heart isn’t beating faster, my heart isn’t beating faster, I swear it isn’t, get ahold of yourself.”

“They told me that you’d break my heart but, holy shit, they never said it’d feel like this.”

“Don’t act innocent, you had me pinned underneath you 5 minutes ago.”

“I just want you to be happy, even if your happiness doesn’t include me, I just want you happy.”

“Will you love me like this forever?”

“I could never not love you.”

“I can’t think of a life that doesn’t have you in it.”

“You don’t know half of the things you do to me.”

“Kiss me and promise me a forever.”