#Wow youre still reading?
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atissi · 10 months ago
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kras mazov lookin ass
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grey-viridian · 5 months ago
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DTIYS for @tizeline
Congrats on 10k!!! (love your artstyle btw sooo soft and beautiful i wanna look at your art all day!)
The original outfit was perfect but I still felt like something was missing...
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clickety-clacker · 1 month ago
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Been seeing so many cool Clickies on my dashboard since getting into GGG, I just had to take the time to draw a few of them- plus, it was a bit of a challenge to try new styles. A lot of these guys were also super influential to how I draw and even think about Click Clack on my own time, so you should definitely check them out! Names below the cut cus it got long heehoo
Top left: @malartsorte
Top middle (holding papers): @scribblelimbo
Top right: @wishgraanted
Leftmost middle: @beastwhimsy
Middle (peace sign!): @sootnuki
Rightmost middle: @molabuddy
Bottom left: @pespillo
Bottom middle: @artuurle
Bottom right: @modmad
I know I said it already, but all of yall are super cool and I had a lot of fun challenging myself to make this! Keep on being awesome 👍
#ggg#great god grove#click clack#my art#genuinely some of you guys completely changed how i interpret click clack. for real#both visually yes but also like#as a character.#special shoutout to malartsorte and modmad for being huge influences on my headcanons#a lot of stuff yall brought up was stuff i never even considered. its cool#beastwhimsy has always been a huge inspiration for my art style and is one of the reasons i gave ggg a try#in the first place#and ur click is so cuuute and awesome and was the first insp i remember seeing of bnuuy click. changed me#graant's fic holds a VERY special place in my heart its so good. and your take on click clack is so fucking unique and phenomenal#as much as your writing is#pespillo has such a fuckin cute click (and thesp) and has really neat takes ive delighted in reading#SOOTNUKI has been a huge insp for a lot of thangs and also just a delight to see art from. i get so happy every time i see one of ur guys#crossing my dash#marc. points at you. i fuckin love ur click hes so awesome#sophies art is so fucking pleasing and helps remind me that he is cartoony cus i tend to drift towards the realism side#and then i see ur stuff and go wait. cartoony stuff is so pleasing and fun. and i do it and have fun!!!!!!!#and artuurle. duude idk all of your stuff is fucking phenomenal. every time i see a post from you i get so excited#both your art and aus and headcanons and everything is all so so so delightful#im so glad to be able to see so many cool artists doing cool things#wow i rambled a lot in here. uh. if youre reading this still. sorry(?)#have a nice day
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sualne · 13 days ago
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modern au body trivia (read my fic)
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thedaythatwas · 24 days ago
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on nagito komaeda and love
I just think it’s sort of funny that for a character whose (arguably) most well-recognized CG is this: 
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komaeda’s narrative so heavily centers love. and I don’t just say this because I’ve had komahina brainrot for years (though this is true!!). even if you don’t care about komahina, it’s tough to deny komaeda is a walking tragedy in large part because of the role that love plays in his life. his characterization is driven by the way his luck has denied him love, and how he seeks it out regardless. in that sense, I think that without understanding komahina as at least one-sided, you miss out on one of the juiciest, most miserable pieces of komaeda’s character development.
tldr; a love-centered reading of komaeda makes sense, recognizing komahina as “a thing” in DR2 (whether you ship it or not) is pretty important to understanding how komaeda operates, and I’ll try to prove it right here under this page break!!
Part 1: Komaeda’s Love Life (or, his life without love)
I think it’s safe to assume that if you clicked here, you know about komaeda’s absurdly miserable, tumultuous childhood, but I’ll do a quick recap just in case! meteor kills his parents on a plane, he inherits a ton of money. he’s kidnapped by a serial killer, he finds a winning lottery ticket in the garbage bag he’s thrown out in. he’s diagnosed with terminal cancer and dementia, he gets into hope’s peak.
in his free time events, komaeda *explicitly* frames his luck cycle as something that takes away the people he loves. it only “takes action” against him after his relatives have died (for the sake of this essay, let’s assume that komaeda loved his parents, or would have at least been hurt by their passing). by way of other close connections… well, his wording here implies that by the time of his diagnosis, he didn’t really have anybody in his life. 
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either komaeda didn’t allow himself to get close to anyone after the meteor incident, or he did, and they were taken away by his luck. at some point during his childhood, komaeda learned he should view himself as a death sentence.
so, how does this loss of love shape the komaeda we know? I’ll talk about this in terms of four of his defining (and connected!) traits in DR2 canon – the ones that really make his actions make sense: his self-loathing, his hope-seeking, his learned helplessness, and his certainty that his existence poses a threat to those around him. komaeda’s experience with loss makes him view himself as a source of death, which in turn fuels these tenets of his character. ultimately, his loss and the complexes that arise from it give him good incentive to push people away.
his self-loathing
komaeda hates himself. he views himself as worthless outside of his potential to serve as a “stepping stone” for the hope of the ultimates. he claims that this is driven by his beliefs around talent, which are in turn linked to the way his worldview rests on viewing hope as “absolute good.” the talentless (himself included) are only good for advancing the hope of the talented. still, his self-loathing is a bit more personal than that. take what he says and dig just below the surface, and it’s a clean cut trauma response all the way down. which leads us directly to…
his hope-seeking
komaeda is willing to do literally anything to serve hope. on the island, this (in short) means dying. this is where I prod at komaeda’s reasoning a bit more: komaeda’s willingness to act the way he does in canon also stems from his belief that his dying would be a net good for the world. his existence kills the people around him. his illness will kill him anyway. he has less than no value, and hope is invaluable. to go out for the sake of hope would give his wretched life purpose; it’s his dream come true.
and it’s no mystery why komaeda cares so much about hope: again, it’s a coping mechanism! komaeda’s belief that all bad luck is a necessary precursor for good luck and that hope will always triumph over despair is (as he himself says!) the only reason he’s managed to stay alive. I’ll say it again because I really can’t emphasize it enough – komaeda thinks that just by existing, he kills the people he loves. ouch!
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learned helplessness / his existence as a threat
komaeda has, essentially, learned to submit to his luck cycle. all bad luck is good luck in the end – isn’t that amazing?! almost paradoxically, he’s hyper-vigilant about the negative impact his luck has on those around him. this is a tricky one. I make sense of it this way: komaeda’s perception of how much his luck impacts the people close to him isn’t inflated, like, at all. the supernatural way the world bends around komaeda to screw him over really does pose a danger to himself and others, and he takes measures to minimize that danger. his stated acceptance of his luck cycle is… well, again, he’s coping. 
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if komaeda really thought that all bad luck is ultimately good luck, he wouldn’t try to protect his classmates from his bad luck. but, as we see in island mode, he does!
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but really, who could blame komaeda for lying to himself? I’ll restate the facts. komaeda thinks that luck is absolute power. he says that he’s powerless against it. his luck has taken his family, and it’s left him with nothing but money that he doesn’t want. he’s certain he’s a curse, and there’s no end to that in sight: so long as komaeda exists, he’ll keep on losing – murdering – everything he loves. 
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in the face of all of that despair, what can you do but abandon your self-esteem and pray for something good to come out of all of it? how else could somebody possibly survive carrying that burden, truly believing that load will never be lightened?
tldr; komaeda thinks his existence is a threat, and a big chunk of his personality is a frankensteined way of surviving the pain that comes with that. still, we should question how much of his worldview komaeda has really internalized without inner conflict. 
Part 2: Enter Hajime Hinata
we get some answers on that front when we see that despite the clear and obvious danger it poses, nagito komaeda still finds himself falling hard for hajime hinata. that’s really, really loud.
I’ll preface this part by saying that you don’t need to actively ship komahina to understand what I’m trying to get at here. this said, I’ll be recapping an argument you’ve almost definitely seen before: komahina is definitely “a thing” – at the very least as a one-sided thing. to this, I’ll add the (perhaps bold?) claim that without recognizing that much as true, you’re missing out on a big part of what makes komaeda so interesting.
komaeda’s FTEs make it abundantly clear that komaeda has feelings for hinata. apart from his famed failed love confession, the fact that komaeda is willing to allow hinata to get close enough to learn about his views on hope and luck is telling. 
(the smoking gun here hinges on trusting that komaeda was telling the truth during the time you spent with him; in so many words, that he only lied about lying. so, for the sake of argument, let’s assume this is true! there’s good proof for it, anyway.)
if you read his final FTE as komaeda flashing his soul to hinata and making a decision at the very last second to retreat, turning to old coping mechanisms to protect hinata from his luck, it’s sort of a komahina bombshell. that capitulation spells out for us that komaeda understands sharing his life experiences with hinata to be one of the most intimate things he could possibly do.
he recognizes the exact moment he lets hinata get too close – when his life story is finally told – and he does what he’s learned he needs to do to get them both out of that situation safely: he tries to make hinata hate him, and tells himself (and hinata!) that he did it for the sake of hope.
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(and yet, komaeda let hinata approach him every FTE, knowing damn well that they were both playing with fire… very interesting.)
now, let’s say you don’t consider the FTEs to be integral to canon. I mean, you can really easily miss out on all of komaeda’s content if you choose not to hang out with him in chapter 1! so, for the skeptic, in the unskippable main story, komaeda tells hinata this:
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komaeda cares about hinata despite everything. and I really, truly mean despite everything. at this point in the story, the fact that he still cares about hinata calls into question basically every single one of his core beliefs. he’s read his final dead room prize – not only does hinata not have a talent, we can presume that komaeda also knows hinata became ultimate despair along with the rest of them. 
hinata has continually sought out komaeda’s company, even though komaeda knows himself to be worthless at best, lethal at worst. komaeda was willing to let him get closer, even though he knows how dangerous that is for hinata. he can’t help but let hinata try to know him. 
isn’t he awful? to want what he knows he can’t have, even though that wanting has never done anything but cause pain? he’s really the lowest of the low, to love someone who destroyed the world, who makes him question the views that will allow him to do the only good thing he’s ever been able to do for it: to die for hope. 
and yet, it’s a nod to how incredibly capable of love komaeda is that he’s still willing to reach out for it, no matter how many times it’s burned him in the past, and how much it hurts him in the present to want it. he understands more than anyone that his feelings can only result in disaster. reading komaeda as someone who can’t help but go on loving anyway makes his story hurt so much worse. 
but, you miss a whole lot of that without an eye for komahina. seeing hinata as the eye of komaeda’s emotional hurricane (and keeping tabs on their connection accordingly) allows us to glimpse past the cracks in komaeda’s front. we see that komaeda’s worldview is less stable than he presents it as – hinata is where komaeda’s coping mechanisms, for better or worse, run up against a wall. that tends to be uncomfortable for a guy who’s just barely coping in the first place. then again, growth is supposed to be uncomfortable, isn’t it?
Part 3: The Future He Chooses
so, all of this considered, I think one of the most interesting ways you can flesh komaeda out post-canon is by asking how he’d find himself willing to accept love. whether that love is from hinata or the ultimates, whether it’s platonic or romantic, love is the thing that komaeda wants AND fears in equal measure more than anything. it’s the source of his self-loathing and his obsession with hope. it’s the reason he’s lived the way that he has for so long – lonely, and afraid of being anything but.
getting into a relationship wouldn’t solve komaeda’s problems for him, and that’s a good thing. it would force him to confront old ones, and probably create dozens of new issues for him, too. writing him through that makes for great character study!
hinata (or anyone else, for that matter) can’t love komaeda into loving himself, but he can give him a shoulder to cry on while he works through 22 years of fear and sorts through the wreckage of a worldview that’s long since stopped serving him. I don’t think his progress would be linear. but, I think that he could do it. komaeda learning to accept care is what his healing looks like. 
(well. and physically recovering from cancer and dementia. but that’s neither here nor there!)
a post-canon komaeda learning to love narrative is also in line with the themes of DR2. hinata leads the survivors out of the neo world program because he makes the decision to choose his own future, creating a new version of “hope” for himself and his classmates. likewise, komaeda can make the decision to save himself. that is, if he trusts himself enough to actually touch and hold the thing that he’s never been able to stop reaching out for, anyway.
after all, hinata is lucky too. (and if it turns out he isn’t… y'all like angst fics, right?)
(shoutout to @cynopter for looking this over and confirming that I'm not spouting nonsense <33 thank you for reading my thesis of the week <33)
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shatouto · 1 year ago
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i did a dumb friendly fire and blew off nearly half of astarion's hp (i'm so sorry astarion)
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zillychu · 1 year ago
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woke up from a dead sleep last night realizing I could make soroku flavored pitch pearl and no one could stop me
edit: you know what? I'm feral and I won't apologize. more under the cut bc this is my house
I slammed this out all at once so I apologize for the quality but I'm having EMOTIONS
so imagine. bc of the way Danny was quickly resuscitated, his ghost only barely started forming. With the excess blast of ectoplasm from the portal being created, that little whisp was given form even after Danny's soul returned to his body.
except this ghost (Phantom) slowly comes into consciousness while trapped in Danny's body. they're separate entities sharing one body, but Phantom doesn't really have a sense of self right away. he pieces together vague fragments of Danny's memory to get a basic understanding of the world, and is mostly just observing like a backseat passenger.
Phantom starts reflexively protecting Danny, his powers and instincts bleeding through when his emotions are high. Danny doesn't really transform, and his personality doesn't totally shift that much at first because Phantom’s mind isn't complex yet. but as time goes on, and Danny has tense conversations with ghosts, Phantom realizes that's what he is. he's a ghost, somehow trapped in his old body. and even now, this early on, he already feels separate. he doesn't have all the memories Danny has.
this slowly turns into horror. into rage. sorrow, mourning a life he never got and will never get to have. forever trapped behind the eyes of someone else, never able to interact with the world. Phantom's rage eventually boils over until it allows him short bursts of taking over Danny's body. it starts out small–a stray hand moving without his consent, knees locking up, ghost abilities going awry. Danny can start feeling emotions that don't belong to him. get vague impressions, almost hears a voice inside him.
and eventually, Phantom is able to fully take over. this is when Danny “transforms". at first, Danny blacks out because his consciousness isn't used to being shoved into the back seat. but eventually, he's awake for these “episodes", trapped in the back of his mind while Phantom controls his body. this only happens when ghost stuff is happening, when Phantom feels threatened enough. he's not protecting Danny, he's protecting himself. Phantom knows instinctively that if Danny dies, he dies too. he's not a normal ghost, he wouldn't be freed. he'd simply disappear.
at one point after a fight, Phantom can feel Danny struggling to take back control. and he talks to Danny for the first time, acknowledges he's there. asks how it's fair that Danny is the one that gets to exist. but Phantom is tired and weak, he slips back into the passenger seat.
over the next few days, he's able to start talking to Danny even while he's not driving. though he's not chatty, it's only when necessary. and Danny knows, can feel it across the link between them–Phantom hates him. the ghost he created is desperate to find a way to take over completely. and as time goes on, Danny realizes with horror that it might actually be possible for Phantom to do that. he grows stronger every day, can stay transformed longer, controls Danny's body with much more ease.
it's only through a chance meeting with Frostbite that Danny and Phantom fully learn what happened to them. Danny feels sympathetic towards Phantom now. this isn't a malevolent ghost, it's a person who was never given the chance to live. who's trapped. who has to watch someone else live a life they're just as deserving of.
and Phantom feels that emotion from Danny. is so shocked by it, he doesn't know how to handle it at first. it takes him a while to contemplate, to talk to other ghosts like Frostbite. until one day, Phantom realizes… he feels sympathy for Danny, too.
neither of them asked for this. both of them deserve to live. Danny didn't do anything wrong. they're both villains to each other's story. and if anything… doesn't Phantom owe his life to Danny in the first place?
Phantom takes over less often. Danny doesn't feel hatred from him anymore. anger, yes–but not aimed at him. in fact, Phantom starts controlling their body in little ways in order to protect Danny from things that aren't even dangerous. just to avoid pain that would only affect the human tethered to him.
it isn't long before they're separated, either thanks to another ghost or Danny's parents. they're thrown apart in the middle of a horrific fight, and when Danny sees Phantom's equally shocked expression, he's terrified.
this ghost that hated him for so long–at best, Phantom would leave him defenseless. at worst, surely some part of Phantom still wants to kill him for stealing away his chance for autonomy.
and yet, when fire rains down on them, Phantom risks it all to grab Danny and get them both to safety. they're still both shaken and stunned this is even happening, but Phantom is able to nervously be like shit shit shit okay stay here don't go anywhere or I can't protect you, okay?
after the fight is over and dust settles, Phantom offers Danny his hand. they stare at each other and god if this isn't the weirdest thing. like, uh, okay, what now? they decide to go see Frostbite, who confirms that they're fully separate now. they ask if there's any chance of merging again and Frostbite assures it's impossible.
Phantom asks, even if I overshadowed Danny? or stay real close? yes, it's nothing to worry about. they leave, and back in the quiet of Danny's room, they talk. Phantom isn't sure what to do. now that opportunity is in front of him, he feels paralyzed. Danny does his best to let Phantom know that… they might be separate now, but if he ever wants help or even just a friendly ear, he's here for him.
Phantom is quiet for a while. then says maybe he just needs to rest first. he'll think about it tomorrow. they're both exhausted and injured. Phantom asks quietly… if he could rest in Danny for the night.
Danny's shocked, and–really confused. Phantom blushes and is like I don't know what my haunt is yet, I don't know where to go, but I know… you're kind of my home. now that I know I can leave whenever I want, it's not something bad anymore. I miss feeling your heart next to my core, just a little bit.
and Danny is just as surprised when Phantom overshadows him, then quietly nestles into the passenger seat again. he didn't realize how he got used to feeling Phantom with him. it's a feedback loop of contentedness, and Danny sleeps easily. (they also find out while sharing a body, Danny gets to reap the benefits of Phantom's supernatural healing)
anyway that's all I got for now thank u for coming to my ted talk
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dennisboobs · 12 days ago
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standing in front of a firing squad would have been easier than reading this script i need to be shot
#this is hands down the most insane script ive read i was sitting slack jawed half the time#not because its Outrageous but because. oh my fucking God#frank sure does have too much influence over *gestures broadly* This.#to see their dysfunction presented like this. is. so.#like. of course the reason they cant be nice to each other is because they all expect some kind of Trick. we see this again in s12#they've set a precedent where everyone is unable to be vulnerable out of fear that someone else is going to take advantage of them#its about knowing to Never let their guard down. because they can't afford to be stupid enough to think someone was being nice#its literally about them not trusting each other. they know each other. care about each other. but they're all still at war with each other#anything could be a trojan horse#and even when they try to do something thoughtful it's ruined bc their motives are being questioned and that provokes a defense#''of course i wasn't being Nice that's stupid why would i ever do that for you'' because otherwise theyre leaving themselves open to attack#i think this episode works purely because theyre All trying to change this at once and since theyre all aware of that fact#its like oh okay youre not fucking with me because we've established we're all trying not to be cynical#i cannot even begin to dig into the pure autism of this entire. not even just the episode premise. the whole basis of the gang's dynamic.#like yeah of course a group of weird neurodivergent people is hypersensitive to this#its the same thing as mac and dennis in suburbs questioning wally's intentions/demeanor welcoming them to the neighbourhood#literally in defense mode all the time because they expect the worst from people and they haven't had any reason to think otherwise#marder and rosell get it but thats not exactly new and surprising <3#but wow this script adds so much. at least for me.#iasip#it's always sunny in philadelphia#ada speaks#character meta#for good measure
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moeblob · 2 months ago
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No fun allowed.
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ai-the-broccoli · 30 days ago
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enemies to lovers / but you'll never own my heart
@luzon-dove happy birthday, Quinn!! As a present, I decided to draw a piece fanart of your "blood in the walls of the yagami house" AU fic series, since I found it very well-written and full of super interesting ideas and concepts. I hope you like it!
#i (ai)#death note#light yagami#l lawliet#fanart#lawlight#own art#I actually really wanted to write a comment to it but as of the time I'm scheduling this post I still haven't been able to get around to it#but like. GOD. it's good?? like at first when I heard about this AU I wasn't very interested & didn't really get the point#(for me personally I mean. bc I was like 'okay I don't get the idea of lawlight as brothers')#but after that I saw your posts more and also read other fics from you. and your writing your other fics are awesome#plus we also talked more and became friends; you're very nice and your takes are really good#so eventually I checked the series out and WOW. holy shit???? I almost regret not reading it sooner because jesus christ it answered my#initial question & way more. like RIGHT I get it now. it's actually so perfect as a setup all of it. I was greatly impressed#and all characters and relationships are so compelling and well-written and everything. aside from lawlight I especially LOVE your misa#and yagamane. and just. holy shit one of the things that compelled me the most was the family setup of the yagamis#L the bastard son and disgrace of the family... Light. his property. who doesn't want to be. perfect child. could've been a perfect family.#and yet. so he tries to kill L. over and over again. because he could've been perfect could've been normal could've been clean could've--#... if not for L's existence. GOD. and the mind games!! it's so compelling and excellent like idk how to put it#my initial disinterest was caused by 'idk how lawlight would be half-brothers like how would it even work' but as I read I was like. MAN#there's no more perfect answer to that than this like literally HOW did you manage to make this basically 'DN but the conflict is family-#-drama and incest' and make it WORK exactly well. thematically. in terms of plot. for characters and relationships. and everything#absolutely incredible. so anyway yeah I made this!!#incest cw#<- just in case anyone wants to filter it out#alrighty I guess I did write a comment here! though I was also hoping to like comment on details and specific lines
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kairennart · 6 months ago
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YOU ARE NOT THE HUNTER. YOU ARE THE LAMB.
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l832 · 2 years ago
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sol-consort · 1 month ago
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I'm sorry but how does the model of propriety sobriety and piety ever so merciful Sir cop River Ward's crush on the mercenary V actually allign with his moral compass
like that's the stealing thieving murdering V, what gold-worthy mental gymnastics is that boy doing to justify his feelings? What is he gonna tell the rest of his badges friends when "bounty on head NY most wanted criminal scum" V shows up to the police department Christmas office party as his plus one?
Or is it another case of a man bagging a clubbing diva after meeting her wilding at the said club, then getting surprised and offended when she still wants to grove at the disco after they tie the knot. Is this a case of "I can fix her!" to River?
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kangaruum · 4 months ago
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I hate him. (lovingly) ☺️
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spacedlexi · 6 months ago
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wow i forgot just how Atrocious the quality was for my twdg stream 💀 guess im just gonna Have to do another one
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birdmenmanga · 2 months ago
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💢FUCK THE WORLD (and maybe my mom in particular)💢
1. ミザン/バルーン & ぬゆり ft. flower & 歌愛ユキ
2. 嫌われ者の詩/164 ft. GUMI
3. メーベル/バルーン ft. Eve
4. CUT/神山羊
5. 怪電話 /r-906 ft. ROSE & POPY
Tanabemas gift for @wojtekaneko!! This is an Eishi-and-his-mom playlist!! It sort of tracks how their relationship sort of changes throughout the series, starting from the controlling relationship they had even before prologue, and culminating in Eishi's flight away in Flight 42: Open Your Eyes.
Most of these songs are on here because I think the lyrics are a really good match, but I think the video for Miseen (1) and Mabel (3) are worth watching. The album cover image is actually from the Mabel video, I just drew in the Eishi and Kiriko.
The opening and closing songs I see as duets between them, while the three songs in the middle are purely from Eishi's perspective. But of course you can interpret it however you want! I think all these songs are fun and I'd be very happy if everyone listened <3
LYRICS TRANSLATED
Miseen/balloon & Nuyuri ft. flower & Kaai Yuki
hated person song/164 ft. GUMI
Mabel/balloon ft. E ve
CUT/Yoh Kamiyama
A Mysterious Phone Call/r-906 ft. ROSE & POPY
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