#Women of Color Art

[saber-monet]

made these a while back. they look so cozy!!

[nwpadaline]

Just something I got done in an hour nothing much 😩😩

[razorberries-art]

"Cloud Forest" • 5x7" • watercolor & ink

[lgbtqtext]

[aromaswrld]

brown skin 🤝🏽 COLOUR

[mindsynthcreations]

Colors

[oncanvas]

A Land Without People series by Palestinian artist Dana Barqawi, 2018

[kazehita]

<3

[thingsorganizedneatly]

Flower Mandalas by Kathy Klein

via Colossal

[smoke-n-mirrors-photo]

[saber-monet]

[yuki2sksksk]

Crossover ship of Mitsuri and Sanji cause why not

I imagine a modern sort of AU with these two in the spotlights:

Mitsuri traveling away from Kimetsu town after tragically lost her boyfriend of years Obanai due to an incident involving his family (murder mystery maybe). Taking Kaburamaru with her, she stays in the Grand City, working as an art teacher in the New World Academy.

In the midst of her grief, she finds comfort in a cafe where the chef is nice enough to cook her enormous amount of food without any complaints every time she comes over.

Or maybe it's the chef himself.

(Mitsuri and Sanji are going to start off as friends and then close friends and it'd take a very long time for them to be together because one is afraid that she'd forgot her late boyfriend if she moved on, and another doesn't want to take advantage of the poor girl and he's unsure if he's worth enough to be with her)

[agelessphotography]

Basket of Light, Flor Garduño, 1989

[nailsonblackwomen]

#traciethetech

[renlo]

I recently confessed to a friend that in the past, whenever I drew my sona with a gap, banjo music would start playing in my head. It doesn't help that I'm actually from the South either.

I've actually come to like having a gap, and I long lost the urge to correct it with braces. (My front teeth also used to be much more bucked - I resonated heavily with Timmy Turner, Spongebob, and Goofy as a kid.) That being said, it still took me some time to stop feeling like I was injecting my comics with hillbilly essence whenever I drew it.

(For anyone unfamiliar with the screaming cowboy.)

[oncanvas]

Mars Dust, Alma Thomas, 1972

Acrylic on canvas 69 ¼ × 57 ⅛ in. (175.9 × 145.1 cm) Whitney Museum of American Art, New York City, NY, USA