#Writing Confidence

[bigmeatpete69420]

Hey tumblr if I can be real with you for a min

I know I'm not super old or young but I have lived a decent life. I haven't been here (hellsite) long but notably it is the first time in my entire life where my writing has been complimented, hell or even encouraged

And I don't know if that confidence is a good thing or not tbh

My past experiences with school and others who have tried to interpret my dribble is non stop edits and correction like oh you can say that or this

Fuck you it's my writing

So thanks, I think tumblr

Not gonna stop anyways

[lnk-and-lnspiration]

How to Overcome Impostor Syndrome and Believe in Your Writing Skills

Impostor syndrome is a common experience among writers and creatives, characterized by feelings of self-doubt, inadequacy, and the persistent fear of being exposed as a fraud. It can undermine your confidence and prevent you from fully embracing your writing skills and accomplishments. However, overcoming impostor syndrome is possible with self-awareness, self-compassion, and proactive steps. In…

[lilydrafts]

Love yourself a little extra right now. You're creating the life of your dreams and you absolutely deserve it. It's about to get magical for you.

[haveacupofjohanny]

Embracing My Unique Writer's Voice: A Journey of Self-Validation and Confidence

Finding my unique writer's voice was a journey of self-validation and confidence. Read how I overcame self-doubt, embraced my style, and found my true audience. #WritingConfidence #WriterJourney #EmbraceYourVoice www.haveacupofjohanny.com

Finding and embracing my unique writer’s voice has been a transformative journey, filled with moments of doubt and eventual triumph. Despite having professors validate my writing talent, I often allowed the opinions of those outside my target audience to make me second-guess my abilities. It took years of education, positive feedback, and personal growth to fully embrace and confidently share my…

[drgnflyteabox]

mdni - implied fat!reader x bluecollar!simon riley drabble - simon is a bit of a creep also lol

Bluecollar!Simon Riley whose house floods so he has to spend the next few days in a cheap, seedy motel

First morning there he's leaving for work just as the sun is rising. Its hot, humid, and he's a shitty mood because he'll be working all day and it's only gonna get hotter

Simon Riley who smokes a couple cigs before he goes, sitting on a plastic lawn chair on his concrete faux patio when he sees you

You're flustered, damp with sweat and skin sun-kissed. You've got a laundry basket on your hip and immediately he's imagining a baby there instead. His baby.

Simon Riley who's shameless about staring at you struggling with the laundry door, dropping your clothes and giving him a view of your wide hips and plush ass in very short pajama shorts

You're so flustered:(( nearly in tears while you pick everything up. The shorts are a little tight, a little worn, and the thin material gives him just enough of a view of your pussy that it sustains him the whole day :')

All he can imagine is coming back and sinking into you :') not even necessarily fucking right away, but keeping his cock warm and relieving the tension in his body. He deserves that, no?

He's not creeping, necessarily, when he takes note of the lotion you use. Vanilla. He just happened to be having a smoke and walking right by your window, where you've got one foot propped on a chair rubbing it into your skin.

Your room is tidy. Despite the stained walls, cracks in the ceiling and overall dingy-ness, you've managed to make it look cozy.

New sheets, a fluffy blanket, string lights strung across the wall. Beside you, lotions and creams and washes - he snorts a little to himself. The bathrooms here don't have any counter space or mirrors to set them down on.

But his house does. In fact, most of his shelves are empty everywhere. His pantry, his closets. The only thing he's got are work clothes and beers in the fridge. Maybe a stray heel of bread.

Simon Riley who decides he'll have you move in before he even talks to you, before he starts memorizing your schedule on the weekends and evenings he gets home. You're struggling, on the edge of homelessness, but he knows you'd be the perfect wife and mother. That you'd bring light and warmth to his house, fill those empty shelves and empty rooms...

[arthursfuckinghat]

They really made a character like Arthur Morgan and not only gave him crippling self esteem issues, but they gave him confidence so low that he doesn't share his passions with anyone ever.

Like what do you mean Arthur loves to write but thinks he writes like a fool?

What do you mean Arthur loves to draw and is really talented but he doesn't see it that way?

What do you mean Arthur loves the smaller things in life but doesn't feel like he's deserving of good things?

What do you mean there was a whole different side to Arthur that the people he cared about rarely got to see?

What do you mean he lived and died with parts of his life tucked away tight in the pages of the journal that only one other person has ever been able to read?

What a tragedy.

[pricetagged]

Here's a young (maybe 19-early 20s) Simon struggling with his emotions, working as a butcher's apprentice, and fixating on the pretty student waitress at the café next door (':

Content: plus size f-presenting reader; allusions to domestic abuse (Simon's past); fat-shaming (not Simon); little bit of violence, unedited. (Link to Ao3)

He's not sure that it counts as desire. Interest. It crawls over him, makes him feel aggressive, makes him want to dig his teeth in and shake and snarl.

It's hunger.

And he knows hunger. Knows it like he knows the cigarette burns on the back of his hand. Knows it like he knows his old man's a waste of space and that he has to defend his mum and protect Tommy and- and-

He's the man of the house, only the house is rotten. Woodloused frames, crumbling bricks. Gutted. Empty shelves hidden behind broken doors. Chipped plaster, electricity cutting off. Squeaky steps that always clued them in when the old man was on a rager (not that it helped, creaking out a warning but giving no clue where to run. The percussion leading to a gallows' jig; the heavy step before the hit).

But the old man's gone now. And Simon is left trying to fill in the boots he doesn’t know how to wear. All growth spurt and gangly limbs and anger. So much anger at the old bastard. Tear-soaked anger at his mum sometimes (buried deep behind the shame that he feels when he thinks of her black and blue. Anger and shame, bitter roots that he chews at to soothe the clench of in his jaw and the grind of his teeth). And then he sees you through the window. Through the peeling CHRISTMAS SPECIAL sign highlighting ham joints and turkey and pigs in blankets.

You're so soft.

You look like you’ve lived a life well-fed and well-loved. Something round and sweet and helpless, like the puppies he and Tommy had seen dumped in the park while they snuck cigarettes and swigged from cheap supermarket cider.

And that brings him back to the hunger. He's an awkward creature, shuffling to the café where you work part-time. He's more feeling than man, all rage and appetite stuffed into a skin suit. You sense it too, nerves tugging at the tilt of your smile as you approach the scavenger that swept in to sit at the cheap plastic tables in this greasy spoon. He sits awkwardly, too, hunched over the table like his stomach is gnawing at him. Big hands snapping the disposable plastic coffee stirrers and shredding the napkins. That first day, he just stares at you. Sneers a little when you flutter over to take his order.

You slosh the tea a little when you serve it.

He sees the burn bloom, watches as you suck at the sting with plump cheeks and a rosy little mouth, and he just wants to dig in and scratch hard to see you do that again.

It becomes a habit, watching you. He finds out bits and pieces listening as he rends and chops and saws through muscle and bone, stinking of sweat and iron. You're here as a student. You're living in student digs (good, best that you avoid the up-and-downs and rough streets that would fit a student budget), and you're a real sweetheart. Old Sal who has been running the café for the past 30 years leans a heavy elbow on the display counter as he chats with the boss.

"She's lovely, taken to it like a fish to water," his raspy, smoke-charred voice is cheery as he waits for the bacon and sausages to be weighed and wrapped. "Only asked for Thursdays and Fridays off since she has afternoon classes then. Otherwise, I almost have to round her out of the shop, doing more afternoons and weekends than my own kid."

You're hardworking too, then. He wonders if it's because you're hungry too, needing something to do with your time, living on pot noodles and supermarket ready-meals like he'd heard some students do. It's strange how that thought sits uncomfortably, makes him want to hunch over you and bring you his scraps.

That week, he decides to talk to you. Only the words get caught, don't come out quite right as he stares at the way your jumper clings to the soft curves under your faded apron. When you turn around, bustling to other customers, he can't help but stare at the line of your skirt. It's real pretty, decent, sitting just above your knees but Christ, he wishes that it would roll up a little higher. That it would catch on the corner of a table or hitch up as you raise your arms and swish past with a tray full of fry-ups. He almost gets lucky as you bend over to mop up a spill just across the room. Your thighs widen as they press against the table, tights stretching thin and sheer and he just can't tear his eyes away-

(The hunger in his stomach turns hot and biting, makes his cheeks flush and his mouth dry-)

But it's ruined. Fly in the soup, hair in the dish, as you catch him and your eyebrows pinch together as you look away. There's something guarded, bitter, in your lovely eyes, and the dryness in his mouth turns wet and sour. You seem to take pains to avoid him, swapping out with Sal's son so that you can work the counter instead of the floor.

"'m Simon," he grunts as he goes to settle the bill. "Work at the butcher's across the street."

You clearly didn’t expect an introduction, shoulders relaxing and hesitant smile blooming as you give your name in return.

"Yeah, I know. Sal mentioned you a few times. He's tried to give me the rundown of practically everyone on the street, feels like."

"Y'should come in t'the shop," the invitation rushes out in a way that makes him feel clumsy. Perhaps that’s why he did it; to have you in his space, with his head and his footing right. Here, he feels every inch the artificial man. Pieced together, too big and too looming, with no help or guidance on how to talk to soft things and pretty girls.

You grimace a little, eyes focused on the till as you count out his change. "Not really on a butcher-shop budget right now."

"'S'alright. I can keep something aside for ya," he doesn't mention how it would come out of his wages. How it would come out of what he brought home to his mum and Tommy. It didn't matter, though, when he was used to going without.

"That's - that's really nice, actually," Your sweet face is glowing now, and he feels like he could bathe in the warmth of it. "Next time you come by lunch is on me."

He sees the way you tuck your chin and smile as he walks away, and that bottomless pit in his guts feels just a little more full.

(He doesn't quite catch the snickers of the boys at table three, whispering and nudging each other as you come to take their orders. This time.)

He stares more and more through the window of the shop, watching as you come and go. Watching the way you greet the regulars and skirt around the group of lads who like to linger in the evenings. There's something sharp, nasty, to the way they circle around the entrance. The way they cackle and hoot when the one with the eyebrow piercing smirks and whispers to his mates as they force you to brush past. They're a pack of hyenas, shrieking and smug as they toy with the poor little thing that's walked past their watering hole. He's seen this type before, practically grew up with them. His old man was probably one of them, perfecting his cruelty while young, cementing it as part of his nature.

It has Simon sharpening his knives while he grits his teeth. Has the boss tutting at him when he cuts too close to the bone.

He knows there's something violent in him. The old man tried to bring it out then snuff it out, getting scared when the knife that he sharpened was able to cut him in return. He's no stranger to bloodshed. No stranger to the calloused, deprivation-dimmed apathy that breeds like algae in the environment where he was forged. Dripping, slimy, suffocating.

Doesn't mean he likes it, though.

(He'd gone back for those puppies, you know. Felt wrong leaving them. Felt like a rebellion against his old man's sick life lessons as he dumped the box outside the doors of a local veterinary clinic).

So he keeps his eyes peeled, stakes out the café like he owns it. Stares down anyone who looks at you wrong until they look away, muttering under their breath. 'Fucking freaky dead-eyed git.' It seems to work.

And you seem to like it, sparing more smiles for him. Bringing him bigger portions than normal and topping up his cup before he even needs to ask.

"I know you've been working since seven, Simon. Gotta keep your strength up," You seem bashful as you slide the plate across, and he just eats it up.

You've been looking at him, thinking about him. It's not something he's familiar with, having someone care for him. His mum loves him, of course. Tommy too. But it’s not the same, not when it's been his job to take care of them. His job to step up to the mantle and into the shoes that his father should've filled. Watching the sway of your wide hips as he tucks into the steak and kidney pie with gusto, he feels satisfied. The hunger is there, always is, but it's not gouging at him under the skin. It's satiated, pleased. The kind of comfort that leaves his eyes heavy and his belly warm.

It's a routine you fall into, and everything is rosy-

Until it's not.

He's closing up shop, wiping down the counters and getting ready to haul down the shutters when he sees them. Those stupid pricks, travelling in their pack and signaling that their quarry is in sight. Look, there it is alone and limping and- You're in a rush, leaving later than usual and shrugging your coat on carelessly as you shout your goodbyes to Sal. You're in that skirt again, the one that makes his lower belly tighten and mouth feel dry.

"Oi, look! Dirty scrubber has her fat arse hanging out!"

It sets them off, chittering and howling as you freeze wide-eyed and lip-quivering.

"Gonna be sick, mate. Don't want to see your knickers, love. Didn't even know they came in that size."

He doesn't even see red. Doesn't see anything but your pretty, round face crumpling as you try to tug your skirt out from where it got caught under your coat.

The ringing of the bell by the door muffles the sound of the first punch. His fist crunches into that prick's nose, and he wants nothing more than to keep going until his face is little more than meat and pulp and blood. He can taste it, smells the blood in the air like a shark.

But you're watching.

"Bit bored with y'taking the piss out of her," he snarls it as he hauls the man by his jacket, shoving him hard against the wall until his head thwacks against the bricks. Easy as hauling a side of beef. "Why don't ya try me next?"

The man seems dazed, head spinning and nose dripping. His mates, too, look floored. Ready to scatter and abandon their leader to the bigger beast. Only the promise of more blood keeps them watching, feeds their nasty appetites and he's just itching to let them see. Watch what happens; it's coming for you next.

"Speechless now, eh? Had so much to say earlier," he's spitting the words out, teeth snapping as he leans down so close to the man's face that he can see how his pupils constrict. "Apologise."

And he's smarter than he would give him credit for. Smart enough to whimper out his 'sorry, sorry, sorry' as he drops to the filthy, damp pavement when Simon swivels towards the others. Something about the set of his shoulders, the way his hands and apron are splattered with the gore of man and animal, has them scattering.

"That goes for the rest of ya! Don't ever want t'see your ugly fucking mugs around here again," he spits on the ground, itches at his jaw with his wrist as he watches them run.

He can't hear them anymore. Can't hear anything over the sound of his heavy panting and pounding heartbeat.

It's cold out. He's only realising it now, standing in the December chill with just an apron over his jeans and t-shirt. It has him shaking, flexing his hand as his knuckles start to sting and swell. He welcomes it, welcomes the familiar bite as he pushes down the savage, ragged anger rippling through his chest.

"Simon-"

"Y'alright?" he cuts you off, faces you head-on.

And all the rage saps out. You're not cowering away. There's no disgust on your face. No tears or embarrassment either, no. You've got a crumpled packet of wet wipes in your hand, reaching out for him. Concerned.

"Figure you'd want to get that prick's blood off you soon as possible," you give him a sad little half-smile. "Didn't have to do all that for me, Simon."

"Yeah, didn't have to." He concedes as he steps closer to you. Crowds into your space until you're toe-to-toe and he can feel your warmth. He brushes his fingers against yours, lets them linger on your soft skin as he reaches for the wipes. "I wanted to."

-----------------------

Let's all pretend that this was okay and ignore the fact that I still haven't posted the wips that I keep going on about 🫠💖

Just a little self-indulgent drabble idea that I had today, thinking back to watching 'My Mad Fat Diary' as a teenager, feeling nostalgic ~ (The Finn-defending-Rae scene had 18yo me in a chokehold lol).

[bouncinghedgehoghasattitude]

[shushmal]

There's an incredibly pretty girl at the front desk in Family Video, and Steve—Eddie's boyfriend of eight months—is leaning over the counter with a sly smile and half-lidded eyes.

Eddie pauses in the doorway, struck dumb for a moment as he takes in the scene, and then gleefully ducks down behind the nearest shelf.

"So tell me," Steve says, all low and intimate. "What kind of movie were you looking for?"

"Um," the girl says. She doesn't sound very enthusiastic—barely indulgent at best. Eddie wishes he could see, but any sight of him will ruin Steve's chances right now. He's got a pretty good mental picture though. "I really like those old black and white movies, the really glamorous ones, you know?"

"Oh, totally," Steve sighs, like he's swooning. "Like Cary Grant, Clarke Gabel?" Eddie can practically hear his smirk. "Katharine Hepburn? Ginger Rogers?"

"Oh, I love Ginger Rogers!"

"Really?" Steve says matching her excitement. "Well, you're just in luck! Robin here knows all about those old black and white movies, don't you Robin?"

Eddie presses a hand to his mouth to hide his snickering. Robin had looked like a hooked fish when he'd walked in, she's gotta be gaping stupidly right now. "Uuuh," he hears her mumbling, and tries not to snort too loud. "Y-Yeah, uh, golden age of Hollywood stuff, absolutely. I could? Show you where they are?"

"Oh my gosh, that would be amazing!" the girl says, her interest in the conversation now warmed by several degrees. Eddie is still a little in awe of how well his boyfriend can sniff out gay girls.

"I got the front here, Robin," Steve cuts in smoothly. "You ladies take your time, make sure you pick out a good one!"

Eddie waits another beat, listening at their footsteps shuffle away, before he pops up from behind the shelf. Steve, lighting up like a Christmas tree, beams at him.

"Am I a genius or what?" he whispers, grinning ear to ear.

"Your lesbian powers know no equal," Eddie says just as quietly, taking the girl's spot at the counter, leaning into Steve's space. Steve happily mirrors him, until they're tucked together, the world narrowing down to the two of them. It's Eddie's favorite place to be. "All hail Steve Harrington, blessid he, lesbian whisper. Come to aid all useless queers in the fight against singledom."

"Thank you, thank you," Steve says with an air of novel benevolence. "I promise to only use my powers for good."

"Dingus. Doofus."

They jump away from each other as if shocked. Robin glowers at them both, but the pretty girl behind her is giggling and standing way too close for friendly, just at Robin's elbow.

"Move it, lovebirds," she hisses as she rounds the desk. "I need to check Claire out."

"I think you already have," Steve says. His smile this time is down right evil.

Robin actually hisses at him, and hip checks him away from the register. Eddie does a bow, sweeping his arm out to give Claire the prime spot in front of the desk, before he turns back to Steve.

"My dear, if you could please," he simpers, all posh and nasally. "Show me to your finest, grossest horror movie, thank you my good sir."

"Ugh," Steve groans already heading off into the shelves, not waiting for Eddie to follow. "You're lucky I love you, Ed. Shit gives me nightmares."

"I know," Eddie sings, chasing him. "I love you too."

[mischievous-thunder]

Character profile:

Such a feisty pretty thing

[beetleandfox]

I love how unsanitized The Terror feels. Like there’s grime everywhere. You can tell those men smell bad. When they do surgery you can hear the bone being cut, when they get sick they look genuinely ill. The main character’s actor even has pockmarks, he LOOKS like he could be from the 1800s! And idk, I think it’s cool that we’re so aware of the characters’ carnal desires. They’re hungry, thirsty, freezing, etc, and it is so obvious that they have a body with needs!!

I think this also accounts for how horny the show feels, even though everyone is bundled up 90% of the time and there are no real romantic subplots. Besides the fact that it’s a very carnal show, it just has the intimacy and grime of true horniness. Is this thing on

[bluerosefox]

Striking of the Clock

BrainDead or DeadTired idea.

During Tim's BruceQuest he uncovers hidden texts/tombs of a being that controls and watches over the Time Stream and Tim knows this being will have to be his best bet of finding Bruce while also trying to figure out on his own how to get Bruce out of the Time Stream as well.

However the being doesn't have a summoning sigil due to being an Ancient.

He does find the sigil for the Ghost King however, a being that borderlines into Ancients power territory and could in theory grant Tim an audience with the Time being if Tim plays his cards right.

In the end, Tim decides it was worth a shot. He convinces Ra's to 'help' him summon the Ghost King. Ra's wanting to see if such a being could be real and to see how far Tim is willing to go to bring Bruce back, allows League resources to be used.

It takes a few weeks, with Tim also making plans to undermine not just the Council of Spiders but Ra's as well, but eventually the time to summon the Ghost King comes.

Tim honestly was expecting the large eldritch like being that showed up, he just wasn't expecting the being to be basically a formed galaxy mixed with ice and the northern lights itself.

He also really wasn't expecting when he negotiated a deal with the Ghost King, and taken into a place called the Infinite Realms when they shook hands (Tam and Prue is also taken with him, he refused to leave them with Ra's), for the being to shrink down and turn into a white haired, green eyed teen around his age who starts flirting at him.

Nor was he expecting for another being, one that apparently is able to shift aging forms, and a grandfather clock in its chest to appear next to the teen and bonk the white haired teen with a staff and tell him to stop flirting with his future new apprentice....

Wait what?

-x-x-

Danny is rarely, very rarely summoned since taking the mantle of Ghost King. Due to being a new Ancient most old sigils that was once connected to Phantom (mostly teens from Amity tired summoning him a couple of times) no longer worked and the only ones that did were the ones he gave to his friends and family or the Ghost King ones (but again rare due to how rare texts/tombs to the Ghost King is written down)

So when he felt the pull of a summoning he made sure to go in his eldritch form, mostly to see if he could scare them or at least intimidate.

Honestly he was expecting the cult, given the fact they summoned a being known as the (freaking) Ghost King, maybe not them being assassins/ninjas but still a cult.

He wasn't expecting the cute, same age as him too, guy in the room.

(CW totally paused time for a second, gave Danny a file on who and why he was summoned, discussed getting Tim Drake out of Ra's hands (and maybe allowing CW to finally have his own future apprentice because Tim is a smarty smart whose been slowly able to figure out the freaking Time Stream itself.), and then started the timeline again)

Danny decided, after striking a deal, that since he's going to be working with Tim, aka Red Robin (who Danny found out used to be Robin! From Gotham), from now on he might as well shoot his shot and flirt with him and-

"OUCH, CW REALLY?!"

"Stop flirting with my new apprentice for now My King, we have work to do."

[lilydrafts]

A toxic environment will likely change you more than you change it. So get out.

[the-descolada]

That post going around is really depressing to read as someone working in childcare and education as a transfem (and I've been doing so for over a decade now). I don't doubt how scary and how much of a barrier there is for us getting into this field safely, it's fucking bad out there, but I also think that level of doom and gloom can put off a lot of trans women who dream of teaching, even if it will be hard.

Being a trans woman working in education is to hold a vital power that can and will change kids' lives. You will face stress, and fear, and even aggression, and I don't begrudge people to just say no, I can't handle that. But if it is something you care about enough, and you are in a position where you can have a measure of safety, it is so worth it, more than basically anything.

Kids will see you and ask questions. Those questions may be complicated, or uncomfortable, or uplifting, or any mix of that, but the end result is that those kids will walk away questioning what they've learned and what they've internalized at an early age when that is so much easier to turn curiosity into compassion. And that's just the probably cis kids - the kids who will see you and realize wait - this is a possibility for me, your existence resonating with theirs... There is a very real experience where you will see a kid even once or twice and your very presence and acting as a role model and being kind will permanently change the course of a kid's life for the better; it can be like giving kids the chance and knowledge so many of us wish we had growing up.

This obviously goes for any trans educator, not just trans women, and any questioning trans kid, not just trans women. The impact is immense; I've had first graders, mid elementary schoolers, even middle and high schoolers meet me and have their identities start to crystallize that week, and leave the camp on a firm path to realizing they're trans. It is incredibly fulfilling, and it's worth all the frustrating "are you a boy or a girl etc" questions.

[lomlkenji]

༊*·˚ pretty boy | peter parker

main masterlist

for you, peter is the literally definition of pretty. his big brown puppy eyes and his perfectly structured face, his lean but muscular built, his cute little pout when you don’t give him a kiss before he goes patrolling.

he is just so so very pretty.

you don't know know how long you have been staring at him for, but he didn't seem to notice. too busy focusing on his science project, and his concentration is very hot.

his long slender fingers moving carefully and slowly to put the pieces together and your attention only zeroed on them. such, such pretty hands.

the weight of your stare was starting to make peter nervous. peter gets flustered very easily. and with you? you didn't even have to try.

peter suddenly put down the components for his project and turned to you, “i know i'm hot but can you please stop staring at me like that?” he mumbled, as a soft blush appear on his face. his tone was confident but you can sense his nervousness.

he tried focusing on his project again as you chuckled, the kind of chuckle that sends tingles all over peter's body, “sorry pete, but you are just so very pretty.”

wow. okay he didn't expect that.

peter chocked on his saliva, his body hot all over, nearly dropping the pieces of his homework.

“baby, you can't just say things like that.” he looked at you, eyes wide and soft. and it makes you grin.

“it's the truth.” you shrugged, “you're my pretty boy.” you know you're testing his limits, but it was fun teasing peter.

peter's mind malfunctioned. he's trying to ignore you, but the way you said my pretty boy is replaying over and over in his head.

“damn it.” he quietly swore, putting down whatever left of his project and turning to you.

your eyebrows rose in a teasing manner as a smirk finds its way to your face. “what?” you innocently asked, but you know exactly what you're doing, and he knows it too.

peter chuckled as he walks to where your laying at the bed. the sound send a shiver up your spine and now you're the one who's nervous.

he leaned closer to you, you could feel his breath on your lips as you both took a moment to admire each other. peter was staring at your eyes to your nose and your soft lips, bringing his eyes to connect with yours again and you could feel your stomach doing flips.

“and you're my pretty baby.” he whispered softly before cutting off a whine that rose up your throat with his lips.

his lips were a little chapped, but it fits your perfectly. your hands move to tangle on his hair, giving it a little pull making peter groan into the kiss. he leaned back, his warm hands move to find comfort on your waist as he brings you onto his lap.

peter felt like his heart was about to burst. every single sense of his is override and all he can focus on is you. you. you.

his home.

reblog for a kiss <3

[sunfyrisms]

of course the show that is fundamentally centered around two sisters and their tragedies becomes centered around men and said sisters are sidelined and their arcs are pushed to the sidelines and all the phenomenal care that went into their characters went down the drain. ​one’s arc is literally “the traumatized / mentally unwell character’s happy ending is committing suicide because they are simply too broken to heal and be happy” trope, and her mental instability is forgotten. the other is reduced to a mere plot device, has no agency of her own, and her trauma and anger is treated like a complete and utter joke for the sake of a shitty ship, and because the writers literally, point blank, were bored with her. it’s so sad because the tragedy of these sisters is so utterly devastating, so encompassing and so intricately woven into the narrative. but make it about two men i suppose?