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riverstardis · 2 years ago

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hearts and flowers:

it’s valentine’s day

lmaoo robyn overhears jacob flirting with connie sjskdkf

grace! with sam’s girlfriend😬

ethan’s avoiding cal and cal gets him a coffee and he’s like “oh yeah cause that’ll fix everything”😭

“you’re going to have to talk to him sooner or later. your mother’s ill” “my mother died two years ago, charlie” right! it really annoys me how charlie just expects ethan to suddenly consider emilie a mum more than he does matilda like??? cal has had so much longer to come to terms with all this but now that cal has started to build something of a relationship with emilie charlie acts as if ethan should be at that point too??? and what else i don’t understand is that charlie was the one constantly telling cal to tell ethan and i presumed that that was because he knew it would be worse for both of them the longer he went without telling him but apparently i presumed wrong because now charlie’s acting like ethan’s response to finding out after cal kept it a secret for well over a month is unreasonable

sam👎🏼strachan👎🏼

wait just remembered jac’s in this ep! this is ep i screenshotted for a casualty as text posts the other week

cal’s patient is telling him how he was trying to tell a girl how he’d changed or something and she shut the door on his hand and cal tells him if he wants to prove he’s changed he should keep trying until she knows it ummm🤨

jac! jac :(

mmmm milfs

connie and jac’s sexual tension😳

“look, i was gonna tell you about emilie, i just didn’t think you were ready” “oh what so you were protecting me is that it?” “yes” “it’s about you cal it’s always about you” “oh not this again. or maybe i just didn’t want you wimping out on me like you always do” aand they start fighting sjskdkfj

it’s funny how every time they have a physical fight ethan’s the one who initiates it but that’s only because cal knows exactly how to push him to that point

cal’s like “you were the one who told me to come clean” to charlie. cal mate if you’d come clean when charlie told you to maybe you wouldn’t be holding your crotch in pain right now

imagine you’re at the hospital and your doctor goes and comes back having obviously been in a fight sjskdkkf

and of course cal’s patient who he was encouraging to not give up turns out to be ethan’s patient’s ex husband who was stalking her

connie says she can’t operate on sam’s girlfriend because she’s a heart surgeon but when she ends up having to do it anyway she’s like get jac naylor down here to assist but like… jac is also a heart surgeon??

lmaooo max goes on a date with a woman called zara who looks a lot like zoe

ahh now zoe and max are snogging

lmaoo cal going to ethan “you and me should team up, fight crime. i’ll even agree to be the sidekick”

then he apologises and says let me buy you are beer or something and ethan’s like “why? so you can tell me that you’ll change? that you’ll stop lying to me? stop pushing me around?” “hey you took a swing at me first” “yeah, because it’s been like that our whole lives and i’m sick of it. i am so tired of feeling like this” :(

ethan says cal’s on his own and he’s not his brother anymore :( this is not the first time he’s tried to disown him though is it sjskkj he always ends up forgiving him and then cal goes and hurts him again and the cycle repeats

remember when stevie was making fun of ethan’s shirts when they briefly became friends before the stabbing? imagine if she saw the cardigans he used to wear over them sndkfkkffkk i mean she could have given that the first time they meet is actually only a few weeks away from this point but presumably she didn’t see him out of scrubs so

#classic casualty #hearts and flowers

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droversrun · 4 years ago

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The cousins | First look at Drovers Run

#McLeod's Daughters #Anna Torv #Zoe Naylor #Abi Tucker #McLeods Daughters #mine #Jasmine McLeod #Regan McLeod #Grace McLeod #Drovers Run

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sammalaaa · 7 years ago

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Cast list for 22nd of May (My thoughts) No Jac of course but I think we’ll probably have to wait until the summer for her to return, I expect she’ll be back around the beginning of June (so not too long I hope) Frieda is back! (hallelujah!) However I have a feeling it might be her last episode as I have a horrible feeling she’s going to leave with Roman as there is that clip from the trailer and Olga Fedori has been travelling since around the beginning of March (please don’t leave!) Another person absent is Sydney, now I know she was only meant to be in one episode so it makes sense. However with the recent spoiler info about Fletch sleeping with someone, this does kind of mean it’s probably not Sydney meaning it’s more than likely going to be Abigail. NOT HAPPY! It’s going to create all kinds of awkward tension between Flac when Jac returns and make it even harder for them to FINALLY get together! (Seriously guys, cut it out and let Flac be happy!) Also, Phillip Martin Brown is in the episode! Grantly Budgen giving me all kinds of throwback feels. Grantly, Sian and Jez from Waterloo Road in one episode! Also, I’m assuming this is where Greta has the baby, Jason as a dad is going to be so cute! Grandma Serena is going to be so adorable! (I know she’s not technically Grandmother but you know she’ll love that kid like it is!) Still want Jac back, I need my ginger haired queen back (only a few more weeks left I hope!) I’m not happy about Abigail and Fletch sleeping together because it’ll make Flac more complicated and I feel it’s been long enough now, they don’t need the added drama! But I’m hoping that Fletch will realise his feelings for Jac through this and talking to Frieda! (I’ve posted a version without all my notes just below)

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nevinslibrary · 6 years ago

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Totally Youthful Tuesday

On the one hand, some of this book is a little out of date depending on if you get the original version or the updated one (ttyl - 10th Anniversary update and reissue). Instant Messenger instead of texting and snapchatting and tweeting (and whatever comes next). On the other hand, has high school really changed at its core since this was published in 2004, or even since 1994, or 1984? I say no, and that’s why this book is still so amazing even as we rapidly approach 2024 (yikes).

It’s basically the story of high school for three friends who are close, but, also very different. Maddie, Angela, and Zoe. And it’s told with such humor and unvarnished honesty too which is pretty cool. Lauren Myracle may not be writing Shakespearean histories, but, in my opinion the books in this ‘Internet Girls’ series have depths that matter just as much as ‘to be or not to be’.

You may like this book If you Liked: The Sisterhood of the Traveling Pants by Ann Brashares, Alice Alone by Phyllis Reynolds Naylor, or Snail Mail No More by Paula Danziger

ttyl by Lauren Myracle

#totallyyouthfultuesday #nevins memorial library #nmlRA #reader's advisory #ttyl #lauren myracle

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brookstonalmanac · 10 months ago

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Birthdays 1.25

Beer Birthdays

Robert Burns; Scottish poet (1759)

Dale Katechis (1969)

Five Favorite Birthdays

Etta James; singer (1938)

Dean Jones; actor (1931)

Mia Kirshner; actor (1975)

W. Somerset Maugham; writer (1874)

Virginia Woolf; writer (1882)

Famous Birthdays

Zoe Britton; porn actor (1979)

Wally Bunker; Baltimore Orioles P (1945)

William Colgate; toothpaste-maker (1783)

Andy Cox; musician (1956)

Mark "Super" Duper; Miami Dolphins WR (1959)

Carl Eller; Minnesota Vikings DE (1942)

Eusebio; Portugese footballer (1942)

Lou Groza; Cleveland Browns K, T (1924)

Tobe Hooper; film director (1943)

Antonio Carlos Jobim; Brazilian composer (1927)

Alicia Keys; pop singer (1981)

Joseph Louis Lagrange; mathematician, astronomer (1736)

John Leslie; porn actor (1945)

Dinah Manoff; actor (1958)

Don Maynard; New York Jets WR (1935)

Gloria Naylor; writer (1950)

Edwin Newman; journalist (1919)

George Pickett; Confederate general (1825)

Steve Prefontaine; runner (1951)

Morgan Russell; artist (1886)

Leigh Taylor-Young; actor (1945)

Patrick Willis; San Francisco 49ers LB (1985)

#Birthdays

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kwebtv · 3 years ago

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White Lines - Netflix - May 15, 2020

Mystery / Thriller (10 episodes)

Running Time: 60 minutes

Stars:

Laura Haddock as Zoe Collins

Nuno Lopes as Duarte "Boxer" Silva

Marta Milans as Kika Calafat

Daniel Mays as Marcus Ward

Laurence Fox as David

Angela Griffin as Anna Connor

Juan Diego Botto as Oriol Calafat

Pedro Casablanc as Andreu Calafat

Belén López as Conchita Calafat

Francis Magee as Clint Collins

Tom Rhys Harries as Axel Collins

India Fowler as young Zoe

Rafael Morais as Young Boxer

Zoe Mulheims as Young Kika

Cel Spellman as young Marcus

Jonny Green as young David

Kassius Nelson as young Anna

Recurring

Jade Alleyne as Tanny Ward

Ava Naylor as Matilda Ward

Barry Ward as Mike Walker

Fernando Albizu as Pepe Martínez

Agus Ruiz as Cristobal

Javi Coll as Juan Miguel Fonseca

Paulo Pires as George

Tallulah Evans as Jenny Walker

Geena Román as Sissy

Mariano Garmendia as Bruno

Maggie O'Neill as Yoana

#White Lines #TV #Netflix #Mystery #Thriller #2000's #Laura Haddock #Nuno Lopes #Marta Milans #Daniel Mays #Laurence Fox #Angela Griffin #Juan Diego Botto #Pedro Casablanc #Belden Lopez

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aion-rsa · 3 years ago

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Doctor Who Season 14 Wish-List: What We’d Like to See

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With the recent announcement that star Jodie Whittaker and showrunner Chris Chibnall will be departing Doctor Who following the next season, we have confirmation that Season 14 will be yet another opportunity to regenerate the long-running science fiction show. In that spirit, we reached out to the many Doctor Who viewers amongst our writers to get their personal fan perspectives on what they’d like to see from the next iteration of Who. Here’s what we came up with. Add your own wish-list items below…

Make the Doctor a Bit of a Bastard

My number one wish-list item for season 14 is I want the Doctor to be a bit of a bastard. Steven Moffat had his flaws, but one thing I loved was his interpretation of what the Doctor *is*. The way Moffat sees the Doctor is that there is this vast, ancient alien god, full of loneliness, grief, and rage that can burn out suns. And when it meets humans it pretends to be this fictional character called “the Doctor”, who is half idiot, half superhero (Of course, I think Moffat would also tell you that, though the Doctor might not know it, if you scratch the surface of the alien god behind the mask, you’ll find that deep down it is part idiot, half superhero).

The Doctor is your best friend, and that’s important, but also, sometimes the mask slips. The Doctor should be a bit scary as well as wonderful, and I don’t think Jodie Whittaker has had much chance to show that side of the character. She’s kind and clever and brave and heroic, but she should also get to bluster and be a massive egotist and look like an actual idiot. I hope her successor does get that. Chris Farnell

Vinay Patel as Showrunner

I don’t know if he wants the job, but writer Vinay Patel is my wish-list choice for the next showrunner of Doctor Who. Patel’s two Who episodes are not only among the most successful episodes in recent Who history, but succeed in different ways. With Season 11’s ‘Demons of the Punjab,’ Patel demonstrates that he is able to work outside the traditional Doctor Who formula, giving us a historical episode that challenges the colonialist framework arguably written into the DNA of the show. With Season 12’s ‘Fugitive of the Judoon,’ Patel was asked to incorporate many, many different plot elements into a single episode, without losing the focus or heart of the story—and he pulls it off. Doctor Who has made a big deal about recent strides in representation both in front of the camera, and in directorial roles—and for good reason—but we have never had a person of color in the most creatively influential role of all: head writer/showrunner. The job of showrunner is much larger than the job of an episodic writer, encompassing producer responsibilities in addition writing choices, and I would love to see what Patel could do with it. Or, if he doesn’t want the showrunner job, find him a good non-writing executive producer to support him in the role of head writer. Kayti Burt

More Solo Doctor Episodes

It’s rare to find the Doctor alone. But some of NuWho’s most memorable episodes―’Midnight’, ‘Waters of Mars’, ‘The Lodger’, and ‘Heaven Sent’ spring to mind―have had a conspicuous lack of companions. These companion-lite episodes run the gamut from comedic to exceedingly dark. But all of them benefit from the increased story-telling space created when the Doctor flies solo. Companions serve an important function in Doctor Who. They are audience stand-ins who interpret, question, and ultimately humanize the Doctor. Taking them away, then, forces both writers and viewers to re-learn who the Doctor is through the eyes of strangers. No companions also, from a practical stand-point, means fewer obligatory characters to juggle in NuWho’s tight 45 minute run-time. The writers are free to spend more time on the one-off casts of a given episode, investing us in the mundane struggles of an ordinary bloke who resembles his couch or illuminating the humanity of a shuttle of tourists before it is ripped away. Of course, Doctor Who without companions wouldn’t be Doctor Who. But sometimes a companion-lite episode is the perfect way to remind us why we keep watching. Zoe Kaiser

Give Big Finish a Crack of the Whip

They may have begun their contributions to the Doctor Who canon with a series of niche audio adventures during the show’s wilderness years, but today Big Finish are a lynchpin of the show’s expanded universe. Playing a pivotal role in 2020’s ambitious multimedia epic Time Lord Victorious, and then squeezing into their garden sheds to keep producing content during the pandemic, the team have repeatedly proven they’ve got the skill and imagination to make the most that all of time and space have to offer.

Just imagine what the Big Finish team could do if handed the reins for a run of adventures you could actually see. Whether it took the form of a fresh start with the next official Doctor or a selection box of old regenerations romping across reality, a palate-cleansing series of ‘new’ writers giving it their all on Saturday night telly before the regular format resumed could be just the thing to reignite the interest of fans whose attention has waned in recent years. (Also, they’ve got Eccleston’s phone number now. Just saying…) Chris Allcock

More Non-UK Episode Settings

I would like Doctor Who in Season 14 to use the TARDIS to see the Earth’s past and present beyond the UK. In the Classic era, many episodes both modern and period were set in the UK purely out of budget necessity. In addition, the early mandate for the series to teach children about the past also meant a heavy focus on Classic Who to cover many areas of UK history. Modern Doctor Who has filmed episodes or scenes in South Africa, New York, Spain, and Utah. There’s so much unexplored history ripe for alien meddling outside of the UK, especially including Asia, Africa, and Central/South America. The series has mentioned several worldwide alien invasions in modern times and the past. Why not have the Silurians wreak havoc in ancient Nigeria? Why do the Cybermen always appear in London first and not Tokyo? If Classic Who can use a soundstage to mimic the Aztec Empire, what excuse does modern Doctor Who have with multiple times the budget, greater access to research resources, and production technology? Hopefully, by Season 14, most pandemic restrictions would have been lifted to allow international filming to resume. There’s so much human history and modern-day experiences outside of the UK. Fans love reading up on the real history and/or modern references to plot events. The Doctor has seen the whole of human existence, Doctor Who is overdue for reflecting more of this. Amanda Rae-Prescott

Retcon ‘The Timeless Child’ Revelation

I understand why Chris Chibnall was seduced by the narrative possibilities of ‘The Timeless Children’. Now that we know the Doctor has lived countless more lives than the 13 (ish) we’ve come to accept – many of them hidden behind a mind-lock following service to a secret Time Lord sect – there exists the tantalising prospect of a hidden Doctor lingering just over every horizon.

If we concede that it was a master-stroke for Russell T Davies to have introduced the Time War, an event that coloured the first of the modern-era Doctors in heavy shades of guilt and grit and regret, then it’s tempting to conclude that these more recent revelations will serve a similar function; that the Doctor’s seismic re-reckoning of their sense of themselves will unlock reservoirs of dramatic tension. Except… Well, there’s the old adage that says that if anything can be anything, then nothing means anything, and I think that applies here. A tweak is fine. But ‘The Timeless Children’ is a bite too big, a cheat, a rug-pull for the audience and character both.

Red Dwarf, too, plays hard and loose with canon, but if co-creators Grant and Naylor had decided to continue their saga with the mind-bending events of ‘Back to Reality’ cemented as fact, then Red Dwarf wouldn’t have been Red Dwarf anymore. We can only hope that a future showrunner, or even Chris Chibnall himself, is clever enough to ret-con the events of ‘The Timeless Children’ as nothing more than the cunning malfeasance of The Master. Jamie Andrew

Doctor Who: Why Jo Martin’s Ruth Should Be The Next Doctor

By Amanda-Rae Prescott

Doctor Who: BBC Confirms Jodie Whittaker and Chris Chibnall To Leave in 2022

By Louisa Mellor

Make it Scary. Properly Scary

Every time I talk about Doctor Who with my mum, the phrase ‘hiding behind the sofa’ comes up. Though I am a die-hard horror fan, I too had my share of – not hiding – but having nightmares after episodes of my generation’s Who – namely about the Sylvester McCoy era Cheetah People (coming to get me in my bathroom) and the Psychic Circus (my long-standing fear of circuses, clowns and reality TV talent contests was born here). While NuWho has definitely had some good scary ones – ‘Family of Blood’, ‘The Empty Child’, ‘Blink’ – we haven’t had a properly chilling arc in a while. And it does need to be an arc – setting up something terrifying and then defeating it in the space of 45 minutes and then moving along, doesn’t really cut it. I’d love something like ‘The Greatest Show in the Galaxy’ story, which gave us the Psychic Circus and ran for four episodes. Those sofas aren’t going to hide behind themselves. Rosie Fletcher

Writing That Better Reflects the Doctor’s Identity

Perhaps naively, I’m assuming that the Fourteenth Doctor won’t automatically revert to being a white, cis male in the wake of Jodie Whittaker’s departure. (Fingers crossed, I guess!) But, whether the next Doctor turns out to be another woman, a POC, a member of the LGBTQ community, or some combination of the above, I hope that Doctor Who realizes we need to see actual stories that reflect that identity.

During the Chibnall era, the show has been largely content to write a female Doctor as though that character’s experience wasn’t terribly different from any other incarnation of the Time Lord, with little focus on how historical sexism or the general misogyny of society might impact her. There were a few obvious exceptions to this – Season 11’s ‘The Witchfinders’ comes to mind – but, for the most part, Doctor Who hasn’t seemed terribly interested in exploring how a female Doctor might necessarily have to move through the universe differently than her male counterparts did. (I mean, the idea that random men throughout time and space would just… allow a strange woman to take charge and tell them what to do feels less realistic than the existence of the TARDIS). For our next non-traditional Doctor, I desperately want to see them navigate the world differently because the world reacts differently to their identity, rather than simply pretend there’s no real difference between Thirteen and the other incarnations that have come before her. Lacy Baugher

Bring Back a Classic Companion

It’s unlikely to the point of impossibility that we’ll see a Classic Doctor returning full time to the TARDIS for another crack at the cosmos, complete with age-worn face. But there’s nothing prohibiting a classic companion from rejoining Team TARDIS. Sarah Jane’s reunion with the Doctor in ‘School Reunion’, alongside David Tennant’s Tenth incarnation, provided goose-pimples galore, and kick-started a spin-off show that sealed Elizabeth Sladen’s reputation as one of Doctor Who‘s eternal treasures.

It would be great to see Jo Grant or Jamie or Ace meeting a new Doctor, and adjusting to another new face, while we, the audience, would get to see both how the companions’ lives had changed sans the Doctor, and how a classic companion would look filtered through our modern sensibilities. It could be fun, soulful, and touching. It would also introduce a new generation of Whovians to the people without whom the show wouldn’t have lasted as long as it has. Jamie Andrew

Make Kids Want to Play it in the Playground

This is a tricky ask. Children’s TV habits have moved a long way from the time you could stop a random child in the street and they’d be able to accurately recite the BBC One weekday schedule with allowances for interruptions by the chancellor’s budget and Wimbledon. It’s a different world. Less ‘Watch with Mother’, more ‘Watch a 31-year-old Danish man play Minecraft while also watching 2020’s Funniest TikTok Fails and liking a video of a Year 10 vomiting frozen honey.’ Capturing kids’ attention is hard, but if Doctor Who is going to have a future anything like its past, it needs to ignite a young audience. It needs to be doodled on pencil cases. It needs to transform airing cupboards into TARDISes and multi-colour Biros into Sonic Screwdrivers. Children need to careen around the playground yelling ‘Exterminate!’ and imagining themselves as the cleverest and the bravest, an alien with two hearts and multiple universes at their feet. It has to keep on making them feel bigger on the inside. Louisa Mellor

Add a Non-Contemporary and/or Non-Human Companion

In NuWho, the main companion character has often been situated as the audience surrogate. Because of this, Doctor Who writers have always chosen to make the character our human contemporary, which is to say from our own time and also from Earth—more specifically, the U.K. While there have been exceptions to this rule, from Nardole to Victorian Clara, they have always been fleeting and/or tertiary characters, rather than a central character. Classic Who has a history of much more temporally and planetarily diverse companions. For example, Second Doctor companion Victoria was snatched from 1866 England by the Daleks before the Doctor and Jamie saved her and she continued on the TARDIS with them. Elsewhen, Fourth Doctor companion Romana was a Time Lord from Gallifrey, like the Doctor. After so many seasons of contemporary, British Earthers traveling in the TARDIS, I would love to see Doctor Who get a bit more creative with one or more of their main companions in Season 14. If undertaken earnestly, it would be a simple way of challenging the show’s storytellers to explore new cultures and/or dynamics across multiple story arcs. Kayti Burt

Stop Looking Inwards and Attract a Wider Audience

Much has been made, in this ongoing culture war that grinds against our minds 24/7, of the idea that Doctor Who is somehow a woke show now, as if the show hasn’t addressed political, social and environmental concerns since its first story, or fan forums weren’t simmering with threads unironically titled ‘The Gay Agenda’ in 2005. There are some obvious differences now: firstly the aforementioned cultural shift whereby anything remotely progressive is an affront that must be removed, and secondly the fact the show now has a female lead and more Black and Asian actors in the main cast.

Another important difference to, say, Russell T. Davies or Barry Letts’ approach, is that the writing is noticeably patchier. The concepts in the stories are not necessarily bad, but there’s both a cynical edge and a feeling that the characters are defined more by trauma or disability than beliefs or behaviour. The issue is not that Doctor Who is suddenly woke, it’s that the writing isn’t strong enough often enough.

So what I want for Doctor Who to do next is make me want to watch again, but ideally to continue with what worked with Chibnall’s approach – and despite my criticisms I believe there are successes here. The show should maintain all the elements that would annoy Piers Morgan, but also it needs to reach out to a wider audience as it did in 2005. Much as I enjoyed Steven Moffat’s era, it began to look inwards to the show’s mythology more often than it did outwards, and this needs to be reversed. Andrew Blair

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Doctor Who Season 13 will air on BBC One and BBC America this autumn.

The post Doctor Who Season 14 Wish-List: What We’d Like to See appeared first on Den of Geek.

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#aion-rsa #Den of Geek

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maxmaggreece · 5 years ago

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Αγαπημένες ταινίες του αυστραλιανού κινηματογράφου

Οι ταινίες αυτές μας έρχονται από την άλλη άκρη του Ειρηνικού. Είναι άρρηκτα συνδεδεμένες με τη βία που πηγάζει από την αποξένωση της αυστραλιανής ηπείρου, τους μύθους- θρύλους και το περιβάλλον. Τα φιλμ του αυστραλιανού κινηματογράφου παρουσιάζουν κάποια χαρακτηριστικά που δύσκολα συναντάς στους κινηματογράφους άλλων χωρών. Για αυτόν ακριβώς το λόγο, οφείλουν να εκτιμηθούν στο ακέραιο και να βρουν τη θέση που τις αξίζει στις μεγάλες κινηματογραφικές σχολές. Πάμε να γνωρίσουμε λοιπόν τον αυστραλιανό κινηματογράφο μέσα από 13 αγαπημένα φιλμ. Wolf Creek (2005)

Πηγή εικόνας: themoviedb.org Μια ταινία τρόμου/ θρίλερ του αυστραλιανού κινηματογράφου σε σκηνοθεσία του GregMcLean. Το sequel της ταινίας (Wolf Creek 2) κυκλοφόρησε το 2013 ενώ η ταινία «μεταφέρθηκε» και στη μικρή οθόνη, 3 χρόνια αργότερα (2016). Ένα φιλμ που βασίστηκε –εν μέρει- σε πραγματικά γεγονότα της αυστραλιανής υπαίθρου. Τρεις νεαροί εκδρομείς ξεκινούν για ένα ταξίδι προς το απομονωμένο εσωτερικό της δυτικής Αυστραλίας (www.cinemanews.com). Μια εκδρομή που θα καταλήξει σε έναν αγώνα επιβίωσης, από έναν ψυχοπαθή κάτοικο της περιοχής. Ένα φιλμ με αρκετή ένταση και σασπένς. The Proposition (2005)

Πηγή εικόνας: imdb.com Ένα δραματικό western του αυστραλιανού κινηματογράφου σε σενάριο του μουσικού Nick Cave. Ένα φιλμ που απέσπασε 5 βραβεία AACTA στις κατηγορίες: Best Cinematography, Best Costume Design, Best Production Desing και Best Original Music Score. Βρισκόμαστε στην ανεξερεύνητη ακόμη Αυστραλία του 1880. Κατά την διάρκεια συμπλοκής, οι αστυνομικές αρχές θα συλλάβουν τα αδέλφια Τσάρλι και Μάικι Μπερνς, που μαζί με τον αδελφό τους καταζητούνται για ληστείες και βιασμούς (www.cine.gr). Ένα φιλμ διαφορετικό από τα συνηθισμένα western. Jindabyne (2006)

Πηγή εικόνας: laweekly.com Ένα δραματικό φιλμ του αυστραλιανού κινηματογράφου που βασίστηκε στο διήγημα «So Much Water So Close to Home» του συγγραφέα και ποιητή Raymont Craver (1993). Μετά από ένα αλιευτικό ταξίδι, 4 άντρες ανακαλύπτουν ένα πτώμα στο νερό. Αντί να ειδοποιήσουν την αστυνομία συνεχίζουν το ταξίδι τους (www.imdb.com). Μια παραγωγή που έθεσε υποψηφιότητα για 9 βραβεία της Αυστραλιανής Ακαδημίας του Κινηματογράφου. Σε ένα φιλμ που ξεχωρίζει η ερμηνεία της Lora Linney. Happy Feet (2006)

Πηγή εικόνας: microsoft.com Μια ταινία computer- animated του αυστραλιανού κινηματογράφου με συμπαραγωγή των ΗΠΑ. Ένα μιούζικαλ με τις φωνές των Robin Williams, Hugh Jackman, Nicole Kidman και Hugo Weaving. Ο νεογέννητος Μαμπλ είναι διαφορετικός. Δεν μπορεί να τραγουδήσει όπως οι άλλοι πιγκουίνοι αλλά μπορεί να χορέψει. Όσο επαναστατικό κι αν φαίνεται αυτό στους γηραιότερους πιγκουίνους, η μητέρα του δέχεται την εκκεντρικότητα του (www.cine.gr). Μια από τις καλύτερες ταινίες anime που «πέρασαν» ποτέ από τους κινηματογράφους. Ένα φιλμ που απέσπασε το Όσκαρ Καλύτερης ταινίας κινουμένων σχεδίων (2007). To sequel της ταινίας (Happy Feet 2) κυκλοφόρησε το 2011. Rogue (2007)

Πηγή εικόνας: imdb.com Μια ταινία τρόμου του αυστραλιανού κινηματογράφου σε σκηνοθεσία του Greg McLean (Wolf Creek). Μια παραγωγή που απέσπασε 4 βραβεία AACTA στην κατηγορία Best Visual Effects. Ένας αμερικάνος δημοσιογράφος «στέλνεται» στην Αυστραλία για να ερευνήσει έναν ανθρωποφάγο κροκόδειλο. Κατά τη διάρκεια της έρευνας του παγιδεύεται σε ένα νησί (www.imdb.com). Ένα φιλμ που δεν πήγε καλά σε εισπράξεις αλλά έλαβε θετικές κριτικές. Black Water (2007)

Πηγή εικόνας: justwatch.com Μια παραπλήσια ταινία με το «Rogue» κυκλοφόρησε την ίδια χρονιά από τις κινηματογραφικές αίθουσες της Αυστραλίας. Μια ταινία συμπαραγωγής Αυστραλίας και Ηνωμένου Βασιλείου που έθεσε υποψηφιότητα για 2 βραβεία της Αυστραλιανής Ακαδημίας του Κινηματογράφου (2008). Κατά την διάρκεια των διακοπών τους στην Αυστραλία, η Γκρέις ο άντρας της Άνταμ και η μικρότερη αδελφή της Λη, κανονίζουν να πάνε για ψάρεμα στην περιοχή Blackwater Barry, φημισμένη βέβαια και για τους επικίνδυνους κροκόδειλους (www.dvd-trailers.com). Μια ταινία που έλαβε καλές κριτικές. Storm Boy (2019)

Πηγή εικόνας: hollywoodreporter.com Μια δραματική- οικογενειακή ταινία του αυστραλιανού κινηματογράφου που βασίστηκε στο ομώνυμο βιβλίο του Colin Thiele (1964). Το βιβλίο «μεταφέρθηκε» ξανά στη μεγάλη οθόνη το 1976 με τον ομώνυμο τίτλο. Η ιστορία ακολουθεί ένα νεαρό αγόρι που ζει στην ακατοίκητη Νότια Αυστραλία μαζί με τον πατέρα του. Διασώζει τρεις ορφανούς πελεκάνους και σχηματίζει μαζί τους έναν στενό δεσμό (www.imdb.com). Πρωταγωνιστούν οι Geoffrey Rush (Pirates of Caribbean I- V) και Jai Courtney (Spartacus: Blood and Sand). Μια «ευαίσθητη» παραγωγή και μια υπέροχη ιστορία από τον Shawn Seet. Mystery Road (2013)

Πηγή εικόνας: variety.com Ένα western εγκλήματος του αυστραλιανού κινηματογράφου σε σκηνοθεσία του Ivan Sen. Ένα sequel της ταινίας κυκλοφόρησε 3 χρόνια αργότερα με τον τίτλο «Goldstone». Το φιλμ «μεταφέρθηκε» και στην αυστραλιανή τηλεόραση το 2018. Ένας ντόπιος ντετέκτιβ επιστρέφει στην περιοχή του, με σκοπό να διερευνήσει τη δολοφονία μιας νεαρής κοπέλας. Μια ταινία με τους Aaron Pedersen, Hugo Weaving, Jack Thompson και Tasma Walton, η οποία βραβεύτηκε 6 φορές από τα Australian Film Critics Association Awards και 3 φορές στα Film Critics of Australia Awards. The Legend of Ben Hall (2017)

Πηγή εικόνας: abc.net.au Μια δραματική βιογραφία του αυστραλιανού κινηματογράφου με πρωταγωνιστή τον Jack Martin και σκηνοθέτη τον Matthew Holmes. To φιλμ αποτελεί το πρώτο μέρος της τριλογίας «The Legends». Οι δυο επόμενες ταινίες θα «συνοδέψουν» τον θρύλο του Bell Hall και θα αφορούν την δράση των πρώην συνεργατών του. Οι τίτλοι των ταινιών έχουν ανακοινωθεί και θα είναι: The Legend of Frank Gardiner» και «The Legend of John Vane». Μια παραγωγή που απέσπασε 5 βραβεία στα Australian Screen Industry Network Awards. Snowtown (2011)

Πηγή εικόνας: imdb.com Το «Snowtown ή αλλιώς The Snowtown Murders» είναι μία δραματική βιογραφία σε σκηνοθεσία Justin Kurzel που βασίστηκε σε μια σειρά δολοφονιών κατά τη χρονική περίοδο 1992- 1999. Η ταινία επικεντρώνεται στον 16χρονο Jamie Vlassakis (Lucas Pittaway), ο οποίος ζει με τη μητέρα του, Elizabeth (Louise Harris) και τους δυο μικρότερους αδερφούς του, τον Alex και τον Nicholas (Matthew και Marcus Howard), σε ένα σπίτι εργατικών κατοικιών στα βόρεια προάστια της πρωτεύουσας Adelaide (www.filmboy.gr). Ένα έντονο θρίλερ που σκιαγραφεί τον πιο παραγωγικό serial killer της Αυστραλίας μέχρι σήμερα. Bait (2012)

Πηγή εικόνας: plugged.ca Μια ταινία τρόμου του αυστραλιανού κινηματογράφου σε σκηνοθεσία του Kimble Rendall. Το 2014 σχεδιαζόταν να γυριστεί το sequel της ταινίας (Deep Water) αλλά τελικά ακυρώθηκε. Το σενάριο της ταινίας αφορούσε την συντριβή ενός αεροσκάφους στον Ειρηνικό ωκεανό. Ένα τσουνάμι παγιδεύει κόσμο μέσα σε ένα παραθαλάσσιο supermarket. Ο τρόμος ξεκινά όταν μαζί με τα νερά έρχεται κι ένας επικίνδυνος λευκός καρχαρίας. Μια ταινία που συγκεντρώνει μικρή βαθμολογία στο IMDb. The Reef (2011)

Πηγή εικόνας: screendaily.com Μια ταινία τρόμου του αυστραλιανού κινηματογράφου που πρωταγωνιστούν οι Zoe Naylor, Damian Walshe- Howling και Gyton Grandley. Η ταινία βασίστηκε στην πραγματικ�� ιστορία του Ray Boundy, ο οποίος επέζησε από ένα παρόμοιο ατύχημα το 1983. Ένας μεγάλος λευκός καρχαρίας κυνηγά το πλήρωμα ενός ιστιοφόρου κατά μήκος ενός μεγάλου κοραλλιογενή ύφαλου. Το φιλμ έκανε πρεμιέρα στο φεστιβάλ των Καννών, τον Μάιο του 2010 αλλά δεν φαίνεται να «συγκίνησε» κοινό και κριτικούς. Angel Of Mine (2019)

Πηγή εικόνας: rogerebert.com Ένα δραματικό θρίλερ συμπαραγωγής Αυστραλίας και ΗΠΑ. Μια ταινία του Kim Farrant και πρωταγωνιστές τους Noomi Rapace, Luke Evans και Rebecca Bower. Ένα φιλμ που γυρίστηκε στην πολιτεία της Βικτώρια και συγκεκριμένα στη Μελβούρνη. Μια γυναίκα που θρηνεί για τον θάνατο της κόρης της, χάνει το έδαφος κάτω από τα πόδια της όταν υποπτεύεται ότι το παιδί της μπορεί να είναι ζωντανό (www.imdb.com). Η ταινία αποτελεί remake του Γαλλικού φιλμ «L’ Empreinte de l’ ange (2008)». Μία ενδιαφέρουσα πλοκή με εξαιρετικές ερμηνείες από τους πρωταγωνιστές. Read the full article

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maxmaggr · 5 years ago

Text

Αγαπημένες ταινίες του αυστραλιανού κινηματογράφου

Πηγή εικόνας: laweekly.com Ένα δραματικό φιλμ του αυστρα��ιανού κινηματογράφου που βασίστηκε στο διήγημα «So Much Water So Close to Home» του συγγραφέα και ποιητή Raymont Craver (1993). Μετά από ένα αλιευτικό ταξίδι, 4 άντρες ανακαλύπτουν ένα πτώμα στο νερό. Αντί να ειδοποιήσουν την αστυνομία συνεχίζουν το ταξίδι τους (www.imdb.com). Μια παραγωγή που έθεσε υποψηφιότητα για 9 βραβεία της Αυστραλιανής Ακαδημίας του Κινηματογράφου. Σε ένα φιλμ που ξεχωρίζει η ερμηνεία της Lora Linney. Happy Feet (2006)

Πηγή εικόνας: screendaily.com Μια ταινία τρόμου του αυστραλιανού κινηματογράφου που πρωταγωνιστούν οι Zoe Naylor, Damian Walshe- Howling και Gyton Grandley. Η ταινία βασίστηκε στην πραγματική ιστορία του Ray Boundy, ο οποίος επέζησε από ένα παρόμοιο ατύχημα το 1983. Ένας μεγάλος λευκός καρχαρίας κυνηγά το πλήρωμα ενός ιστιοφόρου κατά μήκος ενός μεγάλου κοραλλιογενή ύφαλου. Το φιλμ έκανε πρεμιέρα στο φεστιβάλ των Καννών, τον Μάιο του 2010 αλλά δεν φαίνεται να «συγκίνησε» κοινό και κριτικούς. Angel Of Mine (2019)

#Action-Adventure #Australia #australianawards #australianmovies

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