#Yuno was taking the picture

[polarmary]

I'm sorry but this is how I see them

Original image:

[good-beanswrites]

Any thoughts about your Hello Es AU?🎤

Thank you ooh -- this was so fun to think about! (I did some art earlier here :)) Spoiler warning for all three episodes of Hello Charlotte 🧸👁️🩸

So, out there in the real world somewhere, there exists “real Es”, (the Charles of the story) who has created Es as his perfect protagonist/ideal identity. Real Es ends up killing someone, and undergoing some kind of psychotic break that creates The House (now known as The Prison). Various people from his life appear there, each with their own murder, reflecting Real Es’ complex feelings about their own crime.

Es/Charlotte – A puppet at the whims of the audience. They have many forms along with conflicting thoughts and motivations. As lax as they may get about their own safety, they always take their duty to the tenets very seriously. They have a little Magalope pet :3 I know in canon the characters are separate, but I’m still picturing them as some combination of Q84 and Ep1/2 Charlotte. 

Fuuta/Felix – The fiery friend who's all bark and no bite. He’s the most openly aggressive out of everyone, but still ends up trying to help people around him. Through his attempts to do something helpful, his recklessness, and need to be treated as an adult, he can find himself in pretty significant danger.

Kazui/Aiden – Calm and quiet, but you get a sense he's very observant to the current situation in his silence. Just because he prefers to do his tailoring/piano hobbies doesn't mean he doesn’t have that underlying demon strength. The most parental over Es, even if they're not always receptive.

Shidou/Huxley – A doctor/scientist with a desire to help save the most (alien) lives that he can, even if it means living on the run as a criminal, as well as an odd coolness when it comes to unethical medical procedures.

Mikoto and John/Bennett – when he’s high on soap, he’s as cheery as always :) Just a normal working guy, you probably won’t even remember his face under the hazmat suit, very normal :) When the effects wear off and the stress gets to him, though, John fronts and isn't afraid to defend himself from any perceived threat.

Yuno/Florence – Puts up a cheery front and is happy to work when she's having fun. After a bit of prodding, she reveals a much more serious and jaded side. She gets along with everyone, but isn't afraid to tell her real feelings to Es when the time is right.

Haruka and Muu /Anri – I’m kind of splitting Anri to make two characters, still capturing her fluctuating status in school and attitude of give-and-receive in friendships. They're caring but clingy, they can be protective but also aggressive. Both of them go back and forth between the personalities we see from her in all three episodes. 

Amane/Frei – (I know in canon Frei is another Charlotte, so I think that works well given how close they are in age and stubbornness.) She sees things through a view of gods/religion, even if not everyone sees the situation that way. She's a bit at odds with Es, trying to persuade them to join in her mindset, but genuinely cares for their well-being while doing it.

Mahiru/Vincent – The new friend with some strange delusions of a perfect “heavenly” world, a hobby of literature, and suicidal intentions. Es takes pity on her after she receives serious injuries from people who reject her. Real Es developed some kind of attachment to her real counterpart (like Charles' idolization of Vincent), and this manifests into Mahiru crazy about relationships and love.

Kotoko/Scarlett – Has a close mindset to Es (close enough to stem more directly from them) but her intensity and drive for perfection/justice turn them into enemies in some timelines. She gets the closest look at the “real” situation compared to the others, seeing behind the scenes and criticizing Es and the Prison as a whole. She's determined she could do better herself, and Es takes her up on that…

—

I’m not going to make a whole post, but for a reverse au I think it’d be fun to see The House tenants featured in Charles’ milgram mv – as the focal character, the audience/Warden would probably assume Charlotte was his victim. Only later would they realize that Charlotte is the stand-in for himself, and that truly he feels responsible for not stopping Vincent’s suicide. 

[leafuxxtea]

milgram doodles from back in may 💥💥 unfortunately they are pretty poor quality (the drawings and the lighting),,,😭😭

[good-beans]

Didn't draw them myself but thank you @iris-drawing-stuff for reminding me I have cardstock, packing tape, and metallic markers as well :3 The colors and shiny buckles aren't showing up as well im the pic, but they came out nice!

I made sure the art was scaled the same and Yamanaka wasn't lying, Mahiru is surprisingly small :')

[winged-self-indulgence]

Why Do People Like Yanderes?

Hi everyone, my name is Diya, and this was going to be a YT video-essay-type-thing but I'm too poor to afford a mic and too busy with college to learn how to edit videos, so here's my vague exploration of the psychology behind why people like yanderes so much through the lens of my favourite Visual Novels.

TW for uh. yandere content. Mentions of sex, gore, and non-con, particularly in the last topic. This is more like the first draft of an academic paper so while it's not explicit, I do go into some detail.

Introduction

If you’re a fan of anime or visual novels, then you’re probably already aware of what a yandere is, or at the very least you’ve seen that one picture of Yuno Gasai. Still, for the sake of thoroughness, let’s take it from the tippy top. The term ‘yandere’ is a Japanese portmanteau of ‘yanderu’ – the progressive form of ‘yami’ – meaning ‘sick’, and ‘deredere’ which roughly translates to ‘loving’. Together, the word refers to someone who is – in short – extremely lovesick. Obsessive to the extreme, and with little morality to spare, the standard yandere is characterized by a dangerous fixation on a chosen target, often appearing shy and caring at first only to flip the script and become violently aggressive towards perceived threats (Kroon, 2010).

It should be noted that yanderes are not a strictly romantic or sexual trope. The Ancient Greeks classified at least six forms of love, from familial (storge) to guests (xenia). Modern psychologists may distinguish love as either Companionate or Passionate (Kim & Hatfield, 2004) or consisting of three dimensions of Intimacy, Passion, and Commitment (Sternberg & Sternberg, 2018). Realistically, possessiveness shows up in a variety of relationships. However, people are generally primed to view certain dynamics as inherently amorous. Societal norms tend to encourage the idea that romantic bonds ought to rank above all others, and therefore if Person A is bizarrely fixated on Person B, then clearly there must be an element of sexual interest involved regardless of the actual relationship between the individuals in question.

Regardless, yanderes remain quite popular in fiction. Many dismiss it as a fetish, which it can be, but that isn’t the case for everyone. While there is nothing wrong with indulging in kinky fiction, not all of us get horny at the thought of being chained up in someone’s basement, no matter how hot our captor may be. So why is it so pervasive? Why is this trope so appealing that most writers cannot help but include at least a single line of dialogue implying that – if circumstances had been ever so slightly different – my wholesome shoujo romcom might have turned into a psychological horror?

Hybristophilia

‘Hybristophilia’, also known as Bonnie and Clyde Syndrome after the titular criminal couple, is a word is derived from the Greek word ‘hybridzein’ meaning ‘to commit an outrage against someone’ and ‘philo’ which means ‘a strong preference for’. Sexologist John Money reportedly defined it as a paraphilia in which an individual is sexually aroused by a partner who has a predatory history of hurting other people (Money, 1986, as cited in Matuszak, 2017). In his book, Serial Killer Groupies, true crime and crime fiction author RJ Parker distinguished two forms of hybristophilia: passive and aggressive. The former is when an individual contacts a criminal with the intention of striking up a relationship with them, allowing themselves to be seduced and manipulated but having no interest in committing a crime themselves. The latter are far more dangerous, as the individual not only derives sexual pleasure from their partner’s atrocities but are active participants in carrying out or covering up the crime. To quote Griffiths (2013, as cited in Pettigrew, 2019):

“[They] help out their lovers with their criminal agenda by luring victims, hiding bodies, covering crimes, or even committing crimes. They are attracted to their lovers because of their violent actions and want to receive love yet are unable to understand that their lovers are psychopaths who are manipulating them.”

In some ways, hybristophilia is the nearest thing we have to a realistic understanding of why people love yanderes. I mean, much of the fantasy surrounding such characters and their media tend to be filled with posts begging to be spat on or calling the rightfully terrified main character ungrateful for being a teeny bit upset about finding surveillance cameras in their ceiling. However, enjoying fictitious immoral activity does not predict real perpetration, so what does? There exists little consensus amongst psychologists as to what sparks this particular predilection, and that was strange to me. You would think there would be more studies into this topic, in spite of or perhaps because of its controversial nature. Heck, that one dude wouldn’t shut up about white women’s obsession with Bundy and Dahmer, and I assumed he had gotten that information from somewhere, but it turns out that was just him using modifiers to justify sexism.

However, I believe that we can hedge a few guesses, and over the course of my research, I’ve organized the main rationalizations under four umbrellas which I will explore through the lens of my favourite yandere-themed Visual Novels. Please keep in mind that most of these games are rated as mature due to sexual scenes and/or gore. Additionally, in the spirit of transparency, this ramble will be focused exclusively on male or masculine yanderes. So, without further ado:

Call Me Bob the Builder Because I Can Fix Them

If you’re familiar with DC Comic’s Batman, or just happen to have attended any costume event held over the span of the last 20+ years, you may be familiar with the character of Dr. Harleen Quinzel, better known as Harley Quinn. Initially created as the Joker’s one-off sidekick in Batman The Animated Series, she was so well-received by audiences that she became a recurring character in the cartoon and was eventually given a proper origin story in the form of a one-shot titled Mad Love.

Harley’s origin story has seen some alterations over the past decades, but the core aspects remain largely untouched. In the beginning, Harleen Quinzel was a promising young woman who wanted was a degree from the university’s prestigious psychology department, which she gained through…less than scrupulous means.

(Listen, I’m not sure if the authors were leaning on the Dumb Blonde stereotype, or if they simply thought that casting her as a genuinely bad student would make her later actions more believable. Either way, the idea of Harley as someone with a legitimate PhD came later)

After landing an internship at Arkham Asylum – a half-hospital and half-prison straight out of the 1870s that might as well be built out of one-ply tissue-paper soaked with gasoline and left next to a crate of fireworks – Harleen set her sights on the then incarcerated Joker. At the start, her fixation on the criminal wasn’t remotely sympathetic. She didn’t want to help him, she wanted to use him. Harleen Quinzel wanted piggyback off his infamy and write a tell-all tale detailing what sort of messed up childhood resulted in Gotham’s Clown Prince of Crime. Yet the more she interacted with him, the more the Joker took advantage of her empathy. By the end of their sessions, Harley no longer saw him as a violent serial killer with a clown schtick, but as a “lost, injured child looking to make the world laugh at his antics.”

But Diya, you may be asking, what does this have to do with the video? The Joker never loved Harley, and it could even be argued – as Shehadeh did in a 2017 essay – that her obsession with the pasty-faced clown is more akin to Histrionic Personality Disorder. While that may be the case, I believe that Harley’s story provides one of the reasons yanderes are so popular: their backstory.

Whether they were abandoned by their family, bullied by their peers, experimented on by evil scientists, starved on the streets, died under mysterious circumstances and then trapped in a haunted VCR tape for decades, or are simply so impossibly inhuman that they frankly do not understand why it isn’t socially acceptable to imprison their crush in a pocket dimension made of meat and non-Euclidean geometry, yanderes often have fairly sympathetic or at least understandable explanations for why they are Like That. Your mileage may vary significantly depending on how much you sympathize with these motives, but the point is that yanderes always make sense to some degree. Their morality and priorities may be twisted or even completely incomprehensible, but the audience almost always knows the reason, and that can be comforting. In the real world, other people aren’t always straightforward, and we never really know what they’re thinking, but narrative coherence demands a semblance of internal consistency lest the audience end up frustrated and confused. So yanderes are not only easy to sympathize with, but also fairly predictable. In-universe they may be unhinged freaks with a blood fetish, but to you watching from behind the safety of the screen they’re just acting out the script written for them based on a prototype. And if you understand the why behind their loose gears, then you might just be able to put them back together again.

The concept of rescue romances or “I Can Fix Them” has been around in our stories for thousands of years. The Epic of Gilgamesh detailed how Shamhat essentially ‘civilized’ wild man Enkidu through ritual lovemaking, and a concerning number of religions push the idea that women are dutybound to save men from the follies of sin. Yet men are not exempt either, with one notable example being the German fairytale, King Thrushbeard. Call it what you will regardless: Knights in Shining Armour, the Florence Nightingale Effect, or a plain old case of Because You Were Nice to Me, studies have shown that human beings generally like helping [DA2] others, even when the reason doesn’t necessarily stem from pure altruism. I will delve deeper into this later, but care and compassion are deeply ingrained in human nature, and arising from those roots is the appeal of this mentality: You can save them. You can change them. You can make them better. You are special, and the way you treat this person carries a weight that has not and will never be matched by anyone else for the rest of their mortal or immortal existence.

The illusion is a delicious one, especially if the person you’ve helped turns out to be a billionaire CEO with cash to burn, a super powerful ghost king willing to raze continents to dust for you, a demon having fun on a Friday night, or just your average hot creep with a knife. Moreover, different people have different ideas of what ‘fixing’ even means. Maybe you want to single-handedly rehabilitate your yandere into a functional member of society. Maybe you’re cool with the incessant stalking but would like them to stop slaughtering your friends, family, and local service workers. Maybe you want to make them much, much worse.

Not only do yanderes provide immediate proof that your actions have a tangible impact on the lives of others, but the fantasy also includes the desire of being seen as special. Of being admired and adored by someone whose life you inexplicably made better by virtue of simply being yourself, or an idealized version of yourself. In this fictional world, in this imaginary setting, the person you are is so uniquely, impossibly irreplaceable to someone. And if that’s the case then they can’t risk losing you, can they?

The Allure of Obsession, or ‘Til Death Do Us Part (Literally)

It shouldn’t be necessary, but here is my obligatory disclaimer anyway. Ahem: obsession is not a good thing in real life. Fixating on another human to the detriment of your own wellbeing and that of those around you is dangerous, as is encouraging someone else to obsess over you. You might think you are being worshiped, but real life is not a visual novel. The outside world doesn’t come with an age rating, the author’s guiding pen, and a convenient fade to credits sequence once you’ve reached an ending. The consequences will still be there in the morning, so don’t do it. Just don’t.

PSA out of the way, it’s natural to want to be wanted. Maslow’s Hierarchy places it just above physical safety, but I’d argue that it could easily be compared to baser drives. According to many psychological and anthropological studies, much of humanity’s continued survival and environmental dominance is largely attributed to our ability to form groups, cooperate with one another, and maintain complex interpersonal networks. Social support, intimacy, and a sense of belonging are linked to emotional and physical benefits, such as more optimistic health perceptions, higher subjective well-being, increased creativity and innovation, and greater self-efficacy (DeWall & Bushman, 2011; Harandi et al., 2017; Wang & Sha, 2018). Therefore, it’s perfectly understandable that rejection of any sort would be construed as a threat.

But if someone is obsessed with you, then you have no reason to worry about that, right? No more nights spent agonizing over how they feel about you, asking yourself whether your last text made you sound too desperate, or if you’re boring them because you spent the past hour info-dumping about Stardew Valley farm layouts. With a yandere, there will never be any doubt that they care about you. Sure, they might go about it in weird, manipulative, and insidious ways that violate your physical and mental autonomy, but you can’t deny their loyalty. They do love you in their own bizarre way. You are the sun around which they orbit. When you’re in the room, no one else exists. Every single messy flaw is just another bullet point on the mile-long list of why they adore you.

In essence, yanderes are not only attentive, but their love can be virtually unconditional. A yandere might know everything about you, and still revere you. It’s unhealthy as hell and you might genuinely question their taste, but it can be tempting to pretend that all of you, right down to the ugliest parts of yourself – the traits and choices that you would never share with another living soul even at gunpoint – are worthy of understanding, if not open praise and affection.   

Attractiveness, or Okay but Have You Considered That They’re Hot Though?

.

.

.

I mean what am I supposed to say here? They’re hot, what do you want from me?

No, but in all seriousness, fictional media paints an idealized version of the world, and most yanderes are hot because they have the freedom of existing purely behind that screen; artfully arranged and edited to forever appear compelling to anyone who happens to enjoy their particular style. And there are a lot of styles to choose from. Whether you want them pretty faced and disarmingly cute, or scarred up and big enough to pin you like a butterfly, yanderes come in a wide variety of shapes and sizes that are meant to pique your interest and draw you in like a naïve little fish being lured towards the mouth of an angler fish, unwilling to believe that anything bad might happen to us when the bait is this pretty.

This is often referred to as the Halo Effect, a form of cognitive bias referring to the tendency for people to assume that a single obvious positive trait must be associated with other positive traits. The go-to characteristic is typically physical attractiveness, but a nice voice, good humour, and cooking skills are also factors which serve to influence our perceptions.

So, conventional physical attractiveness is one thing, but that’s only skin deep. What about beyond that? After all, the yandere still has to talk to you before they enact their master plan of tying you up in their basement until Stockholm Syndrome kicks in.

When I showed my friend a picture of John Doe from the game John Doe, she told me that he looked like a creepy slob, and she’s far from the only person who’s ever thought so. Look at them. I feel like if I tried to comb that hair it would simply eat me, and some of the CGs really put the scopophobia in Scopophobia Studios. I love Doe, but he is not hot, and he doesn’t behave in a normally appealing way either. If the player chooses not to take a bath, Doe will immediately comment that you “smell good” before following you home, breaking into your house, and leaving a bloody organ on the floor for the player to trip over. Many yanderes can at least fake a veneer of normalcy, but from the get-go Doe doesn’t even bother to pretend he’s anything less than an otherworldly creature stuffed into a vaguely person-shaped meatsuit. In an effort to find out why so many people had latched on to Doe – including me – I shopped around social media and YouTube for answers, and what I found was a widely unanimous sentiment.

While some were drawn to his fun design and goofy personality, most simply thought that he wasn’t inherently malevolent, just very confused. In addition to being a supernatural being with a completely alien axis of morality, Doe’s meta-awareness and unbridled attempts at winning the player’s affection lends him quite a bit of support from the audience, especially if you yourself also happen to struggle with social cues and relate to his pure earnestness. In Ending 7 of the extended version, the player character has the option to tell Doe – who has altered himself to pass as more ‘normal’ – that they prefer who he truly is, at which point he grows visibly flustered and sports an adorable pair of literal heart-shaped pupils.

Whether they’re charismatic, seductive, cute, sweet, funny, nurturing, or generous, the best yanderes have engaging personalities. Even while they’re committing truly heinous crimes against God, man, and your guts, you still kinda want to hang out with them, and you want them to acknowledge you as being just as interesting. And this is all fine in fiction because you’re the one in charge, and if you ever get bored or uncomfortable or busy with something else, then you can simply close the tab or window with zero consequences, which brings us to the final and most important reason.     

Power Dynamics and Consent in Fantasy (I Couldn’t Think of a Joke Here Guys, This Is Kinda Serious)

Once again, I feel that I must preface this section just for the sake of my own peace of mind: sexual coercion and assault are vile and disgusting crimes that should never be emulated or tolerated in the real world. We are speaking purely of fictional media, specifically adult-oriented media in this case, so please be mindful.

In 2009, Bivoni and Critelli conducted a study on 355 undergraduate women with the goal of assessing the reasons behind fantasies of non-consent. At the time, there were two leading explanations of this phenomenon. One stated that women with high libidos but repressed views of sex used these imaginary scenarios to alleviate the guilt they had grown to associate with sex. Because the simulation was a purely mental exercise and they themselves were cast as helpless victims in the scenario, they were able to remain blameless while still finding sexual gratification. The second stated that these fantasies were an expression of liberation by women who were adventurous and comfortable enough with their own sexuality to engage with taboo ideas that they weren’t at all interested in performing in real life. Which do you think was more common?

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If you guessed the second option, you’d be right. The study found that of the 220 women who had experienced such fantasies, 45% found theirs erotic, 46% were mixed, and only 9% reported pure aversion. One justification for this outcome relies on psycho-biological theories, for example masochistic preferences or the unintended activation of the sympathetic nervous system and subsequent mis-attribution of arousal. Other reasons have to do with higher order thinking and are tied to the power dynamics within such fantasies. On the surface is the appeal of being so desirable to someone that they simply cannot control themselves, but then there is a deeper impulse, which the researchers referred to as Adversary Transformation. To quote the article: “[fantasies] involve a struggle between an assailant and a potential victim in which it is relevant to consider who is the winner and who is the loser. At one level, it is a struggle over sex, but the woman's non-consent may be feigned or token. At another level, the woman may be seeking a victory that is not about whether sex occurs, but about what happens emotionally between the protagonists.”

Basically, the imaginary perpetrator may have ‘won’, but the self-character need not have ‘lost’.

Media provides an extra layer to the illusion, one that you as the viewer have absolute control over. If you are choosing to engage with a piece of media that explicitly labels itself as including R18+ yandere content, then you clearly have some expectations, and that background awareness goes a long way in reducing long-term discomfort and allowing audiences to make informed decisions. If you don’t like the plot, you can simply turn it off it with the click of a button, and when the screen goes dark it’s not like the yandere is going to punish you for saying no. Strade isn’t going to break into your house with a drill, there are no homicidal clown ghosts hiding in your TV, and no suspicious pink-haired hackers watching your webcam. They aren’t real, and the consequences aren’t real either. You have all the power here.

Conclusion

In summary, Yanderes are appealing for a variety of reasons. Whether you want to save them, think they’re attractive, wish to indulge in a dream of being utterly coveted, or simply enjoy a bit of spice in your me-time, it’s obvious why the trope has persisted for so long and will likely continue to do so. If you enjoy yanderes but are worried that having a taste for the less wholesome side of things might imply something about who you are as a person, don’t be. The notion that fantasies and media preferences directly reflect subconscious desires is not only painfully out of date debunked nonsense but also indicative of restrictive ideologies wherein bad thoughts = sin. This isn’t 1984. You haven’t committed a thought-crime by having a weird kink. You aren't going to superhell for fantasizing. The human mind is hardly ever so mathematically rational, and the point of fiction is to allow us to safely engage with and explore various ideas, provided the everyone involved is mentally, chronologically, and emotionally mature enough to do so.

Thank you all for listening to me. If you learned something or were just a little bit entertained. If you're curious about knowing more, I've listed my sources below

REFERENCES

Bivona, J. M., & Critelli, J. W. (2009). The Nature of Women’s Rape Fantasies: An analysis of prevalence, frequency, and contents. Journal of Sex Research, 46(1), 33–45. https://doi.org/10.1080/00224490802624406

Critelli, J. W., & Bivona, J. M. (2008). Women’s Erotic Rape Fantasies: An Evaluation of Theory and research. Journal of Sex Research, 45(1), 57–70. https://doi.org/10.1080/00224490701808191

DeWall, C. N., & Bushman, B. J. (2011). Social acceptance and rejection. Current Directions in Psychological Science, 20(4), 256–260. https://doi.org/10.1177/0963721411417545

Flynn, F. J., Reagans, R., Amanatullah, E. T., & Ames, D. R. (2006). Helping one’s way to the top: Self-monitors achieve status by helping others and knowing who helps whom. Journal of Personality and Social Psychology, 91(6), 1123–1137. https://doi.org/10.1037/0022-3514.91.6.1123

Harandi, T. F., Taghinasab, M. M., & Nayeri, T. D. (2017). The correlation of social support with mental health: A meta-analysis. Electronic Physician, 9(9), 5212–5222. https://doi.org/10.19082/5212

Hazen, H. (1983). Endless rapture: rape, romance, and the female imagination. https://openlibrary.org/books/OL3161300M/Endless_rapture

Kroon, R. W. (2010). A/V A to z: An Encyclopedic Dictionary of Media, Entertainment and Other Audiovisual Terms. McFarland.

Matuszak, M. (2017). Hybristophilia White Paper. https://static1.squarespace.com/static/55dfd21ee4b0718764fb34cc/t/5cb7cabee5e5f00ab13be58b/1555548863275/Hybristophilia+White+Paper.pdf

Oarga, C., Stavrova, O., & Fetchenhauer, D. (2015). When and why is helping others good for well-being? The role of belief in reciprocity and conformity to society’s expectations. European Journal of Social Psychology, 45(2), 242–254. https://doi.org/10.1002/ejsp.2092

Parker, R. (2014). Serial killer groupies. RJ PARKER PUBLISHING, INC.

Wang, T., & Sha, H. (2018). The influence of social rejection on cognitive control. Psychology, 09(7), 1707–1719. https://doi.org/10.4236/psych.2018.97101

[mvrkieboo]

Old Bloodhounds

P50 | screw the rebellious teenage phase

TW : violence, suicide scene, and slight gore

Mark was jumping in his seat, and Yuno couldn't stop laughing at Mark's display of unadulterated joy and excitement. It was kind of cute, seeing how happy he was on Yuno's behalf, now that he's officially a music artist now. Geonwoo and Woojin were beaming at the front seats too, glad that Yuno is finally achieving his lifelong dream.

"You've been dreaming about this ever since we were kids, Jae. Oh my god, you're a singer now. A full-fledged singer, with a record deal under one of the biggest labels in our country!" Mark exclaimed, slamming his head back with a big smile on his face.

"Thanks, dude. I owe it to you guys—I wouldn't be here now if it wasn't for your work in managing the MNA Week." Yuno laughed, ruffling the younger man's hair.

"My mom said your highschool friends just arrived at the café—everyone is just waiting for us to arrive now." Geonwoo showed the text messages he exchanged with his mom, and Soyeon even sent a picture of Yuta, Doyoung and Jungwoo posing with Yuno's dad under the café lights.

Yuno nodded, feeling good with himself that he opted for an intimate party among close family and friends only. Well, family with the exception of you. Yuno wasn't that surprised when Mark told him that you declined the invitation, because you already made plans with Junyoung for tonight, but the disappointment was still there, palpable and aching.

He rested his head against the car window, looking at the city lights shining in the nighttime. He wondered if you and Junyoung were among the crowd of people moving along on the sidewalk, and he wondered if you were truly happy after pushing everyone else away. He hoped you were—no matter where you were and who you were with—but he can't help and feel bitter that him, Mark, Geonwoo and Woojin weren't part of your current happy life now.

If you were so happy with Junyoung, then so be it.

"We're here!" Woojin exclaimed, and Mark practically hopped out of the car.

Jaehyun's smile returned.

At least he could be happy with the people you had left behind.

ooooooooooooooooooooooooooo

Sure, you had left your phone and wallet at the apartment, but he didn't specify that you should have left all of your phones—so you had tucked Yuno's old phone under your bra on your back, confident that Yoonsu wouldn't notice it since you were also wearing a thick leather blazer that you had stolen from Yuno's wardrobe (so you at least had another thing of him with you while living with Yoonsu).

You made sure to block Detective Do's number and turned the phone off beforehand, knowing Detective Do was driving himself crazy in trying to reach you—but you promised you would turn it on once you had the chance, so they could track down your location. It was the least you could for Detective Do's sake, to ease his job. For now, however, you wanted the detectives to be several steps behind before you could get Yoonsu to tell where Junyoung was buried.

"This is our stop." Yoonsu muttered stiffly. The stop was in downtown Seoul, streets littered with old and underdeveloped buildings.

He stood up and roughly pulled on your arm, it even caught the attention of the other passengers. You smiled stiffly at them while Yoonsu practically dragged you out of the bus, his face all stoic and icy. It was uncharacteristic of him. Yoonsu would always taunt you with an ugly smile on his face, always taking the opportunity to insult you and rub salt into your wounds—but he had been quiet for the whole bus ride.

And you've always been aware just how angry he was with you, but he's never displayed his anger in such a raw manner before. You gulped, now fully convinced he did notice that the blackmail file he had over you was wiped out of his phone. That's why he was extra pissed.

He dragged you all the way to the destination, walking ahead with his hand gripping on your arm as you walked behind him. The more you walked, the more you understood that he was definitely dragging you to that one abandoned building at the very end of the street.

However, because he was so busy 'guiding' you to your intended destination, and as you got near the abandoned building, you took the opportunity to reach behind you from under your shirt and turned on the phone, pulling it out of your bra and discreetly throwing it into the unattended bushes so the impact wouldn't make a sound.

Yoonsu didn't notice a thing.

ooooooooooooooooooooooooooo

"Kyungsoo, we got something!" Chanyeol—who works for Gangnam PD's Cyber Crimes Unit—yelled through the phone.

He cringed at the oaf's deep ass voice yelling into his ear, but decided to ignore it, because he was busy trying to find you. Just why did you have to follow Yoonsu? That was your chance to escape—you could've finally been free of him!

No, you just had to go off on your own again—still stuck in your rebellious teenage phase. Screw the rebellious teenage phase, Kyungsoo mentally cursed.

"We suddenly got a signal from her alternate phone—it's pinging in downtown Seoul, near an abandoned factory. It was shut down years ago because it got busted as a drug production base. I'm confident this is where Yoonsu took her." Chanyeol explained carefully and efficiently, fingers slamming on the keycaps of his keyboard before continuing, "It's 25 minutes away by car from where you are right now—but if you floor the pedal and take some totally illegal shortcuts—"

"15 minutes?" Kyungsoo spoke hopefully, already getting inside the car with Taeyong driving.

"10 minutes."

"Send me the location."

Taeyong took out the revolving red light and stamped it on the roof of the car before flooring the gas pedal. Now that they also got to ignore red lights and make other cars on the road get out of their way, they can reach you sooner than 10 minutes.

ooooooooooooooooooooooooooo

It took forever to reach the underground level of this building, and it didn't help that the limited light almost had you tumbling down the stairs if it weren't for Yoonsu guiding you so confidently through the dark.

Once you felt that your feet were on solid floor, Yoonsu swung at you, managing to land a punch hard enough that it had you lying on the floor. You tasted blood, and your right cheek ached like a bitch. The fucker just broke your nose. You groaned at the pain, holding on to your nose as Yoonsu went down to straddle you, pulling on the lapels of your leather blazer.

"How did you do it?" He gritted out.

"Do what?" You bit out, the blood that dripped into your lips sputtered out as you talked.

He gave you a harsh slap on your face, that had your teeth tearing the inside of your cheek. What a mean piece of shit, for slapping you where he had just landed a punch on you. Your right cheek was going to swell up into a puff.

"How did you wipe away the file without me noticing, you slimy bitch."

You spit out the blood and began to laugh, wheezing and cackling like a hyena. Oh, you had the sense that he had decided to kill you tonight. Landing blows on your face without a care of the consequences—he was crashing out, and it was a hilarious sight to behold.

Not as smart as he thought he was, huh?

When you saw his arm rising to land another blow on you, you quickly caught it, twisting it as hard as you could, giving yourself the chance to slip your leg up from under him and kicked him in the stomach to get him off of you. The kick had him wheezing, holding on to his stomach as he lied on his back.

Thank god for the self defense lessons Geonwoo and Woojin had put you through. In fact, you were just thankful for Geonwoo and Woojin in general.

"I stole my brother's old phone and sim card, used it to contact Detective Do. You didn't even notice it—because you're not as smart as you think you are, bastard." Your voice sounded guttural, like an animal growling.

When you went to kick him while he was down, he caught your ankle and pulled on it, causing you to fall on your back, the back of your head making an impact on the floor. That wasn't good. That was going to hinder you. You can already feel your world spinning.

Well, at least you didn't black out—so that counts as something, right?

He stood up and pulled you along as you tried to focus, trying to will away the spontaneous major headache. He punched you in the stomach, and that was a low move on his part—because he had kicked you in the stomach a week ago. It was cheap shit. Him calling you a slimy bitch? He was the slimy one.

But all those years of wasting away, not able to afford the luxurious lifestyle anymore, losing access to top notch personal trainers and private gyms—he's gotten skinny, his combat skills turned rusty. He's gotten significantly weak, that's why cheap shots and blackmail were all that could do now.

When you realised it, you laughed again, even as you held your stomach because laughing was making it hurt, but you didn't give a shit. God, he's gotten so pathetic. It's fucking hilarious.

"You think you're slick? You think you're smart, princess? You knew the blackmail was gone, but you followed me here anyway like some kind of idiot—for what? Have you gotten used to me pulling on you by your leash, bitch?" He was practically frothing at the mouth, spit flying out as he spoke to you, pulling on your hair so you could face him directly.

"No," You muttered out, gripping on his collar and pushing him into an emergency box containing a fire extinguisher, and the glass shattered when his head made impact with it, "I knew that if I let Detective Do take me away from you, you'd just kill yourself, because you'd realise you've lost everything at that point."

Pulling away from him, you returned the favor and landed a cheap shot on him too—a kick to his groin, hard enough it had him kneeling on the floor at the pain, sputtering out insanely vile curses at you. You stood above him, wiping away the blood that dripped down your chin.

"And I want to know where you buried Junyoung. Since I already told you how I wiped out your blackmail file, it's only fair—" You paused, feeling a sick sense of satisfaction rush through your veins when you actually managed to kick him in the stomach this time as he writhed on the floor, "—you tell me what I want to know now. I played your game, Yoonsu, but I also got to win it too—so give me my prize, you fucker."

Then you gave him another kick, this time harder than before, as it sent him sliding on the tiled floor.

He mumbled out something you can't quite hear.

"What?"

He mumbled again.

You crouched next to his writhing form, pulling his head up by the hairs of his scalp, making him wince. He didn't realise you could be this violent. He wanted to laugh when he realised the psychological torture he put you through was what pushed you to the brink like this.

"Oh, sweetie—I buried him at your highschool, at that abandoned plant nursery your students stopped working on. I gave those poor neglected plants some good fertilizer."

You let go of his head at his answer. Yoonsu wheezed some more, until he suddenly stopped.

"I'll bury you there too. Since you love him so much, I'll let you rot away alongside him."

You instinctively tried to distance yourself from him at his sudden change of air, but he was faster. He sat up, and you suddenly felt a sharp pain in your mid torso.

As you glanced down, you saw that he had stabbed you with a big glass shard of the broken emergency box you shoved him into. You gasped when he pulled it out of you, only for him to stab you again, in a lower spot than the previous stab wound. He watched as you fell on your back, hands frantically trying to cover where he had just stabbed you.

The stairs rumbled, and Yoonsu glanced up to see it was that pesky Detective Do at the top of the stairs along with a man Yoonsu didn't recognize—he deducted it was probably Kyungsoo's newest partner.

When Kyungsoo saw you lying on the ground, blood seeping through your white shirt as you desperately tried to cover your wounds up with your hands, he felt his heart stop. Right next to you, Junyoung—no, Yoonsu—Yoonsu was sitting next to you, holding on a big glass shard that was slathered in blood.

He had stabbed you.

Yoonsu stabbed you.

Then Yoonsu pointed the glass shard to himself.

"NO—"

He stabbed himself in the throat.

Kyungsoo and Taeyong ran to you both. The older detective went to the criminal while the younger one went to you, pressing on your wounds to hamper the blood loss. Kyungsoo observed the glass shard in Yoonsu's throat. Judging from how much blood he was losing in a rapid rate, there was nothing he could do. Yoonsu hit his own artery. Nothing could save him, but you however—

Kyungsoo took out his walkie talkie, requesting an ambulance for you. He let out a loud 'THANK FUCK' when the nearest ambulance was just close by since this part of downtown Seoul needed constant assistance from emergency responders anyway.

He turned to you. Kyungsoo focused on pressing one stab wound while Taeyong on the other, both men didn't care that your blood was staining their clothes.

"Kid, don't go to sleep, okay? Fuck—just—you just—" Kyungsoo can feel his heart dropping as the seconds went by, and suddenly 5 minutes felt like too long for the ambulance to come by.

"...hold on?" You let out weakly.

Kyungsoo nodded, feeling his tears welling up in his eyes. By no means was he still a rookie, to still get so emotionally worked up over a case and its victims—but you were different. You were already one of Yoonsu's victims when you had to work as a stripper for him all those years ago, but here you were again. You had been tormented by Yoonsu again. You got hurt again.

And you were still too young to be going through this.

"Old plant nursery, Cheongdaebi Highschool..." You whispered.

"What about that place?" Kyungsoo spoke through the tears, straining his ears to listen to you better. He recognized Cheongdaebi High—it had been the high school you attended.

"Junyoung's body...please find him this time..." Your hand went to his, weakly gripping on his wrist, as Kyungsoo whispered out his promise to you to uncover Junyoung's body, his tears landing on your body.

Then your hand also went to Taeyong's.

"Remember the note I gave you, Detective Lee..." You turned your head to look at Taeyong next.

"T-The note?" Taeyong choked out, momentarily confused, then finally remembered that day in the café when you suddenly popped up, "Yes! The note! I'll let them know, Y/N. I promise I will."

You smiled, the corner of your lips barely moving, and your eyes began to flutter open and shut rapidly, making the two men panic.

"Fuck—Y/N! Kid! DON'T—"

"Detective Do, we've arrived at the abandoned factory! Where are you and the victim?" A voice from Kyungsoo's walkie talkie cut through his yelling.

Taeyong sprinted to the stairs, yelling from the top of his lungs to grab the paramedics' attention and letting them know they needed to bring the stretcher down with them.

When you were getting wheeled into the bus, Taeyong urged Kyungsoo to accompany you to the hospital, as they watched the paramedic zip up the body bag over Yoonsu's body. The younger detective could see Kyungsoo had an emotional tie to you, so it should ease his mind for a bit if he got to ride with you in the ambulance.

"What about you?" Kyungsoo asked hurriedly.

Taeyong took out a piece of folded up paper from his jacket's inner pocket.

"I need to inform her family."

prev | masterlist | next

A/N : WARRRR ISSSS OVERRRRRR 😫 YOONSU'S FUCKING DEAD BITCHES

ooooooooooooooooooooooooooo

• taglist • [CLOSED]

@spiderm444rk @morkiee @xiuriii @solvrse @neozon3nha @herebyaccident0 @injunnie-lemon @mystverse @dearmonamour @v-6893 @sehunniepot @bee-the-loser @gomdoleemyson @luluvhs @sunghoonsgfreal @docilismo @neocrashed @soobinbunnie5 @cigarettesafterjae @dudekiss3r @kittydollzz @urlocalbeaner5 @polarisjisung @conwunder @wonupuppy @jae-n0 @413ktz @kimsaerom @meowtella @aerivrs @swanyvess @morkleesgirl @sthwaaberry @nominzn @grassbutneo @spicyryujin @koizekomi @sunflowerhae @markeroolee

[tokkiiecloud]

WHB kings reaction to MC simping on a fictional character :

Characters : Satan ; Mammon ; Leviathan ; Beelzebub ; Belphegor ; Lucifer

Satan :

Character : Mortefi ( Wuthering Waves)

who tf is this Mortefi guy?!

You’ve been blushing EVERYTIME you mention him!

It’s pissing him off and asked to know more about this guy

he understood you might have a type on guys who get mad easily

Still growls everytime you mention how cool Mortefi is

Will somewhat agree he is cool, BUT NOT AS COOL AS HIM

Mammon :

Character : Aventurine (Honkai Star Rail)

oh? Seems another rich man took your attention?

Well as rich as he might be he will never be richer than Mammon himself who OWNS everything

The company he works for owns half of the universe and planet

But well, if Master wants him, he’ll do whatever it takes to buy you all the merch!

As long as master is happy :)

Leviathan :

Character : Yuno Gasai (Mirai Nikki)

What did that weird pink haired girl have better than him?!

She’s just a jealous crazy woman, who killed for her lover

How could you love such a woman?!

He glares at you and hangs you until you apologize for liking someone that isn’t him

For your safety do not mention that she acts like Levi just in different fonts and gender

Beelzebub :

Character : Natsu Dragneel (Fairy Tail)

ah? You like another dude that eats a lot, and has a goofy and fun personality

Welp he’s quite chill about it and understand the appeal

I mean your his lover (he delusional)

As long as you just enjoy that dude

He’ll forget about him in a few seconds anyways

Belphegor :

Character : Aizawa (My hero academia)

ok?? He just woke up seeing you excitedly talking about a guy with Beleth

He doesn’t care honestly as long as you’re still his pillow

It starts to get annoying when you continue talking about this fictional dude

Seriously shut it, and stop watching videos and pictures of this guy and come to bed.

Lucifer :

Character : Malleus (Twisted Wonderland)

Interesting.. a prideful drgaon who becomes soft and kind.

He also loves gargoyles and knows a lot of things about them.

Well that’s easy, anyone who does their research can know a lot about a specific subject.

Quite annoying how you keep mentioning how cute and beautiful he is.

And you’d love to be considered he’s loved one—

Okay, now you’ve crossed a line. I’ll have to punish you Child of man.

A/N : I had a hard time to find characters that acted like them but didn’t at the same time and for lucifer I don’t know if Malleus is a good choice I had thought of another character but I forgot about the second one the seconds I was about the replace malleus T-T

Anyways hope you enjoy this weird brainrot lol

[tokyogruel]

Tell me more about the idea that muu is lying and not actually rich please. Ive only ever seen one other person consider that before but they never elaborated + changed their mind post INMF so im really curious. Like what do you think supports it?

im so sorry this took me a few days, work tends to drain me a lot more than id like haha

but i would be more than happy to elaborate!

unfortunately a few of my claims are based off of evidence/supportive pieces that are in a discord server i no longer have access to, so please forgive me

to start off, it was pointed out to me at one point that muu goes to a more expensive private school, though there are grants and scholarships that allow those without the proper funding to attend these schools regardless of their financial status (i.e. haruhi in ouran high school host club). i believe muu is a very intelligent young girl who is capable of earning one of these scholarships easily

muu also has a recurring theme of "foreigner in a place that is new and scary to her" her being a blonde-haired light-eyed half-french, lesbian GNC-girl in a private school filled with dark-haired dark-eyed japanese straight feminine girls. muu is the kind of person who likely feels totally outcast by her peers.

as well, taking a peek at this conversation in after pain:

with a very rough translation (i am not proficient in japanese, but this is the gist of the conversation)

it should be noted that muu's friends "A-" and "Sayu" appear to be talking about muu as if she is not present in the conversation, and their tone is almost mocking. muu retorts by claiming she has plenty more, and that her lipstick (which they are likely making fun of her for it being a cheap brand, though im not sure about this detail) is just an extra she had on hand. she gets defensive, and is likely lying to protect her "rich girl who has everything" image.

i would also like to point out that muu seems to have gotten nothing in return for her lipstick- and was likely lending it to her friend with no expectation. muu acts like she isnt a giving person, but genuinely seems to be thoughtful and generous towards those she cares about. this can also be seen with muu giving haruka "hand-me-down" hair clips. its a small gesture, but haruka wears and appreciates them- they keep his uncut hair out of his eyes, and its a small piece of her that he can wear. its a thoughtful gift

and secondly... doesnt anybody else think that its weird that weve seen NOTHING about her home life? with other prisoners, we see at least two aspects of their lives, if not more. haruka with his house v. the forest. yuno in the car, on the stairs, in the brothel-room, on dates. fuuta in the tunnel, the arcade, on the basketball court. shidou in his house, hospital, greenhouse. mahiru in the forest, her house, several pictures of her on outings in TIHTBILWY. kazui in his house and the bar, on the altar. amane in her house, on the street, though MAGIC primarily takes place in her "inner world". mikoto in his home and train station. kotoko in the warehouse, a bar, on the streets etc.

muu's videos take place entirely in her school. even her inner-world with the bright white walls and floors, where herself and her peers are bugs- its still her mental depiction of school. her home life is totally void in her videos. why? sure, it may not be important to her murder- but maybe, its more important than what we see in after pain and inmf

did you know that most bullies use bullying as a way to cope with lack of control in their lives? that bullies most often face harrassment at home, and that school is their only escape from abuse? those who bully their peers often mirror their own parents' actions towards them. school is likely the only place where muu has any sense of control in her life. yes, its bad that she bullied her peers, but she is a child who has no proper outlet for the pain that she faces

(i also believe that her hourglass imagery lends to a cycle of violence- that muu was likely bullied, became the bully, and lost her status only to get bullied once more)

but im going on a tangent

unfortunately at this point i am running out of steam and good examples to lend to why i believe muu is poor (please, if anyone else has any evidence to back this up, please do add on to this post! i love to hear the community's thoughts!)

but for one last, small point. let's take a look at muu's lunch. a simple bento

this bento is very small (a side note: i am also of the opinion that muu struggles with an ED) and it consists of a few simple ingredients.

a leaf of lettuce, cherry tomatoes, rice, a small amount of sauce, a single hot dog cut in the shape of an octopus, and what appears to be a hunk of protein, like chicken

well, thats not a lot of food. certainly nothing high-quality or expensive. lets take a look at some school lunches in japan. lets search up "学校 べんと" "gakkou bento" "school bento" and look at the images

muu's lunch certainly doesnt look all that filling. it most certainly does not look bougie and expensive

edit: i would also like to note that she parallels shidou as a partner prisoner. both feature the concept of lying and upholding a good image of oneself

[doctorbunny]

This will be written sloppily due to me being stuck on my phone but the report today got me talking to a friend and reminded me of a theory I had (I think it originated from @archivalofsins though)

Still, I'll share it again for fresh eyes:

I think Shidou could be making Mahiru sicker instead of helping her

So the gist is that at the start of trial 2, Mahiru was in a critical condition and had her life saved by Shidou

After that she entered a period of injury but stability

We saw through timeline conversations that she was in pain but seemingly able to move around and do things with some assistance

Yuno then gifted Mahiru a wheelchair, the clear implication being that this would let her continue to live as she had been but without as much pain (ambulatory wheelchair users often talk about how their chairs give them more energy/spoons to do other activities too)

Similarly, in Shidou and Mahiru's voice dramas they discuss her health but there doesn't seem to be the kind of urgency suggesting that Mahiru needs to be immediately moved to a hospital in order to not die (Shidou tries to ask Es to "end milgram" but if Mahiru was going to die without urgent care that could've helped his case yet he didn't mention it, even in normal prisons if a prisoner is severely sick or injured they're supposed to be taken to a hospital [not to say real prisoners don't experience medical neglect or abuse but officially they aren't meant to] )

At most he brings up the idea that another guilty vote could be detrimental to her mental health -but he's not an expert or anything

As I said, this all painted a picture of Mahiru as injured but stable until her next verdict

And we forgave her

But then things take a turn

Suddenly Mahiru is requiring round the clock care

Shidou can barely stop for a birthday shoulder rub. Yuno is taking breaks during Mahiru's naps

She appears to be bedridden and her wheelchair hasn't been mentioned since she got it

If we accept time doesn't move in milgram that could explain injuries not healing but it would explain such a dramatic, unexplained decline

We know Shidou has built his personality around being a doctor. A necessary figure who saves people's lives. So it would be a little awkward if he didn't have any patients (since Fuuta apparently didn't feel like he could rely on him and instead joined the anti medicine cult, a common pattern in those who lose trust in doctors after being mistreated)

I don't think Shidou is evil (although it's pretty bad to poison your patients) I think this doctor-patient relationship is almost co-dependant for him, after all its what his inno vote is based on.

It does leave him in a vulnerable position though

He's potentially turned one person mostly able to look after themselves with some medical assistance/supervision into a patient that even with 2 people is causing him to be spread thin

If Mahiru dies he'll be blamed (and I'm sure Yuno is watching him if he does anything too suspicious)

But if another incident happens before T3 and a lot of people get injured again

Or Amane incapacitates him, preventing him from treating the others

There could be a pile up of casualties with not enough people to look after them all

Hard decisions may have made

It could be a triage

[phxntomhives]

I'm resurrecting from the dead

Did you get the joke? No? Ok

Small analysis of this pic

But I'd like to remind you I am no expert on the topic, it's just my 2 cent lol

End of S4 spoilers + manga spoilers under the cut

I am quite confident this is dedicated to the midnight tea party of the anime right now. His identity has been revealed so what better way to celebrate than such a wonderful art?

The first thing I personally noted is the pose. Our dear yandere pose (I got Yuno war fleshbacks ngl) The smile, the hands, that eye. He has the full pack. We can all agree he goes a little insane when we talk about the Phantomhive... but yandere? I wouldn't say so (at least not yet, tho he may be on the correct road to become it). I guess he is dancing on the line between sanity and insanity and this is just the result of it.

Someone already said the liquid that is falling is tea. But I am also very much reminded of blood when looking at that color (and knowing his story, it also fits). Thought it may be just me. I would also like to point out how the tea is not just spilling over from the teapots, they are breaking. And Undertaker is just staring at the scene with insanity.

I am also going insane about all the hands: there is a right hand holding the sugar bowl. Then there is another right hand, holding a teacup which is also crumbling down. But that teacup is being "filled" of tea, that is dropping from above. Then there is also a left hand on the top, holding the teapot's handle (that is now detached from the main body). And there is a fourth hand, holding the dessert. So, here is my idea: the three hands that are holding the tea set represent 3 of the prefects: if I were to take a guess from here I would say that the broken teapot could be Herman Greenhill (the most broken one since he likely feels worst about the situation since he technically started everything). Then the sugar bowl could be Lawrence Bluewer: it is just being destroyed and has no power in the situation. The broken teacup is Edgar Redmond: he tried to hold it together but in the end he still lost control over the situation. Let me first go to the dessert now, I'll go to the other hand in a second.

The dessert. Listen, I am no expert in those but I know a strawberry when I see one. And I believe that is very much R!Ciel's favourite snack a strawberry cake. So listen, if we can discuss that the hand holding the teacup could be X or Y, here I am quite confident it is just R!Ciel. Not to mention that Undertaker is technically staring at him with the yandere look so it would make sense: he would be staring a Phantomhive AND an almost perfect Bizzare Doll he has created. I would go yandere too ngl. The dessert is being "watered" by the tea, which if I am correct and it does also symbolize blood, it could represent the idea/the begin of the blood transfution to keep R!Ciel alive. AND the dessert is being held by the last hand. Who were we missing of the P4 again? Violet. And who has casually the same blood type of R!Ciel? Violet. So I think this is him.

One last thing I noticed of the hands is that three of them are "in the dark" (both at the top and left one at the bottom: Lawrence, Greenhill and Redmond), while the one in the bottom right (Violet) is a little more illuminated than the others. Does this confirm/imply that Violet does already know a little more than the others? I'll let you make a decision I feel it may be just the light and I am becoming paranoid.

I absolutely LOVE how the background is the midnight flower glowing. It gives such a nice contrast in the picture. It also helps in making undertaker look even more ominous lolol. It's so bright and maybe it stands for everything pure you can think of. But Undertaker has turned his back to that light and is just enjoying the chaos. I am trying to find more stuff about the flower and its meaning let's see if I find something eheh

That is all thanks for bearing with me lol.

On a side note: did he always had that ring "tattoo" on his pinky? I am blind ✨✨

(I may check later for grammar mistaker I am tired now)

[0cta9on]

Hey dude, here is your daily dose of cute thoughts

1. Always love when ahjumma asks "Is this your girlfriend?". Same concept like the "Are you two a couple?" Theme video.

2. Such a cute gesture seeing how you save your girlfriend in your contact list. Or maybe seeing your phone wallpaper. Maybe "Cutie pie💕" "My2ndhalf❤️). Or a picture of her, she never seen, that you took secretly.

3. Having Ice skating date at a nearby mall is always cute, learning while spending time together.

4. Going for school reunion, everyone there doesn't expect the most unexpected couple.

Have 'Marcus'😅

Hello mikeylo! I've actually been in a little bit of a mental rut, especially with how busy I've become, so these are always nice to get bits of inspiration for UD :] As such, I'll be using this ask to talk about Yuno and Minji :>

During the spring, when the weather is nice, Yuno and Minji like going on walks at specific park they both like. One day, the pair are resting on a bench underneath the shade, sharing an ice cream cone (Yuno didn't want any, but Minji insisted that they share one and he can never say no to her) when an old lady passes by, a polaroid camera hanging by a lanyard on her neck. She smiles at them, asking them if they're a couple, which they reply with a resounding 'yes'. She then offers to take a photo of them for free, telling them how nice the light looks on them. Minji enthusiastically agrees, and despite Yuno's awkwardness in front of a camera, the picture turned out alright. The old lady gave both of them a polaroid of the picture before walking off. Minji keeps her copy in her phone case while Yuno keeps his in his wallet.

Since this is his first relationship, Yuno doesn't really know what to think about pet names. He feels pretty neutral about them, but he likes Minji's name the most, so he'll have her contact as "Minji<33333". Simple and to the point :> His phone lockscreen (after he figures out how to change it) will be a picture of Minji sleeping on his shoulder. If she's busy with something, he'll stare at his lock screen for hours, waiting for her notification to pop up :>

Yuno was hesitant about the ice skating at first, but he can't say no to Minji's face :> The rest of their friends tag along, all having some experience ice skating, leaving Yuno to be the obvious outlier. Minji tries her best to help him by holding his hand and supporting him every time he falls, but in the end, he uses one of those balance aids that children often use :> He feels a little embarrassed, but Minji assures him that he looks cute and that's enough for him :>

I have a future scene in mind, so technically this isn't canon, but it's fun to write anyways :> As Yuno and Minji walk hand-in-hand through the venue, they receive the same stares that Yuno had been accustomed to during high school. Aside from Hanni, everyone found it hard to believe that the notorious delinquent and the class president were not only dating, but had been dating ever since they first met during senior year. When Minji was asked to do a speech, she made it abundantly clear to everyone how much they misunderstood about Yuno, much to his embarrassment. A couple people came up to him to apologize, which lead to the two of them leaving early after Yuno's social battery runs out :>

[nonsenseofyesteryear]

Milgram characters when presented with an infant:

Haruka: Is very uncomfortable. The baby starts crying, and he starts crying, too.

Yuno: Is also uncomfortable, but manages to keep the tiny human entertained with her cat's cradle. Manages to figure out some of the basics of taking care of the baby with the magic of the internet.

Fuuta: Shows the baby cat videos on his phone. Hopeless when it comes to actual childcare.

Muu: Will make a good, honest effort to entertain the baby. Will NOT change any diapers.

Shidou: Dad mode ACTIVATED. That's his child now.

Mahiru: Loves babies. Knows a little about taking care of them. Enjoys peek-a-boo as much as the baby does.

Kazui: He can't take the baby fishing so he's at a bit of a loss.

Amane: Reads the baby some educational picture books. Then they build a nice tower of blocks together.

Mikoto: The baby senses his Older Brother Energy and loves him. "Pitches" (gently rolls) a baseball for the baby to "hit" (gently tap with their tiny hand). Starts cheering when the baby "hits a home run" (gets the ball to roll more than a few inches)

Kotoko: Solemnly vows to protect the baby from all evildoers. Has no idea how to feed the baby.

[kyanako5972]

I really liked your guilty Yuno concept -- what do you picture a guilty Tear Drop looking like?

I had two ideas. One that I put just enough thought into to be able to explain why I chose it, and one that's just plain indulgent.

A more old-school uniform, a sukeban design, and a very indulgent sukeban design with pink accents and the lyrics to Tear Drop messily written on the skirt.

Take this all with a grain of salt because I haven't researched too deeply, but here's my thought process:

My first impression was that she would wear something more associated with "purity" as a statement that her sexuality is not your business. A rejection of her judgment. Longer sleeves and skirt- wait, isn't that what a sukeban wears?

So I ran this by @doctorbunny and figured it's not a 1-to-1 comparison. Sukeban reject the idea of immediately growing up and becoming wives, but Yuno doesn't completely reject society and even seems to want to be seen as grown up (if not a housewife). Given the shift in values since the 80's, it's expected that things wouldn't perfectly line up.

In any case, I decided to indulge.

[complexsaviour]

Milgram Eeo Store Collab Art Analysis Part 2/4: Yuno, Kazui and Kotoko

Pictured above are the forgiven prisoners depicted not using their umbrellas — Yuno, Kazui and Kotoko. My theory is that their choice not to use their umbrellas represents the fact that these three were either neutral to their verdicts or rejected them. In Yuno and Kazui's case, facing away from their umbrellas, they reject Milgram's protection, turning away from the comfort of believing in their innocence just because the audience tells them it is so. In Kotoko's case, she aligns herself beside her umbrella rather than allowing it to protect her — placing herself alongside Milgram's power instead of beneath it. In doing so, she refuses to take comfort in it, but she also hasn't rejected it entirely — because although she operates on her own terms, at the time, she wanted to be Milgram's equal and work alongside it.

Edit: I also can't help but notice the way Yuno and Amane, the characters who most vocally resisted their verdicts in Trial 2, are the only ones who were depicted wearing hoods. In the same way that wearing a hood often restricts one's vision and ability to hear clearly, they both turned inwards and away from those around them upon learning how they'd been voted, refusing to listen to anyone else and becoming distant.

[ofoceansandtombsanew]

HOLD ON THAT ONE ANON GAVE ME AN IDEA

So basically, what if the whole reason why Makima is worshipping reader is because she was the first ever person to be *genuinely* kind? Like what if as kids they met, then like four years later they meet again but reader is more mature and is less kind and that like upsets Makima???

If that's the case we already know what the treatment is about to be from her:

The 'be conformed to the image Makima has of you' treatment. But should you have a strong sense of self, you should be able to counteract her ability. Makima's psyche is just interesting to probe at. She wants an equal relationship, something like a family, but she's too far gone to truly have the type of relationship she wants with someone else.

Should you fold to her ability, I think that would crush her even more if you hadn't. It's like a reinforcement that she is going to always be alone. Or perhaps, she was just foolish to think you were the person she was hoping for. That must be it, so she simply has to continue looking for that person. You're just a stepping stone in the right direction of what she is looking for.

But the idea of the reason her worship for you comes from kindness you gave her when she was younger? I like that idea, it gives me Yuno Gasai-vibes.

Like it hasn't been too long since she was taken in by the government, so in spite of her despair she still has hope underneath that that there is someone out there that will treat her kindly. Enter you, a child of one of the devil hunters at the Bureau that happened to stop by because your parent forgot their lunch or something. But since your mom is already out and she plans on getting lunch while on patrol, you give it to Makima instead and you talk while she eats, discussing your mom. It eventually becomes a habit for you to bring her lunch instead, at least until your mother's transfer to another city.

Upsetting as it is for her, you promise that you'll make her lunches again if you're ever lucky to cross paths once again the future. Hell she owes you a lunch or two, you jokingly add. But at the very least, it was fun hanging out while it lasted You take a couple pictures on a polaroid, twice. A copy for yourself and a copy for Makima.

That picture is one of her most important treasures.

[1moremilgram-enjoyer]

I've been looking at all the MVs and decided to compile every explicit reference to the Milgram prison I could find in them, see if there's any pattern. Don't really know how meaningful it is but I find it interesting. Also, keep in mind it's very possible I'll miss some stuff, and I'll only point out visual references, not lyrics. (And also not the credits in all the videos, they all say Milgram obviously)

Undercover - Just the entire video, I don't think I need to add any examples. I'm not really going to take it into account for this, but it has all the references you could think of.

Weakness - Milgram logo on a perfume (?) bottle, at the beginning. Funnily enough, this is the only instance I could find of the logo itself beyond Undercover and the Es cameo in Backdraft. EDIT: Wrong, it’s also in Bring it On.

Umbilical - Song name + cover song (Sticky Bug) thumbnail in the background. The song name shows up in other scenes as well, but I won't put anything redundant here.

Bring it On - Song name, Milgram name drop, prisoner number. EDIT: And the logo on the upper left corner of the phone.

After Pain - N/A

Throw Down - N/A

Ai Nan Desu Yo - Song + Milgram name drop on the magazine pages (in the image Milgram is name dropped to the right of Mahiru's picture)

half - N/A

Magic - "Produced by Milgram" in the credits (in Hiragana). This is the only time Milgram is written in Japanese.

MeMe - "Milgram [...] card" is written in Milgram runes in the tarot cards. I don't know what the middle word is, but it's not tarot. This is the only time apart from Undercover where 'Milgram' is written in runes.

Harrow - N/A

AKAA - N/A

Tear Drop - Song name drop + cover (Vampire) thumbnail in the background. Also Umbilical name drop because of the 'umbilical' skirt, making it the only video to visually reference the previous song title. Yuno is the only character to have a reference to her cover songs in the main MVs, and she has it in both.

Backdraft - Prisoner + Es cameos, the latter implying the Milgram logo and runes also show up. The QR code in all the spray paint cans leads to the Judge website. There's also Milgram runes in the spray paint cans translating to "Pressure."

(Also noticing now the only prisoner whose entire prisoner tag can be seen in the graffiti, and therefore their prisoner number, is Amane. 0308 nation we stay winning)

It's Not my Fault - N/A

Triage - QR codes that I assume lead to the Judge website, but I can't easily check because there's no clear shot of them. Also Milgram runes in the graves.

I Love You - N/A

Cat - Milgram + song name drop + prisoner number in several spots.

The Purge March - N/A, sort of, since at one point March Leader Amane's shadow is framed to sorta look like Es, but nothing else.

If you want me to come to any conclusions, I'd say anything branded "Milgram" shows a degree of separation with reality, implying Milgram is more involved in bringing it to light than more direct memories. Fuuta's videogame, Mahiru's magazine, Magic and Cat as a whole, Mikoto's highly abstract and symbolic tarot cards. This is what separates, for example, Bring it On's title screen from Tear Drop's; Yuno's perception of reality is a bit more grounded than Fuuta's was in the first Trial. Meanwhile, the name "Milgram" doesn't show up in Backdraft (apart from possibly in Amane's tag), because Fuuta is a bit more realistic there, for example representing Killcheroy more like childishly than in Bring it On.

As for the other stuff, it's quite interesting Yuno is the only one to reference her covers, which can be interpreted in a few different ways. She's shown to be quite intelligent when it comes to some of the more supernatural elements of Milgram (see: "Am I really alive?"), so maybe that's hinting at some sort of higher awareness? Kind of? Sort of? Who knows.

Backdraft is the only video to show the other prisoners (more explicitly than Triage's "extract that fang" line), as well as Es. This fits Fuuta being highly concerned with others' perceptions of him, making him quite prone to peer pressure.

Muu is the only prisoner to have no reference to Milgram in either of her MVs so far, though Kotoko might join her when Deep Cover releases. Take that as you will, I don't know enough about Muu to come to a definitive conclusion.

Don't really know what to do about the QR codes. I guess Fuuta and Shidou both have asked for specific verdicts, but they're not the only ones, so.

Also don't know what else to do with most of this, this was more to put the observation out there. Take care!