#YOU ARE ALL SO BRAVE

[kwillow]

People are too nice to me and send me so many intriguing and prescient questions and scenarios about my imaginary friends. Some of these I would have a hard time responding to with drawings, so I've gotta just use my words (SO MANY WORDS) instead!

So, for all interested parties, in response to those questions, here come some LORE RAMBLES: THEO EDITION.

Asks and answers under the cut!

Thank you! “Strange but interesting” is what I aim for with him.

I don’t think I’ve talked about Theo’s voice before! To be honest, I often struggle to imagine precisely what my character’s voices are; the qualities of my mental performance for them varies from day to day. Still, I think with Theo I can formulate a description of some kind.

I imagine his voice to be on the higher end for a man, though not exaggeratedly so, along the tenor range. He can deepen his pitch purposefully to sound more imposing or masculine, but his voice tends to rise in pitch further and further when he’s tense, like a violin string on the verge of snapping. He speaks clearly and distinctly, sometimes to the point of almost biting off the ends of words rather than having them sloppily run into each other, and only rarely uses contractions. His voice has a slight nasal quality to it at times. When he’s angry, a bit of a rattling growl can edge the end of his words.

When he was young, he was a terrible stutterer. He made a concerted effort to train himself out of stuttering in his adolescent years, but he will still lapse into r-ruh-ruh-repeating his syllables if anxiousness gets the better of him and makes him forget to swallow those extra sounds.

He is an expressive speaker, far more so than he’d prefer. Like his pitch varies, so too does his volume, and he can swing from speaking so softly as to be almost inaudible to screaming with all the volume his lungs can muster in a moment. His cadence is full of exaggerated pauses for effect mixed with swift traipses through less important words said simply for the music of reciting them to himself; his conversational tone sounds more like a performer going through a soliloquy than casual speech. In large part, that’s because he’s had more pleasant experiences with theater than conversation.

As many have noticed, he has also a vocal tic. He makes nasally sounds and guttural grunts and growls involuntarily, more often when he’s nervous or upset about something. As he gets older and his body is less able to shrug off the effects of his little smoking habit, he wheezes and coughs in the middle of his sentences as well.

For most settings, I imagine him speaking in a highly affected Transatlantic accent, but in Amaranthine (which is what I assume people are asking about and what I’m defaulting to for these answers), his accent might be more typically British posh-y, like Received Pronunciation. Or maybe not, I mean, it’s a funny animal fantasy setting, so he could have any accent I like. :P

If you want auditory examples, I think something mixing the high-pitched, sibilant, nasally breathiness of Peter Lorre with the refined yet expressive voice of Vincent Price would get you pretty close to what I imagine. To break from the classic horror actor category, you can also throw in this animated series’ depiction of Doctor Octopus to add the all-important ingredient of “nerd factor” to his voice, haha.

He’s a bookworm, yes, but that means he likes to learn! In his case, he’s also someone who enjoys mastering (or at least getting competent at) new skills and is extremely likely to learn to do something well just because someone thinks he can’t. He also has the benefit of being kicked out of school and extremely unemployed, so for most of his life he had lots and lots of free time to take on all manner of niche hobbies if he so desired!

His drive to learn a new skill is motivated by a combination of practicality, gentlemanliness, a need to know how to handle his own business to have as little outside interference as possible or simple intellectual curiosity (which itself is often a cover for boyish whimsy about Cool Stuff). To give examples of practical skills he taught himself: most people probably wouldn’t expect him to be a good cook, but he learned to do that because his family lost their household staff, and someone had to figure out how to cook beef – and because he wanted to take better care of his mother after she fell ill. He’s a great seamster because he wanted to make alterations to his clothes to better fit his unusual proportions without suffering the indignity of being prodded and measured by some nosy tailor. Where he lives, engines are extremely uncommon, being used only for agriculture if at all, but if Theo did own his own automobile, he would learn how to fix the thing himself as best as he could because he wouldn’t want some stranger poking around in his precious baby. He does know how to repair basic clockwork mechanisms, though! (Even if he won’t fix his own pocket watch for weird sentimental reasons.) He taught himself to be ambidextrous purely because he worried about losing a hand in a freak accident one day. He never wants to be caught unprepared or feel like he can’t handle something on his own if he needs to.

For skills in the “oh but if I could do this it would be so cool – I MEAN GENTLEMANLY” camp… yeah, actually, he does like to fence. He might not be able to hold his own all that well against a trained opponent, partly just because of his own physical limitations, but he knows the footwork and he certainly enjoys fighting stationary enemies while role-playing in his head as a knight. (He would be exceedingly embarrassed if anyone knew that part.) He can dance – but only as half a pair – and play the piano – or at least the chords his fingers can reach. He makes model ships and is familiar with all their parts even though he’s never seen the ocean. He knows a fair bit about women’s fashion and could probably help a lady pick a flattering dress for a gala… if she didn’t mind dressing about decade out of style. He’s a fine marksman, though that does overlap with “practical skills” when you live in a world with monsters creeping around on the edges of towns. And that’s not even getting into his self-taught anatomy lessons! But maybe we shouldn’t get into that, for the sake of our stomachs.

I could keep rambling, but to summarize, Theo lacks worldly experience, but he is a curious little guy and has all kinds of weird skills rattling around in his skull. You never know what he’s gonna know! Except for anything involving successfully interacting with other people. He’s never going to know how to do that.

Theo is the sort of person who enjoys collecting things, in that he is often captivated by the history and sentimental value of objects that catch his eye, likes to have a little hoard he can lord over like a dragon, doesn’t see value in minimalism and is loath to get rid of anything he owns.

However, he’s a homebody who rarely traveled far from his hometown of Northcrest, a small and remote barony, and his family (and therefore he) did not have the kind of financial situation that allowed for many frivolous expenditures. Therefore, he cannot regularly obtain new items for his collections because he would quickly exhaust everything that caught his eye in his own town, and he would be wary of spending his family’s dwindling funds on something that only served to satisfy his own whims. If he were in different circumstances, able and willing to travel more broadly and possessing the kind of wealth that allowed him to fully indulge his fascinations, I’d imagine he’d have quite the collection of art, weapons, antique books, clothing, and other fineries. As it stands, he only rarely adds a new object to his own collections, and he instead contents his inner dragon by attempting to maintain and catalogue the acquisitions made by past Norths that have accrued in their manor over the generations. Still… a toy store in his town has made quite a profit off him by having new model trains in stock around his birthday and holidays.

I don’t think he’d be terribly enthused with an insect collection, regrettably. At least not a live one. Preserved, exotic kinds might at least hold the intrigue of far-off places, but something more mundane (and wrigglier) would repulse him more than fascinate him.

I’m going to say somewhere along the line between “absolutely not” and “it’s complicated.” Theo obviously gets fulfillment from looking after the people he cares about, and in Amaranthine, he’s been in a caregiver role for so long he takes a certain amount of comfort in it. Even so, if he somehow knew people thought that he “wants” the people he’s close with to fall ill, or have chronic poor health, he’d be horrified. Theo’s not exactly the most hale and hearty fellow himself (and he’s also made his health notably worse through the years via his own actions, good job on that bud), so he knows first-hand how miserable frequent illness is. He wouldn’t want someone to suffer through that. Also, witnessing his mother’s slow decline and death was harrowing for him, and part of why he flings himself into caring for Hyden is that he doesn’t want to see something like that again and is doing all he can to keep Hyden stable. It brings him comfort, but the stress of feeling responsible for someone’s health – and the stress of only being able to manage their symptoms and never fix the problem – takes a toll on him, too, even if he wouldn’t say so.

So, he wouldn’t blame a sickly partner for their condition, and he’d be willing to care for them and want to help them, but I don’t think he’d ever say he “wants” someone he cares about to be sick. Would he nonetheless be more likely to get close to someone sick versus someone well? Well, maybe. Theo has a bit of a dependent streak, not in that he needs someone to dote on him, but that he doesn’t feel like he has any worth in a relationship unless he can provide protection or assistance. But someone could easily satisfy his need to be needed in other ways, too. Like someone being clumsy and needing their clothes mended regularly, or having a deadbeat husband they need murdered, you know, stuff like that.

He doesn’t know much, and never cared to ask much either, like you imagine. He mostly just knows they’re not nobility, they do have some mage ancestry and ability, and beyond that aren’t important (according to Jocosa). Besides, as a history nerd, he has little interest in learning about his father’s side when his mother’s side has biographies, tapestries, records of badges and achievements and personal spellbooks in such great measure that he couldn’t hope to go through them all in his lifetime. Does Leonard’s side of the family have even one tapestry? No? How dull.

For his part, Leonard isn’t close to or fond of most of his family and isn’t very candid about his past life before becoming successful, so he was amenable to not talking much about his childhood or ancestry. He would prefer if Jocosa was similar restrained and didn’t extoll the virtues and history of her bloodline constantly, but alas, no. One of the consequences of marrying into snotty nobility, I suppose.

Oh, you’re on to something there! :)

Now, with someone like Theo, whose brain is a Gordian knot of congealing gray matter basting in a cerebral soup of self-deception, neuroticism, and concentrated hatred, it’s hard to point to one thing as the sole cause for any of his many issues. At the same time, I don’t want to just dump the entirety of Theo’s issues with his family and how they impact him psychologically because I worry that I could write a thousand words about it and still have five thousand more in me, and we all have other things to do with our time than read all that. That said, to briefly (ha) touch on what you’ve mentioned…

Many of Theo’s problems with intimacy, with needing to feel useful, with fearing connections with others, and so on do stem from his troubled family history. At least some of his self-loathing is borne from him, at a glance, looking more like the man he most despises instead of being the same long, slim, elegant creatures that form the roots and branches of his mother’s family tree. Although, the irony in that is that all the “bad” genetics that cause him grief and suffering come from his mother’s side – but he alternately blames the cruel gods and himself for being a freak, not his mother or grandpa or any of his weaselly ancestors for that.

It’s also true to say that Theo’s self-sacrificing and self-effacing acts of kindness towards his mother and to others he cares for are done in part to make up for the fact of his own existence. The fact that his beloved mother had to couple with a disgusting, loathsome, degrading, unfaithful cur of a man (have I mentioned Theo really hates his dad yet?) in order to bear him weighs heavily on his mind and warps his self-concept. As much as Theo knows his mother loves him, he also knows – and despises – that he if he’s his mother’s son, he’s also his father’s spawn.

Jocosa doesn’t talk at length about her problems to Theo, or anyone – she wouldn’t want to make Theo feel responsible for her woes and she isn’t the kind of woman to whine about her life’s tribulations besides – but Theo isn’t so ignorant that he can’t pick up on the tension in other’s conversations, read meaning into words left unsaid, or work backwards from what he is told to deduce the rotten truth behind what little he’s told. He knows that everything involving his conception was hard for her, even if she doesn’t say it, and he feels he needs to do everything in his power to make up for the suffering bringing him into existence put her through. ...And I could go on but I think that’s enough to get the picture for now. Have I mentioned I can write a lot of words about Theo??

I think Hyden would know better than to say something like that – out loud. Hyden does try to push Theo into a personal valet role. But Theo has his limits and Hyden is smart enough to not press them (too much, right away). Being referred to as a kind of servant is one of those limits that really pisses him off and would be a one-way ticket to not getting any more pillow fluffing. Also, for as much as he helps Hyden with daily tasks and provides whatever dotage he feels is required of him as an apprentice, caregiver or host, there are tasks a manservant would be responsible for that Theo categorically refuses to do (even though Hyden wishes he would).

I am greatly amused by the thought of someone trying to get a flower crown on Theo. I can’t imagine it’d ever go much better than people trying to put shirts on their cats. He just really doesn’t like situations wherein Stimulus I Have No Control Over Is Happening To Me.

He does tend to flip from fury to (relative) calm depending on the circumstance and the source of annoyance, so you’re spot-on with the variable reactions he could have to a floral intrusion. I would say he isn’t likely to use “witch” as an insult for the same reason as he wouldn’t use “harpy” or “ice queen” as an insult, which is that any kind of derogatory comment his mother was ever called might as well be a compliment in his books. “Harlot” is completely fair game, though.

Thanks a bunch for the kind words on my weird rat guy. So happy you like him!

(Also “dark fantasy rose type flower” made me laugh. God. He’s such an edgelord. Emphasis on the “lord”, with a title and arms and everything.)

Glad you like seeing him! I guess one of the benefits of me not getting particularly exotic with the colors or markings on my furry designs is that you can find associations to actual animals like this! I hope your pet rat had a better temperament than Theo does, though.

…Which sounds a little stupid considering quite a lot of these answers involved me talking at length about Theo being sad and self-sacrificing and crap like that. I swear to God he’s a nasty little bitchboy most of the time. I need to draw him biting someone on the face or insulting someone for being poor or eating someone’s eyeball or something again to balance the scales here.

Note to self.

[gingerswagfreckles]

It's insanely sad to read post after post of gentiles talking about how at least we all have each other and all we can do now is draw strength from our queer and leftist communities bc Jews literally cannot do this. Like you all completely and so utterly turned your backs on Jews this year and we have no one. Except other Jews. Who make up 2% of the American population. It's so great for you all that you can hold hands and sing Kumbaya but you made supporting Hamas and retweeting twitter funny men with literal terrorist hate symbols in their usernames normal. So no some of us cannot draw strength from the queer and leftist communities. Some of us just have to sit here and take it as you all reassure each other that none of this is your fault even though it so obviously is.

[foccaccia]

im tired of this post

[kensatou]

you think YOU had a bad day at work?

bonus: sid shrieking "no!!!! NO!!!!!" loud enough to be heard in the stands and on camera

[sainz100]

2024 Brazilian GP | x

[frannyzooey]

participating in fandom takes an incredible amount of vulnerability. at any given time, you are baring your soul and unleashing your unbridled enthusiasm and letting your true self be free and sometimes, when I stop to think about it, I am in awe of anyone and everyone who has the guts to do it.

thank you for being here❤️

[crowkip]

ouguugh,, womnen

[poorly-drawn-mdzs]

The four alignments of Tummy Hurt

[chilledstrawberrysoda]

Kevin Day isn't actually a coward, Neil and Andrew just have very different ideas of what it means to be brave. Kevin is a survivor. He spent most of his formative years walking a middle ground of being useful but not so much that he showed riko up. He had every reason to be afraid of riko. He was the only one that truly understood what riko was capable of aside from Jean. Neil and Andrew are fighters, they are all or nothing types, they don't understand how someone could walk a middle ground just for something that resembles safety when they fought so hard to not give in to threats until it threatened someone they care about and almost killed themselves in the process. Kevin didn't even know he was ALLOWED to fight back because that was never an option. Leaving the only life he's ever known was so much braver than anyone gives him credit for. It isn't until he has something to fight for and is given permission (not just by the moriyama's and Neil but by himself) to be his own person for the first time that he is able to defy his abusers.

It's not cowardly to do what you can to stay safe. Not everyone has Andrew and Neil's blatant disregard for their own personal safety. Being afraid of pain and death is perfectly reasonable.

[wyvernity]

quick personal update -- i've been in chinaaaa for the past few weeks! plus a few days of layover in tokyo, so i got to visit japan for the first time! good experiences good food all around \(^_^)/

now that i'm officially back, i can share some of the soulsilver i've been stockpiling since march..... and since i'm too lazy to make multiple posts, you guys get the full dump. warning! there are a few!

[nobleriver]

Michonne talks to Rick about their son

[lesbianwyllravengard]

Wasn't crying until he said that :/

[thinwhitedoc]

SHERLOCK | Martin Freeman as John Watson

[bloodstained-ballgowns]

i just rewatched ‘the woman who fell to earth’ a couple of days ago for the first time since it aired back in 2018 and the more i think about it, the more i like it.

thirteen is the only doctor for whom i feel a tangible, rose-tinted nostalgia. she wasn’t my first doctor, but she was the first doctor i watched live, the first doctor that i spent an actual extended period of time with over the episode rollout. her intro episode has middling parts (as can be expected with most episodes of Who) but there’s also so much good that i really want to highlight.

first of all, there are some really great character dynamics set up here. much more interesting than i remember, tbh. ryan is a guy who loves mechanics but is stuck in a warehouse job he hates, a guy who obviously wants to connect to people, a guy who by the end of the episode has lost both his mother and grandmother in the space of a couple of years and the step-grandfather he didn’t really want is all he has left (minus his absent father). that’s interesting.

yaz has a keen sense of justice and this raw, intense yearning to help people, to do something worthwhile, something more - the way she has chosen to express that is through law enforcement, but it’s not quite giving her the satisfaction she wants. that’s interesting.

graham’s experience with cancer means that he constantly feels like he’s living on borrowed time. meeting grace gave him purpose, gave him family, gave him the will to fight when he fought it was all but over, but now grace is gone. he and ryan aren’t related, but they’re family, and now they’ve got to figure out how to care for each other without the very lynchpin that brought them together. once again with feeling: interesting!

“i’m just a traveller. sometimes i see things that need fixing. i do what i can.” i like that they circle back to the ‘just some guy’ portrayal of the doctor here, both because it’s the one i’m partial to and because it feeds particularly well into the whole ‘the doctor is an unreliable narrator’ aspect, especially in the wake of the increased deification in the moffat era. it's a nice set up, even if it gets completely overhauled circa series 12/13. in fact, having thirteen keep this as a persistent attitude throughout the Timeless Child of it all could have been really effective re: her reticence with her companions and refusal to address or deal with her past.

the scene where thirteen builds her sonic screwdriver might be one of my favourite sequences in nuwho. i love that it’s a hybrid of alien tech and sheffield steel. i also love that they highlight the ‘mad inventor’ side of the doctor here (her teleportation circuit is based around a microwave?) and wish that they had carried it forward more. it would have been the perfect basis for her to bond with ryan over. jodie also pulls off the humour of the episode well, considering the significant shift from moffat dialogue.

i enjoy thirteen's outfit: the vibrancy of it as mirroring her childish excitability, but also as another part of the mask - if i dress all colourful then maybe i can ignore/outrun/masquerade my great capacity for darkness! etc etc. the shopping trip with yaz and ryan is a bit shoe-horned in at the end but it's cute that she finds it in a charity shop. (back in 2018 i bought a t-shirt with a couple of stripes across the chest solely because it remotely resembled the one she wore lol. nerd from a young age, me.) jodie also looks soo hot in capaldi's outfit though so a spin on the traditional suit would also have been appreciated.

some miscellaneous points: i like that she tells Karl off (“you had no right to do that”) right after saving him. i like that she gets it wrong at first and makes it clear that she’s working on the fly. she’s following her instinct, and that instinct is to help people. doctor who has been beautiful before but the cinematography takes such a huge step this era. “it’s been a long time since i bought women’s clothes” i am choosing to believe this is about river thank you and good night.

[candyheartedchy]

When a sea monster gets hired to work at the Chum Bucket, she starts to cause panic at the Krusty Krab while a certain absorbent fry cook tries to befriend her.

First chapter of the CoralBob fic is finally up!

[martyrbat]

the all new batman: the brave and the bold #1

[ID: several cropped internal narration boxes from Batman between different panels of him and Superman. Together the boxes all read, ‘Other than Robin and Alfred, Superman is my best friend. Some people are surprised by that. Because our styles are so different, people assume we wouldn't get along. But they're missing the point. When I'm with someone like Green Arrow, we're so similar that we feel like we have to compete. But Superman and I have different strengths. We complement each other.’

The first panel, underneath the first narration box, is Batman and Superman shown from the shoulders up as they both smile. Clark proposes, “How about this—I'll explain any Kryptonian customs. You analyze the clues.” Bruce adds on, “And we'll watch each other's backs.” Clark responds, “It's what we do.” The second panel, after three narration boxes, is Batman diving to knock Superman out of the way of a fatal blast. The third and fourth panels, after the last narration box, is after Batman solved the Kryptonian mystery and Superman just saved Bruce's life too. Bruce thanks him for the save, leading Clark to simply dismiss, “No problem. It's what we do,” as he puts his shirt back on. Bruce tells him, “Yes. It is. I suppose this means that, even without powers, you're still Superman.” Clark grins and responds, “And that you're another world's greatest detective.” Bruce quietly grunts at the compliment and tells him, “Let's get out of here.” END ID]