#Willy does it on the USUAL

[kineticallyanywhere]

dndads avatar au thoughts

Beary: Earthbender Autumn: Firebender Henry: Firebender (so steeped in denial. s1 is him crawling out of the denial mud he's neck deep in) Mercedes: Waterbender Sparrow: Firebender Lark: Waterbender (no this does not stop the twins from impersonating each other. they are VERY good at it) Rebecca: Waterbender (uses it to make ice cream!) Hero: Firebender (prodigy; non-practicing; secretly the Avatar) Normal: Waterbender (kinda garbage at martial or artistic techniques, much more adept at spiritual/healing elements but doesn't have a teacher)

Willy: Waterbender (Bloodbender, obvs. Can pull freaky stuff with spirits) Ron: Waterbender (nonpracticing) Samantha: Earthbender (nonpracticing) Terry Jr.: Earthbender Veronica: Nonbender Scary: Her biodad is a (bad) firebender, but she's ever been able to do it, no matter how hard she tries. That is, until she met Willy. (she could Earthbend, like her monther's mother, if she tried.)

Darryl: Nonbender Carol: Earthbender Grant: Earthbender (pretends to be non-practicing) Marco: Nonbender Link: Nonbender? (might actually be an earthbender? it's strangely unclear)

(now idea how TF this family works in an au, but) Bill: Airbender (used for weed smoking) Glenn: Airbender (can make his voice carry so far) Jodie: Earthbender Morgan: Firebender Nick: Firebender Cassandra: Nonbender, air heritage Taylor: Airbender (he hopes he's the avatar, but he really just moves other elements around with wind)

The Likelies are all Spirits, including Hermie

[spacedlexi]

are there any narrative decisions/themes in twdg (the entirety of the series) that you really disliked/thought could be handled better?

*gestures vaguely at seasons 2 and 3* i dont think i really have anything new or groundbreaking to say about the ways those seasons were handled

honestly for the most part though even when i find the narrative decisions to be lacking or disappointing theyre able to at least stick to their themes and emotionally come to satisfying conclusions. clems personal running narrative throughout the series i think holds up pretty well. and her journey is like... the whole point of it all. so other characters or aspects of the series falling through the cracks is unfortunate but acceptable for me if its still working towards developing clementine as a character. seasons 2 and 3 might be messy and contentious among fans but like.. regardless of the issues i have with them i like where they push clem emotionally

leads to the kind of situation where i might not agree with the decisions that got us here, but i can at least appreciate what the Intended goal was narratively and thematically

but since im talking about clem the ONE thing i will say is: they pushed the "mother" shit especially in s3 way too hard. she got called a big sister Once and then they promptly moved on. other characters telling clem how motherly she is? sick ew yucky nasty. clementine herself choosing to raise aj because hes all she has left in this world and wants whats best for him? yes and also im crying. at least if you take the alone endings you dont hear that dialogue from kenny or jane so its less in your face but ugh 🙄 i actually liked in s2 that after aj is born clem can be uncomfortable with him or completely uninterested, but by the end of the season (especially if shes left all alone and its partially why i like the alone endings so much) clem decides to look out for him regardless, because theyre all each other has. hed die without her. and she needs something to fight for, to remind her that theres still good out there, because the toll this world has taken on her only continues to rise. they need each other equally. in a normal world they could have just been normal siblings. but in this one? shes ajs everything. and hes hers. and we can see All of that without characters telling clem what a "natural mother" she is 😒

[mariocki]

Final Exam (1981)

"Why are you so apprehensive? When are you going to realise that the whole world isn't made of psychopaths skulking about?"

"But they are out there. They do exist. People are killed every day for no reason at all. Perfect strangers wake up in the morning and decide, 'Hmm, I think it's a good day to snuff somebody". And these are people who eat at our restaurants with us, use our highways and vote for the President, which probably explains something about him, too. I'm not paranoid. I'm just facing unhappy facts."

[legolasghosty]

🐑 Alternate Universe- Magic, Mutual Pining, Demonic possession, Furbies

Oh dear...

Alex is attending one of the most prestigious magic academies in the country, on the orders of his parents of course. Even though Laiz Fier Academy reviles even the name of the only type of magic he's ever been good at. His parents swore he'd find another specialty here, and he'd let himself believe them, like the idiot he is. He's scraping by in classes. Barely. At least he's managed to make a couple of friends and figure out how to sneak into the library stacks to find books that will actually help him hone his skills.

However, Alex realizes now there's a reason why it's not recommended to do your first summoning alone. Because, while he does manage to summon a demon, it doesn't exactly end up in the silvery urn he'd laid in the center of the pentagram.

So now he has a talking, demonic Furby to hide. One that, despite its too-wide eyes and disconcertingly smooth voice, Alex thinks he might be developing feelings for.

(Fake fic ask game!)

[rindomness]

for the record, this is bany's fault entirely. @banyanas come pick up the consequences of your actions(affectionate)

[woodsfae]

ok lowkey political prediction. T-rump strokes out/has an aneurysm before the election, Vance gets historically creamed like he's a third party write-in instead of the nominee for a major party.

[wanderingmind867]

Well, that's a clever visual gag. The bookstores are now selling Livewire's autobiography, apparently 90% off. You know... I'd probably buy it if it was real. Why not? She definitely has a story to tell. Even if her version of events is biased, it deserves to be heard. And who knows? If she's any good at writing, the book can't only be about her supervillian career. It'd have to include aspects of her career as a radio show host and of her childhood. I think more super villians could benefit from autobiographies. Get ahead of the bad press! Disclose your traumas, and the world will be on your side! (Superman Adventures #21):

[bigbuxbolds]

they looked at that catch in the 8th and said "no. let them get more runs." and then we did

[matoitech]

ppl pointing out five nights at freddys i have never been able to remember fnaf takes place in utah it slips ouot of my brain every time

[glitter-stained]

I always feel like a little sad seeing posts about how Jason's character is inherently tragic and that's what makes it good, how him being unloved, a tragic consequence of his own actions, is inevitable, and how that shouldn't change because any change on that regard is a fundamental misunderstanding of his character. Yes, Under the Hood is a tragedy. Yes, Jason survived and for a long time people have been pretty confused at what to do with the character that survives the tragic ending. That doesn't mean he should continue to be trapped in the tragedy, that there's only value in him as long as he's unloved. And maybe that's me preaching and being a party pooper again but the idea that the teenage-to-young adult character with a mental illness that has damaged all his relationships is doomed to be lonely and have bad/upended relationships forever, that he's only good as a character as long as he's hurting others and/or himself (and usually both) and isolated because of this... It's sad, at the very least. I refuse the presumption that tragedies are the only stories wise and worth telling.

Also I personally really dislike the idea that Jason isn't and shouldn't be anyone's favourite, because he made himself nobody's favourite on purpose. Did he make himself a villain on purpose? Fuck yeah. Does any of his early attempts at reaching out to people hurt them? Indubitably. I maintain that this is because he wants to be someone's favourite as he is, at his worst, with his hands covered in blood. And I think he should be. (Without contradicting or damaging, by comparison, the relationships between other characters, that's the tightrope we need to be weary of when making such things, of course.)

It's like this: love, in most relationships, is conditional: you don't owe your friend or your partner to continue to love them if the relationship changes, if you change, if you become violent etc. If my girlfriend started murdering puppies, I would stop loving her. Ideally, however a parent's love for their child is unconditional. That's very often unfortunately not the case, but ideally it'd be, it's really not great for a kid to have zero parents that love them unconditionally. And most importantly, it's not just about actual unconditional love, it's about it being perceived. So it doesn't matter in the debate if Bruce actually loves Jason in spite of the murder, it matters that Jason asks for confirmation of it at the end of UTH and receives a negative answer. (similar arguments to be made about Catherine loving Jason and dying of drug overdose and Willis going to jail and dying - it's the potential perceived abandonment of it that would matter, not their agency and actual love. And it's not a question of whether he would be angry at it so much as that he'd yearn and hurt for it. And of course Sheila didn't love him at all.) That's why he, upon learning about Mia and reaching previously unknown to man levels of projection*, tries to rally her with the hope that, because she's "so similar to him" she would understand him. That's why upon learning about Dick "killing" Blockbuster Jason, again projecting more violently than a bullet, Jason makes Dick into his new favourite person (god, the concept behind BiB has so much potential why did it have to suck so bad...) Anyway, Jason to me is a character with a very intense, very overwhelming conception of love both in who he loves and how, who struggles to understand that other people love and show it differently, and it makes so much sense for him to keep looking for a person who will love him unconditionally (something that's both very rare and not necessarily healthy since, again, most relationships aside from parent-child relationships do not and probably should not include unconditional love). This is particularly interesting in the context of him having bpd (again, using bpd because i'm focusing on the interpersonal dimension that's been mostly studied within that frame) because BPD often functions around a vicious circle of "is afraid of rejection/abandonment -> does maladaptive behaviour in attempt to prevent rejection/abandonment OR protect oneself by being the one to leave first" which is what leads to the instability in relationships. It's a doomed prophecy: i have maladaptive patterns that make me think my girlfriend is gonna leave me at any time, I keep demanding to see her phone, assuming she's cheating everytime she leaves and thus demonizing her even though I was glorifying her five minutes earlier" then she's going to leave me, which is gonna reinforce my thought pattern that everyone always leaves me. But that also means that in rare instances in which the other person in the interact, for whichever reason, sticks around through that, then these incorrect thought patterns begin to change through the sheet logic of extinction: if i think that people always leave me because of something fundamentally wrong with me and people don't leave then eventually the idea that people are doomed to abandon/reject me is going to lose its power. That's, btw, an important part of why therapy works.

(*that one's a joke, btw. He's not projecting onto mia and dick to levels impossible to mankind, just pretty intensely. Very human levels of projection, might I add'. Just to clarify.)

Now, be mindful: I'm not saying make Jason an abusive boyfriend. I'm not saying put him in a relationship where the other stays because they're afraid of him, that's not unconditional love or acceptance that's just fear. Of course, the ideal version of it would be Jason goes to therapy but because dc hates me specifically this is never gonna happen, but imagine him being in a relationship, romantic or otherwise, with someone who is as intense and "unwell" about him as he is about them. I'm not saying it would fix him (again, get him so goddamn therapy jfc) but it would change him. And just as it doesn't have to be healthy it doesn't have to be tragic.

I was asked a while ago my thoughts on Jason's current stagnancy as a character and if I thought he could become interesting again, and I said yes and talked about the directions I dream would be explored with his character and their potential. My answer hasn't changed, and it's completely compatible with this, but I will add: I think Jason as a character has largely and for long enough been defined through his yearning to be somebody's favourite, and that if you want his mode of interacting with others and dynamic with different characters to change then this is a very logical way to do it. And it would make a lot of sense for it to be the catalyst for other changes in his character (ie in his name or philosophy).

Get that boy into a super intense long-term codependent situationship, is what I'm saying. Please.

[thedevilsoftruth]

⋆˙✮•Kyojuro Rengoku loves eating you out•✮⋆˙

He is just that kind of dude. The kind of man who can lay you down ya the edge of your bed and burry his face between your thighs until he literally cannot move his jaw anymore. Clit stimulation is what usually gets you going, so he makes sure to spend extra time giving that pretty button all the attention she deserves while his fingers pump and curl themselves into your warm cunt.

It's the way your eyes roll back. It's the way you become weak in his strong arms as he dragges the tip of his tongue up the head of your clit and then flicks it up and down as his fingers continue to fill you. It's the way your fingers curl into his long, thick blonde and red hair as he eats you out. He has tasted lots and lots of different foods in his lifetime, but none of them will ever come close to the sweet nectar of your pussy.

And the way you squeak and your thighs go clenching around his face as he encloses his lips around your clit and begins to suck on it is like pure heaven to him. He's half deaf, so he always encourages you to be as loud as you can, but he finds that your loudest screams and most gutteral moans are pulled out of your mouth whenever he eats you out.

He does it to please you, he does it to make you scream, but he does it to boost his ego. He does it because your pussy gets so much wetter on his greedy tongue as you get closer to orgasm. He does it for you. Because Kyojuro Rengoku knows just how to please his woman.

He knows he's doing good when he hums against your clit as he's sucking in it, and you absolutely fucking convulse on him, your hips jerking and your body shaking as he brings you closer to the edge. He has to hold you down sometimes so that he have full attention in making you cum and making you cum only. Kyojuro always puts your pleasure before anything, but if you're going to have sex with him, his endgame is to make you cum, no matter how long he has to keep his fingers pumped inside you and his mouth on your sensitive cunt.

And when you do cum? Kyojuro becomes greedier for your cunt than Augustus Gloop when he witnessed Willy Wonkas chocolate river. And the river of your cum is something he can certainly get lost in for hours. He's lapping up every single drop of cum from your aching pussy hungrily, holding your thighs in his arms firmly as he bobs his head up and down against your pelvis. He is addicted to your pussy, and he would continue to eat you out for hours if you would let him. Great stamina is one of the perks of a hashira after all.

[ Requests are open. See my pinned post for additional information 💋 ]

[devil-in-hiding]

I had this idea last night and it’s been eating away at me since:

Childhood best friend!Simon who left when he joined the military. Cbf!Simon who, after finding his family murdered, disappears again -or so you think. Simon, who spends every night he’s in town at your place while you sleep. Who sees that you kept his old jumper, the one he gave you before he left. He sees how you hold it and cuddle it, holding it to your nose as if hoping it still smelled like him after all these years. He can’t give you a new one, but he can make this one smell like him again. When you’re out buying groceries, so much more often than usual, it seems, he takes the jumper and rubs in against himself; his armpits, the back of his neck, and then, against his cock and balls as the scent of you fills his nose.

You seem to sleep better that night.

Other things start to change too. He now starts to touch you as you sleep. Just brushing his hands against your hair. Feather-light touches that are almost impossible to feel.

He does darker things too. You are, thankfully, single. And he makes sure you stay that way. Your nice lotion gets an extra load of five of protein. Your blind dates mysteriously stop texting you back. You’re getting /frustrated/ which leads to a night with your vibe and dildo (much smaller than his, Simon notes. He’ll have to change that). Your little moans and whines make it almost impossible for him to not barge into your room and take you. But Simon Riley is nothing if not patient. When you finally fall asleep, one hand still clutching your dildo, he sneaks out.

Two weeks later, a mysterious package is at your door from a secret admirer. You don’t even notice the “clone a Willy” printed on the bottom of the silicone toy. What you do notice is how big it is and how much you want it to ruin your holes. You set to work right away, opening yourself up. Getting so frustrated that it doesn’t fully fit. All the while your secret admirer watches from your closet.

And when he does finally lay claim to you? It’s all roses and apologies.

He knocks on your door after a particularly grueling mission, bouquet of your favorite flowers and a teddy bear in hand.

“Simon?” You say, shock coloring your voice. “My Simon?”

“‘Ello, lovie,” he replies. Sheepishly smiling, he holds out the gifts.

“This is real? You’re really here?” You ask grabbing the flowers and teddy.

“‘M here,” he says, scared you might reject him after all this time. Not that it matters, but it would still hurt.

You drop the gifts and he braces for the rejection. What he didn’t plan on, was you wrapping your arms around him and sobbing into his chest. “Si, I missed you so much.” He leads you into your flat, you don’t wonder how he knows where your room is. He sits you on your bed and holds you while you cry.

He’s a perfect gentleman for the first few months of dating and rekindling your friendship. It’s not until you tell him one night after a few drinks too many, “you know, Si? I had the biggest crush on you when we were kids.”

“Did you now, lovie?”

“Still do,” you confess, eyes strangely clear despite the alcohol.

He doesn’t think when he finally kisses you. Falling into bed with you is easier than breathing.

Your breath hitches as you feel that familiar stretch when he enters you. But you don’t think about it. You don’t think what it means when he hits every spot that your secret admirer’s gift reaches.

Now he has you. And now he’s not letting go.

♠️

I’m clawing the fucking floor my scent kink has not recovered jeowkdkfoekskdkrkkwlfk

[cy-cyborg]

The Untrustworthy Fake: Disability Tropes

[ID: A screenshot of Willy Wonka from Charlie and the Chocolate Factory as he limps towards a crowd using a cane. In the picture, he has a brown top hat in his hand, and he's wearing a suit with a purple jacket, multicoloured bow tie and cream coloured pants. Beside him is text that reads: "Disability Tropes, The untrustworthy Fake" /End ID]

Tell me if this sounds familiar: A new character is introduced into a story with some kind of disability - usually visible but not always. Maybe they're a seemingly harmless person in a wheelchair, maybe they're a one-legged beggar on the street, or maybe they're an elderly person with a cane and a slow, heavy limp. But at some point, it's revealed it's all a ruse! The old man with a cane "falls" forward and does a flawless summersault before energetically springing back up to his feet, the wheelchair user gets to their feet as soon as they think the other character's backs are turned, the one legged beggar's crutch is knocked out of his hand, only to have his other leg pop out of his loose-fitting tunic to catch him.

All of these are real examples. Maya and The Three introduces one of it's main protagonists, Ricco, by having him pretend to be missing a leg in order to con people (something that works on the protagonist, at least at first), Buffy The Vampire Slayer had the character Spike, pretend to be in a wheelchair, until the other characters leave and he gets up, revealing it's all a ruse and Charlie and the Chocolate Factory introduces Wonka by having him slowly limp out into the courtyard of the factory, only for his cane to get stuck, causing him to "fall" and jump back up, revealing that he's actually perfectly fine. Virtually every single major crime show in the past few decades has used this trope too, from CSI to The Mentalist, Castle, Law and Order and Monk all having at least one episode featuring it in some way. Even the kids media I grew up with isn't free from it; The Suite Life of Zack & Cody sees Zach faking being dyslexic after meeting someone who actually has the condition in the episode Smarter and Smarter and the SpongeBob SquarePants episode Krabs vs Plankton has Plankton fake needing a wheelchair (among other injuries) after falling in the Krusty Krab as a ploy to sue Mr Krabs and trick the court into giving him the Kraby Patty Formula.

No matter the genre or target audience though, one thing is consistent: this trope is used as a way to show someone is dishonest and not to be trusted. When the trope is used later in the story, it's often meant to be a big reveal, to shock the audience and make them mad that they've been duped, to show the characters and us what this person (usually a villain) is willing to stoop to. Revealing the ruse early on though is very often used to establish how sleazy or even how dangerous a character is and to tell the audience that they shouldn't trust them from the get go. Gene Wilde (The actor who first played Willy Wonka) even said in several interviews that this was his intent for Wonka's character. He even went so far as to tell the director of Charlie and the Chocolate Factory that he wouldn't do the film without that scene because of how strongly he felt this trope was needed to lay the foundations for Wonka's questionable intentions and motivations. His exact words are: "...but I wouldn't have done the film if they didn't let me come out walking as a cripple and then getting my cane stuck into a cobble stone, doing a forward somersault and then bouncing up... the director said, well what do you want to do that for? and I said because from that point on, no one will know whether I'm telling the truth or lying."

There's... a lot of problems with this trope, but that quote encapsulates one of the biggest ones. whether intentionally or not, this trope ends up framing a lot of actual disabled people as deceitful, dishonest liars. Now I can already hear you all typing, What?! Cy that's ridiculous! No one is saying real disabled people are untrustworthy or lying about their disabilities, just people who are faking!

but the thing is, the things often used in this trope as "evidence" of someone faking a disability are things real disabled people do. A person standing up from their wheelchair or having scuff-marks on their shoes, like in the episode Miss Red  from The Mentalist isn't a sign they're faking, a lot of wheelchair users can stand and even walk! They're called ambulatory wheelchair users, and they might use a wheelchair because they can't walk far, they might not feel safe walking on all terrains, they might have unstable joints that makes standing for too long risky, they might have a heart condition like POTS that has a bigger impact when they stand up or any number of other reasons. Also even non-ambulatory wheelchair users will still have scuff marks from things like transferring and bumping into things (rather hilariously, even TV Tropes calls this episode out as being "BS" in it's listing for this trope, which it refers to as Obfuscating Disability). A blind beggar flinching or getting scared when you pull a gun on them isn't a sign they're faking their blindness like it is in Red Dead Redemption 2. Plenty of blind people can still see a little bit, it might only be a general sense of light and darkness, it might be exceptionally blurry or just the fuzzy outlines of shapes, or they might only be able to see something directly in front of them, all of which might still be enough to cue the person into what's happening in a situation like that. Even if it's not, the sound of you pulling your gun out or other people nearby freaking out and making noise probably would tip them off. A person needing a cane or similar mobility aid sometimes, but being able to go without briefly or do even "big movements" like Wonka's rolling somersault, doesn't mean they don't need it at all. Just like with wheelchairs, there's a lot of disabilities that require canes and similar aids some days, and not others. Some disabilities even allow people those big, often straining movements on occasion, or allow them to move without the aid for short periods of time, but not for long. Some people's disability's might even require a mobility aid like a cane as a backup, just in case something goes wrong, but that still means you need to carry it around with you, and unless it can fold down, it's easier to just use it.

Disability is a spectrum, and a lot of disabilities vary in severity and what is required of the people who have them day to day. This trope, however, helps to perpetuate the idea that someone who does any of these things (and many others) is faking, which can actively make the lives of disabled people harder and can even put them in very real danger, physically, mentally and even financially.

Just ask any ambulatory wheelchair user about how many times they've been yelled at for using accommodations they need, like disabled toilets or parking spaces. How many times they've been accused of faking and even filmed without their consent because they stood up in public, even if it was to do something like get their wheelchair unstuck or as simple as them standing to briefly reach something on a high shelf. I've caught multiple people filming me before, so have my friends and family, and it's honestly scary not knowing where those images have ended up. This doesn't just impact the person either, a friend of mine was filmed while standing up to get his daughter (who was about 4 at the time) out of the car. He was lucky to have stumbled across the video a few days later on facebook and contacted the group admins where it was posted to get it taken down, but had he not stumbled across it by chance, pictures with his home address and his car's number plate, his child's face and his face all visible would have just been floating around, all because a woman saw him stand briefly to pick up his daughter.

Many people don't stop at just saying a nasty comment or taking a photo though, a lot of people, when they suspect people are faking, will get violent. I have many friends who have been pushed, slapped in the face, spat on or had their mobility devices kicked out from under them. I've even been in a few situations myself where, had I not had people with me, I think the situation would have turned violent.

There's even been cases where those photos and videos I've mentioned before have been used against real disabled people and they've been reported to their country's welfare system as committing disability fraud. While cases like this are usually resolved *relatively* quickly, in many parts of the world, their payment will be halted while the investigation is in process, meaning they may be without any income at all because of someone else's ignorance. If you're already struggling to make ends meet (which, if you're only living off one of those payments, you probably will be), a few weeks without pay can mean the difference between having a home and being on the streets.

Not to mention that when there's so many stories about people faking a disability in the media, especially when the character is doing it to get some kind of "advantage", such as getting accommodations or some kind of disability benefit, it perpetuates the idea that people are rorting the systems put in place to help disabled people. If this idea becomes prevalent enough, the people in charge start making it harder for the people who need them to access those systems, which more often than not results in disabled people not even being able to access the very systems that are supposed to be helping them. A very, very common example of this is in education where accommodations for things like learning disabilities require you to jump through a ridiculous number of hoops, especially at higher levels, only to have some teachers and professors refuse to adhere to the adaptations anyway because they're convinced the student (and usually disabled students as a whole) is faking.

Yes, the "untrustworthy faker" is a fictional trope, and yes, it does occasionally happen in real life, but not as often as media (including things like news outlets) would have you believe. However, when the media we consume is priming people to look for signs that a disabled person is faking, it has a real impact on real disabled people's lives. "Fake-claiming" is a massive problem for people in pretty much all parts of the disabled community, and it ranges from being just annoying (e.g. such as people spamming and fake-claiming blind people online with "if you were really blind, how do you see the screen" comments) to the more serious cases I mentioned above. It's for this reason a lot of folks in the disabled community ask that people leave this trope out of their works.

[necstasy]

face fucking; GN!reader & WILLY WONKA MDNI 18+

it takes a lot to get willy to focus on his own pleasure instead of yours.

you have to remind him that while you appreciate what he does for you, you want to do something for him. it takes some convincing, but eventually you have your mouth wrapped around him as you sit on your knees before him. you can't speak when he's taking up your mouth like this, so you grab his hands, place them on either side of your head, and then nod at him as best as you can to give the go-ahead.

his first thrust is gentle. too gentle. you fix him with a glare, rolling your eyes to emphasize your point whenever he exclaims his fear of hurting you. you've been through much worse, and you've made your own voice hoarse from how excitedly you've sucked him off before. this would be nothing. you do your best to tell him that.

it isn't until he himself begins to get lost in the feeling of fucking you that he lets go. it's only then that the tip of his cock nudges the back of your throat before slipping down, forcing you to relax your jaw even more and breath through your nose.

you don't know if he realizes exactly what he's doing. the way his hips vigorously thrust into your face. the way his pink lips have yet to stop moving, praise after praise spilling out into the air. he's just so far gone.

"so good, honey. you feel so good. i love you so much. so, so much."

the way he begs like you're the one in control, even though he's moving on his own accord. "please, don't stop. please. 'm so close."

his head is tilted back, exposing the way his adams apple bobs in his throat with the way he swallows his own spit. you know he's likely salivating like he usually does when you suck him off. during those times, it'd been not only a pretty sight, but a useful additative to dip your fingers into and add to the slick between your thighs. it's unfortunate to sit there and watch his saliva go to waste, but it's endearing to know the effect you have on him.

plus, from down there you have the most gorgeous sight of willy staring down at you with big, hopeful eyes as he asks to cum down your throat. you're quick to agree.

[literaryvein-reblogs]

Writing Notes: Fictional Characters

The concept of a protagonist comes from Ancient Greek drama, where the term originally meant, “the player of the first part or the chief actor.”

In film today, the protagonist is the character who drives the plot, pursues the main goal of the story, and usually changes or grows over the course of the film.

A protagonist enters the film with a goal and by the end of the film, they either achieved that goal or did not.

The protagonist’s character arch is defined by the pursuit of that goal.

Classic examples of protagonists from film are:

Luke Skywalker, a young moisture farmer who learns to harness his Jedi mind powers.

Cher Horowitz, a clueless valley girl who learns to appreciate the people in her life.

Types of Protagonists

A hero is someone we can all relate to, and his downfall will fill us with pity and fear. The hero is the “good guy”—the type of virtuous protagonist the audience roots for and wants to succeed.

An anti-hero is an unlikely protagonist who does not necessarily have virtuous or villainous qualities but who is able to behave heroically if the opportunity arises.

The villain protagonist is the villain, an undeniable “bad guy,” is also driving the plot as the central character.

Difference Between a Hero and a Protagonist

The hero and the protagonist are often confused, but in fact a hero is a type of protagonist.

All stories must have a protagonist, but not all stories need a hero.

Main Character

Apart from protagonists, films can also have a main character.

The main character is a central character who acts as the audience surrogate—we experience the story through their eyes.

The main character is involved in the story, interacts with the secondary characters, and is personally impacted by the plot’s main conflict.

The main character and the protagonist are often, but not always the same character.

Difference Between a Protagonist and a Main Character

The main character (sometimes called “principal character”) and the protagonist are both two central characters.

But the protagonist drives the plot forward while the main character is impacted by the plot.

Ways a Separate Main Character & Protagonist Move Your Plot

Some reasons to separate the main character and protagonist in your story.

Unrelatable Protagonist: If the audience is not able to relate to the protagonist, the main character can be a more relatable entry-point to the story. In Tim Burton’s adaption of Charlie and the Chocolate factory, Willy Wonka is the protagonist and drives the plot, but he is also misanthropic and too kooky to be relatable for the audience. Charlie, the main character, acts as the audience surrogate.

Point of View. A main character can act as a plot device to reveal greater truths about your protagonist. In The Great Gatsby, for example, we are able to see the protagonist, Jay Gatsby, as a flawed and dishonest man more clearly through the eyes of the main character, Nick Carraway.

Added irony. A separate main character creates irony or a juxtaposition. Atticus—an adult lawyer—is the protagonist of To Kill a Mockingbird, a story about a rape trial with grown-up themes. The story, however, is told through the eyes of the main character, Scout, Atticus’s young daughter. Scout’s innocence reveals the flawed moral values of society and the adults around her.

The Narrator: Main Character or Protagonist?

A narrator is a character who tells the story, in their own voice.

The narrator does not have to meet any of the qualifications to be either a protagonist or the main character, and a film does not have to include a narrator.

In The Princess Bride, the grandfather mainly acts as the narrator and is used as a framing device to tell the story of a poor farmhand to his reluctant grandson.

But the narrator can be the main character, as in the Great Gatsby example. Nick Carraway is the main character and the narrator, but he is not the protagonist.

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