#Write Brief with AI

[younes-ben-amara]

التواصل النصيّ هو الأكسجين في ثقافة شركة ووردبريس دوت كوم

ما هذه المجموعة من المختارات تسألني؟ إنّها عددٌ من أعداد نشرة “صيد الشابكة” اِعرف أكثر عن النشرة هنا: ما هي نشرة “صيد الشابكة” ما مصادرها، وما غرضها؛ وما معنى الشابكة أصلًا؟! 🎣🌐تعرف ما هي صيد الشابكة وتطالعها بانتظام؟ اِدعم استمرارية النشرة بطرق شتى من هنا: 💲 طرق دعم نشرة صيد الشابكة. 🎣🌐 صيد الشابكة العدد #119 جمعة زينة؛ والسلام عليكم؛ وبسم الله. 🎣🌐 صيد الشابكة العدد #119🇵🇸 حلٌّ عمليٌ لتوظيف…

[pa-pa-plasma]

okay i just marathoned the entirety of ATLA live action & i might do an actual review of it explaining my thoughts more in depth, but the TLDR version basically boils down to this:

if you want to watch Avatar: The Last Airbender, just go watch the 2005 cartoon

[shinybluething]

The stuff everyone is calling AI is not Artificial Intelligence.

It's just ... not. It's not intelligent. It's not self aware. It's a bunch of really extensive search algorithms and collage macros cut and pasting together things that look kind of like artwork or writing or music.

Look, we all want the ship's computer from Star Trek. We all want to hang out with Data, or R2-D2, or L3-37. I guess some of us want to feel threatened by Skynet, or Cylons, or Lore.

But we're not there. This is not it. Lying won't make it real.

[ghostie-gengar]

does anybody know if google docs' ai thing is actually going to be taking everyone's stuff to use for prompts without consent? i've heard a lot of rumours about it but i don't wanna go through the trouble of moving all my stuff and deleting it if it's not true

[tweedfrog]

Can a computer person explain this to me - why are they trying to use AI to replace like. Human creativity and writers and artists when the much more logical route to take would be to use AI to analyse large volumes of data?

The answer is greed and those VC start up morons isn't it?

[renard-dartigue]

Hi now i'm curious what is the beef with the rappers

Man this is going to be long so I'll try to keep this simple and entertaining. I hope this comes across as clear cause I'm shook right now.

Here is a glossarie to break thing up:

Prologue (The Spark 🔥)

Round 1.1 (Physical Education 💪🏾)

Interlude part 1 (Roots 🏠)

Round 1.2 (2 Warning Shots 🔫)

Interlude part 2 (Pusha the Seer 👁)

Round 2.1 (Knifes Out 🔪 )

Round 2.2 (The Nuke 💥)

Epilogue (All eyes on him 👀)

My Theory 🤷🏾‍♂️

Highly recommend checking out the tracks yourself while you read along.

Prologue (The Spark)

Let it be known that I am a neutral party and that I don't take sides when it comes to rap beef. I was here for the music and creativity. I am just trying to recount events to the best of my knowledge. Sorry if some details are inaccurate.

Okay so basically, Drake, J Cole, and Kendrick Lamar are the Big 3 of the rap world right now.

A month ago, Future and Metro Boomin (two rapper who supposedly don't fuck with Drake anymore) released a song with Kendrick Lamar called "Like That". In the song Kendrick took a shot at Drake and J Cole, saying there isn't a big 3, its only him on top.

4 weeks ago J Cole dropped a track called "7 Minute Drill" that is dissing Kendrick. However, in a move that is very uncharacteristic of J, he took down the official track and formally apologized to Kendrick. Thus signaling his exit from the rap battle.

ROUND 1.1 (Physical Ed)

Drake on the other hand dropped "Push Ups" 2 weeks ago, a diss track that went after other rappers he doesn't like but mainly Kendrick. In it, he made fun of Kendrick's height and his contracts. He then ends the song with "I was really try'n keep it PG" meaning he has a nuke on Kendrick that people don't know.

Not long later, Drake dropped ANOTHER diss track "Taylor Made Freestyle" with Ai voices of Snoop Dog and fucking 2PAC! Kendrick has stated before that 2pac is one of his idols so this must have been a deep cut. In the song Drake claims Kendrick doesn't write his own music and uses the writers of Taylor Swift. Relating a rapper to pop music is seen as disrespectful.

INTERLUDE PART 1 (Roots)

Before I continue, I want to give a brief run down on how the public perceives these two rappers.

Drake portrays himself as a superstar, he's always on social media flaunting his success and partying with other celebrities, seeing alot of women and living a lavish lifestyle. His music is catchy, something you put on in the club. Most of his fan base praise him for his sick beats and witty lyrics. He's been in the music industry for a while and is no push over.

Kendrick Lamar is a very private person, doesn't expose anything about his personal life unless its on a track. He almost never gets into fights with anyone. He is a family man, stressing the importance of being there for his wife and son and encourages other fathers to do the same. His fan base praise him for his creative lyrics and highlighting the black American condition.

ROUND 1.2 (2 Warning Shots)

2 Day ago, Kendrick Lamar came back with his first official diss track on Drake called "Euphoria". In this song, Kendrick goes in on Drakes fake personality. Drake has always been known around the community as a bit of a poser, he grew up in Canada and was raised by his white mother, a relatively comfortable childhood. He was a star on the popular show Degassi when he was young. garnering him a fan base early in his career. Kendrick doesn't approve of Drake appropriating black American culture and acting like he some tough guy. When in reality he is a Canadian nerd thats disrespectful to 2pac. All throughout the song, Kendrick hits at things that many people have know about Drake, such as his behavior around underage girls. He also called Drake a deadbeat father who isn't in his son's life, even referencing his lost battle to Pusha T. Then Kendrick finally warns him that he has more dirt that he is willing to share if Drake takes things further.

Similar to Drake, Kendrick dropped another track called "6:16 in LA" later that day. This song focuses on Drake's environment, specifically the people he hangs with. Kendrick implies that Drake paid people to dig into his background and when they didn't find anything, Drake made up stuff instead. Kendrick then says that someone in Drakes group is leaking information to him about something even more serious. Also planting a seed in Drake's mind that his supposed friends don't actually like him, just like the clout from hanging around him.

INTERLUDE PART 2 (Pusha the Seer)

Taking a quick break again, we need to discuss something that occurred long before Drake's battle with Kendrick.

5 years ago, Drake was in a rap battle with rapper Pusha T, someone who was smaller than Drake at the time in terms of popularity. Pusha dropped a song called "The Story of Adidon" where he dropped a bomb that Drake had a kid and wasn't taking care of him. Drake initially denied it but it was later revealed to be true.

Since then Drake has never responded to Pusha T's diss track, making Pusha the current winner. And Kendrick is bringing it back into the light.

Round 2.1 (Knifes Out)

Around 2 am EST time of May 4th, Drake drops his diss track, "Family Matters" one of his strongest songs, switching his flow 3 times in the span of 7 minutes. In true Drake fashion, its a club song with a catchy beat. Like his previous diss, its aimed at multiple people but the main focus is on Kendrick, even bring up "I was really try'n keep this PG".

Drake doubles down on his black identity and mocks the fact that Kendrick and other rappers are saying he isn't black, (incorrectly assuming that they are coming at him for being mixed when the real issue is that he is appropriating black American rap culture as a Canadian mixed man who grew up in a safe environment) Drake not only calls Kendrick a fraud who only raps about black issues for attention, Or that his activism is performative. He makes a shocking claims that Kendrick is a wife beater. Then Drake says that Kendrick's son doesn't belong to him and implies Kendrick's producer was the real father.

The track caused an uproar. But only for the span of 15 minutes. Because Kendrick did the unthinkable.

ROUND 2.2 (THE NUKE)

Almost as if expecting Drake's move, Kendrick Lamar did what no one saw coming. He dropped his diss track "Meet The Grahams" about 15 minutes after Drake released "Family Matters".

This time around, in a fashion almost unheard of from him, Kendrick strips all the usual metaphors from his lyricism and structures his track like he is speaking to Drake and his family, 4 parts per individual.

Kendrick begins by speaking to Drakes Son, Adonis, the same son Pusha T exposed Drake for neglecting 5 years ago. He's apologizing to him for his father's behavior. Kendrick speaks to him softly but sternly like a mentor, telling him not to be like his father. Kendrick tells Adonis all the things Drake did and warns him not to do them too: involved with escorts, plastic surgery to appear more black, surgery to look more muscular, hiding a kid. (Kendrick stresses that Adonis is black regardless of being mixed, further highlighting that he isn't discrediting Drake's blackness because he's mixed but because he isn't being himself.) Finishing of by telling the kid to be proud of who he is.

The second half is Kendrick addressing Drake's mother and father, Sandra and Denise. Kendrick speaks to her like he's revealing tragic news, explaining to her that her son is involved in disgusting things. He goes down a list of things, his tone growing more intense and angry. Kendrick then claimed that Drake is employing and enabling pedos in his group, and hopes they die. Even implying that his group is going to be raided by the feds some day.

The third half is the MOST shocking of all. Kendrick begins talking to an unnamed individual, simply calls her babygirl. Similar to Adonis, Kendrick takes on a somber tone and apologizes to her for Drakes behavior. He says its not her fault Drake abandoned her, says that she is deserving of love. He warns her not to become a target for people like Drake to pray on and says she has so much to offer the world.

Kendrick revealed Drake has ANOTHER kid and isn't in their life! (Allegedly)

To close of, the fourth half is Kendrick speaking directly to Drake, his tone tired. He tries to reiterate that he doesn't have hate for him. However, Kendrick says Drake was the first one to go after his family and he couldn't let it slide. He once again calls for Drake to take the mask off. Then says this isn't a rap battle anymore, tells Drake he is fighting himself.

Epilogue (All eyes on him)

And so here we are, waiting for what will happen next.

Drake posted an Instagram story denying the claim he has another kid. But given what happened with Pusha T, we can't quite take his word for it yet. We should wait a bit to see if anything comes out.

Kendrick hasn't put out a statement on Drake's claims about him but given the recurring theme of Drake being a manipulative lier, Kendrick clearly denies it. Given how private he is, its difficult to prove or disprove it. Much like Drake's claims, we will have to wait and see if any evidence comes out about it.

Drake and Kendrick stans are at eachothers throats right now, arguing over who one and whats real or fake.

Right now everyone is looking to see if Drake is going to continue the battle or stay silent like he did with Pusha.

My Theory

Personally as an outside observer who only followed the beef for good music. I think this goes beyond a simple rap battle.

Here is my theory: Someone from Drake's clique told Kendrick that Drake and his producers were writing something about him. Real or fake, Kendrick was pissed. And so he drafted 3 tracks, dumping everything he hates about Drake into them. And then, with the leaker's help, Kendrick baited Drake into a battle, goading Drake to drop the "Family Matters" track so he can shut the battle down with "Meet the Grahams". Or maybe his first 2 tracks were a warning to Drake that if he released a track with lies on him he would reveal he has another kid.

I do think Kendrick initially had good intentions in trying to help Drake be a better person. But maybe the more he learned about Drake the less sympathetic he felt.

But I don't know thats just how I see it.

Thanks for reading my essay. I hope it made sense heh. I encourage healthy discussions in the comments and reblogs please. But everyone agrees that Drake is inappropriate with young girls. We won't argue over that.

[reasonsforhope]

"As a Deaf man, Adam Munder has long been advocating for communication rights in a world that chiefly caters to hearing people. 

The Intel software engineer and his wife — who is also Deaf — are often unable to use American Sign Language in daily interactions, instead defaulting to texting on a smartphone or passing a pen and paper back and forth with service workers, teachers, and lawyers. 

It can make simple tasks, like ordering coffee, more complicated than it should be. 

But there are life events that hold greater weight than a cup of coffee. 

Recently, Munder and his wife took their daughter in for a doctor’s appointment — and no interpreter was available. 

To their surprise, their doctor said: “It’s alright, we’ll just have your daughter interpret for you!” ...

That day at the doctor’s office came at the heels of a thousand frustrating interactions and miscommunications — and Munder is not isolated in his experience.

“Where I live in Arizona, there are more than 1.1 million individuals with a hearing loss,” Munder said, “and only about 400 licensed interpreters.”

In addition to being hard to find, interpreters are expensive. And texting and writing aren’t always practical options — they leave out the emotion, detail, and nuance of a spoken conversation. 

ASL is a rich, complex language with its own grammar and culture; a subtle change in speed, direction, facial expression, or gesture can completely change the meaning and tone of a sign. 

“Writing back and forth on paper and pen or using a smartphone to text is not equivalent to American Sign Language,” Munder emphasized. “The details and nuance that make us human are lost in both our personal and business conversations.”

His solution? An AI-powered platform called Omnibridge. 

“My team has established this bridge between the Deaf world and the hearing world, bringing these worlds together without forcing one to adapt to the other,” Munder said. 

Trained on thousands of signs, Omnibridge is engineered to transcribe spoken English and interpret sign language on screen in seconds...

“Our dream is that the technology will be available to everyone, everywhere,” Munder said. “I feel like three to four years from now, we're going to have an app on a phone. Our team has already started working on a cloud-based product, and we're hoping that will be an easy switch from cloud to mobile to an app.” ...

At its heart, Omnibridge is a testament to the positive capabilities of artificial intelligence. "

-via GoodGoodGood, October 25, 2024. More info below the cut!

To test an alpha version of his invention, Munder welcomed TED associate Hasiba Haq on stage. 

“I want to show you how this could have changed my interaction at the doctor appointment, had this been available,” Munder said. 

He went on to explain that the software would generate a bi-directional conversation, in which Munder’s signs would appear as blue text and spoken word would appear in gray. 

At first, there was a brief hiccup on the TED stage. Haq, who was standing in as the doctor’s office receptionist, spoke — but the screen remained blank. 

“I don’t believe this; this is the first time that AI has ever failed,” Munder joked, getting a big laugh from the crowd. “Thanks for your patience.”

After a quick reboot, they rolled with the punches and tried again.

Haq asked: “Hi, how’s it going?” 

Her words popped up in blue. 

Munder signed in reply: “I am good.” 

His response popped up in gray. 

Back and forth, they recreated the scene from the doctor’s office. But this time Munder retained his autonomy, and no one suggested a 7-year-old should play interpreter. 

Munder’s TED debut and tech demonstration didn’t happen overnight — the engineer has been working on Omnibridge for over a decade. 

“It takes a lot to build something like this,” Munder told Good Good Good in an exclusive interview, communicating with our team in ASL. “It couldn't just be one or two people. It takes a large team, a lot of resources, millions and millions of dollars to work on a project like this.” 

After five years of pitching and research, Intel handpicked Munder’s team for a specialty training program. It was through that backing that Omnibridge began to truly take shape...

“Our dream is that the technology will be available to everyone, everywhere,” Munder said. “I feel like three to four years from now, we're going to have an app on a phone. Our team has already started working on a cloud-based product, and we're hoping that will be an easy switch from cloud to mobile to an app.” 

In order to achieve that dream — of transposing their technology to a smartphone — Munder and his team have to play a bit of a waiting game. Today, their platform necessitates building the technology on a PC, with an AI engine. 

“A lot of things don't have those AI PC types of chips,” Munder explained. “But as the technology evolves, we expect that smartphones will start to include AI engines. They'll start to include the capability in processing within smartphones. It will take time for the technology to catch up to it, and it probably won't need the power that we're requiring right now on a PC.” 

At its heart, Omnibridge is a testament to the positive capabilities of artificial intelligence. 

But it is more than a transcription service — it allows people to have face-to-face conversations with each other. There’s a world of difference between passing around a phone or pen and paper and looking someone in the eyes when you speak to them. 

It also allows Deaf people to speak ASL directly, without doing the mental gymnastics of translating their words into English.

“For me, English is my second language,” Munder told Good Good Good. “So when I write in English, I have to think: How am I going to adjust the words? How am I going to write it just right so somebody can understand me? It takes me some time and effort, and it's hard for me to express myself actually in doing that. This technology allows someone to be able to express themselves in their native language.” 

Ultimately, Munder said that Omnibridge is about “bringing humanity back” to these conversations. 

“We’re changing the world through the power of AI, not just revolutionizing technology, but enhancing that human connection,” Munder said at the end of his TED Talk. 

“It’s two languages,” he concluded, “signed and spoken, in one seamless conversation.”"

-via GoodGoodGood, October 25, 2024

[sweet-as-an-angel]

What about Graves with a breeding kink or if reader is pregnant? I know you don't rlly write for him a lot, but I love when you do.

Idk if you'll feel like answering this, but ily and ur fics regardless 🫶

Graves w/ a Breeding Kink

Warnings: 18+, Smut, Breeding Kink, Possessive Graves, Housewifery, Pet Names,Profanity,  Fem! Reader.

He lusts for the American dream; the very foundations upon which he continues his existence. To have – to create – a family. And he can think of nobody better to achieve that dream with than you.

He’s on top of you, arms either side of your head, gasping, panting, bent over you and exerting every inch of himself as if you were crafted of some divine substance with tools far beyond human comprehension.

He’s been at it for hours now. You see it in the way his hair sticks together, slicked with sweat as it drips down his face, hear it in the thick, wet sound of his cock slipping back into you with every thrust of his hips, feel it in the growing ache in your abdomen as he fills you again, letting out a strangled, short-breathed moan as your body squeezes around him. He doesn’t let up, though.

He pushes through, gripping you by your hips and pulling you closer onto him. You gasp, back arching as he hits a spot deeper within you. An area he’d been abusing all night, 

“B’such a good little mommy for me,” he whispers into your hair, just above your ear. He presses a lopsided kiss there, lip wet from the many times he’s drawn it into his mouth with his teeth.

“Y’want that, Sweetness?” he pants, looking into your eyes with his half-lidded pair. “Want me to–” – he grunts – “want me t’make you mine from the inside out?”

You can’t get the words out fast enough; garbled and twisted, they come out tangled and in knots, as if tripping over each other to reach a unified ‘yes’. With the little energy you have left, you nod with all the enthusiasm your half-gone mind can conjure. Graves smiles, giving a brief, airy laugh. “Knew I’d made the right choice pickin’ you. Knew you’d make a good housewife for me someday,”

You clench. Graves gasps. He brings warm lips to yours as if to press his love there, as if you are to now impart upon him that which he has longed for for years unnumbered; a family.

He angles deeper, presses his throbbing, pulsating instrument into the most inconspicuous part of you that has you arching your back and letting out an almost-scream. Your knees press into the sides of Graves’ waist, tightening around him just as your cunt did. He yells, uses every ounce of his strength to not collapse on top of you, the tip of his nose against yours. Something in him tightens, snaps, and he floods you for the umpteenth time, pressing himself deeper, making sure his seed takes.

Not that you can see for your eyes being screwed shut, but Graves gazes upon you as you bask in the afterglow of his labour, feeling a smile creeping up onto his cheeks as he takes in your every feature. It doesn’t matter how many times he’s seen them, in one form or another, he never stops being fascinated – enamoured – by them. By you.

When you come down, come to, you give Phillip a smile he knows all too well – one that preludes your telling him you’re ready for bed. He all but pounces on you as you turn onto your side, taking you by the wrists and pressing them into the pillow beneath you. A dark glimmer passes through his eye, and he gives you a hazy, slithering smirk, followed by his southern drawl.

“Oh no, Princess,” he says, taking your chin between his fingers.

“We’re not done ‘til I say we’re done.”

Reblog for more content like this! It helps creators like myself tremendously and it is greatly appreciated :-)

Masterlist Masterlist [Continued] Masterpost Modern Warfare AI Masterlist

AO3 Wattpad Tumblr Backup Account

[carriesthewind]

Ok. I am maybe kind of losing my mind just a little bit.

A few days ago, I mentioned in a post that the IA only cares about information being digitized, not about actual digital access. And I mentioned that access includes patrons being able to actually find what they are looking for, and suggested IA did not prioritize that critical aspect of access. But I didn't really go into any more detail.

So someone over on bluesky linked to this write-up of a talk Brewster Kahle gave about using so-called AI. And one of his reported statements made my mouth drop open in shock.

...and then I read further in the article and realized it was incorrectly reporting basic facts around Hachette, so I had to go and listen to the whole speech myself.* (And I want to say, briefly - he raises some legitimate potential uses for LLMs! He's kind of a dick about some of it ("it's up to us to go and keep [Balinese] culture alive"), but some of the things he's talking about actually seem useful.)

*Incidentally, while Kahle doesn't lie about the ALA brief in the speech, he absolutely misleads about the nature and facts of the case and deliberately omit the part of the story where the IA decided to suspend the one-to-one owned-to-loan ratio thing, despite repeatedly emphasizing that one-to-one was what the IA was doing with their lending program.

And oh my god. He really said what the article reports. (This portion starts around 20:10.)

He says that the IA has scanned over 18,000 periodicals. And that they used to have professional librarians manually create descriptions of the periodicals in order to catalog them. (Sidenote: there are existing directories, but he describes their licensing terms as "ridiculous." This is not a field I know much about, but I spoke to one person who agreed, though for different reasons. His reason is that you can only license, not purchase, the directory descriptions. The person I spoke to was instead focused on the prices demanded for the licenses. Regardless, the idea of creating an open, free directory seems both like an incredible amount of work and an amazing resource...if it was accurate.)

But according to Kahle, it took 45 minutes to an hour to create a description and catalog each periodical.

And so now, instead, they're using AI to make the descriptions and so it only takes 7-10 minutes!

"And yes it hallucinates, and it has some problems, and whatever — but it’s a lot faster than having to write it yourself!"

Oh. My god.

Just.

YOU ARE KNOWINGLY INTRODUCING AI HALLUCINATIONS INTO YOUR CATALOG?!

(And yes, he says that they are "confirmed by a librarian" but it can't really be, not if it's only taking 7-10 minutes! Maybe the librarian can do a quick check for super obvious errors, but actually checking a AI's summary work requires actually going back to the source and reviewing it yourself!)

I just....

I need to emphasize for those of you for who aren't familiar - if a book or article is miscataloged, it is effectively lost. Because it doesn't mater if a library or an archive owes it - if someone can't find it when they are looking for it, it is not only inaccessible, the only way to find it again is through chance. Imagine if you went into a library, but instead of organized shelves (where if even if you can't find what you're looking for, the librarians know where to look), every single book was just piled in a heap.

If a book is miscateloged, it still exists, but it is lost, not truly accessible. And they know that this is happening, "but whatever." Because Brewster Kahle doesn't actually care about real, practical, digital access. (Much less non-digital access.)

(And then to top it off, he goes on to criticize the Library of Congress for not being "access oriented.")

I just. 18,000 periodicals. And they've knowing, recklessly lost who knows how many of them. I feel like crying.

18,000 periodicals.

[becausegoodheroesdeservekidneys]

Interested to know other lecturers' thoughts here. The university has just released the latest templates for our assignment briefs, and they now include this table:

I have to select which areas I will allow generative AI to be used for in every assignment brief I write (with the obvious caveat that this is showing them how to use it as a tool, not giving them the green light to generate a whole essay and submit that.)

My immediate thought is that the 'research' section is dangerous, and the 'creative' one is immoral.

[meadow-of-daisies-and-lavender]

Summary: When the god of the Winter needed a messenger, he had chosen you. Yet your elders wanted you dead. But John Price, the god of the Winter, had other plans for his devotee. Eventual Poly 141.

A/N: Leaving this here, then backing away slowly. If you like, please comment and reblog. Special thanks to @itsagrimm for editing, even though you aren't into the type of writing. Thank you to @ethereal-night-fairy and @wildflower-and-honey for feeding my brain worms. I love you three and cannot thank y'all enough <3 Thank you, @saradika, for your beautiful dividers that I use in literally everything.

CW: (18+) Children begone! PIV smut, swearing, a Dyslexic wrote this, Religious Kinks, brief mention of suicide, brief mention of hypothetical pregnancy because what is John Price without a breeding kink? Voyeurism, exhibitionism, praise kink, elements of paranoia, and mindreader elements.

NO AI

Leave a comment and reblog!

You had been abandoned. Sent aimlessly into the east by your deceiving elders to find the oh-so-benevolent god of Winter. Your people had discarded you, and perhaps, you had now been forsaken by the Holy One. Under the new winter moon, you had no bearing in these strange woods. You were lost and without hope. Stumbling into a thicket, you paused, catching your breath. Once your village elders cut your binds and removed the blade from your still bleeding throat, you ran. You had three options now: find the Winter God John Price and beg for mercy, return home to your village to die by your elder’s blade, or finally, die by a frozen death.

 

Yanking down the sleeves of your dress, you shivered. Only a fool would think the thin lace would be enough to fight the cold. You hadn’t bothered to ask for a cape when you would be dead come dawn by the blade of your elders or the mercy of winter’s chill. Besides, if the elders thought it could help entice the winter god closer to you, you welcomed the possibility. The god liked fine things- the fragility of ice coating sleeping trees, the nuanced tendrils that composed a snowflake, the finespun embroidery on an altar cloth. Perhaps the gossamer lace of your gown would make you look as alluring as snow?

 

Your village worshiped the god of the East along with his three other seasonal counterparts. In the winter, the altar faced east for John. In the spring, it faced north for Kyle. In the summer, the altar faced west for Johnny, followed by facing south in the Autumn for the one they called Ghost. You traversed the mezzanine of the aged temple as if it was your birthing ground, dedicating yourself to the unknown and to what divine vexed within. 

 

A creature howled in the far distance, three more joining in the call. You wished you had a blade for protection, but the foolish  elders would not allow it after the last messenger sent to find the God of Winter killed himself. He died from fear of the gods with his body left for the animals starved for winter scraps according to the elders. The collapsed skull and bloodied rock meant otherwise. You would become like the warrior- murdered- if you didn’t keep moving.

 

At least you’d be dead if you stopped moving, and wasn’t that something to rejoice over for the elders? They wanted you gone the moment you opened your mouth, defending the holy temples in a burning righteousness against their infidelity. The elders mocked your faith, staging a spectacle to rejoice in their perceived standings with the holy gods, to enshroud their continued greed of village resources, and holy temple offerings while preventing you from stepping foot inside the sacred temple. 

 

All you wanted was to worship your gods in peace and for your village to know that peace. 

 

A branch snapped in the distance. Setting your foot down ever so quietly, you glared into the darkness of the night. In your chest, your lungs froze as if a tiny breath could lead starving beasts toward you, but your heart tapped a wild rhythm against your bones like a war drum urging warriors forward in battle. Between the bones of the trees, a figure raised from the ground. Dirt quaked in its path, fearing the disturbance as flashes of odd whites and black wove into a tall, hulking beast emerging like smoke. The vaporous monster inhaled. It was as if he sucked the forest in with his expanding breath, the conductor of the skeletal structure of the land. The one who assembled appendages of bone like armor and crown, marking his distinct otherness to any creature known before. Opening his eyes, bright gold light flared from its eye sockets, a perpetual fire, locked on burning you alive.

 

You ran. Barreling through the underbrush, thorns cut and tore at your dress, slowing you down. Pushing deeper into the woods, you dared not glimpse back at the monstrous shape. The gods, you prayed, would give one last indulgence by sparing your life. Dodging fallen trees and saplings, you heaved for a breath. Your toe caught on something sending you tumbling forward, down the hill, to be stopped by a mangled stump. There was little to be felt from the roar in your mind and blood careening to endure, to run, to survive.

 

Looking up, the terrifying haint peered down at you with its head tilted to the side, lazily biding his time hunting you. Fleeing, you made way towards the river that supplied the village with water. The monsters couldn’t cross the running water at the bottom of the ravine. Everybody knew that. Your breath created puffs of smoke with each gasp of air, streaming from your lips like a dragon’s purr.

 

Down at the river, you paused, cursing at your luck. The river was frozen over, but how deep the ice went was beyond you. You had to cross, fighting for a chance at life and to find John Price to appeal for assistance proving your claims. Taking a deep breath, you ventured on the ice, straining your ears for cracking and shifting sounds. Freedom sang like a siren from the other side of the waters with the promise of faith delivering you into her hands. On the other side was an assurance of one more day in your beloved temples with the beloved gods, of life, and of being free from the elders.

 

Without the freedom to roam the holy grounds of faith, what would be left for you?

 

You slipped with a screech, flailing until you caught your balance. Your hands trembled as breath fogged the air. Crossing was the only option, regardless of death prowling down to find you. The thought of the being sent shivers down your spine, and you squeezed your eyes shut as if it would banish the evil and push you across the waters.

 

“Stop!” A man bellowed like thunder echoing in the ravine. You jumped, slipping on the ice. With an assured crack, the ice broke, plunging you into the icy waters.

 

You gasped, choking on river water. Kicking to the surface, you were met with a ceiling of ice. You hit the ice with your hand to no prevail until the bubbles from your nose dissipated and a film of darkness descended upon your peripherals. In the gloom, eyes of golden fire shimmered at you, refracted by the ice, illuminated by the flash of lightning. 

It smelled like oak and spices as you inhaled. The bed you laid in was spacious, a soft luxury you sunk greedily into. Moments of time slowly returned to you as you stirred, until a tapestry unfolded, painting what had occurred in the woods to you. How you had survived drowning or hypothermia was beyond you, feeling none of it, now. Cocooned tightly in thick blankets, albeit naked as the day you were born, sleep still called in the comfort of the home. A warm crackle of a fireplace and the deep mutterings of men speaking filled your ears as you blinked. In your nest, you buried further in, savoring the needed heat with a sigh with your eyes peeking over the cover.

 

The two men, seated in the corner, had stopped conversing to stare at you. One was slim but muscular, with dark skin and shining brown eyes. He wore a grin both authentic and sly as if mischief personified, waiting for his time to strike and laugh at your mild misfortune. 

 

The other man was a bear. Thick, burly, legs with sizable thighs spread to consume room; it seemed all he did was call attention to himself. The cocky spread of his legs to the icy blues of his eyes; your neck burned as he smirked, having caught you staring.

 

“Hello, Fawn,” The bear rumbled, intentionally softening his voice and leaning down as if afraid to spook you like the little deer.

 

“Ghost found you,” injected the younger one. “It took him and Soap to pull you from the ice and bring you home. That was pretty stupid; getting on the ice like that. Haven’t people told you not to do that?”

 

Getting on the ice was stupid, but letting yourself get consumed and murdered by a beast was even worse. You had half a mind to tell the younger man your thoughts on the matter, but here you were, naked in a stranger's bed… alive. While grateful, you needed to leave. The task to find John and plead for his assistance in clearing the village of your awful elders still loomed, as did the precarious nature of being nude in a room of two strong men. 

 

“I’m looking for someone,” You mumbled. “I had no choice.”

 

“I know,” The older man hummed before speaking your name like a whisper of wind on your ear. 

 

The God of Winter . Your spine went straight before you bolted upright, clinging the blankets to your chest. These men were not men at all but your four holy gods. There was half a mind to shuck off the blankets and fall to your knees in reverence. You had offered prayers while bathing before; was this any different? As you shifted, apologized, and begged for pardons on the tip of your lips, John shook his head and stood.

 

“Gaz, go let Soap and Ghost know our fawn is all right,” John said, clasping Gaz on the shoulder. Gaz promptly left the room, closing the wooden door behind him, not before offering you one final comforting grin.

 

“I am sorry. I had to find you. The elders sent me to the woods to murder me. And… I didn’t know what else to do but to seek your help. I’m so sorry, please forgive me. The elders are murdering anyone who dares question them. Nobody believes me even though I have proof! The village will not survive the winter because of our elder’s theft from them and of the temple and I need your help. I have done nothing wrong except be loyal to you, John,” You rushed out in a single breath. “Please, help me. Help us .”

 

John set his hand on your cheek, running his thumb over your warming cheeks. A violent shiver sprung through your body, encouraging you closer to the god. You closed your eyes and nuzzled into his palm, lulled by the smell of spices and the alluringness of being physically held by him. Finally, you had removed the burden of secrecy and responsibility and John took it lightly with his hands soothing the ache from your skin with the glide of his fingers. 

 

“Love, you’re being too harsh. There is no reason to apologize,” He reassured you with a kiss on your forehead. “The fault lies with your elders. You have done all I have asked of you and more. Do not agonize yourself over the stubbornness of others. It will get you nowhere.”

 

You closed your mouth and held his wrist, keeping him to you. You thought of all your nights spent praying to the god of Winter when sleep evaded you. When you screamed or cried your prayers in agony, begging the divine god of winter to make himself known to you so that your faith was not in vain and your people could be free from the elders. 

 

But what of your people? What choice would they make? The old gods were worshiped only in tradition and the elders had slowly pushed your people further from the gods as the temple began to deteriorate. 

 

You were always dedicated to the divine in odd ways. Observant gifts of John’s favorite flowers and drinks were left on your homemade altar—prayers written on little papers in a box. Spare time spent tending to the aged temple and cleaning it, preparing it for worship. Devotion in wearing John’s favorite color as a ribbon around your wrist, bearing his color like a mark of ownership over you. 

 

It was… your stomach clenched as you remembered bathing in his favorite fragrances, the soap trailing between your breasts, water falling as gracefully as the curves of your skin, for his solstice day. Later that night, deciding to offer John an orgasm on a lust-induced whim. When you came down from your high, you swore you could feel the divine by your knees, looking down at the mess you had made, dribbling into the sheets. The idea of him voyeuring into your bedroom made you leak, reaching a bold hand down to part your lips for him to see your swollen clit.

 

“What you want from us, little Fawn,” John tilted his chin to look you in the eyes as his warm toned voice dipped between your thighs to make them clench. “Comes at a high cost for you.”

 

“And let my people suffer from the elder’s greed? Surely, you understand how harsh winter can be! And to let the gods lay waste when this is proof you still are near has to be blasphemy. I don’t want to die, but I’d rather try dying than be left bystanding in silence, rotting away-”

 

John took your neck in hand and hulled you to your feet. Your words died on your tongue as his nose pressed into your cheek. Chests pressed together, his human form radiated heat and softness protecting layers of muscle and power. You wondered briefly if his divine form would look more bear or beast, unleashing the thrum of calculated energy pulsing inside the god.

 

“Fawn, martyrdom is for suicidal fools. Not even the martyrs ask for their portion, they stumble upon it trying to uphold the will of the gods which threatens the portions and powers that be in your mortal world,” John shook your head ever so slightly, pressing closer until you gasped, looking up at him with wide eyes. Dark as ice, they pierced into you flickering from your eyes to your mouth, the urgency he held you with inching into territories you were unsure of but eager to explore. His eyes flickered down for a moment, and you shivered at your exposure, pressing your face into his neck as if to hide. “You will stay the night but come dawn, you must return home to live for us.” John instructed, pushing your hair from your neck. Leaning down, he nipped the bottom of your ear playfully, kissing along your neck.

 

You hummed, offering your neck to his lips. It didn’t matter if you had laid with a million other people before or none at all. You yearned for the assured solidity of the gods, and now you had it. They could have your body, the works of your hands, the words of your mouth, the paths of your feet. You only wanted to be near John, safe, nestled into his side, even if for a little while. To be welcomed into the god of winter’s bed for even a night? The idea made your thighs slickened with want, heat pooling in your stomach.

 

Everything in your bones wanted to please him, to let him have his fill of you, to honor him with the best of your skin and body. You’d get on your knees for him. Suck his cock until you are panting, with his cum on your tongue. You wanted to be good . You let out a little whine, a soft vibration in your throat. John chuckled, coming up from your throat to kiss you properly, all while moving you on the bed.

 

He kissed down your throat, gently touching your chest with the hints of friction making you squirm, tangling your fingers in his hair.

 

“I want you to soak my fingers and cock with this pretty cunt tonight, Fawn” John decidedly spoke. You eagerly nodded, humming as his hand squeezed the fat of your stomach. 

 

You opened your thighs as he descended between them, grinning as he knelt before you. You could have laughed at his eagerness if it wasn’t for the gentle, inquiring sweep of his finger through your folds, collecting your wetness. A sigh fell from your lips as he played with your cunt, a pleasant warmth filling your mind as your legs found a home on his shoulders, your hand on the back of his neck, scratching the short hairs there.

    

“Been thinkin’ about this pretty pussy since you showed her to me,” John growled, thumb swirling on your clit just as you had when you played yourself for him. Your knees bent, pushing your pelvis to catch the angle just right . “Offered me use of your body, a delicacy, to use as I please. Perfect little human for me to fuck whenever,” He growled before putting his mouth to work, sucking on your clit.

 

You keened, bucking your cunt into his face. John devoured you whole, feasted on you, your head in the clouds, floating with nothing to tether you but his mouth. The god of winter’s fingers prodded your entrance, slipping in with a slight stretch. His fucking hands, reaching depths you could never achieve on your own, made you moan, opening your eyes to watch him. From below your stomach, John was fully committed, eyes closed, grunting against your cunt.

 

John fought against your legs, drawing out the pulsing waves of pleasure until your ears were ringing, vision white, cresting into a beautiful brainless hum as your body went limp. 

 

“Fuck, John, I can’t,” You whimpered, pushing his forehead back. Your chest heaved, hands grasping for anything you could reach until he slid his hand in yours, anchoring you to him. He moved, and you closed your sticky thighs, clenching at the slick dribbling down. John reverently kissed your collarbone, hands brushing over your scalp, lulling you from the cloudy space.

 

His lips kissed along your neck and chest as his hands wandered along your hips and thighs, rough fingers tickling the sensitive skin of your ass. Your eyes opened, greeted by his gentle gaze as he hovered over you. His mouth had been pinkened by your cunt, hair mused by your thighs and hands. 

 

Grabbing his hand, you kissed his palm before licking the fingers that had been inside of you moments before. Something was intoxicating about the way you tasted, strong and delicious. Taking his fingers in your mouth, you hummed, thinking about how much thicker his cock would feel. John swore, pushing his fingers against your tongue, stilling your control. You moaned, letting your eyes close and legs fall open. Holding his arm, you could feel how your tits were pressed together by your biceps, making you not only a sight but a spectacle .

 

“Want my cock that bad, little fawn?” John teased. Opening your eyes, you nodded, nudging him closer with your foot. Removing his fingers, he drug his hand down your centerline, leaving a cold trail of your spit down your body. He slowly entered you, grunting with his eyes glued to the way you sucked him in.

 

“Fuck, John,” You whimpered, panting at the fullness pressing you open. His thumb rubbed your clit, lulling you back to another orgasm. Spreading your legs, he placed a knee on the bed as he began to thrust, covering his cock in your frothy slick.

 

It was hot and so, so full as he reached parts of you that had you gasping for air and tearing up. There was no pinch, only a subtle burn from the stretch, soothed by his cooing in your ear and thumb working wonders on your clit. Shifting his hips, he fed you more of his cock, making your vision go frayed around the edges. If your brain could leak away, it would slowly leak out with the wetness of your cunt.

 

“Just like that, fawn,” John encouraged, making you clench around him. “My little offering to take as I want, letting me use you like a good girl,” John grunted as you clenched around him, his hands falling to your stomach and hip, selfishly grasping at the plush skin to pull and drag you off his cock with.

 

“I’m,” You whined, clawing at the god’s massive arms, rippling with movement. “Please, John! Feels so good, filled up,” You babbled, trying to run closer and further with each thrust.

 

His other hand laid over the base of your throat, curling possessively around, forcing your eyes to his, forehead to forehead, as he pressed and pressed into your cunt, stretching you wide and filling you perfectly.

 

“Pretty wet cunt, dripping for me,” John’s lips brushed your ear, moaning into it. He reached a hand to gently pinch your nipple, making you gasp. “Rub yourself for me. Let me see you soak my cock.”

 

You slid a hand between your thighs and rubbed your clit, spreading your lips wider, feeling fully exposed, unable to help the moan and the chasing buck of your hips, humping the tight heat pooling in your stomach.

 

“Cum, love. Cum for me.”

 

You listened, you always did, a perfect little offering for him to use. You fought to keep your eyes open as you came, body convulsing, to show him what he had made you into. But when your fingers became too sharp, the pleasant hum of blood in your head turning into a sharp ringing, you went limp, thighs covered in slick cum as John took his final thrusts. Ropes filled you as his hand lovingly smoothed over your lower stomach. He rested his forehead on yours, panting as he lazily kissed you, his cock twitching as you warmed him. 

 

“You okay?” John whispered from his place between your breasts as you scratched the back of his head.

 

“Sore,” You hissed as he slipped from you but was quickly scooped into his arms and laid across his chest. “M’tired,” You confessed, closing your eyes with a soft sigh.

 

You would be content to lie on his chest for the rest of time, feeling the rise and fall of his breath, wrapped in the warmth of his broad arms. Everything about you felt small compared to him; the way his hands engulfed yours, the way your calves had laid over his shoulder, the ripple of muscles and fat as he had fucked you. 

 

“I need to clean up,” You mumbled, fingers following the lines of his pectorals. 

 

“In a moment, darling. We’ll both clean up.” John kissed the top of your head, reaching for a glass of water for you to drink from before he took a few sips.

 

The god of Winter leaned down and kissed you so gently, soothing the aches with gentle hands against your thighs. Though, you felt it was more an excuse to touch your thighs more, but you didn’t mind. After cleaning up, you fell asleep swiftly, draped over his chest as his fingers traced dainty traces of snowflakes along your spine, tended to and protected. 

In the morning, you woke in your own bed, dressed in the robes of a high priestess, as someone pounded on your door. As you rose, you felt the phantom aches of the previous night between your thighs. Quickly hiding the robes, you caught the white scars of John’s handprint over your womb, etched like silver ice into your skin.

 

“One second!” You yelled, dressing. Once you were decent, you threw open your door and gawked.

 

“There’s been a war party! They burnt the elder’s homes and the wheat stores! We need help!” The man took you by the arm and pulled you into the fray of dark smoke against the blooming pink winter sky. It was snowing, melting into water that slid down your arm and into the frosted grounds.

[bluegiragi]

FAQ + COD series masterpost (MONSTER AU + SOAPBOX UNDER THE CUT)

CONTENT WARNING: This blog contains explicit 18+ content! If you are a minor, please do not follow or interact!

(This counts for people who are 17 as well, 18 is truly the minimum age I'd be alright with.)

Commissions: [CLOSED]

Twitter

Patreon (NSFW and early access)

--

Frequently Asked Questions:

(read through the #askbox tag before asking to see if I’ve already answered! repeat questions and spam will be deleted.)

1. What program and brush do you use?

Clip Studio Paint, and I alternate between two brushes: fat sketcher 2 from stealthnacho’s brushset, and short vertical bar (dual brush) from sparth’s art pack 1

2. What tablet do you use?

I use a Surface Pro 8, which is a laptop where you can draw directly onto the screen. However, this is a really pricey purchase and before I had it, I used an Intuous Tablet for 6 years and loved it.

3.Can I repost your art on other platforms?

You can, but please credit me every time!

4.Can I write a fic/make fanart/ make an OC based on your AU?

Yeah sure!

5.Have you thought of what monster [insert character] would be? / Will you be adding [insert character] to the monster AU?

If I haven’t talked about certain characters already, I probably won’t at all. And I don’t have anything against these characters, but it’s more like I’m largely indifferent and have 0 thoughts. Do what you will, I made my AU as a sandbox for others to play in too, so you decide what to do with these characters!

6.Will you ever draw Konig/Soapbox again?

If I feel like it, probably! But the brainrot where it was the main focus has definitely passed <3

7. Can I use your art for c.ai/ character bots?

I'd really prefer it if you didn't, sorry! I take a largely anti-AI stance on most things now.

-

MONSTER 141 AU

extra | team 141 character introductions

extra | konig + horangi character introductions

extra | las almas crew + graves character introduction

part ? | price/gaz rooftop talks

part 1 | bag of tricks

part 2 | ghost/soap muzzle

part 3 | price+ghost check in

part 4 | ghost + soap + gaz in action (part 1)

part 5 | ghost + soap + gaz in action (part 2)

part 6 | ghost + soap + gaz in action (part 3) 

part 7 | sketchdump 1

part 8 | ghost/soap chasing tail

part 9 | soap/fantasy!ghost (full vers on patreon)

part 10 | ghost/soap docile

part 11 | ghost/price due diligence

part 11.5 | ghost/soap due diligence (nsfw - only available on patreon)

part 12 | ghost/price holding back pt 1

part 13 | ghost/price holding back pt 2

part 14 | soap/gaz doing things blind (only available on patreon)

part 15 | konig/horangi clear

part 16 | sketchdump 2

part 17 | debrief

part 18 | ghost/soap work it out (part 1)

part 19 | ghost/soap work it out (part 2)

part 20 | cockatrice (part 1)

part 21 | cockatrice (part 2)

part 22 | sketchdump 3/puppy playtime

part 23 | new moon (part 1)

part 24 | new moon (part 2)

part 25 | new moon (part 3) 

part 26 | open book

part 27 | face to a name

part 28 | before

part 29 | that’s an order

part 30 | diplomacy

part 31 | mr riley

part 32 | human

part 33 | wraith part 34 | sitting ducks part 35 | negotiations part 36 | monster part 37 | bloodsucker part 38 | the lieutenant's arrived part 39 | he keeps his promises part 40 | i'm sorry john. part 41 | mutt part 42 | limitations part 1 part 43 | limitations part 2 part 44 | limitations part 3 part 45 | hoard (full comic on patreon) part 46 | hoard part 2 (full comic on patreon) part 47 | mask off part 48 | aware part 1 part 49 | aware part 2 part 50 | reward (part 1) (suggestive) part 51 | reward (part 2) (nsfw - full comic only available on patreon) part 52 | reward (part 3) (nsfw - full comic only available on patreon) part 53 | catchup part 54 | brief part 55 | group huddle part 56 | quid pro quo part 57 | wing thing part 58 | generous part 59 | learning moment (part 1) part 60 | learning moment (part 2) part 61 | shy part 62 | the viper and the vampire part 63 | easy pickings part 64 | bogey part 65 | trapdoor part 66 | birdie

SOAPBOX SAGA (SOAP/GHOST/KONIG SERIES)

part 1 | konig/soap first meeting

part 2 | ghost/soap kid and a cookie jar (full vers on patreon)

part 3 | ghost/konig spar pt 1

part 4 | ghost/konig spar pt 2

extra | ghost + konig facecanons

part 5 | ghost/soap heart to heart

part 6 | ghost/konig grow a pair

part 7 | konig/soap do something

part 8 | konig/soap/ghost rough part 1 (full vers on patreon)

part 9 | konig/soap/ghost rough part 2 (full vers on patreon)

part 10 | trio feat. price mission start

part 11 | trio feat!unmasked konig

part 12 | trio feat! unmasked konig pull yourself together

part 13 | konig fantasises (full vers on patreon)

part 14 | ghost/konig feat. soap private lesson

part 15 | ghost/konig/soap lieutenant’s room

part 16 | ghost/konig/soap good for us (full vers on patreon)

[agendabymooner]

SOMETHING CONVERSATIONAL !!! CARLOS S. X FEM!READER (18+)

summary: just two good friends having deep conversation… or just simply a heated conversation over a call.

💌 re:moony's planner request: "hi, can you write phone sex with carlos sainz?."

content warning: smut under the cut (minors dni!), use of explicit language, phone sex, dom!carlos x brat-ish!reader), masturbation (m and f), dirty talking, degrading + dumbification, friends with benefits type beat (with a hint of yearning), squirting, brief mentions of orgasm denial, extremely filthy i did not write this i promise.

note: my demons won today pls be proud of them. enjoy xx (also! please don't hesitate to give me your opinion or talk to me!!!)

ps: i’ve also been spending my time on character ai too much and i just subconsciously thought of being in a poly relationship with fernando and lewis… anyway… enjoy

something sinful (smut) masterlist

a - n masterlist // o - z masterlist

if you’d like to get on one of my taglists, check this post out

she didn’t know what drove her to call him in the middle of the night. they were nothing but friends, after all. 

friends don’t usually call to check in… let alone to get off as if they hadn’t placed their labels below the expected standard (everyone could have sworn that they were dating; they both laughed at the thought while continuing to (eye) fuck each other.) 

so she had no clue why she was willing to submit to him no matter how far he was. she was willing to listen to every single thing he’d tell her.

did she want the orgasm or the attention? she wasn’t sure— but either of the reasons had something to do with him, and it was becoming worse for her yearning as she cursed beneath her breath. today had been the worst of all days for hers

she huffed quietly and got comfortable under her covers, but her exhaustion left soon enough that she became more frustrated and agitated. her frustration left her with the stupid idea of calling him. 

carlos sainz picked up at the second ring and she could practically hear his smirk through his voice as he greeted her, “shouldn’t it be past your bedtime now, bonita?” 

she rolled her eyes, “shouldn’t it be past yours?” she didn’t even think to say hi to him, instead she snarked back at him with the same amount of playfulness in her tone.

“no,” carlos hummed as he spoke with his usual deep tone, “in the hotel though. we just finished our media day duties.”

“nice,” she muttered, his voice sending signals straight to her brain as her legs involuntarily closed.

it was as if he knew what she wanted at this moment as carlos chuckled quietly, “i could get into details about what i’ve done today, but i don’t think you’re that interested in listening.”

she snapped out of her thoughts as she replied monotonously, “i’m a good listener. good friends come with good listening ears.” even carlos knew that she was lying. 

“uh huh,” carlos said as he held his phone closer. “and this good friend knows a lot about you.” 

“that right?” she taunted, feeling the tension between them rising no matter how far apart they were from each other. “what do you know then, good friend?” 

carlos scoffed, his domineering attitude getting the best of him as he smirked, “you’re getting too mouthy, princesa.” 

he nearly laughed at the sound of fabrics rustling from her side of the call, knowing that she was squirming in anticipation already. he could imagine her heart beating fast, waiting for him to make the next move as her face feigned innocence.

carlos always had the upper hand and they both knew that. they both knew who was in control and she was in no place to oppose. 

“you’re acting like this because you are so frustrated,” carlos deduced with a tut, “you’re talking back like you’d be able to handle the consequences of your attitude.”

her free hand had snaked down her nightdress as she felt her bare mound becoming more damp as she proceeded to push his buttons. she replied back, “maybe i’m just projecting my frustration onto you, carlos.”

“by acting like a brat?” carlos’ voice became more stern as he spoke lowly, “you know that begging is the best way to do that, bonita. if you wanted to release it, you should’ve asked nicer— you shouldn’t be touching yourself without permission like a fucking brat. take that pathetic hand off your pussy, princesa, i’m warning you now.” 

like an instinct, she immediately pulled her hand away from her wet cunt. she didn’t even realize that he picked up on it until she found herself writhing while she subconsciously toyed with her clit at the sound of him. 

carlos chuckled with a demeaning and teasing tone, “see? you do listen then. and i thought i’d have to deny you orgasms when i get back.” 

“carlos,” she whimpered, rubbing her thighs for friction as she listened to him laugh aloud. 

“oh, no no, bonita, you don’t get to ‘carlos’ me,” he replied with a mocking tone. “you don’t get to see me right now, bebe.”

“but i want to see you,” her lips trembled, her mind shifting away from reality to her submissive state. she continued, “i wanna see you touch yourself and your cock.”

“how badly?” he murmured sweetly. 

“so bad,” she mumbled through her phone, her pleading tone making carlos’ cock twitch as he continued to stroke himself slowly. 

carlos knew that he was torturing himself with the teasing, but he couldn’t find himself to stop as his sweet tone turned to a mocking one as he replied, “too bad.” 

he settled himself on his hotel bed as he spat on his palm and stroked his cock. he then instructed her, “go on then.” 

she seemed so lost as she asked, “what?”

carlos laughed haughtily, “don’t tell me you’re already dumb just thinking about getting your pussy fucked with my cock, princesa?” he then clicked his tongue, “touch yourself. i wanna hear you cum.” 

she wasn’t even sure anymore. she was just eager to please him and herself, her fingers gathering the wetness that oozed out of her cunt before she pressed down on her clit and moved them in circular motions. 

she bit her lip as she sighed, making carlos demand, “i wanna fucking hear you.” 

she elicited a whiny sigh as she continued to torture herself slowly. she told him, “i’m so wet.” 

“i can hear, baby,” carlos crooned, his own hand moving up and down his length before his thumb rubbed his thick tip. “i can hear your pretty pussy perfectly well.” 

“those noises that you make are making my cock throb really hard, bebe,” he muttered, earning a whimper of ‘fuck’ from the other side of the call as carlos continued, “they make me want to fly back and fuck you until you’re shaking and sore.” 

“mmm…” she cried out, feeling her hips rising to meet her rubbing fingers halfway through. “…fuck!” 

“your pussy— fuck, princesa,” carlos cursed, “it makes me want to see how fucking wet you will be the next time i fuck you everywhere in your place.”

carlos’ hand increased its pace as her breathing became rapid. carlos growled, “i want to hear you in person- i want to hear you screaming for my name because you’re a pathetic slut who’s desperate to cum all over my cock.” 

“o- oh, fuck,” she sobbed, “can i please fuck myself with my fingers? please, carlos?” she knew that she couldn’t risk not asking him to cum all over her own fingers. she was so lost that she needed his guide. 

carlos permitted her, “go on. put those two fingers inside of you, bonita. i want you to fuck yourself fast.” 

she immediately obliged, her middle and ring fingers scissoring inside her cunt as she wailed in pleasure. her fingers curled up against the sensitive spot inside of her as she uttered, “ah~ fuck~!” 

“it feels good, bonita?” carlos asked huskily as his breathing rapidly increased, stroking himself at the sounds that her squelching cunt made as she fucked herself at a pace that he wanted her to be. 

“mhm,” she nodded, not even realizing that he wasn’t there. “so good, ‘los. fuck.” 

“it’s not as good as mine, bebe,” he growled lowly, “when i get back i’m gonna be fucking that pussy of yours with something more bigger. gonna make sure you cum all over my mouth, my fingers and my cock— gonna make sure your bed’s all filthy from the mess that i’ll make of you.”

“car— los! fuck, i’m cumming,” she babbled as she pleaded, “can i please cum, carlos? please?”

“fuck, i’m cumming too, bonita,” he let out a deep groan as he demanded firmly, “cum all over your fingers, princesa. fucking cum.” 

she let out a high pitched whine, fucking herself through her orgasm as liquid trickled out of her pussy. her sheets were covered with her cum as her body shook before easing off. 

carlos came all over his stomach, groaning aloud as cum shot out of his cock.

both of them breathed heavily and rapidly, falling into silence as they gathered their thoughts and breathing. 

carlos then reached for his phone and asked, “you still there?”

“yuh huh,” she mumbled, laughing to herself before she said, “never came this much over the phone before. watching porn never worked this much either.” 

carlos chuckled, cleaning himself up as he spoke, “what can i say? i’m a miracle worker.” 

she scoffed playfully, “yeah right. okay.” 

perhaps there was a real reason why she called him in the first place. she just needed to see it for herself before realizing it. 

♡ moony’s reminder 🅶 (general): @hiraethrhapsody @avaleineandafryingpan @topguncultleader @enhacolor @roseandtulips @woweewoowa @magnummagnussen @happy-nico @architect-2015

♡   moony’s reminder 🅴 (explicit edition): @glitterf1 @savrose129

[tritoch]

Have you got any thoughts to share about Sphene? I saw your post about how misrepresented FFXIV’s female characters are, and I’ve been hoping to see anything more than the typical “Evil AI colonizer etc.” or “Tragic woman who can never change ever” or “Wuk Lamat’s girlfriend”. Maybe our interpretations will differ but I’ll be happy if you can provide anything more complex than those.

Sure! Throwing all this under a read-more for anyone who hasn't finished 7.0 yet. I think I'll probably expand on this more later but wanted to get initial thoughts down. (Note after writing: I meant this to be brief but uhhhh brevity is not my strong suit sorry. This take just sort of ends abruptly because I realize I'm rambling.) Again, spoilers through the end of 7.0 MSQ.

I think Sphene is the sharpest work the game has done yet in casting the antagonist as the noble double of the protagonist (a well it returns to a lot with Emet, and Zenos, and Golbez, and...). But because the protagonist here is Wuk Lamat and not the Warrior of Light, that's also a much more defined and interesting role. To me, Wuk Lamat is, above all, the Righteous Queen, who rules thoughtfully, wisely, and justly, and whose claim to the throne is justified by her moral clarity. Sphene, in turn, is also a wise and good queen, one who undertakes all her actions with her people first in her hearts, a sense of compassion towards all, and a clear eye for the consequences and costs of her intended course of action. And it leads to utter disaster, for her, her people, and the people of Tural. That rocks!

The first half of 7.0 is about justifying the fact that Wuk Lamat's going to be Dawnservant. Wuk Lamat is compassionate, curious, wise, and open-minded. She wins over rebels and malcontents not by asserting her authority or by strength of force, but by taking her obligations to them (as her subjects) seriously. She knows many of her subjects personally and takes a great interest in their lives, and she respects even those who openly oppose her.

And everything Wuk Lamat does, Sphene does to 11. Wuk Lamat respects her subject peoples and is curious about their cultures? Sphene forcibly annexes Yyasulani, but goes out of her way and expends Alexandria's limited resources to enable the remaining Xak Turali to live in their accustomed way if desired (…to the extent allowed by the new permanent lightning storms and the internal conflicts caused by regulator adoption). Wuk Lamat cares about her people not just in the abstract but as individuals? Sphene visits sick kids, knows them by name! Wuk Lamat understands the burden of rulership is too great and cedes half her power to her brother? Sphene recognizes her own weaknesses and makes a deal with the devil to keep Alexandria's culture alive! Wuk Lamat is willing to die for her people? Sphene will forcibly traumatize herself into being a better queen, if that's what rulership demands.

For an expansion that spends the first half being like "wow isn't this perfect candidate for the crown so likable and humble? wouldn't it be nice to be ruled by a good king?," it sure is funny that the final boss is THE QUEEN ETERNAL and she hits you with attacks like LEGITIMATE FORCE and ABSOLUTE AUTHORITY and ROYAL DOMAIN. This, to me, is Sphene's role: she complicates and questions the themes we've developed in the first half. Most importantly to me, she makes us ask: what is devotion to a people or culture even worth?

There's a thing I kept thinking of constantly during Dawntrail, not because I think it directly influenced the game in any way but because the parallels were so stark and startling. It's Jonathan Hickman's New Avengers #18 (2014). Truthfully, I'm not a big comics guy; I only know this sequence because Ta-Nehisi Coates cited it as inspiration for his Black Panther run on Twitter once (I also didn't read TNC's run, I was following him for politics talk). Forgive me, comics people, if I get any details wrong. The parallels are almost comical, though. It goes like this:

A superhuman secret society formed of some of the smartest heroes (and villains) in the land re-forms to oppose an existential threat caused by incursions from other dimensions that threaten to cause literal collisions between Earth and its alternate dimension counterparts. Seeing no other alternatives, they undertake work on a weapon to destroy these other worlds. T'challa—king of a fictional hyperadvanced nation called Wakanda, and also the superhuman Black Panther—meets with his ghostly predecessors, the previous Black Panthers/kings, for he fears the moral stain on his soul and the souls of the people of Wakanda, if they survive explicitly by killing their alternate counterparts, will be too heavy to bear. His ancestors are not impressed.

To them, there is no question at all. A king's duty may be complex in the execution, but it is simple in its conception. Your people come before all others. Always. This is, must be, the fundamental ethic of a good king. To do otherwise would be a betrayal of the social order on which this imagined good monarchy is built. In a situation like this, the only option is to do what you must to protect them. "Will there be a cost? Yes. Might the universe burn? Let it. . . . You will kill them all if it means Wakanda stands. The golden city must never fall."

"I will do what I must" is Sphene's guiding principle. It is so important to her that when she recognizes that her sentimental attachments are making her waver in her duty, she severs them entirely, sacrificing her whole identity to the throne. It is also implicitly Wuk Lamat's position: she has no choice but to fight Sphene because to do otherwise would be to fail to protect her people. In fact, it's briefly even sort of the Warrior of Light's position, as when you tell Sphene before her trial that you understand what you must do, which is shut her down to protect others.

(One quick thought about the Warrior of Light: one cool thing about the antagonist this time being a double in a more exact way than Emet or Zenos is that it means other characters get a chance to relate to her differently than Wuk Lamat. The Warrior of Light, for example, is pressed into her service immediately upon your first meeting as the Queen's Champion, there to defend her if need be against all evil. This role is further affirmed by both robot Otis and Endless Otis, who essentially hand off their role as her knight to you, and reinforced when you flash back to the "might I call upon your aid" moment right before the end. Except, of course, you are loyal not just to her, but to the principles she represents, which her own acts betray, and so your ultimate act of aid is to essentially pass judgment on her and execute her. In a sense, you become the internal safeguard that a political system is supposed to have to protect against this very issue, and which Alexandria explicitly lost when it cast out/forgot Otis. Very Voeburt/ShB tank quests, it owns.)

But really, it's Sphene who embodies this sort of grim logic best. Aside from her transformation into the Queen Eternal, it's also why she suggests you simply become Alexandrians. It's the only way for her to reconcile her values and worldview, which have backed her into a corner where preserving Alexandria has come to mean a maximalist declaration of war on all life outside its borders because the kind of absolutely pain-free life she envisions for her citizens is completely unsustainable.

In this reading, one of Sphene's main beats is to unsettle what has preceded her in MSQ. In nearly all respects, she shares your values. She prizes life, is curious about other cultures, believes in the greatest good for the greatest possible number. But she is also a queen, and therefore irrevocably (in her eyes) tied to her state. Gulool Ja Ja and Wuk Lamat (and Koana) are the mythical wise rulers, thank god--but what if Wuk had inherited a Turali state that wasn't desperately in need of cross-cultural understanding, but one in a state of war? What value would her deep love for the people of Tural have held then? Sphene says, it would have held no value. If the survival of your people means harming the innocent, you harm the innocent. Kingship allows for no alternatives.

But she also concedes, in the very next breath, that she is still kind of wrong. Because what happened here was not inevitable, despite her programming (a brief note: to me Sphene being programmed is exactly the same as Emet being maybe-tempered, it's a fantasy gloss on the idea of social and cultural education. "I was programmed for this" is really no different from "I was trained and educated for this"), because the truth is that this kind of thoughtful, principled devotion to the state and its people is also a form of sentimental attachment, in the end. One that is maintained not because it is natural, and necessary, but because the monarch, too, likes it, and gets something from it.

In so many ways, in so many senses, the monarch is the state. Kings and queens may fancy themselves merely a reflection of their people's needs and desires, but of course even a cursory glance at history will tell you that far more often, states reflect their rulers. Sphene and Wuk Lamat both suggest that their conflict was inevitable, but was it? Or is the truth, as Sphene glancingly acknowledges here, that she turned her own fears and desires into the same policy goals that led to this tragedy? And if so...what does that say of our Good Queen, Wuk Lamat? Perhaps this could be different if they met earlier, says Wuk Lamat. But when? When did Wuk Lamat ever not love her people so dearly that she would not have sacrificed herself for them, or caused mass death for the sake of their survival? When did Sphene not believe the Endless to be people, or the preservation of Alexandria to be the most important thing? Maybe she means "had we met before you met Zoraal Ja," but of course, we the player actually saw their meeting. And we know that Sphene even then was not the hapless naif she'd like to pretend. She always knew exactly what she was doing.

We know the price of this kind of thinking, this Hobbesian view that states are engaged in a struggle of all against all. Living Memory lets you walk through it. To preserve Tural, we exterminate the Endless. We befriend them, learn about their lives, promise to remember them, and then we destroy them and their homes, leaving nothing but a bleak blank landscape and the sound of wind. This is what Sphene would have done to Tural and Eorzea. Indeed, it's what she's already doing to the people of Yyasulani, because no amount of well-intentioned aid can make up for trapping people under the dome for 30 years and systematically eroding their culture through the resonators.

To me, this is what makes Sphene really work, that way she has of forcing Wuk Lamat and the player to commit the same kinds of sins she has. We'd like to think ourselves better than her, but of course, we've already reconciled with and integrated Mamook's brutal eugenicist regime back into Turali society well before we ever met Sphene. At the end of our long "wow isn't having a wise queen cool???" expansion, we are met with "Legitimate Force" and "Absolute Authority" and see them for what they truly are: nothing but tools of violence. No longer does the idea of the Warrior of Light hanging around Tural as Wuk Lamat's advisor have the same attraction, now that we have been reminded of the way the putatively unquestionable logic of kingship can ultimately lock even the wisest and kindest rulers into a path of war and exploitation and destruction.

I think Sphene is FFXIV's most interesting and nuanced depiction yet of a leader. She really, truly, wants nothing more than to save her people and protect them from pain. But even seemingly loving and compassionate goals like these can readily lead us down dark paths. She's a "hard men make hard choices"-type character, a noble but misguided opponent, but as a loving and elegant fairy queen instead of a grizzled knight or extremely sad man. She fucking rocks.

[mostlysignssomeportents]

Wellness surveillance makes workers unwell

I'm on tour with my new, nationally bestselling novel The Bezzle! Catch me in TORONTO on Mar 22, then with LAURA POITRAS in NYC on Mar 24, then Anaheim, and more!

"National conversation" sounds like one of those meaningless buzzphrases – until you live through one. The first one I really participated in actively was the national conversation – the global conversation – about privacy following the Snowden revelations.

This all went down when my daughter was five, and as my wife and I talked about the news, our kid naturally grew curious about it. I had to literally "explain like I'm five" global mass surveillance:

https://locusmag.com/2014/05/cory-doctorow-how-to-talk-to-your-children-about-mass-surveillance/

But parenting is a two-way street, so even as I was explaining surveillance to my kid, my own experiences raising a child changed how I thought about surveillance. Obviously I knew about many of the harms that surveillance brings, but parenting helped me viscerally appreciate one of the least-discussed, most important aspects of being watched: how it compromises being your authentic self:

https://www.theguardian.com/technology/blog/2014/may/09/cybersecurity-begins-with-integrity-not-surveillance

As I wrote then:

There are times when she is working right at the limits of her abilities – drawing or dancing or writing or singing or building – and she catches me watching her and gets this look of mingled embarrassment and exasperation, and then she changes back to some task where she has more mastery. No one – not even a small child – likes to look foolish in front of other people.

Learning, growth, and fulfillment all require a zone of privacy, a time and place where we are not observed. Far from making us accountable, continuous, fine-grained surveillance by authority figures just scares us into living a cramped, inauthentic version of ourselves, where growth is all but impossible. Others have observed the role this plays in right-wing culture war bullshit: "an armed society is a polite society" is code for "people who make me feel uncomfortable just by existing should be terrorized into hiding their authentic selves from me." The point of Don't Say Gay laws and anti-trans bills isn't to eliminate gender nonconformity – it's to drive it into hiding.

Given all this, it's no surprise that workers who face workplace surveillance in the name of "wellness" feel unwell as a result:

https://www.ifow.org/publications/what-impact-does-exposure-to-workplace-technologies-have-on-workers-quality-of-life-briefing-paper

As the Future of Work Institute found in its study, some technologies – systems that make it easier to collaborate and communicate with colleagues – increase workers' sense of wellbeing. But wearables and AI tools make workers feel significantly worse:

https://assets-global.website-files.com/64d5f73a7fc5e8a240310c4d/65eef23e188fb988d1f19e58_Tech%20Exposure%20and%20Worker%20Wellbeing%20-%20Full%20WP%20-%20Final.pdf

Workers who reported these negative feelings confirmed that these tools make them feel "monitored." I mean, of course they do. Even where these tools are nominally designed to help you do your job better, they're also explicitly designed to help your boss keep track of you from moment to moment. As Brandon Vigliarolo writes for The Register, these are the same bosses who have been boasting to their investors about their plans to fire their workers and replace them with AI:

https://www.theregister.com/2024/03/14/advanced_workplace_tech_study/

"Bossware" is a key example of the shitty rainbow of "disciplinary technology," tools that exist to take away human agency by making it easier to surveil and control its users:

https://pluralistic.net/2020/07/01/bossware/#bossware

Bossware is one of the stages of the Shitty Technology Adoption Curve: the process by which abusive and immiserating technologies progress up the privilege gradient as their proponents refine and normalize dystopian technologies in order to impose them on wider and wider audiences:

https://pluralistic.net/2021/02/24/gwb-rumsfeld-monsters/#bossware

The kinds of metrics that bossware gathers might be useful to workers, but only if the workers get to decide when, whether and how to share that data with other people. Microsoft Office helps you catch typos by underlining words its dictionary doesn't recognize; the cloud-based, "AI-powered" Office365 tells your boss that you're the 11th-worst speller in your division and uses "sentiment analysis" to predict whether you are likely to cause trouble:

https://pluralistic.net/2022/08/21/great-taylors-ghost/#solidarity-or-bust

Two hundred years ago, Luddites rose up against machines. Contrary to the ahistorical libel you've heard, the Luddites weren't angry or frightened of machines – they were angry at the machines' owners. They understood – correctly – that the purpose of a machine "so easy a child could use it" was to fire skilled adult workers and replace them with kidnapped, indentured Napoleonic War orphans who could be maimed and killed on the job without consequence:

https://pluralistic.net/2023/03/12/gig-work-is-the-opposite-of-steampunk/

A hundred years ago, the "Taylorites" picked up where those mill owners left off: choreographing workers' movements to the finest degree in a pseudoscientific effort to produce a kind of kabuki of boss-pleasing robotic efficiency. The new, AI-based Taylorism goes even further, allowing bosses to automatically blacklist gig workers who refuse to cross picket-lines, monitor "self-employed" call center operators in their own homes, and monitor the eyeballs of Amazon drivers:

https://pluralistic.net/2023/04/12/algorithmic-wage-discrimination/#fishers-of-men

AI-based monitoring technologies dock workers' wages, suspend them, and even fire them, and when workers object, they're stuck arguing with a chatbot that is the apotheosis of Computer Says No:

https://pluralistic.net/2024/01/11/robots-stole-my-jerb/#computer-says-no

There's plenty of research about AI successfully "augmenting" workers, making them more productive and I'm the last person to say that automation can't help you get more done:

https://www.ibm.com/thought-leadership/institute-business-value/en-us/report/augmented-workforce

But without understanding how AI augments class warfare – disciplining workers with a scale, speed and granularity beyond the sadistic fantasies of even the most micromanaging asshole boss – this research is meaningless.

The irony of bosses imposing monitoring to improve "wellness" and stave off "burnout" is that nothing is more exhausting, more immiserating, more infuriating than being continuously watched and judged.

Name your price for 18 of my DRM-free ebooks and support the Electronic Frontier Foundation with the Humble Cory Doctorow Bundle.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/03/15/wellness-taylorism/#sick-of-spying

Image: Cryteria (modified) https://commons.wikimedia.org/wiki/File:HAL9000.svg

CC BY 3.0 https://creativecommons.org/licenses/by/3.0/deed.en

[weenwrites]

Can you write Optimus, Ratchet, and Predaking with an s/o who has idiopathic Hypersomnia? (It's a sleep disorder that makes someone incredibly sleepy all the time, and no matter how much they sleep, they're always tired and are incredibly hard to wake up.)

[ Please do not repost, plagiarize, or use my writing for AI! Translating my work with proper credit is acceptable, but please ask first! ]

Optimus

If you need a gentle reminder here and there to take any prescribed medicine, he quickly adapts to reminding you. His own sense of time is rather accurate, so he usually doesn't rely on a clock to know when you remind you. If you have a timer of your own to ensure that you'll definitely remember, he'll remind you a little early each time without fail.

And ever since you've told him more about your condition, he's tried to make the base more accommodating for whenever you need to take a brief rest. The couch isn't the most comfortable, given that it's rather old and worn, so he keeps cushions, blankets, and whatever else you might need to make it more comfortable somewhere within reach.

Additionally, the reason the base is made more accommodating is because at times you have to wait for him to escort you home whenever he's out on a mission or for reconnaissance. Granted, the groundbridge is also an option, and he does request for Ratchet to bridge you back to your home at times, but you've noticed that there are periods where the team cuts back on groundbridge usage due to an energon shortage. During these times, Optimus usually escorts you back to your home early and so you don't have to wait, but in the event where you are left waiting, the couch is much more comfortable than it was when you first arrived. He's sorry to make you wait, but he's grateful for your patience.

Ratchet

Whenever you start feeling tired at the base, he's got the couch ready for you with a few pillows and blankets and he's ready to tell everyone else to keep quiet for you just as he begins to work quieter if he can. However, in the event where the main area of the base is too loud, he's moved you and the couch to his habsuite before. It's further from all the noise and its quieter there.

He'll consistently remind you to take any prescribed medication and go to bed on time every night, since he's seen in a health article that it's good to maintain a consistent sleep schedule. So if he sees that you're still active on your phone, you'd best believe he'll be on your case, telling you to go to sleep (unless he knows that you're busy with something important that night).

If your condition prevented you from obtaining a driver's license, or whenever you feel too fatigued to drive yourself someplace to do an important task or go home, he'll of course be your go-to driver as long as he's available. You'll also be doing him a service since he rarely leaves the base, so don't you dare try to assure him that you're awake enough to try and drive yourself around. As a driver you understand how important it is to remain awake and alert 24/7 on the road.

Predaking

Initially he wasn't even aware that your condition was considered abnormal. He already thought that it was strange that humans had to rest so frequently, so he hadn't thought much of your fatigue until you explained more about your condition to him. Though once or twice, he may have gotten a little concerned when it took a little more than a gentle nudge to wake you up, but it's due to his limited understanding of humans.

Whenever you take brief naps aboard the Nemesis, he's always sure to bring you to the quietest and most secluded areas of the ship so you can rest in peace. Of course it's rather hard, given the fact that the engine's whirring can be heard from every corner of the vessel, but he still tries. As such, the other vehicons around the ship quickly catch onto the message he spells out with a low warning growl and his flayed fangs, regardless of whether they see you sleeping beneath all those blankets or not.

If he hadn't been ordered to keep his identity a secret from other humans, nothing would stop him from flying you wherever you need to go whenever you're too tired. But all he can really do for you is try and help you get some rest in peace, or remind you to take your medication but he feels it isn't enough. At times like these, he's embarrassed of his own powerlessness. At the very least he can request a groundbridge to transport you home, but he wishes he could do that himself instead.