#You see it in the media/characters I like

[darkficsyouneveraskedfor]

Meet the Family 1

No tag lists. Do not send asks or DMs about updates. Review my pinned post for guidelines, masterlist, etc.

Warnings: this fic will include dark content such as dubcon/noncon and other possible triggers. My warnings are not exhaustive, enter at your own risk.

This is a dark!fic and explicit. 18+ only. Your media consumption is your own responsibility. Warnings have been given. DO NOT PROCEED if these matters upset you.

Summary: Your boss needs a last-minute favour for the holidays.

Characters: Lloyd Hansen

Note: um I woke up to this in my head. Sorry.

As per usual, I humbly request your thoughts! Reblogs are always appreciated and welcomed, not only do I see them easier but it lets other people see my work. I will do my best to answer all I can. I’m trying to get better at keeping up so thanks everyone for staying with me <3

Your feedback will help in this and future works (and WiPs, I haven’t forgotten those!) Asking for more or putting ‘part 2?’ is not feedback.

Love you all. You are appreciated and your are worthy. Treat yourself with care. 💖

You honk your horn as another driver slowly veers toward the line. You’re not letting them in. If they can’t weave in, then they aren’t fast enough to leave the slow lane. You sigh and gesture at them as kindly as you can in that instant. You have enough going on. 

Your phone starts to ring. Again. You tap the button on your steering wheel to answer. You would know who it is even without his custom ringtone. Your boss allows no space for breathing, even on a call. 

“How far out are you, pixie?” Lloyd asks as you growl and lean on the gas pedal. You hate driving on the highway, especially at night, and the sky is steadily dimming. 

“Close,” you assure him. “Next exit,” you flip your blinker on. 

“Thank god. You got everything?” 

Yeah, everything you forgot. You don’t give the dry retort aloud. You know better. Where your boss has no filter to be found, you find yourself often censoring yourself. As much for his ego as for others’. Arguing never gets you anywhere. 

“I believe so--” 

“You believe or you do?” He asks impatiently. 

“Mr. Hansen, I got everything on the list,” you assure him. “All with a bow on top.” 

“A life saver, pix, I swear,” he praises, but a compliment from him is rarely genuine, more transactional. You did him a favour so he’ll give you a treat. 

“Alright, I need to get over, ramp’s coming up. So--” 

“Yeah, yeah,” his ends rustles and you hear a muffled female voice, “I got shit going on too. You got the address, text me.” 

He hangs up first. You can never be the first to end the call. He has to make the decisions. You just know how to guide him to the right one. You merge into the exit lane and follow the ramp away from the whirring stream of headlight. Finally. 

You’re less than pleased to be within minutes of your destination. This isn’t how you envisioned your holiday. A last-minute itinerary change to fix yet another of Mr. Hansen’s oversights. It’s never a mistake, he’s just a man with so much going on that it slipped his radar. Another bandage for his ego. 

The slower pace feeds your agitation. At least on the highway, you felt like you were getting somewhere. The lazy roll of the cars in the town tweaks at the nape of your neck. You just want to be in one place and that won’t happen even when you get to Mr. Hansen. 

You’ll be lucky to have two hours of sleep before you have to catch your rebooked flight. Yep. You’ll play Santa and drop off your lot before hiding at the hotel long enough to dread the airport jungle. Then it’s off to your own familial obligations. Those are rarely enjoyable and being a day later than promised will hardly please your mother. 

Your phone announces your arrival at the destination. The long drive of the over-sized suburban mansion is full. You park on the street and turn on the interior light. You get out and open the back seat. The whole medley of shiny paper and quaffed bows stares back at you. 

You text Mr. Hansen and wait, huffing and puffing with impatience. Of course, you have to upheave your plans to meet his deadlines, but he’s taking his time. It’s not a surprise, not even a disappointment, you expected as much. 

“Pixieee,” Lloyd drags out the last syllable, “there you are, pretty pixie.” 

Pretty Pixie? He’s drunk or he’s going to ask for something else. You brace yourself as his shadow struts up the long driveway and passes beneath the cone cast by the tall street lights. Coloured lights glimmer over him from the eaves of the surrounding facades. 

“Mr. Hansen, wrapped, labelled, everything you requested,” you gesture to the backseat. 

“An angel. A true saviour, pixie,” he surprises you as he grabs your head, his palms pressing to your cheeks as he bends to kiss your forehead, “did I ever tell you you’re immaculate?” 

“Mr. Hansen,” you gently pull his wrists until he drops his hands. You smell the alcohol radiating off of him. 

“It’s the holiday, call me Lloyd, sweet cake,” he insists. 

“Right,” you tut and turn to drag out the largest gift bag, “here, you better just take all this, I have to check-in--” 

“About that,” he ignores the gift as you hold it out. “We’re just about to start dinner, you should pop in, have a bite.” 

“I can’t, Mr. Hansen--” 

“Of course you can,” he insists. You look up at him. His eyes gleam in the spectrum of lights shining from your car, the houses, and the tall poles. You sniff. He’s only tipsy, there’s still the hint of authoritarianism firmly implanted in his tone. “I told everyone you would.” 

“Everyone?” You echo anxiously. 

“The family,” he exclaims as if it should be obvious. 

“Okay, I can come say hello but--” you wiggle the bag at him. 

“Damn right you can,” he catches your hand and takes the bag. He drops it on the ground carelessly. 

“Mr. Hansen, that’s fragile,” you say. 

“Shhhh,” he grabs your hand and you curl and unfurl your fingers desperately, “Lloyd, remember?” He feels around in his pocket as he keeps you in his vice, “now, you just need to slip this on.” 

He struggles to line up the ring with your finger as you squirm in confusion. What is he doing? 

“Mr. Han--” 

“Lloyd,” he growls, all humour trickling away. He squeezes until you whimper. “Look, I just need you to smile and bat those long lashes of yours, alright?” 

“What’s going on?” 

“As far as anyone knows, I proposed to you on Thanksgiving,” he says. 

“Proposed?!” You nearly shriek. 

He hushes you again and finally rams the ring down to your knuckle. “Look, pixie, mommy’s being a real pain in my ass so you just need to play along.” 

“Mr.--” 

“If I have to tell you one more time--” 

“Lloyd,” you gulp, “please. I... this is... strange. What? Why? I have a flight in eight hours.” 

“Cancel it,” he sneers. “Double time and a half for holiday overtime. See the family in the New Year.” 

“What? That’s-- This is insane--” 

“This is your job, honey,” he clings to your hand. “To do what I say or you can spend your January trawling the job boards.” He squeezes until the band digs into your flesh. “Now, I know Mr. Walker thinks you’re darling and he offered you a role last year but once I tell him about your little defiance issue, I don’t think he’ll be interested--” 

“Huh?” 

“I know a lot more than you think,” he grits. “Alright? So let’s start getting this shit inside. That’ll give you a chance to get yourself together.” 

“Lloyd,” you gasp. “Why--” 

“No more fucking question. Since when did you get so uppity,” he barks. 

“Sir--” 

“Ah, none of that, either,” he lets you go and waggles his finger in your face. “Relax. Have some eggnog when we get inside and take the edge off.” 

“This can’t be happening,” you murmur. 

“It’s fucking happening, alright?” He picks up the bag off the ground. “I keep you around ‘cause you’re quick on your feet, Pix, so let’s get to it.” 

“Oh god,” you utter. 

“Keep it to yourself,” he warns. 

Your disbelief has you a bit dumb. You’re panicking. He knows you have an insurance policy with Walker and you have no doubt he’ll do all he can to spoil your future if you fuck around with his present. You’ve worked long enough for him to believe his threats, even when everything else is dubious. 

You turn and grab several gifts from the backseat. You move out of his way and he gathers some more himself. He backs up and uses his knee to close the door. He nods you toward the house. 

“Smile, act like you’re excited,” he commands. 

You pass him and stare up at the blaze of holiday lights. The lawn is decorated with a Santa and sleigh, complete with all his reindeer. You make the march up the walk and towards the glowing windows that trim the front door.  

Lloyd comes up next to you and kicks it, “open up.” 

It isn’t long before obedience appears from the other side. You do a double take at the man who answers the door. He looks a lot like Lloyd but not. He doesn’t sport the same bristly stache and his hair neatly combed, the sides unshaved but tidy. He rolls his eyes. 

“Was hoping you got lost in the snow,” the man scoffs. 

“Shut up,” Lloyd shoulders through, “always a fucking prick, Hugh.” 

The other man snarls, “don’t fucking call me that.” 

“Aw, I’m sorry, baby boy,” Lloyd puts the gifts on the bench against the wall, under the large mirror with an elaborate frame. “Why don’t you go suck on mommy’s teat?” 

“You’re disgusting,” the other man, Hugh, hisses. 

“Speak for yourself. We’re the OnlyFans thot? She not joining us?” 

“Oh, fuck you.” 

“Fuck you, fuck me, we already did this, remember?” Lloyd faces him. 

“And who’s this slut?” The man tosses you a sharp glare.  

“Woah, man, that’s my future wife,” Lloyd lies so easily it startles you. He sounds almost genuine and you’ve never heard him sound like that. “Not a slut, so keep your eyes and your hands to yourself.” 

“Huh, I didn’t believe it,” the man puts his hand on his hip as he looks you up and down, “she’s tiny.” 

You narrow your eyes, speechless as they talk about you like a new lamp. 

“Ransom,” Lloyd gestures to him derisively, “Pixie. Now you’ve met so you can skedaddle back to the liquor cabinet.” 

The man, Ransom, snickers, “good luck, sweetheart,” he scoffs. “If you need a drink, just look for me. You probably will. At least for the next forty years.” 

He struts off through the archway behind him and you look at Lloyd. He takes the armful of gifts from you and grumbles. He stops and crosses his arms.  

“Well, get your boots off. Mom will kill you if you’re tracking salt all over her freshly polished floors,” he shakes his head. “And a bit of advice, stay away from my cousin. Ransom’s a fucking pest.” 

“Right, sir.” 

He tilts his head and you show your palms, “Lloyd.” 

“Good girl,” he says and slips free of his loafers. “Now, you’re going to have to meet my parents before anyone else or I won’t hear the end of it. I’ve already got an earful. I know I shoulda booked that resort...” 

You unzip your boots and set them aside on the rack. You stand and he beckons you past the open archway and down the hallway. You take in the decor; gold on beige on ivory. It’s all very luxurious. 

He pushes through a white birch door and warmth enshrines you along with the smell of turkey. There’s a clattering beneath a shrill voice snapping out orders, “oh, not mashed, whipped!” 

A tall blonde woman crosses her arms as she hovers like a vulture over the aproned staff crowded around the large marble island. Lloyd grabs your hand and drags you after him. Your socks slip on the tile as dread coils up your limbs. 

“Mom, she’s here,” he announces as he gets close to her. 

“Ugh, about time, they already set the table and I was dreading the empty plate,” she slithers. She turns her chin down to see you, “Oh, look at her. She’s so... petite.” She levels her hand with the top of your head, “much different than I envisioned.” 

You look at Lloyd as he pushes his shoulders back. You’ve never heard anyone talk to him like that and you’ve never seen him so uptight. You turn your attention back to the woman. 

“Hello, Mrs. Hansen, it’s nice to meet you,” you offer your hand. 

She considers it then grabs it, turning the ring up. You examine the jewel as she does the same, your first glimpse at the thing. She harrumphs, “that’s the ring?” 

“Mom,” Lloyd utters. 

“Mm, very well. Dear, you may call me Gwenyth, not Mrs. Hansen,” she lets you go. “Now, dear son, out of my way. I’m trying to get dinner done.” 

Lloyd stares at her, almost expectantly, the takes your hand again and leads you away. He pulls you back through the door. You don’t dare say a word. He leads you away from the kitchen and the wall of voices buzzing from the front room. He guides you through the archway opposite and around to another door. 

He knocks and there’s a lull as you wait. He taps again. There’s coughing from the other side. “What do you want?” 

“Just me, Dad,” Lloyd answers. 

“Ugh, get in here then,” the timbre calls back. 

Lloyd twists the knob and urges you in ahead of him. The smell of cigar smoke blows in with the cold wind. A gray-haired man puffs by the window, his efforts to puff through the opening sabotaged by the wintry gusts. 

“Close the door. I don’t need the banshee sniffing me out,” he growls. 

“Sure,” Lloyd shuts the door. “Dad, uh, this is her. The woman I told you about. My fiance.” 

“Took you long enough,” the man sneers. You flinch and his grey eyes soften, “him, I mean. Forty-three years--” 

“Dad,” Lloyd rasps. 

“Well,” his father looks you over, “she’s young. Bit small...” 

You do your best not to let your annoyance show. So you’re a little shorter than average. 

“William,” he introduces himself, “and you are?” 

“Pixie,” Lloyd answers for you. 

“Didn’t ask you, boy,” William rebukes and keeps his eyes on you. “You smoke?” 

You mull his question and sigh, “never tried it but I guess it’s never too late to start.” 

William snorts, “truer words.” He puffs, “I don’t recommend it. Horrible habit.” He tamps out the stogie in a copper tray. “Well then, is the food ready, or did you just come to show me your woman?” 

Lloyd stiffens and touches your lower back, “guess I just came to do that.” He mutters, “come on, let’s go get something to drink.” He turns and opens the door. 

“Don’t let the smoke out,” William snips as you spin around. 

[agentravensong]

Some examples of media I like below the cut and where they fall (in my estimation) for reference (there will be vague spoilers for the media listed). I'd love to hear other people's examples in the notes! (That's the main reason I made this post actually)

UnderTale — grief over what happened pre-loop. it's a ghost story. (1) (2) (literal academic essay about ut as a story about grief)

Outer Wilds — preemptive grief. if you know you know. any time loop story that's about a character trying to save a specific other character who dies in/during the loop also counts as this imo.

In Stars and Time — both. ("you were there all along, but still, you return home.")

Slay the Princess — both, depending on whose perspective you look at the story from. preemptive grief for the end of the world (all worlds), or grief for an existence that you can never return to.

Rosencrantz and Guildenstern are Dead — it's a stretch for me, which is funny considering it's set in/around Hamlet, arguably The play about grief. you could maybe argue for "another kind of grief" in the sense of grief for the full lives they will never be able to experience because of the inherent nature of their situation? but i find that a label like "existential dread" is more applicable.

The Prince by Abigail Thorn — preemptive post-loop grief for Hotspur, pre-loop grief for Sam. Discord mutuals understand.

The Stanley Parable (Ultra Deluxe) — fuck if i know.

[cerastes]

Man I can’t stop laughing, poor Lappland, a fan favorite since the start, one the most eagerly awaited characters to have more of a presence any which way, let alone to get an alter, and when she finally gets an alter, she happens to share a banner with god damn Ingrid aka Vulpisfoglia, other fan favorite Suzuran’s mafia hitwoman mom only alluded to in whispers and murmurs, along with “she left Lisa (Suzuran) in trusted care, and then left on a John Wick path of carnage”, who comes rocking a design so damn good that it completely blows Lappland the hell off, not helped by the fact that, while Lapp does look good, she doesn’t look too different aesthetically from her Guard alt skin (which is practically her official look now anyways), dampening her impact further.

Then, we finally see what Raidian looks like, and then she subsequently takes over social media and fanart spaces in a sweep the likes of which I assume no one at Hypergryph remotely anticipated, and Lappland doesn’t even get to enjoy the post-Artists Got The Vulpisfoglia Out Of Their Systems period, and gets blown the fuck off a second time. Dire.

Then then, it’s suggested but not confirmed that Lapp might be the Operator to appear in the Limbus Company collab, which isn’t necessarily intrinsically getting blown the fuck off, but that’s something I wouldn’t wish upon anybody personally.

Mind you, it’s not like she got no art or fanfare at all whatsoever, and long term, she’s going to remain a very popular character, hell I like Lapp a lot, but it’s just so funny how her her big alter reveal came out and it wasn’t the most hype thing or even the second most hype thing to happen that month.

[smidnite]

**WHEEZING LAUGHTER**

I began reading fanfiction in late highschool, in the grand ol' year of Y2K. Fanfiction.net was only a few years old, and MediaMiner.org was a baby, and BOTH were unknown to me.

Angelfire and Geocities reigned supreme, and others purchased their own domain name. Livejournal and Dreamjournal were the interactive media for your audience. Archive Of Our Own wasn't even a twinkle in the eye.

Tags were NON-EXISTENT.

You might, MIGHT get an author's note saying that there was a character death, but those were rare. The best you could hope for was a rating, but NOT with the MPAA letters that getsl used for American movies, because there was a copyright stink over that. (See the following paragraph.) You'd get WAFF, "warm and fuzzy feeling", TAFF, "tangy/ tart and fuzzy feeling" (things get a bit sexual, or a bit angsty, therefore"tart"), and you'd have your lime/ lemon qualifiers. Softcore vs Hardcore pornfics.

(You were 100% going to get the prerequisite "DISCLAIMER! AUTHOR DOES NOT OWN THE RIGHTS TO THESE CHARACTERS!" at the beginning of every chapter. Because it wasn't unheard of for stories you'd been reading to be suddenly pulled off the website it was hosted on without even the AUTHOR knowing, because the site was afraid of copyright violation. GODDAMN ANNE RICE, but also posted song lyrics, book quotes, and using the rating system of the Motion Picture Association of America. Authors losing months, YEARS of posted writing, with NO saved copy on their hard drive, and hoping that a reader had saved a text copy to read offline. This is why WE LOVE AO3, for keeping crap like this from happening.)

Essentially, in the wild wild west of early online fanfiction, it followed the very similar pattern of the fanfiction printed in fanzines passed around fandom conventions: you got what you got and were happy you GOT it. Your favorite characters! Written by a fan like you! Interacting in ways that were canon and WEREN'T! Damn the consequences, read ahead!

Your feels were going to be FELT: the good, bad, and the ugly. And yeah, that ugly could be a VERY unexpected thing, and quite ugly to you. As someone who was raised in a conservative, religious household, there were MANY things that shocked me. But I was a determined little pervert 😅

The tagging system we have now is a beautiful structure, especially for those protecting their mental health.

But in a way, I feel like, as a fandom culture whole, we've become VERY spoiled with what we have. It is incredibly convenient to be able to use the tags to search for exactly what I want, instead of having to read whatever is right there. And it's very much a necessity now with how MUCH is available.

But it kinda feels like cheating when a fandom newbie can just grab whatever. Like you growing up playing video games that you had to BE GOOD at, and now new players can just mod the hell out of their characters and be on their way. No slogging through the trenches like the old-timers.

But yeah, tags. If you use them, READ them, otherwise be prepared for an old fashioned "read and find out."

When you’re in the middle of a fic and realise you’ve missed a very critical tag

[tvwebs]

Excuse me? Oh no

Part 1 - curiosity

platonic!yandere!batfam x reader

Warnings: this was made with MALE reader in mind but please interpretate the gender however you like, the reader here is minor coded but no confirmed age, invasion of privacy, out of character depictions, this is a joke fic but taken seriously, mentions of kidnapping, no beta we die like jason

Dividers by aquazero

(this is a series) part one (your here) , part 2 , part 3, part 4

PLOT: you were given a phone, but your "family" can't help but feel nosy about your own privacy

You hate it here. There was no doubt to that, you have been held hostage by the Wayne's for a couple of months now and it was terrifying AND somewhat annoying. You don't these guys, you haven't met them until like when you were kidnapped, it was horrible.

They promised you can have boundaries, they broke those, privacy, you don't know they don't actually allow that, you felt like they were trying to be as considerate to you as possible for you to stay and you can't help but be in sort of awe, they are your kidnappers and despite their possessive and terrifying tendencies you felt like they geniuely cared for you (you didn't even wanna be here), so to cope with this situation you do what other people do- staying on social media.

Bruce gave you a new phone a few weeks ago and you have been obsessively using it so you could feel you have security again, not ideal nor healthy but hey, what else is there? You found a way to log in into your old Tumblr and/or Wattpad account, obviously you were trying to hide th fact from the bat family, you would be lectured for hours! So you tried to keep it in a down low, removing every search, hiding apps, deleting shit is saddening but it's for your safety and security.

Damian. He was the first to notice you spending much more time on your phone recently and as the little as he is, he tries peeking behind on what your doing but can't see clearly but he sees words? No texting- what is it your reading? "What is that?" He asked with a raised eyebrow and weirdly stern tone of voice, you flinched and quickly existed the app "o-oh! nothing." You are horrible at lying when it comes to Damian, he makes you feel.. uneasy.

Damian wasn't convinced as expected and he tries to grab the cellular device in your hand and with your idiotic instincts you slapped his hand away, he gasps and he turns irritated. That wasn't your best move. "How could you? All I want is to make sure you're safe and this is how you react?!" He huffs and now you're scared, like they are always so unpredictable when they are mad.

"i-im sorry." You apologized, you wish that Damian doesn't convince Bruce to put you back in the white room. It was torture, Damian scoffs and walks away, you were left shaking, what happened just now..? You just went back reading a stupid FNAF fic to calm your nerves (you are such a weirdo)

It was dinner time, you were eating in the so called "room" you were in everyday, Bruce said you weren't ready to eat at the dinner table, whatever that means. Alfred bought you your food, you thank him and he left, is the grandpa okay?

As you eat you listen in the conversation in the dinner table, "When will we ever have them eat over here?" Seemingly to be Dicks voice, he was the one that seemed to be the most clingy to you. "When they are ready." Bruce said to him in a stoic tone. You continue to listen in..

"Father, there's something I feel that needs your attention." Damian announces, oh no what is he going to do? Bruce perks his attention to Damian with the 'hm?' sound. "I feel that Y/N is hiding something from us. Just today they slapped my hand away when I asked." He said recalling the event from earlier.

Tim who was also here (don't forget him) looks confused "like what?" He asked, Damian always seemed so dramatic about you to Tim, Damian gave an annoying sigh "Their phone! They might be hiding something in their phone!" He shouted, "they shouldn't be keeping secrets from us, were family!" He continued to argue

Oh god.

"Damian calm down, I will handle this little situation later, if they are hiding something they aren't supposed to they are going back to the white room." Bruce exclaimed and/or added.

"Doesn't that seem a bit extreme Bruce?" Jason teased with a smirk in response with Bruce's statement, Jason may present himself as the most normal and gives you a lot of freedom but he is just as controlling and possessive as the others.

"of course not, it's for their own good." Jesus Christ he is so ominous and cryptic. This is the same guy that is seen as a good billionaire?, the family continue to eat and banter

While they were eating, you were stuck in a position, when Bruce mentioned the "white room" you don't wanna go back, you don't wanna go back. That place was awful. Your privacy is not valued.

They don't care about you, they just think they do. what can you even do?

[raven-at-the-writing-desk]

So... twst anime—

I feel I should be much more excited than I actually am. Don't get me wrong- I am excited ( for Leona animated content ) to see how they'll handle some things- but apart from the worries you listed, I just... I know this sounds a little gatekeepy but an anime will mean more ppl will know and talk about the story and I fear that they won't go into the game/other content and thus have a limited opinion on characters/events and misunderstand them. Basically I fear that characters will be even more mischaracterized than they already ( sometimes ) are by the current fandom 😭 ( specially Leona- gunshots )

[Referencing this post!]

I feel like there's for sure been mixed reactions to the recent anime news. The general consensus is excitement, but occasionally I've also seen skepticism or worries that the anime won't be as good as the long period since the initial announcement would have had us believe. That's to be expected; we won't know the quality of the anime until we watch it ourselves.

Mmm, there's that age-old sentiment again 😅 The thought of, "More people will be exposed to Twst because of this; I'm worried they will misunderstand the story/characters." It always seems to make a comeback whenever a new major piece of Twst media is announced... It happened when the official EN localization was announced too. People were jumping to conclusions and worrying that the influx of "EN-only" folks and/or a sub-par localization would lead to newer fans not seeing the story and characters the same way as the JP side did. I'll repeat what I said back then (as I think the same logic applies), along with a few additional points/expansions, as are relevant:

As you've said, mischaracterization happens, even now. This is normal in fandom, and it doesn't necessarily make fandom a "bad" space. Variation in thought is a normal human thing in general and I don't think it should be discouraged. If everyone thought the exact same way, life would be boring and we would have a limited number of ideas circulating.

This thinking sort of presupposes that the Twst fandom is currently without issues (or has few of them) and that it is the growth of the fandom that will cause problems. From experience, I can tell you that fandoms always have their toxic pockets. Fandoms growing larger just exposes more of those pockets because, statistically speaking, with more bodies present, there's a higher chance something will come to light, be it a personal squabble, a cultural difference, actually serious allegations, etc. It's a natural part of a fandom's lifecycle.

How other people interpret the story/characters should have limited or no bearing whatsoever on your own enjoyment. It does not erase your own views on the story/characters either. If you find that your concerns about others are becoming overwhelming, I'd encourage you to take a step back and think about what in this fandom makes you happy.

I feel that the mentality I mentioned earlier stems from an "us versus them" mindset. We're viewing current Twsties as the "in" group and everyone else as the "out" group... when, really, I think it might be healthier to perceive the "out" group as potential Twsties. Like... instead of fearing them as strangers coming in to "taint" the fandom, let's try to think of them as "friends we haven't met yet". After all, these anime-first or anime-only Twsties could end up being your next buddy, someone cool you meet at an event, a Twst content creator you enjoy, etc. Try to reframe your thinking!

Lastly!! We have no idea how the anime will go. They might not make it solely the main story just because it’s a manga adaptation. The team might have weaved in vignettes/event stories or bonus content exclusive to the anime which helps flesh out the characters.

I think that about wraps up my thoughts. I hope that helps alleviate some of your concerns. Hang tight, keep an open mind, and pray that the L*ona content in the anime is good 🤡

[sapphiresaphics]

Here’s the thing. Arcane season 2 was finished being written back in 2020. It was completed before the first season of Arcane even aired on Netflix in the first place. Before they even knew if it was going to be a hit or not. Before any of the fans had hot takes about the characters.

Which means that all of these “new subplots” (such as the black rose) weren’t just added in on a whim. They have an intentional purpose in the story they’re trying to tell.

It also means that the pacing was always going to increase and become faster as the two seasons went on.

I think a lot of fans are coming at this show from the perspective of a lot of live action shows where the writers see how fans respond to certain things so they add them into the story or focus on fan favorites to grab your attention and keep you engaged. And live action shows can do this because they’re filmed relatively close to when the series airs and so they’re aware of what the reactions are on social media (for good or ill).

But this is animation. Very TIME CONSUMING animation at that. It took 4 years to finish animating the 9 episodes of Season 2. If you include the 6 years of development and production of Season 1, that’s almost a full DECADE of working on this show.

My point is that they literally (and logistically) can’t respond to fan input and make changes in the show based on the way it was received on social media. Like it or not, these specific characters beats and storylines were always the plan from the start.

This is a long winded way of trying to say… if you have problems with the way certain characters are behaving, or certain plot points feeling rushed, or feel overwhelmed by the number of added subplots that need to get resolved before the end of the show… I strongly suggest rather than saying the writing is “bad” or that the writers “don’t know what they’re doing” or just complain about anything really… I suggest you take a step back and ask yourself “why are these the stories and actions they chose for this 2 season arc?”

I think that’s a far more productive thing to do than to go online and whine about things you didn’t like. I find it’s better to try and understand WHY they chose to do these things rather than write them off. More often than not when you look into the why, or try to come up with reasons why the writers would take certain characters down the paths they do, you end up coming out appreciating the media more. Even if you still don’t were with their narrative choices, learning and understanding the WHY is far more rewarding I think.

I’ll give you an example of something I don’t like, but that I understand why. Isha. I don’t like that Isha was introduced and then killed off in the latest episode. If I were to look at it just from a surface level reading, it seems pointless to add this cute mute kid character only to take her away a few episodes later. But NARRATIVELY she’s extraordinarily important. She is what Jinx needed to become more empathetic to her sister and reach out to fix their family. She helps push Jinx into the role of Vander for season 2. And her heroically framed sacrifice is probably going to be the push Jinx needs to stop trying to commit suicide.

Would I have liked to see more of her and Jinx’s relationship? Yes. Would I liked to have learned more about where she came from and why she’s mute? Yes. But at the end of the day, this is not a show about Isha. Isha is a narrative device to help forward the character development of Jinx. And so, while I do not like that she sacrificed herself… I understand it. And that understanding helps me appreciate the writing and the level of depth the writers are willing to go to push their characters around where they need to be by the end of the series.

At the end of the day, Arcane is just another show on Netflix. It is not beyond criticism. There are a lot of legitimate criticisms you can have against the show. But I’ve found that recently the number of bad takes and people refusing to engage with the narrative has resulted in a bit of a backlash against the show and I do not think that’s ultimately very productive. Please… if you’re going to criticize the show, please try to do better than just write off anything you don’t like as “the writers just suck” or “they changed X character for no reason!”

Because I guarantee you, there IS a reason for everything in this show. No matter how small and trivial it might be, this show was put together with love and an extraordinary attention to detail. There are reasons for why characters do and say the things they say. The writers often make these into intentional parallels, foreshadowing, and callbacks.

Please… take the time to actually stop and dissect what you see. Even something upsets you. I implore you… try to understand why. Try to understand what the writers are saying. Try to understand how certain plot points and events could have a bearing on different characters.

Please just…. Try?

[hyliagirl42]

Not to get all preachy here but i think this could stem from the really harmful media analysis we're taught in school, which often has us answer questions like "if you were the protagonist in this situation, what would you do?"

And something i read in a post elsewhere really stood out to me, in response to that question - what does it matter what *I* would do? And what I would do is entirely dependent on whether I only have the lived experiences and memories of the protagonist, or if I only havr my own, as the reader.

Because if i only had the protagonist's experiences and memories, I wouldn't know I'm a character in a book (or horror movie). I wouldn't know what genre I'm in. I wouldn't know that this camping trip in the woods with my friends is going to end with all of us dying. It's just a camping trip. And we're teenagers having fun, being silly, and how were we supposed to know the evil tome had a real genuine curse on it? If this is the case, asking what I would do doesnt matter, because my lived experiences speak to what choices I'm going to make, and as such none of the choices I make will be different.

But if I have only my own memories as the reader to make my decision with, that's also a useless question to ask. I know things as the reader that the character never could. Like I mentioned before, I know that this is the horror genre and people are going to die. So obviously I can sit back and think of all the perfect ways to win, the perfect flawless ways of surviving. But that wouldn't be very satisfying, narratively, would it? There's no plot without struggle and hardship. There's nothing satisfying about winning too easily. That's not the story the author wants to tell, especially in horror stories.

But all we're ever taught in school is "what did the character do wrong? How would you do it better?" Instead of the actually meaningful questions such as "what message was the author trying to convey? How can this message apply to your life? Is this message even aimed at you in the first place, or is it aimed at someone else? Did the author successfully convey their intended message?" Questions like that.

And that's doing us a disservice in all media, all across the board. For example, if a character does something you would never do, because it's a Bad Thing To Do, the character is problematic! Because I, an upstanding citizen, would never do that! Forget the fact that the character is still going through character development at this point. Forget that the character's background led them to make this decision, and they thought it was the right one at the time, when it wasn't. Forget that the author may be setting up events in the future or trying to teach a lesson or trying to show that someone who does such things is still a human being and can still be a sympathetic character even if they mess up...

Anyway, I'll get off my soap box now, this is just what this post made me think of. To go back to the original post, if you dont want to see a story about horror protagonists falling victim to circumstances out of their control, and would rather see a cute romance, go find yourself a cute romance to read instead. If you want to see protagonists making all the right decisions and overcoming all odds, go find a story about that instead. This is a horror movie. And in horror movies, people make stupid mistakes, because they don't know theyre in a horror movie. Go find something else to watch or read

people are so mean about horror movie victims like. sorry but if i had gone to a cabin in the woods with my friends as a teenager you couldn't have stopped us from reading aloud from the evil tome. how were they supposed to know the ancient curse was real they're like 17

[yuurei20]

I see you mention Magical Archives a lot. Is that like an official artbook? Can I get it in English somewhere?

Hello hello! Thank you so much for this question, I have been hoping to write about this for weeks 🥳

The Magical Archives Game Guide vol. 1 (full name: 『ディズニー ツイステッドワンダーランド』公式ガイド＋設定資料集 Magical Archives ) is maybe the single-most informative Twisted Wonderland resource available!

It includes a huge amount of extremely detailed information, from gameplay to the characters to early-stage development illustrations to a multi-page interview with Toboso Yana herself, only one of two that she has ever given on Twisted Wonderland.

While it may be described as an artbook it is also much, much more, and if you are only capable of purchasing one piece of Twst merchandise in your life, it is absolutely the #1 thing I would recommend.

First published in 2020 it is still available for purchase from outlets such as Square Enix's Online Store, Amazon, Rakuten, Animate and more.

It is not currently available in English, but for a brief while Aniplex USA was releasing "Player Guides" for free via social media:

These were multi-page PDFs that were, visually, quite similar to the first 1/3rd of the Magical Archives game guide, but with updated gameplay information.

These game-guide-inspired PDFs combined with how out of date the gameplay information in the original guide has since become makes me wonder if maybe there not are any plans for any official translation of the original Magical Archives :<

There has since been a second volume of the Magical Archives released (in September 2024), but it is not quite as detailed as its predecessor, including gameplay information and a huge library of game sprites but very few sketches from Yana and no interviews.

On the subject of translated art books, there actually is an official English-language book being released in December!

While its English-language title is "The Official Artbook," this is actually one of four books of a series called "Visual Books!"

Much like the magical archives the first volume is the most detailed, including pre-colored base art and the occasional messages from Yana to the colorist (re: a comment that there is no need to put any light in Rook's eyes for his labwear vignette groovy ww).

The Visual Book Series is not really comparable to the Magical Archives, consisting of pre- and post-groovy card art.

The "Design Note" might be the closest to the usual definition of "artbook," consisting of insight into event outfits worn by various characters and even including a few sketches of unused designs.

Unlike the Magical Archives, however, there are no behind-the-scenes notes such as "He has a black-hearted side, so he may laugh with a hint of that often" (about Trey) and "He has vertically-slit pupils that become round in dark places" (about Leona), which can only be found in the game guide.

There are also volumes 1 and 2 of the Art Gallery! These are collections of artwork by artists that are unaffiliated with Twisted Wonderland, depicting Twst's characters, much like Square-Enix-branded fan art (no contribution from Yana involved).

Lastly, there are the fanbooks! Contrary to their titles they do not consist of any fan-made content.

Volume 1 of the Fanbook mostly consists of character/story overview, but it also has some fascinating etymology information and exclusive interviews with several members of the voice cast!

The second fanbook focuses moreso on events, and also includes detailed recipes of Master Chef cuisine, a report on the since-concluded Twisted Wonderland Exhibition, a look into a Twst-themed hotel room in Tokyo Disneyland's Ambassador Hotel, and more.

And a third fanbook was just recently listed 🥳 (Amazon link), said to include event, card and story content from the 2nd to the 4th anniversaries.

I hope this helps! ^^

[leftysupremacy]

so, random little tangent that came from looking at the old bionicle pens

there’s something about that white bead in the middle, the piece that’s essentially two bohrol limbs smushed together, and it kind of makes me think like… bionicle was never just about the parts the toys were made of

like, all across secondary media and even just firsthand media, you can sometimes see combinations of parts that never existed. the toa hordika’s arms in wos, for one, the way those worked they were clearly pulling from different parts but blending them together to create the look they wanted, some of that happens in the bionicle heroes console game too, they’re not bound to just what appears in the sets

and then you open up the rahi and dark hunter books, and you see these creations that sometimes use things that aren’t lego to hold themselves together, rubber bands and illegal connections, some stuff you’ve never seen in a bionicle set before (probably because it came from a roborider or a slizer but that’s besides the point)

and you see the way that giant parts are strewn about on the surface of bara magna, or making up sculptures in po-metru, and maybe they’re split in strange ways, or they’re overlapping, but you get the sense that, unlike in the toys, these shapes are mutable, they aren’t just static parts that you make the robots out of, they’re almost ideas, visions of anatomy from a world foreign to you

with all of this, it feels like bionicle was always more than just toys. it was more than something you could hold in your hand, there were ideas that you can see and understand but that were beyond your reality, things that didnt exist but could, and that’s how you knew it was more than a toy. the toys were glimpses into a bigger world, representations of living characters, not just plastic playthings but something greater than that

so yeah, there’s more to this silly little customizable pen than i think they intended, and i think that’s great

[danykindaforgotaboutdre]

The problem with jayvik

In a vacuum, there is no problem with jayvik. I like jayvik, I think their dynamic is interesting, I think they have chemistry (I think all of the characters have good chemistry with each other, actually), I think their relationship can be interpreted all sorts of ways. I think they're neat.

I also like Meljay, in fact I prefer Meljay, they have more layers that I'm personally invested in peeling back. I love how you don't know Mel's intentions at first, so the first impulse when they get together is to regard it with suspicion. But then, he lets himself be vulnerable with her and they're just open hearted and good to each other from then on. There's no trick, they just earnestly care and see the best in one another. Contrary to popular belief, Mel may have had an ulterior motive for nearly everything else, but she never had one for loving Jayce, that part was always true and good even if you can't see it at first.

I also like Meljayvik, I think Jayce and Viktor have a complicated relationship and she's never shown the slightest sign of being in any way resentful or spiteful over it. Nor is she given any reason to be whatsoever. She supports Jayce fully in his perfectly understandable preoccupation with Viktor's wellness.

But the problem with jayvik, or at least a particularly loud section of their fandom is, they badly want her to be resentful and spiteful. They want her to feel hurt and betrayed, they frame whatever jayvik have going on as cheating on this woman he never actually cared about, and that's supposed to be good, that's supposed to be a W for their ship. What is actually gained from this? Why is discussing Mel even necessary to enjoy this pairing (yes, erasing her is also a problem in the fandom but believe it or not, there's a way to talk about jayvik that doesn't involve doing either, and it's really not that hard).

Also, why does Jayce choosing Viktor have to be because he's gay? (fellas is it gay to chow down on a beautiful woman's coochie?) Why can't he just choose him regardless of whether he likes women or not? Why the insecurity? Is it because if you let yourself believe he actually likes women, you have to also admit that he chose Mel for no other reason than being attracted to her? I get it, they're jokes, haha, it's not that deep, but unfortunately when the same stupid patterns emerge around every woman and especially every Black woman in fictional media who "gets in the way" of fanon, it is that deep, it's annoying af actually.

[darkficsyouneveraskedfor]

Meet the Family 2

No tag lists. Do not send asks or DMs about updates. Review my pinned post for guidelines, masterlist, etc.

Warnings: this fic will include dark content such as dubcon/noncon and other possible triggers. My warnings are not exhaustive, enter at your own risk.

This is a dark!fic and explicit. 18+ only. Your media consumption is your own responsibility. Warnings have been given. DO NOT PROCEED if these matters upset you.

Summary: Your boss needs a last-minute favour for the holidays.(petite!reader)

Characters: Lloyd Hansen

Note: I love writing toxic people.

As per usual, I humbly request your thoughts! Reblogs are always appreciated and welcomed, not only do I see them easier but it lets other people see my work. I will do my best to answer all I can. I’m trying to get better at keeping up so thanks everyone for staying with me <3

Your feedback will help in this and future works (and WiPs, I haven’t forgotten those!) Asking for more or putting ‘part 2?’ is not feedback.

Love you all. You are appreciated and your are worthy. Treat yourself with care. 💖

“Mr. Hansen--” You begin, choking on your error, “Lloyd, my flight--” 

“Christ, I told you, cancel it. I’ll add the difference to your next check,” he grits under his breath. 

You plant your feet, shifting despite your effort as he keeps his grip on your hand. He turns back with a grunt. 

“What’re you doing?” He asks. 

“No, what are you doing?” You throw back. “What the hell is going on?” 

“First, watch that sweet mouth of yours. Second, we’ve been through this, Pixie pie. You just need to play along,” he keeps his voice low and peeks over his shoulder. “Loosen up a bit.” He loosens his hold on you and runs his hand up your sleeve. “Hm, I guess I shoulda told you to dress up a bit.” 

“What?” You look down at your black cotton tea-length dress. You chose it for comfort but it’s not entirely frumpy. The ribbed stockings might not add much to the attire however. 

“Just...” He grabs your shoulders and nudges them back, “push the chest out a bit.” 

“Ugh,” you clasp onto his wrists, “stop. Okay. I’ll stay for dinner but I can’t miss my flight--” 

“You have to,” he argues. 

“You realise this is wildly inappropriate,” you say. 

“Do you really expect anything different?” He tweaks a brow. “You’re staying. I’m not doing this alone. I put it off for a decade already--” 

“Jesus--” 

“No blasphemy either,” he lets go of you and presses his finger to your lips. You growl and shove his hand away. 

“I want a bonus, a big bonus--” 

He hushes you and waves his hands. He leans back and once more looks over his shoulders. “Later. We’ll deal with numbers in private. Right now, you need to come meet your in-laws.” 

You squint at him. It’s an act, you remind yourself, but something about his commitment to it makes you uneasy. You know better than to believe a word that comes out of his mouth but there’s a degree of earnestness in him that’s unsettling. 

“Baby, please, don’t look at me like that,” he steps closer, “I need you to look at me like I’m the second coming, okay? We’re madly in love, you and I.” Your eyes widen and he sighs, “okay, you’re not scared of me.” 

You neutralise your expression and blow out a long breath. You shake away the tension and shrug. It’s as good as you can do. 

“Here,” he grabs your wrist and turns, guiding your arm through his, “just smile pretty for me.” 

He hooks your elbow with his and urges you onward. You steel yourself for the room of strangers as their voices drift through the archway.  

You enter the front room and quickly scan the space; there’s a large-mouthed hearth, lit and draped in evergreen and berries; a long cream sectional, a matching duo of armchairs, and a chaise in the same shade; a low glass coffee table with a golden perch and a console table in a similar style along the wall crowded with bottles and crystal; an area rug in a smooth white with patterns in dulcet beige and rich butterscotch; and the low din is cast by tea lights daintily set around the space in glass holders and candelabra. 

More pressing than the decor are the bodies that fill the room. You recognise Ransom as he speaks with an older woman with short white hair and thick-framed glasses. She wears a red pantsuit with a gold blouse. Very festive. 

You glance over at Lloyd and take him in fully. You hadn’t paid much attention for the whirlwind all around. He wears a pair of evergreen slacks and a sweater with a reindeer's face on the front. He wouldn’t even let you put tinsel on your desk but now he’s dressed like a kid in a holiday parade. 

“Looks like someone didn’t get the memo,” a tall blonde woman approaches with a glass of pale wine in hand. You try not to look with concern at her rounded middle; it sticks out starkly as her long limbs are thin and lithe. “A very grim Christmas indeed.” 

“Lillian,” Lloyd faces the woman about his own height. She has his eyes and his lips. You assume their relation before he declares it. “My sister, Pixie,” he gestures to her carelessly. 

“Older sister,” she preens and rests her hand on her swollen stomach. Your eyes flick away from the crystal in her hand. 

“By about thirty-one seconds,” Lloyd scoffs. 

“Oh, sweetie, it’s non-alcoholic,” she swirls the wine in her glass, “she’s so tiny and quiet.” 

“Ahem,” you clear your throat, “it’s nice to meet you.” 

She laughs, “oh, so polite. Entirely not his type.” 

You try not to react. You agree. You know the women that Lloyd really likes. You’ve screened their calls until they just give up on getting a second date. 

“Believe it or not, Lil, you’re not everyone’s type,” Lloyd retorts. “I think your ex-husband would agree. The second one too.” Lloyd lifts his chin and looks around, “is the third here or are we on number four?” 

“Lovely,” she spits. “Love you too, brother.” 

He shakes his head and draws you away from her. She raises her brows and her glass and sips. You let him take you away. You already despise most of these people. The room radiates with derision. Your family might have some grudges but there’s a general air of good will. 

“I need a drink,” he mutters. 

You gladly follow him to the table. He pours himself a tumbler from the boxy decanter. He sighs as he picks it up but stops himself from drinking. 

“Well, help yourself,” he says. 

You hesitate but not for long. You need something if you’re going to get through this. You pour yourself some chardonnay and sidle away from the table. You check your watch as you raise your glass. 

“Don’t fucking worry about your flight,” he hisses under his breath. “If I’m not getting out of this, you aren’t either.” 

“But why?” You ask behind the glass. 

“Not right now,” he warns and nods at another figure as they approach. “Uncle Benson.” 

“Junior,” the man returns. You drink your wine and don’t comment on the epithet. “Where’s the old man?” 

“Where he always is,” Lloyd replies. 

“Mm, and this is...” the older man looks at you pointedly, dipping his chin to do so. 

“Pixie. My fiancee,” Lloyd answers dully, almost deflating. 

“Benson,” the man offers his hand, “but a pretty girl like you can call me Benny.” 

“Benny,” Lloyd repeats to himself in confusion. 

You shake Benson’s hand, “um, thanks, nice to meet you.” 

“Mm, very nice to meet you,” he lifts your hand and smushes his lips to your knuckles. He clings to you, petting your hand. “You’re gorgeous, what’re you doing with this lump?” 

“Uncle,” Lloyd drones. 

“Adorable,” Benson inches closer, “my inheritance is bigger than his, among other things.” 

“Alright,” Lloyd snatches your hand away from him, “go have some water, Benson,” he growls, “think you’ve been into the brandy.” 

“I’d like to get into something else,” Benson snickers. 

You almost laugh, despite your disgust. You’ve heard that line before. Lloyd puts himself between you and the older man. “I think that’s why Carolyn filed the papers, huh.” 

“Oh, you little twat,” Benson snarls. “Fine, fine, I’ll leave you to disappoint her on your own.” 

Lloyd tuts and shakes his head as the man lumbers off. He turns around and drains his glass. It’s strange, seeing him in his natural habitat; he’s not so ‘alpha’ here. 

“Let’s get the rounds over with.” He grumbles. 

Your wine lasts you through the introductions. Two more uncles; Carter and Linus, along with their wives, Andrea and Angela. Then the full-blooded aunts; four of them, Raquel, Shanna, Beatrice, and Lana. All of them tall, blonde, and bold in their own way. Then a batch of cousins you can’t keep sorted; Ransom and his mother Linda, among them, with no explanation as to the rest of their tribe. 

Lloyd pours himself more whiskey. You abstain from a refill and stand near the wall, observing the wilderness of entitled trust-funders. It explains so much yet inspires so many more questions. You never expected Lloyd to be the dark horse. 

“Lonely?” The timbre startles you along with the twisting pinch on your ass.  

You yipe and snag the attention of several sets of eyes around the room, not least of all Benson, drooling over another snifter of dark alcohol. You swat Ransom’s hand away and face him amid the row of laughter. Despite the airs they put on, your audience is more amused than appalled. 

“Where’s your prince, huh?” Ransom asks. “All that whiskey and...” He holds up his index then lets it go limp, “don’t think it’ll be a very peppy after party, sweetheart.” 

You sniff and cross your arms. These people are at least consistent, grossly so. It makes you wonder why Lloyd was so insistent that you watch your mouth, especially when you’ve never stooped to his level before. 

“Is it much of a party if there’s only one attendee?” You counter. 

He narrows his eyes and tilts his head, “what?” 

“Nothing,” you shake our head. You don’t need to explain the joke. Besides, this is all fake. Don’t let it get to you. 

“So, how long did he wait to put that ugly thing on your finger?” Ransom asks. 

You shrug, “long enough.” 

“Did he do the whole schtick? Get down on one knee? Put the ring in your wine glass?” He prods. 

“I’ll let him tell the story,” you say. 

“Hm, never knew a woman so unexcited about a wedding,” he snorts. 

“Maybe I’m just unexcited by my company,” you back away as his hand jiggles at his side. You eye his fingers, wary of another pinch. 

“Fine, marriage is boring anyways. What’s his favourite position? I always figured he lets the ladies do all the work,” he snickers. 

You stare at him. Not quite as offended as annoyed. You could ask him which hand he uses but you are not letting Lloyd drag you that low. Why are you even letting him put your through this? 

“Hugh,” Lloyd appears and slides his arm over your shoulders. 

“Little L,” Ransom retorts dryly. 

“Shut up,” Lloyd sneers as you resist the urge to shrug him off of you. 

“Where were you then? Leaving your woman all on her lonesome,” Ransom rubs his fingers together subtly and you scowl at him. 

“Broke the seal,” Lloyd deflects. “What do you care? You wanna hold it next time? 

“Hands are too big,” Ransom cackles. 

“Speaking of,” you pipe up. “The bathroom, where would that be?” 

Lloyd clucks and looks down at you, “down the hall, opposite the kitchen.” 

“Thanks,” you carefully slip away from him, “I’ll be back.” 

“Wait,” Lloyd catches your arm and pulls you back. “Not without this.” 

He leans in before you can react. He bends to press his lips to yours and you can’t repress a surprised squeak. He purrs and the vibration makes your skin crawl. What on earth?! 

You part and ignore the stares you can feel all around. Not just from Ransom but the rest of the room. What is he doing? That’s so embarrassing. 

You force a smile, “uh, be back.” 

You spin and scurry away. That room, those people, are suffocating, and Lloyd, not least of all. You hide in the bathroom, locking the door, and you take the moment of stillness to think. Big mistake as it all starts to set in. 

You drove all the way here under false pretenses. It’s believable that Lloyd would forget to bring the gifts. That tracks but this? The whole pretending to be engaged? What is his game? Is he really trying to impress anyone or is he torturing you? Why? 

You can’t figure any of it out. You gave up trying to understand your boss ages ago, you suppose you should do the same with these people and just get through this. For all your trouble, the food better be fucking delicious. 

You let yourself out of the bathroom and flatten against the door as you nearly collide with another person. Lillian nearly stomps right over you as she holds her stomach and rushes down the hallway. She lets out a sigh. 

“Oh, are you done in there? I’m splitting at the seams,” she trills. 

“Um, yeah, all done,” you sidle away from the door. 

“Could I trouble you for some help?” She asks. “This thing,” she pats her stomach, “I can get down but I can’t get up.” 

“Hm?” You furrow your brow in confusion, “help?” 

“We’re both girls,” she giggles. “And we’ll be sisters soon enough, won’t we?” 

“Um.” 

“You know, a pregnancy at my age, I really can’t strain myself,” she explains. 

“Oh, er, I guess--” 

“Thanks, sweetie,” she nudges you back into the bathroom. You have no choice as she heard you through. 

You stare at the wall as she slams the door and hustles over to the toilet. She pulls up her white dress and turns to sit, her silhouette a blur in your peripheral. You flick your eyes to the ceiling and bounce on your heels. 

Her stream flows out and fills the tense silence. She sighs. 

“Thank the lord,” she groans. “I swear, the little twerp is right on my bladder right now.” 

“Mm,” you nod and glance at the door. 

“I knew we should’ve gone with a surrogate,” she sniffs. “A piece of advice, when he puts one in you, make him suffer.” 

“Puts one...” you blink. “Um, I don’t...” 

“I mean, he’ll have to start trying as soon as the wedding night,” she laughs. “He’s getting up there. His swimmers won’t be as fast, will they? And the way he drinks, they’ll be too groggy to know which way is which.” 

“Um, we’ll worry about the wedding first--” 

“Enjoy it. Once you’re tied down, it’s not very much fun,” she says as she tears of tissue. “Alright then, darling, I need you.” 

You do your best not to see all of her. She reaches for you and you get close. You pull her up to her feet and she squeezes past you to the sink. You look at the toilet and shut the lid, flushing it with a push of the button. She washes her hands with a hum. 

“You’ll be so adorable when you’re big. Like an overstuffed teddy bear,” she chimes. “He’ll love that. He always did hate feeling small.” She twists off the faucet and dries her hands. “You must make him feel like the man he wishes he was.” 

You just look at her. You have no true reason to defend Lloyd, but because she’s so smug it irks you. You look her in the face, even if you feel ridiculous having to look up. 

“Well, he can piss on his own, so I think he’s just fine,” you step around her and swing open the door. The silence that follows you is the only satisfying thing about that night. 

[kittydoremi]

I know the takeovers aren't canon but it always feels so meanspirited to me whenever the Sonic social media implies that Sonic dislikes Elise or doesn't want to remember her considering how close their bond was in 06

Sonic never hated Elise, he loved her and had a close bond with her. He was also sad that the timeline had to be reset. It sucks how it keeps being pushed that he disliked Elise just because the vocal part of the fandom hates her, because that couldn't be further from the truth

Yeah I'm salty about this. You see other characters on the takeovers being acknowledged and treated with respect, yet Elise is still the butt of jokes and is treated like trash. Fans of other characters get to be happy and enjoy the takeovers while Elise fans get slapped in the face when they just want positive acknowledgement too.

Idk I'm tired

[srslylini]

I'm already seeing people scream "media illiteracy" at people who rightfully call out Caitlyn's character and what they did with her.

just because you scrape together some sort of sense out of your own head doesn't actually mean it's in the show. The tiny stuff we got was NOT enough. Not for her literally turning full on dictator, and may I remind you USING A CHEMICAL WEAPON AGAINST PEOPLE OF ZAUN.

She hit Vi and that in itself should have been addressed SO FAST. but no, upon them reuniting Caitlyn gets to HIT HER AGAIN. And no it doesn't matter to me that "iT wAs tHeIr pLan" shut the fuck up. They did not talk about anything, Vi was just fine with it, it's so idiotic.

Not only that but they also made a joke out of Vi in that situation? I'm sorry and maybe I'm alone in this but I don't find Vi malnourished, with an alcohol addiction and obvious struggles funny??? The writers were SO insensitive about that I really do NOT care.

"oh but she went against ambessa in that one scene"

she also threatened to put Singed into the deepest, darkest torture dungeons like I do not care that she used her words, where were her actions?

"oh but they showed her and Ambessa devided by light in that one scene"

I'm not even gonna HUMOR this one.

"oh but she-"

NO.

I'm hoping and PRAYING for act 3 to get its shit together so I guess we'll see more tomorrow.

[radical-community-care]

tbh when I first saw the sentence "Activism is not cold-calling" I thought it was gonna go in a different direction. I fully agree with the post! and it reminds me of the advice on how to build community that is about *listening* to people first and actually engaging them in what they care about instead of rattling off some points YOU care about.

so for example, instead of going to Moderate Jason saying "Hello comrade do you have a minute to talk about socialism and how billionaires' taxes should pay for bike lanes!?" just have a normal conversation and ask them what kind of problems bother them or what difficulties they have to deal with in their day to day lives. and you actually listen and ask questions and care about what they think and see if you can find any common ground. maybe the two of you (or them and someone else you know) face a similar problem or one with the same root cause or with the same solution.

and this is not about getting them to parrot talking points or use the same kind of political language you do or join your group - this is about getting them to consider that maybe there are approaches to their problems that are community focused rather than individualistic, that are about shared humanity rather than pointing fingers at scapegoats, that are pushing towards flatter hierarchies rather than more authoritarianism.

again, they might not use or like all those particular words. maybe they'll say "back in my day, I would bike to school, it's a shame that's not safe anymore for my kids to do now." and then you two together can brainstorm ideas of what might be done about that in your specific circumstances. and you do what you can to help with it! whether you teach them about citizens initiatives or organise a "kiddical mass" (bike demo with kids) or whatever else fits.

but of course bike lanes might not be important to Moderate Jason at all. it's just one example. maybe they're a car nut and care about right to repair. or maybe they like sitting at home watching tv and care about avoiding ads and trackers, or about media depiction and representation of characters with a marginalised trait they or someone they care about has.

chances are, you will find *something* they want to talk about that is influenced by "politics" in a wider sense. and you can just mention how you see these issues or what you can think of that might help.

it helps to practice this approach in your head or with like-minded friends: go through all kinds of different things people care about and think how those could be done better in your utopia. and what might be small steps from here to there.

I do that with fiction constantly. from sitcoms to epic sff, I often go "how would I propose this group or society handle things/ what would I do to make their world a better, more just place?" Or just revelling in how cool the heroes are that they actually do good things (and remembering those tactics and figuring out how to apply them to the real world)

Activism is not cold-calling.

Activism is not cold-calling, and this is critically important to understand.

I'm seeing a lot of posts on here about 'building bridges' and 'finding community,' and then (extremely valid) response posts saying "BUT HOW??" And I'm going to explain something that can be very counter-intuitive: there is strategy involved in community.

As a longtime volunteer labour organizer, I’ve taken and taught many trainings on the strategy of talking. Something that surprises a lot of people is the very first thing you do in a union campaign. You sit down with your organizing committee, take out pen and paper, and literally map it out. You draw a physical map of the workplace: where are the entrances, exits, break rooms, supervisor offices. Essentially, ‘where is it safe to have a union conversation.’ Then you draw another physical chart of your coworkers. You sort out who is union-friendly, openly hostile to unions, or somewhere in the middle, and then you plan out very deliberately and carefully who talks to whom and in what order.

Consider: If Vocally Leftist Jane walks up to Conservative David and says "hey what do you think about unions," David is going to shut down immediately. He's not inclined to listen to Jane. But if Jane talks to Moderate Jason and brings him into the fold, then Jason is a far more effective strategic choice to talk to David, and David may actually hear him out without an instant reaction.

IMPORTANT CAVEAT: If Conservative David turns out to be Alt-Right David, and could be dangerous to follow organizers, we write him off. We are not trying to reach Alt-Right David. We are trying to reach Conservative David, who may actually be persuaded to find solidarity with other employees as fellow workers. Jason is a safe scout to find out which one he is. It does no one any good if Leftist Jane (or even Moderate Jane who is a visible minority) talks to Alt-Right David and puts herself on his radar. Not only has she done nothing to convince Alt-Right David to join a union - she's probably actively turned him against the idea - but now she's also in danger and the entire campaign is at risk. NOBODY WANTS THIS. Jane was NOT a hero for doing this. The organizing committee was foolish and enacted a terrible strategy to everyone's detriment.

Where you can make a difference is with people who will listen to you. You having a conversation with your well-meaning but clueless Centrist Democrat Auntie, and maybe gently helping her understand some things the media has been glossing over, is way more strategically useful than you marching up to MAGA Neighbour You've Met Once and trying to "build community" or "understand" them. They don't care. They're impervious, dangerous, and cruel. But maybe your beloved auntie will think about what you said, and then talk to her friend Anna who IDs as "fiscally conservative" but didn't vote because she can't bring herself to get on board with Trump. Then perhaps Anna talks to her brother Nic who has MAGA leanings but isn't all the way there yet. Proto-MAGA Nic would not have listened to you, nor would he have listened to Centrist Democrat Auntie, but he might absorb some of what his sister is saying.

This is not a cop-out or an echo chamber. This is you spending your time and energy strategically and safely. You are not a useful activist to anyone if you’re dead. Anyone who is telling you to hurl yourself directly at MAGA assholes like cannon fodder has no understanding of the strategy behind community building, and you should feel comfortable writing them off.

Last point: If you are tired, emotionally devastated, and/or in danger: take a break. This post is for people who would feel better jumping into action, not for people who are too overwhelmed to even think about it right now. You are worth so much even if you’re not actively Doing Activism, and your rest is worth more than “a break period so you can recharge and Do More Activism.” We all deserve the individual dignity of being worthy of comfort, rest & safety just on the basis of being human, outside of whatever we're doing for others' benefit. To deny ourselves that dignity is to devalue ourselves, and that’s the absolute last thing any of us should be doing right now.

[egg-emperor]

Does Eggman actually have dark red eyes? I wanted to hear your take on that!

Nah that was just an ongoing thing in non canon media. Likely due to how the US box art Eggman for classic games looked like he had black voids for eyes, then 90s shows seemed to take inspiration but gave him red irises, which the Archie comics then adopted- well pre reboot, as he was later depicted with white sclera there even.

In the games he's always had regular white sclera instead. Even before we knew his actual iris color, he was consistenly depicted with white sclera long before and it was always Sega/Sonic Team Japan's vision. Here I'll compile some times they've appeared in the actual games

This was an unused animation for the Egg Poison boss but it's still a sprite made for a game that depicts what they envisioned his eyes to be:

They should've kept it because it was very cute and funny, spilling Mega Mack over himself XD

But with that, it dates his white sclera all the way back to Sonic 2, despite what Western classic box art and shows depicted at the time

The Sonic Advance games and Sonic Battle have his eyes very comically pop out when he takes damage:

He's literally one of these keychains where you squeeze them and the eyes pop out, they need to make an official Advance/Battle Eggman keychain like this lol

The 2D animations like Sonic Mania Adventures are considerably canon as they take place after the game's events and are in an actual game now through Sonic Origins' museum. You can see them there too:

You can also see them again in the character sheet art that was also used as reference for the Origins 2D animation:

Trio of Trouble, which also should be canon as a prequel and promo for Sonic Superstars, also shows his eyes briefly:

The only time he's been shown with an iris color in a game is Sonic 06, where we finally see that they're blue

While 06's events were erased from the timeline, Eggman's eye color obviously wouldn't have just randomly changed just for these events and then been some other color after, so this solidly confirms what color his irises are

I really love the light gray-blue shade they went with specifically, suits him best for it makes them look cold and intense which I think works as a much better way to give him a sinister look than much more cliche red and black eyes

And a bonus which perhaps might not be the case but that one CD sprite has always appeared to give a peek at the whites of his eyes behind his glasses to me at least too:

There are also non canon depictions with white sclera as much as there are of him with red and black but I wanted to compile the appearances within actual games and tie-ins specifically. And as you can see, he has white sclera in all of them and blue irises in 06

Red and black is purely non canon. A lot of people have theories about his eyes changing or looking different because of non canon media but if he took his glasses off in a 3D modern game, he'd absolutely just have blue eyes and white sclera

I really hope they do at some point because they'd be fun to see on his regular model outside of 06 and would look very pretty hehe 🩵 I love to imagine them all the time and I'm very happy that they're the canon look because they're the best!