#Writing principle

[abri-chan-references]

What's interesting is this scene being right after Worick told Nic that he wouldn't understand why Alex had to come to Loretta's place that night, "I just like her singing, but it's not something you, my friend, would be able to understand," implying that Nic is deaf so he can't hear music or singing.

Cue to Nic leaning back against the speaker to feel the vibrations of sound, to try to "understand" or rather feel (quite literally, as in touch) music in his own way.

A cool thing about Gangsta is how Kohske always remembers (character interaction) details, and remembers to tie details together more so.

Gangsta Chapter 30

[carebeardean]

Charles has always left Edwin little notes slipped between the pages of his favorite books, in his science equipment, places he knows Edwin loves. Just silly things—post its that say “hi Edwin :)”. doodles of Edwin with his nose stuck in a book. reminders to stock up on wolfsbane. but.

Then, post canon, Edwin tentatively starts dating people. And it’s ridiculous, because Edwin’s right there, all the time, but Charles..misses him a bit. And his heads a mess, and he can’t sort out what the hell he’s feeling most of the time, and whenever he tries to say any of it out loud it comes out rubbish.

So. He writes down some of the shit he can’t say right, and because he’s a coward, hides them so he doesn’t have to see Edwin’s face when he reads them.

then Edwin starts writing back.

Neat lilac blue little envelopes appear in Charles coat pockets. In his bag. Once, in his shoe? Some nights, Edwin will clear his throat and mention something from a letter, offhand, like they’re just picking up conversation, and Charles can pretend they are. That they always have talked about the basement, the belt, the nameless fear that chokes him every time Edwin walks out the door with someone else on his arm.

Sometimes he can’t. The words get stuck in his throat. Edwin’s not mad, he’s maddeningly, stubbornly kind about it, which is worse.

Some nights they trade. A secret for a secret. Charles learns about the novels Edwin used to hide under his mattress, about all the lonely years before Charles got there. About Simon.

Meanwhile, Edwin is losing his mind, because Charles has accidentally stumbled onto what was a fucking courting ritual in his time. Love letters were something engaged couples treasured for years, kept and reread over and over. (Edwin does. keep them in a special box, will take one out and trace the words, tuck it in his breast pocket for courage).

Edwin would rather have to reattach a limb again than lose Charles trust, all the dark and beautiful things he shares with Edwin only. He knows—knows Charles doesn’t mean to make him fall more in love with him.

[corviiids]

i found a bad post i made months ago in the privacy of my own home and now i need to air it out in public because it's getting mildewy and moths are eating it

[cuubism]

every day i see some random shit online and immediately go 'you could make a fanfic out of this', i saw a tiktok of a woman talking about how much money she made working at hooters and instantly i'm like:

au where dream works at his family's megacorp, he fucking hates his life and everyone around him especially when all the bro-ey upper management colleagues arrange an obligatory "team bonding" event (excuse to get drunk) at the local hooters-type restaurant. dream didn't want to go but he had no choice, and the whole time they're there he's like 'this is gross, objectifying and uncomfortable' and he intends to spend the whole experience just scowling down at the table and drowning himself in wine.

that is until their skimpily-dressed waiter arrives like 'hi i'm hob what can i get for ya? :D' and dream just fucking bluescreens. he's blushing. he's so flustered. he told himself he wasn't going to objectify the wait staff (even if that's kind of the whole schtick of the place) but he can't stop staring at hob's tits.

hob of course clocks it immediately (man knows exactly how to get tips) and pays a disproportionate amount of attention to him, flirts with him, winks at him after he takes his order. dream wants to disappear, he's so incredibly embarrassed, but he equally wants to beg for more of hob's attention. this is the worst day of his life. he orders something a lot stronger than wine.

his colleagues are losing their shit cuz they've never seen dream display even a tiny bit of emotion in the whole time they've had to work with him so they're all teasing him and talking about whether they should bribe hob to flirt with him more and so on. contrary to dream's general misanthropy they aren't actually complete assholes but they are having fun at his expense. dream wishes he were dead.

for hob at first it was just a way to get tips but later he finds himself going soft on this pretty, shy, flustered guy who's clearly having one of the weirdest days of his life, especially because customers often behave inappropriately with him but dream never does, he's actually very polite to hob, he's just blushing furiously the whole time. he's very cute, hob is getting kind of obsessed with how easy it is to make him blush, and he's pretty sure that if he let dream so much as touch his chest dream might actually combust and it would be quite lovely to watch.

at the end of the night dream leaves him an absolutely insane tip of like 300% of the total bill (which was already substantial) and hob chases him down at the door to make sure it wasn't a mistake (normally he's not that honorable about it but he can't risk there being a huge amount of trouble) and dream's like 'no mistake *blushing so badly* your service was impeccable, hob' and hob's like fuck it i'm gonna shoot my shot, 'i'm not sure it was quite at that level, anything else i can provide for you??'

3 days later destiny is reconciling company expenses and yells into dream's office WHY IS THERE A 10,000 POUND CHARGE FOR HOOTERS ON THE CORPORATE CREDIT CARD but dream still has a hickey on his neck and hob's number in his phone so he finds himself utterly remorseless.

[racke7]

De-aged and injured Danny

Danny is found out by his parents. They don't take it well.

Clockwork is very upset about this, because he'd gambled on almost-certain odds of them being chill about it. So now he has to run damage-control before this very unlikely time-line goes even further off the deep end.

Unfortunately, Danny needs to be in the living world, not the Infinite Realms. Which means that Clockwork needs to put Danny somewhere safe. Somewhere where nobody will find him.

And double-unfortunately, the only place that remotely fits this bill is to contact Lady Gotham.

City-spirits aren't... super-reliable. They're Neverborns who very very rarely consider "humanoid shapes" worth figuring out. So they just kind of... exist. An ectoplasmic presence that's undeniable, but also extremely difficult to have a conversation with.

Thankfully, Lady Gotham is (for all of her... quirks) generally very hero-aligned. Which is why she's the best one to ask for sanctuary for Danny.

Danny who Clockwork de-aged as a way to "limit his injuries" of being vivisected.

Lady Gotham agrees, but she only has one "safe place" to put him. And her Knight is a little bit too paranoid for her to just dump an injured child in his lair, without causing more trouble than it's worth.

But it's hardly a difficult thing, to arrange a few things, and place Danny in a spot where his injuries will cause her Knight to hurry to his aid.

Such as... in a room filled with medical equipment, right next door to where Joker has just lost a fight with Batman.

Things escalate somewhat when Batman finds him and makes some assumptions about what Joker has been up to. Tempers run a bit high, someone loses a few extra teeth, someone else has to physically drag Bruce off Joker's body before he beats him to death, and the Joker considers the whole thing a grand old laugh (he has no idea what's going on, but it sure pissed off Batty, and that's always a treat).

Of course, the Batfam has to actually investigate the scene, evacuate Danny, give Danny medical aid, and then also ask Danny about what happened.

Danny wakes up and is very confused about a lot of things.

He's no longer being vivisected. Great. Love that part.

He's somewhere he doesn't recognize (the Batcave). Could be good, could be bad. At least the bed is pretty nice?

He's very small. This feels like a personal attack. He might not have gotten a good growth-spurt yet, but taking away what he had is cruel and unusual.

And there's a weirdo in an... armored bat-costume? Who isn't setting off his ghost-sense? What the hell kind of "normal" person wears something like that?

Still, Danny does answer the questions that Batman asks him, because... well, there's a green post-it-note in his pocket that says he shouldn't lie.

So Danny tells Batman about his parents cutting him up "for science". And Batman hears that the Joker somehow managed to hire two mad scientists who (upon the tiniest bit of suggestion from the Joker, who'd definitely seen the similarities between Danny and Jason and thought it would be a "funny prank") had leapt at the opportunity to vivisect their own son.

This is definitely worrying, because from the phrasing, they'd been "wanting to do it for a long time". And considering Danny's slow heartbeat and low body-temperature? They'd been wanting to do it because he was a meta.

So, somewhere out there (the Bats had found no trace of the two) were two deranged lunatics who wanted to cut open metas to "see how they worked".

Batman does the very reasonable thing and actually contacts the rest of the Justice League with their descriptions, just in case they'd managed to leave Gotham before the Bats had tracked them down.

[kusanagihaku]

thinking about alan being a secret soft romantic… believes in things like opening your car door for you when you go on dates… only kissing you on the third date… sending you to your doorstep then waiting until your room light turns on and you lean out the window to wave at him to confirm that you safely got upstairs before he leaves… taking care to kiss you during the first snowfall of the year bc he believes in the myth that it means you’ll be together forever… doing cute things like gently taking your hand in a crowd so you won’t lose each other… i’m combusting

[ahb-writes]

Writing Problem: The Scenes Are Void of Meaningful Conflict

Problem: The Scenes Are Void of Meaningful Conflict

Solution: Character growth and story arcs don't occur in isolation. Conflict-guided scenes and conflict-guided storytelling, more broadly, open the narrative to moments in which the characters are continuously tested to validate their knowledge, skills, or relationships.

To drive the story forward with measured purpose, focus on building, developing, and testing a character's desires. If necessary, implement story or relational dynamics to economically assess, judge, and curate a character's failure (and the consequences thereof). Conflict needn't be grandiose; writers must be in tune with the different levels, types, and intensities of conflict that drive their story. Conflict should be multifaceted.

Writing Resources:

A Few Words About Conflict (Glimmer Train Press)

Conflict Thesaurus (One Stop for Writers)

6 Secrets to Creating and Sustaining Suspense (Writer's Digest)

Emotions in Writing: How to Make Your Readers Feel (Jericho Writers)

The Primary Principles of Plot: Goal, Antagonist, Conflict, Consequences (September C. Fawkes)

How to Master Conflict in Young Adult Fiction (Writer's Edit)

Failure, Conflict, and Character Arc (Writers in the Storm)

❯ ❯ Adapted from the writing masterpost series: 19 Things That Are Wrong With Your Novel (and How to Fix Them)

[iridescentmirrorsgenshin]

I have no other place to yap this to so I apologise in advance.

I find it interesting in Alhaitham and Kaveh’s voicelines they tend to talk about each other A LOT in a way of complaining. Such as in Alhaitham’s Good night voiceline where he says that he’d prefer that Kaveh wouldn’t be home at all because all the chaos and noise he makes in the dead of the night. Or in Kaveh’s Good Morning voiceline where he says that he hopes that you don't run into someone who ruins your day first thing in the morning.

I guess it’s what makes other people think that they despise each other’s company. Yet they’re always viewed as a pair and Alhaitham could’ve kicked Kaveh out of the house ages ago. But what’s your opinion on that?

Hiya! there's no need to apologise, this is a safe space for all haikaveh! When I tell you your ask is scratching my brain I mean ITCHING, I have so many thoughts about this part of their dynamic so thank you for enabling me <3 This turned out to be rather long, so I hope it’s helpful to you!

The contention in both Alhaitham and Kaveh’s character stories and voice lines seems to be to create intrigue about the two as individuals, and, in turn, their relationship.

Alhaitham’s ‘good night’ voice line instantly serves as a contradiction to his character. It’s interesting, and telling, that Alhaitham, who is essentially Kaveh’s landlord, and mentions this within his fourth character story, alludes to Kaveh by using ‘roommate’ rather than ‘tenant’. ‘Landlord’ evokes a position of authority over the tenant, whereas ‘roommate’ indicates an equality between two people sharing a house – since it’s Alhaitham who advocates for the term ‘roommate’, it’s telling that, as opposed to what Kaveh believes, Alhaitham wants to establish equality between them.

In terms of what Alhaitham says in this voice line, it explicitly raises a contradiction in the form of a question: if Alhaitham is truly bothered by his roommate’s antics, why doesn’t he simply evict Kaveh?

This is relevant as this question is also posed when we initially meet Kaveh within the Archon Quest, as Kaveh states he dislikes Alhaitham’s personality, to which Alhaitham responds by saying if he bothers Kaveh so much, Kaveh always has the option to move out of the house – to which Kaveh perceives as a threat, only to then dismiss this as Alhaitham ‘changing the subject’, which seems to mean that this ‘threat’ is taken as baseless. As this isn’t called back to, this seems to be the case.

There is no real threat of eviction, and regardless of their disputes, Alhaitham ultimately gives Kaveh no ultimatum to move out. In fact, as discussed here (page 27), as we are meeting Alhaitham and Kaveh for the first time, Alhaitham allowing Kaveh to live with him contradicts his established character of living a life free of inconvenience. This instantly creates intrigue around his and Kaveh’s dynamic – who is Kaveh to Alhaitham for this exception to be made to Alhaitham’s peaceful way of life?

(An additional note of interest is that Alhaitham’s solution to the noise problem seems to be more uncomfortable than calling on Kaveh and telling him to stop his work. Alhaitham says that he’d rather not wear his noise-cancelling earpieces to bed, implying that he does so when noise is a problem at night. However, there’s no mention of Kaveh being stubborn when confronting this issue, which is why he takes to wearing his ear pieces, or any mention of confrontation at all. From this voice-line, it seems that Alhaitham avoids interaction by opting for the least comfortable option, which can be a contradiction to his character. As this is a rather brief voice-line, it’s difficult to ascertain why, but I like the idea that Kaveh is productive at night, and Alhaitham prefers not to impose on Kaveh’s work process – but this is more a headcanon than evidenced interpretation.)

Returning back to the contradiction within this voice-line, at a surface glance, this does appear to be a general complaint about Kaveh, and this can be found in Alhaitham’s lines about Kaveh, and also when discussing Tighnari. Alhaitham refers to Kaveh as ‘overly sensitive’, and ‘constantly making a fuss’.

These can easily read solely as complaints, but when looking to the original CN translation, another interpretation can be found here. Alhaitham describes Kaveh as ‘caring’ or ‘tender’, which is exactly how Kaveh is described within the 3.6 special program (as per minimushiroom on twt), which can allude to how Kaveh is considerate to a fault, in that this serves as a detriment to himself.

This can be seen in Alhaitham’s other Kaveh-centred voice-line, in which he describes Kaveh buying keychains in order to provide meals for sick children, even though healthcare is free in Sumeru. Alhaitham clearly holds the view that this was a redundant action, as Kaveh, being in debt, most likely doesn’t have the money to spend on such investments that are, evidently, dubious.

As Alhaitham provides a rational view here, this contrasts with Kaveh’s act of generosity fuelled by emotion – which highlights the contention Alhaitham has with Kaveh, in that Kaveh places himself in dangerous situations for the sake of others. However, as this can be perceived as a solely derisive line, this essential context is lacking, and can be easily misconstrued. (I think the EN translation here also coincides with this narrative, as minimushiroom notes that the original CN has Alhaitham refer to Kaveh’s sensitivity in a positive way, rather than contemptuously, as the English can be interpreted as.)

Kaveh, similarly, can be seen to complain about Alhaitham in his own voice-lines. This can be seen in the 'Good Morning' voice-line you've mentioned, where Kaveh complains about having to see Alhaitham in the morning, which 'ruins' his day. Additionally, Kaveh's voice-lines discussing Alhaitham refer to Alhaitham as ‘infuriating’ and not wanting to give Alhaitham the satisfaction of thanking him, despite Alhaitham helping him out. However, there is more nuance in these voice-lines than Kaveh simply ‘disliking’ Alhaitham, as this dislike is never stated - rather that he and Alhaitham have a difficult relationship in comparison to the ‘close’ friendship of their past.

Kaveh describes their relationship being a ‘mixed bag’, of both negatives and positives, as well as establishing a thorough understanding of Alhaitham, where other people may misinterpret Alhaitham as they ‘don’t know him well enough’. Additionally, Kaveh notes that he knows that Alhaitham can present himself in a more ‘likeable’ manner, but that Alhaitham refuses to do so, which refers to Kaveh’s contention with Alhaitham discussed within his character stories. This, in turn, generates curiosity, as it appears that Kaveh holds an in-depth knowledge of Alhaitham that the player isn’t privy to.

Referring back to Alhaitham’s ‘Good Night’ voiceline, the question raised is, if Alhaitham has a problem with Kaveh, why doesn’t he just evict Kaveh? And the answer can be found by digging further into Alhaitham’s character stories. Looking to Alhaitham’s fourth character story, it states that he is aware of the dissatisfaction Kaveh may have with their living arrangement but  that ‘it matters not to him’.

This means that he is aware that Kaveh may be unhappy with having to rely on someone else for a stable livelihood, something which his pride doesn’t naturally allow, but that this is also exacerbated due to their previous falling out and the current contentions Kaveh has with him.

At first, this can seem rather abrasive, which does fall in line with Alhaitham’s egoism as this doesn’t directly impact ‘the self’ (discussed further here), however, what immediately follows is Alhaitham’s belief that he and Kaveh are mirrors, in that his own perspective of the world will be enhanced - in the og CN, ‘completed’ -by Kaveh’s own world view.

The implication generated here with the explicit term ‘mirror’, is that, just as Alhaitham benefits from Kaveh, Kaveh, in turn, can benefit from Alhaitham. (As a side note, it is interesting then that the voice-lines in question can be seen to mirror each other – Kaveh mentions Alhaitham in ‘Good Morning’ whereas Alhaitham mentions Kaveh in ‘Good Night’.)

Returning back to Alhaitham’s character story, rather than merely reflecting each other philosophically speaking, I’d say that this also points to their respective progression as people, not just scholars.

To me, this is reminiscent of what Alhaitham says to Kaveh in A Parade of Providence – being ‘correct’, ultimately, doesn’t matter, as there is no ‘correct’ path in life, meaning that there is no ‘correct’ philosophy to shape and guide a person. Rather, Alhaitham asserts that, ultimately, their opposing philosophies are not the issue that exists between them.

The issue that does exist, then, can be surmised from Alhaitham’s actions during the event (discussed further here), in which he researches into Sachin to gauge his influence over Kaveh’s father journeying into the desert, with implicit hopes of providing closure for Kaveh, and potentially assuaging Kaveh’s guilt. This is a personal act with a personal motive; the underlying motive being concern, as opposed to an assertion of ‘correctness’.

In my opinion, I think Alhaitham’s actions during A Parade of Providence are a direct reference, and fulfilment, of Kaveh’s fifth character story. I’ve discussed here that the main reason for the ending of their friendship was them asserting the correctness of a philosophy over the other, and proposing one philosophy as the ‘solution’ to the other’s perceived flaws.

Here Alhaitham can be seen to use Kaveh’s past as the reason for his excessive altruism, implicitly referring to Kaveh’s guilt over being the supposed catalyst for his father’s demise. This final comment of Alhaitham’s appears to be the first time this has been mentioned between them, and it’s enough to be perceived as weaponisation – leading to Kaveh severing their friendship.

In A Parade of Providence, Alhaitham is shown to only have taken the role of commentator to research into Sachin, whose research we are told (by Kaveh), he has no explicit interest in, and it is heavily implied that the only reason he looked further into Sachin, was to prove to link between Sachin and Kaveh’s father. Alhaitham seems to want to absolve Kaveh of this past guilt in hopes that Kaveh will stop placing himself in the cycle of self-sabotage.

For me, when viewing this as a parallel, it highlights that Alhaitham’s motivation in speaking out during their days as students was out of concern for Kaveh, although while holding egoism as ultimately beneficial, and therefore perceivably ‘correct’. The ‘issue’ they’re currently debating is not expressly stated, and although it is unclear if Kaveh understands the implication (as discussed here), as ‘correctness’ has been overturned, there seems to be little left than the personal.

Relating this back to Alhaitham’s fourth character story, for me, Alhaitham referring to Kaveh as a mirror isn’t just referring to Kaveh as a scholar, but a person as a whole. As Alhaitham seeks to improve himself, personally, through Kaveh, it seems that he hopes to be able to benefit Kaveh in turn.

As for Kaveh’s complaints regarding Alhaitham, these can be contextualised within his own character stories. As Kaveh ultimately severed the friendship between him and Alhaitham, Alhaitham offering Kaveh to live with him, despite Kaveh revoking his previous understanding of Alhaitham (as discussed here, page 67), causes Kaveh to be overtly suspicious.

In Kaveh’s Old Sketchbook, it is mentioned that Kaveh believes there to be an ulterior motive for Alhaitham inviting him to share a house, as he believes that Alhaitham wouldn’t do something for someone else without an exchange.

Kaveh, then, openly distrusts Alhaitham due to this unspoken motive, and although he takes on chores to ease his sense of guilt of being a perceived burden, a contention arises here. Due to their previously ended friendship, and with how Alhaitham hurt Kaveh, and how Kaveh may believe he hurt Alhaitham (discussed here), Kaveh sees no reason for Alhaitham to want him around – he treats their relationship as an exchange, asking what Alhaitham could possibly want for him.

Although Alhaitham views Kaveh as a mirror, and therefore, respects Kaveh’s perspectives, Kaveh can potentially view their opposing philosophies as a negative rather than a positive as he had done in the past (as discussed here), as it, perceivably, was what led to the end of their friendship. In this, Kaveh views Alhaitham as disparaging him and his views. As mentioned in his character story, he has no reservations in telling Alhaitham of his debt as Alhaitham has already seen through him in the past, and yet again, upon meeting at the tavern.

Although Alhaitham perceivably views him unfavourably, and his comments and complaints appear to propagate this interpretation, Alhaitham also seems to have no issue with keeping Kaveh around, and interacting with Kaveh, regardless of the problems Kaveh expressly has with him.

To Kaveh, it could be that as Alhaitham has already seen the worst of him, and appears to have no real issue with their stilted rapport, there is no point in donning a front and using niceties. He is open with his issues with Alhaitham, and, in turn, Alhaitham is open with him.

This appears to be a dual negative and positive for Kaveh, as he describes Alhaitham’s constancy as ‘the most unshakable part of one's past is a friend that will never change’. In this sense, his unsteady rapport with Alhaitham is reliable, and therefore, has no reason to change.

Clearly, there is a large disconnect between Alhaitham’s view of Kaveh and how Kaveh perceives Alhaitham’s view of him. As previously mentioned in the discussion of A Parade of Providence, there is an unspoken ‘issue’ between them, and this can be interpreted as dire misconceptions borne from miscommunication.

As discussed, Kaveh and Alhaitham reference each other a lot in their respective voice-lines and their character stories. This alone is enough to connect them, regardless of the cruciality of their mirror motif, as they are key figures of each other’s past, present, and seemingly, future. Despite this, it’s as you say, there’s a common perception to view them as mutually disliking each other, and, to me, this is based upon their first initial interaction, and the way they refer to each other in their own character stories and voice-lines.

It’s notable that Alhaitham refers to Kaveh in his voice-lines when Kaveh is not explicitly relevant, such as in his Good Night voice-line, and, most interestingly, when Alhaitham discusses Tighnari.

This could be because Alhaitham knows of Tighnari through Kaveh, but as this connection isn’t stated, it reads as Alhaitham mentioning Kaveh for no other reason than to complain about his perceived naivety regarding relations with others. But as this is a voice-line designated to discussing Tighnari, it’s interesting, and incredibly noticeable, that Alhaitham then discusses Kaveh instead. It’s similar to what Kaveh can be seen to do, and is observed to do by others, in relation to discussing Alhaitham.

When it comes to Kaveh, however, his complaining of Alhaitham can be seen to link with his process of dealing with troubles in his work. In his Hangout, he states that he takes his work to heart because he cares about it, which is expressed in the same quest in which Kaveh and the Traveller run into Alhaitham in the House of Daena (discussed further here, page 219).

Drawing a parallel here can further contextualise Kaveh’s complaining of Alhaitham – if Kaveh truly disliked Alhaitham, there seems to be no reason for Alhaitham to remain so relevant to him, both in conversation, and in private thought. Additionally, Kaveh is described as an empathetic person, and when dealing with others, he is thusly seen to look for another perspective rather than act on his own subjective perspective.

Looking at his voice-line on Dori, for example, expresses his distaste for Dori pressuring him for Mora due to his debt, however, he also empathises with her, and states that he senses there must be a reason why Dori acts in such a way.

In contrast, this empathy can be perceived as missing in his treatment of Alhaitham, and therefore Kaveh complaining about Alhaitham can be perceived as blatant dislike – which contradicts Kaveh’s benevolence and empathy, which A Parade of Providence particularly stresses.

Kaveh’s treatment of Alhaitham can be seen as deliberately contradictory, as it can cause the player to question why Kaveh reacts in such a singular way to Alhaitham, just as why Alhaitham reacts in a singular way to Kaveh.

In reference to Alhaitham, whilst Alhaitham tends to complain about Kaveh in turn, his actions reveal him. He invites Kaveh to live with him, gives no eviction date, pays for Kaveh’s tabs willingly, (supposedly) buys wine as an apology, and goes out of his way to ensure dialogue with Kaveh – which contradicts his own character stories, in which he appears to favour solitude, and only greets those he considers his friends ‘with a nod or two’.

Moreover, Alhaitham is established as considering Kaveh a necessity to his ‘peaceful life’ he seeks to maintain (as discussed here), and can be seen to implicitly consider Kaveh one of his priorities within his Story Quest.

The idea that Alhaitham dislikes Kaveh seems to stem from Alhaitham being taken literally when voicing an opinion, or an issue, or simply joking, in reference to Kaveh – despite his character stories highlighting that Alhaitham often uses sarcasm in order to subvert expectations.

Alhaitham expressly states that he prefers to be seen as inscrutable, and unknown, by the general public, and uses subversion as a means to do so. In these character stories, Alhaitham openly encourages speculation of his own words.

Without this context, it seems easy to simplify Alhaitham to purely speaking factually when first addressing Kaveh in the Archon Quest – stating that having to explain things to Kaveh is ‘a nuisance’, and yet, it is overlooked that Alhaitham stays in the House of Daena, regardless, knowing Kaveh would find him again.

On the whole, in my opinion, Kaveh’s feelings towards Alhaitham cannot be simplified to ‘dislike’ as this is dually an inherent misunderstanding of his character, and of his and Alhaitham’s relationship, just as Alhaitham’s feelings towards Kaveh cannot be simplified to ‘dislike’ for this same reason.

In the beginning, Alhaitham and Kaveh are not supposed to be perceived as friendly, as Kaveh denies the association of ‘friends’, and Paimon describes them to the Traveller as ‘problematic’.

The reason for this is due to their character arcs being intertwined – the core issue is posed in Kaveh’s fifth character story, in that the question is raised if a compromise can be reached, if both sides of the mirror, can be balanced. At the beginning, they are entirely at odds, but even footing must be found.

I’ve noticed a shift in online discourse after Cyno’s second story quest, as the progression in Alhaitham and Kaveh’s relationship is noticeable – deliberately, due to the flashback scene within their house (which I’ve discussed in detail here, page 122). To me, it’s more common to form the assumption that Alhaitham and Kaveh dislike each other in the Archon Quest, but with recent developments, and, hopefully, future ones, this perception is being overturned in online communities. Perhaps that’s just wishful thinking, but I’m still hopeful!

[novlr]

[onwardmotley]

hello I saw your tags - can i ask about alectophant theory?!

Alectophant is my exhaustively researched and very serious theory that Alecto's problem with the body John made is not that it's a blonde barbie body, nor simply that it's a physical or human body at all, but:

Nona chortled. “Not one bit.” Nona hated having hands.

“Well, tell me your theories,” Nona demanded, feeling much better from sheer excitement. “Say them out loud. Am I nice? Am I good-looking? Do I have lots of friends? Does everyone listen to me? How many legs do I have?"

Nona made her body stand on its two feet. Two feet—the worst number for feet; not so many that they were ever useful, not so few that you didn’t have to think about them.

John had made her so ugly, so unbearably ugly. The terrible face, with the terrible arms and legs and the terrible middle part, and the terrible hair, and the terrible ears: the nose too short, the ears too brief.

her ideal body is an elephant.

Problems Nona has with human form:

hands are dumb

two is a dumb number of feet

(her only specifics about the body John made) nose too short, ears too brief

Features of an elephant:

zero hands (who needs them!)

four feet (a useful number!)

enormous (and practical!) ears

a VERY long nose that's way more useful than stupid hands

And, finally:

Nona looked down at the animal she had drawn, and thought perhaps she understood. She said, “No, I made it up. It does work, I promise. See these things? They’re its ears,” she said, in much the same tones as she would have explained to Kevin. “This thing is its nose, and you can’t see it because I didn’t draw it, but the mouth is under here. When first it was born it used to live in a river, but then it got cold so it had to get large. I know the legs can’t rotate, but you don’t think that’s stupid, do you?” She looked up at Camilla and the Angel, then said, “Am I in trouble?”

She draws one for the Angel.

In conclusion:

[segretecose]

people who date taylor swift or others like her at this stage are so brave it's not even about the songs it's just the ticking clock before you get Commercialized that would make me run for the hills

[irisfixation]

the reason people feel like their body is lighter and more drifty after being turned into dolls is b/c all unnecessary purpose beyond servitude has been removed from them btw

[aphel1on]

neuvillette's lore is actually insane. we all took one look at him and went "haha dragon🫵" but i significantly underestimated how big of a role he would play. he's the incarnation of the original hydro sovereign. he took back his rule right under the heavenly principles' nose. he's the one handing out hydro visions now (not even because he has to, he doesn't, he just grew so fond of humanity that he chooses to). he gave away the hydro gnosis bc he straight up doesn't need it. he's planning to DETHRONE ALL OF THE ARCHONS (in a few hundred years, when the traveler's not around to see it, so it won't be awkward for them). he's kind and soft-spoken. he's full of vengeful rage. he's a father to hundreds. he found his purpose after feeling lost for 500 years. skirk pulled him aside for a super-secret convo and when he saw us again he immediately spilled the tea. as far as i can tell, he spawned into existence fully formed. no other character can fucking compare

[redux-robotix-llc]

REDUX ROBOTIX AU

Masterlist for all things Captain Underpants: Redux Robotix LLC AU! (Run by Sketch-22!)

-> Introduction to the AU <-

But TL;DR, Five-year-old George Beard gets bumped to the 3rd grade when he first enrolls at Jerome Horwitz Elementary School (as mentioned in Book 9). Due to this, George and Harold never meet in Kindergarten and, as a result, George becomes a sole, anonymous prankster, Harold Hutchins remains a quiet and timid artist, and Melvin Sneedly, witnessing the failures of the American school system via Harold getting bullied, becomes disillusioned with authority and begins inventing recklessly.

Chaos ensues from there!

————

BLOG STATUS: WIP ASK BOX STATUS: CLOSED REQUEST STATUS: CLOSED

————

Character Profiles (Under Construction)

George Beard

Harold Hutchins

Melvin Sneedly

Benjamin Krupp

????

????

Lunch Lady Edith

Redux Robotix Comix

Office Visit | Pt.1, Pt.2, Pt.3, Pt.4, Pt.5, Pt.6, Pt.7, Pt.8, Pt.9, Pt.10.

Invention Convention | Banned, Explanation, Pt.1, Pt.2, Pt.3, Pt.4, Pt.5, School Sign, etc.

Miscellaneous Arts

Redux Robotix Trio

Hanging Out

Extra Extra!

Busted

Melvin Sketches

Trio Sketches

Krupp Sketches

Professor P Sketches

[lost-estradiographer]

I

know that voting for the status quo sucks.

To say it "sucks" massively understates the exact amount of suffering that exists under the status quo, an amount that I acknowledge I am too privileged to ever fully grasp.

I cannot magically provide some viable third-party candidate just barely a month before the election. I cannot solve Israel/Palestine Conflict that has haunted the world for over 70 years. I am a 29-year old transgender woman working her way through her own mental illnesses, trauma, and an undergraduate degree. I was never going to be the one to solve anything here.

All I can tell you is that regardless of whether you vote or not, there will be a presidential election. It's going to be a shitshow, regardless. Whether you vote or not, there will be a different president in January. Voting for the status quo may not be directly in your interests.

We had four years of Trump and we are still trying to unfuck ourselves from that. The beginning of my antagonistic relationship with the government was protesting in the streets of DC under his administration. I've fled from the Metro PD. I've put on a change of clothes and slipped out the back door of a gay sports bar.

Fucking vote.

Fucking vote.

Fucking vote.

Honestly, I

I don't want to see this voter apathy shit anymore.

People are going to keep dying under any president. Any president can, and probably wil, be morally culpable for the deaths of innocent people, both in the country and abroad. Carter might be the last president we had that wasn't overtly a war criminal and we still had foreign civilians killed by U.S. military involvement under the Carter admin.

I'm torn between asking you to block me, or asking you to message me, if you're taking the route of voter apathy. I'll tell you right away, here and now, that I probably don't have a solution to whatever problem is keeping you from voting for Harris. I can't even solve my own problems right, tbh. The government isn't really here for me, either.

But there isn't going to be some sort of miraculous revolution that results in The Ending Where Everyone Lives. If there's a revolution, then supply chains will falter and children and the infirm will die of preventable diseases and infections and complications in hospitals that would have otherwise been able to easily deal with such things. That's what happens in a revolution. I'm after the long-term idea where Humanity as a species lives. I'm after the route where we don't have an ending, we keep going.

Fucking vote, because exactly one of the two leading presidential candidates believes climate change is real, and it is the single greatest threat to all life on earth. We have spent the past 250 years, not just playing God with the environment, but actively creating an ecological niche in which future generations of humanity must continue to play God with the environment, dragging it back to a healthy place drop by drop, inch by inch, a degree at a time.

Or, I mean, don't vote. Either way, we'll all die at some point. Perhaps some of us will be lucky enough to die standing by our principles.

Those lucky few will become soil one day, just like I will.

I am begging you on my hands and knees to fucking vote, though, because our options are The Status Quo vs. Worse. That's

That's it.

There is no door number three right now. Our system, our flawed and broken and imbalanced and unjust system, does not accommodate for a third door. Whether you vote or not, you will be dragged through either Door 1 or Door 2 with all of humanity, as we whirl through the cosmos upon our tiny little speck of dust. The only other legitimate option is to allow oneself to become trampled; to become soil early. I don't say legitimate to give this option legitimacy, but to make clear that again, there is no door three. Door three is a casket. A one-way bed.

I didn't vote in 2016, and I'm hoping that you'll vote for the status quo this time, because that's the route that gives me the best odds of having a long and healthy life to regret my failure through inaction.

Just please

Fucking vote.

Or again, if you're taking the apathy route, probably just save me the time of blocking you, because you're not going to magically pull a viable third-party candidate out of your pocket less than six weeks before the election.

[hawnks]

Everyone thinks they can write a romance novel. Scratch that. They think they can write a romance novel better than all the other romance novels. Because of course they can. Romance is trite. It’s trashy. It’s simple.

Everyone thinks they can write a romance novel until they actually sit down to write one.

Because the people who disparage the genre are too embarrassed to engage deeply with the ideas that build the work, to make any meaningful commentary on anything, to add to any on-going conversations. They’re hovering above it all, too precious to land. Instead of writing a romance novel, they’re writing a novel that insists they’re beyond all of this, that says romance is beneath them, it’s not worthy of them.

So they end up with a parody of what they think romance is. I.e. they have written a bad romance novel.

I think it’s true that anyone can write romance. Anyone can do any of the cringey, heart-on-your-sleeve art. In fact, the hardest part is beginning.

Step one: You have to love the thing you’re making.