William Mapother and Dominic Monaghan in Lost (2004) Homecoming
S1E15
After the missing Claire returns with no recollection of what has happened since before the doomed flight of Oceanic 815, Jack and Locke formulate a plan of defense against her kidnapper, the mysterious Ethan Rom, who threatens to kill off the other survivors unless Claire is returned to him. Meanwhile, the disappointment Charlie feels when Claire does not remember him triggers recollections of Lucy, a woman he had let down in the past back in England where Charlie ruined their engagement so he could steal money from her to fuel his escalating heroin addition.
*The copier that Charlie tries to sell is model 815, the same number as the ill-fated plane.
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Another Earth (2011)
"Listen to me. Keep your mind clear. And that's it. You will have peace of mind. My dear, don't worry. Learn to adjust yourself."
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The Grudge (2004)
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THE POSSESSION AT GLADSTONE MANOR Lin Shaye, Barbara Crampton mystery horror
The Possession at Gladstone Manor is a 2024 mystery horror film about a young woman investigating her mother’s disappearance by taking the same job. She finds clues about others missing and confronts otherworldly evil forces…
Directed and co-produced by K. Asher Levin (Stay at Home; Helen’s Dead; Slayers; Dig; Alexander IRL; Cougars Inc; Sweetie Pie) from a screenplay co-written with Danny Matier…
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Outlaw Posse
Outlaw Posse (2024)
#MarioVanPeebles #WilliamMapother #JohnCarrollLynch #DCYoungFly #MandelaVanPeebles #AmberReignSmith
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Jahr: 2024 (März)
Genre: Western
Regie: Mario Van Peebles
Hauptrollen: Mario Van Peebles, William Mapother, John Carroll Lynch, D.C Young Fly, Mandela Van Peebles, Amber Reign Smith, Neil McDonough, Jake Manley, Allen Payne, Cam Gigandet, M. Emmet Walsh, with Edward James Olmos, Cedric the Entertainer, Whoopi Goldberg …
Filmbeschreibung: 1908. Jahr – DER CHEF (Mario Van Peebles) kehrt nach…
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In the Bedroom sind drei einer zuviel. Nicht was Sie jetzt denken, sondern eine neuenglische Bezeichnung für die innere Kammer von Hummerfallen. Der dritte wird oft verletzt, deshalb muß man sie oft überprüfen. In die Beziehung des einzigen Sohns der Eheleute Fowler mit einer älteren geschiedenen Mutter kommt dann aber folgerichtig auch der eifersüchtige Exmann dazwischen. Es entwickelt sich ein fürchterliches, aber grandios gespieltes Drama, unter der kompetenten und auch hochgelobten Leitung von Todd Field, der dann trotzdem erst nach 5 Jahren und dann wieder nach 15 Jahren einen Film drehen konnte (Tàr nämlich), was angesichts dessen, was für Filme so gedreht werden eigentlich ein bisschen schade ist.
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The Grudge (2004)
Dir. Takashi Shimizu
Matthew Williams (William Mapother), his wife, Jennifer (Clea DuVall), and mother, Emma (Grace Zabriskie), are Americans making a new life in Tokyo. Together they move into a house that has been the site of supernatural occurrences in the past, and it isn't long before their new home begins terrorizing the Williams family as well. The house, as it turns out, is the site of a curse that lingers in a specific place and claims the lives of anyone that comes near.
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best part of the m:i2 experience was going “oh, hey, it’s that guy! from…literally everything…” in the first scene and then remembering he’s very famously Tom Cruise’s cousin
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ages of LOST characters when we first meet them vs the ages of the actors when they first started playing them. reminder that the starting point of LOST is september 22nd 2004. if a character’s age seems one less than sounds right to you its because their birthday is coming up. if a character is missing from this it’s because we don’t know their age in canon (looking at you, desmond)
jack shephard: 34
matthew fox: 38
kate austen: 27
evangeline lilly: 25
hugo “hurley” reyes: 25
jorge garcia: 31
james “sawyer” ford: 35
josh holloway: 35
sawyer says he’s 35. but lostpedia only has sawyer’s birthyear, 1968, making him 36. however an easy explanation for this is that sawyer has a birthday coming up in the post september to december range (like many other characters here) thus making the birthyear and what sawyer said still right
john locke: 48
terry o’quinn: 52
sayid jarrah: 36
naveen andrews: 35
jin-soo kwon: 29
daniel dae kim: 36
sun-hwa kwon: 24
yunjin kim: 31
claire littleton: 21
emilie de ravin: 23
charlie pace: 27
dominic monaghan: 27
okay so an odd thing happened here. we don’t actually know charlie’s age in canon, except that based on a statement from liam that he’s absolutely less than 30. and basically what happened is there was big debate on lostpedia, the general gist being he’s 25 to 28, until everybody just gave up and they slapped dom’s birthday on charlie’s page. and it’s still there to this day
walt lloyd: 10
malcolm david kelley: 12
walt’s actor was gonna age outta the role anyways due to the nature of lost’s timeline but their first mistake was casting a 12 year old. like, hello, puberty?
shannon rutherford: 20
maggie grace: 21
boone carlyle: 23
ian somerhalder: 26
danielle rousseau: 44
mira furlan: 49
ethan rom: 27
william mapother: 39
the consequences of season 5 are starting to hit
bernard nadler: 56 or 57
sam anderson: 58
ana lucia cortez: 29
michelle rodriguez: 27
eko tunde: 35
adewale akinnuoye-agbaje: 38
alexandra “alex” rousseau/linus: 16
tania raymonde: 17
benjamin “ben” linus: 39
michael emerson: 51
this isn’t even due to later timeline decisions, they just decided to do this
miles straume: 27
ken leung: 38
daniel faraday: 26
jeremy davies: 39
charlotte lewis: 33
rebecca mader: 31
and theeere’s the season 5 whammy. for those who don’t know (you must be new to my blog) dan and miles ages differ so much from their actors because when our guys are in 1977, it suited the story and characters better for miles to be a baby and dan to be an embryo (and char to be 6) at the same time. the writers were set on 1977 being the year everybody got stuck in and that’s how we get daniel faraday being an oxford professor at fucking 18
it’s something that gets funnier and sadder the longer you think about it
anyways. thank you for your time!
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William Mapother in Moola
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Tom Cruise in Magnolia (Paul Thomas Anderson, 1999)
Cast: Jim Beaver, Jeremy Blackman, Tom Cruise, Robert Downey Sr., Henry Gibson, Clark Gregg, Luis Guzmán, Philip Baker Hall, Felicity Huffman, Philip Seymour Hoffman, Thomas Jane, Ricky Jay, Craig Kvinsland, William H. Macy, William Mapother, Alfred Molina, Julianne Moore, Michael Murphy, Patton Oswalt, Mary Lynn Rajskub, John C. Reilly, Jason Robards, Paul F. Tompkins, Melora Walters. Screenplay: Paul Thomas Anderson. Cinematography: Robert Elswit. Production design: William Arnold, Mark Bridges. Film editing: Dylan Tichenor. Music: Jon Brion.
Paul Thomas Anderson's movies are so loaded with crazy stuff that it's possible to recall only some of the jaw-droppers in them, like the "milkshake" scene in There Will Be Blood (2007) or the rain of frogs in Magnolia. That's why it's always worth rewatching them after some passage of time. There is so much more going on in Magnolia than I remembered. It's really the detail work that comes to the fore when you watch it again. The film has that loose, semi-improvised quality that I have come to admire in Godard. I'm talking especially about Philip Seymour Hoffman's touching performance as Jason Robards's nurse, John C. Reilly's naive cop, Melora Walters's scattered druggie, Philip Baker Hall's disintegrating game show host, and Julianne Moore's descent into hysteria. Most of the attention on the first viewing went to Tom Cruise, who lets out the manic quality that we had only glimpsed before in his work. The performance earned him an Oscar nomination, as over-the-top and supposedly out-of-character performances tend to do. (We would later, in the Katie Hughes era and as his commitment to Scientology came to the fore, come to wonder how out of character this manic Cruise really was.) I think the movie is too long (it runs 188 minutes), and that perhaps some of its segments exist only because of Anderson's commitment to the actors who made his breakthrough film, Boogie Nights (1997). I'm thinking here of William H. Macy's character, which seems to me like a dangling thread in the fabric of the film -- though it does result in a wonderful scene in which Macy and Henry Gibson compete for the attention of a hunky bartender (Craig Kvinsland). As for the frogs, I refuse to speculate on their "meaning," preferring the reaction of Stanley (Jeremy Blackman): "This happens. This is something that happens."
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On the night of the discovery of a duplicate Earth in the Solar system, an ambitious young student and an accomplished composer cross paths in a tragic accident.
Credits: TheMovieDb.
Film Cast:
Rhoda Williams: Brit Marling
John Burroughs: William Mapother
Alex: Matthew-Lee Erlbach
Maya Burroughs: Meggan Lennon
Amos Burroughs: AJ Diana
Purdeep: Kumar Pallana
Symposium Speaker: Bruce Colbert
Symposium Speaker: Paul S. Mezey
Symposium Speaker: Ana Valle
Symposium Speaker: Jeffrey Goldenberg
Symposium Speaker: Joseph A. Bove
Kim Williams: Jordan Baker
Robert Williams: Flint Beverage
Himself (voice): DJ Flava
Jeff Williams: Robin Lord Taylor
Keith Harding (voice): Rupert Reid
Career Counselor: Natalie Carter
Himself: Richard Berendzen
High School Girl: Shannon Maliff
High School Girl: Stephanie Le Blanc
High School Girl: Jasmine Andrade
High School Girl: Kara Tweedie
Claire: Ana Cruz Kayne
Television Reporter (voice): Yuval Segal
Dr. Joan Tallis: Diane Ciesla
Radio Reporter #1 (voice): Robert Phillips
Television Anchor (voice): Hollyce Phillips
Federico: Luis Vega
Radio Reporter #2 (voice): Rich Habersham
Nurse: Jennifer Jaramillo Valkana
Conspiracy Theorist: Ari Gold
Television Interviewer (voice): Steve Giammaria
Keith Harding’s Secretary (voice): Rebecca Price
Film Crew:
Writer: Mike Cahill
Producer: Hunter Gray
Writer: Brit Marling
Producer: Nicholas Shumaker
Executive Producer: Tyler Brodie
Executive Producer: Paul S. Mezey
Casting: James Calleri
Casting: Paul Davis
Makeup Effects: Aileen Alvarez-Diana
Dialogue Editor: Sasha Awn
Dolby Consultant: James P. Nichols
Sound Re-Recording Mixer: Ryan Price
Visual Effects Supervisor: Adam Fanton
Visual Effects Supervisor: Darren Fanton
Assistant Director: Liang Cai
Gaffer: Sonny Plescia
Script Supervisor: Marketa Tomanova
Sound Effects Editor: Sebastian Henshaw
Musician: Phil Mossman
Post Production Supervisor: Phaedon A. Papadopoulos
Production Design: Darsi Monaco
Production Coordinator: Morgan Marling
Assistant Production Coordinator: Tomás Diaz
Production Sound Mixer: Michael Gassert
Art Direction: Brian Rzepka
Production Coordinator: James Brettell
Assistant Editor: Alice Borrelli
Supervising Dialogue Editor: Steve Giammaria
Musician: Will Bates
Makeup Effects: Marni Giannotti
Assistant Director: Marcello Montesanti
Digital Intermediate Colorist: Joe Gawler
Digital Intermediate Colorist: Zak Tucker
Digital Intermediate Editor: Jonathan Sanden
Digital Intermediate Producer: Molle DeBartolo
Digital Intermediate Producer: Darrell R. Smith
Movie Reviews:
Andres Gomez: More ambitious than interesting. A story that wants to joint an epic sci-fi moment with a drama.
Not really working although seeing the Earth in the sky is quite interesting.
Peter McGinn: When I first saw Another Earth several years ago I thought that, like some science fiction out there, it was light on the science and heavy on fiction. Fantasy, maybe. I was okay with that as long as the story and characters were strong. Besides, nowadays it seems like many mainstream physicists are seriously promoting the ideas around multiple universes or perhaps even an infinite number of alternate universes, perhaps science is catching up with the fiction. (Though I still think a planet popping into our galaxy so close to us would cause cataclysmic tides and whatnot.) . In any case, I recently bought and downloaded a digital version of it to watch it again.
But Another Earth isn’t about physics or science or what would become of humanity if a twin earth and moon suddenly showed up in our sky. It is about a heart-stopping event that cause a planet full of people to stop what they are doing and look up and wonder. Is that earth different than ours? Am I up there, and if so, is that version exactly like me or have they made different decisions that affect who they have become? Could I have made different decisions, or was this version of me locked into what I decided and thought? And in the case of our lead character, Rhoda, it leads her to a path to seek forgiveness and try to make up for a tragic mistake she m...
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