#a bit more

[amazeingartist]

a helping (?) hand

prettyyy sure in this world phantom limp pain was solved,, pretty sure

[applecherryandpears]

The death of you and me :

Oasis split in 2009. This was recorded between 2010 and 2011 and released in August 2011. When asked at a press conference whether the meaning of the song was related to the relationship between himself and former bandmate and brother Liam, Gallagher replied that it was based on the saying "If we don't leave this place, it'll be the death of you and me", and that it was "a bit more romantic than that [his relationship with his brother]" and is "a romantic song about ... people escaping the surroundings they're in ... and having a jolly good time and living happily ever after".

[g0dsfavjoke]

That one scene of Father Paul standing on his porch hunched over looking really scary and uncanny is one of my fav scenes of the entire show tbh

[allo-frouto]

Honestly hugging you with my huge boner sounds so hot

Especially if the hug is from behind.

[mishkakagehishka]

Sighs

[seva-khusid]

Old worldbuilding map

I felt the need to unwind a little and remembered that I have this little (10x18k pixels) labour of slow and unmethodical love. The setting behind it has been brewing in me for almost nine years now, and will take some more time before it, if ever, becomes anything publishable.

Such timeframe has made it unwieldy at times. Back in 2014 I carelessly lifted themes from every game I was into (mainly Warcraft and HoMM3), and this approach remained as my interests changed. Instead of poorly drafted epic tales I moved to poorly drafted conlangs and histories.

Eventually themes of empire and expansion emerged at its core. Is conquest ever justified? Do the cultural scars it leaves ever heal? For the last semester I kept pestering my professor who taught Displacement in Roman Literature class, asking about creative applications of literature on space and displacement. This passion project was among my main reasons.

It is still a work in progress: for every empty spot on the map there is a dozen conceptual gaps. Most of all, I am struggling to assign a form and an audience for it. I'd ran one and a half pseudo-D&D adventures in it, have several different drafts for games - a Zeldalike and a (T)RPG - but these have to be localized stories. But the main thing I like in this idea is the view through its ages, a discussion about cultural development.

This too has solutions. The Zeldalike draft is narratively focused on its characters seeing how their respective cultures shaped them and learning to overcome it; and the D&D adventures had been placed in different times with metatextual intent. But who on earth would play this?

[some-pers0n]

I hate how people will look at popular indie artists who had one or two songs go viral on TikTok and start making fun of anybody who listens to them. "Oh you listen to Lemon Demon, Will Wood, Jack Stauber, Glass Animals, and Mother Mother? Tsk, don't you know that is stupid TikTok neurodivergent white transmasc preteen music? It's so mid and bad you should listen to real music–" you are a pit of misery

[crystaltoa]

And now for something completely different.

This is the ADHD Teapot. I made it in a ceramics class a few years ago. I use it to explain executive dysfunction to people who haven’t come across the term before (and those who think of ADHD mostly as Hyperactive Eight Year Old Boy Syndrome).

So, most people’s brains are like a regular shaped teapot with a single spout. Let’s say that your time, energy, focus etc is the liquid you have in the teapot. Your executive function is the spout, that directs the tea into the specific cup you want to fill-aka the task that you’re meant to be doing. Spills happen occasionally, but generally most of the tea goes in the right cup.

If you have executive dysfunction, (a symptom of ADHD, trauma, autism, schizophrenia etc.) you have multiple spouts going in different directions. You can try pointing one of them at your chosen cup and you will probably get some liquid in there, perhaps you will even fill it right up (finish the task). But meanwhile, tea is also pouring out of several other places and not going where you want it. If you have another container nearby, perhaps some of it will end up in there. But quite a lot of it is going to end up on the floor and accomplish nothing.

And at the end of the day you’ll have filled one or two cups ( or sometimes not even one) compared to the five or six that somebody with the same sized teapot (but only one spout) has filled, and everyone wonders why you’re so bad at getting tea poured, and why you make such a mess in the process.

One day I’d like to spend more time learning pottery and create a really technically good fucked up little adhd teapot. But that’s a long way off since i currently live in the outback and the nearest pottery workshop is some 400km away. But I figure that for now, it might be a useful or interesting metaphor to somebody even in its rough draft form.

This post is the cup I filled instead of cleaning my house btw.

[w1lmuttart]

The lake town

[shadesofmauve]

I want to step away from the art-vs-artist side of the Gaiman issue for a bit, and talk about, well, the rest of it. Because those emotions you're feeling would be the same without the art; the art just adds another layer.

Source: I worked with a guy who turned out to be heavily involved in an international, multi-state sex-slavery/trafficking ring.

He was really nice.

Yeah.

It hits like a dumptruck of shit. You don't feel stable in your world anymore. How could someone you interacted with, liked, also be a truly horrible person? How could your judgement be that bad? How can real people, not stylized cartoon bogeymen, be actually doing this shit?

You have to sit with the fact that you couldn't, or probably couldn't, have known. You should have no guilt as part of this horror — but guilt is almost certainly part of that mess you're feeling, because our brains do this associative thing, and somehow "I liked [the version of] the guy [that I knew]", or his creations, becomes "I made a horrible mistake and should feel guilty."

You didn't, loves, you didn't.

We're human, and we can only go by the information we have. And the information we have is only the smallest glimpse into someone else's life.

I didn't work closely with the guy I knew at work, but we chatted. He wasn't just nice; he was one of the only people outside my tiny department who seemed genuinely nice in a workplace that was rapidly becoming incredibly toxic. He loaned me a bike trainer. Occasionally he'd see me at the bus stop and give me a lift home.

Yup. I was a young woman in my twenties and rode in this guy's car. More than once.

When I tell this story that part usually makes people gasp. "You must feel so scared about what could have happened to you!" "You're so lucky nothing happened!"

No, that's not how it worked. I was never in danger. This guy targeted Korean women with little-to-no English who were coerced and powerless. A white, fluent, US citizen coworker wasn't a potential victim. I got to be a person, not prey.

Y'know that little warning bell that goes off, when you're around someone who might be a danger to you? That animal sense that says "Something is off here, watch out"?

Yeah, that doesn't ping if the preferred prey isn't around.

That's what rattled me the most about this. I liked to think of myself as willing to stand up for people with less power than me. I worked with Japanese exchange students in college and put myself bodily between them and creeps, and I sure as hell got that little alarm when some asian-schoolgirl fetishist schmoozed on them. But we were all there.

I had to learn that the alarm won't go off when the hunter isn't hunting. That it's not the solid indicator I might've thought it was. That sometimes this is what the privilege of not being prey does; it completely masks your ability to detect the horrors that are going on.

A lot of people point out that 'people like that' have amazing charisma and ability to lie and manipulate, and that's true. Anyone who's gotten away with this shit for decades is going to be way smoother than the pathetic little hangers-on I dealt with in university. But it's not just that. I seriously, deeply believe that he saw me as a person, and he did not extend personhood to his victims. We didn't have a fake coworker relationship. We had a real one. And just like I don't know the ins-and-outs of most of my coworkers lives, I had no idea that what he did on his down time was perpetrate horrors.

I know this is getting off the topic, but it's so very important. Especially as a message to cis guys: please understand that you won't recognize a creep the way you might think you will. If you're not the preferred prey, the hind-brain alarm won't go off. You have to listen to victims, not your gut feeling that the person seems perfectly nice and normal. It doesn't mean there's never a false accusation, but face the fact that it's usually real, and you don't have enough information to say otherwise.

So, yeah. It fucking sucks. Writing about this twists my insides into tense knots, and it was almost a decade ago. I was never in danger. No one I knew was hurt!

Just countless, powerless women, horrifically abused by someone who was nice to me.

You don't trust your own judgement quite the same way, after. And as utterly shitty as it is, as twisted up and unstead-in-the-world as I felt the day I found out — I don't actually think that's a bad thing.

I think we all need to question our own judgement. It makes us better people.

I don't see villains around every corner just because I knew one, once. But I do own the fact that I can't know, really know, about anyone except those closest to me. They have their own full lives. They'll go from the pinnacles of kindness to the depths of depravity — and I won't know.

It's not a failing. It's just being human. Something to remember before you slap labels on people, before you condemn them or idolize them. Think about how much you can't know, and how flawed our judgement always is.

Grieve for victims, and the feeling of betrayal. But maybe let yourself off the hook, and be a bit slower to skewer others on it.

[mushyooms]

he's so real

[unsung-idiot]

some quick drawings of little Soos I made a while ago

[noodles-and-tea]

Twins in time au but they have slightly different reactions….