#Writing Confidence

[bigmeatpete69420]

Hey tumblr if I can be real with you for a min

I know I'm not super old or young but I have lived a decent life. I haven't been here (hellsite) long but notably it is the first time in my entire life where my writing has been complimented, hell or even encouraged

And I don't know if that confidence is a good thing or not tbh

My past experiences with school and others who have tried to interpret my dribble is non stop edits and correction like oh you can say that or this

Fuck you it's my writing

So thanks, I think tumblr

Not gonna stop anyways

[lnk-and-lnspiration]

How to Overcome Impostor Syndrome and Believe in Your Writing Skills

Impostor syndrome is a common experience among writers and creatives, characterized by feelings of self-doubt, inadequacy, and the persistent fear of being exposed as a fraud. It can undermine your confidence and prevent you from fully embracing your writing skills and accomplishments. However, overcoming impostor syndrome is possible with self-awareness, self-compassion, and proactive steps. In…

[haveacupofjohanny]

Embracing My Unique Writer's Voice: A Journey of Self-Validation and Confidence

Finding my unique writer's voice was a journey of self-validation and confidence. Read how I overcame self-doubt, embraced my style, and found my true audience. #WritingConfidence #WriterJourney #EmbraceYourVoice www.haveacupofjohanny.com

Finding and embracing my unique writer’s voice has been a transformative journey, filled with moments of doubt and eventual triumph. Despite having professors validate my writing talent, I often allowed the opinions of those outside my target audience to make me second-guess my abilities. It took years of education, positive feedback, and personal growth to fully embrace and confidently share my…

[drgnflyteabox]

mdni - implied fat!reader x bluecollar!simon riley drabble - simon is a bit of a creep also lol

Bluecollar!Simon Riley whose house floods so he has to spend the next few days in a cheap, seedy motel

First morning there he's leaving for work just as the sun is rising. Its hot, humid, and he's a shitty mood because he'll be working all day and it's only gonna get hotter

Simon Riley who smokes a couple cigs before he goes, sitting on a plastic lawn chair on his concrete faux patio when he sees you

You're flustered, damp with sweat and skin sun-kissed. You've got a laundry basket on your hip and immediately he's imagining a baby there instead. His baby.

Simon Riley who's shameless about staring at you struggling with the laundry door, dropping your clothes and giving him a view of your wide hips and plush ass in very short pajama shorts

You're so flustered:(( nearly in tears while you pick everything up. The shorts are a little tight, a little worn, and the thin material gives him just enough of a view of your pussy that it sustains him the whole day :')

All he can imagine is coming back and sinking into you :') not even necessarily fucking right away, but keeping his cock warm and relieving the tension in his body. He deserves that, no?

He's not creeping, necessarily, when he takes note of the lotion you use. Vanilla. He just happened to be having a smoke and walking right by your window, where you've got one foot propped on a chair rubbing it into your skin.

Your room is tidy. Despite the stained walls, cracks in the ceiling and overall dingy-ness, you've managed to make it look cozy.

New sheets, a fluffy blanket, string lights strung across the wall. Beside you, lotions and creams and washes - he snorts a little to himself. The bathrooms here don't have any counter space or mirrors to set them down on.

But his house does. In fact, most of his shelves are empty everywhere. His pantry, his closets. The only thing he's got are work clothes and beers in the fridge. Maybe a stray heel of bread.

Simon Riley who decides he'll have you move in before he even talks to you, before he starts memorizing your schedule on the weekends and evenings he gets home. You're struggling, on the edge of homelessness, but he knows you'd be the perfect wife and mother. That you'd bring light and warmth to his house, fill those empty shelves and empty rooms...

[bouncinghedgehoghasattitude]

[mischievous-thunder]

Character profile:

Such a feisty pretty thing

[beetleandfox]

I love how unsanitized The Terror feels. Like there’s grime everywhere. You can tell those men smell bad. When they do surgery you can hear the bone being cut, when they get sick they look genuinely ill. The main character’s actor even has pockmarks, he LOOKS like he could be from the 1800s! And idk, I think it’s cool that we’re so aware of the characters’ carnal desires. They’re hungry, thirsty, freezing, etc, and it is so obvious that they have a body with needs!!

I think this also accounts for how horny the show feels, even though everyone is bundled up 90% of the time and there are no real romantic subplots. Besides the fact that it’s a very carnal show, it just has the intimacy and grime of true horniness. Is this thing on

[bluerosefox]

Striking of the Clock

BrainDead or DeadTired idea.

During Tim's BruceQuest he uncovers hidden texts/tombs of a being that controls and watches over the Time Stream and Tim knows this being will have to be his best bet of finding Bruce while also trying to figure out on his own how to get Bruce out of the Time Stream as well.

However the being doesn't have a summoning sigil due to being an Ancient.

He does find the sigil for the Ghost King however, a being that borderlines into Ancients power territory and could in theory grant Tim an audience with the Time being if Tim plays his cards right.

In the end, Tim decides it was worth a shot. He convinces Ra's to 'help' him summon the Ghost King. Ra's wanting to see if such a being could be real and to see how far Tim is willing to go to bring Bruce back, allows League resources to be used.

It takes a few weeks, with Tim also making plans to undermine not just the Council of Spiders but Ra's as well, but eventually the time to summon the Ghost King comes.

Tim honestly was expecting the large eldritch like being that showed up, he just wasn't expecting the being to be basically a formed galaxy mixed with ice and the northern lights itself.

He also really wasn't expecting when he negotiated a deal with the Ghost King, and taken into a place called the Infinite Realms when they shook hands (Tam and Prue is also taken with him, he refused to leave them with Ra's), for the being to shrink down and turn into a white haired, green eyed teen around his age who starts flirting at him.

Nor was he expecting for another being, one that apparently is able to shift aging forms, and a grandfather clock in its chest to appear next to the teen and bonk the white haired teen with a staff and tell him to stop flirting with his future new apprentice....

Wait what?

-x-x-

Danny is rarely, very rarely summoned since taking the mantle of Ghost King. Due to being a new Ancient most old sigils that was once connected to Phantom (mostly teens from Amity tired summoning him a couple of times) no longer worked and the only ones that did were the ones he gave to his friends and family or the Ghost King ones (but again rare due to how rare texts/tombs to the Ghost King is written down)

So when he felt the pull of a summoning he made sure to go in his eldritch form, mostly to see if he could scare them or at least intimidate.

Honestly he was expecting the cult, given the fact they summoned a being known as the (freaking) Ghost King, maybe not them being assassins/ninjas but still a cult.

He wasn't expecting the cute, same age as him too, guy in the room.

(CW totally paused time for a second, gave Danny a file on who and why he was summoned, discussed getting Tim Drake out of Ra's hands (and maybe allowing CW to finally have his own future apprentice because Tim is a smarty smart whose been slowly able to figure out the freaking Time Stream itself.), and then started the timeline again)

Danny decided, after striking a deal, that since he's going to be working with Tim, aka Red Robin (who Danny found out used to be Robin! From Gotham), from now on he might as well shoot his shot and flirt with him and-

"OUCH, CW REALLY?!"

"Stop flirting with my new apprentice for now My King, we have work to do."

[shushmal]

There's an incredibly pretty girl at the front desk in Family Video, and Steve—Eddie's boyfriend of eight months—is leaning over the counter with a sly smile and half-lidded eyes.

Eddie pauses in the doorway, struck dumb for a moment as he takes in the scene, and then gleefully ducks down behind the nearest shelf.

"So tell me," Steve says, all low and intimate. "What kind of movie were you looking for?"

"Um," the girl says. She doesn't sound very enthusiastic—barely indulgent at best. Eddie wishes he could see, but any sight of him will ruin Steve's chances right now. He's got a pretty good mental picture though. "I really like those old black and white movies, the really glamorous ones, you know?"

"Oh, totally," Steve sighs, like he's swooning. "Like Cary Grant, Clarke Gabel?" Eddie can practically hear his smirk. "Katharine Hepburn? Ginger Rogers?"

"Oh, I love Ginger Rogers!"

"Really?" Steve says matching her excitement. "Well, you're just in luck! Robin here knows all about those old black and white movies, don't you Robin?"

Eddie presses a hand to his mouth to hide his snickering. Robin had looked like a hooked fish when he'd walked in, she's gotta be gaping stupidly right now. "Uuuh," he hears her mumbling, and tries not to snort too loud. "Y-Yeah, uh, golden age of Hollywood stuff, absolutely. I could? Show you where they are?"

"Oh my gosh, that would be amazing!" the girl says, her interest in the conversation now warmed by several degrees. Eddie is still a little in awe of how well his boyfriend can sniff out gay girls.

"I got the front here, Robin," Steve cuts in smoothly. "You ladies take your time, make sure you pick out a good one!"

Eddie waits another beat, listening at their footsteps shuffle away, before he pops up from behind the shelf. Steve, lighting up like a Christmas tree, beams at him.

"Am I a genius or what?" he whispers, grinning ear to ear.

"Your lesbian powers know no equal," Eddie says just as quietly, taking the girl's spot at the counter, leaning into Steve's space. Steve happily mirrors him, until they're tucked together, the world narrowing down to the two of them. It's Eddie's favorite place to be. "All hail Steve Harrington, blessid he, lesbian whisper. Come to aid all useless queers in the fight against singledom."

"Thank you, thank you," Steve says with an air of novel benevolence. "I promise to only use my powers for good."

"Dingus. Doofus."

They jump away from each other as if shocked. Robin glowers at them both, but the pretty girl behind her is giggling and standing way too close for friendly, just at Robin's elbow.

"Move it, lovebirds," she hisses as she rounds the desk. "I need to check Claire out."

"I think you already have," Steve says. His smile this time is down right evil.

Robin actually hisses at him, and hip checks him away from the register. Eddie does a bow, sweeping his arm out to give Claire the prime spot in front of the desk, before he turns back to Steve.

"My dear, if you could please," he simpers, all posh and nasally. "Show me to your finest, grossest horror movie, thank you my good sir."

"Ugh," Steve groans already heading off into the shelves, not waiting for Eddie to follow. "You're lucky I love you, Ed. Shit gives me nightmares."

"I know," Eddie sings, chasing him. "I love you too."

[plistommy]

When Steve and Eddie start making out, Steve is the first one to make the move and take charge.

He’d happily kiss Eddie with a soft smile on his face as he’d wrap his arms around the older boy and lay on top of him, making Eddie nervously hold his waist.

But as they get closer, more comfortable, Eddie starts to relax and get the confidence he has lacked. And instead of Steve being the one in charge like he has always been, Eddie takes the charge like he has always wanted to.

And oh does Steve love it.

The way Eddie holds him, kisses him - fucks him and takes care of him while whispering soft praises against his red bitten lips makes Steve happier than ever.

[carebeardean]

Charles has always left Edwin little notes slipped between the pages of his favorite books, in his science equipment, places he knows Edwin loves. Just silly things—post its that say “hi Edwin :)”. doodles of Edwin with his nose stuck in a book. reminders to stock up on wolfsbane. but.

Then, post canon, Edwin tentatively starts dating people. And it’s ridiculous, because Edwin’s right there, all the time, but Charles..misses him a bit. And his heads a mess, and he can’t sort out what the hell he’s feeling most of the time, and whenever he tries to say any of it out loud it comes out rubbish.

So. He writes down some of the shit he can’t say right, and because he’s a coward, hides them so he doesn’t have to see Edwin’s face when he reads them.

then Edwin starts writing back.

Neat lilac blue little envelopes appear in Charles coat pockets. In his bag. Once, in his shoe? Some nights, Edwin will clear his throat and mention something from a letter, offhand, like they’re just picking up conversation, and Charles can pretend they are. That they always have talked about the basement, the belt, the nameless fear that chokes him every time Edwin walks out the door with someone else on his arm.

Sometimes he can’t. The words get stuck in his throat. Edwin’s not mad, he’s maddeningly, stubbornly kind about it, which is worse.

Some nights they trade. A secret for a secret. Charles learns about the novels Edwin used to hide under his mattress, about all the lonely years before Charles got there. About Simon.

Meanwhile, Edwin is losing his mind, because Charles has accidentally stumbled onto what was a fucking courting ritual in his time. Love letters were something engaged couples treasured for years, kept and reread over and over. (Edwin does. keep them in a special box, will take one out and trace the words, tuck it in his breast pocket for courage).

Edwin would rather have to reattach a limb again than lose Charles trust, all the dark and beautiful things he shares with Edwin only. He knows—knows Charles doesn’t mean to make him fall more in love with him.

[technically-human]

Ooh, now that we’ve seen N!Edwin and DP!Edwin talk about Feelings could we see the same with N!Charles and DP!Charles?

As simple as that.

Edwins version

ko-fi

[lomlkenji]

༊*·˚ pretty boy | peter parker

main masterlist

for you, peter is the literally definition of pretty. his big brown puppy eyes and his perfectly structured face, his lean but muscular built, his cute little pout when you don’t give him a kiss before he goes patrolling.

he is just so so very pretty.

you don't know know how long you have been staring at him for, but he didn't seem to notice. too busy focusing on his science project, and his concentration is very hot.

his long slender fingers moving carefully and slowly to put the pieces together and your attention only zeroed on them. such, such pretty hands.

the weight of your stare was starting to make peter nervous. peter gets flustered very easily. and with you? you didn't even have to try.

peter suddenly put down the components for his project and turned to you, “i know i'm hot but can you please stop staring at me like that?” he mumbled, as a soft blush appear on his face. his tone was confident but you can sense his nervousness.

he tried focusing on his project again as you chuckled, the kind of chuckle that sends tingles all over peter's body, “sorry pete, but you are just so very pretty.”

wow. okay he didn't expect that.

peter chocked on his saliva, his body hot all over, nearly dropping the pieces of his homework.

“baby, you can't just say things like that.” he looked at you, eyes wide and soft. and it makes you grin.

“it's the truth.” you shrugged, “you're my pretty boy.” you know you're testing his limits, but it was fun teasing peter.

peter's mind malfunctioned. he's trying to ignore you, but the way you said my pretty boy is replaying over and over in his head.

“damn it.” he quietly swore, putting down whatever left of his project and turning to you.

your eyebrows rose in a teasing manner as a smirk finds its way to your face. “what?” you innocently asked, but you know exactly what you're doing, and he knows it too.

peter chuckled as he walks to where your laying at the bed. the sound send a shiver up your spine and now you're the one who's nervous.

he leaned closer to you, you could feel his breath on your lips as you both took a moment to admire each other. peter was staring at your eyes to your nose and your soft lips, bringing his eyes to connect with yours again and you could feel your stomach doing flips.

“and you're my pretty baby.” he whispered softly before cutting off a whine that rose up your throat with his lips.

his lips were a little chapped, but it fits your perfectly. your hands move to tangle on his hair, giving it a little pull making peter groan into the kiss. he leaned back, his warm hands move to find comfort on your waist as he brings you onto his lap.

peter felt like his heart was about to burst. every single sense of his is override and all he can focus on is you. you. you.

his home.

reblog for a kiss <3

[succulentsiren]

Advice I'd Give to My Younger Self.

Be unapologetic about your presence. Never enter a room with your head lowered. Hold your head up like you are proud to be who you are. Take up space. Be bold in your actions. Let your voice be heard.

You don't have to be perfect. Get over perfectionism and the fear of being embarrassed. Learn to own all your flaws and insecurities and continue to do what you love.

What other people say mean nothing. Never loose sleep over anyone’s opinion of you. They are not God and they don't define you.

Believe in yourself. You can be successful just like those people you look up to. You have what it takes. Hone your skills and be great too.

Appreciate your unique gifts and qualities. Stop comparing yourself to others and changing yourself to fit in. Always stay true to yourself.

[andhumanslovedstories]

I've been running this writing experiment lately to cut out phrases like "I felt" in my fiction writing. Like I was looking at a sentence in a draft that said, "he felt as if character's eyes were pinning him in place." And then I was like, "well, does he think that or is it true? As a result of this person watching him, he's froze. It's not like a thing, it is that thing."

Oh and "almost"! I'm always going, "He felt almost relieved that it hadn't happened." Well, did he feel better that it didn't happen or didn't he? Or "somewhat", I'm always going, "she felt somewhat perturbed."

And like none of that is wrong, to be clear. I don't know if it'd improve your writing, I don't even know if it'll improve my writing, but I use this sentence structure all the time so every viewpoint is from a voice that thinks about what it thinks, hedges its statements, and offers the same ability for wry little jokes formatted in the exact same way. And I have a lot of writing like that and I think (!) that they're good, but read as a whole, I'm like, "god, they all sound the same." Like there's one melody that I write songs to, so even with different lyrics, it's almost (!) the same song. Something I've been struggling with in regards to my writing and why I've felt so blocked is how boring I found writing my usual way. I'd read something and enjoy the individual parts of it, but then I'd step back and I didn't like the whole. And I got good at this enough at seeing that I didn't like it to do it in real time as I was writing, which as you can imagine didn't improve the process of writing because now I was bored AND dejected about being bored.

There's this sentence-level structure fact that I use unconsciously. A pattern I find easy is short sentence, short sentence, short sentence, long sentence. So I write that. "He [verbed]. He [verbed]. Then he [verbed]. As he [verbed] to his [consequence], he [verbed] that [noun] was [statement of condition]." Which could work, it often does make for a nice rhythm, but it's something I reach for often because it's easier for me.

Just last sentence, I originally typed, "I find it easier for me." But if what I mean is "using this pattern is less effort than another pattern," then it's easier for me. One voice is hedging its bets and the other asserting. Either is fine! But they're different! And, again, GOD you would not believe how many words I've cut out of this paragraph as I write it. I'm so chatty. I love using twelve words when six will do. And that gives my writing a specific tone to my ear.

So if I am bored of that tone, why not try using just the six words? Why be understated? Why be afraid of stronger opinions? So right now with my fiction, I'm experimenting with cutting out as many self-reflective words as I can. Sometime you do need to draw attention to the face that this is the character's interpretation, but like you definitely don't need to do it as much as I naturally want to do it. You don't need to always go out of your way to allow the possibility that the narrative voice is wrong. During editing, I trim the weaker ones (I originally typed, "what I consider the weaker ones" Is that more accurate?). But I think them being there in the first place shifts my language which shifts my character's which shifts my plot. It's sentence structure all the way down!!

(this barely applies to my writing on here, btw. i try to do good but yknow this is a tumblr blog. i'm not trying to get a lit mag to accept it.)

Anyway blah blah (chatty!) the point is I've been trying to write in a way opposite of my interests. Something that doesn't take itself too seriously, that emphasizes EMOTION and ACTION instead of minimizing it, and that clips through scenes at a good pace. Doing this been amazingly fun. I've been having such a good time doing it. I am writing so much because I really enjoy doing it. The process of writing is so fun again.

This post is about two things. One is my new mood stabilizer and therapy day camp. The other is about the benefit of pretending to be MXTX.

[velarisdusk]

Slip into something daring and explore the courts this October. Don't be shy—knock on the doors of your favorite characters. Will you uncover a dark, twisted secret, or indulge in a sinful treat?

✦ . 　⁺ 　 . ✦ . 　⁺ 　 . ✦

author's note: this is my first ever kinktober!!! ideally, i'll be posting every day from october 1st through 31st, but i'm in school full-time so we'll see lol. these will vary in length, but will all be relatively short this is all 18+ (duh) so please mdni! taglist is closed! enjoy!

✦ . 　⁺ 　 . ✦ . 　⁺ 　 . ✦

solo days (not reader insert; only 2 lol) will be denoted with a ☾

01 Sweet Surrender — Praise | Cassian

02 In the Wake of Absence — Caught Masturbating | Lucien

03 Before the Dawn — Edging | Tamlin

04 Unveiled Pleasures — Virginity | Rhysand

05 Whispered Echoes — Begging | Nesta

06 Shadows of Need — Mommy Kink | Azriel

07 Dreams of You — Wet Dream | Cassian ☾

08 Floral Reverie — Thigh Riding | Tamlin

09 Night's Cold Embrace — Dacryphilia | Rhysand

10 Twisted Silk — Bondage | Azriel

11 Fallen Grace — Degradation | Eris

12 In the Firelight — Size Difference | Cassian

13 Gentle Remedies — Medical Play | Elain

14 The Crown's Command — Boot Worship | Eris

15 Indelicate Distraction — Distracted Sex | Azriel

16 Searing Retribution — Impact Play | Cassian

17 Bound by Flame — Cum Plug | Eris

18 In the Stillness of Want — Orgasm Control | Rhysand

19 Held in Silence — Cockwarming | Cassian

20 Made for Him — Dollification | Azriel

21 Strings of Devotion — Pet Play | Eris

22 When the Stars Bear Witness — Cuckolding | Rhysand, Cassian, Azriel

23 The Weight of Expectation — 24/7 Scene | Cassian

24 Breathe in the Quiet — Predator / Prey | Azriel

25 In the Glow of Serenity — Somnophilia | Lucien

26 Murmurs of the Abyss — Mind Control | Rhysand

27 Garden of Eden — Tentacles | Tamlin ☾

28 Breathe Out Your Sorrows — Captivity | Azriel

29 Echoes of the Unruly — Monsterfucking | Tamlin

30 Lament of Control — Dehumanization | Rhysand

31 Subjugation — Fuck or Die | Lucien, Rhysand