#Xiangzhai

[desativadohdg]

Bem-vindo, Shuijing!

Nome do personagem: Li Shuijing

Faceclaim: Li Xiangzhai

Nascimento: 10 de fevereiro de 1999, Taipé - Taiwan

Sexo: Masculino

Ocupação: Artista e estudante de moda

Moradia: Seogwipo

OOC: +18

Grandes poderes acompanham grandes responsabilidades, e esse sempre foi o maior dilema do taiwanês. Concebido por uma das famílias mais ricas de Taiwan, teve sua vida repleta de mordomias, Li Shuijing sempre carregou a linhagem de sua família com orgulho, e um pouco de desleixo.

Na primavera de fevereiro, em um bairro nobre de Taipei o rapaz nasceu banhado nos holofotes, filho de uma atriz conhecida pela Ásia inteira e seu pai, dono de um imobiliária envolvida com lavagem de dinheiro de uma grande máfia chinesa. Estava acostumado a conviver nesse círculo, por mais que fosse uma criança, o garoto sabia distinguir o bem do mal, e desde sempre firmou que não iria seguir o mesmo caminho de seu pai, muito menos da mãe.

Tendo a sua vida completamente pública e exposta para o mundo inteiro, extroversão sempre foi o seu ponto alto, Shuijing não reclamava de estar no meio dos flashs e manchetes pela Ásia. Nunca teve uma relação direta com eles, costumavam saber das notícias através de manchetes e de raras ligações que sua mãe fazia, porém aprendeu muito com ambos. Sua reviravolta aconteceu aos 10 anos quando seu pai envolveu a família inteira em risco ao se envolver indiretamente com uma máfia rival, que acarretou a morte de seus pais. Por hora, teve que viver até a sua maioridade com seus tios – que agora eram donos da imobiliária de seu pai. Desenvolveu o seu interesse por moda através de encontros que presenciava com a sua mãe, tinha uma paixão tanto pela criação no papel, quanto pela produção. Chegou a presenciar inúmeras semanas de moda em Paris onde floresceu ainda mais esse seu lado artístico.

Aos 19 anos vivendo em uma cidade pequena longe de celulares, Shuijing levou consigo diversos traumas e problemas sociais, seus responsáveis sempre aconselharam para falar o necessário, naquela altura do campeonato, o rapaz ainda estava na mira da máfia chinesa. Passava por episódios de espionagem e perseguição durante o colegial, mas infelizmente não podia mudar de província, afinal Taiwan sempre fora vigiada por essas máfias. A relação com seus tios era turbulenta, além de todo processo traumático que o garoto passou, ele ainda era colocado em uma posição de repressão pelos responsáveis extremamente conservadores. Shuijing tinha uma noção que gostava de garotos desde sempre, o que até não tinha florescido ainda, mas com todo amadurecimento do rapaz na flor da idade, acabou transparecendo. O que ia além de amassos na sala de detenção – que o rapaz frequentava, e muito – também resultou em várias paixonites durante todo esse período. Dava a mínima para o que seus responsáveis pensavam disso, mas em quatro paredes isso mudava. O garoto era obrigado a desenvolver um prazer por mulheres, desde aos filmes adultos até as garotas de programa que seu tio contratava de vez em quando, que no final das contas acabavam tornando suas amigas.

Atingindo a maioridade, seus tios decidiram contar toda a verdade envolvendo o assassinato de seus pais, inclusive que haviam sido mortos por chineses, e desde então, uma aversão havia sido desenvolvida – até porque sempre foi um ativista do movimento sociopolítico de independência de Taiwan. Shuijing possuía toda grande herança de seus pais e agora estava vivendo em constante ameaça por conta de toda reputação que tinha – má e principalmente boa, por grande parte da Ásia, mas ainda assim era um perigo estar na mira de pessoas perigosas. Com a ajuda de seus tios, decidiu mudar para a ilha de Jeju por ser uma província de pouca notoriedade e sabia que talvez não ia acarretar tantos problemas – além da sua falta de experiência no idioma. Shuijing decidiu ingressar na faculdade seguindo o curso de design de moda e tenta sobreviver socialmente em um lugar que jamais havia pisado.

Follow: @shjli_hdg

[waterspirit6x8]

The MALineage Project Site

The Martial Arts Lineage Project website had attempted to collect lineage history and details of any martial art or person; unfortunately it is not always accessible; it partially appears on its Facebook site.

Martial Arts Lineage Project-1 http://www.malineage.com/styles/Liuhebafaquan http://www.malineage.com/node/16502/edit

Philosophy Submitted by: dr_k_conor

There exists four 'documents', each carrying traits of history and philosophy principles that are generally presented to explain and teach LiuHe BaFa and boxing. The First I will call the 'Cave Codex' alledgedly from found within a Mt. Hua Yo Shan 華嶽山 grotto 洞. Note that the Taoist Canon is divided into three dong 洞, "caves", "grottoes". The Second is usually called the 'Five Word' verses or 'songs' 拳學 五字 歌訣; these are generally refered to as: quan2 xue2, 拳學, boxing knowledge in verse format, wu3 zi4 五字 5-character-word in length, and ge1 jue2 歌訣 'secret' verses of farewell.[this is often mistranslated as 'song']  The 'said' author is given as Li, 'East-wind' 李東風 Li Dong-feng whose name does not appear in any archaic Song Dynasty document. However, some LHBF student place great value in them. The Third 'document' the actual exercise names, for the Nanjing 66-form series of Wu Yi-hui 六十六 起式 easily can be seen as differing and each form naming demonstrates the academic proficiency of Wu as a man of the arts. Some of the 66-lines of 5-characters each also includes Chinese idioms and references to history, art, and music. http://www.silkqin.com http://waterspirit6x8.tripod.com/id11.html

The Fourth 'document' collective are the commentaries written from various teachers to explain via verses; there are either simple two-word idioms, or longer 5 or seven word explanations.

The Six Combinations [also called 'harmonies' as unified concordances], LiuHe 六 合  are as follows: >1. bodys' structure harmonizes with the minds' awareness, >2. minds' awareness harmonizes with innate 'intent', >3. intent harmonizes with the chi (energy-flow), >4. chi harmonize with the 'spirit', >5. spirit harmonizes with 'motion', >6. motion harmonizes with the 'everywhere', [ Note: that there are actually seven factors, Ti, Xin, Yi, Qi, Shen, Tung, Kung. ]

The Eight Methods [also called 'laws' or regulations], BaFa 八法 are as follows: >1. Qi-Fa =Flow: Move the chi and concentrate the spirit >2. Ku-Fa =Bone: Genuine-structural energy when bones are correct >3. Hsing-Fa =Form: Shapes exchange freely, follow a model, pantomime >4. Sui-Fa =Following: Flexible, adaptable, and coordinated in union >5. Ti-Fa =Lifting: Lift the head upward as if suspended from space >6. Huan-Fa =Reversal: The interchange of motions reverses and reciprocates >7. Le-Fa =Limit: Restraint is needed to harness the dynamic forces >8. Fu-Fa =Hidden: The intrinsic force arises from natural obscurity without method. http://waterspirit6x8.tripod.com/id11.html http://waterspirit6x8.tripod.com/id55.html

One of the often addended 'Fourth Document' ideas, is not from LiuHe BaFa at all, they are from late 1800's to 1900's codification of bodily anatomy often used in the zhan zhuang 站樁 'standing post' of Yi quan 意 拳  from Wang Xiang-zhai who was 'friendly' and respectful to Wu and also from some teachers of Ba-kua-palming. These are often unnecessary and may also be misleading. http://waterspirit6x8.tripod.com/id12.html A more relevant added teaching is from Huang Shou Ting, 黃手庭 of the Shanghai Wu Shu Association, who studied with Song Guang-yu 宋关羽 in Xu Shou; he discusses 8-physical aspects differently : > Qi-Luo: 起 : 落 rising + falling > Dong-Jing: 動 : 靜 moving + stillness > Jin-Tui: 進 : 退 advance + retreat > Kai-He: 開 : 合 open + close > Yin-Yang: 陰 : 陽 in+out, soft+hard > Xu-Shi: 虛 : 实 empty + full > Wa-Qiao: 跃 : 远 jumping + bridging > Liu-He: 六 : 合 internal six-pairs in harmony http://waterspirit6x8.tripod.com/id11.html

Waterspirit6x8 Teachings; http://waterspirit6x8.tripod.com/id11.html Liuhebafachuan; http://www.liuhebafachuan.com/ Liuhebafa verses; http://trinity.psnw.com/~dlmurray/6h8m1.html

Martial Arts Lineage Project-2 http://www.malineage.com/styles/Liuhebafaquan http://www.malineage.com/node/16502/edit

LiuHe BaFa quan Submitted by: dr_k_conor LiuHeBaFa, LiuHe BaFa, Lok Hop Pat Fat, Six-harmony, Eight-methods Boxing Exercise http://waterspirit6x8.tripod.com/id37.html LiuHe BaFa 六合八法 is a collective of martial concepts and boxing exercises. http://waterspirit6x8.tripod.com/id21.html LiuHe BaFa 六合八法 is also a collective of verse of concepts, the Six Harmonies 六合, obtainable by an understanding the utilization of Eight Methods 八法; each aspect is derived from archaic Chinese exercises and pugalisms. The LiuHe BaFa boxing is not directly derived from the modern versions of Tai-chi-, Xing-yi-, or Ba-kua-palm boxing. http://waterspirit6x8.tripod.com/id11.html The verse name is often abbreviated in non-Chinese as LHBF or LHPF. The core concepts and methods of the LiuHe BaFa are known to be derived from the 1900's manchurian Wu Yi-hui 吴翼翚 (1887-1958) who learned them from three differing teachers; Wu first taught them in Shanghai and later at the Nanjing National College of Martial Arts founded in 1928 and later became the Dean of Studies in 1936 [closed 1948].

Although many exercises and concepts are claimed to be from the real-life Song Dynasty Court Taoist Chen Tuan [ Bo ] 陳摶 , aka Chen Xi-yi 陳希夷 [d. 990] who was associated with the military General whose abilities made him the First Emperor of Song, Tai-zu, there exists no official or other records to support the common claim that the LiuHeBaFa- or its principle 'water' flowing or its' verse principles factually originated from the Court Taoist Chen Bo nor from his said mountain residence at Mt. Hua Yu 山 華嶽 in Shenxi Province. http://waterspirit6x8.tripod.com/id9.html

Popular naming has resulted in addending the syles' name to include this mythology: as the Chen Xi-yi Men 'sect' 華嶽希夷門 Hua Yue Xi-yi with LiuHeBaFa Boxing principles becoming: 華嶽 希門 (+) 六合八法拳.

The bonefide utility of the core LHBF verses, is that they are succinct and are applicable to all of other Chinese Internal martial arts. Although form and principle aspects of these internal martial arts [Tai-chi-, Xing-yi-, and Ba-gua-] are evident in the LHBF, there is a popular trend to classifiy the LHBF exercise as a 'fourth' art which it is not; the Chinese Martial Arts Association classifies it as a sub-style of Tai-chi-boxing. Perhaps in keeping with this method of distinction, some teachers have named their styling as a Hua-Yu Tai Chi-boxing exercise. http://waterspirit6x8.tripod.com/id58.html

There also now exists absorption of Yi-chuan, 'intuition' boxing fundamentals as set forth by founder Wang Xiang-zhai 王薌齋, (1886-1963), and his students in the LHBF system; this again results in further name changes and ,mixings with the applications of LiuHeBaFa-. http://waterspirit6x8.tripod.com/id5.html Wang Xiang-zhai is known to have interacted and cross traded to other system styles while he was a teacher at the Nanking Martial Academy [Shao-lin, tai-chi, xing-yi, etc].

To further complicate understanding, Wu Yi-hui, from his earliest martial studies, learned a shaolin-related boxing called Lu Hong Ba Shih 呂紅八勢 sometimes also called Lu Hong boxing 呂紅拳. A careful study of Wu's 66-form version made during his time in Nanjing, does shows evidence of being embedded. The LHBF core exercises are called zhu zi 築基. http://waterspirit6x8.tripod.com/id52.html

LiuHeBaFaQuan;  http://waterspirit6x8.tripod.com/ Liuhebafachuan;  http://www.liuhebafachuan.com/ Lu Gui-yao, Chin Wo Athletic Assoc, Foshan PRC;  http://www.liuhebafa-lgy.com/ Wu Ying-hua, S. China Institute Huainan, Anhui PRC;  http://lhbflm.com/index.asp Kam Tung, LHBF Academy,Hong Kong; http://www.liuhebafa.com.hk/ Liu Xiang-ling, Takoma PK, MD, USA; http://wudanglongmen.com/form.html

Martial Arts Lineage Project-3 http://www.malineage.com/node/16502/edit

Informational Links

Google Search https://www.google.co.th/search?q=Liuhebafaquan&gws_rd=cr&ei=t8wAWOrkFcjovgTHw4-ICA 六合八法拳 六合八法拳 pdf 六合八法拳技 六合八法拳 金童 六合八法拳 金彤

Related Books Related Videos

Related People Style: Liuhebafaquan;  http://www.malineage.com/styles/Liuhebafaquan Martial Artist: Wang Xiangzhai; http://www.malineage.com/martial-artists/Wang-Xiangzhai Style: Yao's Modern Yiquan; http://www.malineage.com/styles/Yaos-Modern-Yiquan Links; http://www.malineage.com/styles/Liu-He-Ba-Fa-Chuan-nid26156 Teacher; http://www.malineage.com/martial-artists/Wu-Yi-Hui http://www.malineage.com/martial-artists/Li-Dao-Li http://www.malineage.com/martial-artists/Liang-Qi-Zhong http://www.malineage.com/martial-artists/Liang-Zipeng http://www.malineage.com/martial-artists/Moy-Lin-Shin http://www.malineage.com/martial-artists/Li-Chung http://www.malineage.com/martial-artists/Huang-Wei-Lun > https://www.google.co.th/?gws_rd=ssl#q=Huang+Wei+Lun > http://slantedflying.com/master-wei-lun-huang-passes-away/

http://www.malineage.com/styles/Liuhebafaquan?section=schools http://www.malineage.com/styles/Liuhebafaquan?section=videos http://www.malineage.com/styles/Liuhebafaquan?section=photos http://www.malineage.com/styles/Liuhebafaquan?section=history http://www.malineage.com/styles/Liu-He-Ba-Fa-Chuan

[testefixohdg]

Bem-vindo, Shuijing!

Nome do personagem: Li Shuijing

Faceclaim: Li Xiangzhai

Nascimento: 10 de fevereiro de 1999, Taipé - Taiwan

Sexo: Masculino

Ocupação: Artista e estudante de moda

Moradia: Seogwipo

OOC: +18

Grandes poderes acompanham grandes responsabilidades, e esse sempre foi o maior dilema do taiwanês. Concebido por uma das famílias mais ricas de Taiwan, teve sua vida repleta de mordomias, Li Shuijing sempre carregou a linhagem de sua família com orgulho, e um pouco de desleixo.

Na primavera de fevereiro, em um bairro nobre de Taipei o rapaz nasceu banhado nos holofotes, filho de uma atriz conhecida pela Ásia inteira e seu pai, dono de um imobiliária envolvida com lavagem de dinheiro de uma grande máfia chinesa. Estava acostumado a conviver nesse círculo, por mais que fosse uma criança, o garoto sabia distinguir o bem do mal, e desde sempre firmou que não iria seguir o mesmo caminho de seu pai, muito menos da mãe.

Tendo a sua vida completamente pública e exposta para o mundo inteiro, extroversão sempre foi o seu ponto alto, Shuijing não reclamava de estar no meio dos flashs e manchetes pela Ásia. Nunca teve uma relação direta com eles, costumavam saber das notícias através de manchetes e de raras ligações que sua mãe fazia, porém aprendeu muito com ambos. Sua reviravolta aconteceu aos 10 anos quando seu pai envolveu a família inteira em risco ao se envolver indiretamente com uma máfia rival, que acarretou a morte de seus pais. Por hora, teve que viver até a sua maioridade com seus tios – que agora eram donos da imobiliária de seu pai. Desenvolveu o seu interesse por moda através de encontros que presenciava com a sua mãe, tinha uma paixão tanto pela criação no papel, quanto pela produção. Chegou a presenciar inúmeras semanas de moda em Paris onde floresceu ainda mais esse seu lado artístico.

Aos 19 anos vivendo em uma cidade pequena longe de celulares, Shuijing levou consigo diversos traumas e problemas sociais, seus responsáveis sempre aconselharam para falar o necessário, naquela altura do campeonato, o rapaz ainda estava na mira da máfia chinesa. Passava por episódios de espionagem e perseguição durante o colegial, mas infelizmente não podia mudar de província, afinal Taiwan sempre fora vigiada por essas máfias. A relação com seus tios era turbulenta, além de todo processo traumático que o garoto passou, ele ainda era colocado em uma posição de repressão pelos responsáveis extremamente conservadores. Shuijing tinha uma noção que gostava de garotos desde sempre, o que até não tinha florescido ainda, mas com todo amadurecimento do rapaz na flor da idade, acabou transparecendo. O que ia além de amassos na sala de detenção – que o rapaz frequentava, e muito – também resultou em várias paixonites durante todo esse período. Dava a mínima para o que seus responsáveis pensavam disso, mas em quatro paredes isso mudava. O garoto era obrigado a desenvolver um prazer por mulheres, desde aos filmes adultos até as garotas de programa que seu tio contratava de vez em quando, que no final das contas acabavam tornando suas amigas.

Atingindo a maioridade, seus tios decidiram contar toda a verdade envolvendo o assassinato de seus pais, inclusive que haviam sido mortos por chineses, e desde então, uma aversão havia sido desenvolvida – até porque sempre foi um ativista do movimento sociopolítico de independência de Taiwan. Shuijing possuía toda grande herança de seus pais e agora estava vivendo em constante ameaça por conta de toda reputação que tinha – má e principalmente boa, por grande parte da Ásia, mas ainda assim era um perigo estar na mira de pessoas perigosas. Com a ajuda de seus tios, decidiu mudar para a ilha de Jeju por ser uma província de pouca notoriedade e sabia que talvez não ia acarretar tantos problemas – além da sua falta de experiência no idioma. Shuijing decidiu ingressar na faculdade seguindo o curso de design de moda e tenta sobreviver socialmente em um lugar que jamais havia pisado.

Follow: @shjli_hdg

[mastertaichitoday]

On rumsoakedfist there is a link to “Essence of Combat Science” by Wang Xiangzhai as translated from Chinese by Andrzej Kalisz. Click here to go to the file.

Wang Xiangzhai wrote :-

In shi li there shouldn’t be partial, superficial force, especially there shouldn’t be unbalanced one directional force. You should observe if the whole body force is round, full or not, if it is possible…

[ronnansink-blog]

Kobayashi Naoki's fate led him to Kenichi Sawai, a legendary master of Taiki Shisei Kenpo, Taikiken.

For decades, the rhythmic shuffle of bare feet across a polished wooden dojo floor has signaled the heartbeat of a rare and quietly guarded martial tradition. At first glance, the unassuming exterior of Bidokan—the dojo overseen by Instructor Kobayashi Naoki—might pass unnoticed among Tokyo’s bustling streets. But inside those walls dwells a living heritage, shaped by two legendary masters and nurtured through the unwavering devotion of their heir, Kobayashi himself. Now, through the combined legacy of Sakurakoju Kazutaka’s orthodox Chinese boxing and Kenichi Sawai’s Taiki Shisei Kenpo, or Taiki Ken, this sanctuary has evolved into a place where the old ways remain very much alive, and possibly more relevant than ever in an era of instant gratification.

A Secret Art Unfolds

Few martial arts enthusiasts outside of Japan realize the depth of these intertwined lineages. The late Sakurakoju Kazutaka carried the torch of Chinese orthodox boxing, preserving the heritage of forms and techniques often practiced behind closed doors. Meanwhile, Kenichi Sawai became the only foreigner ever permitted to study under Wang Xiangzhai, the renowned founder of Dai Cheng Quan—more commonly referred to as Yiquan. After World War II, Sawai returned to Japan, forging Taiki Shisei Kenpo, a system whose name comes from the principle that “sincerity reaches the heavens.” Through rigorous training methods such as standing meditation (ritsuzen) and crawling exercises (hai), Taiki Ken quickly earned a reputation for its practicality and explosiveness.

For years, curious onlookers heard rumors of intense training sessions deep in the tranquil forest around Meiji Shrine, where Sawai’s handful of dedicated students braved dawn workouts in near-silence. There, each participant tested their resolve and refined their minds until the body and spirit worked in seamless harmony. Tales emerged of how a single subtle shift in stance or direction could redirect an opponent’s force, leaving them utterly disoriented. It didn’t take long for word to spread: Taiki Ken was one of the strongest, most practical martial arts around, seamlessly fusing Chinese internal methods with Japanese warrior ethos.

Enter Kobayashi Naoki

Born on March 1, 1954, Kobayashi Naoki began his martial arts journey at sixteen years old, joining Sakurakoju Kazutaka’s Dai Nippon Koubukai to immerse himself in authentic Chinese martial lineage. Under Kazutaka’s watchful eye, Kobayashi honed his understanding of body mechanics, breath control, and proper stance. Following the passing of his beloved teacher, fate led him to Kenichi Sawai, the legendary practitioner whose mastery of Taiki Shisei Kenpo was unparalleled. At twenty-eight, Kobayashi began rigorous training under Sawai’s guidance in Meiji Shrine’s forest—a veritable crucible of discipline. Sawai’s instruction was as relentless as it was profound. For ten years, Kobayashi dedicated himself to mastering the principles of Taiki Ken, ensuring that every posture, pivot, and breath had purpose.

When Sawai passed on, Kobayashi felt a renewed sense of responsibility. He had inherited not one but two invaluable lineages: the orthodox Chinese boxing from Kazutaka and Taiki Ken from Sawai. He founded the Bidokan in 1994 as a repository for both traditions, setting a personal mission to teach future generations while maintaining the purity of each discipline. In 2008, the dojo was officially renamed Bidokan to underscore its commitment to the Taiki Ken tradition, but in truth, Bidokan transcends labels—it is a living archive of timeless skills.

Legends and the Rido-kan Connection

Outside of the Bidokan realm, the martial arts community has long whispered about another close-knit circle: the Rido Clan and its cryptic head, Kobayashi Naoki (the same man, though many mistakenly believed them to be separate people), who some said kept the “strongest martial arts” under lock and key. Insiders would mention names like Kazutaka Sakurakoji (another common spelling is Sakurakoju) and Kenichi Sawai almost in the same breath, placing them at the pinnacle of Japan’s martial tapestry. Stories circulated of samurai from the Showa era, men such as Kenichi Sawai who, upon returning to Japan, had sculpted their unique forms of kenpo into unstoppable disciplines.

A deeply guarded system known as Chakryu Shinden Chinese Seiha Kenpo Taiki Shisei had been referenced in hushed tones. It revolved around the concept of Kosaho Riai—a principle of standing in a natural posture and using one’s structure as both a shield and sword. Attacks seemed to bounce off or veer away from the unassuming stance, as though the practitioner had become a rooted tree in a gale. The Rido-kan, as some called it, mirrored the essence of the Bidokan: a dedication to unity of spirit, body, and technique, with secrecy at its core.

Building the Bridge Between Two Worlds

In reality, the divide between the Rido-kan and the Bidokan amounts to little more than different naming conventions. Both spaces served—and still serve—as vessels for Kobayashi’s martial knowledge, which has blossomed into a remarkable synergy of orthodox Chinese boxing and Taiki Shisei Kenpo. As with any storied tradition, once students prove their commitment to the fundamentals—stances, breath control, and mental focus—they move on to advanced concepts like the “fly” form, the practice of intercepting or redirecting an opponent’s attack in an almost weightless fashion.

Kobayashi frequently references Kenichi Sawai’s legendary demonstrations, where Sawai’s head (which, according to lore, was “harder than a wooden sword”) could be used as an unconventional yet devastating weapon. At its core, Taiki Ken emphasizes not letting the opponent retain structural integrity: “If you don’t break it, it will come,” says Kobayashi, underscoring that martial combat is a constant dance of giving and taking away stability. If you leave your opponent’s stance, spirit, or line of attack unbroken, they will attack again. It’s a simple but powerful axiom that resonates through all advanced martial arts.

Training Under the Canopy of Tradition

Strolling into Bidokan on a typical training day, one might see a circle of students standing motionless, eyes half-closed in ritsuzen, or standing meditation. The instructor quietly paces, adjusting postures with a nudge here or a tap there, guiding each disciple to awaken an internal awareness that words alone cannot convey. Later, these same students might practice crawling drills (hai), a physically demanding method that tests their core strength, mobility, and determination. Then come forms that combine footwork from Chinese boxing with the explosive directness of Taiki Ken. Each drill culminates in two-person work, pitting practitioners against each other in a controlled environment that still manages to feel dangerously alive.

Far from being esoteric, these methods form the bedrock of practical combat. The idea is to develop balance and rootedness so profound that even a sudden jolt from an opponent seems to dissolve at the point of impact. In advanced practice sessions, one might witness a student launch a powerful strike at Kobayashi, only for him to redirect or absorb the force effortlessly, sending the would-be attacker stumbling. No fancy spin kicks, no telegraphed movements—just raw, refined power guided by decades of mastery.

Sincerity Reaches the Heavens

If there’s a guiding philosophy that brings all these threads together, it’s found in the name Taiki Shisei Kenpo itself: sincerity reaches the heavens. That sincerity underscores every facet of training—sincerity in one’s stance, breath, gaze, and intention. It’s about being honest in your limitations and then systematically dismantling them, forging yourself into a vessel worthy of carrying centuries of martial heritage.

Kobayashi embodied this principle from the moment he entered Sakurakoju Kazutaka’s fold at sixteen, maintaining it through his apprenticeship with Kenichi Sawai, and onward as the overseer of Bidokan. In many ways, the sincerity principle also resonates in the teaching style. There is no room for theatrics or illusions. If a stance is flawed, the instructor corrects it. If a student’s mindset is clouded, the training reveals it. The forest training at Meiji Shrine that Kenichi Sawai championed was not just about physical conditioning; it was a spiritual journey, a testing ground for sincerity in the face of grueling adversity.

A Legacy Continues

Today, Bidokan stands as a beacon for those seeking something beyond the commercial flash of modern competitive martial arts. While mainstream dojos often chase spectacle—focusing on high-flying kicks or bombastic marketing—Kobayashi has made it his life’s work to honor the memory of the two masters who shaped him. By maintaining strict standards and never compromising on authenticity, he ensures their teachings endure. Students at Bidokan learn more than how to strike or throw: they learn how to stand, breathe, and ultimately, how to live with purpose and fortitude.

In merging Sakurakoju Kazutaka’s Chinese orthodox boxing with Kenichi Sawai’s Taiki Shisei Kenpo, Kobayashi Naoki has forged a truly unique path—one that straddles centuries-old traditions and modern practicality. From the echoing footsteps in the dojo halls to the morning dew collecting on the grass at Meiji Shrine, each breath in training serves as a reminder that sincerity, discipline, and the relentless pursuit of skill remain the bedrock of true martial mastery.

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Li Jianyu uniquely blends Chinese calligraphy, and Yi Quan, embodying the wisdom of Wang Xiangzhai. Li Jianyu's fascinating journey involves early martial arts training, Western studies, and a career in Chinese Medicine. His advanced Qigong skills led to significant contributions in healing systems. Integrating disciplines Li Jianyu uniquely blends Chinese calligraphy, international symposiums, and Qigong, embodying wisdom from Wang Xiangzhai's poetry. He emphasizes merging healing and martial arts, nurturing the spirit, and synergizing Qi cultivation. Building the framework I’m noting a structured flow for an essay on Li Jianyu, integrating key themes like Yiquan, TCM, Qigong, and traditional Chinese concepts, ensuring logical progress and coherence. Crafting the essay I'm mapping out a structured essay on Li Jianyu, covering early life, Yiquan introduction, philosophy, TCM, and achievements, and concluding with a list of relevant keywords. An Extended Essay on Master Li Jianyu Throughout the 20th century and into the new millennium, China’s rich martial heritage has continued to flourish, shaped by extraordinary individuals who have devoted their lives to its study, practice, and dissemination. One such figure is Li Jianyu (also rendered as Li Jian Yu or Li Jiang Yu), born in 1924 in Beiping (present-day Beijing). Over the decades, Master Li has become an influential force in the realms of Xingyi, Yiquan, Qigong, and Traditional Chinese Medicine (TCM). His lifelong dedication to unifying the healing and martial components of internal arts stands as a testament to the depth and flexibility of Chinese traditions, while his international work underscores the timeless value of these practices. Early Life and Initial Training Li Jianyu’s story begins in 1924 in Beiping, during a period of significant political and cultural change in China. At six years old, he commenced his martial arts journey under Tang Fengting, a renowned master of Xingyi in the city’s southern district. Despite his young age, Li displayed unwavering commitment, often walking several kilometers every day—rain, shine, or snow—to reach his teacher’s home. This decade of persistent training laid the cornerstone of his formidable skill set. Even today, well into his eighties, his steps remain lively yet grounded, an echo of his early discipline and a testament to the enduring power of consistent practice. At seven, Li enrolled in the American College of Beiping, where he studied English for two years. Though it was a relatively short period of formal language instruction, this early exposure to English would later enable him to communicate effortlessly with international students—particularly older practitioners in their sixties and seventies—when he conducted Qigong and healing seminars across Europe and the United States. From Xingyi to Yiquan By the time he turned nineteen, Li Jianyu sought to deepen his understanding of internal martial arts. He, therefore, took up the study of Yiquan under Wang Xiangzhai, recognized today as one of the foremost pioneers in developing a systematic internal martial art that emphasizes intent and awareness over codified forms. Wang’s theory focused on the harmonious interplay of “relax” and “contract”, often referred to as “open” and “close.”

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Taikiken was introduced to Japan by Kenichi Sawai, who studied under Yiquan founder, Wang Xiangzhai. Extended Essay on the 2012 Remastered Taikiken Kihon for Self-Training Taikiken is a unique internal martial arts system that emphasizes the harmony of mind, body, and the natural environment. Rooted in Chinese Yiquan philosophy and further developed in Japan, Taikiken offers a method of training that transcends mere physical exercise. Instead, it hones an innate connection to one’s surroundings—known as “the Feel”—and brings practitioners closer to a state of natural awareness. The 2012 remastered Taikiken Kihon for self-training is a comprehensive set of fundamental movements designed to deepen this connection while cultivating physical power, stability, and mental clarity. 1. The Essence of Taikiken Taikiken was introduced to Japan by Kenichi Sawai, who studied under the famous Yiquan founder, Wang Xiangzhai. Sawai adapted and refined Yiquan principles, naming his art Taikiken, which can be translated to “Mind-Body Fist” or “Body-Spirit Fist.” The central focus is on developing ki (vital energy) and uniting mind and body through simple yet profound exercises. Unlike many external martial arts, Taikiken relies on deep sensitivity training, where the practitioner works to directly perceive and harmonize with inner energy as well as the environment. 2. The 2012 Remastered Kihon for Self-Training The “2012 Remastered Kihon” refers to a structured yet flexible curriculum designed to serve both beginners and advanced practitioners. These exercises are distilled from decades of martial wisdom, maintaining Taikiken’s core ideals while polishing each technique for modern-day practice. The kihon (basic exercises) typically emphasize: Standing Postures (Ritsuzen) Standing in stillness, focusing on breath and alignment. This foundational practice builds internal strength and heightens awareness. Walking Exercises (Shili) Slow, deliberate movements that train balance, coordination, and the transition of energy through the body. Dynamic Drills (Hakkei) Explosive exercises to harness internal power and project it externally in a focused manner. Sensitivity Drills (Push Hands Adaptations) Although Taikiken has its own interpretations, the core idea is to remain responsive and adaptable, sensing an opponent’s energy and intention. Through these kihon drills, self-training becomes both a meditative and energetic journey. By continuously refining posture, breath, and mental focus, the practitioner begins to experience subtle shifts in awareness, culminating in a deeper sense of harmony with oneself and the environment. 3. The Mind-Body Connection One of the most profound aspects of Taikiken practice is the emphasis on mind-body integration. Rather than relying solely on muscle strength, the focus is on directing one’s internal energy in alignment with the body’s natural structure. This fosters: Improved Coordination: Each movement is initiated from the center, allowing energy to flow smoothly from the legs, through the torso, and into the arms. Enhanced Mental Clarity: The meditative quality of Taikiken, particularly in ritsuzen standing, leads to calmer thought processes and increased focus. Stress Reduction: By bringing the mind to rest within the body, Taikiken training naturally helps dissipate tension, promoting relaxation even as the physical body becomes stronger. This unique synergy of meditation and physical engagement is what grants Taikiken its deep transformative power. Over time, practitioners develop a heightened intuition and sensitivity to their own body, as well as to the subtle cues of the environment or training partners.

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Taikiken Master Iwama Norimasa is one of the foremost students of Grandmaster Kenichi Sawai. In the world of Japanese martial arts, few disciplines capture the essence of mind-body integration as profoundly as Taikiken. Developed by Grandmaster Kenichi Sawai after his extensive training in Chinese Yiquan, Taikiken focuses on cultivating internal power, intuitive movement, and an unwavering fighting spirit. One of the most respected inheritors of Sawai’s profound teachings is Iwama Norimasa, a direct student who has continued to uphold and expand the art’s unique legacy. In the accompanying video, we are privileged to witness highlights of Iwama Norimasa’s intense training sessions, offering a rare glimpse into the foundational principles and applications that define Taikiken. Historical Roots and Grandmaster Kenichi Sawai Kenichi Sawai originally encountered Chinese martial arts during his travels and was deeply influenced by Wang Xiangzhai’s Yiquan. Returning to Japan, Sawai adapted these teachings, interweaving them with traditional Japanese budo principles to form a new system—Taikiken. Central to this art is the concept of developing strong internal energy (ki) through standing meditation (zhan zhuang), dynamic movement drills, and close-contact sparring exercises. Sawai’s method emphasized not only physical strength but also mental clarity, awareness, and a heightened sense of spirit. When training under Sawai, Iwama Norimasa absorbed these values and methods, and has since dedicated his life to both preserving and sharing Taikiken. Iwama Norimasa’s Martial Journey Iwama Norimasa is widely recognized for his unwavering devotion to Taikiken’s core philosophies. As a direct student of Grandmaster Sawai, he inherited an authentic lineage that has remained faithful to the original vision while continuously refining training techniques for contemporary practitioners. In his teaching, Iwama Sensei stresses proper structure and alignment, developing a relaxed yet powerful stance through which practitioners can generate explosive force in strikes, kicks, and grappling applications. Under his guidance, students focus on the subtle union of mind, body, and spirit. Iwama Sensei often speaks of “listening” to one’s opponent—a skill cultivated through the deep awareness cultivated in standing meditation. By learning to sense the opponent’s intent and energy, a Taikiken practitioner can effectively anticipate attacks and maintain a fluid, dynamic defense. This strategic mindset underpins Taikiken’s broader philosophy of “effortless power,” where the body’s natural strength is harnessed without unnecessary tension. Training Highlights in the Video The video highlights of Iwama Norimasa’s training showcase several core components of Taikiken practice: Standing Meditation (Ritsuzen) – This posture is fundamental, teaching practitioners to ground themselves, align their structure, and develop internal awareness. Through consistent practice, one’s mind and body become more relaxed yet powerful, forming the basis for Taikiken movement. Footwork and Body Shifting – Taikiken footwork emphasizes freedom and adaptability. Iwama Sensei’s fluid steps reflect the art’s intent to remain agile and responsive to an opponent’s attacks and positions. Spontaneous Applications – In drills and sparring segments, you’ll notice how Taikiken encourages natural, reflex-driven movements. Unlike regimented kata found in many traditional arts, Taikiken fosters a continuous, improvised engagement. Partner Drills and Sensitivity Training – Working with partners allows practitioners to refine their ability to read energy and structure. Iwama Sensei demonstrates subtle techniques that disrupt an opponent’s balance or leverage their momentum to neutralize attacks. Throughout these highlights, the passion and dedication of Iwama Norimasa shine through. Each movement is rooted in the deep concentration and internal power that define Taikiken—emphasizing that true martial ability transcends mere physical strength.

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Taikiken masters Kenichi Sawai & Yoshimichi Sato's intriguing anecdotes to craft an engaging narrative. master Wang Xiangzhai, founder of Yiquan. Intrigued by Wang’s focus on sensory awareness, internal power, and natural postures, Sawai immersed himself in rigorous training that tested both his patience and his fortitude. Upon returning to Japan, Sawai carried with him the seed of what would blossom into Taikiken. The name itself—“Taiki” often translated as “great spirit” or “great energy,” combined with “ken,” meaning “fist” or “boxing”—hinted at the emphasis on harnessing internal energy and channeling it through martial applications. Taikiken wasn’t merely about explosive kicks and punches. Instead, it demanded a refined sense of awareness, relaxation, and subtle power development through standing meditation, also known as “Ritsuzen.” Practitioners would stand motionless for extended periods, focusing on grounding themselves and feeling the ebb and flow of energy through the body. This introspective element differed from many martial arts styles, which tended to emphasize dynamic drills and sparring. For Sawai, stillness was the crucible in which true strength was forged. But Taikiken’s story is more than just Kenichi Sawai’s personal journey. A martial art, after all, is only as enduring as the torchbearers who come after its founder. Enter Yoshimichi Sato, a man who followed in Sawai’s formidable footsteps and expanded on them to fit modern contexts, transcending generational gaps. Sato’s training began at a young age, spurred on by a desire to discover the same wellspring of inner resilience and outward power that he’d heard of in Sawai’s teachings. Growing up, Sato watched countless demonstrations of what, at first glance, appeared to be simple exercises of standing still, breathing deeply, and making small, deliberate movements. Yet, he sensed something profound hidden behind these seemingly minimalist routines. Under Sawai’s careful tutelage, Sato learned that mastering Taikiken is akin to coaxing lightning from a calm sky. All the power in the world, he discovered, lay dormant inside, waiting to be unleashed by mindful training. It required devotion to the basics—standing meditation, slow-motion shadowboxing, and partner exercises that tested one’s ability to generate and redirect force. All the while, Sawai stressed the importance of humility and composure. For him, Taikiken was as much a personal, spiritual journey as it was a martial pursuit. By the time Sato inherited the mantle of leadership, he had developed a teaching style that combined Sawai’s traditional methods with insights gleaned from modern sports science. This enabled a broader range of students—from younger enthusiasts eager to test their mettle, to older practitioners seeking a gentler yet effective means of self-defense—to benefit from Taikiken’s many facets. Whether demonstrating lightning-fast strikes or calmly guiding newcomers through standing meditation, Sato embodied the ideal blend of discipline and approachability. He understood that what worked for Sawai’s generation needed to be adapted, not diluted. You could find him showing advanced combat applications to seasoned martial artists one moment, and patiently teaching correct breathing to a beginner the next.

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The Legacy of Wang Yufang: Preserving and Promoting the Art of Yiquan and Daughter of Wang Xiangzhai. Throughout her life, Wang Yufang has contributed to the global recognition of Yiquan by supporting students and instructors in their quest to understand this complex internal martial art. Her efforts have ensured that her father's legacy remains vibrant, respected, and untainted by commercial distortions. The Philosophy of Yiquan Through Wang Yufang’s Teachings In Wang Yufang’s teachings, the core philosophy of Yiquan is consistently emphasized: the power of intent (Yi), the importance of relaxation (Song), and the ability to generate explosive energy (Fa Jin) through inner alignment rather than muscular strength. She encourages practitioners to develop a deep awareness of their bodies through standing meditation and dynamic exercises that foster natural movement and adaptability. Rather than rigid, stylized techniques, Wang Yufang emphasizes the importance of formlessness—being able to adapt one's responses in combat and in life. In this way, Yiquan becomes not just a martial art but a lifelong practice of self-mastery. Bridging Tradition and Modernity One of Wang Yufang’s most notable contributions is her work in making Yiquan accessible to diverse audiences. As martial arts traditions face increasing commercialization and dilution, she has taken steps to protect Yiquan’s integrity by working with traditional masters and select modern teachers who understand and respect the art's roots. Her efforts to document Yiquan’s history, methods, and philosophy have also had a significant impact. Publications, interviews, and seminars led or inspired by Wang Yufang have introduced countless new practitioners to the art of Yiquan while preserving its rich, nuanced teachings. A Living Heritage For Wang Yufang, Yiquan is more than a set of techniques; it is a way of life. Her life's work is a reflection of the martial art's emphasis on balance, self-awareness, and the continuous refinement of both the body and mind. In honoring her father’s legacy, she serves as a living bridge between past and present, between tradition and innovation. As Yiquan continues to gain recognition around the world, Wang Yufang's contributions remind us of the importance of lineage and authenticity. Her story underscores the significance of preserving cultural heritage while allowing it to evolve naturally through dedicated practice and understanding. Whether you are a martial artist, a historian, or someone interested in the depth of internal arts, the life and teachings of Wang Yufang offer invaluable insights into the enduring power of Yiquan—a martial art founded not only on technique but on a profound connection to life itself.

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The Taikiken page shares its super dvd for individual Training and Natural Tuning in free Nature. Discover the Grace and Power of Taikiken: Master Kenichi Sawai’s Legacy in Martial Arts

In the serene embrace of nature, where the rustling leaves whisper secrets of ancient martial prowess, a unique discipline unfolds its graceful yet potent form: Taikiken. As a subdiscipline within the vast universe of martial arts, Taikiken stands out not merely for its techniques but for its philosophical depth and the personal journey it offers practitioners. At the heart of this movement is Master Kenichi Sawai, a luminary whose dedication has immortalized Taikiken in both practice and literature.

Master Kenichi Sawai’s commitment to Taikiken transcends mere instruction; it is a celebration of an intrinsic martial heritage. “I am proud to be part of a martial arts tradition as long as that of Ta-ch’eng-ch’üan,” he proclaimed, echoing the sentiments of historical martial masters. Ta-ch’eng-ch’üan, or Taiji Chuan, with roots in the profound traditions of Da Cheng Quan and Yi Quan, provides a philosophical backbone that Taikiken intricately weaves into its fabric.

Sawai’s journey into Taikiken is deeply influenced by the teachings of Wang Hsiang-ch’i, also known as Wang Xiangzhai. A legendary figure in martial arts, Wang emphasized the essence of ki, the life force energy, stating, “No matter, if you hear ki, explained a thousand times, you will never understand it based on explanations alone. It is something that you must master on your own strength.” This philosophy is the cornerstone of Taikiken, where the mastery of ki is not taught but experienced, forging a personal connection between the practitioner and their inner strength.

In 1976, Kenichi Sawai published “Taikiken: The Essence of Kung-fu,” marking a seminal moment in martial arts literature. As the first Taikiken book available in English, it opened the doors for a global audience to explore the depths of this unique martial discipline. The book delves into the essence of Taikiken, emphasizing that there are no fixed forms. Unlike many martial arts that adhere strictly to predetermined sequences, Taikiken encourages individual expression and adaptation. This flexibility ensures that each practitioner can develop movements that are inherently natural and effective for their unique body dynamics.

The training in Taikiken is built upon the pillars of Zen and Hai, fostering an environment where mental clarity and adaptability are paramount. In the dojo, practitioners are not confined to rigid movements; instead, they are encouraged to perfect their Zen, achieving a state of calm and focus that allows for complete freedom of movement when facing an opponent. This philosophy is pivotal because, in real combat, the ability to move freely and adapt instantly is far more valuable than memorizing static forms.

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Wang Xiangzhai: The Poet-Kickmaster Who Redefined Martial Arts

In the vibrant tapestry of Chinese martial arts, few names resonate with the profound impact and revolutionary spirit of Wang Xiangzhai. Born in 1885 in the Shenxian district of Hebei province, Wang was not just a martial artist but a poet whose lyrical genius and scientific mind coalesced to reshape the very essence of combat. His journey from a sickly child to one of the greatest martial geniuses of the twentieth century is a story of resilience, intellect, and unwavering dedication.

A Prodigious Apprenticeship

Wang’s foray into martial arts began at the tender age of eight, under the strict tutelage of his Uncle Guo Yunshen, a renowned Xingyiquan master. Despite initial reluctance due to his uncle’s own physical ailments, Wang’s exceptional intelligence and relentless work ethic won him the mantle of a worthy successor. Their bond was forged in the rigorous practice of Zhan Zhuang, or standing meditation—a foundational element that Wang would later elevate to new heights. This early training not only restored Wang’s health but also honed his innate martial prowess, making him a formidable fighter by his teenage years.

Guo Yunshen’s mentorship was both strict and visionary. He emphasized the importance of inner cultivation over mere physical prowess, a philosophy that deeply influenced Wang. As Wang later articulated, the right combination of student, teacher, and art was crucial for genuine progress—a principle that guided his entire career.

Early Triumphs and Trials

Wang’s martial journey was punctuated by significant challenges that tested and ultimately validated his skills. At sixteen, he famously defended himself and his father against a bandit ambush, demonstrating his formidable strength and strategic acumen. Another notable incident involved his encounters with young monks, whom he effortlessly bested, further cementing his reputation as a martial virtuoso.

However, Wang’s path was not without personal struggles. His departure from home at 22, driven by disciplinary conflicts, led him to Beijing where his martial talents were soon recognized by a military captain. This encounter not only secured him a position as a martial arts instructor but also introduced him to a life enriched by both poetry and combat.

The Quest for Knowledge

Wang’s insatiable thirst for martial knowledge took him across China, engaging with masters from various disciplines. His time at the Shaolin Monastery was particularly transformative. There, he forged a deep friendship with Monk Henglin and absorbed invaluable teachings from Abbot Benhong. These experiences broadened his understanding of Xingyiquan and laid the groundwork for his future innovations.

One of Wang’s most pivotal encounters was with Xie Tiefu, a reclusive Xinyiquan grandmaster. Despite being defeated in multiple bouts, Wang’s perseverance and humility earned him Xie’s mentorship, resulting in significant personal growth and mastery. These interactions across northern and southern China not only enhanced his technical prowess but also deepened his philosophical insights into martial arts.

Discovering the Dunhuang Legacy

Wang’s exploration led him to the ancient Dunhuang caves, where he uncovered Buddhist texts and art that predated many martial traditions. These discoveries provided a historical and spiritual foundation that Wang meticulously integrated into his own practice. The revelations from Dunhuang reinforced his belief in the unity of mind and body, a cornerstone of his philosophy.

His collaboration with Huang Muqiao, who reconstructed the ancient “Health Dance,” was another milestone. This partnership not only enriched Wang’s techniques but also solidified his conviction in the importance of mental cultivation over physical form.

Revolutionizing Martial Arts: The Birth of Yiquan

Wang Xiangzhai’s most enduring legacy is undoubtedly the creation of Yiquan, a system that stripped away the ornate forms of traditional martial arts to focus purely on the cultivation of the mind. By eliminating the emphasis on movement patterns, Yiquan encourages practitioners to harness their inner strength and respond naturally to any situation. This radical approach challenged the status quo, sparking both admiration and controversy within the martial arts community.

Wang’s critique of traditional martial arts was scathing yet insightful. He argued that the obsession with forms hindered true martial development and that secrecy and authoritarianism within martial lineages stifled innovation and collaboration. His call for openness and mental discipline was revolutionary, paving the way for a more holistic and accessible martial practice.

Dominating the Dojo: Domestic and International Challenges

In Shanghai, Wang’s reputation soared as he effortlessly defeated countless challengers, including prominent European and Japanese martial artists. His bouts were not merely contests of strength but demonstrations of his superior mastery of Yiquan’s principles. The legendary encounters with fighters like the Hungarian World Featherweight Champion Inge and Japanese martial artist Kenichi Sawai showcased Wang’s unparalleled control and strategic brilliance.

These victories were not just personal triumphs but symbolic of Yiquan’s efficacy and Wang’s visionary approach. His ability to transcend cultural and stylistic barriers underscored the universal applicability of his system, earning him respect and followers both domestically and abroad.

Facing Political Turbulence and Legacy

The political upheavals of mid-20th century China posed significant challenges to Wang’s mission. The rise of the Communist regime forced him to curtail his teachings to focus on the health aspects of Yiquan. Despite these restrictions, Wang remained steadfast in his research, further exploring the connections between Yiquan and traditional Chinese medicine.

Wang’s final years were dedicated to refining his teachings and ensuring that his revolutionary insights would endure. His passing in 1963 marked the end of an era, but his legacy continued to influence martial arts practitioners worldwide.

Enduring Influence and Timeless Wisdom

Wang Xiangzhai’s contributions to martial arts extend beyond his technical innovations. His emphasis on mental cultivation, natural movement, and the integration of ancient wisdom with modern understanding has left an indelible mark on the martial arts landscape. Yiquan remains a testament to his genius, inspiring countless practitioners to seek the harmony of mind and body.

Wang’s life story is a powerful reminder of the transformative potential of dedication and intellect. From his humble beginnings to his rise as a martial arts luminary, Wang Xiangzhai exemplified the true spirit of a warrior-poet, blending physical mastery with philosophical depth. His legacy continues to flourish, nurturing the growth of martial arts as a path of both physical excellence and spiritual enlightenment.

As the martial arts world continues to evolve, the principles established by Wang Xiangzhai remain as relevant as ever. His vision of a martial art that prioritizes the mind’s role in physical practice challenges practitioners to look beyond mere technique, urging them to cultivate inner strength and adaptability. In honoring Wang’s legacy, the martial arts community not only preserves a rich heritage but also embraces a future where the true essence of combat lies in the harmony of mind and body.

Wang Xiangzhai: A Legacy of Strength and Spirit

Wang Xiangzhai’s story is more than a chronicle of martial prowess; it is a narrative of intellectual curiosity, philosophical depth, and unwavering commitment to redefining ancient art. As the world continues to celebrate his contributions, Wang remains a beacon of innovation and inspiration, embodying the timeless principles that elevate martial arts from mere physical discipline to a profound journey of self-discovery and mastery.

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A Rising Force: The Story of Iken, Taiki-ken, and the Evolution of Modern Martial Arts

In a modest training hall tucked away in Saitama, Japan, a small group of dedicated martial artists gathers each morning. At the head of the room stands Son Ritsu, the honorary director of the Kyokushin Kaikan Saitama branch and chairman of the International Iken Association. His posture is calm yet commanding, his presence radiating the quiet confidence that comes from decades of rigorous study. The group of students bows deeply, ready to begin their practice. On this particular morning, they will explore the art of Iken—an ancient Chinese martial art with deep historical roots that have influenced and intertwined with the evolution of karate, Taiki-ken, and the broader world of fighting disciplines.

It’s a journey that began nearly a century ago. In the mid-1920s, a visionary named Wang Xiangzhai devoted his life to understanding the essence of Chinese martial arts. Traveling across China for about 20 years, Wang sought out the best teachers and the most gifted students, accumulating knowledge and forging friendships that would shape his practice. In time, he developed a system he called “Iken,” which soon captured the attention of martial arts enthusiasts throughout China. Wang’s commitment and accomplishments led to him receiving the title “Taisei-ken” from his contemporaries—an honor that acknowledged the brilliance and integrity of his approach, an approach that insisted on going beyond rote technique to embrace a deeper, more universal foundation of power, stability, and agility.

By the time Wang Xiangzhai turned 60, his reputation was formidable, drawing admirers and challengers from both near and far. One of those challengers was Sawai Kenichi, a determined Japanese martial artist with a string of victories under his belt. Having defeated numerous fighters in China, Sawai felt he had little left to prove—until he crossed paths with Wang. In their first meeting, Sawai was thrown instantly, the sheer ease of Wang’s power jolting him to his core. Undeterred, he tried again and again, only to be swept aside each time. Sawai’s pride quickly gave way to awe, and he resolved to become Wang’s disciple, forging a teacher-student bond that would bring Iken to Japan.

Sawai Kenichi took Wang Xiangzhai’s art and introduced it to the Japanese martial arts community under the name “Taiki-ken.” The 1920s were a turbulent period for combat sports in Japan, with many new schools and techniques vying for prominence. Karate in particular was on the rise, and its power and philosophy resonated with a wide audience—thanks in large part to figures like Oyama Masutatsu, founder of the Kyokushin style. Sawai, who had befriended Oyama upon returning to Japan, occasionally instructed at Kyokushin dojos, sharing the inner workings of Taiki-ken. It wasn’t long before Royama, one of Oyama’s devoted followers, sought Sawai’s guidance, as did other prominent branch managers in the Kyokushin organization.

Royama’s journey took an intriguing turn when he immersed himself in Taiki-ken’s practice methods. Impressed by what he learned, Royama rose to become a 7th Dan (Denshi) in Taiki-ken and eventually reconnected with Iken, seeking to study it in its purest form. Over time, he realized that the subtle, fluid movements of Iken might be the key to unlocking deeper layers of power, precision, and balance in karate. Slowly but surely, he integrated Iken’s principles into his own teaching, demonstrating to students around the world that the line between Chinese and Japanese martial arts might be more blurred—and more fertile—than initially assumed.

In the morning classes under Son Ritsu’s watchful eye, the training starts with Ritsuzen—the standing meditation that underpins both Iken and Taiki-ken. The students are told to imagine a “kamifusen,” or paper balloon, lightly suspended between their arms. The goal is to maintain a posture and alignment that would neither crush nor drop this imaginary balloon. Knees slightly bent, back extended, hips tucked just enough to align the spine properly—this is what they call “standing like a tree.” It may look simple, but the challenge is profound. Over time, practitioners discover the blossoming of internal power, a sharpened sense of balance, and an unshakeable mental calm that can be harnessed in a split-second burst of force.

When the morning session ends, the training continues in the afternoon with more rigorous exercises—rolling heavy rollers across the ground to strengthen the core, pounding sandbags to cultivate a steel-like resilience in the fists and forearms. While these methods might seem mundane compared to flashy kicks or spectacular throws, they form the bedrock of a fighter’s prowess. The seasoned students joke that sometimes it feels like building a house from the foundation up, day after day, hour after hour. The difference is, the “house” is the human body—and Iken’s nuanced instructions ensure that no stone remains unturned in the quest for martial perfection.

Royama, who once wondered if there was anything left to learn after leaving the Kyokushin organization, rediscovered his hunger for growth when introduced to Samaji, a fabled karateka known to have defeated dozens of rowdy street fighters all by himself. With an unassuming demeanor, Samaji shattered Royama’s assumptions about what “strong” truly looked like. Their first match ended almost before it began. For Royama, it was a reminder that martial excellence resides not in flamboyant displays, but in precise technique, strategic insight, and mastery of body alignment.

In reflecting on all these lessons, Royama often returns to Oyama Masutatsu’s pioneering spirit. At the Oyama Dojo, karate was never treated as a static art form, but rather as a fluid system that could absorb elements from various disciplines. This willingness to embrace new ideas set Kyokushin on a path of constant evolution. The rigorous kumite that Kyokushin is known for, the punishing leg kicks, the famous 100-man fights—these all stemmed from a mindset that respected tradition yet refused to remain bound by it. It’s a spirit that resonates powerfully with the philosophy of Iken, which Royama believes is more than just another style of Chinese kung fu. To him, Iken is a universal practice method—a living, breathing foundation that can help practitioners discover their innate potential, regardless of their primary style.

If there is a defining hallmark of Sports Illustrated-style journalism, it’s a focus on the human narrative behind the athlete. And the story of Iken is rich with human drama—Wang Xiangzhai’s relentless travels across China, Sawai’s humbling defeat and subsequent devotion, Royama’s search for the next step after leaving the established path, and, finally, Son Ritsu’s quiet but passionate mission to unify these threads under a single banner. Whether they train in a polished dojo in Tokyo or a dusty open lot in the suburbs, Iken’s students share the same intangible drive—to understand the roots of power in the body and how to unleash it gracefully in combat.

Standing at the cusp of tradition and innovation, Son Ritsu sees himself as a guardian, ensuring that Wang Xiangzhai’s vision remains alive. Under his stewardship, the Saitama and Jonan branches of Iken uphold the founder’s teaching methods, all while embracing an international community of fighters who come to train. Indeed, modern martial arts are less siloed than ever; cross-training is now the norm, and champions from different disciplines often borrow from one another. In this environment, Iken’s emphasis on internal power and strategic positioning feels more relevant than ever, particularly for those with backgrounds in full-contact karate styles like Kyokushin. The synergy that emerges from combining the explosive techniques of karate with the subtle, fluid energy of Iken can breathe new life into an athlete’s repertoire, granting them advantages that purely external systems may not offer.

And so, each day at dawn, a select few gather under Son Ritsu’s guidance, arms outstretched, paper balloon floating in their imaginations, bodies rooted like centuries-old oak trees. It’s not a scene of swirling acrobatics or high-voltage strikes—those come later. Instead, it’s a silent testament to the pursuit of martial clarity, a chance to experience what Royama once felt when he faced Samaji or when Sawai squared off against Wang Xiangzhai. It is, in essence, the pursuit of something at once timeless and ever-evolving—pure martial artistry.

From Wang Xiangzhai’s travels through China, to Sawai’s cross-continental revelations, to the modern transformations happening in Saitama and beyond, Iken has survived by adapting and growing. Much like Sports Illustrated has chronicled the odysseys of heroes in countless sports, we look upon the story of Iken as more than just a chronicle of technique. It’s a story of passionate individuals thirsting for knowledge, forging bonds across cultures, and pushing the boundaries of physical and spiritual discipline.

As the training hall finally empties late in the afternoon, there is a palpable sense of achievement in the air. Each drop of sweat on the tatami floor tells a tale of self-discovery. And perhaps that’s what martial arts have always been about: forging resilience, instilling humility, and helping us strive for continual improvement. In an age where new methods and fads crowd the marketplace, the enduring traditions and philosophies of Iken remind us that sometimes, to move forward, we must first ground ourselves more deeply, hands hovering around a delicate paper balloon, hearts open to the broader world of wisdom, waiting to be discovered.