#Yahiko Myojin

[darius-1]

Can't wait for October to see this show returning! Three months left! Hopefully, I won't be too critical of it when it comes out.

[rurounixkenshin]

[romancemedia]

♡ ANIME CHALLENGE - Day 25♡

Rurouni Kenshin

[aishiteru-kenshin]

Rurouni Kenshin: Meiji Kenkaku Romantan (2023)

[itsmaferart]

Talking about Rurouni Kenshin 2023

I'm going to write a lot and I might have a bit of spoiler!!!

As a fan of Rurouni Kenshin from 1996, and now that a new adaptation came out this year I wanted to give a little opinion of my own, focusing on the comparisons I've seen of the current animated version with the 96 version.

However, I think that in order to see and enjoy both adaptations it is necessary to clarify several points, and the first of them is the intention behind each adaptation and which points can be compared and which others cannot.

Clearly, both adaptations have been made under different directions, by different companies and different times, aimed at different target audiences. And this can be clearly reflected from the first chapters aired to date (at the time of writing this review). Actually, I don't want to talk in depth about Jin-e Udo's arc yet, since in anime 2023 the battle between them and several of the arcs that are still to be broadcasted have not been released yet, but I think episode 6- Kurogasa, serves to illustrate how the current adaptation seeks to move away from its 96 counterpart despite being the chapters with less changes from each other.

To begin with, the contextualization and presentation of characters...

While in both the manga and the anime 2023, we are given a little contextualization of the situation. We are not introduced to Mr. Tani, the person Kenshin must protect at the request of one of the policemen, he is a rather arrogant man who currently holds a political office so he has enough money at his disposal to hire many men to protect them against the threat of an assassin. Although, at the beginning he refuses with arrogance, when Kenshin reminds him how he protected him during the Bakumatsu, Mr. Tani's expression changes radically, adding that all his bodyguards are useless since Sanosuke himself has crushed them in previous times.

Much of this context is omitted in the 1996 version, and it is only pointed out that Kenshin has to go to protect Lord Tani, in the face of Kurogasa's threat.

Also the presentation of Jin-e are very different proposals. In the original version, it is done from the viewer's point of view. We can see Jin-e ruthlessly murdering the guards until he appears in the room. In that way, we are introduced how this is a ruthless killer who makes his way.

While in the 2023 version (and in the manga) it is left to the expectation. Neither Sano nor Kenshin see Jin-e killing directly, they only see the bodies he has left in his path until he makes a surprising presence in the room just when he attacks one of the bodyguards and that is when we see him kill the bodyguards.

Here we see how the approach of both anime is very different. While the original version, seeks to focus more on the killer Kenshin will face and the combat, to convey to the viewer the intimidating feeling of a new enemy. The current version, focuses more on setting the context and showing us the relationship Kenshin has had in the past during the battles. Each chapter shows us key pieces of what Kenshin was like during his Hitokiri era, as well as how those who participated in the war relate to the current government and Meji era.

In Rurouni Kenshin the social and political context is one of the bases of its story, as it is directly inspired by real events. While the character of Lord Tani is irrelevant in many ways. It serves to expose once again that many of those who participated in the war took positions of importance in politics and economics, becoming arrogant people who use power to their convenience. Something Kenshin is against.

Now, really my point is not to talk about which version is better or worse....or if the current version is better for being faithful to the manga or if it is a bad adaptation for not being the same as the 90's version.

But to understand that the original version was never intended to be 100% faithful to the manga, but rather an interpretation using the manga as a guide. The fundamental elements of the manga are respected and maintained, at the same time subtle and continuous changes are made that change the story. I understand that many of these changes are not really important but substantially give a very different interpretation at the narrative level. While this adaptation seeks to be faithful to the manga, following almost in its entirety the events that the original format raised.

The remake is not a remastering of the '96 anime, but rather an adaptation completely detached from its predecessor to stick only to the manga. And this can be reflected in all the number of decisions that the direction has had, from not using the original voice cast, the change in the drawing style, not using the (iconic) soundtrack of the original, not remastering the ending and opening version. Evidently, the current version aims to capture a more current audience, proposing a version that is more attached to modernity. The goal in itself is not to appeal to nostalgia to please the established fandom, but to capture a new one that may or may not have seen the original. And that's why I think many people don't like the differences between the two adaptations.

In my opinion, I don't see anything wrong with the adaptations being different. In fact, I think to a certain extent it's good that they don't play it safe by copying what the '96 anime achieved.

However, despite how faithful the Remake is to the manga, I consider that it has several points to be solved that makes it subtract points.

For starters, several of the comedy scenes that ARE in the manga are omitted. (There are scenes that are adapted while others are omitted) Which, well… I understand the desire to stick to a serious tone and rhythm, I don't pretend that they add comic scenes that are not necessary. But the comedy in the manga was not randomly placed, but emphasized the dynamic between the characters and gave more contrast to Kenshin's personality which is sweet, relaxed and somewhat silly, contrary to his Battousai personality. Subtle details like Kenshin ready to unsheathe the sword, but seeing Kaoru they end up cutting their finger, I think details that make the difference.

Not to mention that really the OST is unremarkable. It's not bad, but it doesn't usually stand out with the scene. I can understand not recycling the previous one, but a new one could be proposed to go with a better scene.

Most importantly, do not raise new technical resources:

Just like the OST, I really don't think that making a carbon copy of the '96 work is the best thing to do. But it would be great if, while not using the same techniques, they at least come up with some new ones.

In '96, the change of color, the use of negative, slow motion, worked to make the dramatic scenes stand out. The drama was intended to be more impactful and contrasting with the comedy and serenity of the rest of the scene. While in the current version (2023), we can see Kenshin's face very well drawn, his anger as Battousai is clearly seen, but there is a lack of ambience that envelops us in the tragic atmosphere as Kaoru's kidnapping. Although these are just details, I hope that for future fights they will focus on giving more emphasis to the combats and manage to transmit the epicness of this work.

Finally, I think that the 1996 adaptation is an incredible work that unfortunately was not completed, and really as a fan of the original anime and manga I think it is worth giving a chance to the remake that shows a lot of potential. The voice cast seems very good (I personally like the new voice of Kenshin) and the animation is quite fluid, and I like the drawing style, however, it has some considerable details to be polished. Although at the moment there are very few chapters broadcasted, there is still a long way to go to see the best fights. The point of comparing is in a constructive way to see those details that can or could have been better in both adaptations, without detracting from the achievements that each one has. Since both stand out in very different ways.

[everth1ne]

Scenes from new episode 😇

[medea10]

My Review of Rurouni Kenshin (2023)

If you grew up in the 1990s and early 2000s, chances are you’ve come across this title.

Rurouni Kenshin’s original anime aired in Japan from 1996-1998. It managed to make it out west with being licensed by Media Blasters and aired on Cartoon Network’s Toonami block in the early 2000s. With 95 episodes to its name, Rurouni Kenshin was pretty popular everywhere. In later years, a couple of OVA’s were released. One of them was a prequel that was never seen outside of the manga. The second one was a sequel to the main series that goes in a different route from the manga. And the third was a retelling of one of the series best moments.

And just laying it out there, yes, this series is sadly also known as “Samurai X”. I say “sadly” due to what was done to the series with that name. What with the bastardization of people’s names and what have you! The name of the series is Rurouni Kenshin. If you see that other name, turn around and don’t look back.

Now, does this series live up to the hype? Yes and no. While this was one of Japan’s most rewatched animes of all time, the series could have been better. Pretty much everything after what is known as the Kyoto Arc is seen as garbage to many. In some cases, they’re not wrong. It’s just a sea of fillers until the series ended in 1998. I guess some of the blame could be that they changed studio hands during the run of the original anime. Studio Deen has such a lousy reputation for messing with a good thing.

Case and point, Rozen Maiden 2013!

It’s just that when Kenshin gets into the swing of things, it’s a thrill to watch. So, having a retelling of the story and have it be faithful to the manga is welcoming for long-time fans and curious newbies.

Just. One. Thing. Though.

THE ELEPHANT IN THE ROOM: Nobuhiro Watsuki is the creator of Rurouni Kenshin. Back in late 2017 while he was releasing more Rurouni Kenshin in manga form, it was discovered that he was in possession of child pornography. This news alone is an immediate red flag, drop everything, cancel this bro right stat now kind of thing. What happened was he was arrested, paid a fine, and went back to releasing his manga after a several-month hiatus.

Obviously, everything about the story is disgusting. I’m not sure how much child porn was removed from this man’s place but I feel like it was somewhere between what Jared Fogle had and a fuck-ton. And now every fan is having this moral dilemma of watching this anime if it’s supporting this man. When it comes to me, fuck yeah, I’m still watching it. Do you have any idea how many things I still watch where the original creator is a fuck-bucket? And don’t lie, you probably do the same. Ren and Stimpy, The Loud House, Rick & Morty, Earthworm Jim, all of these and more are the product of some sick ass-banana. Just keep that in mind before tossing stones. You all know who you are and you all aren’t squeaky clean in what you watch. None of us are.

In the end, it’s your call to make on watching this or reading anything else that comes from Watsuki. Certain companies have made their call already when it comes to Rurouni Kenshin. Weekly Shounen Jump still prints whatever Watsuki puts out. Viz Media however has put an end to the latest Rurouni Kenshin manga that’s been put out in the last few years, but has kept the original manga up.

OKAY, NOW LET’S ACTUALLY TALK ABOUT THE ANIME: I know it’s a lot to go over, I just felt it necessary to do the frank discussion before I talk about the anime. This anime is a full reboot. That means, it’ll be a different studio animating it, it will supposedly take after the manga instead of diverting into a different path like the original series, and yes, the cast will be different. Which cast? All of them!

Rurouni Kenshin goes like this. It has been well over a decade since the end of a brutal war. With the entering of the Meiji era, peace was assumed as weapons like swords are banned. Of course, that won’t stop people from killing. And the never-ending fight with the government can cause this peaceful time…it was never really peaceful. Kenshin Himura is a wandering rurouni. He carries with him a double-edged sword despite the sword ban law put in place. Prior to this moment, Kenshin was known as “Hitokiri Battosai”, a ruthless killer. But after certain events, Kenshin swears to never kill again.

One day, he meets a young girl named Kaoru Kamiya. She’s the owner of a dojo that specializes in a certain style. At first, she confronts Kenshin thinking he is the dreaded Hitokiri Battosai. Most of it was a misunderstanding because yes, Kenshin is that, but he’s not the one using the name in vain and using Kaoru’s fighting style. After several incidents between the characters, Kenshin decided to set up shop and stay with Kaoru at her dojo. Eventually, two other characters join along. Yahiko, an orphaned boy who is training to be a great swordsman one day. And Sano, who once served during the brutal war is now a bit of a drifter. But he’ll have Kenshin’s back when they’re in a battle.

BETWEEN THE NEW SUB AND THE NEW DUB…AND EVERYTHING ELSE: I’ve gone on in length about the dubs to Rurouni Kenshin in the past. Prior to the 2023 remake, there were a total of three English dubs. The first one was for the original television run featuring Richard Cansino, Dorothy Elias-Fahn, and Wendee Lee. This was dubbed by Media Blasters. The second one consisted of the OVA’s featuring folks like Shannon Weaver, Gray Haddock, and Katherine Catmull. These were dubbed by ADV films and later Sentai Filmworks. And as for the third dub, that would be Sony’s sad attempt at redubbing Rurouni Kenshin filled with bastard names, a bastard name title, and new voices.

In the beginning, I was hoping for the absolute best-case scenario when it came to an English dub for this retelling. When it comes to me, I will always pick the first dub and that is for one big freakin’ thing. Steven Blum voicing Makoto Shishio. That and I always thought Richard Cansino was the best Kenshin. I’ve already been disappointed when Sentai didn’t reunite the original cast when retelling the Kyoto Arc several years ago and that’s why my skepticism is in play here. Plus, I’m pretty sure some of the original dub cast has already retired from voice acting. Sadly, the original voice for Misao (Philece Sampler) passed away in 2021. Much to my dismay, there was a new cast alright. Who they are was the bigger question.

Crunchyroll dropped the episodes without warning three months after the premier and without stating who would be in the cast. That’s certainly out of character for them. They get chatty when showering the masses who is going to be in an English dub cast everywhere they can including all social media platforms. I would have chalked it up to the SAG-AFTRA strike. But then I remembered, Crunchyroll has a conniption when it comes to that certain union. Plus, it never stopped them before as they’ve been whoring other English lists that same week this dropped. So, the obvious reason has got to be fear of having the audience badger the cast for being in Rurouni Kenshin after what the creator did. Only Kenshin’s voice actor came forward a week after the actor’s strike. The rest, most of us had to guess. Except for Yahiko, he just sounded like an angrier Gon. So, it’s Erica Mendez.

Just so you know, Aniplex had a live festival with seiyuus promoting the shows they’re on back in September of 2023. And what do you know, Souma Saitou and Rie Takahashi were on stage promoting Rurouni Kenshin. Out and about, no one getting doxxed, threatened, hate-mailed, or anything of the sort. I have a few scattered thoughts here. First of all, if there’s any bad-mouthing of Rie Takahashi of any kind, you and I are going to have a problem. Second of all, American fan-bases are fucking toxic and would harass the voice actors relentlessly to the point of no return. And third, why couldn’t they just come up with some fake-ass alias names for the English cast? On the other hand, I’ve seen how people on social media has harassed voice actors over trivial bullshit and it’s only getting worse. So, I kinda understand why this happened.

As for the sub, yes, the voices here have changed. So, when I originally watched Rurouni Kenshin, I watched nearly everything dubbed. It wasn’t until much later when I stumbled upon the sub, I discovered that Kenshin was voiced by a woman. Now, I’m getting another case of whiplash as I’m getting used to hearing Kenshin having more of a manlier voice. With all of that said, here’s the cast of Rurouni Kenshin 2023!

JAPANESE CAST: *Kenshin is now played by Souma Saitou (known for Diavolo on Jojo’s Pt. 5, Yamaguchi on Haikyuu, Kain on Rinne, and Miyano on Sasaki to Miyano)

*Kaoru is now played by Rie Takahashi (known for Ai on Oshi no Ko, Megumin on Konosuba, Emilia on Re:Zero, Sumi on Rent-A-Girlfriend, Ena on Laid-Back Camp, Mash on Fate/Grand Order, and Tomo on Tomo-chan is a Girl)

*Yahiko is now played by Makoto Koichi (known for Elza on Interspecies Reviewers, Young Jun on Tomo-chan is a Girl, Sumika on Yuri is my Job, and Sakura on Lycoris Recoil)

*Sanosuke is now played by Taku Yashiro (known for Friede on Pokemon Horizons, Natsuo on Domestic Girlfriend, Kouichi on Horimiya, Vulcan on Fire Force, and Arai on Chainsaw Man)

ENGLISH CAST: *Kenshin is now played by Howard Wang (known for Piers on Pokemon Journeys, Anastasia on Jojo’s Pt. 6, Kokonoi on Tokyo Revengers, Atsushi on Lovely Complex, Goshiki on Haikyuu, and Chuusaku on Komi-san)

*Kaoru is now played by Risa Mei (known for Futaba on My Senpai is Annoying)

*Yahiko is now played by Erica Mendez (known for Gon on Hunter x Hunter, Haruka/Uranus on Sailor Moon [redub], Ryuko on Kill la Kill, Raphtalia on Shield Hero, Retsuko on Aggretsuko, and Megumin on Konosuba)

*Sanosuke is now played by Darius Johnson

SHIPPING: Can I delve into this topic without going off the deep end and bringing up spoilers?

No, not really. These spoilers are over 30 years old. Deal with it.

Kenshin x Kaoru is a ship that has set sailed into the sea. No matter how much sex appeal Megumi can throw at it! Trust me on the matter, it’s a signed deal. I know that it almost seems one-sided in these 24 episodes, but that’s how it is.

WHAT TO COVER: In a reboot, you’ve gotta see what this version kept and what they didn’t and if it’s all in the right part of the story. Of course, we get the stories everyone is used to with this series like Kaoru being duped by that old creep and the debuts of Sano and Yahiko. Near the halfway mark, we’re already introduced to Aoshi and watched Kenshin and Sano take on the drug lords that were using Megumi. There have been a couple of episodes dedicated to some familiar storylines like Sano’s old comrade and the young lad Yutarou who wound up on the wrong side of the blade. Meanwhile, I’m squirming around in my seat waiting to hear something from a certain awesome villain. I have made no secret to loving the Kyoto arc and its main villain, Makoto Shishio.

Come episode 19, I heard his name uttered and know that it’s coming up.

Wait a sec! There are only 5 episodes left in the season. If this studio dares to even cram the whole Kyoto arc in that short amount of time, I’m throwing this entire media out the window. There’s gotta be a second season. Even if it’s only like 12 episodes that covers the span of the Kyoto arc, it’s better than the worst-case scenario. Thankfully, they did not cram the entire Kyoto arc into an episode. No mad man would ever do…Studio Deen would do that.

Case and point, Rozen Maiden 2013!

I am now being informed that I have already insulted Studio Deen’s attempt with Rozen Maiden twice now in this review. Let me get back to what I was saying. Thank the great good lord those guys are not in charge of Rurouni Kenshin again.

Actually, two of these episodes were a flashback episode that was originally an extra chapter to the manga. And if you’re wondering if this flashback episode contains Kenshin back when he was the legendary manslayer, it does not. It’s a story of Kenshin a couple of months prior to meeting Kaoru and the rest. For Kenshin’s past…just watch the OVA’s from 30 years ago.

The final episodes of the season set the stage up for the Kyoto arc with the introduction to Hajime Saito. Ten years prior, he was a bit of a rival to Kenshin back when he was the noted manslayer. Now, Hajime is part of the Shinsengumi. Kenshin and Hajime end up facing off like back in the day and he wound up reverting back to his manslayer mode.

Apparently, Kenshin can turn off that mode with a punch in the face.

As one does! The last time Kenshin was in that mode was when Kaoru was kidnapped earlier in the series. This time, Kaoru’s voice had no effect. This moment leads to Kenshin’s crucial decision at the end of the season. After the spar, he is confronted by Okubo Toshimichi, the man who has been trying to make the Meiji era a more peaceful time. He asks Kenshin for help of taking out a certain someone. Yes, it’s Makoto Shishio. Also known as, the man who just won’t die. Case and point, he’s been stabbed, knocked unconscious, and even set on fire. He’s still standing! Hell, he’s even known as the new Hitokiri Battosai manslayer. Kenshin gave this a lot of thought as he wants to remain peaceful and never kill again. Unfortunately, he’s given no choice when Okubo…well, he…

He fucked around and found out!

One of Shishio’s commrades (Soujiro Seta) murdered Okubo and sent a stark warning to Kenshin about going forward with anything brash. Kenshin truly wants for a peaceful nation and doesn’t want to kill again. In the final moments, we see him have a few precious moments with Kaoru before proceeding to leave her.

DON’T CRY, FANS! HE AIN’T GONE FOREVER! But a season two must, must, must, must, MUST COME!

Thankfully, two days after the finale we get the announcement that Rurouni Kenshin is indeed getting a sequel in 2024. Unknown to when in 2024, if the same studio will be doing it, how many episodes it’s going to be, or if Steven Blum is going to return as the voice of Shishio. Seeing as NO ONE from the original English cast has returned to do this project, I’ll shut up about it...

For now.

Was this a great reboot? That’s your call to make. For me, it’s too early to tell as there’s only been 24 episodes and none of them are the classic Kyoto arc. It’s too preliminary to call it a masterpiece or trash. Manga readers are somewhat split as they will always find fault with everything. Not every anime adaptation is going to do everything by the book and that’s their conniption. I read the manga too and I wasn’t picky about the adaptation. It’s not like they skipped 50 chapters and went right into unknown territory.

And before you say, “Oh, there goes Medea again bashing Rozen Maiden 2013”. NO! I was actually poking at The Promised Neverland this time.

Thankfully, Rurouni Kenshin was done well. The art was beautiful. LIDENFILMS did a spectacular job. If you’re not familiar with the studio, they have recently done Call of the Night and Tokyo Revengers. The music was great. Every opening and ending were bangers. Reol was the real stand-out star in that department. They kept the language Kenshin uses when he speaks, that they did. I’m satisfied. I know more fans would want to see some more footage of Kenshin back when he was the notorious Battosai. I’m just going to say to be patient. You’ll see some stuff soon enough. And if you’re an impatient fuck, the OVA’s are around. Trust & Betrayal will give you what you want.

Can I recommend this? Not without having a giant elephant sitting on my shoulders.

For now, Crunchyroll has Rurouni Kenshin 2023 available for streaming.

Now then, for those who are looking for the original series, OVA, and even the live-action movies, here’s where to find them.

The original 96-episode series is currently on Hulu. The recent live-action movies are currently available on Netflix. All of the OVA’s (Trust & Betrayal, Reflections, and Kyoto-arc retelling), I can’t seem to find them streaming wise. Also, unsure if the hard copies are out of print or not.

[kenkao-love]

Rurouni Kenshin - Meiji Kenkaku Romantan (2023)

[vestal-spirit]

Yahiko and Tsubame

Rurouni Kenshin

For fanzine

[aoshilove]

Sticker and cover scans from RK remake 2023 blu-ray 2

[gabbyp09]

[darius-1]

[stygiovictoria]

I'M LATE BUT HAPPY REMAKE TO MY SPECIAL GUYS

[romancemedia]

Rurouni Kenshin (2023) Opening

[aishiteru-kenshin]

Rurouni Kenshin: Meiji Kenkaku Romantan (2023)

[gabriel-gabdiel]

【Draft】 Rurouni Yahiko Chapter 58: Déjà Vu

For this chapter, we’ll be harkening back to things like “The Mark of Zorro (1940)” and the impressive on-screen duel between Captain Esteban Pasquale and Don Diego Vega. 

Yahiko is feeling a bit of déjà vu from battling The Faceless. What is it about him that’s so familiar anyway?

Yahiko Myojin remembered the first time Yutaro "Cat Eyes" Tsukayama came back to Japan and the Kamiya Dojo after years of living abroad to seek treatment for his arm injury.

Yutaro was supposed to be injured by his traitorous "master", Raijuta Isurugi. He went overseas for treatment, which enabled him to regain use of his right arm for the most part but he still went "southpaw" or left handed during sparring matches.

Yes, that was right. Mr. Tsukayama had decided to still practice kendo instead of retire.

Inspired by this, Mr. Myojin promised to give his rival the match of his life, showing off his skill honed by his past battle experiences.

When they had their first sparring match in years, Yahiko expected to blow the one-armed Yutaro out of the water, only for Yutaro, with a one-handed handicap, end up making the fight close.

The goddamn magnificent bastard really was a kendo prodigy. Yutaro's careful counters from Gedan-no-Kamae (Earth Stance)`made Yahiko second guess his shots and miss his attacks from the Jodan-no-Kamae (Fire Stance).

Feeling indignant by these turn of events since he went through so much more than him after they last met, Yahiko dug deep into his soul to summon his past battle experiences into the match point blow that literally blasted Tsukayama's helmet off of his head.

He rocked his socks off and then some.

However, to Myojin's annoyance, he still had to do his best against the one-armed student.

Not only did Yutaro remember what little kendo instruction he got from Kaoru Kamiya. He expanded his knowledge somehow when he went overseas to get his arm treated.

He did not waste his time while undergoing treatment and rehabilitation for his nerve-damaged right arm that Raijuta had nearly lopped off.

The cunning "Cat Eyes" somehow added western martial arts and weapon techniques to his solid kendo arsenal, somehow merging east and west together to form a truly unique repertoire.

His approached his kenjutsu like fencing, fighting at a controlled tempo then bursting in speed at the right moments with fluid motion.

It took some time for Yahiko to figure out how Yutaro bested him half of the time, but he eventually realized that Cat Eyes was using mind games and what was known as the "Tactical Wheel" to outsmart him at every other match.

It was from this flashback that Yahiko figured out what this Brigands Guild member's sword techniques reminded him of.

***

Rurouni Yahiko

A Rurouni Kenshin Continuation Fan Fiction Story by Chester Castañeda

Yahiko has seen the sword style of The Faceless before.

Disclaimer: All characters used in this fanfic (save some others) are the rightful property of Nobuhiro Watsuki, Shueisha, Shonen Jump, Viz, Sony Studios, Fuji TV, Studio Gallup, Studio Deen, and ADV. This disclaimer also covers all the other copyrighted material that are far too many to mention here. Don't sue me please, I'm very poor.

***

Chapter 58: Déjà Vu

***

Back at a narrow alleyway in the Yokohama Chinatown near the Minakata moneychanger offices…

Multiple things happened at once. Like a hurricane of events.

Meanwhile, the lion dance mascot full of martial artists retaliated against Gan by stretching itself like a snake around him and kicking him with spiked shoes and hidden daggers.

Like a wounded animal fighting for its life, even though it was actually multiple men wearing a costume.

"AUUUGH!" cried The Distressed Gan, who did his best to parry and block the slashing and lacerating kicks with his metal bat.  

"GAN!" cried out Yahiko Myojin and Munenori Minoe at their comrade.

Because Fabian La Cerca lost his dagger, he thought fast, grabbed hold of Tatsuya Minakata, and threw him through the already broken windows of a probably abandoned house in Chinatown.

This distracted Yahiko long enough for him to withdraw his thin rapier sword before the frightening strength of the eye-patched Munenori beside him could break his weapon in twain as well.

Then, for a split-second, a shocked Myojin and a pale-faced Minoe stood and stared at each other and the violent scenes before them, this brains barely registering what had just happened.

"H-Hey. Thanks for saving me, Minoe," said Yahiko, sheathing his sword and slipping it back on his cloth belt.

"N-No problem," stuttered Munenori. "You better go, Yahiko-chi! We'll keep the mercenaries occupied while you retrieve, uh, Kinta-chi's uncle."

"Of course. Thanks again. I owe you one! Thank Gan for me too!" answered Myojin before both turned and went opposite directions.

Or they would've had the lion mascot not suddenly appeared beside Munenori and snatched him off the ground with its unhinged puppet jaws, like a real lion biting its prey.

From behind the mascot hobbled the Gasping Gan, spurts of blood making small fountains on his legs and calves.

"AH! Minoe!" yelped Yahiko, intending to run after the eye-patched dual wielder but Gan stopped him cold with an outstretched hand and an open palm.

Without looking at him, Gan said, "Don't worry, Yoshi-boy. I'll take care of Patches. Go after The Masked Rider instead. Time is running out!"

"…Fine. Make sure you finish that mascot off!" said Yahiko, who finally sprinted towards the abandoned building where The Faceless threw Tatsuya.

Their brief hellos and goodbyes kept them from realizing how naïve their presumptions were.

***

Back at the exterior facade of the Minakata moneychanger office building…

The cackling Kai Hidaka briefly distracted the two brothers from the same mother.

One was a Eurasian bastard child who somehow ended up as part of the Brigands Guild of international mercenaries.

The other was the grandson of a samurai turned pharmaceutical tycoon with generational wealth and significant government clout as an oligarch.

They then realized that somehow, the high-flying spidery ninja somehow defeated the formidable shinobi that the bastard with the bastard sword couldn't finish off.

"…You know what? I don't hate you, mate. You're a fine bloke to me," Lucas Grant said to his estranged half-brother, Kinta Minakata. "You spared me from having to deal with both you and that troublesome ninja bodyguard of yours so this ends up a fair fight."

Kinta spared a glance at the motionless Zan, whom he presumed had critically injured Lucas, but was actually somehow like a steam train running on fumes.

Maybe they should've double-teamed the bloody Prodigal Son while they had the chance. Maybe he was too "honorable" for his own good.

Their pattern from before resumed. The wounded but aggressive Luke plodded on, only blocking the most bone-cutting of sweeping slashes from Kinta to avoid getting his limbs lopped off.

Meanwhile, on Minakata's part, every last chopping blow or lunging stab from Grant was potentially a one-hit kill. He also had to watch out for his half-brother's pommel strikes too.

This was confirmed with how, despite outlanding Lucas in strikes, the Sanada Demon Zan succumbed to internal bleeding from a blow or stab.

Nevertheless, like with most of his fight with Zan, Luke couldn't land a significant blow on his big brother and his superior swordsmanship skill.

However, the bastard son of the Minakatas had started clipping and slicing bits and pieces of Kinta's flesh.

"It kind of irritates me that you're as good as you are despite being given everything in the world," confessed Luke.

They clashed swords again. The Akatsuki held true, but it could not stave off the longer reach and thicker steel of Lucas's bastard sword and its superior steel.

"I didn't know what to expect. A spoiled little rich boy, maybe? Someone who has no idea how cruel the world can be. An entitled dishrag of a man drowning in wealth and privilege. But you're something else, Big Brother."

Like a lion to a gazelle, Lucas stalked his prey, his strikes that previously whiffed and got countered slowly clipping and slashing his tiring brother, wearing him down.

However, like a gazelle to a lion, Kinta evaded Lucas. The bastard child of the Minakatas had yet to land a significant blow on him even as his collection of flesh wounds increased.

Even when Luke blocked the Mangetsu O Tsuku Nari (Full Moon Slash) with his much longer, sturdier bastard sword, Kinta's Akatsuki (Red Moon) katana could still penetrate the block and leave cuts on him.

Deep cuts. Cuts that almost dug deep into his bone. His nerves. His veins. Or even his very soul.

Like a dashing stag's horns piercing through the lion's hide from mid-pounce. The prey fighting for its life, injuring its predator.

'Of course it wasn't going to be that easy,' thought Lucas with a smile that formed on his bloody mouth, his teeth dyed red. 'Fine. Anything that's worth anything should be this hard to get!'

***

Inside the nearby abandoned warehouse building…

Yahiko wandered into the area where The Faceless threw Tatsuya Minakata into, the banker's body messily crashing through the structure's western-style windows.

His slippers stepping on shards of glass that glistened in the moonlight, crushing them under his soles.

"HEY! Thin Man! Where are you? Are you still alive?" called out Yahiko, referring to the V.I.P. he was guarding.

Tatsuya Minakata, the banker son of the famous hatamoto-class samurai oligarchs of both the Shogunate and the Meiji Government, the Minakata Family.

One of the heirs of the huge Minakata Zaibatsu (Conglomerate), Tatsuya was next in line to inherit his family's vast fortune after his mother kicks the bucket. Or so Myojin heard.

He was followed by his younger brother the lawyer and their swordsman nephew, the former member of the Shogunate's special guard.

These people were so filthy rich, they'd make Chizuru Raikouji's family look poor. Or the drug dealer Kanryu Takeda look downright middle class. Or fellow oligarch Jusanro Tani quaint.

'Wonder what that's like,' thought Yahiko with a smirk and a head-shake, repressing memories of him pick-pocketing for the mob to help pay for his family's debts.

Even just one of the trinkets or heirlooms here, like a painting or a suit of armor, would've been enough to pay for his parents' debt with the yakuza. Maybe. It looked like they wanted to have him for keeps.

He maneuvered his sandaled feet through the glass shards like he were walking on eggshells. Shiny, sharp, painful eggshells.

He found Tatsuya in the nick of time. He lay there but not in a pool of his own blood, though he did receive several cuts from going through the window.

"Whew. Thank goodness I found you before The Faceless could get you, Thin Man," said Yahiko, his voice barely above a whisper. "…Uh, Tatsuya-san? You okay, bud?"

"…Y-You're fired," groaned Tatsuya. "I'm going to have my brother sue you for the injuries I've sustained, you teenaged brat!"

Myojin sighed in both relief and exasperation. "Yeah, you're welcome. Save your life? No prob. Think nothing of it."

"Save my life? My assassin just threw me through a window! I almost died!" yelped Kinta's uncle.

Yahiko then barely had time to parry and back away from the attacking Faceless in his next breath, its tip clipping his clavicle, drawing blood.

He cursed under his breath. If John Rathbone could get away with it, he'd kill him with a thousand cuts.

"You didn't kill Minakata Tatsuya yet?" accused Yahiko. "You had every chance to do so."

"I like to play with my prey," answered The Faceless, who now wore a different mask than before. "Half the fun of my assassination missions is the thrill of the hunt and triggering the primal instincts of my victims. Fight or flight."

Yahiko groaned, realizing he now had to deal with this pantomiming foreign invader with a mask shtick worse than the late Hannya from the Oniwabanshu (Castle Guardians).

Tatsuya himself said to The Faceless, "Forget the kid. Whatever your sponsor is paying to assassinate our family, I'll double it! Triple it, even! Stay and become our bodyguard and you could earn a fortune!"

"Watch your filthy mouth, my little piggy bank," said the master fencer. "Once the kid dies, I have no reason to let you live either."

"What a coincidence. I feel the same way about you, Faceless," said Yahiko, surprising even himself with the boldness of his words.

The Faceless smirked. "O-ho. You wouldn't care to translate that feeling into action, would you?"

"I might be tempted," the Son of Tokyo Samurai said.

"Would you, now?" The Faceless proceeded to put his right sword arm forward, pointing his rapier at Yahiko's face while his other hand rested on his hip, his left arm bent on its elbow.

He also had his right leg bent forward, his lead foot pointed at his opponent while his left rear leg and foot pointed to his left side.

The Faceless—who now decided to refer to himself as John Rathbone instead of Fabian La Cerca—told the samurai kid, "Didn't realize you brought your friends along. I miss my dagger. Now I can't show off Fabian's sword and dagger technique."

'Good,' thought the teenager, resisting the urge to stick his tongue out at the fencer lest he cut it out. 'I can barely land a hit on you with that dagger around as is. Thanks, Minoe.'

As the moonlight touched the naked blade of Yahiko's inherited sakabatou, The Faceless remarked, "What is with that sword of yours? Is it a sickle you're wielding or a sword? The blade is on the wrong side. You can't cut someone down like that."

Yahiko then said, "It's not for cutting down people. It's for saving people. It's the sword of life."

***

Kinta Minakata didn't mean to retreat. He got forced to do so.

Like sheep being herded back to their corral by a farm dog. Or a pack of wolves picking the herd apart for lunch.

Was he really luring his half-brother to a trap or was he being herded by him instead? It depended on which one of them would ultimately survive this encounter.

He'd actually been waiting for a counter opportunity that never came. Instead, he faced constant, unrelenting pressure from his supposed half-brother.

The literal Minakata bastard.

He didn't know what to think about it. His mind whirled of memories of being bullied and made fun of by his peers for having his father cuckolded or invaded by a foreigner, stealing away his wife who birthed a bastard.

The child whose father ruined his parents' marriage and led his own father to commit sepukku (ritual suicide) by hara-kiri (disembowelment) and later decapitation.

This devilish blond man was like all that past trauma of his personified. This son of a bitch.

No, wait. He'd never call him that. He'd never shame his mother that way.

Rather, he was a son of a gun by the truest sense of the term. A "gun" referred to a foreign military person, he believed. Sons of guns tended to be children of navy sailors.

The phrase potentially originated in a Royal Navy direction that pregnant women aboard smaller naval vessels had to give birth in the space between the broadside guns to keep the gangways and crew decks clear.

He would've pondered on this more had his relentless half-brother gave him enough breathing room and time for his brain to process this bombshell of a revelation.

He'd nailed several counters at Lucas already but he wouldn't go down. As if him attacking while already bleeding and injured by Zan was a lie or ruse to get Kinta's guard down.

The man's stamina was impressive. Unlike his stamina, which was the complete opposite.

Lucas had been fighting, beating, and killing bodyguards left and right for what felt like hours and there he was, fresh like a daisy.

Or rather, the presence of blood seemed to sharpen his senses, activating his fight-or-flight instincts. Or a shark going into a feeding frenzy. Even if it was his own blood.

Luke's wild, beastly eyes shone in the dark, lit by a sliver of moonlight. Like the eyes of an animal ready to pounce. To prove that sometimes even the savviest of humans had to let nature take its course and succumb to getting mauled by a lion or bear.

Cunning and careful planning could only take you so far in the wild.

Kinta also had one serious problem. Try as he might, he couldn't bring himself to hate this stranger who tried his best to kill the entire Minakata Family.

He shouldn't feel this way, especially against such a dangerous man who already murdered so many of his family's elite guards as well as several of the Sanada Ninjas.

Everyone's lives were at stake against the Brigands Guild of assassins and mercenaries.

***

Yahiko remembered Kaoru's words like it was yesterday.

"The Kamiya Kasshin Ryu is a sword style that my father developed during the Meiji Era after surviving the turbulence of the Bakumatsu."

Her father and the founder of the Kamiya Dojo, Koshijiro Kamiya, didn't approve of murderous swords. With the ambition for swords that gave life, Koshijiro and his daughter Kaoru gave this sword style everything they had for 10 years.

"The sakabatou is a sword that gives life instead of takes it. A life-giving sword," said Yahiko, echoing what Kaoru and even Kenshin had told him in the past on why they chose to teach him Kamiya Kasshin Ryu instead of Hiten Mitsurugi Ryu.

"A life-giving sword? What utter hogwash is that? Next you'll tell me you want a healing gun, or a bomb that puts your limbs back together!" mocked The Faceless.

"You're lucky because I follow a non-killing sword style. Even though I want to kill you to avenge the people you've killed, I'll settle on defeating you," said Yahiko while falling into his Water Stance.

He inwardly cringed at his audacity for saying those words but knew deep down that even though he didn't share Kenshin's past regrets, he also wasn't too keen to spill blood himself.

He promised both Kenshin and Kaoru he wouldn't. Let the endless murders end with the Bakumatsu, they said.

"You are aware that this is a duel to the death, child. I'm under no obligation to spare your life even if you're foolish enough to spare mine," said The Faceless.

"A sword is made to kill. Let me teach you that painful lesson, boy."

"Spare me the speech. I've heard it all before.  'Swords are weapons.' 'Swordsmanship is the art of killing.' But even if you think I'm sugarcoating the truth, I can and will show you what a life-giving sword is all about."

Myojin wondered if he could back up his bluster or if he wasn't merely bluffing. A sword that gave life instead of taking it away was patently ridiculous and totally contradictory.

What pushed him to say such things? What made him choose to believe Kaoru's flowery words and her father's idealistic beliefs like Kenshin did when they first met?

"Heh. Is that so? Spoken like a child who has never gotten blood in your hands," harrumphed the masked Faceless, his mask-covered nose seemingly upturned at Yahiko.. "You're a child."

"Yeah, and? So what?" said Yahiko. "I'd like to keep it that way. I don't want to be a murderer. I just want to beat you."

Yahiko did a Simple Attack from the Jodan-no-Kamae (Fire Stance) of having the sakabatou raised high up over his head, his muscles tense and his shuffling footwork gauging the distance by feel.

Whether it was a slash or a thrust after a miss from any of the eight directions as shown in the Kuzu Ryu Sen, it didn't matter.

He expected the Parry Riposte to happen and was actually baiting him to strike to do a combination strike or Compound Attack (attacks with feints) or even a Counter Attack (responding in a way that avoided the riposte while landing the counter).

Patiently, Rathbone's riposte turned into another circular parry as he danced around Yahiko's probing swings and answered with blocks and deflection, as though figuring out the kid wasn't committing fully to the strikes enough to land an effective counter to the counter or Counter Time.

Yahiko did more feints to draw out a possible counterattack from John Rathbone that he could counter or do his own Counter Time. Or he even countered an obvious feint from Rathbone, hoping to react fast enough to counter the resulting Counter Time with his own Feint in Time or a feinted counterattack.

'So he's another samurai who knows the Tactical Wheel,' thought Rathbone. 'Fascinating. Kenjutsu isn't the primitive, ineffective martial art I thought it was.'

The Faceless then read and parried all his feints until he found an angle where he could do an off-time riposte before Yahiko could react.

The thrust didn't stab the teenager in the heart, but only because John slashed at the last second to avoid Myojin's Hadachi (Sword Catch) technique.

"You're a funny fellow, kid," said Rathbone with a chuckle while wiping Yahiko's blood from his triangular blade. He then turned towards the injured Minakata and declared, "You have a champion with you, Minakata Tatsuya. And what a champion."

For his part, Tatsuya Minakata managed to crawl to the nearest boxes and rest his back there, sitting away from these two dueling fools.

He'd give a king's ransom to have both of these dangerous idiots beheaded.

***

Judging by the additional wounds Kinta Minakata gave his bastard brother, the gulf in skill between the two was apparent.

So why didn't it matter? Why didn't the long-lost "Takuto Minakata" crumple down and die from his strikes?

Did he really need to cut him through the bone, lop off his limbs, or decapitate him to kill him? Otherwise, he wouldn't die?

He still kept standing. Biding his time. Parrying endlessly, like his (presumably) sword master The Faceless would, in order to find an opening.

Luke's defense was practically nonexistent compared to Rathbone. However, he more than made up for it with his limitless stamina and out-of-this-world resiliency.

In comparison, the only blood staining Kinta's clothes were that of his brother's or any of the Brigands Guild he'd faced off against so far.

And yet a he felt a sense of gloom at the back of his head. He had to keep his guard up as long as Lucas kept moving.

The blonde foreign devil looked injured but to be honest, none of his bleeding wounds were fatal. They were just flesh wounds.

Also, Lucas noticed that he hadn't landed a significant strike on his brother for quite some time. Injured and bleeding, Luke charged forward, cutting the distance between them and making it harder to land full-strength counters.

Like he'd been prolonging this fight to memorize his older brother's tempo, range, tells, tactics, techniques, tendencies, and rhythm. As though a war of attrition favored him the most.

Now every time Kinta attempted a Full Moon Slash, Luke braced himself to block the strike with a two-handed parry before it could reach its apex.

He also sidestepped the slash with a blade deflection. He even minimized the impact of an unblocked or belatedly blocked technique by hopping backwards and letting the arcing slash push him away.

And just like that, Kinta's ultimate attack had been sealed. He couldn't even do a Blue Moon Slash anymore because Lucas wouldn't let him even land one Full Moon Slash.

On his part, Luke didn't relent on any of his attacks either, with every slash, stab, and chop of his with the potential to maim, bisect, dissect, draw, or quarter anyone it hit.

Again, Minakata felt like a helpless child dodging carriages or a stamped of spooked horses in open traffic.

His brother really swung for the fences. And even if his full commitment to his strikes left him wide open, he was more than willing to take a shallow slash to land a deeper one.

How very Japanese of him for a gaijin. He embodied the very definition of the Japanese saying, "Let them cut your flesh, and you will break their bones."

***

By the age of fifteen, Yahiko had become a national champion level swordsman feared and revered in Tokyo as "The Catcher of a Thousand Blades" thanks to his shirahadori (blade catching) mastery.

At that time, he had also mastered Kamiya Kasshin Ryu, proving as much with the feat of stopping the first five attacks from Kenshin's Kuzu Ryu Sen (Nine-Headed Dragon Flash) technique once.

Nevertheless, Myojin grit his teeth as he faced off against The Faceless' comparatively tamer yet more methodical attacks.

Having to deal with an elusive opponent who picked his spots, took his sweet time to attack, you couldn't hit, could read all of your attacks and feints felt like pulling teeth.

Or a thousand paper cuts while submerged in a lemon bath. These little nicks that were shallower than a wound yet somehow felt worse, like you'd been set on fire.

The difference between death and torture, even.

"We have a hero with us," mocked Rathbone, daring Yahiko to strike all the way with circular parries and inviting thrusts. "I'll gladly play the role of the villain now. Don't disappoint me, hero."

John Rathbone really was the spirit and image of Yutaro Tsukayama's fencing-like kenjutsu, right down to slowing the pace to a crawl in order to peck and prick the enemy to death.

Or at least anger an opponent enough to make him charge recklessly and commit with full bone-cutting slashes then make him pay for his recklessness.

'…How did this gaijin defeat the echolocation ninja anyway?' Yahiko thought as they again exchanged parries and dodges. 'A ninja who could detect and react to him instantly. And could mess with his rhythm. What is his secret to solving those problems?'

Yahiko observed that no matter how hard he feinted or attempted to interrupt The Faceless' rhythm, he'd find a way to recover, parry, or dodge then reset the assault or counter off any of the samurai teen's attempts at charging.

He had a safety zone he could shell up into or retreat towards to cover up any gaps or openings in his stance or his actions.

Even when the Sanada Demon interrupted his rhythm, he could still counter off any openings presented to him by a charging opponent.

He always set the pace and countered at more flexible or awkward angles compared to the comparatively frigid stances of kenjutsu.

He was one step ahead every time and did mind games on what he'd do next. His wait-and-see strategy also allowed him to adapt and counter any tactics thrown at him.

Just like Yutaro's modus operandi.

Because of his injured hand, Tsukayama relied more on an overall strategy that used his opponent's strengths against them instead of relying on tactics and discovering his opponent's weaknesses throughout the course of the battle.

However, this persistent sense of déjà vu (French for "already dreamed") merely pushed Yahiko further, his curved sword clashing in sparking flashes with Faceless' thin straight blade with endless probing parries to find openings or to create them.  

Fortunately, Yahiko's newly acquired skills of dodging, blocking, parrying, and cutting the distance from a retreating opponent limiting the amount of thrusts and ripostes from John.

His endless drills with May Brooks/Satsuki Sakaguchi had paid dividends. Otherwise, he would've been skewered by the Faceless long ago.

The Kamiya Kasshin Ryu master also remembered why he went into his Musha Shugyo (Warrior's Pilgrimage) in the first place. To defeat his rival, Yutaro, and his defensive kendo skills.

***

You shouldn't let his crimson mask of blood deceive you. Lucas Grant was more dangerous now than he was before he started bleeding.

It could be that Lucas was stronger and more durable than Kinta the same way Luke's bastard sword could break the samurai's katana because of its higher grade, carbon-rich steel.

However, it didn't necessarily matter.

Kinta was no mere injured animal fighting tooth and nail for his life by letting his base instincts take over either.

The Mimawarigumi Battousai was as dangerous to his fellow men as men were to animals.

Humans were weaker than most animals yet they somehow ended up becoming the dominant species in the world.

Kinta was no mere beast. He was more than a lion. He was a man. A hunter. The human animal that was on top of the food chain. The apex predator of apex predators.

Granted, a human wasn't faster than a cheetah. Nor stronger than a gorilla. Nor more brutal than a tiger or lion. His nails weren't as sharp as bear claws. Without clothes, he was as exposed as a naked mole rat or a chick that fell off its nest.

By all accounts, in the animal kingdom, a human should be prey instead of the apex predator.

However, humans weren't as weak as one would think.

They had opposable thumbs like apes and monkeys, allowing them the ability to make tools and tightly grip sharp weapons to make up for their lack of claws and raw strength.

They were long-distance endurance runners. While animals could outrun any human at any given time, a human was adept at stalking and tiring such animals down with unrelenting determination.

Any animal could beat humans in a race but they'd tire out trying to outpace a human in a marathon race.

Humans could also sweat, which allowed them to efficiently cool down and prevent themselves from overheating due to activity.

Most animals did not have as effective of a cooling system as humans, so any exertion of commensurate effort on their part, like fleeing or fighting for their life, will leave them more exhausted compared to the self-cooling human.

However, the weapon Kinta had in between his ears was what made him the most dangerous.

The human weapon of intelligence.

A human was able to plan, work with groups of other humans, and make tools. He was no mere animal acting on instinct.

The most intelligent and methodical of humans could turn hunters like any of the big cats into the hunted by springing traps on them or using projectiles against them, from rocks to spears.

Humans could also communicate with each other through language. They could take down even huge animals like elephants, rhinoceroses, and hippopotamuses by tactics, traps, subterfuge, and cooperation.

Even as Lucas pressured Kinta to retreat from an endless barrage of decapitating strikes—knowing his large chunk of steel he called a sword could withstand a strike better than the thinner though sharper katana—the samurai conserved his energy.

He'd memorized Luke's tactics, which kept him safe from even the wildest strikes through pattern recognition. Like a human stalking his prey and memorizing their movement and habits before going in for the kill.

Even as Kinta panted and sweated from the effort, his intelligence kept him from succumbing to wild beasts like his reckless brother.

Even as he tasted the rusty tang of his own blood in his mouth after clearing his throat, his brother still could barely touch him.

Alas, his brother was no mere beast either. Lucas also resembled the human animal, particularly in terms of his tireless stamina, quick recovery, hand-eye coordination, and ability to outlast his prey like an ancient hunter-gatherer.

A modern human with caveman-like strength and instincts.

***

"…In the next attack, I'll parry thrice then do a riposte," said The Faceless all of a sudden, alarming Yahiko. "Pay attention now."

Was he going to really do it? Was he going to tell him his next attack and still land, confident that Myojin couldn't come up with a counter? Or was he lying about doing that and he'd counter a different way?

And so Yahiko attempted to fly and bash Faceless on the noggin, only for him to get parried.

He then attempted to break the sword with the Tsui Gami (God Hammer), with got neutralized with two parries, followed by a riposte that he tried to counter with the Shippu Jinrai Dotou no Ken (Gale Thunderclap Billow Sword) to the wrist.

However, the riposte ripped through regardless, with Rathbone turning his wrist to parry the blow with his elongated sword handle.  He was landing at will now.

Damn you, Cat Eyes. Oh wait, this wasn't Cat Eyes. This was The Faceless.

Rathbone said, "Wipe yourself, kiddo. You're bleeding."

"…I needed that scratch to awaken me!" responded Yahiko.

Fine. Whatever. He'd been planning to use this technique against Yutaro but… what the hell. He might as well use it on this mirror image of Yutaro's kenjutsu.

Yutaro's swordsmanship was such that it didn't matter if you used your best techniques at him, he'd use your strengths as your weakness with a strategy that figured the whole essence of your own kenjutsu out.

Yahiko was different. He was the Yang to Yutaro's Yin. Or vice-versa.

Instead of figuring out a strategy to take out an opponent, he'd rather wing it or improvise, like when he figured out the weakness of the high-flying Hennya Kariwa was someone who could fly like him.

Any strategy Yahiko exhibited was purely incidental. He was more a think-on-your-feet kind of guy who relied on gut instinct to think up new tactics on the fly.

And his gut instinct told him that The Faceless had the same fundamental weakness as Yutaro.

"Next we'll do a Beat Parry Riposte," bragged Rathbone, only for him to frown when Yahiko charged at him. Like an enraged bull annoyed by all the cape waving of the matador.

'Huh. Fine. If he wants to play to my strengths, I'll indulge him,' thought John, preparing to do a Beat Parry Riposte regardless of what attack, counterattack, or feint Myojin had in mind.

Yahiko instead responded with a Counter Time. So it was a feint.

'No problem, time to adjust…?!' thought John before getting blindsided by a simple head strike, the blunt end of the sakabatou hammering his noggin and leaving a crack on his mask.

To himself, Rathbone wondered, 'What just happened?'

"Maybe next time, you'd have the common sense to not tell me what you're about to do next, old man," the petulant teenager answered back.

***

Back after The Faceless recently faced-off against Kinta Minakata, he relayed the following information to Lucas Grant.

"...I didn't notice it at first since I'm no a spring chicken myself, but Minakata Kinta has stamina problems. He slows down the longer you prolong a fight. Just like me, because of my age. Your youth will win out as long as you can withstand his extensive swordsman experience."

"Does he now?" Luke had asked with a twinkle in his blue eyes. "That's fascinating. Tell me more about Niisan (Big Brother)."

"Make your duel into a war of attrition. I haven't met anyone who has ever outlasted you in a fight. Turn it into a brawl. Throw away all technique. Don't bother outthinking him, just keep on striking. Take him into deep waters. Drown him. Show him how you've survived after all these years."

And thus Lucas did just that. Running high on adrenalin and testing the limits of his monstrous stamina, Luke kept his breathing low to conserve his energy.

He kept his frenetic pace by taking breaks while Kinta second guessed his next move and using twitch reflexes to counter or respond without thought in the middle of his rest period.

Boy, was his big brother a tough nut to crack. Most other swordsmen would've succumbed to him by now. However, the Minakata boys were apparently built different.

He'd thrown everything at him but a kitchen sink, and all he had to show for it were minor scratches and bruises.

Like he'd merely been roughhousing him on the playground like his childhood bully instead of doing his best to assassinate him then and there.

He'd poured the pressure on him, each of his full-power strikes killing blows in their own right, but the high-ranking hatamoto samurai remained cool under pressure. He had ice water in his veins.

The plan was to push his half-brother to his limits and run him ragged, knowing full well that he had respiratory problems stemming from his time with Hidden Christian rebels.

However, the red-faced Luke himself ached all over. He had a splitting headache as well. He underestimated the toll of exerting himself so much, yet he ended up swinging at nothing but air every time.

That cunning bastard. Even as Grant attempted to tire Minakata out, Minakata turned the tables on him and tired him out instead with all his missed swings and over-exertion.

His threshold for pain might be high, but he was testing its limits with all the cuts and lacerations he kept barely blocking from the Mimawarigumi Battousai.

He was also left to wonder: Was Kinta's deadpan face the look of someone out of breath and dying from his effort? He couldn't tell.

Kinta looked like he just went through a light jog. He'd broken a sweat, finally, but what of it? Did it compare to the buckets of blood Luke had already spilled?

Which one of them really was the more tired of the two?

Luke gulped hard, bracing himself for a long volley of attacks to come just to break apart his half-brother's clam shell defense and counters.

He had to do this though. Kinta Minakata was the biggest hurdle towards him getting his revenge against the family that abandoned him and his mother. That turned his life into a living hell.

Even with The Faceless' cunning strategy in mind, everything was still going to go down to the wire. Survival of the fittest.

'No hard feelings, Big Brother.'

***

Yahiko fell into his neutral Water Stance once again.

A basic kendo stance that invited all sorts of fencing attacks or counters at every corner from the more mobile sword style.

The Faceless' sword arm swung like a pendulum again, ready to parry, slash, or thrust at a moment's notice, with it serving as his means of gauging his opponent's next…!

The floor buckled beneath him. In a second, Yahiko had struck the ground with a Dou Gami (God on Earth).

Dammit. That technique had a wide berth and swing! Why couldn't Rathbone anticipate it this time?

Caught flatfooted, John Rathbone hopped to stable ground, away from the sudden explosion of rubble and debris, his sword ready to preemptively attack or counterattack.

Yahiko emerged from the smoke with a running start. Rathbone did a counter thrust that turned into a parry at the last second.

They ended up pushing off against each other with the strength of their swings, John's rapier trembling from Myojin's attempt at a blade-breaking Tsui Gami.

"The Faceless's blade is not so firm," the samurai kid said in jest.

The Brigands Guild member answered, "Still firm enough to run you through."

"Is that right? Make sure to keep your wrists safe from harm, then."

"What…?"

While Myojin was initially intimidated by The Faceless calling out his attacks, he realized it was no different from kendo matches calling out the part of the armor they hit when they were having formal matches.

It was up to the opponent to register what was said and respond. And respond he did.

"KOTE! DOUTOU NO KEN!"

As Yahiko's original signature move as a child—the Gale Thunderclap Billow Sword—landed on Rathbone's wrist, disarming him, the samurai teen inwardly grinned.

That was the weakness of The Faceless. Same as Yutaro Tsukayama.

When push came to shove, they'd wait for an opportunity to counter rather than attack 9 times out of 10.

Even when they attacked, they tended to bait a counterattack first to make their attack a counterattack.

The only time they attacked was when they had run out of options, but at that point they become vulnerable to counterattacks themselves.

Timing a Counter Time right in a way that they didn't see it coming was the key to success.

To John's chagrin, he heard Tatsuya holler at him. "Well, well, well. The fencing master has met his equal."

'My equal, you say?' thought the indignant Faceless while rubbing his wrists. 'Excuse me? Him? My equal? Balderdash.'

***

From the high-pace exchange of slashes and parries, the fight between blood brothers ground to almost a halt.

They paced themselves equally, with Luke pushing for the action while Kinta defended and kept an eye out for counter opportunities.

Their breathing was heavy. They panted like tired dogs in the middle of a summer heat wave. Their fight that lasted minutes felt like hours of nonstop trench war.

Neither willing to give ground. One fought to salvage his honor. The other fought to enact revenge upon the family who abandoned him.

On one hand, there was Kinta Minakata. He glistened with light perspiration from the effort and a couple of cuts and bruises, but his breathing was as ragged as his half-brother's.

The only blood on him was his brother's, among others. As expected of the sole Mimawarigumi survivor given the same moniker as the Ishin Shishi's own Battousai.  

His wheezing and occasional coughing belied his pristine condition. He also looked paler, perhaps even bluer, then usual.

On the other hand, there was Lucas Grant. He was supposed to be named Takuto Minakata, but his blond hair and blue eyes after he was born gave him away.

He looked like he'd gone from hell and back after taking on two of three Sanada Demons. However, his movements looked somehow sharper and livelier than his brother from another father.

For someone who looked like he was tortured, there remained a spring in his step. As though the blood on him was not his own. Or perhaps bleeding somehow invigorated him.

Which one of them was more exhausted? Which one of them was on the verge of death? The one who looked like he was almost dead or the one who sounded like he was almost dead?

Those were the thoughts filling Lieutenant Satoru Sakaguchi as he cradled his daughter near him while warily giving the side eye on the other remaining Brigands Guild member.

For his part, Kai Hidaka himself watched the bullfight of a match between fellow brigand Lucas and his brother, Kinta. If he were unmasked, perhaps he'd show an agape mouth.

Neither of the three moved from their positions as tensions rose between the panting, gasping Minakata Brothers.

The heavy breathing and groaning soon relaxed and slowed until they stopped altogether.

The two Minakata Brothers then stood up at the same time. They had saved up all their strength for this last salvo.

They controlled their breath and measured the distance between them by eyesight. They seemed to breathe almost in cadence with one another.

Slowly but surely, Kinta sheathed his blade. Meanwhile, Lucas kept his hunk of sharpened iron stabbed into the ground, waiting for the right moment to pull it out and lift it for an attack.

***

Yahiko thought about running after or even stomping on Rathbone's rapier on the factory floor to break it apart, but its owner had already dove to get a hold of it.

Oh well. Thusly, the Tokyo Samurai Descendant said, "For my next trick, I'll break that sword of yours apart."

John harrumphed. So now the kid was calling his shot as well? "You dare use my own gimmick against me, Myojin Yahiko?"

"Yessir. I sure do dare." The Tokyo Samurai Descendant fell back to his familiar Water Stance.

Rathbone himself fell into his En Garde fencing stance in kind, bouncing on his heels and measuring the distance with probing rapier thrusts.

Knowing what would happen next. They both knew, actually.

Rathbone had figured out how Yahiko was landing his strikes. The samurai kid used the same preparatory stance to initiate all of his offense, transitioning suddenly to other stances from the basic kendo stance if he had to.

This way, he gave no "tell" or "signal" to what he was about to do next. His stance remained neutral at every exchange.

All of his techniques, from the Revisal Techniques to the original Kamiya Kasshin Ryu and even his imitation Hiten Mitsurugi Ryu moves could be done from the Chudan-no-Kamae.

Making Rathbone second-guess which attack to counter allowed Yahiko to react to his belated counters in time and do the appropriate Counter Time.

In this scenario, even a "telegraphed" attack like Dou Gami could land, because if John were to notice it in time and counter, Yahiko had enough time to react and turn the strike into a feint and Counter Time.

"Genei Gami (Phantom God)," Myojin whispered.

Hiding all his techniques' preparatory movements from the neutral stance to better read his opponent was the next step of his Revisal Techniques.

And as the blocked Dou Gami finally gave Yahiko enough room to execute the Tsui Gami, Rathbone's rapier finally broke into two pieces.

Alas, this was what Rathbone bet on.

With a gloved hand, he grabbed hold of one piece of the broken sword and dual wielded the blades, blocking the samurai kid's follow-up strike with the bottom half and stabbing him in the shoulder with the top half.

"My equal? Really? ¡Qué huevá más grande! (What an annoyance!)" said John Rathbone, who'd transformed into the Spaniard Fabian La Cerca at the last second upon finding a way to turn his rapier into his favored sword and dagger weapons.

"AUGH!" said Yahiko, who had gripped The Faceless' wrist in time to keep the rapier from reaching his vital organs, his face twisted in anguish.

"You're 100 years too early to be facing me, child."

***

To Lucas's surprise, it was Kinta who spoke first after his katana slid to its scabbard with a click. He had one question for him.

"What happened to Mother?" asked the heir to the Minakata Zaibatsu fortune.

"She's dead," said the Prodigal Son matter-of-factly. "Your family killed her. Called her a traitor to her nation. A whore to the gaijin invaders. Disowned her. Cast her aside. Banished her as their black sheep. Forgot about her altogether, like she didn't exist. Does that answer your question, Big Brother?"

"…."

Despite himself, Satoru murmured, "So the rumors were true. Damn."

Beside him, the officer's daughter stirred, pretending to be asleep but clearly hearing what Kinta's yonger brother said.

Azuma Minakata committed ritual suicide after his wife slept with a foreigner and bore their bastard son. Afterwards, Aoi Minakata was never heard from again.

The Minakatas pretended she never existed and thus she didn't. Until now.

The two finally addressed the elephant in the proverbial room, clearing the air between them.

It was the very thing that held them back and kept them from going all out. It left them wondering what they were even fighting for.

Now they know. The Minakatas committed an unforgivable sin and their unknown grandchild had come to collect.

Also, like cowards, they used their precious heir to the throne to defend themselves against retribution, making him implicit to their crimes. An accessory to murder.

Lucas would've rather drawn and quartered his cowardly Uncle Kaneda. Or tortured the pride out of his arrogant Uncle Tatsuya before beheading him.

Maybe even mercy-kill his Grandmother Mieko. Then piss on the grave of his late Grandfather Toshiro.

Luke had been disguising himself as their bodyguard all this time for a reason. To gauge whether they deserved retribution or if they changed from their evil ways. What he saw of them steeled his resolve. Most of them deserved what was coming to them.

Alas, their honorable nephew or grandson Kinta was in his way from committing justified familicide.

It couldn't be helped. They were both victims of circumstance.

The two then charged at each other, Kinta waiting for the right moment to draw his Akatsuki (Red Moon) katana and Lucas preparing a full two-handed swing of his bastard sword.

***

The Faceless's body stood up in attention, as though preparing to march. He then shifted to his fencing stance, his free arm settling on his hips, his jousting or fencing hand moving in circles in front of him.

Yahiko was now faced with two problems. One, his shoulder got injured, so his reaction time had been physically diminished.  

Two, The Faceless was back to using two swords, so even the Genei Gami's ability to hide which attack he was using could not overcome Fabian La Cerca merely blocking or parrying with his other arm.

They were back to square one. Only this time, the game of cat and mouse was over. The cat won and the mouse ended up too injured to still play with.

The cat was about to eat him now.

'Oh yeah? Well screw that!'

Throwing caution to the wind, Yahiko shifted to the offensive Fire Stance this time. His true signature stance—an all-offense one focused on striking at the precise moment.

He feinted and baited the dual-wielding fencing master for all he was worth.

However, he couldn't land a counter-counterstrike this time because Faceless had one other trick up his sleeve other than the broken tip of his rapier. He also broke his rhythm.

He stopped. Paused. Avoided committing into a regular tempo or pattern to allow himself to react even at the last second in case he again misread an attack or feint from Yahiko's Phantom God.

He shifted from fast to slow at irregular intervals, like the clumsiest and drunkest dance partner determined to step on your feet at every turn.

For, unbeknownst to Myojin, this was how La Cerca ultimately beat the tempo-altering, echolocating techniques of the bat ninja Baku.

Furthermore, La Cerca could shift between attacking and defending with either sword arm. He could turn his swords into dual shields or shift between sword and shield on either hand at a moment's notice, depending on the exchange.

The Faceless outclassed the injured and slower samurai in every single way.

However, before the fencer could finish the samurai off with another stab or even an arterial cut to make him bleed so much he'd pass out and die, he had to deflect shuriken from out of the blue and retreat.

A certain ninjutsu master just came back from retrieving the horses and carriage that got spooked earlier by paid Chinese mercenaries.

The steadfast ninja arrived just in time and almost blinded La Cerca with twin kunai to the two exposed eye slits on his mask.

"Kinta! I mean, Kaita!" said Yahiko, mixing up the names of these people he only recently met. "You came back! I thought you abandoned us!"

"Of course I did," said Kaita with a shrug. "I still have a mission to complete, Yojimbo (Bodyguard)."

"Where's the carriage?" asked Myojin.

"It's parked near an open field. The horses are tied there," answered the shinobi. "I originally wanted to run The Faceless over, but then you entered this building."

"A shadow dares defeat me?" said Fabian, his chuckle echoing from underneath his plain white face mask. "Mierda (Shit). The only shadow allowed to defeat me is the Kagemusha (Shadow Warrior)."

Kaita looked at Yahiko then at La Cerca. "You're right. I am but a mere shadow. And that's how we'll defeat you."

The next thing they knew, like a magic trick, Tatsuya had disappeared, prompting The Faceless to action. He had no choice, they took away his bargaining chip.

***

Just like with Yahiko and his Genei Gami, Kaita's invisibility trick made it tough to predict the trajectory of his projectiles.

Thusly, Kaita disappeared from their midst, melting into the darkness of the already dimly lit building in order to attack in the shadows like the coward that he was.

Such was the deviousness of these so-called oriental assassins. They were the yellow peril for a reason, or so Fabian thought.

Either warrior proved tricky for The Faceless to handle on their own, but now they'd decided to join forces, they were double the trouble.

Fine. He'd take them both on at the same time, if need be.

Yahiko and La Cerca clashed blades once more, only this time the kid samurai wielded his iron sheathe like a second blunt sword but with a reverse grip to counteract Fabian's sword-and-dagger technique, just like before in the narrow alleyway.

Interesting. But what about The Faceless' broken rhythm?

Yahiko answered the baits to counterattack by simply attack. He didn't need to dance to the broken rhythm of Faceless' tempo. He'd rather force Faceless to move to his own beat or get smacked  by a wayward strike.

A Simple Attack. Or a series of simple attacks. No Compound Attacks. No feints. No parries.  No counters. Nothing fancy. Just pure relentlessness.

His offense was his defense (along with occasional dodges and whiffs).

However, it wasn't all predictable. He swung for the fences using slashes that changed levels from high to low. Head to body. Or even hips, thighs, and knees.

His adrenalin rush allowed him to persevere, his shoulder throbbing from the stab earlier.

"Good effort, Faceless-san," said Yahiko with a smirk after Fabian countered another God Hammer with a crisscrossing double-bladed block.

The Faceless answered, "My next will be even better, my fancy clown."

Yahiko's unrelenting attacks and chase down then became unintentional counterattacks because he wasn't timing them to counter any responses from La Cerca.

He merely overwhelmed him with his own responses, like a talkative person talking over and silencing someone else with his endless stream of words. He did multiple Dou Gami blasts on the floor to mess with his footwork or Tsui Gami attempts to break or disarm what was left of his rapier.

The Faceless couldn't even parry anymore due to rough state Yahiko's sword-breaking techniques left his swords at. However, Fabian couldn't be easily overwhelmed.

He reestablished his broken tempo by finding counter opportunities from Yahiko's own overwhelming offense. Like slipping in side comments or sarcastic quips here and there that silenced even the chattiest fellow.

He also upped his reaction time, knowing he was basically taking on a tiring one-armed young man, before figuring out his tempo and countering the attacks in kind but stopping short from getting baited into a Counter Time.

He also bided his time, knowing full well Yahiko had to exert more effort to land his strikes than he did, who in contrast merely had to react to him and his frenetic pace.

"Are you tiring, Yojimbo?" asked Kaita from the shadows.

"Just sit tight and I'll take you on in a moment!" retorted Yahiko with a bloody grin.

To himself, he wondered if this was how a duel with "Cat Eyes" Tsukayama would've unfolded at this point. A tug of war between timing and tempo.

The Faceless, on his part, had also been dodging shuriken, spikes, nails, and other projectiles from the shadow ninja's guerilla tactics and assistance to slow him down and give Yahiko more opportunities to strike.

His broken rhythm that saved him from even Baku's screaming tempo-dictation technique and Zan's echolocation accuracy also made him a reactive mobile target that avoided both Yahiko and Kaita's shared attempts at swatting him down.

For an attack to land, it needed timing and positioning. The purely instinctual Yahiko made up for missed or whiffed strikes with even more strikes or follow-throughs.

Combinations on top of combinations to the head and torso that forced Fabian on the defensive in an endless series of parries and blocks.

'Ah. He fights just like Luke,' The Faceless realized. 'An endless stream of follow-through attacks and recoveries.'

It really was feast or famine with this child. No middle ground.

Hesitation was what increased the effectiveness of La Cerca's broken rhythm. Yahiko counteracted that by not caring if he missed and simply striking in bunches, using the misses to adjust his range from the target better and correct the miss with successive blows.

However, the untouchable Fabian La Cerca started figuring Yahiko's tempo out while avoiding or parrying Kaita's shuriken from the background with his makeshift dagger like it was an afterthought.

He danced around both Myojin's close-quarter strikes and the Sanada Ninja's long-range projectiles, while sneaking in cutting counters that stopped the samurai kid's charge cold.

Like with Baku, La Cerca assimilated and countered off of his opponent's rhythm completely while dodging their attacks and counters at the same time.

Everyone had their own rhythm. However, everyone else couldn't counter The Faceless in kind because of his own broken rhythm that changed in accordance to the circumstances.

Unrelenting offense was no solution to his broken rhythm because it only made the attacker vulnerable to his counters.

Their dance of parries and thrusts continued as Fabian swooped in for the kill, with him completely memorizing Yahiko's tempo and countering at every turn.

Beat. Parry. Beat. Parry. Parry. Dodge. Counter. Over and over. Predictable. How utterly predictable.

Yahiko started looking pretty rough, like the bloody Lucas did after facing off against Zan.

The kid's tight mini dodges, constant head movement, sword-stealing attempts, and his own school's cross-armed parry and riposte (Hadome and Hawatari) kept him in the match, though.

Yahiko, Kaita, and even Fabian noticed a small window of vulnerability whenever he shifted from defending against the ninja's projectiles and the samurai's swings from his sword and sheathe.

A fraction of a fraction of a second. It was a small window, but the Tsui Gami also used a small window of reverberation to strike the same point three times fast. It was in Yahiko's bag.

Confident he was landing his sharp counters and ripostes at will at this point, Fabian went ham and stopped hesitating.

He indulged in continuous counterattacks without fear of any traps or counter times from Yahiko while having that vulnerability in his mind. Determined to do a parry and riposte if that happened.

A shuriken flew from overhead instead of straight-on to La Cerca's head, which he deflected by reflex. For that split-second, his timing was predictable. Yahiko thusly attacked.

However, expecting this, The Faceless feinted a counter (Feint in Time), only to get smacked in the head with a simple attack. His knees buckling slightly, he sidestepped a follow-through and did a riposte.

He knew Yahiko's pattern by heart now, errant attacks that slipped through aside.

However, his every riposte and counter got blocked and parried themselves with the Kamiya Kasshin Ryu succession technique, the Hadome (Sword Halt) and Hawatari (Sword Crossing).

Myojin couldn't time him while he was waiting for a counterattack, so he baited him with a predictable pattern while spring-loading his own counter time.

It took his shuffling feet and upper-body movement to get out of range of Yahiko's counters and ripostes, with him figuring out that the kid had timed him by baiting him and drawing out his counters.

Thusly, he paused and waited to see if it was bait or a real attack.

Kaita attacked again at that moment, triggering La Cerca's reflex. At the same time, Yahiko attacked again.

On this toss-up, he predicted another bait-and-switch from Yahiko and got a face-full of sakabatou for his trouble.

He then defended again with his footwork and mindless stab to keep the kid off of him, only for his dagger to get stuck inside the samurai's waiting sheathe.

Yahiko pulled the fencer towards him within his range and then wrenched out the dagger from his hands.

Meanwhile, La Cerca himself smiled behind his cracked mask. He couldn't remember the last time he'd been this excited to complete a mission. Who was this Yahiko Myojin character anyway?

If it were up to him, he would've devised a proper plan to take him out, just like with Kinta Minakata. The boy proved himself a formidable foe in his own right.

The fencer dodged, slipped, parried, riposted, and countered Yahiko's strikes even at close range, bewildering him.

Then everything went dark, his mask shattering from a concussive Tsui Gami to the side of his temple. Perhaps his skull might've cracked as well.

He fell in a boneless heap at the scratched-up and bleeding Yahiko's feet, his vision swimming as if underwater.

What just happened?

***

To Be Continued...

The dialog between Yahiko and The Faceless is based on the banter between Captain Esteban Pasquale (played by Basil Rathbone) and Diego Vega/Zorro (played by Tyrone Power) during their duel in the movie "The Mark of Zorro (1940)".

Also, naturally, all this shadow talk is based on Tetsuya Kuroko. In my mind, I've transformed the original Kaita from the Rurouni Kenshin Black Knight filler arc into a Kuroko-like ninja.

Danke, Abdiel