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i-hate-accidents · 5 months

Text

i hate accidents: the beginning

femme!reader x benedict bridgerton, femme!reader & the bridgerton family, femme!reader & penelope featherington

summary: the adventures of a working class femme who befriends a fellow writer, a boisterous family, and a bewitching second eldest son

sections: I. the beginning / II. the between / III. the ball

y/n: bipoc, she/her, afab, nonbinary femme, queer, working class, of immigrant parents

content warnings: classism, mentions of financial survival, microaggressive sexism, microaggressive gender assumption, positive/supportive families, allusions to alcohol abuse in [I.viii]

word count: 13.9k (of 38.8k)

story context: everything in s1 and s2 of the tv series is canon for this story except for the s2 epilogue with the bridgertons. this story takes place leading up to and into the 1815 season.

additional notes: this story is incomplete. scenes that are not written are described in chevrons <> with third person pov or are delineated by isolated ellipses. additionally, the author has only watched s2! she has not watched any of s1 aside from clips, and they have not read the books aside from quotes used in edits. they have not yet watched queen charlotte. the author kinda knows the gist of an offer from a gentleman; they are familiar with sophie beckett (and are excited to meet her/them in the tv series!).

author’s note: this is the first time the author has written fanfic in 13-15 years. :) it is her hope that they have made some progress since her pre/teens. additionally, this fanfic has been written, on and off, over the course of two years. the author sincerely hopes you find some sort of joy in it, especially the readers who maybe hope to see themself a little more specifically in the world we so love.

reading tip: whilst the author is proud of it, she understands the intro to the first section is long. if you wish to get more straight to y/n and benedict's story, the author suggests jumping to [I.ii]. they won't be offended that you did heh.

𝄆 ⚘ ✸ I.i ✸ ⚘ 𝄇

you do not know how you got here.

well, that is not true; you quite literally walked from the markets and followed the directions that penelope had given you, but you did not think those directions would lead you here.

this is a mistake. i must have taken a wrong turn, gone up instead of down, made a left when i should’ve taken a right.

or perhaps this is a dream? yes! that has to be it! a dream! i must have lulled off and dreamt myself here, for whatever reason. once i close my eyes and open them again, surely i will be at home, or the markets, or the workshop even. surely!

so, you close your eyes shut.

you had been walking about the markets on your non-work day, some weeks ago, browsing the wares you wouldn’t (and couldn’t) buy, eavesdropping on any conversation of intrigue, observing the bustle of the crowd going about their day, mindlessly thinking of the next thing to write, daydreaming—when you had collided with someone. they had let out a squeak, their materials flying out of their hands, as you had fallen on your back, thankfully not hitting your head. in your periphery, you had seen how the person had crawled to your side and looked at you with urgency and concern.

“i am so sorry!” their voice was pretty. sweet and lovely. you lifted yourself up a bit to see the person you had collided with. they were also pretty— beautiful, red-haired, and hooded in blue.

their eyes widened.

“er, i meant,” they spoke again, but this time with an— irish accent? their voice was still sweet and lovely but very distinctly irish and distinctly different from their voice mere moments before. “are you hurt?”

“i am all right, thank you.”

“very well,” they said, still in their irish accent, “then i must be going—” and they shot themself up and turned, you assumed, to run away.

“wait! you’re a writer, yes?”

as you had hoped, the person in blue froze. they slowly turned to you again, apprehension and intrigue in their eyes.

“how do you know?” their voice was mangled between their two accents.

“unless you pluck birds for fun,” you stated as you collected the scattered materials they had dropped in the collision, “these are quills.”

you stood up, approached them, and held out their quills to take, offering a smile. the stranger took the quills and put them in their bag. they returned their eyes to you and returned your smile.

“thank you,” they responded in their english accent.

“i know how precious those are, so i am very glad to see they won’t go to waste. well, they wouldn’t have gone to waste either way; i would’ve taken them if you hadn’t turned around.”

that caused the person in blue to laugh.

“i assume you are a writer?” they inquired.

you don’t know what had overcome you; you don’t know why you had been so trusting of this stranger, especially with something such as your writing, but you had been. you reached for your then most recent, folded up quarto, kept between your bosom and your blouse, and offered it to the stranger to read. they took it, shifted their eyes from line to line, turned it to read the crossed lines, and then looked up at you, beaming.

“this is brilliant!— oh, forgive me; i did not even ask for your name.”

“y/n,” you extended your hand. “and you?”

the stranger seemed to stiffen but quickly relaxed themself, taking your hand in theirs and shaking them. they beamed still, but something of their smile had grown quietly mischievous.

“can you keep a secret?”

when you open your eyes, you huff out a breath in a poor attempt to assuage yourself from the reality of your situation: you are not dreaming. here you are—you—at grosvenor square.

you knew of your friend’s circumstances as she had shared it: she is a noble lady, a third sister of the featherington family, who has been writing scandal sheets of high society’s romps and happenings since her ‘debut,’ as she had put it (you hadn’t understood how she had used that word and became further confused upon her explanation of it), under a pseudonym called lady whistledown. penelope has been kind enough to let you read her sheets, and you find it ridiculous what these high society persons do for their lives and utterly brilliant with what wit, snark, and compassion even penelope commentates on that world.

but you did not ever, ever think that she would bring you to it, let alone into it. when penelope had said that you were to meet her most beloved friend, you had thought it would be in an obscure alley or a room hidden behind a bookcase in an unassuming shop—not the literal neighborhood in which she, and presumably her friend, lives! by your posture, by your clothes, by your very existence, it is blatant how much you do not belong here.

i should run. i am going to run.

and so you turn and start—

“y/n!”

—when you hear the sweet voice of your friend. you scrunch your eyes closed, inhaling and exhaling through your nose, and turn around and see penelope in a picturesque green dress, lifting up her skirt with gloved hands, scurrying down the pavement of her neighborhood towards you, beaming. despite the anxiety that rages within you at this very moment, your heart swells upon seeing your friend in such enthusiastic spirits, and you smile despite yourself.

“good day, pen.”

she takes hold of your bare hands in her gloved ones and gives them a squeeze. perhaps she can discern your nerves because you start to feel yourself calm ever so slightly by her gesture.

“i am so glad you are here,” she says.

“i am—— glad to see you,” you then lower your voice. you do not know why; it is not as if your lowered voice will help conceal your existence in this place. “are you certain i am permitted to be here?”

letting go of your hands, penelope swats at the question.

“the bridgertons and i care not about such things.”

“the— bridgertons?”

“yes!” she turns and gestures to the grand brick house with wisterias. “it is at their home, after all, in which we will be spending our time together.”

your jaw drops.

“we are staying inside the house? not simply meeting outside the house?”

this is not a dream. this is a nightmare.

penelope returns her eyes to yours, and it startles you with what tenderness she gazes at you.

“i understand that you are fearful, y/n. i had presumed you would not have come if you had known we would be here. but i would not have led you to bridgerton house if i did not think you would be safe here. the bridgertons are the most inviting, kindly family of the ton— of high society,” she amends upon seeing your confusion at the word ‘ton.’ their name for their world, it seems. “eloise has assured me that we shall be in her bedchamber for the entirety of our time together. and if you wish to leave, for any reason, at any point, i shall accompany you, and we shall leave together.”

with closed eyes you heave a sigh through your nose. you flutter your eyes open and offer penelope a weak, but sincere, smile.

“very well.”

penelope squeaks in excitement, taking hold of your hand once more, giving it another squeeze of encouragement, and leads you towards this bridgerton house as she so called it. she raps at the stately door thrice with great eagerness, seeming to knock in perfect tandem with your beating-too-quickly heart.

an elderly man opens the door, about to greet penelope and her guest, when a young femme shoves herself through the opening.

“thank you, giles!” she calls out as if the man is across the road and then looks at you, ferocity in her eyes. it ought to unnerve you, the whirlwind force of this stranger, but it doesn’t. you just return her gaze with a large, albeit a bit bemused, smile.

“penelope has shared so much about you,” the stranger states and takes hold of your hand. “let us get inside!” and yanks you into the house. she turns, looking straight ahead, and barrels forward, pulling you with her.

as the fiery femme seems to soliloquize excitedly to herself, you look back at penelope who merely wears an amused smile at her friend’s antics as she follows behind.

“oh!” the femme exclaims suddenly. she halts you both and sharply turns to you, still gripping your hand, grinning. “my name is eloise. eloise bridgerton.”

“y/n y/l/n.”

“excellent. now! with introductions all sorted—”

and she turns and barrels you both right, rather than heading straight ahead to the grand staircase as you had presumed she would.

“eloise—” eloise’s fervency had provided a reprieve to your anxiety, but the confusion in penelope’s voice puts you back ill at ease, “where are you—”

“it’ll take just a moment, worry not, pen!”

eloise leads you down a hall, noises and voices of all sorts coming from an entrance to a room, growing louder and louder as you approach until they reach the peaks of their volume as eloise halts you both once more, to your mortification, at the entrance of that very room.

“family, penelope, y/n, and i shall be in my bedchamber. we have much to discuss. please do not bother us,” eloise proudly announces to the entirety of the room.

silence falls. all eyes—and there are many eyes—are on you.

oh, my god.

you turn to penelope. her overall manner is calm and composed, but you can see the disquiet in her eyes. she peers into you, the apologetic look conveying, i did not know this would happen.

you turn back to the family.

a lady. a lady of older age. two gentlemen with a difference in age. a boy. a girl, the youngest amongst them.

how is it with a house this massive in the middle of the city that the entire family is present in this one room? well, the room is the size of the two floors of your home combined, if not larger, so in that sense it is sound—but your question still stands.

this has to be the entire family. surely. there are so many of them. this has to be the entire family. yes?

“no talking, no music playing, no fighting?” inquires a droll voice walking into the room, “has someone—”

you turn your head to follow the source of the voice and make contact with dumbfounded ocean eyes.

butterflies flutter in your stomach.

oh.

shit.

“y/n, this is my second eldest brother, benedict bridgerton,” eloise states. “benedict, this is my friend, y/n y/l/n. do not bother us once we are in my bedchamber.”

he stares and blinks at you but then assumes a gentlemanly posture and bows his head.

“it is a pleasure to make your acquaintance, miss y/l/n.”

without any forethought you start to extend a hand to benedict until you hear penelope give a slight cough only you, she, eloise, and he can hear. receiving the hint, you retract your hand and pretend to swat at your skirt.

“err— yes. likewise.”

another cough.

“mis, ter?— brid… ger?—ton,” you articulate with complete and utter uncertainty of how this world’s introductions function.

he cocks his head and furrows his eyebrows at you, something like amusement playing at his features. he wears a lopsided smile that he is barely attempting to conceal. his expression should be infuriating. and it is. but, it is... charming, too. and welcomed.

you have never felt more embarrassed or more pleased in your life.

shit.

“before the three of you retreat to eloise’s bedchamber,” declares an authoritative voice, breaking your reverie. you turn away from ocean eyes and see the lady of the room approaching you. much to your surprise, she smiles. to an even greater surprise, her smile seems sincere. “i must insist that i introduce myself and the rest of the family to our guest.

“i am viscountess kathani sharma bridgerton, the lady of this house,” she curtsies with perfect elegance. “it is a delight to welcome you to our home, miss y/l/n.”

“thank you for having me— lady bridgerton. and you may call me ‘y/n.’ you need not use such, uh, formalities with me.”

“very well; then you may call me ‘kate.’”

you furrow your eyebrows. she had introduced herself as ‘kathani’ but now asks you to call her ‘kate.’ it makes you think of mama and papa; they shared with you once how they had chosen to go by different names upon emigrating to england. when you had asked why, they simply replied that it would be easier for others in this country to address them.

“may i call you ‘kathani’ instead?”

surprise flashes over the dignified demeanor of the viscountess. she regards you with softness in her eyes.

“yes. yes, you may.”

resuming her full composure, kathani guides you to the eldest of the gentlemen and introduces him as her husband, viscount anthony bridgerton, the lord of the house. he offers you a small smile with a bow of his head and greets you ‘good day.’ you try not to wince at his decorous use of ‘miss’ with your first name, but you suppose it is merely in these people’s natures.

kathani continues and leads you to the lady of older age, introducing her as dowager viscountess violet bridgerton. she dips into a lovely curtsy and, on her rise, gazes upon you with a gentle smile. you feel compelled to respond in kind, but it would certainly not be as graceful as hers, and worse, she may interpret your slovenly attempt as a lark. so, you refrain.

the viscountess next introduces you to mister colin bridgerton (you summon all your self-restraint to keep your countenance neutral—this is the boy who hurt penelope); then to mister gregory bridgerton (he bows so ceremoniously towards you, you cannot help but be endeared by his resolve); and lastly to miss hyacinth bridgerton.

“why are you dressed like that?” she inquires.

“hyacinth!” the dowager viscountess reprimands. she must be her mother. she sounds like a mother. it reminds you of how your mama reprimanded you and your siblings as little ones; the memory and the exchange make you hold back a laugh.

“what! what did i say wrong?”

you ought to feel self-conscious, your lower standing brought into further display to everyone in the room, but you detect neither malice nor judgment in the young girl’s voice. just genuine curiosity. so, you smile.

“my family and i have different means to clothes, amongst other things. i wear these when i work or go about my day. though,” you regard your attire and then— hyacinth?, feeling the glimmer in your eye, “it makes for running around and playing make-believe quite easy.”

“make-believe! gregory, do you hear that! miss!— miss—“ she turns to you with a cocked head.

“y/n.”

her eyes shine once again.

“miss y/n plays make-believe! we must play!” hyacinth latches onto your hand and, with remarkable strength for a child who cannot be older than two and ten, pulls and drags you towards the entrance of the room. “come along, gregory! wouldn’t want to be the last one there!”

“no fair! you cheated!” the second youngest shouts back, dropping all previous ceremonies, and scrambles towards the entrance.

“hyacinth! y/n is not your playmate! she is here with me and penelope!”

“plans do change, dear sister,” hyacinth retorts. eloise’s jaw drops, and the rest of the family bursts into laughter. the entire exchange warms your heart. in so many ways, they are so proper, so wealthy, and yet they are not all so different from your own family. they seem to really care for one another.

“when did you get so smug!” eloise shoots back.

“small wonder where she could’ve learned that from,” you hear colin, the traitor, murmur. turning your head, you see him give amused, pointed looks to eloise and kathani. the latter grins wickedly, and her husband beams at her with pride.

“there are only so many hours in a day!” hyacinth complains. you face her once more, still holding her hand.

“what about this? i will play with you and your brother for an hour, and then i will be with your sister and penelope for my remaining time here. i want to honor the wishes of each of my new friends.”

hyacinth considers this with much theatricality to her expression. she then grins.

“that is an excellent plan,” she remarks, looking to eloise for her thoughts. you follow her line of sight. eloise rolls her eyes and sighs, but a smile rests on her lips.

“very well, then.”

feeling peace restored, you smile in return and, in doing so, in your periphery, catch the ocean eyes of the second eldest brother. benedict. he is looking at you. why is that? you feel your cheeks flush and the tips of your ears heat. his gaze is somehow gentle and intense and indecipherable all at once, and the flutterings in the pit of your stomach grow, and intensify, and start to overwhelm you—

when you are tugged back to reality with a tug forward.

–

< hyacinth leads y/n through the house to the gardens with gregory by her side. y/n is both uneasy and in awe of the things she sees. eventually, they arrive in the gardens. y/n notices two swings hanging off of a large branch of an old tree and is utterly endeared by the sight; it confirms what she has been thinking: though the bridgertons are wealthy, they are warm and welcoming.

< just as hyacinth declares that she has found a suitable spot for make-believe, two male voices ask if they may join. hyacinth, gregory, and y/n turn and see benedict and colin approaching. colin shares that though y/n seems lovely, it would be unwise of the family to leave the two youngest with a stranger; though y/n agrees with his family’s caution, she refrains from wanting to strangle the person who hurt her friend.

< gregory whines and asks if they can begin before eloise complains. hyacinth agrees and says that they need to assign characters. y/n suggests that hyacinth should be a sorceress and gregory should be a knight; these proposals delight the youngest bridgertons. y/n volunteers herself as the villain and decides to be a banshee; she turns to the elder bridgertons and asks what they wish to be.

< before they have a chance to respond, hyacinth proposes that benedict should be the princess who has been captured. benedict indignantly asks why, and hyacinth simply states because he is the most sensitive of the family. sensing how the sibling argument is about to evolve, y/n intervenes and suggests that, like a sensitive princess, perhaps benedict is merely in tuned with his emotions, even amidst adversity; it is, in its own way, a compliment. benedict’s eyes become indecipherable upon the comment, but he wears a small sincere smile. gregory then proposes that colin is y/n’s changeling henchman.

< make-believe ensues, and it is very sweet and very silly. eventually, gregory is called in for latin tutoring and thanks y/n for the fun with a deep bow; hyacinth is called in for pianoforte lessons. >

hyacinth launches herself at you with a hug. pulling back from the embrace, she beams.

“we must continue when you return next!”

before you can even start to reply, she turns and skips off towards the house. you hear how gregory makes a comment about coming in first, and suddenly the youngest bridgertons are in a race against one another, shouting taunts and insults. you can’t help but smile.

“they seem to quite like you.”

your smile falls. you turn and face towards the two elder bridgertons, the traitor being the one to have spoken.

“colin bridgerton,” you begin, “yes?”

he smiles and nods. you surge forward and shove your finger into his face, his smile now wiped.

“if you ever hurt penelope again, i shall make certain that it is the last time you ever do. do i make myself clear?”

when he does not respond, you repeat yourself, and he slowly then quickly nods. satisfied, you turn towards ocean eyes and point your finger at him.

“and you look after him.”

“what did i do?”

“be a proper elder brother and serve as an example for your misguided sibling. understood?”

“i— yes. of course. understood.”

you smile again.

“wonderful. i am glad we three are in agreement. it was good speaking with you, gentlemen. good day.”

you turn away and start to walk towards the house.

“i quite like her too,” and you hear the restored smile in the third bridgerton’s voice. “what about you, brother?”

you hasten your steps towards the house. though mere moments before you had felt emboldened and brave, you fear hearing benedict’s response. you do not why.

–

< eloise, penelope, and y/n extensively discuss literature and writing; upon talking about women writers, y/n shares how she does not fully see herself as just a woman. >

“so, what are you?”

you wince. you have kept good on your promise and joined eloise and penelope in the former’s bedchamber, but you are swiftly wishing you had been able to stay with hyacinth, gregory, colin even, and benedict. you had attempted to explain an aspect of yourself to eloise but not to very much fruit, it seems. you want to hide and escape and run from this place—

“eloise.”

—when penelope comes to your defense.

“what? what is it?”

“perhaps you could have phrased your question with more tact and thoughtfulness.”

eloise looks between the two of you, concern flooding her eyes.

“did i— did i not?”

penelope turns to you.

“are you comfortable to answer?”

“i would prefer that i didn’t.”

you hope that your eyes are sufficient enough to convey the immensity of gratitude that you feel towards penelope in this very moment.

“y/n,” begins eloise, “i did not realize—”

“and what are you three gossiping about?”

you jump, penelope squeaks, and eloise growls a noise of exasperation. turning towards the voice in the doorway, you are visited, once again, by the third and second bridgerton siblings.

“and what makes you think we are gossiping?” demands eloise, “because we are w— people?”

you feel the corners of your mouth tug upward. at least she is trying. wanting to keep the attention on benedict and colin rather than yourself, however, and with genuine curiosity, you cock your head at the two gentlemen.

“do you two always come in a pair?”

“not always,” replies benedict. and he smiles at you, “today is merely a special occasion.”

stupid butterflies.

“speaking of such,” colin proceeds. “kate has requested that the three of you join the family in the drawing room.”

< the five of them make their way to the drawing room. kate shares that, on behalf of the family, she would like to invite both y/n and penelope to dinner. though at first honored to have been invited, upon hearing “dinner,” y/n realizes how late it has become and looks out the window: the sun is halfway set. she apologizes and says that she cannot stay because she resumes work the next day. her latter statement renders some of the people in the room confused, but kathani states how she understands and that y/n is welcomed to join dinner whenever she visits.

< seeing how confused y/n is, anthony shares that y/n is welcomed to visit their home whenever she is able and whenever she would like, and the rest of the family pipes in with how delighted they would be if she does. not knowing how she deserved such kindness from people who were mere strangers at the start of the day, y/n thanks the bridgertons and says that she would love to. penelope chooses to stay for dinner and says that she will see y/n next week. y/n affirms that she, and the bridgertons, will.

< kathani and benedict offer to escort y/n to the entrance. y/n walks down the steps and passes the gate but, before she goes, takes one last look at number five until next week and sees benedict still in the doorway. y/n notices, but reprimands herself for perhaps imagining it, that his smile grows when his eyes lock with hers. with flutterings in her stomach, y/n offers a wave. he gives a small wave back. she turns and goes, smiling all the way home. >

𝄆 ⚘ ✸ I.ii ✸ ⚘ 𝄇

“benedict has been making more appearances as of late,” penelope remarks.

the three of you all look up—you and pen from your writing, eloise from her reading—to see benedict entering through the doors and heading towards the other side of the drawing room. he looks over at you— at you all and offers a smile before he plops himself down onto a chaise and begins to draw.

“yes, it is strange,” eloise considers to the two of you. “for so long he had been moping about, locked away in his bedchamber aside from mealtime or the occasional visit to the drawing room. he’s even picked up his charcoal again.”

“again?” you inquire, averting your gaze from the artist to your friend. “had he stopped prior?”

“he had entirely put it down after—” eloise sighs. whatever memory she has recounted, it does not seem to be a pleasant one. you look to penelope; you sense that she shares a similar sentiment by the sad look in her eyes. you are curious but you choose not to press.

“it has been quite some time since he’s last drawn. but now, whenever i see him, whether in his bedchamber or the billiards room or some other room in the house, he’s drawing. he frequently arrives to mealtime with charcoal stained fingers—much to the chagrin of mama and anthony.”

you all laugh. benedict looks up at you three, and from here you can tell he wears a curious expression, no doubt wondering what you are laughing about. when he exaggeratedly arches an eyebrow, eloise just makes a face at him. benedict rolls his eyes, smiling, and for the briefest moment, you feel as though he is looking at you. but you’ve always had an active imagination. when you blink, he has returned to his drawing, a smile still on his lips.

“i wonder what has changed?” eloise softly says, still looking at benedict. for all her fire and spirit, you see how deeply she cares for her second eldest brother.

“perhaps he has found a muse,” penelope poses rather than queries. you shift your gaze from eloise to penelope, and you’re curious about her expression. she seems... delighted? benedict finding his passion for art again does sound delightful; you know firsthand how difficult it is to pick yourself up from a slump. but that’s not what she seems delighted by. she just looks at you. with a soft smile. why? what does benedict have anything to do with you?

you feel your cheeks and the tips of your ears flood with warmth. you don’t know why, but penelope’s expression unnerves you, in a pleasant sensational way.

you clear your throat.

“i am happy for him,” you say, returning to your quill and folded quarto, haphazardly writing down whatever words come to your mind.

ocean. charcoal. smile. flutters.

shit.

it is not until what feels like an uncharacteristically long moment later that you hear penelope resume her writing and eloise resume her reading. you try not to imagine what they could have silently exchanged with your gaze averted.

𝄆 ⚘ ✸ I.iii ✸ ⚘ 𝄇

you suck in a sharp breath and shoot out of your seat.

“you do not!” you shriek, hastening towards kathani, eloise, and the stack of books they have just settled onto the table. you had arrived early to the bridgertons’ home, at the invitation of kathani, so early that the rest of the family seems not yet to be awake.

(which is strange, you find, as it is nearing 8 o’clock. most mornings, at this time, you are already well into the bustle of work.)

kathani had prefaced, rather enigmatically, that she and eloise had a surprise they wished to share with you. you had your suspicions as to what it could be related to, and with each passing moment, you are suspecting, very excitingly!, that you are very correct.

“indeed, we do,” kathani grins and gestures to the stacks.

taking no hesitation to the offer, you grab from the top of a stack and open to the title page.

the dramatic works of william shakespeare. vol. 2: a midsummer night’s dream / the merry wives of windsor / much ado about nothing.

you shriek again, this time accompanied with hops of excitement, flipping to the final third of the book.

“much ado! this is the one i’ve read!”

dorothea, a fruit seller, had offered a copy of it to you (at a lowered price, she had emphasized) when she had learned of your liking to stories. she grandly stated that she had started to write down the dialogue during low-attendance performances at the theater and then brought her handiwork to be typed and printed at a not-to-be-named press. but if the pages’ handwritten annotations alluded to anything, you suspected that she had managed to purloin a performer’s copy of the script. you felt a bit of pity for the poor performer who misplaced it, but you respected, and still respect!, dorothea’s moonlighting.

you shoot your head up from the book and are greeted by the grins of your two friends. “which one has romeo and juliet?”

this past autumn you had overheard several candlemakers at the markets animatedly discussing the ‘incandescent’ portrayal of the titular character by an actress from ireland. a performance, described as ‘incandescent’ by candlemakers! embodied by a storyteller who has emigrated here! hearing all those wondrous things made you insatiably curious to one day read the text that made such wondrous things happen.

“i believe,” eloise says, pulling the second from the bottom of a stack, “it is this one.”

you twitch your fingers; you have to refrain yourself from snatching the book from your friend’s hand. when it is in yours, you open to the title page and feel your eyes, along with your smile, widen.

“it is, it is! oh, this is extraordinary!” you flip furiously to your desired page and, once you find it, start to read,

prologue. two households—

—when you hear kathani say, “we had thought of starting with that one.”

that makes you rip your eyes away from the words and look up at the two ladies.

“‘starting with’?”

“when eloise, penelope, and i learned of your eagerness to read shakespeare,” elaborates kathani. her saying that makes you flush; you had not realized with what apparent enthusiasm you had spoken of the poet. “the three of us had discussed that the four of us could read his plays together. if you would like, of course.”

your jaw drops. you cannot help the squeal that emits from your mouth. hopping once again in your excitement, you throw yourself at your friends and wrap your arms around them both.

“if i would like! i would be delighted!”

you pull back from your hug with the two ladies and are greeted by gleaming eyes and wide grins. you feel how your expression matches theirs. it has only been a little over a month of your friendship with eloise and kathani, and the rest of the bridgertons at number five, but they each have somehow found a way to carve themselves out in your heart. and if this most recent kindness by eloise and kathani indicates anything, perhaps you have found a way to carve yourself out in each of theirs.

(and you promptly ignore the thought of what that could possibly mean for ocean eyes and charcoal-stained hands, flutterings within you be damned.)

“how shall we allocate the book?” you say aloud out of genuine inquiry and a deep desire to revert your heart, mind elsewhere. “shall we read passages aloud and then pass it on to the next reader?”

< eloise makes a remark that indicates her confusion at y/n’s question. kathani, who is more privy to the situation, shares how she has her own copy as do eloise and penelope. the stack that they’ve brought is an extra set that the bridgerton house has that y/n can use. this perplexes y/n. she cannot understand how a household can have multiple copies of a book, let alone copies of a whole anthology of many books. before y/n can doom-spiral into thinking, penelope arrives at the entrance of the drawing room. reading of romeo and juliet commences.

< just as y/n finishes reading the scene in which romeo and juliet meet for the first time at the capulet ball and then kiss, y/n notices in her periphery benedict approaching the four. kathani remarks how unusually early he is to be awake and ready for the day; y/n notes to herself how there seems to be some sort of mischief in the viscountess’s smile. >

𝄆 ⚘ ✸ I.iv ✸ ⚘ 𝄇

“i shall be y/n’s teacher,” the viscount declares.

“you were adamant on her not fencing, and now you are insistent on being her teacher?”

“it would be hardly appropriate, colin, for two young unmarried men to be in such close proximity to a young unmarried lady, as proximity of teacher and student in fencing would require.”

“are you always this— antiquated?” you inquire.

that earns a snort from kathani. anthony, looking betrayed, turns to his wife; she merely shrugs in reply, mirth shining in her eyes. he turns back to you, eyebrows deeply furrowed and mouth fully frowning.

“and what do you insinuate by that!”

“are you so distrustful of your own brothers, the ones for whom you have served, and still serve, as a model, that you think they would take advantage of me in such a situation—”

you sense how the eldest bridgerton is about to retaliate and arch a severe eyebrow at him in response; you refuse to be interrupted.

“or are you so unbelieving in persons of feminine dispositions that you think i shall be compromised by the mere closeness of a body different from my own sex?”

there is a silence, and though you cannot see them as you stare down the viscount, you can feel how the others exchange delighted glances with one another and hold back their laughter.

“you have two choices, my lord,” you offer.

“neither of them are suitable! and do not call me ‘my lord’!”

“is that not the proper way to address you?”

“it is, but you—!” he huffs out air through his nostrils, like an indignant dragon in a fairytale; it is a very silly, very amusing sight. “we have not even begun the lesson and you are already the most exasperating student i’ve ever had!”

you turn to colin and benedict, grinning.

“you two must have been saints then.”

“would you expect any less?” colin grins back.

your wide smile remains intact until your eyes fall on the expression of benedict. you are entirely uncertain of what emotion he could be possibly feeling until he seems to realize where he is, and how you are looking at him, and breaks out into a brilliant smile with matching brilliant ocean eyes. you quickly snap your head away from him, ignoring the fluttering of butterflies summoned within you upon the shift in benedict’s expression, and turn to anthony.

“shall we begin, then?”

–

it turns out that you are quite the quick learner when it comes to fencing. after putting on a fencing vest that had previously belonged to benedict—

“because you are the shortest of the three of us, brother,” remarked colin after the second son inquired why it had to be his former vest that you were to wear. benedict scrunched his nose and eyebrows in displeasure. (perhaps you should have taken offense to his opposition, but it was truly of no personal consequence to you and the reaction it created in him was truly adorable.)

“i am not!”

“you are, indeed,” anthony deadpanned.

“prove it!”

and the three eldest sons of the esteemed bridgerton family stood next to one another, comparing their heights. you turned to kathani, eloise, and penelope.

“are they always like this?”

“idiotic?” eloise deadpanned, sounding remarkably like her eldest brother.

“indeed, they are,” grinned kathani.

—over your blouse, you are immediately put to lessons. anthony explains the basic concepts of fencing and then demonstrates elementary strikes and parries, occasionally adjusting your stances to the proper forms. noting how quickly you took to the lessons, he calls for a match between the two of you to observe how you would apply your skills in combat.

“you are retaining information exceptionally well, as well as executing the techniques rather impressively,” states your teacher as you deflect his strike. you try to hide your gladness in his praise as you smirk and push his blade away with the terzo of yours.

“ah, so my sex is not a detriment to my abilities; that is good to know.”

you hear snickers and snorts from around you.

“i said nothing of the sort!”

“did you think it?”

your opponent frowns further, slightly turning his head away from you to steal a glance at his wife. he turns back to you.

“i did,” he admits defeatedly.

“it takes a true man of honor to rise up to his folly,” you remark honestly, as you strike anthony’s arm with the tip of your sabre. loud cheers burst from the onlookers and an aghast but proud look emerges on the countenance of your teacher; you grin, “and a fool to leave his defenses so easily open.”

impressed by your display of sport, and seemingly overcoming his antiquation, at least for the moment, anthony decides that you will match against colin and then benedict.

“how are you to improve if you are to face the same opponent?” claims your teacher with his usual air of annoyance, but you detect his pride in your accomplishment.

it is also decided that the matches will end when one scores a point.

and so, you face colin. it is easy to keep pace with him, not due to lack of skill on his part but complete and utter determination on yours. you tried to convince yourself, in the beginning of your match, that the remnants of your anger towards the third bridgerton brother, and how he treated your friend, did not fuel your determination to score the point— but it did and does. and successfully so, as you strike colin in his left shoulder. perhaps you do it with too much force as the strike reels him off balance (and perhaps you are delighted that it has done so), but he quickly resumes composure and flashes you a grin.

“i see more and more everyday why you and pen are friends.”

that softens your heart. you should be dubious of his charming remark, but you aren’t; it is too sincere, as is he, and you begin to see, even if minutely, why penelope cares for him.

“she has good taste in the company she keeps, i’m learning.”

that makes him laugh, as it does the others, and you look over and see how pen’s countenance shines with joy. that is enough to put your anger towards colin at ease, and turning towards your defeated foe once more, you return his smile and bow your head. bowing his head in kind, colin leaves, and in his place arrives your next and final opponent; he is smiling like a boy.

“best for last?” he remarks as he prepares his starting position. you roll your eyes, ignoring the warmth that starts to fill the center of your chest.

“this shall determine that,” and settled in your starting position, you and benedict begin your duel.

you have observed something of the eldest bridgerton brothers in your matches against them. anthony struck like fire, bombastic and ferocious. colin stood his ground like earth, his guards resolute. and benedict—

benedict moves like water. free. fluid.

as if he is dancing while dueling.

both you and he have reached a stalemate. you have managed to parry every one of his strikes, and he has managed to deflect every one of yours. you can feel how those watching are holding their breaths, waiting for someone to land the point.

you try not to startle when you hear benedict’s voice as you guard against his strike.

“it takes quite an astonishing person to earn the praise of anthony bridgerton.”

“are you so surprised that i am such a person?”

“quite the opposite, y/n,” he catches one of your strikes and grins at you. “i think you are entirely perfect in that regard.”

you roll your eyes once again but cannot help the blush that you feel spread across your cheeks as you push back his sabre with yours.

“do you honestly think charm will win you the point?”

“do you find me charming?” you ignore the heat that creeps up your neck and the voice in your head that has already answered his question far too quickly for your liking. “no, i do not think so lowly of such a formidable foe.”

and he winks at you.

and somehow, without you realizing how you got there, benedict strikes the center of your chest.

“but a little distraction does help.”

his point earns a round of groans and bleats from the crowd. instead of looking offended, benedict just laughs and approaches you, gloved hand outstretched, a boyish smile once again on his face. despite your loss, you cannot help but smile too. you place your gloved hand in his.

“it was a pleasure to duel with you.”

“yes. likewise.”

perhaps you imagine it, but you feel his thumb swipe against the side of your hand. it is featherlight, hardly felt with both your and his hands gloved, but felt nevertheless. before you can process the sensation any further, he lets go of your hand. with another smile, he bows his head at you as the crowd of people approach you both, penelope raving about your matches, eloise expressing her wish to fence now, anthony already commenting on what you could do better in your next match.

and without you realizing it, you gently swipe against the side of your gloved hand.

𝄆 ⚘ ✸ I.v ✸ ⚘ 𝄇

"mama? papa?"

it is a rare occasion when you, mama, papa, and your sibling eat together, and an even rarer occasion to do so for a second meal, but this night was such a night. the three of them halt their conversation and look over to you.

"how did you know you were in love with one another?"

there is a small silence, but then, without looking at one another, they smile in tandem.

"it was at first sight, really, for me,” your papa says as he offers his hand to mama. “as trite as that sounds."

mama takes his hand into hers.

"i as well."

"when i looked into your mama’s eyes, i knew that something was different. that my life had changed."

"for the better, dearest?"

papa laughs heartily.

"no, actually. it has been misery ever since."

you and your family laugh as mama playfully slaps at papa’s hand. it warms your soul every time they do this, when they tease one another and are light because of the other. it makes you believe in love each time.

mama and papa lace their fingers together again, smiling, still gazing at one another. as if it is just the two of them in their own world. mama, turning her smile from papa to you, speaks again.

"the flutterings in my stomach wouldn’t quiet, and they only intensified as we approached closer to one another that day and grew closer to one another with time."

she looks nostalgic until something mischievous quickly overcedes her countenance.

"why do you ask, my dear? has someone captured your eye?"

"or, better yet, your heart?" papa tags along.

ocean eyes and charcoal-stained hands flash by in your mind.

"no!" you say too hastily. "no, of course not. it’s— for one of my writings, is all."

you repeatedly poke at your bit of boiled chicken to avoid any further inquisition from your parents’ gazes.

–

sat by your window, you stare up at the night sky when the voice of your sibling infiltrates your dreaming.

“it’s one of the brothers, isn’t it?”

you whip your head over to them. they don’t even look at you; they are preparing for bed.

“pardon me?”

“is it the artist brother?”

“what!”

fluffing their pillow, they smile.

“so i am correct.”

“i didn’t even say anything!”

“that is not true. you said ‘what.’”

“that reveals nothing!”

pleased with the setting of their bed, they ruin their work by plopping their bottom onto it as they finally face you in what you realize now is a confrontation.

“of course it doesn’t, the word on its own. your reaction, however? could not be more transparent of your feelings.”

“i have no feelings!”

“is that why you asked mama and papa about being in love? because you have no feelings and you need to be told what they are?”

“i!—— i am going to bed!” you lift yourself up from your seat at the window sill, turning away from the peace of the night sky, and crash onto your bed. you lay on your side, faced towards the wall, refusing to make eye contact with your sibling. you lift up your sheet with too much force and lay it over your body and head. “good! night!”

after some silence, you hear the creak of your sibling’s bed and, a moment later, feel a featherlight touch on your upper arm. you give it a thought, and perhaps against your better judgment, you lift off your sheet, turn, and are greeted by the gentlest of expressions from your sibling.

“i think it is wonderful, y/n. whoever it is, they are very blessed to have your affections.”

your heart swells. you love your sibling.

“how did you know it was the artist brother?”

“so i am correct!” they smile with a shrug. “i deduced based on how much you’ve been writing about paint and charcoal as of late.”

you almost shoot upright from your bed.

“you’ve been reading my writing?”

“well, if they weren’t to be read, why do you leave them spread out on the table?”

“because there is no other place to store them!”

“and how good that is, or else i wouldn’t be able to read your fantastical stories or have been able to discover who your beloved is.”

“you are impossible!”

they kneel next to your bed and place their head on your shoulder.

“i love you too.”

you exhale the last of your frustrations, adjusting yourself a bit so that your sibling can rest their head more comfortably. without realizing, you stroke their hair, just as you always have.

“i quite like the story about the mushroom family,” they state after some time. “i’m happy that the middle mushroom child befriends the peony and then the hyacinths. i am happy they are happy.”

you feel your eyes start to drift.

“his name is benedict, by the way.”

you hear your sibling’s need for sleep in their reply.

“that’s a lovely name.”

“he is,” you murmur as the peace of the night falls over you.

𝄆 ⚘ ✸ I.vi ✸ ⚘ 𝄇

“good day!— robert?”

“good day, y/n!” and robert holds the door of bridgerton house open for you to pass.

“pardon the confusion in my greetings—”

“no offense taken on my part!” the late adolescence beams. you grin back. with how utterly enthusiastic robert is all the time, one would think it is part of some ruse. but it is not; he is just that genuinely delighted by life, you’ve observed.

“i am grateful. i had expected to be greeted by giles, is all.”

robert frowns. you feel the corners of your mouth tug downward in response, concern starting to swell your heart.

“he is ill at the moment.”

“ill! with what?”

“i know not. i had admitted the doctor perhaps not even a quarter of an hour ago. but worry not too much, y/n! from what the viscountess has shared with the servants earlier this day, giles shall make a quick recovery. and lady bridgerton has yet to be wrong in anything!”

relief floods your body. giles is of elderly age, so it calms you to hear that his ailment seems not to be too severe. and you can’t help but smile not only by robert’s sunny temperament but also by his rightful faith in kathani.

“that is all good to hear.”

“shall i announce you to the drawing room?”

“oh god no. i am quite all right, but thank you.”

“understood! then i must pardon myself; i must retrieve miss bridgerton and miss featherington.”

“‘retrieve’? are they not in the drawing room?”

“i was informed by dowager lady bridgerton, who was accompanied by miss bridgerton and miss featherington themselves at the time, that they would be in the gardens until your arrival and to retrieve the young misses upon your arrival.”

“i see. well, i shall be in the drawing room then. thank you again, robert.”

“it is my pleasure, y/n!” he beams once more and takes off to complete his task.

how odd, you think to yourself. this day seems rather unusual to the ones you’ve had thus far at bridgerton home. and it is hardly even noon! you become lost in your thoughts as you approach the entrance to the drawing room—

when you are greeted by benedict, and benedict alone, lounging with his legs thrown over the arm of a chair, staring sternly at the page he draws on.

“oh,” is all you say.

benedict snaps his focus from his book to you, his countenance transforming from deep concentration to frustration to genuine surprise in a mere moment. he scrambles up from his seat, book in one hand and charcoal in the other, posture now proper, and he bows his head.

“miss y/l/n.”

never before have you been alone in a room with a man. a gentleman. a gentleman with a handsome face, charcoal-stained hands, and beautiful ocean eyes.

you roll your eyes.

“blimey, it is just me. there is no need to bow. and why are you calling me miss y/l/n?”

benedict smiles.

“all right. y/n.”

shit.

perhaps that was a mistake.

“where has your family gone?” you inquire as you go to sit in the chair parallel to his, ignoring the flutterings within your stomach. “it is uncommon to enter the drawing room of bridgerton house and not be greeted by talking, or music playing, or fighting.”

smiling, benedict falls back into his seat and resumes his drawing.

“hyacinth is with her reading tutor; gregory is with his fencing instructor; colin is eating some sort of pastry, i am certain, in town; anthony and kate are likely— preoccupied—”

you snort; benedict’s smile grows broader as he smudges charcoal with his thumb, a small furrow in his eyebrows now forming.

“and mother has managed to rope eloise into learning about the flowers of the gardens, and eloise, being eloise, has roped penelope into doing the same.”

“and what of you?”

“and what of me?”

“why have you chosen the drawing room as your whereabouts?”

benedict cocks his head towards his drawing.

“it’s in the name of the room, is it not?”

“ah, a man of wit, i see.”

“i am a man of many attributes, y/n.”

ignore the butterflies.

“such as?”

“what attributes would win your favor?”

“so that you may lie to me and say you possess them?”

“of course not; the list is merely too long and i shan’t bore you with a soliloquy.”

“so, a man of thoughtfulness.”

“oh yes, a myriad of thoughts.”

“name one.”

“how much i am enjoying our conversation.”

and benedict shifts his ocean eyes from his drawing to you, a smile on his lips. he is being playful, but you detect no deceit in his expression. it infuriates you, really. how charming he is. how endearing. how sincere.

you return his smile.

“as am i, benedict.”

you sit in comfortable silence a moment more until benedict breaks the gaze, returning his oceans eyes and smile back to his drawing. his smile, however, does not last for very long.

“this sketch, on the contrary—”

and he rips out the paper from his book, crumples it in his hand, and throws it onto the carpet of the floor, giving his deed not another moment’s notice. he puts his charcoal to a new page in the moment next.

your smile falls.

“do you know how much paper costs?” you demand.

benedict looks back up at you with scrunched eyebrows and a smile having returned to his lips. he tilts his head.

“why? should i?” he inquires. nonchalantly. delight in his ocean eyes.

as if you are making a jest.

as if this is amusing. as if this is nothing.

it reminds you of a recent memory.

eloise had generously given you sheets of paper. hitting a stride in your writing and wanting to continue, you had asked, after much internal deliberation, if you could have a ripped half of a quarto upon running out of all negative space on your current one.

“have a foolscap. have a whole lot of them, actually,” she said easily, taking a good chunk of her stack and handing it off to you.

“eloise, are you certain?”

“of course. it is just paper, after all.”

“right. yes— of course. thank you.”

eloise hummed affirmatively in response, returning to her passage, as you stared at the small stack of foolscap in your hand. that amount of paper would have been eight months’ wage, perhaps even more.

a gentle touch of a hand on yours brought you out of your clouding thoughts. you looked over and saw penelope looking at you softly. understanding her unspoken thoughts, you held her hand and gave it a squeeze.

thank you, you mouthed.

"i must be going,” you say aloud. “goodbye, mr. bridgerton.”

you stand, turn, and quickly exit the drawing room.

“y/n. y/n!”

you hear him scuffling up from his lounge and start to follow you. you hasten your steps towards the entrance.

moments before you can open the doors of bridgerton house to the respite of the outside world, you feel benedict take hold of your wrist, stopping you in your steps, and it infuriates you how gently he does it. how you can pull away from his touch if you want to, how you can just go if you choose to. but you do not.

it infuriates you how much you want him to hold you.

you turn to face him.

“please— wait,” he breathes. “what did i do wrong? what have i done to upset you?”

you look at him incredulously. then it dawns on you.

“please. tell me,” benedict practically begs. with such softness in his voice.

it infuriates you.

“i know money is of no concern to you, or your family, or fair ladies and pretty gentlemen. but it is for the rest of us. for the rest of us who have to work to keep the ones we love fed, clothed, warmed, sheltered. that is a fact with which i have been concerned since the very moment i could think for myself. and for you—of the male sex, of pale skin, of inherited riches—it is something to discard onto the carpet of one of your family’s many houses. the paper you threw to the ground would have paid for a month’s worth of warmth for the entirety of my family’s home. and you ask me what you have done to upset me?”

he says nothing. he just looks at you, damned ocean eyes and all. gentle. attentive. like he could care; like he does care.

you feel your nostrils flaring, your blood pounding in every vein of your body. you finally rip your wrist away from his loose hold, already missing his touch.

“i shall take my leave. please give my regards as well as my apologies to eloise and penelope. goodbye, benedict.”

you turn away from him, yank the door open by its handle, and step outside, walking composedly at first, then quickly, then sprinting, then running. to be as far away from number five of grosvenor square as you possibly can be. to be far away from crumpled up paper, charcoal-stained hands, gentle touches, and ocean eyes.

you rub your wrists against your eyes.

stupid bloody tears.

stupid fucking heart.

why am i so afflicted by this? why am i crying? why do i hurt?

because i love—

no.

you cannot fall for him. he is someone you cannot have, cannot want, cannot— cannot…

it cannot happen, the two of you.

and most likely of all, you are not someone he wants. not someone who he would love. not the way you—

you are a fool for getting this far. but these feelings, they will pass. somehow. you will forget them. you will forget him. this is not the fairytales you read, not the fairytales you write. daydreams, hopes, love for a gentleman— there is a reason you are a writer.

you write the things you can never have, the things that will never happen.

you and benedict will never happen.

this is the prayer you tell yourself that evening before sleep takes you. you pretend not to be affected by the tears that afflict you as you do so.

𝄆 ⚘ ✸ I.vii ✸ ⚘ 𝄇

< y/n does not go to number five the next week on her non-work day as she had grown accustomed to. she had tried to write at her table in her home to preoccupy herself, but her teardrops were ruining what she had already written. she considers going to work to distract herself, but y/n knows her unexpected presence would be a detriment to her fellow workers’ established flow of day. she decides to go to the markets to try and get fresh air and a change of scenery and to do anything to interrupt her spiral of thoughts and emotions.

< while at the markets, y/n hears her name called and turns to see penelope in her blue cloak. y/n asks what penelope is doing here, and penelope gently replies that she can ask y/n the same thing. she shares with y/n how, the week prior, after she received news that y/n had left bridgerton house, she left to find y/n in the markets and at her workplace but to no avail.

< their conversation continues. penelope shares how y/n was missed last week; by her, by the family, by benedict. y/n tries to dismiss her words and how the past few months have been a mistake and that she shouldn’t be there with pen or the bridgertons, that she’s not meant to be in their world.

< with patience and empathy and grace, penelope gently encourages y/n to return to bridgerton house next week, and y/n, though her heart aching and reluctant, agrees because she misses them. >

𝄆 ⚘ ✸ I.viii ✸ ⚘ 𝄇

you sigh deeply.

have courage, y/n.

and you rap your knuckles twice against the stately door of number five. a moment later, the door opens, and you are greeted by a beloved grin.

“miss y/n! i have not seen you in weeks!”

you cannot help but smile back.

“good day, giles.”

“oh, where are my manners!” and the elderly doorman bows at you. you huff out a laugh, feeling how your face contorts with distaste.

“blimey, please don’t. i am not a lady, giles.”

“you could’ve fooled me, miss y/n.”

you shoot him a severe look; he merely continues to grin.

“you know of my feelings towards being called ‘miss.’”

“i am getting older; my memory frequently fails me, miss y/n.”

“and yet you’ve recalled how we haven’t seen each other in two weeks.”

“three.”

you grin.

“precisely.”

“well, it was quite the surprise when I fell ill the following week!” then giles frowns. “and it was an even greater surprise to have not seen you when i had returned the week following that.”

you look at the ground, unable to face the inquisition in his sad, kindly look, but when you bring your head back up, you manage a smile.

“it is no matter. i am here now. that is most important, yes?”

the elderly man smiles.

“yes, i suppose you are right, y/n,” and he holds the door open for you to pass.

“aside from bouts with ailment, how have you been, giles?”

“still standing upright, still opening and closing doors,” he beams without a bit of sarcasm. “and what of you? how have you been?”

“i’ve been—— well. and the family?” you say quickly, wanting to move the conversation away from you and your feelings.

“the same as is to be expected. though—”

concern starts to swell in your heart. what has happened in the fortnight you have not been present?

“mister benedict has been absolutely despondent.”

“oh,” is all you say. giles’ gentle joviality transforms into solemnity, and it makes your heart ache even further.

“on the rare occasions i do see him now, he is leaving for the gentleman’s club in the bright light of day and coming home at an ungodly hour, drunk as a wheelbarrow, wreaking of what smells like every available spirit in london. he had stopped dipping rather deep sometime ago, much to my relief, so it was an utter shock to return to my station and to see him back on the cut, and deeply at that,” the elderly man sighs. “i wonder what has happened for him to be so…” he unexpectedly turns to you, his countenance sanguine, “do you happen to know?”

you swallow as you ignore the sensation pooling in the pit of your stomach.

“no, i— i do not.”

“i see. well, whatever it might be, it is clear how much it deeply afflicts him,” and giles offers you a small, sad smile. “you know mister benedict; he has always been the most sensitive of the family.”

i do.

i do know benedict.

you clear your throat.

“do you happen to know where eloise and penelope are at this moment?”

giles cocks his head at you but is kind enough (you thank the heavens) not to press your change of topic.

“the last i had seen them, they had spoken of viewing the art gallery. do you know the way?”

“i am unfamiliar.”

he smiles again, and it makes you smile in return.

“then i am most glad to escort you there.”

–

giles opens the doors to the gallery, and ahead, in front of a portrait, you see the turnings of penelope, eloise, and—

“y/n,” he utters.

“benedict,” you breathe.

and he looks just as surprised as you are.

you look to giles, his eyes wide and mouth agape, and then to eloise and penelope. upon seeing their expressions, you feel your eyes narrow.

“ah, penelope!” shouts eloise. everyone else turns to stare at her. “with y/n’s arrival, i must change out of my, my art gallery viewing dress! and— and, into my... drawing room! sitting— dress...”

eloise scrunches her entire face in displeasure, confused by her own poorly concocted excuse. that does nothing to deter her, however, from clamping onto penelope’s wrist and barreling forward towards the doors of the gallery.

“come along, pen!” she calls out to the friend she is pulling right behind her. as they pass you, eloise gives you a strange and strained smile bearing all teeth, and penelope offers apologetic eyes and an encouraging smile.

giles looks to you, to benedict, and to the two escaping ladies. mouth still agape, all he manages is,

“i suppose— i shall see to that— miss bridgerton and miss featherington arrive to miss bridgerton’s bedchamber... safe—ly…?”

he mouths, i’m sorry!, at you before quickly bowing his head at benedict, fleeing the scene with remarkable speed for an elderly man who has recently recovered from illness, and leaving you at the entrance of the art gallery.

closing your eyes, you deeply inhale through your nostrils as you place your hand to the space between your eye and your temple. on your exhale, you wipe your hand hard against the side of your face and open your eyes, whipping your head to look at the second eldest bridgerton brother. it seems that he has been staring at you this entire time, stupid (stunning) ocean eyes and all.

“would you like to paint a picture?” you snark. “you are the artist in the room, and it would certainly last longer. or perhaps you have run out of paper?”

he does not respond, indecipherable expression unchanging, and it unnerves you how guilty you feel at goading him, at taunting him, and he merely takes it. you sigh again and cross the gallery to where he stands. resisting the urge to look at him again, as you feel his gaze still on you, you instead look at the painting ahead of you.

it is a portrait of a gentleman. with dark chestnut hair and mutton chops. he wears a blue jacket, a darker blue vest, a cream cravat, green breeches, and brown boots. a watch on a ribbon hangs from his vest; it looks familiar. he looks familiar. a benevolent smile rests on his lips.

you look at the plaque at the bottom of the gilded frame.

edmund bridgerton, the 8th viscount bridgerton.

you look back up at the painting, captured by a particular feature.

“you have his eyes.”

“his are gray; mine are blue.”

you roll your eyes but smile despite yourself. (you try to ignore the flutterings that bloom upon hearing his voice again.)

“yes, but that’s not what i was referring to. they peer into you— not with scrutiny, nor judgment, but with kindness, curiosity, compassion. an eagerness to learn about you. pools of welcoming. cool tones that radiate warmth.”

you cough, ripping your eyes away from the portrait to inspect the scuffs of your boots. you feel embarrassment spread throughout your entire body as heat creeps up your neck.

“the painter is excellent at their craft. it is as if i know him, your father.”

silence falls in the expansive gallery, the calm and kind eyes of viscount bridgerton looking down upon you and his second eldest.

“i’ve missed you.”

you snap your head up to look at benedict, your eyes making contact with his ocean ones. welcoming and warm. honest and... hopeful?

i’ve missed you, too.

“benedict, it has only been a fortnight since we saw each other last,” you respond aloud, your voice coming out so much softer than you had intended. you offer him a small smile, an olive branch of sorts. something of relief starts to fill his ocean eyes, but his demeanor does not change.

“i behaved arrogantly, and you did not deserve to be the recipient of such behavior. no one does, and i am so— i am so sorry, y/n.”

and you know he is. you resist the urge to touch his cheek, to comfort him with your caress, to selfishly have your skin touch his. instead, you look on at him.

“i do not ask you to grant me your forgiveness; i know i am unworthy of it. i just— i just wanted you to know how i felt, and feel still. and how i shall work on myself to be better, to do better.”

the butterflies in your stomach flutter maddeningly. you emit an exhale from your nostrils. the urge to touch him intensifies, and you feel yourself flex your hand to let go of the sensation. you huff out another breath, and smile brightly, sincerely, at benedict.

“well,” you begin, “with our friendship renewed, care to show me what other paintings you love in this gallery?”

benedict’s ocean eyes beam with relief and joy, a brilliant smile lighting up his face, and it takes all your self-control not to drop all discretion and wrap your arms around him in a crushing embrace.

“i would love nothing more, y/n,” he declares.

you try not to flutter your eyes closed at the words ‘i,’ ‘love,’ and your name in the same breath from benedict’s lips. at the pleasantness and home you feel in them. you smile on.

“where shall we begin, then?”

you and benedict walk together as he approaches a miniature in a wooden frame ornately carved with floral motifs. he admits that he has not the slightest clue which bridgerton ancestor this is, and that makes you snort. grinning, he points out how adeptly the artist portrayed the translucency and fluidity of the lady’s veil and how particularly impressive it must have been to accomplish such effects in paints during the early 1600s, if the remnant dating of the artist’s signature is correct. you remark how particularly impressive it is that a painting has endured two hundred years of existence, details still intact, and benedict responds simply that rich people have a way. that makes you snort again, and that makes benedict grin again.

he then leads you to a portrait of kathani and anthony, the viscountess sat in a chair with the viscount stood behind. you marvel at the painting—how much it looks like them, how much it captures kathani’s confidence, how much it captures anthony’s conviction, how much it captures their love. excitement coloring his voice, benedict imparts to you how he was given the opportunity to observe and assist the painter on the days the latter was commissioned to portray the viscountess and the viscount. he also shares with you how impossibly difficult they were as models, always giggling and kissing and looking away from the painter and talking to one another, being overall sickeningly saccharine. you chortle and share with him how that does not surprise you in the least bit. despite his annoyance upon recalling the memory, an incredibly fond smile rests on benedict’s lips. turning from his lips back to the painting, you remark how in love they are, and he remarks that, indeed, they very much are—and turns his fond smile from the painting to you.

coughing, you walk over and ask about the landscape of an enormous building. benedict names it as aubrey hall, the ancestral home of the bridgertons. you recall how you had heard of it early on in your friendship with the bridgertons; you had been unable to see them one week as they were preparing for kathani’s first ball as viscountess at the home. you also recall how the usually collected and confident kathani was anxious and uncertain during that time. benedict, beaming with pride, says how, of course, she absolutely excelled and how all of the ton—he rolls his eyes then and you guffaw—enjoyed themselves at the event. while kathani had done an unsurprisingly resplendent job, the ball was not very entertaining to benedict. he much more enjoyed the annual bridgerton game of pall mall leading up to the event. after announcing how kathani had won—much to the contradictory disappointment and delight of her husband—and answering your questions about what sounds, to you, like a very silly, very fun game, benedict suggests that you join them next year. you laugh, finding it impossible to imagine yourself at a home such as aubrey hall, particularly for the entirety of three days, but your heart swells at the invitation and the sincerity in his voice, and you say aloud how you would love nothing more.

your spontaneous tour eventually comes to an end, and the two of you make your way towards the entrance, still discussing the various art you had seen. as you and benedict walk out of the gallery, a thought crosses your mind.

“none of your work is on display.”

you notice how benedict stiffens. you feel your smile tug into a frown.

“ah, yes. i do not think my work is— up to snuff— with the work on display here.”

“horse shit.”

benedict’s jaw drops, his face aghast and regaled in reaction to what you assume is your choice of language. you merely shrug.

“you have not even seen my work!”

“i do not need to see your work when i can already see how harsh you are being.”

he scoffs, and it aggravates you.

“fine— i will show you, then, and prove to you my point.”

“fine, then! show me, and i will prove to you my point!”

–

“you are full of horse shit!”

you and benedict are in his bedchamber, where all his works are hidden away. he has shown you canvas after canvas, sketch after sketch, charcoal drawing after charcoal drawing, his palette of color ideas— and he still has the audacity to say that his work is not “up to snuff” for the bridgerton gallery.

benedict looks aghast again, perhaps by your language, perhaps by what you are (very rightly, very correctly) insisting. he shakes the canvas that he holds in his hand in your face.

“look at the proportions, y/n! they are entirely off!”

you roll your eyes, swatting his arm away, and begin to rummage through his other work. you pull a sheet and hold it up to benedict’s face.

“look at this sketch, then look at the canvas. there is a very clear, marked improvement, and with only a—” you look at the dates at the bottom right corners for confirmation, “—a difference of two days!”

“what does ‘improvement’ mean if the improvement is not even good!”

“it is good! and! improvement is everything, benedict! it is progress!”

“what—”

you and benedict jump back from one another by the sudden new voice. you had not realized how close the two of you were as you were shouting at one another, how close your faces were to one another, how close your lips were to—

a blazing heat creeps up your neck, at the tip of your ears, and across your cheeks as you turn from benedict’s flustered face to the scowl of the eldest bridgerton sibling in the doorway.

“—are the two of you doing?”

“brother! i— i was merely showing y/n my work.”

you vigorously nod your head. anthony’s glare remains unaffected.

“alone? together? in your bedchamber?”

your heart almost leaps out of your chest, your eyes about to bulge out of their sockets as you look around the room, suddenly aware of where you are. you are in benedict’s bedchamber. alone. together.

“i—” you start, very pathetically. “i—— we—”

anthony curtly bows his head at you.

“y/n, i would like to have a word with my brother. in private. please.”

“of— of course, right— of course!”

you hastily put the sketch on a nearby table and walk towards the door, pass anthony as he steps in, and are about to run down the hall and away from the scene when—

you turn and steal a glance at benedict, mustering up all the apologies you can convey through your eyes. despite the peril of his current predicament, his ocean eyes soften immediately, and a thousand butterflies erupt in your stomach and flutter around viciously. he offers you a slight smile, one that is sincere and unregretful. you offer one back, just as sincere, just as unregretful, before anthony gives you another bow of his head and closes the door.

–

“are you pleased by the results of your consorted trickery?” you state blandly upon seeing the young ladies that you thought were your friends sitting in the drawing room.

eloise looks up from her pamphlet, beaming at you, as penelope wears a wide and proud smile. well, at least they have answered your question.

“trickery?” eloise feigns. you roll your eyes; their expressions answer honestly, but their words continue their game. “i have no idea what you are referring to. pen and i were merely keen on viewing the art gallery today, and i thought, my blue-deviled of an elder brother ought to stop moping about; what better to get him to leave his bedchamber than by way of his favorite topic?”

“and his other favorite topic,” penelope adds. eloise chortles, and you feel the tips of your ears heat.

“what is that supposed to mean!”

eloise waves a dismissive hand at you.

“benedict knew nothing of your arrival, as i am sure you deduced by his surprise,” but the second eldest daughter grins wickedly. “though, from the sheer amount of time you have spent together thus far today, i am also sure the surprise was very welcomed, indeed.”

“by both parties, it seems.”

you promptly ignore the flush you feel on the apples of your cheeks. your friends are lucifer incarnate split into two.

“well, then you must be delighted to know that your shared plot has led to punitive action against him.”

that surprises them. (good. you are relieved to finally have some sort of an upperhand in this conversation.)

“‘punitive action’? by whom? for what?”

“by—”

the three of you hear a set of footsteps. you look to where the sounds are heard and see the two eldest bridgerton siblings enter the drawing room, the elder approaching you with conviction and the younger trailing behind him like a pet that has just been reprimanded. the sight would make you laugh, if you weren’t the one to have instigated the current conflict between the two brothers.

anthony stands before you, posture perfect and chin held up high.

“y/n, thank you for your patience. please allow me to apologize most ardently on behalf of my brother for his complete and utter lack of propriety. it will not happen again as i shall be more vigilant in tracking his every deed. i do hope this incident of my brother’s disrespect does not taint the beloved friendship between you and our family.”

and he deeply bows his head at you.

your jaw drops. benedict shuts his eyes tight and scrunches his face. penelope bops her gaze amongst the three of you. and eloise just howls, causing anthony to break the gravitas of his decorum and shoot a glare at her.

“it is no laughing matter, eloise!”

“it is harmless fun, brother! a pursuit of intellect exchanged between two creatives, who also happened to be by themselves. i have never heard of a baby being conceived from sharing some art.”

“ELOISE BRIDGERTON!”

you have now entirely hidden your face behind your hands; no one needs to witness the deep crimson that you are certain is spreading very rapidly across your countenance. an absurd hope also blooms in you that if you cannot see the others, then the others cannot see you.

“what ever is the matter in here?”

your eyes shoot open upon hearing the much needed voice of reason. removing your hands from your face, you see kathani enter the drawing room, a confused expression worn on her face.

“my dearest,” anthony begins, “i have offered my deepest apologies to y/n for benedict’s disgrace.”

“disgrace,” scoffs eloise, crossing her arms.

“disgrace!” reiterates anthony with increased fervor. kathani’s confusion does not lighten. she looks to benedict, whose eyes are scrunched closed again (his nose looks adorable this way), and then to you.

“are you all right, y/n?” she inquires gently.

“i—” you had intended to say, am well, but that would be a lie. you are utterly mortified. so, instead, you state the truth.

“benedict has been a gentleman. he has treated me with the utmost respect, and when he has done wrong by me— which! which has nothing to do with our being in his bedchamber!— he—” you steady your voice, determined to say this right, as you know and feel it with and in your heart, “he has corrected himself and bettered his words and thoughts and deeds.”

“you hear that, brother? no harm has been done.”

“eloise, you were not even there!”

“i believe what eloise means, anbe, is that you are being dramatic.”

“dramat— they were in his bedchamber, kathani! together! alone!”

kathani rolls her eyes, her attempt at diplomacy entirely gone.

“speak louder, anthony; just a bit more and the entire country shall hear you.”

the viscount pouts grumpily at his beloved, emitting a huff of air through his nostrils.

“you must trust y/n by her word,” the viscountess states.

“or do you not trust someone of feminine disposition to speak for herself?” eloise inquires.

“pen!”

you all snap your gazes to the entrance of the drawing room and see colin making his way to your friend in blue, followed by—

“y/n!” shouts gregory and hyacinth as they run towards you.

“y/n, penelope!” remarks violet and approaches you both. “how delightful it is to see you! you—” she says, reaching out for your hand, gently taking it in hers, and smiling kindly at you, “—in particular. it has been a moment, y/n.”

it melts your heart, really. the sincerity of affection that flows so easily from violet bridgerton. you recall the kind eyes and benevolent smile of her late husband. it is no wonder you so easily fell in love with this family; true, real love is woven into the very fabrics of each of their beings.

you look at them. hyacinth and gregory cling onto your slides, holding you tight. kathani and anthony are engrossed in debate, affection in their eyes despite the heat in their words. colin and penelope speak with and blush around one another as eloise, unknowingly (and, in your opinion, frustratingly, endearingly), butts into their conversation. and benedict. who, with the gaze of the entire room no longer on his so-called indiscretion, is looking at you. softly. with those damned, wondrous, bewitching ocean eyes. a smile on his lips that makes the flutterings in your stomach unbearingly, wonderfully unyielding.

you truly, really love this family.

you love the bridgertons.

“though,” the dowager viscountess starts.

shaking yourself out of your thoughts, you see how violet looks at the others in the room as half of them now pointedly avoid eye contact with the matriarch and the other half share a similar sentiment to her.

“is everything all right?” she turns to you, peering curiously into your eyes. “has something happened?”

you cannot help the laugh that bubbles out of you. violet seems taken aback by your reaction, as are the others in your periphery, but her eyes, as well as theirs, shine on.

“i think,” you say, smiling, “it is just another day with the bridgertons.”

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terapsina · 1 year

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Ask Game for us Self-proclaimed BOOK WORMS 📖🐛

Name the best book you've read so far this year.

Favorite fantasy book(s).

Favorite fantasy sub-genre(s). (high fantasy, urban fantasy, portal fantasy etc.)

Favorite science fiction book(s).

Favorite science fiction sub-genre(s). (dystopian, superhero, aliens etc.)

Favorite romance novel(s).

What kind of common romance tropes do you enjoy and what kind do you dislike?

Favorite queer fiction book(s).

Favorite detective novel(s).

Favorite classical literature.

Favorite historical fiction.

Favorite horror book(s).

Favorite thriller(s).

Favorite humor and satire book(s).

Which genre(s) are your favorite?

Favorite trilogy.

Favorite finished book series.

Favorite unfinished book series.

Do you read new and less known books or only the big bestsellers?

Where and how do you find new books to read?

The book(s) on your school reading list you actually enjoyed.

Favorite example of a Chosen One trope in a book.

Favorite heist story book(s).

Favorite Young Adult book(s).

Favorite Middle Grade book(s).

Favorite novella(s).

What was the first book you remember reading as a kid?

Goodreads or StoryGraph (or something else)?

How many books do you have on your 'to-be-read' list?

How many books do you have on your 'currently-reading' list?

Do you mostly read through e-reader; reading app on phone; on your laptop; a physical copy; or by audiobook?

Name your favorite author(s).

How often do you read by listening to audiobooks?

Favorite book narration voice actor(s).

Least favorite trope in your most favorite book genre.

Your absolute most favorite character(s) from any book you've ever read.

The only example of your least favorite trope being written in such a way that you enjoyed it.

How many books have you read this year?

Do you read reviews before picking up a book?

Did you ever want to be a writer?

When you get ready for a week long trip to somewhere how many books do you download/pack inside the suitcase?

Do you buy hardcover book copies for previously purchased paperbacks and library books you enjoyed reading?

Title of a book you own that's in the worst physical condition you have. Explain what happened to it. Post a picture if you want.

The book(s) whose stories have become part of your very makeup.

What book(s) would you sell your soul to get a TV or movie adaptation of?

I like _____, recommend me a book to read, please (insert a book, or trope, or character, or... anything you like before asking for this one).

What are the last three books you read?

Do you leave reviews for the books you've read? How often?

Do you prefer hopeful, humorous, very emotional or darker books?

What kind of book have you never read but always hope to find at some point in the future?

#ask meme #book asks #books #ask me #ask bait #ask game #reading #terapsina rambles #i was bored okay?

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ma1dita · 8 months

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child of dionysus headcanons

(similarly: trouble!verse character traits)

written for fun! purposed for my luke castellan x dionysus!reader blurb collection -> check out 'partners in crime' masterpost here

[demigod traits/hcs]

-addictive personality

-really good at planning events and parties

-i saw someone hc that all mr.d's kids would have good sense of direction as a blessing from ariadne and I LOVE that

-super emotional and a good actress; i would think they can cry on command and it freaks people out

-unquenchable thirst literally and figuratively (always wanting more of something)

-random spurts of mania

-dionysus originally guided the process of reincarnation, would hc that the kids can receive messages from the dead to some extent

-can induce and cure madness and anxiety

-could deduce they'd be good event planners or therapists

-kids are def LGBTQIA in some aspect

-can control vegetation & vines

[more specific to trouble!verse (& possible sneak peeks woohoo)]

-super high-strung & has manic episodes

-drink of choice is an amber (strawberry apricot) redbull. yummy

-most definitely bi or queer

-likes order and control to stabilize own emotions

-fights with a lance & thyrsus

-big writer & poet; lots of notebooks and lists

-cat person!

-can't bake because she hates trial and error

-doesn't call her dad, dad---just D

-big daddy issues because Mr.D didn't know she existed until she pulled a Maury on him

-hyper independent and doesn't trust a lot of people

-cabin is split into three rooms for her and her brothers; she has a loft

this is just for fun because i love storymapping! would love to hear yalls thoughts and feedback on how to make the story and characterization of a dionysus kid more accurate <3

#made by ma1dita ♥︎#luke castellan x dionysus!reader #cabin 12 #percy jackon and the olympians #percy jackson and the olympians #dionysus!kid #pjo x reader #dionysus headcanons #trouble!verse #percy series #child of dionysus

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thewriteadviceforwriters · 1 month

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Hii,

I am writing a story with a female lead. She is going to go through a self discovery arc in which she explores her sexuality. I want to jump back and forth in timeline to when she’s a teenager and doesn’t realize she is queer (and in love with her best friend) but i am having a hard time figuring out how to show she is queer without telling (bc it’s from her pov). Any advice or thoughts?

Showing Queer Identity: Tips for Writing Self-Discovery Arcs

Hey there, fellow writer! 💖✨

First off, I want to say how awesome it is that you're tackling such an important and nuanced topic in your story. Self-discovery arcs, especially those involving sexuality, can be incredibly powerful and relatable for so many readers. It's fantastic that you're putting thought into how to present this journey authentically!

Now, let me dive into the meat of your question: how to show your character's queerness without explicitly telling, especially when she doesn't yet realize it herself. This is a challenge many writers face, and I'm excited to share some thoughts and techniques that might help you navigate this delicate balance.

Showing vs. Telling in Sexuality Representation

The age-old writing advice of "show, don't tell" becomes particularly crucial when dealing with a character's sexuality, especially in a coming-of-age or self-discovery narrative. It's about creating a tapestry of moments, feelings, and interactions that hint at the character's true nature without spelling it out for the reader (or the character herself).

(I have an entire post on Prose Tips with Show, Don't Tell. And another one where Telling Is Better Used Instead of Showing)

Here are some ways you can subtly show your character's queerness:

Physical Reactions: Pay attention to how your character's body responds to her best friend or other girls. Does her heart race? Do her palms get sweaty? Does she blush or feel a flutter in her stomach? These physical reactions can be powerful indicators of attraction, even if the character doesn't recognize them as such.

Lingering Gazes: Describe how your character looks at her best friend or other girls. Does she notice small details about them? Does her gaze linger on lips, hands, or other features? This can be a subtle way to show attraction.

Comparisons and Contrasts: Have your character compare her feelings for her best friend to her feelings for boys. She might notice that she feels more comfortable, excited, or "herself" around her friend than with male love interests.

Dreams and Daydreams: Use your character's subconscious to hint at her true feelings. She might have dreams about her best friend that leave her feeling confused or flustered upon waking.

Jealousy: Show your character feeling inexplicably upset when her best friend spends time with others, especially potential romantic interests.

Admiration vs. Attraction: Your character might think she's just admiring other girls' appearances or personalities, not realizing it's actually attraction.

Discomfort with Heteronormative Expectations: Show her feeling uncomfortable or out of place in typical heterosexual dating scenarios or discussions about boys.

Intense Emotional Connections: Highlight the depth of her emotional bond with her best friend, showing how it goes beyond typical friendship.

Personal Thoughts and Advice

As someone who's written queer characters and explored sexuality in my own work, I can't stress enough how important it is to approach this topic with sensitivity and authenticity. It's not just about representing sexuality; it's about capturing the complex emotions, confusion, and eventual self-realization that come with discovering one's identity.

One technique I've found particularly effective is to focus on the emotional journey rather than the physical aspects of sexuality. Especially for a young character who hasn't yet realized she's queer, the emphasis should be on her feelings, her confusions, and her gradual understanding of herself.

Remember, sexuality is a spectrum, and coming out to oneself is often a process, not a sudden realization. Your character might go through phases of denial, curiosity, experimentation, and finally acceptance. Each of these stages provides rich opportunities for character development and storytelling.

Unique Tips for Showing Sexuality in Writing

Use Metaphors and Symbolism: Incorporate imagery that subtly reflects your character's emerging sexuality. For example, use blooming flowers or changing seasons to mirror her personal growth.

Contrast with Heterosexual Experiences: If your character dates boys, show how these experiences feel different (and perhaps less fulfilling) compared to her interactions with girls.

Pop Culture References: Have your character relate strongly to queer characters in movies or books without fully understanding why.

Physical Proximity: Describe how your character seeks out physical closeness with her best friend - sitting close together, finding excuses to touch, etc.

Internal Monologue: Use your character's thoughts to show her confusion. She might question why she feels so strongly about her friend or why she's not interested in boys like her other friends are.

Microexpressions: Describe tiny facial expressions or body language cues that betray your character's true feelings, even if she's not aware of them.

Avoidance Behavior: Show your character avoiding situations that might force her to confront her sexuality, like setting up her friend with boys or talking about crushes.

Mirror Scenes: Create parallel scenes in different timelines to show how your character's understanding of herself has evolved.

Navigating the Timeline Jumps

Your idea of jumping back and forth in the timeline is brilliant for this kind of story. It allows you to contrast your character's oblivious teenage self with her more self-aware adult version. Here are some tips for making the most of this structure:

Echoes and Parallels: Create situations in the past that echo or parallel events in the present, highlighting how your character's understanding has changed.

Dramatic Irony: Use the reader's knowledge of the character's future to create tension and poignancy in the past scenes.

Evolving Language: Show how the language your character uses to describe her feelings changes over time, reflecting her growing self-awareness.

Physical Changes: Use descriptions of physical changes (hairstyles, fashion choices, etc.) to quickly orientate the reader in different time periods.

Pivotal Moments: Identify key moments in your character's journey and use these as anchors for your timeline jumps.

The Importance of Authenticity

When writing about sexuality, especially from a perspective different from your own, research and sensitivity are crucial. Consider reaching out to LGBTQ+ organizations or individuals who are willing to share their experiences. Reading coming out stories and queer literature can also provide valuable insights.

Remember, every person's journey with their sexuality is unique. While there are common experiences, avoid falling into stereotypes or oversimplification. Your character's story should feel genuine and personal.

Balancing Subtlety and Clarity

One of the biggest challenges in showing rather than telling sexuality is finding the right balance between subtlety and clarity. You want to drop enough hints for the reader to pick up on, but not so many that it becomes obvious to everyone except your character.

A good rule of thumb is to make the signs clear enough that a queer reader or someone familiar with the coming out experience would pick up on them, but subtle enough that someone without that perspective might miss them – much like how your character is missing them herself.

The Power of Supporting Characters

Don't forget the role that supporting characters can play in showing your main character's sexuality. Friends, family members, or even strangers might notice things about your character that she doesn't see in herself. Their reactions, comments, or questions can be powerful tools for indicating to the reader what's going on, even if the main character remains oblivious.

Addressing Internalized Homophobia

Depending on your character's background and the setting of your story, you might want to explore themes of internalized homophobia. This can manifest as your character actively pushing away thoughts or feelings that don't align with heteronormative expectations. Showing this internal struggle can add depth to your character's journey and make her eventual self-discovery even more powerful.

The Journey of Self-Discovery

Remember that realizing one's sexuality is often a gradual process. Your character might have moments of almost-realization followed by retreat into denial. These back-and-forth moments can create tension and keep the reader engaged in your character's journey.

As your character grows and changes, you can show her becoming more comfortable with herself in subtle ways – perhaps she becomes more confident, more authentic in her interactions, or more willing to stand up for herself and others.

——————————————————————————————————

Writing about sexuality, especially from the perspective of a character who hasn't yet realized their own identity, is a delicate but rewarding challenge.

Remember, the key is to weave these elements naturally into your narrative. Don't force it – let your character's experiences and emotions guide the story. Trust your readers to pick up on the subtle cues you're laying down.

I hope these ideas and tips help you in crafting your story. Remember, every writer's approach is different, and what works for one story might not work for another. Trust your instincts, stay true to your character, and don't be afraid to revise and refine as you go.

Writing about sexuality and self-discovery is not just about representation – it's about creating stories that can help readers understand themselves and others better. Your story has the potential to be a light for someone struggling with their own identity, or a window for others to understand experiences different from their own.

As you write, keep in mind the impact your words might have. Approach the topic with sensitivity, respect, and an open heart. Your character's journey of self-discovery is a beautiful and important story to tell.

Final Thoughts and Encouragement

Writing about sexuality, especially in a coming-of-age context, can be challenging but incredibly rewarding. Here are some final thoughts to keep in mind as you work on your story:

Authenticity is Key: Stay true to your character's voice and experiences. Even if you're writing from a perspective different from your own, strive for authenticity in emotions and reactions.

Embrace Complexity: Sexuality is complex and often fluid. Don't be afraid to show the messy, confusing aspects of your character's journey.

Avoid Stereotypes: While some common experiences exist in the queer community, try to avoid relying on stereotypes. Make your character unique and three-dimensional.

Consider Intersectionality: Your character's sexuality doesn't exist in a vacuum. Consider how it intersects with other aspects of her identity, such as race, class, or religion.

Show Growth: As your character becomes more aware of her sexuality, show how this knowledge impacts other areas of her life and relationships.

Be Patient: Writing about such personal topics can be emotionally demanding. Be patient with yourself and take breaks when needed.

Seek Feedback: If possible, get feedback from sensitivity readers or members of the LGBTQ+ community to ensure your portrayal is respectful and accurate.

Remember, your story has the power to touch lives, open minds, and maybe even help someone on their own journey of self-discovery. It's a beautiful responsibility, and I'm excited for you to embark on this writing adventure!

Keep writing, keep exploring, and most importantly, keep being true to your characters and your story. You've got this! 💖🌈✨

If you have any more questions or need further advice as you write, don't hesitate to reach out.

Happy writing!📝🎉- Rin T.

Before you go, why not join us at The Write Right Society? We're a supportive Tumblr community where writers lift each other up. Whether you're a newbie or a pro, we'd love to have you! Share your work, get feedback, and connect with fellow wordsmiths, writers and aspiring authors.

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sp00kymulderr · 3 months

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feeling that way

Joel Miller x transmasc!reader

Lover boy series masterlist

Warnings/Tags/Notes: 18+. for sexual implications. reader is afab/has female genitals, no pronouns used (written with the idea of a non-binary or transmasc reader), reader wears a packer, references made to both readers cock (packer) and pussy, pet names for reader (baby, honey), Joel is really horny for reader and their cock :), Joel sucks the strap (mention), bulge worship big time, love love love, beautiful queer love actually, writer got emotional and made this too personal and not at all about Joel oops. Unedited and unbeta'd. (divider credit to cafekitsune)

Words: 1.3k~

Summary: Joel enjoys a new part of you. He loves it, in fact.

Something is different about you.

Joel feels it the moment he opens the door. He's good at that, at noticing.

You're sitting on the couch watching something on the tv, nothing unusual there. But the way you hold yourself today, even the way you sit. There's an air of confidence to you that's different than usual. A hint of something new.

It excites him. You always find new ways to excite him.

“Hey” He mutters, coming round behind the couch and leaning down to kiss the top of your head. The usual greeting, intimate and caring.

“Hey” you say back with a smile, your head falling back so you can look up at him. There’s a glint in your eyes that belies your cool air.

You’re excited too.

“What’re you up to?” Joel mutters, a gruff chuckle leaving his mouth as he rounds the furniture and comes to sit beside you. It doesn’t take much from there to see what exactly has you acting the way you are. His eyebrow quirks, eyes looking up to meet yours then back down.

“Nothing at all” You grin back, and he understands the joy in your features now.

“Fuck, baby. It came?” He says, watching the subtle lift of your hips.

You’d been waiting for the packer for a while, Joel had insisted you go for something quality, something that would feel real for you and even though it meant a longer wait now you were glad he had done that. He’d insisted on paying for it too, ‘let me spoil you, honey’ he’d whispered in your ear when you’d confessed your desperate yearning to wear one.

It felt good to put on. So fucking good to wear. You had floated around the house in elation, a weight almost lifted off your chest at the new addition to you. Your eyes caught in every mirror, traveling down to your crotch at any opportunity. You didn’t feel like a different person, but you certainly felt like a different you.

Joel has a warm hand on you now, his eyes darkening in lust as he takes in the sight of it. Your cock is sitting just so, making a bulge in your tight jeans that he can’t possibly ignore. It makes his own twitch in need.

“Jesus Christ, baby” Joel groans, his hand rubbing lower towards the front of your jeans. Down, down, down… “How does it feel? How do you feel?”

You’re watching as his big hand skims the button of your jeans, stopping just shy of the swell of you. You barely register his words, mouth hanging slightly open, breath coming a little heavier. This is the feeling you’ve been chasing for longer than you realise, longer than you can even say.

“Feels..right” You finally whisper, something about the admittance making you shy away from his gaze momentarily. It feels like a big deal. It is a big deal to you.

Joel pinches your chin between fingers, tilting your head to look at him. Jesus, he looks desperate for it. For you. He leans in and kisses you, more tender than the kiss you expected. A kiss that says ‘I know’, ‘I’m happy for you’, ‘I’m here for you’. You have to fight back the sudden urge to cry. He’s always been supportive, always. You never expected less.

When he lets you go your head falls back against the couch as finally he makes eager contact with the bulge in your jeans. This new part of you.

And it is a part of you. You feel it when that big hand squeezes gently. You moan for him, breath shaking.

“Looks so fucking good. Feels good too, doesn’t it?” He whispers reverently, and all you can do is nod dumbly and fucking whimper at the sight of him getting down on to his knees, his eyes bright with the wish to worship you for everything you are.

He loves everything you are.

Joel gets between your legs, already spread wider than usual and it’s making his heart hammer in his chest. He looks up at you as he pops the button of your jeans, gives you a look that's so full of desire and absolute need. He looks wrecked and he hasn’t even gotten past the layers of your clothes

“Y-yeah. So good” you murmur as he slowly pulls down the zipper, his eyes flicker from yours and back down to the peek of underwear beneath your jeans. The sound he makes then makes your cunt ache in devastating desperation.

“You’re gonna be the death of me, honey” Joel grunts out, noticing at once that you’re wearing a pair of his boxers - your favourite ones, black with a simple red design, snug against his dick and now against yours too. Your eyes meet again, yours surely glistening with a lust matching his, and the look he gives you makes you clench around nothing. Without a thought your hips cant up to connect the bulge of your cock with his palm again.

“I know, I know” Joel mutters sympathetically, keeping eye contact with you as he very intentionally lowers his head, only breaking away from your eyes when he presses his lips against the firm yet soft barely exposed front of your- his - underwear.

And fuck if your legs don’t start to shake, if your core doesn’t tighten breathtakingly as he plants open mouthed, sloppy kisses there.

“Can feel your cock. That’s your fuckin’ cock, ain’t it?” He murmurs, not moving away but turning his head, his cheek pressed against there and you want to cry again at his words, at the affirmation, at the acceptance of your needs and the love he shows for you even in this filthy moment.

“Yeah, Joel. Yeah…” You stumble out, practically dumbfounded as you watch your handsome, gruff, hardened man worship the bulge of your fake dick like it’s his favourite thing in the whole damn world.

“Say it baby” He orders, voice all grunts and groans as he deftly rubs his nose against you now.

“My cock…it’s my…fuck…”

“Yeah it is” Joel smiles up at you, such a beautiful sight, all pride and joy just for you. God, you love him you think as he moves away for a moment tapping your hip lightly to lift your ass so he can pull your jeans all the way down. He’s all but salivating at the proper sight of you filling out his underwear, both your hearts beating a matching rhythm in your chests

“Gonna let me suck it too, huh? Fill my mouth up all good?” He says, voice gravelly with wild desire that makes every part of you feel on fire - a fire you never want to put out. Let it burn forever, let it burn everything but the two of you.

You watch rapt as he kisses up your thigh whilst his big hand experiments with squeezing your impressive package, facial hair tickling your inner thigh before he moves up again. As Joel practically worships at the altar of you his own member strains against his pants, you can tell from the way he thrusts against nothing - still on his knees, which he’ll regret a little later, hips subtly shifting every time he enthusiastically rubs his face on your crotch.

“I love it, Joel. I feel- feel like me” You finally admit out loud.

“I know” He says back.

‘Thank you’ you whisper, though perhaps the words never make it out of your mouth before he’s drawing away, standing with a groan and knees clicking. Taking your hand in his with a squeeze and all but dragging you to the bedroom.

He takes one moment, just one, to stop in your tracks and look in your eyes. A gentle, loving, caring look that makes you feel so special. Just like he does every day.

“You’re here, baby. You’re here”

And he’s right, finally you are.

#THROWING this out into the world and running the fuck away #Joel Miller x reader #Joel Miller x afab!reader #joel miller fanfic #pedro pascal character fic #x reader #I have no reread so if its as terrible as I think just ignore this okayyy

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makingqueerhistory · 7 months

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Letters to a Writer of Color

Taymour Soomro (Editor) Deepa Anappara (Editor)

A vital collection of essays on the power of literature and the craft of writing from an international array of writers of color, sharing the experiences, cultural traditions, and convictions that have shaped them and their work "Electric essays that speak to the experience of writing from the periphery . . . a guide, a comfort, and a call all at once."--Laila Lalami, author of Conditional Citizens Filled with empathy and wisdom, instruction and inspiration, this book encourages us to reevaluate the codes and conventions that have shaped our assumptions about how fiction should be written, and also challenges us to apply its lessons to both what we read and how we read. Featuring: - Taymour Soomro on resisting rigid stories about who you are - Madeleine Thien on how writing builds the room in which it can exist - Amitava Kumar on why authenticity isn't a license we carry in our wallets - Tahmima Anam on giving herself permission to be funny - Ingrid Rojas Contreras on the bodily challenge of writing about trauma - Zeyn Joukhadar on queering English and the power of refusing to translate ourselves - Myriam Gurba on the empowering circle of Latina writers she works within - Kiese Laymon on hearing that no one wants to read the story that you want to write - Mohammed Hanif on the censorship he experienced at the hands of political authorities - Deepa Anappara on writing even through conditions that impede the creation of art - Plus essays from Tiphanie Yanique, Xiaolu Guo, Jamil Jan Kochai, Vida Cruz-Borja, Femi Kayode, Nadifa Mohamed in conversation with Leila Aboulela, and Sharlene Teo The start of a more inclusive conversation about storytelling, Letters to a Writer of Color will be a touchstone for aspiring and working writers and for curious readers everywhere.

(Affiliate link above)

#queer history #queer #lgbt

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the-cat-and-the-birdie · 1 year

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no please bc just once I wanna make hobie nervous flustered.. like why can’t he can’t be intimated by me why I always gotta be intimidated by him 🙄🙄

TRULLLYY The opportunities are endless!! Let's talk about it!!!!!!!!!!!

Hobie Brown Loves Feminists and Defying the Patriarchy aka Hobie Brown and Writing write Non-Conventional Romantic Relationships in 'x-readers'

[this is an analysis where I analyze Hobie Brown, non-conventional relationships, and how feminism factors in to it all. Basically a critique/dive/rant into the narrow 'x-reader culture' in the Hobie Fandom

I touch on issues in Smut, labels, and how we can write 'Y/N's that challenge that status quo and fit Hobie better. I also break down how I personally use feminist themes to write a non-conventional relationship for Hobie.] [Also there's now a PART 2 HERE]

Despite the man from the 1970's - the era of bra-burning second-wave feminism - I don't ever think I've seen anyone talk about it, him, and how it influences him.

We all know Hobie isn't down with labels, but it seems like in X-Fem!Reader, the only two options out there are play-boy guitarist and traditional out-of-the-box boyfriend.

Hobie. The man he follows no social quo. Don't expect flowers from him.

Hobie diverges from the norm in nearly every way, and he does it purposefully and intentionally. And I think that'd extend to his romantic relationships too.

So why do we only see him in heteronormative, traditional gender-role based relationships?

Would Hobie be into this? And does the way we write him and his relationships in x-writers serve Hobie emotionally, allowing him to be a full character? (No, they don't.)

How can begin to acknowledge that, just like Hobie cares about race, and class, and housing and queer rights - he'd care about feminism too.

And how would that influence him in romance? How can we start writing healthier x-reader's?

We have enough insecure, blushing 'Y/N's being woo'd by [insert tumblr sexy man]'. Hobie can have so much more - in the words of Beyonce "Where the ladies up in here who like to talk back?!"

Hobie Brown, Romance, and Gender Roles

Why can I be the one calling him 'love', and 'darling', and 'sweetheart'?

Where's the fic where I'm the one comforting and taking care of him when he's sick/down?

Why can't Hobie be the one asked to be held?

There's something lacking here!!!!!!!

I honestly think Hobie would be into it, and find it very attractive - having a feminine partner who defies gender roles in their relationship purposefully and proudly.

Hobie loves subverting expectations and challenging society. So, and seeing many people unthinkingly assume he'd have a completely normal, routine heterosexual relationship without question -- uhhh I don't like that!!!

Like, Hobie is very clearly attractive. He's like 6'5", a guitarist, and punk. Let's be real, people of any gender are gonna be flirting with him, whether he's into it or not. He without a doubt gets flirted at all the time.

I think he'd love someone who cuts the bullshit and is like "You're really cute. I've got the biggest crush on you."

Not in a pushy way, but a relaxed way.

But I hardly ever see the x-reader advances being initiated by the reader. Why? It can be really nice to take the confidence to ask someone out and they say yes.

In fact, a lot of x-readers are written demure, passive, and down-right unhealthy in their ability to defend themselves and stand alone. So many are based off the x reader needing Hobie for some reason, whether it be confidence, or protection, or for him to teach them something.

Never Hobie needing the reader for something. Never Hobie being the one to express emotion and need comfort.

Which is funny, because Hobie can show emotions like anger, which he does in the comics. That's NEVER brought up in fics. In no fic do we have the reader witness Hobie hitting someone with a guitar or kicking them in the face. Which Hobie does do.

No, that's too violent for the romanticized fandom of Hobie. He has to be the good boyfriend to the shy girlfriend.

And I feel like there's a reason many of these x-readers are written this way - is heteronormativity and a dash of misogyny-flavored sexism involved??? maybe.

Especially with x fem readers, feminine people are always expected to be passive and submissive. Women in the real world are expected to mute their advances and 'be coy' for the sake of sexist 'respectability'.

We're taught that 'giving them the eyes' is (somehow??) an 'advance'. Or that you have to wait to be asked out or else you're 'too forward'.

[Insert Barbie Movie Monologue here]

Personally, I think Hobie would be SO refreshed by a girl who comes up to him and is like "Hey, are you busy on Friday? Do you wanna meet me then? I wanna go on a date with you."

Because, realistically 95% of the people in the Hobie fandom - including me - would probably be too nervous to even speak a sentence to Hobie.

So for someone to approach him directly, state their intentions, and be so open to potential rejection, that's impressive - I think he'd LOVE that shit!!!

I think it's a nice juxtaposition to have him with someone who diverges from the 'demure ideal of a girlfriend'.

A girl who walks around like Jessica Drew. Walks in the room like "My man is SEXY AF and he about to walk in so LOOK. BE JEALOUS."

I imagine so many people around him try to act like they DON'T like Hobie when they clearly do - and he can tell. So to have someone who isn't hiding it is a kind of candidness that differs from it all.

So often are women forced into the passive role of waiting to be 'chosen'. Fuck that, you want him, go get him.

Hobie, Romance, and Labels

I also think Hobie would REALLY like a partner who knows what they want.

I always see people be like 'Hobie doesn't like labels!! He wants to keep it casual!' or 'Nooo he was kidding about the labels thing - he'd love a committe-'

WHO SAYS HE'D BE THE ONE DEFINING THE SITUATION????????? WHO SAID HE GETS THE LAST SAY???!!!!!

I feel like Hobie would go fucking NUTS for a girl who is straight up like "yeah I'm just trying to fuck. Are you okay with that?" or "I like what we've got going on. I'm not looking for anything serious, but let's keep going."

Or a partner that is very clear about their labels. A person who's like "I like you but if you're not trying to be exclusive I'm gonna get a move on." Because he's not gonna have you out here looking DUMB, people better know you're in the mfing picture.

That's some grown ass shit! It shows she knows what she wants and that she's not wavering on it, even for him. He's with it. I don't think Hobie would be down to be like "I'm ur boyfriend now" OR "I'm ONLY down for fucking lol srry'.

She gets a say too. And she should be clear on what she wants.

If she's the one to take the initiative and name the game - that's great for him. He's down for whatever, what is it that YOU wanna do??

Hobie, Romance, and Intimacy (like for the grown folks 18+) __________________________________

🔞

In a LOT of fic and especially SMUT, it's always Hobie making the advances, or at least initiating them. In society, women are taught that's how is, that being sexually 'aggressive' and proactive - not just SUGGESTIVE - is inappropriate.

Wait till Hobie slaps your ass, then the smut could start. Wait till Hobie kisses you, then there's romance.

Nah, I'm the one smacking his ass. I'm the one pulling his belt loop saying Come 'ere. What if I'm the one who wants to pull him down for a first kiss, huh??? I gotta wait??

Even in dialogue-

In a lot of fics Hobie can talk as raunchy as ever, but the woman can't say 'pussy'? Hobie can say three sentences straight about how my coochie feel but the reader only gets to moan submissive requests back??

Can the dirty talk be two-sided? Because women should be allowed to be vocal in their pleasure.

Hobie can tell you he wants you to suck his dick, but when's the reader gonna say "Come eat this pussy like you mean it." HM??????

In fics the reader can only be suggestive - in order to bait him into initiating, like sending him a suggestive picture or throwing a bra on stage. But it's hardly ever the other way around. With the reader being the one to say 'Enough of the teasing, we fucking NEOW.'

Because in our society, a guy slipping a girl's shirt off to get the scene going is hot. But a woman going for a guys belt before he begins to undress her - nooo, that's too forward.

Maybe Hobie wants to feel like the sexy, desired, sought after one.

_______________________________________________

Hobie, Romance and Feminism

Let it be known: Hobie loves people who are socially educated!!!!

If you can look at him and explain what anarchism actually is - like in a politcal theory sense - I think he'd be impressed, because you're seeing through the 'pseudo-rockstar' persona he puts on.

Most if not all of his actions are choice are driven by political action, so having a partner educated in things like anarchy or communism just makes sense with him. Hobie cares about stuff like that, and actually goes out of his way to study and live in line with those ideals.

That includes feminism!!!

I think Hobie would love a girlfriend who is invested in feminism, cares about it, and thinks about it in her decision making.

A woman that is educated about her oppression and how to combat it, and purposefully goes against the strict stereotype labeled on women - especially feminine women - as an act of protest.

A girl who can and will defend herself, go off on, or put a sexist pig in their place. You can't tell me he wouldn't be into that.

Social movements of the oppressed are super important to Hobie, and I think feminism is the same, but I never see it mentioned.

I definitely think that Hobie would have a clear understanding of his privilege as a man and how that effects relationships.

I can see him being like "I'd never propose." Not because he hates labels, but because he acknowledges that for centuries marriage was used as a financial and social transaction to oppress and control women and their bodies, and he doesn't want to be involved in that.

Hit him with that "Same - the gold and diamond rings are trash anyway. Both materials being mined and pillaged in African nations for centuries at the expense of the indigenous populations really puts me off it."

He'd wanna somehow find a way to marry you without marrying you you know what i mean

Hobie loves feminism and feminists. Give him a 70's bra-burning feminism so help me god. He was alive for Roe v. Wade passing (1973), he KNOWS about feminism and probably knows many outspoken feminists.

Hobie, Romance and Individuality

You know what I don't like?

Headcanons or fics that be like "You and Hobie NEVER disagree or argue. Never ever, you always talk it out."

Like...Bullshit. I'm sorry but I don't think it's very realistic.

Hobie is a very opinionated too. He's very outspoken and when it comes to topics, and he usually knows exactly where he stands. I think, without a doubt he'd care what his partner thinks too.

Asking them about a record that's playing, or what they think of a movie they saw in the past, or a new political issue going on. He'd absolutely ask, because he cares. He's interested.

If if ya'll are never disagreeing that means:

Either you agree with his opinion all the time without fail or exception OR

You're biting your tongue around him

I don't think one is very realistic in terms of things. You can't like every song your boyfriend likes. You can't like every movie he shows you, or agree on EVERY political issue. That's not how people are.

And for two - if you're biting your tongue around him, he'll notice.

Yes, Hobie is a very emotionally intelligent person and extremely compassionate. But he's also very strong in his morals, thoughts, and beliefs. He doesn't budge.

If you're biting your tongue, I'd imagine he'd be like "You wanna say something." or "Whatever you're thinking just say it." cause he can see it in your face.

He's not trying to put you on the spot, he just wants to know what you're thinking.

When you explain what you're thinking, he's probably gonna wanna hear why, and respond, etc etc.

Hobie is a very individualistic person, and I think he'd be drawn to someone who is as well. Someone who is solid in their opinions and personhood enough to express them.

It leads to interesting conversation and knowing each other deeper -It's a form of intimacy.

If you watch a film with him and don't like it, he's gonna ask why. Did you not like the theme? Was the dialogue bad? What part did you think sucked the most, he thought x, y, z. What do you think about the part he disliked, did you notice a,b,c?

I feel like Hobie would want to know his partner deeply, and he'd care and love the things that make them different from each other.

Including differing opinions.

Discussions and debates aren't bad. Discussing something and getting heated defending your point can be really fun and stimulating, if it's with someone you care about and the two parties are mature and not assholes.

Tell him why you think he's wrong about something - he wants an excuse to talk more about his opinion. INTELLECTUALLY CHALLENGE HIM DONT JUST AGREE.

Along with being very individualistic, Hobie is very independent. He refused to rely on the Society for their watches - he made his own. So I think the next important thing to him is:

Hobie, Romance and Independence

I like the idea of Hobie having a partner that has their own place and is committed to that, and their space.

Or a partner that emotionally supports him!!

95% of the time, he's the one asking what's wrong, or holding reader, or comforting them.

Can we get hectic bf and organized girlfriend energy?? A gf where he says plans during missions and she's like "What are you thinking? You're gonna get us killed."

A gf that soothes HIM when he gets angry - cause comic Hobie GETS angry, especially after a fight.

Give me ONE, ONE fic where he's drunk coming from a pub and READER has to deal with drunk Hobie and put him to bed.

Hobie is ALWAYS expected to take care of himself, and the people around him. He takes pride in this and he's good at it. But why should he have to do it all the time?

_____________________________________________

In general,

Hobie is a confident person. He knows what he wants, and how to handle himself, and how to approach people and get respect just by being himself. He's assured, and outspoken, and VERY independent. He does what he wants, when he wants and lets you know when it happens

I think pairing him with a confident, assured, outspoked, independent person is only natural. I think him having a relationship with a personality like his would be a ROCK SOLID one.

There's be no fics like 'Groupies were bullying you' because his she would be like "Sis, if I swing on you he isn't gonna hold me back so be careful."

I want a reader that when they do that trope of 'A girl was flirting in front of him making you insecure and uncomfortable' - The reader squashes it right there. Like "Girl, I know you see me standing here. You know we're together. Cut the cute shit!!"

I'm tired of fics taking me for an insecure, submissive, demure, sexually innocent, wimp of a babydoll girlfriend that needs to be babied at every turn. There's nothing wrong with being shy and demure, but when it's all you're offering it's not gonna cut it.

Especially not for Hobie Brown.

Let the tall, dark, actively oppressed black man be the one to vent, or be held, or romanced, and spoken sweetly too. There's so many comfort fics, but not many of them consider Hobie's own trauma - and how a relationship could include that.

Hobie Brown deserves more.

_______________________________________________

If you wanna know how I use this to write a non-conventional relationship for Hobie, that's below this break.

Okay so I'mma leave it here but if you read this far, thank you!!!! I be SO pissed when fics be talking me (Y/N) as a punk (in the wimpy sense not the Hobie sense). Like...nah I wouldve said something in a lot of situations. Irk my last nerve. Like the one where the girl PINCHES you??? Like?? Nah I we would've been fighting, I'm sorry this is unrealistic

Alsooo the section below is about my Spidersona Disco-Spider and how I encorporated all of this into her creation- because I wanted to write a sona who subtly defied gender roles while still being feminine. So if you wanna read there thank you so much, and if not, thanks for reading this far! He's a pic of Hobie in thanks!

[If you wanna check out Part 2 for direct examples, how to write NCRs, and a more in depth look into Disco and Hobie - check it out here]

_______________________________________________

DiscoSpider Diane and The Great Groupie Act [How I use all of this to a write a feminist Spidersona and a non-conventional relationship]

Diane is a HUGE Hobie Groupie - and that's kinda of her main thing.

She runs the Hobie Brown Fanclub on campus, attends all his shows, and wears his guitar pick. She's into him and she's not afraid to show it.

I wanted to write Diane as a purposeful groupie, one who is fine with the title, and even leans into it. Because a lot of the time - and in a lot of fics including guitarists - 'groupie' is seen as a negative thing.

Like K-pop stans, being a 'groupie' - and openly expressing your romantic interest in a hot guy is seen as desperation.

But I wanted to write her as one in spite of this. To swap 'desperation' for unwavering boldness. A girl with the motto 'Closed mouths don't get fed'.

And much like Hobie uses the 'typical punk' label to disarm others, I wanted Diane to mirror that - in the opposite direction.

Diane is a self-proclaimed groupie. And because of that, many (mainly misogynists) assume that she can't think for herself - or at all. And Diane can use that to her advantage.

If Miguel and Jess really believe she only cares about conversations involving Hobie, then they'll talk like she isn't there. And she can listen. If it looks like she's hanging all over him, no one realizes if she's slipping him information.

And it also helps in their relationship.

They both enjoy their privacy.

HQ prohibits relationships between Spidey-people. It's an anomaly waiting to happen - and they make sure to keep a close eye out for it. Plus with Jess breathing down her neck, it's much easier for Diane and Hobie to just keep it underwraps.

In comes the Groupie persona.

No one actually expects the groupie to get the guy. She's desperate, and he's the player guitarist. Plus, if they were dating she couldn't be a 'groupie' right? They wouldn't make sense, would it?

They let people make their own assumptions. By calling herself a groupie, suddenly people think there's no possible way there's something going on, and they don't look closer.

This also allows them the freedom of no labels. Are they boyfriend and girlfriend? Nah she's his groupie. Quit asking questions.

All of this allows me to write Disco in a way that connects back to everything in this post.

By calling herself a 'Groupie' suddenly Diane can subvert expectations of affection, avoid the pressures of labels, and control her image and the amount of information she lets on to people

That in turn helps me write their relationship in a nonconventional way - a way that challenges misogyny around affection and reclaims a sexist fan trope for something more empowering.

Sure, the concept seems silly at first. The ditsy, bubbly, party girl on campus, but I wanted there to be a reason and drive behind it.

Disco-Spider Diane is exactly who she wants to be, an unapologetic, outspoken disco-girl. One that's highly educated and knows her shit.

And also a huge groupie.

-----------------------------------------------

If you've read this far, thank you so much. It genuinely means a lot to me! This is reaaaaaallly long.

[Part 2 here]

Now how about you take this photo of Hobie and we both pretend like me writing this is normal well-adjusted behavior okay? okay

Bye.

#im back and I got something to say!!!!!!#these are just my opinions and Headcanons #but also they're correct I know because I'm with Hobie right now in my mind palace and he told me all this #no proofread ever lolllll #spiderman #atsv #hobie brown #marvel #spider man #spider punk #spiderpunk #across the spiderverse #hobie brown x reader #hobie brown x oc #hobie brown x you #hobie brown x y/n #atsv anaylsis

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isa-ghost · 1 month

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Fuck it, I wanna start something sappy and fun. Reblog this and follow the format I'm establishing below.

You don't have to make as long of a list as me, but go nuts if you want!

QSMP has for me:

Gotten me into streamers I never would've discovered without an intercultural medium to facilitate it. Streamers who I fucking adore, who are queer/nd/etc representation I didn't have before now, who I would die for and will always at least hover on the outskirts of if there's a language barrier in my way

Gotten me into media from those streamers that I would've never discovered otherwise (ex: Ordem Paranormal)

Strengthened my interest in foreign language

Gotten me more into Latin music

Gotten me interested in Latin culture

Taught me even more about important aspects & new perspectives of discussions about race/culture/etc

Taught me more, albeit misc, words in certain languages

Taught me how to identify more country's flags than I previously knew

Made me even more friends and mutuals that I love to see, support, and be silly with on here or in Discord servers every day

Makes me excited to encounter people in real life who have a language barrier with me

Makes me even more excited than I already was to hear languages I don't know spoken in real life

Inspired me to write my first ever *proper* fanfic, the first one I've written in general since 2016.

Inspired me to write *2 more* fanfics besides the first one. Prior to now, I have *never* been a fic writer or interested in being one

Gotten me more interested in reading fics, when prior to QSMP, I really wasn't much of a fic reader unless I liked a certain ship that much

Made me chill with mcyt shipping, when previously I was very strictly against it in any way.

Genuinely started helping me get better at accepting compliments and being more confident in certain things about myself

Taught me how to be more nuanced about drama as well as serious issues

Improved my media analysis skills

Given me endless inspiration for my own personal creative projects and OCs

Somehow connected me even deeper to my religion

Motivated me to try new foods and other fun things

#qsmp #qsmp fandom #i dont wanna tag this with every streamers name so uhhh reblog to boost!

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nanowrimo · 7 months

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When Is a Small Press a Good Fit?

When it comes to publishing, many writers will think about big publishers first. However, there are a lot of different publishing options out there to explore. NaNo participant and author, Clara Ward, talks about their experience publishing with a small press and gives you questions to consider while you think through your publishing options!

NaNoWriMo inspired me to write. Signing with a small press gave me the support I needed to publish a book I love.

I’d published books before—starting with NaNoWriMo sponsor deals in the early days of online publishing—but I never had the right skill set to promote those books. As a result, they never truly found their audience.

In November of 2020, I poured my heart into a genre-blurring near-future tale of sailing across the Pacific and building a neurodiverse, queer, and possibly magical chosen family. In 2021, I titled it Be the Sea and asked myself: What am I going to do with that?

1. Are you looking for fame or family?

Small presses are as varied as the people who form them. If you read widely, you may already have a treasured book on your shelf from your publisher-to-be. Try asking NaNoWriMo friends who share your interests if they’ve discovered any surprising or emerging sources for great reads. (At the very least, you may find books you’ll love in unexpected places!)

Admittedly, a small press doesn’t have a fortune to spend on paving your path to fame. But I have never felt as seen as when my soon-to-be publisher, E.D.E. Bell at Atthis Arts, wrote back, “I’m really in love with what you are doing and would like to talk about it.”

2. Do you have the bandwidth for working with others?

Even with the most supportive small press, you may have to push outside your comfort zone. I know authors who love the absolute control and freedom of self-publishing. For a time, I felt very comfortable just posting my NaNoWriMo fanfiction novels on Archive of Our Own. At most, I had one or two beta readers to offer feedback on those works. Whereas E.D.E. told me in one of our earliest conversations that in addition to our three rounds of editing we’d need “a good number of betas” to cover the range of topics we were working on together.

I was delighted! I knew what I’d written was ambitious, and I welcomed all the feedback I could get. But it turns out, each extra person in a process adds new challenges and delays. I had to stretch my empathy as well as my publishing timeline because, to quote E.D.E. again: “It’s a lot of emotion (as well as brain cycles) to go through...” Outside perspectives will only improve your writing if you are willing to work with them, to truly listen and learn.

3. Can you handle the two-way commitment?

No form of publishing is easy. The myth that authors write while others handle business and promotion is not true at the top, and certainly not with small presses. In my experience, working with Atthis Arts was like joining a team or chosen family. Beyond certain paid tasks, such as editing and sensitivity reading, I discovered a community of authors who freely offered coaching before my first public reading, social media boosting, tips for author webpages, and an extra pair of eyes on letters requesting bookshop readings or other events. While not all small presses work the same way, this supportive culture proved to be an excellent fit for me. Naturally, I wanted to give back whenever possible.

Small presses can only succeed with community. This month, as I promote the launch of Be the Sea at bookshops in Mountain View, Davis, and Sacramento, I will be introducing many Californians to my Michigan-based small publisher, Atthis Arts. When I stand up as a panelist at Norwescon in Washington state or at various science, library, or Pride events later in the year, I’ll be promoting more than Be the Sea by Clara Ward. I’ll give back by sharing my appreciation for small presses, the supportive and inclusive practices they can normalize, and the opportunities they open up for future writers and readers.

Clara Ward lives in Silicon Valley on the border between reality and speculative fiction. Their latest novel, Be the Sea, features a near-future ocean voyage, chosen family, and sea creature perspectives, while delving into our oceans, our selves, and how all futures intertwine. Their short fiction has appeared in Strange Horizons, Decoded Pride, Small Wonders, and as a postcard from Thinking Ink Press. When not using words to teach or tell stories, Clara uses wood, fiber, and glass to make practical or completely impractical objects. More of their words along with crafted creations can be found at: https://clarawardauthor.wordpress.com

Photo by Hümâ H. Yardım on Unsplash

#nanowrimo #now what #writing #publishing #small press publishing #by nano guest #clara ward

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physalian · 4 months

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Fanfiction is valid form of literature and deserves respect because:

Corporate meddling often takes long-running series and runs them into the ground to squeegee out as much money as possible, ruining characters, relationships, lore, and magic systems that fix-it fics repair

Just because it is provided for free and by unpaid writers who slave away tens of hours of their lives trying to entertain people, doesn’t make the content that can come from it any less powerful

Fanfic is the place to go for under-represented themes, tropes, and characters in the outdated or unwilling canon

Fanfic is the place to go for fixing problematic plot decisions and characterizations that did not age well

Fanfic is the place to go when the real author becomes a TERF feminazi and the poster child of “death of the author”

Many fics are longer than published works and can do that because they’re entirely digital, bound to no printing limitations, and update per-chapter, as opposed to per-novel, often written without and endpoint in mind

Fanfic is a safe space to explore identities that the canon pretends doesn’t exist, like queer characters and non-monogamous relationships, as well as (theoretically) a safe space to share and explore kinks and have your very own Gay Awakening

Fanfic is bound to no rules of the publishing industry and explores new ways of written works like chat/text fics and drabbles and unconventional forms of narrative layout

Fanfic is also not written by committe or dictated by editors and publishing houses telling you what you can and can't include in your story

Fanfic is a springboard for many original authors

It’s a celebration of canonical works and should be welcomed by all creators of those works, not panned and litigated against when, again, it’s free and earns its writers no money

Fanfic, by its repetitive and familiar nature of throwing known characters and elements into a new situation is less intimidating than an entire bookstore of uncertainty, and still encourages people to read when they otherwise might not

Fanfic’s approachability is helpful to people with neurodivergence, as comforting to fic readers as bargain bin bad movies are to everyone else, or watching reruns of the same 90s sitcom that might not be any better written

Fanfic fosters a community of like-minded people that you might not otherwise find due to geographical location, social status, economic status, or for people who are unable to enter physical public spaces due to disability or anxieties

Big books are expensive and heavy and demand investment when a bad or boring fic does not, and there’s plenty else to fill the fanfic void where a bad book just makes you feel duped for buying it

It’s no more toxic a community than any other hyper-insulated realm of fandom like professional sports, toy/comic book/action figure collecting, LARPing/D&D, or videogaming, and has this reputation because it’s predominantly enjoyed by women and young girls (the terrible scourge that we are)

#fanfiction #fanfic #ao3 #archive of our own #writing #on writing

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angelsstranger · 4 months

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everyone can hate me for tjis but i started reading the locked tomb in 2018 so i have had more than enough time to realize i really find the fandom so so annoying and almost all my criticism for tm as a white author dipping her toes into writing about Maori people and their relations to colonialism have never been adressed after years and the fans still can only compare it to baru another speculative fantasy about colonialism written by a white author. the books are powerful but please i think there is something to be said of white authors making up genocides as allegories for real ethnic cleansings instead of simply platforming indigenous authors. i am willing to do a reread on baru to give it another chance and i love tlt. but i think a bit too much credit is given to Tamsyn Muir as an author for taking the typical approach of never confirming in text the race or ethnicity of her characters beyond a few vague mentions of skin tone and a tumblr post she made after the publication explaining things that should have been adressed straight on in the narrative.

and seth dickinson is clearly very educated and well-read but also my read of baru kind of had me thinking about how i never hear fans of the locked tomb raving about authors like Octavia Butler, Carmen Maria Machado, Andrea L. Rogers, Benjanun Sriduankaew, Jewelle Gomez or any other related fiction authors of queer stories born from their cultures and of their people.

as a white reader writer and creative, i want to encourage other white people to broaden your horizons and read lesbian and queer stories that weren’t written by white people and read new perspectives outside of your ethnicity. I have found deeper narratives that challenge colonialism here and without the need to invent fictionalized indigenous people and fictional brutalizations. Enough subtext ! Read something explicit!

#foxreads #the locked tomb #gideon the ninth #btw i am a years long fan of the series im not just trashing there is a lot to resonate with but also criticisms are necessary too

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i-hate-accidents · 5 months

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i hate accidents: the ball

femme!reader x benedict bridgerton, femme!reader & the bridgerton family, femme!reader & penelope featherington

summary: the adventures of a working class femme who befriends a fellow writer, a boisterous family, and a bewitching second eldest son

sections: I. the beginning / II. the between / III. the ball

y/n: bipoc, she/her, afab, nonbinary femme, queer, working class, of immigrant parents

content warnings: classism, mentions of financial survival, microaggressive sexism, microaggressive gender assumption, intersectional low self-image of y/n, positive/supportive families, nondescript mention of gagging (not related to self-image) in [III.iii], sexually charged 18+ interactions in middle to end of [III.iv]—minors dni, please stop at the end of the paragraph that begins "you repeat his words with sped up mockery"; you may resume at "you jut out your hip"

word count: 15.7k (of 38.8k)

story context: everything in s1 and s2 of the tv series is canon for this story except for the s2 epilogue with the bridgertons. this story takes place leading up to and into the 1815 season.

tagged: @omgsuperstarg @stvrdustalexx @bedobeeeee @crazymar15 @kahhorri @mayalopes @benedictbridgertonss @athensflower @02wrldz @queerlavalier @merlslrem @pillsbury-doughgirl @lamourdure3ans and all who have read either/both sections one and two—thank you. <3

𝄆 ⚘ ✸ III.i ✸ ⚘ 𝄇

“you look like a princess, y/n!” hyacinth squeals in delight.

“i regret not being of age yet to attend balls,” gregory sighs. “i would have been honored to ask you for your first dance.”

you beam at the youngest bridgertons with all the fondness in your heart. judith, an elderly maid of number five, had attempted to dispel hyacinth and gregory from the room as your hair was done, but you had asked her to please allow them to stay. the two kept you at ease throughout the foreign process, and their sweet sincerity kept you grounded amidst the anxiety that still floods your veins.

“you are both too kind. and fear not; tomorrow morning we will have a ball all of our own,” you lean in for a whisper, them following suit to listen. “and perhaps we will need the talents, and bravery, of a young sorceress and a young knight to save the guests from the intrusion of an unruly wyvern.”

“you promise?!” hyacinth and gregory yell at the same time. you hold out your pinky finger, just as you used to do with your siblings, and the two young ones wrap their pinkies around yours.

“i promise.”

“you are all done, miss y/l/n,” says alice, placing the last pin into your hair. she steps back and curtsies. her formality towards you renders you uneasy; she treats you as above her but you are of the same world. you school your facial features from showing your unease; you do not want to upset her or have her wrongly think that she has done something wrong.

“no need to call me ‘miss.’ i am simply y/n!” you grin at alice. “a friend.”

she smiles, albeit a bit sheepishly.

“of course, y/n. are you ready to see yourself?”

you shudder in a breath. you had asked not to be prepared in front of a mirror. to have seen your transformation so readily reflected at you at every point of this process—

you exhale frantically. the maids and genevieve had graciously accommodated your wishes, both going so far as rearranging this room and her fitting room to avoid any lines of your sight with a potential reflection; you were, and are, utterly grateful.

but i am unable to delay the inevitable any longer.

standing up and squaring your shoulders, you give alice a feeble nod. she bows her head in response, a small, encouraging smile on her lips, and leads you to the mirror as hyacinth and gregory turn in their seats to watch you cross the room.

it is just a dress. it is just a tiara, and just some jewelry, and just some gloves, and just some shoes, and just a bit of makeup. it is just you. it is still you. be the courageous person you are, y/n.

or—

just before you see even a miniscule bit of your reflection in that accursed mirror, you shut your eyes tight.

—be a coward.

you continue step by agonizing step, approximating where the mirror is, and shudder in another breath.

perhaps i am being too dramatic. perhaps i can faint and feign illness. perhaps i shall run away by way of the nearest window. perhaps i—

“the mirror is to your left, y/n; whenever you are ready,” coaxes alice.

you exhale once more.

or perhaps, i should open my eyes.

and so you do.

oh.

“oh,” you say aloud.

the person you see in the gilded full-length mirror is, somehow, a complete stranger and entirely you.

the one time you’ve worn makeup before was for your elder sister’s wedding: a bit of your mother’s rouge on your cheeks and lips to have some color to your otherwise dull face. now, your cheekbones glow with a blush much more complimentary to your complexion than a mere red as your lips shine with a gossamer of a similar shade. entirely new to you are the glimmering minerals on your eyelids that magically bring attention to your eyes and make them shine like starlight.

your eyebrows have been plucked (much to your initial pain but your current appreciation), maintaining their shape and fullness but now without strays.

soft tendrils of curls frame your face, and your hair—normally worn down when not working—has been pulled back into a loose coiffure and styled with sprigs and small blooms, the crown of your head graced with a silver tiara.

“this,” violet smiled fondly when she first set the tiara on top of your head, “is the tiara i wore to my first ball after my presentation. i had insisted on keeping it, thinking i could pass it on to my daughter when her first ball had come. but daphne was resolute on having her own tiara, and eloise was resolute on not wearing any,” violet laughed, her eyes shining when they connected with yours, “i see now, though, perhaps it was always meant to be yours.”

“violet, i— i cannot wear this. it is too— it’s too—”

sumptuous? opulent? regal?

no.

well, yes, the tiara is all those things. but those were not what had concerned you then. it’s too—

“beautiful,” you admitted quietly.

something as beautiful as that surely does not belong on the head of someone like you.

“well,” violet smiled, “then you are merely proving my point, my dear. it perfectly suits you.”

you hold out your hands, flare out your fingers, and stretch out your arms, examining the dark forest green of your long satin gloves, mesmerized that a muted color with such depth and richness could be achieved through dyes.

moving your hand, you touch one of the small rosewhite pearls adorning your earlobes and, with your other hand, touch the inky oblong pearl that shimmers violet, indigo, and green as it hangs from the thin, black velvet choker around your neck.

“my dear,” mama appeared in your doorway one evening as you wrote at your table, “do you require jewelry for your occasion?”

“oh. i suppose i do? i hadn’t given it much thought.” jewelry had been the last thing on your mind of things that terrified you of the impending ball.

“well, if you have not been offered anything by the bridgerton family yet, i thought— i thought perhaps you might like these.”

she approached you, a small wooden box in her hand, and placed it on your table. taking the box into your hands, you looked at it and then up at mama. she smiled at you but something of her countenance seemed strained. nervous. you offered her a smile in an attempt to assuage whatever concerns preoccupied her mind and, turning back to the box, unclasped it open.

“these are the earrings and necklace i wore when i married your papa. they were gifts from your grandmama that were gifts from her mama. i had tried giving them to your sister when she was to be married, but she thought… they are plain, nothing like what those fashionable people wear, i am certain; but if you have nothing else, i—”

you shot up from your seat, throwing your arms around your mama, feeling how she reeled from the ferocity of your sudden embrace, as you clutched onto the box of her wedding jewelry.

“they are beautiful, mama,” you said quietly but emphatically as the vehemence of your emotions tried to trap your words in your throat. “they are the most beautiful things i have ever seen, and i am so— i am so honored to be bestowed with the blessing of wearing them, and of wearing them proudly. thank you.”

you heard how mama sniffed her nose, and how she tried to hide it, as she gently rubbed your back, as she always had in your moments of vulnerability.

“i love you, my child.”

“i love you, mama.”

you then touch your exposed shoulders. the neckline of your dress, nowhere near your neck, follows the curved peaks of your breasts to meet and form a small v-shape in the crevice of your bosom.

“where is the chemise?” was the first thing you had said when you first tried on the gown at the modiste.

genevieve grinned.

“there is none.”

your jaw dropped.

“then what of a stay? what sort of stay would be worn with this?”

turning slightly, and noting your rather bare upper arms in the process, you angle your exposed back towards the mirror. another v-shape, its furthest point down a third of your bare spine.

“my dear, both you and i know that you already know the answer to your inquiry.”

“oh, my good g—”

never, in your life, has the expanse of your upper body been so naked and on display than in this ball gown.

“i do not mean to doubt your artistry, genevieve; truly!, the dress is magnificent, but—” you turned to kathani, who had exclaimed and clapped with immense delight upon seeing you in the gown, “is this—— permissible?”

the viscountess had arched an eyebrow at you then.

“y/n y/l/n, concerned with the rules of society? and of high society, at that?”

“no— no!” you yelled all too loudly as genevieve chortled and placed pins for final alterations into the dress. “i just, i just do not want to embarrass you and your family, is all.”

you had not meant for your voice to come out so quiet and small. the older women’s faces softened immediately.

“you could never embarrass us, y/n,” kathani stated with such tenderness. then she smiled. “you look beautiful.”

the off-white base layer of the dress feels luxurious against your skin, the fabric hugging your upper body, puffing out at the sleeves, and, from the underbust, flowing and falling into a cone silhouette for the skirt—but what truly awes you is the artistry of the outermost layer. a cream translucent silk, the piña seda (you recall genevieve proudly naming it as) of the outermost layer glistens while you sway and turn your body, light shifting and transforming the ever beauty of the dress, the swish of the skirt moving like how waves are described in the passages of your books and in the reminiscing of your parents’ memories. lined at the underbust begins the intricate thicket of embroidered foliage, painstakingly threaded with innumerable shades of greens and blues, a shimmering teal threaded throughout to gleam in tandem with the sheen of the fabric. the embroidery of foliage then grows and thickens as it cascades down the middle of the dress and comes to an encircling end a few inches above and around the floor-length hem. in the negative space of the piña seda are spread out, small ivory embroideries of floral motifs.

it is a dress deserving of someone most beloved in titania’s garden court.

“indeed,” genevieve affirmed, a smile on her lips akin to kathani’s. “those in attendance will not be prepared. you will look the most beautiful of all.”

and perhaps…

perhaps you should be unnerved by how different your dress will be from the others’ of the ton. perhaps you should be unnerved by how easily you will stand out from the crowds. perhaps you should be unnerved by the attention, the whispers, the stares you will inevitably receive with your dress, with your appearance, with your presence, with your very existence. but, instead—

“i do look like a princess,” you say finally. quietly.

you do look beautiful.

like you could belong amidst the ton.

like you could belong with the bridgertons.

like you could belong with him.

𝄆 ⚘ ✸ III.ii ✸ ⚘ 𝄇

“are you anxious, y/n?”

you turn to gregory at your side and see the swell of worry in his eyes.

“what gives you that impression?”

“you are shaking terribly,” hyacinth comments from your other side, replacing her usual pluck and wit with a worry akin to her brother’s.

the two had volunteered to escort you from the dressing room that you had been prepared in to the grand staircase of number five. with their arms hooked around yours, gregory on your left and hyacinth on your right, the youngest bridgertons have been walking you down the corridor. your heart aches with anguish: you know you have failed when the children are the ones to care for the adult.

“i am sorry to have concerned you both. yes, i— i am anxious.”

“it is reasonable to be anxious. but there are a great many cakes at these balls, or so i’ve heard, so you can eat one, and then another, to help ease your nerves!”

“how is that of any help, gregory.”

“it is plenty of help!”

“to eat and eat when she is already uneasy? the last time you were uneasy, you nearly—”

“do not recount that in front of y/n!”

“why not!”

“it is not— it is not proper!” gregory’s voice jumps in pitch, causing a swift blush to form on the apples of his cheeks. hyacinth snorts.

“why does your voice do that?”

“i do not know! kate said it is natural for bo— for young men to experience such a thing!”

“aren’t young men meant to be tall?”

“i am an inch taller than you now!”

“you are not!”

“i am too!”

you laugh. the youngest bridgertons halt their dispute and look at you.

“i must say, your usual squabbling is keeping me much at ease,” and you offer a sympathetic smile to gregory. “i am sorry that it seems to be at your expense, however.”

his eyes shine.

“you need not worry about me! i am glad to see you smile.”

“i as well,” hyacinth adds. you turn to her and see how her eyes shine too.

“i am most grateful to you both for being at my side on such a night.”

“we are most grateful for you, y/n.”

“that is something, and probably the singular thing, hyacinth and i can agree upon.”

you plant soft kisses on the tops of their heads, just as mama and papa and your elder sister had done when you were their ages. gregory and hyacinth nestle their heads into your upper arms and only part from you when the three of you reach the top of the first set of steps.

“are you ready?”

though you wish to say ‘no,’ you brace yourself with a deep inhale and nod.

your heart quickens with each step as time around you slows. your mouth has gone dry, and your body feels entirely numb, sensation only returning to you when you feel hyacinth and gregory unhook their arms from yours. turning your head, you see them stepping backwards, away from you, leaving you at the center of the landing to the rest of the grand staircase. you face forward once more, and ahead, below, you see the gentlemen and ladies of bridgerton house, waiting for you, looking at you.

you swallow.

for the very first time, in your dress, by yourself, you take a step forward.

breathe, y/n. shoulders back; tilt your chin up, but not too much; just as kathani had taught you. and just, breathe.

but it is hard to breathe with all eyes on you. with—

i must control myself. i must not seek him out. i must not seek out his face. i must not seek out those o—

you step on the hem of your dress and feel yourself start to fall forward. thankfully, god, for whatever reason, has blessed you with enough dexterity in this very moment, and you manage to catch yourself from tumbling down the steps as you hear gasps from above and below you. you mumble an apology (you don’t know why; it is not nearly loud enough for anyone to hear) and offer everyone a smile. upon seeing their relaxed shoulders and reassured expressions, you continue to descend the staircase.

stupid benedict. distracting me in remembering how to walk, and how to breathe, and how to—

oh.

i am doing it again.

shit.

goddamnit, stupid benedict!

somehow, you reach the landing of number five’s entrance hall without any additional accidents and, approaching the bridgertons, immediately look to the viscountess. as if knowing you seek her approval, kathani nods her head; a beam illuminates her countenance. you feel yourself ease, your shoulders relaxing (that you promptly square again; you are, after all, pretending to be a lady for the night), your heart racing less, if only minutely, and manage a smile. you feel someone take hold of your gloved hand and, turning to face the source, see violet gazing at you.

“beautiful.”

it is all she says, but with such tenderness in her voice, it makes your heart swell.

“the importance of appearance,” rasps eloise, causing you to turn to her, “and the lengths gone to achieve so-called perfection of such, especially for those of feminine disposition, is an entirely antiquated, offensive concept that must be eradicated from our, and all, societies—— but you do, look, beautiful, y/n.”

you grin.

“we’ll eradicate it together; and with help along the way, i am certain.”

when she responds in kind, you turn to the gentlemen, and, to your mortification, colin and anthony bow at you. the high society etiquette directed towards you from your friends overwhelms you with an embarrassment that you cannot even begin to fathom; they haven’t performed such formalities towards you since your first meeting all those months ago. but, in spite of your horror, the sincerity of their intentions, as well as their countenances, touches you deeply.

“madame delacroix and the maids have outdone themselves,” remarks anthony. “as mother and eloise have said, you look beautiful, y/n.”

“indeed,” colin beams. when he turns to benedict, however, his smile transforms into an expression befitting of a fairytale creature; one with mischievous intentions. “what say you, brother?”

you follow his line of sight and connect with ocean eyes. the flood of self-consciousness and the tempo of your heartbeats magnify hundredfold under his gaze, the butterflies within you fluttering the most violently they ever have, and you feel as though your entire body has been set ablaze.

anthony, with what looks like a smirk, nudges his brother with his elbow. as if suddenly aware of where he is, benedict hastily bows at you and, returning his ocean eyes to yours, says,

“you look— well.”

you hear eloise snort. turning your head towards her, you see she has completely sucked in her lips. to her left, kathani smiles massively. to kathani’s left, violet remains ever poised but with wide, sparkling eyes. you still feel self-conscious but are infinitely amused by whatever is happening to the bridgertons and, with a playful smile on your lips, return your gaze to benedict.

“thank you, mr. bridgerton. i had felt uneasy with an unnerved stomach earlier, but i am glad to know that my health appears to be in proper order.”

and you deeply curtsy at him.

from above you hear the sweet giggles of the youngest bridgertons. ahead, in your periphery, you see how anthony closes his eyes as he sucks in air through his nostrils and how colin, with an unabashed laugh, clasps his hand onto benedict’s shoulder.

“well!” anthony booms, attempting to control his smile on what ought to be an authoritative expression. “i believe we have a ball to commence. shall you lead the way, viscountess?”

and with an expression both equal in authority and warmth, kathani declares,

“i shall.”

𝄆 ⚘ ✸ III.iii ✸ ⚘ 𝄇

you had grown ease of mind knowing that you would not be asked to dance. not only were you a stranger to everyone in the ton aside from the bridgertons and penelope, you were also not handsome like the debutantes flitting about the room, swishing prettily in their gowns, strategically but delicately fluttering their eyes at a gentleman with which they wished to dance. with anonymity and a plain face, you enjoyed the haven of people observing, snickering at the artifice and smiling at the sincerity. kathani chatting with her guests. anthony standing by her side. penelope dancing with colin. eloise hiding behind a plant. violet beaming at her family. (you tried to convince yourself that you had not noticed the absence of a particular person.) your nerves have finally begun to calm, finding content in your station at the margins of the dance floor.

when colin bridgerton approaches you, hand outstretched in your direction, with a twinkle in his eyes.

“miss y/l/n, may you do me the honor?”

“i’m sorry, what?”

he laughs.

“will you dance with me?”

you gape at him.

“you’re mad.”

“my mind is perfectly intact.”

“this is unwise.”

“this is the best decision i have made this night.”

“i shall surely step on your toes.”

“i have worn my sturdiest shoes for the occasion.”

the corners of your mouth tug down into a moue at the third bridgerton’s stubborn charm. his grin merely widens as your eyes narrow to slits at him. penelope approaches from behind the beguiling imp and smiles warmly at you.

“it will be fun,” she encourages. “i promise.”

penelope! no!

“et tu, brute?” you bemoan.

she shrugs.

“what is a ball without dancing?” penelope offers. sweet innocence colors her voice, but the delighted glint in her eyes reveals her true duplicitous nature. she knew exactly how to play the game of this conversation, no doubt a devious plot concocted between her and her beau.

you sigh.

“fine,” you huff, slapping your hand into colin’s palm. “i would be honored, mr. bridgerton.”

the diabolical duo laughs at the sarcasm that drips from your words as colin leads you to the lineup on the dance floor.

–

“how is the dance treating you, miss y/l/n?”

“i hate you.”

colin guffaws. (you see in your periphery how heads shift towards him and how eyes narrow at you. the partner you had just left looks at you with particular scrutiny.)

“if your hatred towards me is the cost of you enjoying the ball, then it is a burden i shall carry, and happily so.”

“has anyone ever told you how infuriating you bridgertons are?”

“no, but we very well know that we are,” he grins, “and we take immense pride in it.”

you groan, throwing your head back. (you hear murmurs around you. not ladylike.)

“are you truly not having fun?” the gentleness in his voice makes you look back at him. his expression is soft. sad. guilty. “we can leave the lineup, if that is what you would like.”

you consider his words and his offer.

“i am having fun,” you reply truthfully. his eyes light up at that and your heart warms at the sight. “it is just— being in a circumstance so wholly unfamiliar— it’s overwhelming, is all, i think. but…” you feel a smile form on your lips, “knowing that you all—as infuriating as you bridgertons are—are here with me, by my side, wanting me to enjoy myself, wanting me to be happy, it makes all the overwhelming feeling worthwhile. i am happy. you all make me happy.”

colin doesn’t say anything. he just stares at you as the two of you dance still. you are about to inquire—

“i am grateful to call you my friend, y/n. becoming your friend has been one of the greatest blessings to have been bestowed upon me and my family.”

you suck in a breath.

as is becoming yours has been one of mine.

but another thought also lives in your mind. so, on the exhale of your breath, you smirk.

“only second to falling in love with penelope, yes?”

he laughs, an uncharacteristic shy smile forming on his lips as he looks at his feet and then back at you, eyes shining incandescently.

“i hope you do not take offense to being second.”

“being second to penelope is truly, sincerely, still a victory in of itself. you are very blessed, indeed, to be her premier.”

you did not think colin’s eyes could shine brighter than they had mere moments prior, but you suppose— no, you are certain that this is the effect that the love of penelope featherington has on the third eldest bridgerton: the light in colin’s eyes is absolute radiance.

“‘very blessed’ is to put it very lightly.”

with unabashed grins, you and colin continue to dance. you have to walk most of the steps, often keeping good on your promise and stepping on his toes, but your partner is deterred neither by your incompetence nor by his injuries. the two of you laugh (drawing leers from the other guests, you notice but brush off) and end your dance with exaggerated flourishes of a curtsy and a bow to one another.

“you underestimate your dancing skills, miss y/l/n,” colin remarks with a beam.

“see if you feel the same after tending to your bruises, mr. bridgerton,” you beam back.

“colin bridgerton!”

you both whip your gazes to the call of colin’s name and see a man fastly, eagerly approaching.

“hastings!”

hastings? why does that sound familiar?

colin and the absurdly handsome man embrace, smiles broad and sincere.

“i was uncertain you would be joining us on this occasion.”

“we would have seen to arriving early, as we had intended, but augie is proving to be quite unpredictable with his tantrums as of late.”

“he must take after his uncles,” colin smirks with odd pride. that makes the other man chuckle.

“unfortunately, it seems to be so.”

he then shifts his gaze onto you. his expression is curious and— sweet? kindly. you feel yourself become rather self-conscious as you notice, in your periphery, colin assuming a posture of gentlemanliness.

“my apologies for my dreadful manners. simon, this is miss y/n y/l/n. y/n, this is simon basset.”

simon bows most graciously at you.

“good evening, miss y/l/n. it is a true pleasure to finally meet you. i am simon basset, daphne’s husband.”

daphne?

as in daphne bridgerton?

you recall the day you and benedict toured the art gallery: a portrait, a fairly recent one, it seemed, of a beautiful young woman and a beautiful young man—the duchess and the duke of hastings, the plaque read.

your jaw drops.

“you are the duke!” you remember the etiquette kathani taught you. “your grace!” and you sloppily curtsy.

simon laughs.

“that is hardly necessary. please, if you feel comfortable in doing so, call me simon.”

“yes— of course!, your— simon,” you compose yourself. “and you may call me y/n; i would prefer it, actually.”

simon grins.

“then, y/n, may i have the honor of having your next dance?”

your jaw drops again, your composure completely falling away. you look at simon, who is utterly amused by your reaction, and then to colin, who is utterly delighted by the turn of events, and back to simon.

“that is a mistake.”

that earns guffaws from both of the men. (you feel stares falling upon them and, once again, scowls falling upon you.)

“i am more than willing to make that discovery for myself, if you will allow it.”

you throw back your head (ignoring the additional glares shot your way) and, with a sigh, whip it back to look at simon with a fatigued, but earnest, smile.

“i shall allow it.”

colin bows his head at you, his grin having never left his countenance since the end of your dance together, and steps to the side as you place your hand into simon’s outstretched one and are led to the next lineup by the duke.

–

“has the duchess accompanied you to the ball this evening?”

“while it is poor courtesy to speak on behalf of my wife when she can speak for herself, i can say, with confidence, that she would much rather you call her daphne.”

“kathani had taught me your society’s etiquette in preparation for the ball, in the event it would be necessary,” you roll your eyes. “while i find it all utterly ridiculous, and entirely unnecessary for me in particular, i want to honor the knowledge that my teacher has bestowed upon me as a way to honor her.”

simon grins.

“you are a dedicated student. indeed, she is in attendance. the last i had seen her, she was tending to benedict.”

your heart sinks.

oh no.

“tending to benedict? is he unwell? did something happen? is he all right?”

you hear how your voice rises in pitch and grows louder and more frantic with each word. (you try not to care for the stares that you feel on you. they are not of importance right now——or ever.)

is that why i have not seen him all night? because he is in poor condition? shall i leave the ball? shall i see where he is being tended to? shall i—

“y/n?”

oh. yes. you were having a conversation with simon.

“sorry, what did you say?”

“i had said that i did not mean to worry you,” simon says sincerely, but there is something in his smile. not suspicious, neither mocking nor teasing. it is as if he is withholding the full expression of his emotion. “i simply mean that she is speaking with him and— encouraging him, is all.”

you feel the entirety of your body, mind, heart, and soul ease; but now, you are perplexed.

“encouraging him? whatever for?”

“i had not stayed with them long enough to hear the details of their conversation; i had sought you out rather immediately.”

“me!”

the dance had timed perfectly that upon receiving such information, you are forced to turn to another partner (who is unnerved to have you as a temporary companion). when you reunite with simon, his chuckling has mostly subsided.

“indeed. the viscount had encouraged me to ask you for a dance. the viscountess then stated that you required the practice.”

“i—— am utterly lacking in words in how to respond to that.”

“if it is of any comfort to you, it was something i had already intended on doing.”

“that is, rather strange?”

he grins.

“i can see how that is so from your perspective, yes. but from mine,” and it surprises you how suddenly simon’s countenance softens, “i had to find out for myself how wonderful this y/n y/l/n is to have so easily won the affections of all the bridgertons at number five. daff and i, as well as francesca, were becoming quite jealous that we did not have the good fortune to spend time with you as the rest of the family has had.”

“the family has… spoken of me?”

“in these past months of knowing you, you have become their most beloved topic of conversation. hyacinth and gregory idolize how resplendent of a storyteller you are. eloise adores being challenged by your intellect. colin aspires to your ferocity of quick wit. kate cherishes every discussion you share together. anthony reveres your unwavering resolve. violet becomes overcome with delight at every recounting of a memory in which you are involved. and benedict…”

you swallow.

“yes?”

you hear how feeble and quiet your voice has become.

“never stops speaking of you; so much so that it would be impossible to abridge what he loves in you.”

you shut your eyes closed at the words “he loves” and attempt to control the tears that threaten to flow at the word “you.”

the love he has for you is not the love you have for him.

“i— i did not know that they held me in such high regard,” you whisper.

you flutter your eyes open, grateful that no tears have fallen, and are greeted by the gentlest of smiles from simon. it assuages your soul.

“the highest of regards. they care very deeply for you.”

“and i care very deeply for them,” you declare softly. you then feel yourself break out into a smile. “i cannot say the same for you, yet, but i can see it forthcoming.”

simon throws his head back with a loud laugh, your smile transforming into a large grin (as you ignore the scowls that fall upon you). simon whips his head back to you, and he too wears a large grin.

“i am honored that you see the potential within me.”

with a final spin, you and simon release the other’s hand, ending the dance in a curtsy and a bow, both of your grins non-faltering.

“thank you for bestowing me the honor of dancing with you.”

you snort. (you hear scoffs and other suppressed noises of disapproval.)

“i fail to see how much of an honor it is to have someone incessantly knock into you, but if such is your feeling,” you curtsy with much theatricality and, upon your rise, let out a sigh of relief. “now, i shall retire to the margins once more.”

simon, once again, looks as if he is withholding the full expression of his emotions, but in it you detect— delight? you narrow your eyes.

“what?”

“you are not meant for the margins, y/n; please forgive me,” and with that, simon bows, his smile still non-faltering, and turns to leave you in the middle of the dance floor.

you are about to call out his name, curious and agitated by his vagueness—

“y/n?”

you turn around to the familiar voice and are greeted by a smiling anthony.

“oh no. are you going to ask me for the honor of having my next dance?”

the viscount looks as if he is about to howl with laughter and attempts to mask it, poorly, with his absurdly elated smile.

“is the idea of dancing with me truly so appalling?”

“the idea of dancing more is what i find so appalling.”

“i shan’t force you to do anything you do not want to do.”

“but how will your pride take it?”

this time anthony fully howls (earning looks of confusion at the host and their looks, predictably, turning to glares when they trace the impropriety back to you).

“i am always working on humbling myself,” he says, his expression softening. “i assure you that i, as well as my pride, can manage your rejection if it means that you are happy. you need not worry about my well-being.”

these damned bridgertons, and their damned charm, and their damned sincerity.

despite your internal accusations, you smile. you offer your hand (hearing a gasp or a few around you), and beaming, anthony takes it.

–

“you look like a princess, y/n!”

the saccharine words of hyacinth echo in your mind. with the transmutative magics of your fairy godmothers in mama, violet, kathani, genevieve, judith, alice, and the maids of bridgerton house, the impossible was made possible: you look like a princess. but it is not until this very moment, after descending a regal staircase, after entering this enchanting ball, after dancing with two dashing gentlemen and now a third, that you feel like a princess. you recall how you and your siblings played imagination; how you often asked to be the princess; how you did it so often that mama sewed you a dress from scraps of fabric and papa crafted you a crown out of discarded branches and your elder sister announced you as princess y/n whenever you played and your younger sibling waltzed with you around the first floor of your home. it makes you elated with childlike wonder how fortunate you are to be here and how lovely it is to be here, how strange and wonderful it is that imagination has become real life; as if it is all a wish for which you did not know you had wished, a wish that you did not know you had wanted to come true until it came true.

but—

“is there something on your mind, y/n?” you hear anthony ask, sometime after returning to him as your partner. “you seem pensive.”

“ah, yes. despite my gripes with you, and your brother, and your brother-in-law insisting on dancing with me—”

“i gave you an option not to do so!”

“i am not finished speaking!”

he huffs out air through his nostrils, waiting with what seems to be a morsel of patience for you to continue.

“despite my gripes with you, your brother, and your brother-in-law insisting on dancing with me—” anthony gives you a tired look that of an older sibling; you grin, “i am enjoying myself. i just wish, i just wish my family could be here with me, to enjoy it too.”

anthony’s expression softens immediately, and it makes your heart tighten. you know with what gravity, duty, and love he looks after the entirety of his family; you have witnessed it at every given second since becoming his friend. if someone were to be with you as you navigate this pain, you are glad that it is anthony.

“we shall invite them to the next ball we host,” he declares. your jaw drops. “it was a lack of foresight on my part for not doing so for this occasion, and i shan’t make that error again.”

you try to do rough estimations of what costs that would entail for the bridgertons— dresses and coats and shoes and four to six sets of two abstained days of work at least.

“anthony, i cannot possibly ask you to—”

“you did not ask,” he grins. “i offered. and i do so wholeheartedly. it shall not be a trouble for us, just strategic planning as kathani and i work the books. and before you protest—” you frown, both disappointed and flattered that anthony could sense your retaliation, “it is something i—as well as the rest of the family, i am certain—wish to do. if you won’t consider it for yourself and your family, then perhaps consider it as a gift to us selfish bridgertons.”

that makes you laugh loudly as you feel tears form in your eyes (whispers of you be damned). expression turning gentle once more, anthony continues,

“it would be an honor to finally meet your family. if they are even an inkling like you, then they must be truly wonderful, indeed.”

with a small sniffle of your nose and all the gratitude in your heart, you smile.

“they are. they are truly wonderful. i love them so much.”

anthony smiles in return with a nod of his head.

“then it is settled.”

“you are a good brother, anthony.”

you have wondered often if that is something anthony knows. while the bridgertons’ love for one another is apparent in all that they do and say and breathe, you haven’t heard them say very complimentary things to one another, particularly to the eldest. it is typical of families to tease and to jest, you know that intimately, but you also know how important, then, it is to tell your family what you truly think of them, how you truly feel of them. they ought to know just how much they are loved.

though his overall demeanor is composed and dignified, the softness in anthony’s eyes reveals his true emotion.

“and you are a good sibling, y/n.”

< their dance eventually comes to an end. someone approaches them. >

“good evening, brother,” benedict turns his ocean eyes to you. “good evening, y/n.”

“good evening, benedict.”

you vaguely hear something in your periphery. you turn to it and see a brilliant grin lighting up the viscount’s countenance.

“huh?”

“i had said that the viscountess is calling me over to her. i must pardon myself.”

“oh. yes. farewell, anthony.”

his grin broadens, dimples forming in his cheeks, and he bows. you see how, as he brings himself upright, his eyes shift towards his brother, the delight in his grin never leaving but something in his eyes… softening? before you can fully process it, he has turned and now walks towards kathani.

you turn back to benedict.

“i—— good evening, y/n.”

“good evening, benedict. though, we have already greeted each other this night, just moments ago.”

“ah, yes— that—— that would be correct. and— is… correct.”

he is anxious. your heart aches at the sight, and you want to reach out and touch him, comfort him, ease whatever his concerns are—but you refrain.

benedict clears his throat.

“are you— are you enjoying yourself?”

while heavy by benedict’s current state, your heart cannot help but glow brighter at his question.

“yes, tremendously so. the dancing has been plenty fun, despite how horrendous i am at it.”

that makes benedict laugh, and relief floods your body, mind, soul, and heart. it is good to hear him laugh. to see him smile.

“i do not think you are as horrendous as you think you are. your form has been quite good.”

you cock your head, feeling the scrunch of your eyebrows and the smirk on your lips.

“you have been observing me?”

his jaw drops, his body stiffening again. suddenly shy, he looks at his shoes and, with a cough, looks back up at you, and you attempt to hold in your gasp.

how.

how is that, after all this time, he makes these butterflies within me flutter still.

“i— i do not have a clever diversion for that. yes; yes, i have. i suppose i have been building the— the courage within myself.”

“‘the courage’? the courage for what?”

he swallows.

“to ask you to dance with me.”

oh.

“oh.”

he looks… he looks scared. exposed. vulnerable.

you feel them within yourself, too.

he offers his hand.

“may i dance with you, y/n?”

you place your hand in his.

“yes. yes, you may, benedict.”

i am terrified of nothing else and would love nothing more than to dance with you.

benedict leads you to the floor, his ocean eyes never leaving yours, your eyes never leaving his.

the quartet starts up, and you detect how it is music for a waltz. of all the dances you were taught, even you can admit that you were best at learning the waltz.

…

you curtsy as he bows. benedict places his hand on your waist, and you try not to elicit your gasp from feeling his touch.

< their dance commences. they are silent. a lot of staring and shit.

< notably, y/n is not cognizant of the ton’s perception of her while she dances with benedict as she had been with her previous partners. it seems her sole focus in this moment is dancing with benedict, being with benedict. her heart, mind, body, and soul is with him.

< y/n’s mind goes Rampant when benedict places his hand on her exposed shoulder. >

do not close your eyes, you reprimand yourself. if you close your eyes, you will indulge. you will indulge in this sensation. in this touch. in his touch. in benedict’s bare hand on the expanse of your exposed skin. in imagination. in fantasies. in thoughts. in other thoughts on other parts of your body that you so, so very much want him to—

“i had not spoken properly.”

you try not to shudder a gasp upon hearing his voice.

“pardon?” you say, a bit breathless. the dance calling for it, benedict twirls you, and you are now face to face again.

“earlier; when i had commented on your appearance, i had said you looked well.”

you snort, recalling the peculiar word choice, and that earns a smile from benedict.

“what i had meant to say is—“ he swallows, “you look beautiful, y/n.”

“i think,” you respond perhaps too swiftly, “that is testimony to genevieve’s skill and not to my appearance.”

“i think genevieve only enhances what is already there.”

you want to change, you don’t want to change— you do want to change the topic. you cannot handle whatever— whatever benedict is insinuating. the indecipherable, intense, attentive gaze of his ocean eyes on you. it is so much; it is too much.

“she spoke of you.”

shit. why did i say that?

his face immediately falls, ocean eyes transforming with it.

shit.

“genevieve spoke of me? with you? why?”

“kathani had accompanied me to the modiste, and i had shared with genevieve how i became acquainted with penelope and the bridgertons,” you half-truth. “talking about the family, and then you, was a natural consequence.”

“what did she say? about me?”

you try not to wince at the urgency in his voice.

“she shared how you and she had— an intimate and passionate acquaintance,” you divulge, using the words your friend had to describe the artists’ relationship. perhaps you imagine the sensation, but you feel benedict wince as you dance. “and that it was brief and no more.”

“she said that? ‘brief and no more’?”

“indeed.”

he sighs. you detect relief in the exhale, but perhaps you had, once again, imagined it. you always had an active imagination; trying to bend what you perceive to what you wish was real.

“i see,” is all benedict says.

“do you care for her?” you inquire. it is truly masochistic, what you are doing. but you cannot help yourself. it is something you often do when benedict is near. when you and he are so close.

there is a small silence.

“i did. at least, i think i did,” he shares. “i was hurt when our— acquaintance came to an end, but i was not heartbroken. i had known nothing of heartbreak, not until—”

and he suddenly stops speaking, sucking in his lips.

“until?”

“nothing. nevermind. forget i had said anything,” he says all too quickly. you laugh, and he scrunches his face in adorable disapproval at you.

“well, that only makes me the more curious, benedict! the mystery of it, and your very clear blush, indicate it must have been quite the event.”

“i am not blushing!”

“you cannot lie about something i can literally see.”

“you are infuriating.”

“and what do you think you are?”

benedict just pouts at you, though you see the twinkle in his ocean eyes. you want the twinkle to be of affection, but you will settle for amusement. for friendship. you take pride in how you can elicit this reaction out of him. you take joy in how he can elicit this reaction out of you. you love him, and you are grateful that is something you can say and know and feel. even if he does not love you as you love him.

“the first time i felt heartbreak,” he begins, finally giving in. you perk up in anticipation. “was when— was when you had walked out of the house after i had crumpled the paper to the floor.”

you nearly stop in your tracks, halting your waltz with benedict entirely, until you find a way to recover and continue the steps with him. he is looking intently at you, waiting for your response. you inhale a breath and on the exhale say,

“oh.”

it is a pathetic response, but it is the only one you can muster at this moment. breath has entirely left your lungs, your heart palpitates at a maddening rate, the lightning of benedict’s touch and proximity magnifying at every passing second.

“i had hurt you, this person whom i—” he swallows, “whom i care for, deeply and completely. i was, and am, ashamed of my deed and the arrogant thoughts and beliefs that led me to do it.”

“i have long forgiven you for that, benedict.”

“it is something of which i am not deserving.”

“you cannot tell me what to think or do,” you challenge, arching an eyebrow at him to add levity to the conversation. benedict smiles, despite himself, and it makes your body flood with relief and joy.

“i would never dare.”

“as you shouldn’t,” you grin, then inhaling and exhaling through your nostrils. “you need not flagellate yourself for what you did. that accomplishes nothing, and guilt is entirely useless in the structures that be,” you say resolutely. more softly, you continue. “my forgiveness is something i gave you willingly because it is what i truly wanted. because i knew, and know, how you wish to do better. i see that in everything you do; in your art, in your character. it is something i admire in you.”

benedict simply stares at you, his ocean eyes impossible to decipher again. his gaze is overwhelming, but you refuse to break it.

“i was about to say how undeserving i am of your compassion,” he says, “but then swiftly realized you would have just admonished me.”

you laugh.

“you were correct in thinking so, yes.”

he looks at you still, his expression still impossible to decipher, but there is something soft about it.

“thank you, y/n.”

the butterflies within you flutter once more.

“and if you ever wish to discard your paper again,” you diverge from your feelings, “simply hand it to me. i am always in need of more.”

he laughs fully, the corners of his eyes crinkling with delight, and you feel the flutterings violently rage within. perhaps diversion was not the wisest choice (or perhaps it was, if it meant that you were the one to make benedict laugh like that).

“i have gotten quite good at maximizing the amount of negative space on a sheet, but nothing would delight me more than to support your writing.”

“i am most grateful for your patronage, mr. bridgerton.”

benedict makes something of a gagging noise, and you snort loudly.

“you are making it strange with the master-servant relation, y/n.”

“ah, so you are learning,” you comment with a sagacious nod of approval. it is now benedict’s turn to snort.

“what can i say?” he grins. “i have the greatest of teachers.”

“they have done quite well; please give them my regards.”

“i shall.”

and with the music coming to an end, you turn to face one another, wide and wild smiles on your faces. you curtsy as benedict bows.

“may i fetch you a drink?” he inquires after you are both upright again.

“is alcohol served at these occasions?”

benedict laughs.

“champagne it is.”

he gives you one more bow, lingering a moment more with one more smile, before taking off to retrieve your drink.

you try to bite back your smile, but it’s entirely useless. you twirl in your spot, feeling the swish of your dress in the spin, for you cannot help yourself. you cannot help how much joy radiates off of you in this moment, how giddy you are. it feels like a fairytale. you look in the direction benedict took off and feel your smile widen.

it is dangerous what you are doing— indulging in this. but you do not care.

this is undoubtedly the most wondrous night of your life.

“so you’re the pauper that the bridgertons have invited to their ball.”

you freeze.

“how else would you have been asked to dance by the host—the viscount and a bridgerton, nonetheless; his two brothers; and the elusive duke of hastings? it is an endearing sight, really.”

her posse snickers.

“the bridgertons have always been so kind and thoughtful in that way, extending their hands to the less fortunate. why they chose you, however, remains a mystery. if it were a pretty face that appealed to them, i perhaps could have understood, but you are simple at best.”

“you are cressida cowper,” you state.

penelope and eloise had warned you about a cruel creature amongst the ton, and the young woman before you matches all of the criteria they had described: icy platinum hair, draconian eyes, and a haughty disposition that ought to be reserved for the royals.

cressida daintily gasps and smiles at you with what seems to be all the mockery she can muster.

“i see that my reputation precedes me! though, only those of my standing can refer to me as such. cannot have my name tainted by the mouths of the lowly.”

you feel the gazes of other guests on you. you hear muffled sneers.

this is entertainment for them.

you should say something, stand up for yourself— against cressida, against her posse, against the ton— but you don’t. you can’t. your mouth has gone dry, your mind has gone silent, your body has gone numb. you have never, ever felt more powerless.

“your dress— did the bridgertons pay for it? of course they did. pity, though, for their wealth to go to waste on such an offensive thing. allow me to assist you—”

and she pours her drink onto you.

you try not to gasp at the chill of the liquid making contact with your skin. looking down, you see a reddish purple stain seep into the cream fabric of your ball gown as it continues to travel downwards.

you hear cressida giggle. you look up.

“better,” she simpers. “beautiful at last.”

her posse sneers with delight. the guests who had tried to suppress their laughs do nothing to hide their mirth now.

this is entertainment for them. my humiliation— it is entertainment for them.

you step into cressida’s space, eliciting a stunned gasp from her as the others follow suit, and shove your face as closely to hers as possible.

“if we were not in your domain, i would rip out your delicate hair and strike my hand across your pretty little face. but i am a lady—not in blood nor in title, but in character. and with your words and your deeds, you have shown just how utterly undeserving you are of such a title with your complete void of morals, compassion, and integrity. i do not care what you think of me, cressida, or what drinks you pour on me because i can rest easy in my sleep and waking hours knowing with perfect certainty that i am nothing like you. i bid you good night.”

and maintaining the ferocity of your glare on her horrified eyes, you muster up the most mocking, deep curtsy you can, turn, hitch up your skirt, and run away. you cannot care for the booming silence from that creature and her posse, for the murmurs and glowers of the ton thrown your way. you cannot take time to process what words a flutters-inducing voice snarls at cressida.

no.

you must simply run away, quickly and efficiently, because you refuse to give into these monsters’ satisfaction of seeing your tears.

𝄆 ⚘ ✸ III.iv ✸ ⚘ 𝄇

the cool air of the night whips your face as you run as far and as deep as you can into the gardens. you curse your damned shoes, for they are slippery and nothing like your sturdy boots, and they make you realize even further how much you have fucked up in allowing yourself to get this far. in allowing yourself to go to the ball, in allowing yourself to dance, in allowing yourself to fall in—

feeling your shoe catch on something, you fall forward and throw your hands out in front of you, your gloved palms digging into the bark of a tree trunk as you attempt to steady yourself. you attempt to control the staggered rhythm of your breath, the sobs that choke out of your throat, the palpitations that threaten to collapse your heart.

why did i allow myself to get this far?

“y/n—”

you snap your gaze over to the call of your name as your stomach knots, somehow, even now, with flutterings upon hearing his voice.

“benedict, no— just— no,” you manage to croak out, stepping away from where he approaches. you hold up your hand, as if it is a magical force that will push him away. it does not. “just go, please, just go.”

“i refuse to leave you, y/n, you are hurt—”

you cackle, sniffling the snot that tries to escape your nostrils. you push your remaining hand off the tree and turn towards him.

“hurt? what gave you that impression? is it the tears? they are just water, benedict, they will dry.”

“this is not the time to jest!”

“then what do you want of me!”

“to allow me to help you!”

“why! why do you care! why do you care for some, some low status person like me!”

“that is not how i see you!”

“THAT IS WHAT I AM.”

he freezes. you feel yourself clenching your hands into fists, your nails digging into your palms through the satin of the gloves that were bought for you.

“you are the son of a viscountess, a brother to a viscount. i wonder every day if my family will have enough food to eat at our one meal. we—” you gesture between the two of you, “—are not of the same world. and maybe, maybe it should have stayed that way. to, to have stayed in our own worlds. we should have stayed in our own worlds!”

“and is that what you want?” he shoots back.

“what?” you snark.

“is that what you want? for us to stay in our own worlds?”

you fall silent, words suddenly failing you, breath suddenly leaving you. he huffs out a breath and continues.

“if that is what you want, i shall stay away from you. i shall never bother you. i shall never hurt you as i have. we shall—” benedict swallows, “we shall forget each other. if that is what you want, y/n, i shall give it to you.”

you do not respond to him. you stare into him as he stares into you.

“is that what you want?”

you shake your head as you feel fresh tears rush to your eyes.

“then what do you want?” he softly asks.

you flutter your eyes closed and breathe in. on your exhale, you open your eyes to the tear-blurry sight of benedict still looking at you with such tenderness in his ocean eyes.

“i want you,” you whisper.

you barely have time to process anything else when benedict surges forward and wraps his arms around you in a crushing embrace. tears fall even harder than before as you cry into his chest and wrap your arms around him.

benedict pulls back from the embrace to look at you, to cup your cheek, to wipe away the tears that fall so quickly from your eyes.

“i want you, y/n. i want to be yours. i want to be in your world, i want our worlds to be one. i want to go wherever you go. i want to make you laugh and to make you smile every day and every night; i want to do everything with you. i want to be with you, to share this life with you. from the moment i met you, from the moment you intended to shake my hand, i have wanted nothing more than to share all the time i have on this earth with you. i do not care for balls, i do not care for the ton, i care— i care for you, y/n. these are not the circumstances in which i wanted to confess this, with you crying and us yelling at one another, but i must be true with you. i—”

“benedict?”

“yes?”

“may i kiss you?”

benedict’s jaw drops and you laugh at his shock, sniffling your nose as you beam at him. he quickly recovers, breaking out into the smile that has always made you flutter with butterflies, the smile that you always secretly hoped, dreamed, wished was reserved for you. and you begin to think that, after all this time, perhaps it is.

“good god, please, yes—”

he barely completes his ‘yes’ when you jump forward to crash your lips into his. benedict practically trips backwards with the force of your eager leap, the two of you laughing into your kiss at the messiness of it all, as he holds you both steady.

this is your first kiss. you are so glad that it is benedict.

and somewhere within you blooms the hope that he is your last first kiss.

you have no idea what you’re doing, or what you should be doing, but you are far too much enjoying having benedict’s lips on yours, your hands on his cheeks, his hands on your waist, and your bodies pressing more and more into each other to give the slightest care. and the smile you feel against yours makes you think that benedict doesn’t mind—at all.

you pull apart to breathe, but your lips do not move far from one another.

“i love you.”

“i love you, too.”

“and i am sorry.”

“for loving me?”

you feel benedict jump back as he holds you, his face absolutely crestfallen, panic flooding his eyes, and he’s about to open his mouth to speak when you giggle and peck his parted lips with yours.

“i’m teasing you, my love.”

benedict’s eyes soften but quickly glint with mischief. you’re curious about the expression when you feel him tickling the sides of your waist.

“okay, okay!” you gasp with laughter as he tickles on. “i— i yield, i yield!”

benedict grins victoriously, his tickles fading into him softly rubbing circles on your waist.

“i am sorry for saying that is not how i see you, when you spoke of your social standing. i had not meant it that way, but i understand now how it was understood, and i should not have said it as i did. i know that i have lived a life of unfathomable ease with the wealth and circumstances into which i was born. the privileges i hold are not things i had reflected on, really, until— until i met you.”

you soften at his earnestness, by the way he humbles himself before you. but you cannot help the giddy mischief that bubbles from within.

“did you only reflect on your privileges as to win a femme’s favor?”

benedict’s jaw drops again, but you see how his ocean eyes shine with like-minded playfulness.

“do you truly think so lowly of me?”

you grin.

“perhaps.”

you feel benedict teasingly threaten his hands into tickling position onto your waist, and laughing, you shoo them away. he grins and softens his gaze once more.

“what i wanted to say to you earlier is— i wish you did not speak of yourself so harshly. as if you are unworthy of care from me because of your status. i care for you, i love you, y/n, as you are. as you were, as you will be. with all your circumstances, all your experiences, all your deeds, all your words, all your thoughts, all your feelings. for your heart, for your mind, for your soul. i love you because you are you, and i wish for you to see that, for you to see you as i see you. as so many of us see you.”

“i— i do not know what to say.”

“you do not have to say anything; just to, if i may ask of you, seed my words into your heart and mind and soul and know them to be true, wholly and completely,” a playful smile forms on his lips. “though, i must say, i am rather pleased with myself for rendering a writer with ferocious conviction speechless.”

you roll your eyes, but your voice is soft.

“you have had that effect on me for quite some time, benedict.”

benedict swallows and gently rubs circles onto your waist again.

“i love you, benedict.”

“i love you, too.”

< y/n and benedict, hand-in-hand, start to walk towards the house; they are taking their time. >

“are you certain you want to return the ball?” benedict inquires. “we can stay here in the gardens and wait until the last of the guests have gone.”

you hum.

“i would like to dance.”

“ah, was there a gentleman or a lady who caught your eye, miss y/l/n?”

“oh, loads. i hope it won’t make you terribly jealous, mr. bridgerton.”

“it will, but i shall simply stare at them maliciously if their hands are to roam.”

“yes, my form is reserved for your hands and your hands alone.”

you exchange grins.

“indeed.”

benedict nuzzles his face into the crook of your neck, and you laugh. he lifts his head and plants a soft kiss on your temple.

“are you certain? i do not mean to doubt you or your wishes to dance. we can dance out here, under the bright light of the moon. i want you to feel content and safe.”

“i do feel content and safe. with you. with the family. within myself. i shan’t let the ton or cressida ruin my first ball. though, the idea of dancing in the moonlight is quite enticing. perhaps another night?”

“you have my word,” and bringing your hand to his lips, he kisses your knuckles. a serene silence falls between you two until benedict makes some sort of a noise in his throat, as if to clear his voice.

“i, uh, must say,” benedict begins, “your confrontation with cressida was, uh, quite— alluring.”

you stop, letting go of his hand, and stare at him.

“alluring?”

a delicious blush colors your love’s face.

“indeed.”

a newfound bravery blooms in you.

you step into his space, not breaking eye contact with his blown out pupils, the ocean of his eyes mere outlines. you sneak your lips towards his ear and hear a soft whimper emit from his lips.

“is that something of interest to you, mr. bridgerton?” you murmur, your bottom lip barely grazing his earlobe. you feel him shiver and inhale. “when you see someone be put in their place?”

he exhales frantically.

“it is something of interest to me when— when you do it,” he admits, as if out of breath. you smile, pressing your bottom lip softly into his earlobe. he does nothing to hold back his moan as you do everything in your power to hold in yours.

“that is good to know,” and quickly rip away from him.

in your step back, you take in benedict’s state—flustered, expectant, ruttish—and wink at him. you turn and walk away at your leisure, putting on a performance of superiority as you hide your own arousal.

it is only a few moments later that you hear benedict follow you.

“you,” he says, voice still fraught with desire but full with love, “will be the death of me.”

you look back at him and grin.

“and what would you like me to put on your epitaph?”

“benedict bridgerton, he who, in life and in death, loves the best soul to have ever existed.”

you cannot help your giddy self and close the distance between the two of you once more, grabbing his face and pressing your smile into his. benedict happily obliges as he places his hands at the low of your waist and pulls you closer into him.

< they get into it!

< y/n takes off her gloves so that she can touch benedict; she is about to throw them on the ground. >

“wait—”

and he takes your gloves.

“hm?”

“your gloves. they were costly to make,” benedict states as he stuffs them into the inside pockets of his jacket. “i don’t want to be flippant in letting them be discarded to the ground.”

you gape at him.

“you concern yourself with the cost of my gloves?”

“why, yes, of course, it is something i—”

you clutch onto the lapels of benedict’s jacket and push him backward into a nearby hedge, his mouth now agape and his pupils dark with a desire you very much want to satisfy.

“i find your consideration quite alluring.”

in the midst of his apparent arousal, benedict giggles, and that makes you grin.

“what is it?”

“a hedge, y/n? of all things to anchor me against?”

you roll your eyes.

“it was this, benedict, or the bark of a tree.”

“ah, so i should be grateful then.”

you repeat his words with sped up mockery, making him laugh and the corners of his eyes crinkle in the adorable way that is so very distinctly benedict, and you capture your love’s lips again to shut him up, smiling and laughing into the kiss.

…

“what do you want?”

“you. whatever you want, benedict, i want it. please.”

“are you certain?” he breathes into your ear.

“god, yes, benedict, please, yes.”

“then—”

benedict positions his head downward, burying his face into the crevice of your bosom, and before you can even begin to tease him for his absurdity, you feel the wetness of his tongue flat against the curvature of your right breast. your gasp of surprise quickly transforms into an ungodly guttural wail, feeling yourself dig your fingernails into benedict’s back, arching into him to steady yourself, as he painstakingly drags the flat of his tongue from your right breast against the expanse of your exposed chest to the length of your right shoulder. dazed and euphoric, you feel how benedict sneaks towards your ear, hovers it, panting ragged breaths,

“i’ve wanted to do that since you descended the stairs in that dress. and—”

taking your left hand, benedict pushes your middle finger and forefinger fully into his mouth. he methodically works his tongue against them as he guides your hand to pull and push in him, his blown out pupils never once leaving your intoxicated stare. you feel the desperate urge to throw your head back at the incandescent eroticism that throbs from your fingertips to the rest of your body, but may god smite you if you willingly tear your eyes away from the divine sight of benedict’s almost oceanless eyes gaping into you as his gorgeous mouth sucks on your fingers. just before you feel as though you are to fully blank out and ascend into the heavens, benedict rips your hand out of his mouth, the action creating an obscenely delicious ‘pop’ sound, and, wrapping his hand around your wrist, pulls you back into him, your face finding respite just below his shoulder.

“i’ve wanted to do that since first drawing your hand.”

you laugh-cry into his jacket.

“shit, benedict.”

your love laughs and nudges his head into yours and rests it there as he softly rubs circles on your back with his thumb.

“please—” good god, breathe, “please remind me to ask you more frequently what you want.”

“did you enjoy it?”

“no, benedict, i quite plainly hated it.”

“i’d be glad to accept your critiques.”

“i know you would,” you smile into his jacket and, lifting your head, are greeted by your favorite sight: benedict, with his soft smile and his gentle ocean eyes.

“i have never felt like that before,” you admit in a whisper.

“nor have i,” he whispers back. that shocks you, and you must have made your reaction visible because benedict emits a laugh through his nose, soft smile and gentle ocean eyes unfaltering.

“but you have been with others before; you’ve had similar experiences, yes?”

you had assumed that your exhilaration must have been, apart from it being benedict, rooted in your lack of experience in such things.

benedict brushes a loose strand of your hair away from your eyes and tucks it behind your ear, his hand moving down to cup your cheek, his thumb gently rubbing it.

“yes, but those were different.”

you cock your head in response. he smiles, as if it is apparent.

“because they are not you.”

the sweetness of benedict’s ocean eyes are quickly replaced with shock then delight and then you don’t know what because he closes them as you crash your lips into his. whatever you had just felt before, you want it again. you want benedict. all of him. and you want all of him to feel what you just had.

you lick his teeth, and granting your wish, benedict opens his mouth more, groaning, bringing his hands to the curvatures of your ass, pushing your bodies even closer together though no space left exists between the two of you. you move your hand to the back of his head and, gripping a tuft of his hair, pull it roughly just as you capture his tongue with your mouth and suck hard. the sounds that benedict produce in reaction are entirely inhuman, but you vaguely deduce he is trying to say your name, and you’ve never attended a concert but, my god, nothing will ever sound as harmonious as the symphony that is your name gutturally trapped in benedict’s throat.

continuing with the work you’ve done to undo benedict thus far, you take your other hand and start to rake it against his body, starting at the base of his throat, taking time and leisure to explore, lowering and pressing into his chest, wondering wildly what beauty exists behind his damned shirt, lowering and feeling the firmness of his stomach and trying not to completely undo yourself with the sinful, transcendent thoughts of putting your tongue there, lowering and lowering and touching something curious and unfamiliar and hard and—

when he pushes you off of him.

“benedict, i— i am so sorry,” you panic, “please, what did i—”

“no, no,” he swallows, “you did— you have nothing to apologize for, my love, you were— uh— you were doing quite——” he clears his throat, “you were doing quite well; very well, actually…”

you continue to frown, still concerned.

“then why are you so tottery?”

“because— because if we were to continue, i do not think— i know i would not last for— um, for very much longer.”

you jut out your hip, putting the knuckles of your fist on it, and furrow your eyebrows at him.

“benedict bridgerton, i still do not understand what you are trying to convey. speak plainly.”

“we should stop.”

your jaw drops, as does your hand from your hip.

“why?” you practically whine. you should be embarrassed by your desperation, but to be entirely frank, you couldn't care less. benedict huffs out a laugh, still breathless, and, stepping towards you, lays a tender kiss on your forehead.

“as much as i would love for us to continue, i think being in the family gardens with a ball being held a few meters away is hardly an ideal location for the more— involved aspects of such activities. the aspects i’d like to explain to you,” he takes another step into your space, lowering his voice to an unfamiliar but enrapturing gravel, “the aspects i’d like to show you.”

you swallow your whimper.

“i—— i would very much like that,” you manage. and then you grin, “though, exploring such aspects in the family gardens sounds like it would be quite the adventure. a calculated risk, if you will.”

the alluring tone of benedict’s voice is completely replaced with a giggle, and your grin broadens as you press even closer into him and nudge your nose against his. benedict rests his forehead against yours and flutters his eyes closed.

“what did i do to have you love me back?”

you flutter your eyes closed.

“you were you. you are you.”

𝄆 ⚘ ✸ III.v ✸ ⚘ 𝄇

< ahead, y/n sees kathani. she makes the connection that kathani must have accompanied benedict as a chaperone so that y/n wouldn’t be “disgraced” by having a man by himself chase after her.

< as the two approach the viscountess, kathani recognizes how disheveled y/n and benedict look and promptly fixes them to look more presentable. she takes some hedge leaves out of benedict’s hair. >

“i see that you are well, y/n?” inquires kathani.

“never better, actually.”

she laughs, a smile falling on her lips.

“i am sincerely glad to hear that.”

< they walk closer to bridgerton house. >

“you are fortunate that it was not anthony who volunteered to chaperone. he would have not reacted well to his loved one being dishonored, as he would say, particularly on family grounds.”

“oh dear,” you say, nervous and suddenly self-conscious. you do not want to be the target of the eldest bridgerton’s wrath. “what have i done to dishonor—“

kathani laughs.

“i wasn’t referring to you, chellam. i was referring to him,” and she juts her chin out at benedict.

“me!”

“anthony will be furious when he finds out that you have been— private,” she says, gesturing to his newly tidied appearance, “with y/n in the gardens. not very gentlemanly of you.”

“he won’t find out!” benedict pauses. “he won’t find out— right, kate?”

kathani just makes a face of feigned deep thought and you chortle.

“kate!”

“i do not keep secrets from my husband, benedict.”

“but what if it’s for love?” he implores. he says it facetiously, but you feel with what conviction he exudes his true feeling.

kathani’s expression softens as she looks between you and benedict. you offer a small nod and a smile, confirming her thoughts. she beams at you but then narrows her eyes at benedict. there is no heat to her gaze; she is, however, having the most sublime time making her brother-in-law squirm.

“i do not keep secrets from my husband, benedict,” kathani repeats. benedict groans, throwing his head back like a disgruntled child, and you belly laugh at him.

“i hope you are ready for gregory to be your second,” she continues.

you almost double over as benedict snaps his head forward to look at his sister-in-law.

“gregory!”

“indeed. it is a shame as well— anthony’s accustomed second being the one he has to duel,” she sighs dramatically. “oh well. colin will make a fine replacement.”

“this family is ridiculous,” you declare, grinning like mad. “gregory seems a tad young, though. what about eloise? i am sure she would be a more than suitable second for benedict.”

“oh, i have no doubt,” grins back kathani, “but i would not dare involve a woman in the idiocy of men and their ludicrous concepts of honor.”

you and kathani laugh loudly, delighted by how much you are enjoying yourselves, untroubled by benedict’s moping.

“it has been wonderful being in love with you, benedict,” you state simply. “it’s a pity that it has to come to an end so soon."

kathani snorts. benedict stops in his tracks and gapes at you.

“you think i would lose the duel!”

“anthony is more stubborn; he would let it fuel his will to live.”

“i think you underestimate how much i love you and how that fuels my will to live.”

you smile. in your periphery, kathani smiles. despite his current displeasure with you, your love smiles.

“i suppose i do.”

𝄆 ⚘ ✸ III.vi ✸ ⚘ 𝄇

< upon returning to the ball, y/n, benedict, and kathani see how anthony and violet are ensuring that the cowpers are leaving. before the family leaves, y/n approaches cressida. >

“i do hope to see you at another one of these events. if you find a way, of course, not to have yourself kicked out.”

and you curtsy. you turn to your love, his mouth in a wide smile and ocean eyes sparkling, and offer him a wink. you hear the quartet start up.

“i believe it is time for another round of dancing. care to be my partner?”

“i would love nothing more.”

< they dance. it is sweet, silly, romantic, and delightful. both y/n and benedict touch each other beyond what is considered proper, like hands laying too low on the waist or eliminating the space between their bodies, but they truly do not care. their unabashed joy is abundantly evident to everyone in the ballroom, but they are only focused on one another. they are in their own world. they giggle, they grin; it is the happiness they both deserve.

< they dance the next set.

< after her and benedict’s third dance together, y/n makes eye contact with violet, who is at the margins of the dancefloor, eyes wide with joy. >

“as much as i love dancing with you, my love,” you beam, “i think i am in need of a new partner.”

< y/n approaches violet and with a bow asks her for the honor of being her next dance. though delighted, violet remarks how she is too old, and y/n says that the youngsters can learn a thing or two from her wisdom and skill. >

“we would need permission from the host,” offers violet.

“from anthony! you birthed him! you granted him permission to exist!”

that makes violet laugh.

< violet agrees, and they walk hand in hand to the dance floor. in this dance, y/n and violet are partnered, benedict partnered with penelope, kathani partnered with anthony. >

…

“you’ve told each other."

“has anyone remarked how keenly insightful you are, violet bridgerton?"

“no,” the dowager replies with twinkling eyes, “but it is something of which i am well aware, and take great pride in. i am happy for you both.”

“i am so glad to have your approval.”

“oh tosh! as if a mother’s approval or disapproval can get in the way of real, true love.”

“perhaps so, but it is affirming to have the blessing from someone you so dearly love in a matter such as this.”

“you make it easy to love you, my dear.”

< the dance calls for a switch in partners. y/n becomes partnered with penelope, and violet becomes partnered with benedict. >

“thank you, pen.”

“whatever for?”

“for bumping into me at the markets.”

penelope laughs.

“accidents are quite good, are they not?”

“i despise them, actually,” you declare with a grin.

< penelope reveals that benedict shared with her why he was not seen for the first three dances of the night. >

your jaw drops, and penelope merely titters in response.

“is that why i didn’t see him! because he was lurking in the crowds to prevent men from approaching me?”

“it has been my discovery that the bridgerton brothers do not handle their jealousies well.”

“do you think gregory shall be the same?”

“oh, i am entirely certain. he shall likely be the worst of all.”

the two of you snort as you are sent back to your partners, penelope with benedict and you with violet.

“and what has you and penelope in such giggles?”

“making barbs at your sons.”

violet laughs.

“they make it awfully easy to do so, do they not?”

< the dance comes to an end. violet plants a soft kiss on y/n’s head.

< turning, y/n connects eyes with benedict who wears an incandescently happy expression. >

how could you not see it before? how in love he is with you.

< tired but elated, y/n takes a break from dancing. she reunites with the rest of the bridgertons at the ball. y/n finally meets daphne, who remarks that she has heard so much about y/n. eloise shares how the family wished to check in on y/n when she had returned to the ball to see that she was well; in a rare smile rather than a smirk, eloise shares that, upon seeing her dance and dance again with benedict, that she looked quite well indeed. at some point in the conversation with the bridgertons, y/n inquires when she can meet francesca.

< time passes, and joy is had amongst the bridgertons, penelope, simon, and y/n. y/n cannot believe her happiness.

< the last dance is called. benedict approaches y/n. >

“may i have the honor of being your final dance of the night?"

“you aren’t tired of me yet?”

“i shall never tire of you, y/n.”

upon taking your hand, benedict twirls you once then twice as he leads you towards the dance floor. giggling and grinning, you decide to do the same to him, causing him to giggle and grin right along with you.

< they dance a fourth time. >

𝄆 ⚘ ✸ III.vii ✸ ⚘ 𝄇

< the guests have made their leave from the bridgerton ball. colin, eloise, and violet have gone to their respective bedchambers.

< anthony, benedict, kathani, and y/n walk up the steps of the grand staircase. anthony has his hand clamped on benedict’s forearm and pulls him up the steps with particular determination and quiet fury. >

“i know where i sleep, brother! i have slept there since we were children!”

“i am well aware of that, benedict, and i am also well aware of how you— roam when enticed.”

benedict looks at anthony, to you (you just shrug as you look on at the exchange with excitement), and back to anthony.

“do you people really think so little of me!”

“i do not think little of you, brother, i just know you.”

benedict’s shock deepens incredulously, though you see the smile underscoring it all.

“i am a man of honor! i am a gentleman!”

“yes, as am i, as is colin, as was father; all bridgerton men are, and all bridgerton men are idiots around the persons for whom they have affections. now, go into your bedchamber,” anthony finishes as he shoves his younger brother into the room.

“you are a nightmare!” you hear your love shout from within.

“and you are to stay here for the remainder of the night!” he shouts back, leaning forward to grab the knob to benedict’s bedchamber and pulling the door shut with a loud thud. he turns to kathani, composure returning to his senses.

“my dearest, may you call samuel and lawrence, please? i shall have samuel stationed here and lawrence stationed outside benedict’s window. they will be paid double their wage for these extemporary responsibilities.”

you laugh with your whole stomach and feel tears sting your eyes. you have no concern in hiding your howls until you remember hyacinth and gregory are asleep and promptly clamp your hand over your mouth. your hand succeeds in muffling your laughter, but marginally.

kathani rolls her eyes at her husband and deeply sighs.

“i shall,” she replies, smiling at her love’s antics.

pleased with her answer, anthony right about turns at benedict’s door, places his hands behind his back, and stands up tall, taking his temporary duty as guard with the utmost gravity. something then eases in his posture, and he turns to you.

“i hope you have enjoyed your night, y/n.”

your heart swells.

“it was wondrous, anthony. thank you.”

he beams, brilliant delight in his eyes.

“i wish you good rest.”

and with a bow of his head, anthony turns away from you and assumes his station once more, gravity and perfect posture and all.

the viscountess turns to you, her smile having softened, and says, “let me escort you back to your bedchamber. i shall help you prepare for bed.”

–

“despite his many flaws,” kathani says with all amusement and fondness in her voice as she removes the pins from your hair, “anthony is, indeed, a man of honor and honesty.”

“i never had my doubts, but—” you snort, “that has certainly proved it.”

“it is because he thinks so highly of you,” she shares, looking at you in the mirror. you turn around in your seat and connect with her eyes, eyes that are filled with so much warmth. “he cares deeply for you, y/n. anthony is only that overbearing and overly protective when it comes to his family, and he sees you as our family. we all do.”

you suck in air through your nostrils, feeling the swell of your heart. how did you get so fortunate as to be so loved by this family?

though, you detect something in kathani. her words are sincere, of that you are not doubtful, but they do not seem complete. it is as if she wants to say more, if the blossoming twinkle in her eyes is indicative of anything. but kathani does not elaborate.

instead, she picks up the brush on the vanity and gently brushes your hair. it reminds you of when your elder sister used to brush your hair before bedtime. you close your eyes, humming.

“i see you all as my family, too.”

𝄆 ⚘ ✸ III.viii ✸ ⚘ 𝄇

< the next morning, late morning. the dining room. >

“you are infernal,” benedict deadpans to anthony, staring at his brother and taking his seat next to you.

“you are incorrigible; i was correct,” anthony responds, his eyes not leaving his paper.

“correct about what, brother?” hyacinth asks.

despite their current rivalry, benedict and anthony both freeze. kate speaks on their behalf.

“your eldest had deemed it necessary to have lawrence stationed outside below benedict’s bedchamber window in the early morn and was proved correct in doing so; your second eldest had attempted to escape by way of that route.”

“stationed outside his window? why would that be necessary?” gregory inquires. he turns to benedict. “and why were you trying to leave through your window?”

in his periphery, benedict sees you whipping your head. you seem to have suddenly found some interest in the painting on the wall faced away from the current scene. he notices how you hide your smile behind your fist and how you attempt to suppress the convulsions of your laughter. kate, on the other hand, unapologetically laughs.

“i am certain you will learn in due time, gregory. it is something of a tradition, it seems.”

“will i get to participate in this tradition?” hyacinth enthuses.

“NO!” benedict and anthony shout in tandem. they look at each other, and the elder gives a ‘see!’ face to the younger. benedict just rolls his eyes.

his eyes eventually land back on you: you have now totally hidden your face in your hands with elbows perched on the table for support, any attempts at hiding your laughter now entirely gone. your entire body vibrates as you somehow squeak and guffaw into the palms of your hands.

“ugh, why do adults always speak in such vague statements!” hyacinth grumbles as she slumps in her chair and crosses her arms. she then suddenly shoots back up and looks at you. “y/n, you only speak in riddles when we play! may we play now?”

“yes! may we play now?” gregory pipes up.

“please!” the two youngest plead in tandem. benedict looks to you, and wiping away your hands to reveal your face red from laughter, you say,

“i would be— i would be delighted to do so,” you take sharp breaths in between attempts at controlling your laughter. “perhaps—” you full on snort, and it makes benedict break out into a grin, “—perhaps, after the young sorceress and— and the young knight slay the wyvern, they— they will save the— the—” you laugh hard again, “the princess, captive and forlorn in her tower.”

gregory and hyacinth shout their joy and take off from the table.

“you haven’t been excu!— oh, nevermind,” anthony grumbles in an uncanny, childlike resemblance to his youngest sibling.

benedict watches as you use your forefingers to swipe at the corners of your e/c eyes, fits of laughter still bubbling out of your mouth.

i love her, and she loves me, he thinks in awe. it has been on repeat in his mind since you confessed to one another in the gardens just the night prior. she is mine, and i am hers.

“your lordship,” you giggle still as you look at anthony, and benedict snickers, “may i be excused to play make-believe with your youngest siblings?”

anthony rolls his eyes with much theatricality, but his smile at you is sincere.

“you are not my sibling,” he states, but benedict catches how his elder brother quickly glances at him with eyes that say ‘yet,’ “you need not my permission, but yes, you may.”

you bow your head in dramatic gratitude, causing kate to titter and anthony to look to the ceiling, and you lift yourself up from your seat.

before you follow after his siblings, benedict reaches out and gently takes your hand. you look at him, and he feels how his stomach flutters when his blue eyes makes contact with your e/c. just as it did the first time, just as it did every time after.

benedict feels you softly rub three circles on his hand. he softly rubs four circles on yours.

“good day, princess,” you say with a wink at your love, slowly slipping your hand away from his and then turning to walk out of the dining room. benedict stares at you as you leave.

i love her, and she loves me. she is mine, and i am hers.

“when do you intend on proposing, brother?” anthony smirks as he puts his teacup to his lips.

benedict smiles, looking off at where your laughter is heard.

“later this afternoon.”

anthony chokes on his tea, and kate, patting her coughing husband’s back, arches an eyebrow at her brother-in-law, amusement dancing in her eyes.

“without a ring?”

benedict turns to look at the couple and grins.

“who said i don’t have a ring?”

“you are joking,” anthony says matter-of-factly. “we all are excited at the prospects of y/n officially joining this family, but you just confessed your love for one another not even twelve hours ago. we are still breaking fast! there were guards at your door and your window! how could you have already procured a ring?”

benedict smiles, digging into his pocket.

“i do not jest, brother.”

and, with pride, he holds up a thin band made of twisted paper.

“now, if you will excuse me,” benedict announces, lifting himself out of his seat, giving a kiss to the top of kate’s head, and ruffling anthony’s hair. “i must be going.”

“and where are you off?” anthony demands as he straightens out his hair.

“do you think i am going to propose to y/n without asking her family’s permission first? would not be very gentlemanly of me if i did.”

“how do you know where she lives!”

“that is what you were asking penelope last night,” kate answers. anthony looks at his wife, incredulous and in awe. benedict grins.

“exactly so, sister. i’ve always known you held all the intelligence between you two. i would have seen to it sooner, but—”

an image of e/c eyes and ink-stained hands flashes in his mind, the flutterings in his stomach intensifying. butterflies— that is what he will paint next, he decides.

after he finishes his portrait of you.

“—i was held captive in my tower.”

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