#Writing thoughts

[lavender-gloom]

a good way that i learned to write horror is to focus on a theme of oneness/wholeness. show the reader the gross, creepy underside of becoming one with something. it can be another person, it can be a terrifying cosmic whole, it can be an idea, superstition, or unadulterated mass. your characters should be consumed by this wholeness in the worst way possible.

after reading some horror literature and watching a lot of films, i figured out that almost all horror media has the theme of oneness/wholeness in some part. i recently watched a few episodes of Uzumaki and was surprised it also followed that pattern.

y'all try it out lol

[rheas-chaos-motivation]

Questions to ask beta readers

General:

Were you confused at any point of the story?

What genre would you say this book is?

When did you put the story down?

Is the ending satisfying?

If you had to cut 3 scenes what would they be?

When did you feel like the story really began?

What was the last book you read before this story?

Characters:

Do you get any of the characters names confused?

Which character is your favorite?

If you had to remove a character who would you and why? (you don't have to remove the character, just make sure their role is meaningful)

Which character do you relate to the most?

Which character do you relate to the least?

Do the characters feel real?

Are character relationships believable?

Are the goals clear and influence the plot?

Are the characters distinct (voice, motivations, etc)

Setting:

Which setting was clearest to you?

Which setting was the most memorable?

Am including enough/too much detail?

Plot and conflict:

Are the internal and external conflicts well defined for the main characters?

Are the internal conflicts and the external conflicts organic and believable?

Are there enough stakes?

Are the plot twists believable but still unexpected?

[ixylle-d-from-the-stars]

Deathworlders everywhere but in Space

This is sitting in my brain because I haven't seen anyone else do this, but take a second to think about this: There are other deathworlders in space, terrifying ones, huge monster orc things. They are massive and nightmarish and impossibly strong. So thats why humans stand out. Thats how we survive. Human's are terrifying because we aren't built for one biome, one climate or even one planet. We aren't necessarily the strongest or fastest or scariest looking, but we're built to survive fucking everything. What if other deathworlder's are almost always only made to survive in one climate? (similar to some of the most deadly predators on earth currently) All the other deathworlders are terrifying, yes, but the second they step off their planet they're weak. Massive aliens of hulking muscle but their planet's gravity is a lot lower than the standard, so they barely meet the average strength bar whenever they go outside their gravity zone. Aliens that have venomous spikes all over their body and look gnarly as shit but their venom has practically no effect on 99% of discovered intergalactic species. Deathworlders whose planet is the nether from minecraft IRl, but they can't survive in any other temperature for any amount of time because their body just can't handle the cold and regulate their temperate (or, vice versa for tundra species). Aquatic species that are kraken-like nightmares, giant sirens and deadly squid-like beings. But they can't leave their home at all, because theres a very specific chemical makeup of their water that isn't currently found within their life-span distance travel. Deathworlders that genuinely can barely survive off planet and are frail compared to even the most docile prey species whenever they have to travel. Their called deathworlders because going to their planet is certain death, but if they leave they'll be meeting death just as quickly. And then along come humans, and everyones like, oh, another deathworlder, nothing to worry abou- wait. These guys dont seem to loose any of their natural strength off planet... and their fast and strong... and- AND THEY CAN SURVIVE IN PRACTICALLY ANY CLIMATE IN THE KNOWN UNIVERSE??? HELLO? Oh and of course their predators. Of course most of their planet is completely uninhabitable for most of us. Mhm, yep. thats fair. Totally Basically, deathworlders are a thing, the more common 'terrifying alien monster' type, but their harmless because they can't survive like everyone else. They can't thrive like humans can. It scares the shit out of everyone for a wholeeeeee while, after all, no one ever expected a deathworlder that doesn't die.

[breadstickysquid]

okay so I was talking with a friend about writing, and I was about to infodump about an au of mine over discord to them because I can't actually write out the ideas rn since ao3 is dOWN-

and they freaked out??? Apparently I'm weird for writing my works *in* ao3? Like I know people usually write in docs or something but I only feel motivated to write when I'm in the ao3 textbox HJLGFJGDH

So now I have a question for fellow writers on ao3:

[catladyghost]

Maybe we’re not finishing our stories because we don’t want them to end.

[creativepromptsforwriting]

I feel like every writer has created whole stories before around just that one specific scene that they thought of and really wanted to write. Sometimes I wonder what those scenes were for my favourite stories.

[thoughts-ofawriter]

I have this disease called starts too many WIPs syndrome

[frownyalfred]

not quite sure what to do with this hc, but it's pretty likely Bruce Wayne would be struck from almost any jury/jury duty simply because he's a crime victim, and a very prominent crime victim who would taint the jury pool simply by being there. and even if it was a civil jury, he'd probably be struck simply for being too prominent of a local figure with complicated investments/conflicts of interest.

[burntoutdaydreamer]

3 Steps to Improve Your Characters and Make Them Three-Dimensional

So I don’t have a process for creating/developing characters (to me the process is intuitive to the point where I wouldn’t even know how to explain it), but I do have a process for revising characters that just… fall flat, for whatever reason. 

I like to get to know my characters by throwing them into a bunch of different situations and seeing how they react, but sometimes that’s not enough. In these cases I need to go back to the drawing board and figure out how to make them not feel like a cardboard caricature of the role I need them to fill. Here’s the process I use, and it involves three key questions to understand what makes your character tick.

1) What is this character’s fundamental belief- either about the world or themself?

2) Where does this belief come from?

3) How does this belief hinder them, and are they capable of growing past it?

Alright, here’s what the process looks like in action. 

Let’s say I have a character I need to flesh out for my story.

Character A is a middle aged coffee shop owner and the protagonist of her story. The central conflict of the story revolves around trying to save the family run coffee shop she inherited from her father when he passed away, which has recently fallen on hard times.

What is this character's fundamental belief?

Character A believes that the world is an inherently good and fair place. She believes that good is always rewarded and bad is always punished, even if the timing isn't always perfect. As such, she strives to live a virtuous life, putting as much good into the world as she possibly can. While she understands that even good people can face hard times, she believes that in the long term, if things don't work out, it'll be because she didn't put in the work needed to turn things around.

Where does this belief come from?

Character A grew up in a solidly middle class household with good parents that treated her well- rewarding her for good work, and fairly punishing her for misdeeds. Her parents gave her everything she needed, but also expected her to work hard for the things she wanted. She also had the experience of watching her father build a successful business through hard work and by building strong connections with the people in town. If we want to push this further, we could also say that this belief was reaffirmed by watching her brother ruin his own life, squandering all his money and goodwill with those around him on failed get-rich-quick-schemes and outright scams that landed him in jail.

How does this belief hinder them, and are they capable of growing past it?

Let's say that Character A recently hired a barista who seems perfect for the job. Strapped for help, she gets him started right away before getting the results of his background check. When the results come in, she finds out that he is on probation and was recently released from jail for a violent crime. Shocked, she fires him. Believing that people who end up in jail always deserve it, she can't see past her initial prejudices. As a result, her coffee shop suffers from the loss of her new star barista.

Some time goes on, and Character A encounters the barista again, and learns more about the circumstances that landed him in jail (maybe he was falsely convicted, maybe he was battling psychosis, maybe the violent act was done to prevent a loved one- anything that makes her question her initial assumptions). He then confesses that he is struggling to provide for himself and his family because no one will hire him because of his criminal record. Character A comes to realize that her belief isn't completely true, and that the world isn't entirely fair. Though it takes a lot of inner work to do so, including coming to terms with her privilege, she eventually accepts this, and revises her beliefs. She decides that even though the world isn't fair, people have the responsibility to make it fair.

She decides to re-hire the barista she fired. After doing everything she can to make things right with him, she proposes an idea she wants his help with. Together, they transform her family business into a joint coffee shop and community rehabilitation center. In addition to selling coffee, they also launch a program to provide resources to recently incarcerated individuals looking to reenter society. They'll host weekly events on job interview coaching, alcoholics anonymous, motivational speeches, group therapy, opportunities to connect with open-minded employers, and more. Their promotion of this new program enables them to secure funding from local patrons and public grants, and customers are willing to pay for more expensive coffee with the knowledge that that money will be put to good use.

Additionally, if we want to go with the brother in jail backstory, we could have this ending be an opportunity for her to reconnect with him and maybe even repair their relationship as she gets to see him in a new light.

Main Takeaways

And there you have it!

You can use this process on any character- protagonist, antagonist, side character, etc. By grounding your character's motivations and development in their beliefs, you can easily introduce depth and internal conflict while keeping everything connected to the themes and plot driving your story.

Depending on your character's role or your story's plot, the belief can be wide reaching and complex (such as a philosophy or ideology), or specific and personal (such as having to do with their self-esteem). Either way, it should always be tied to their personal experiences or observations. This doesn't necessarily mean a tragic backstory. It could be, but I encourage you not to make this your default way of creating character depth. A mundane but grounded and sincere motivation will always be more compelling than cheap, dark shock factor.

Generally, protagonists with happy endings and villains with successful redemption arcs are capable of moving past their beliefs, while tragic heroes and antagonists aren't, and this failure is usually the source of their downfall. Keep in mind that even if characters do move past their old beliefs, it will always be a difficult thing to do. It will require them to confront their own mistakes, biases, and emotional wounds, and require both internal and external work in order to fix whatever their old beliefs have damaged.

Hopefully this guide will help you approach your characters from a different perspective. Feel free to share any insights.

Happy writing y'all!

[lavender-gloom]

lowkey guys, remember to write for yourself too. i abandoned my favorite wip of all time for two years because i thought other people wouldn’t like it. that sucked, and i decided to stop caring if other people will think it’s weird and write what i like. it’s made me a lot happier since i’ve accepted that

[tildeathiwillwrite]

This sad little fictional man just has so. Much. Trauma.

Let's give him more, shall we? >:3

[rheas-chaos-motivation]

Create your characters voice

Write one to ten pages (I usually do 5 for major character, 1 or 2 for side characters) as your character. Anything they would say, opinions, diary entries, complaining, etc.

Ooooh I have collected some helpful things to maybe include:

adopting slang from people they are close too/love interest

do they have a raspy voice? High pitched? Overly sweet? Commanding? Figure that out.

to make characters have their own voice vary rhythm, word choice, use of profanity, how much they talk about themselves or others, their politics.

Take some dialogue and ask if readers would be able to tell who is speaking with no context.

Write an AITA post from their point of view.

Identify what role your character has, a leader? a follower? a disrupter? a rebel? an antagonist? a peacemaker? How does that change the way they speak?

The character traits will tell you what your characters will say or how they will say it.

[generic-whumperz]

Babe, stop bothering me, can’t you see that I’m busy daydreaming about putting pretty fictional men though hell?

[bittersqxtch]

[catladyghost]

So far I've successfully convinced myself that my plot is the shit. Then successfully convinced myself that it is shit.

Haven't written a page.