#William de Morgan
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The veneered table in the dining room was bought at the Smithfield market in Belfast and carried home on the back of a cattle lorry. The tiles inset in the chimneypiece are by William de Morgan.
In an Irish House, 1988
#vintage#vintage interior#1980s#80s#interior design#home decor#living room#fireplace#glassware#William de Morgan#tiles#dark green#wall color#needlepoint#antique#table#classical#Irish#style#home#architecture
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Tile panel of eight large tiles and sixteen border tiles (1888-1897), decorated by William De Morgan.
Earthenware body covered with white slip under a tin glaze, painted in bright blues and greens, yellow and black
© The Trustees of the British Museum.
Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) license.
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William De Morgan (English, 1839-1917) Blackbird Bottle, 1888-1907 Tin-glazed Earthenware Diameter 254 mm, Height 508 mm De Morgan Foundation C_WDM_0136
#animals in art#20th century art#birds in art#19th century art#bird#birds#blackbird#blackbirds#ceramics#decorative arts#bottle#European art#British art#English art#De Morgan Foundation#William De Morgan
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William De Morgan | Duille
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William Frend De Morgan (British, 1839 - 1917), Winged Felines Plate.
"De Morgan was a potter, tile designer and novelist. A lifelong friend of William Morris, he designed tiles, stained glass and furniture for Morris & Co. from 1863 to 1872. His tiles often recall medieval or Islamic design patterns." [Wikipedia]
William De Morgan was married to the painter, Evelyn De Morgan.
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William De Morgan (1839-1917, English) tile panel
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William De Morgan (1839-1917)
#william de morgan#ceramic art#pottery#tiles#persian style#mythical creatures#arts and crafts movement#victorian era#old art#english artist
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Even when I knew how to knit, I couldn't have pulled this off. But I know those that can are out there, and felt compelled to share: how stunning is this?
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De Morgan Tile Design
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William de Morgan: "Head of a Girl" (1863)
William Frend De Morgan (16 November 1839 – 15 January 1917) was an English potter, tile designer and novelist.
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Moorcroft Pottery PLQ6 De Morgan Forget-me-Not Plaque Kerry Goodwin
#moorcroftpottery #moorcroft #tiles #stratforduponavon #demorgan
Moorcroft Pottery PLQ6 De Morgan Forget-me-Not Plaque Kerry Goodwin
#moorcroftpottery #moorcroft #tiles #stratforduponavon #demorgan
#moorcroft#william de morgan#ceramics#tiles#b and w thornton#stratford on avon#stratford upon avon#moorcroft pottery#warwickshire#23 henley street#england
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Earthenware tile (1888-1897). Decorated by William De Morgan.
Workshop of Sands End Pottery.
© The Trustees of the British Museum. Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) license.
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For #WorldParrotDay 🦜:
William De Morgan (English, 1839-1917) Scarlet Macaw and Blue Fronted Amazon Parrot tile panel, 1888-97 Tin-glazed earthenware, W 518 x H 1283 x D 48 mm De Morgan Collection C_WDM_0271b
William De Morgan (English, 1839-1917) Design for a tile panel with parrots, 1888-97 polychrome watercolour on paper, H 91.4 x W 45.7 cm Victoria and Albert Museum E.404-1917
#animals in art#animal holiday#european art#birds in art#19th century art#bird#tilework#parrot#parrots#World Parrot Day#birds#William De Morgan#De Morgan Collection#tile panel#Scarlet Macaw#macaw#Blue-Fronted Amazon#ceramics#decorative arts#V&A Museum#painting#watercolor
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William de Morgan tiles, Manchester Art Gallery
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@demorganfoundation
'A Marriage of Art & Craft'
1. Cherub Vase (c. 1890), by William De Morgan
2. Flora (1894) by Evelyn De Morgan
"The blockbuster De Morgan US exhibition tour, 'A Marriage of Art & Craft' returns @crockerart in Sacramento 📅 Until January 2024
The exhibition explores the many joint interests of Victorian artists Evelyn and William De Morgan.
"One area of the show I think is really special is the display of De Morgan artworks influenced by the Italian Renaissance,' says Sarah Hardy, the exhibition curator.
'William and Evelyn lived in Florence each winter from 1890 - 1914 and loved the city. This comes across in both of their artworks and it's great to see Evelyn's sketch after Botticelli's 'The Birth of Venus' next to her own painting 'Flora' which the Renaissance painter so inspired.
However, showing these next to William's 'Cherub Vase' which was made in Florence with the local potter, Ulisse Cantagalli, is a rare thing to be able to do. They look fabulous together and demonstrate the importance of Italy to both artists."
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