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kgrundy · 2 years ago

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Photography of London/ Week 1

This week our class visited the Chris Killip exhibition located in the Photographer's Gallery. Killip has a raw approach to photography, capturing people in poorer communities living out their day to day lives. His realism takes this form by naturally capturing his subjects; not posing his subjects coupled with the attention to detail, such as the dirt underneath the fingernails of some of the working people leaves the audience feeling drawn to learn more about this community. The way he photographs people and places feels genuine and more "human" in a way.

Threshing, Grenaby, Rushen, 1972

In the photo we see men working together on a farm of some sort, moving hay. Every part of the image is in focus and every detail is noticeable, including the man and the trees in the background of the photo. This is perhaps to shed light on the fact that each of these people are dedicated, hard workers. If parts of the photo were out of focus it might diminish the overall theme of the collection. The photos in the entire collection were taken in black and white, perhaps to attribute to the fact that these poorer communities that Killip was photographing are seen as a more dull way of living. Killip most likely did not arrange the men seen working in the photo, this type of composition was captured naturally in order to provide a sense of authenticity and to make note that the people being photographed make a living with manual labour. I believe the message in this photo is showing that the people in this community survive with more manual labour focused jobs. This style of photo reminds me of documentary film, as documentary is very raw and realistic.

Butcher's Shop, Baker, Tyneside, 1975

In the photo, I see a dilapidated butchers shop. It has writing in spray paint on its front wall, markings in the window to notify customers of its products, and writing on the door. There is a women and child that seem to be walking out of the shop. Everything in the photo seems to be in focus except for the fact that I cannot make out anything inside. It is hard to tell if this is an abandoned shop due to the fact that it has been graffitied and I cannot see people or product inside. I do believe the photographer waiting for subjects to appear in frame before taking the photo allows for some life to be brought back to the building in some way. I believe the message of this photo is that the community that Killip is photographing is quite poor. The butcher who owns this shop has probably owned it for decades, and sees no reason to fix up the shop or move locations. This style of photo reminds me of graffiti that I will usually see around the city in New York, Atlanta, and London.

Personal Photos:

I took this photo this past weekend when I went to visit Big Ben. I needed to fulfil my tourist persona while in London, so I decided to photograph this popular attraction. To make my photo feel even more true to London I waited until a Red Bus got into frame. The bus destination happened to be Marylebone, which is where I am living while I am studying abroad. I took the photo from a 45 degree angle to the front of Big Ben. There was a street light that I was trying to avoid framing in the photo, so this was the angle that worked with that. I’m a good distance away from Big Ben, not too close where it is hard to capture its entirety in frame and not too far where it is only a speck. In focus is Big Ben, whilst the Red bus in the centre of the photograph is slightly blurred. That was due to the movement of the bus. My main subject Big Ben is still while the Red Bus, my second point of interest, is clearly moving. Light in this photo is coming from the street light that is out of frame and the clock of Big Ben. The only thing in the picture that shouldn’t be there is the person in the corner.

This is a photo of my friend in a market in London. One of my favourite things about London so far during my free time has been exploring markets and parks in the area as I don’t live in a walkable city back home in the USA. I captured this image to show not only where I was but how many people and their families were also enjoying the market. The photo is taken from a straight on angle, but my subject has her back turned away from the camera, and is instead facing the market. I am right behind the subject in the photo when I took this image. My subject is mostly in focus, although the area surrounding her is clearly distinguishable. My subject is in movement, she is walking through the marketplace. The light in this photo seems to mostly come from the right side where a vendor has lights on. Everything in the picture is meant to be there as I wanted something more candid and realistic.

This is a photo I took this past weekend while exploring London. I captured this image of Westminster Abbey for my personal memories. I decided to take the photo from a low angle to show the vastness of the building. I am close to the subject in this image. I was right underneath Westminster Abbey when I took this photo. In focus in this image is one of the sides of Westminster Abbey. All of the intricate detailing in this building is distinguishable and easy to see. There is also a street lamp in this photo that I didn’t particularly want in the image, but I didn’t think it took away from the overall photograph. My subject in the photo is still. Light is coming from the street lamp, and the city lights reflecting off the building. I wish I had backed up a bit to get the left side of the building in the image as it is slightly cropped out.

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atlantaartisticweddings · 1 year ago

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Atlanta Wedding Photographer David Diener Teaches Digital Photography at Emory

I wanted to give a quick reminder that this is the last week you can sign up for the digital photography class at Emory Continuing Education. It is a great class for beginners and advanced photographers that want to improve their skills. You can sign up at this link Emory Continuing Education Digital Photography.

We will start with the basics of the camera and then go on to the best practices for taking photos. One of the things I push is that you don’t need a lot of expensive equipment. You just need to know how to control your camera to get the best photos you can in any situation.

As a Atlanta Wedding Photographer I will cover how to look for good light. We will also cover how to adjust your settings for each situation may it be sports, landscapes, architecture, candids and portraits. We will also cover lens options and the best lens for each situation.

During the class you will learn:

Identify aesthetic methods of creating more impactful photographs, including composition techniques, depth-of-field control, and use of patterns, lines, and thoughtful backgrounds

Choose the digital camera controls that enable them to produce the highest quality image files

Practice fine tuning exposures while shooting

Practice choosing options for resolution and digital output for online sharing, images or printing

Explain when and why to use wide-angle vs telephoto lens

Identify how to control White Balance while shooting and in Post-Production

Practice photographing people, both candidly and posed

Evaluate and explain the importance of color saturation in a photograph

Thanks for checking out this Atlanta wedding photographers blog! I hope you enjoyed the read and found it helpful! Make sure you keep coming back to our blog to see what the Atlanta wedding photographers at Atlanta Artistic Weddings get up to! If you’d like to contact me go to the contact page and drop me a line at https://www.atlantaartisticweddings.com/contact-atlanta-wedding-photographer. I would love to hear from you!

Thanks again! Source: https://www.atlantaartisticweddings.com/ and Google

Source: https://www.atlantaartisticweddings.com/

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photobankk · 4 years ago

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Image Editing Services For Photographers

What is an image editing service for photographers? A professional photo editing service allows you to make changes to your images without having to do anything other than to click a button. This is especially helpful if you want to have a professional looking image.

Now, with image editing services for photographers, you don't have to spend thousands of dollars. Some photo editing services offer packages at affordable prices. It's important to look into these packages before committing to one though.

Another Resources:

https://enviragallery.com/best-photo-editing-software-for-photographers/

https://www.pixpa.com/blog/photo-apps

You should look into services in the area where you live. You can usually find these services on the internet. You can also find websites that can give you a short description of the service and the price. When you're looking for a photo editing service, you will have to decide how detailed you want the job to be. You might want to use a basic editing service to just enhance your photos to make them look their best.

If you decide to use an image editing service for photographers, you should keep in mind that they also do other editing services. This means that you will have to choose from image-editing services for photographers that also do other image editing services. For example, you can use these services for retouching pictures that are out of focus or that have been cropped.

Some of the best service that you can get from an editing service for photographers is the one that will allow you to have more freedom in your photos. For example, some editing services will let you crop and resize your images yourself. This way, you can make sure that your photos are in focus and that your images look their best. When you use the right service, you will be able to get the best image editing services for photographers and still be able to take advantage of what the service is offering. The service will let you make your photos look their best in whatever format you want.

When you choose an image editing service for photographers, you will need to choose one that can help you with retouching pictures. This will give you the ability to change colors and make the colors look their best. You can also choose to make your pictures look their best in black and white or in any other format you want.

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One more thing to consider is that you will need to choose an editing service that can help you with the editing all the aspects of your photos. This means that they will work with the pictures as a whole. and not just the picture itself.

You will have to make sure that your image editing service has the features you need, but you don't have to pay extra for that feature. You can get services for photo editing that are basic and do all of the basic editing tasks you need. If you want more advanced features, you can pay a bit more to get them.

Most photo editing services will have a few different options. For example, some editing services will allow you to choose to adjust the color and contrast of your picture. Other services will allow you to choose to adjust the color and contrast of the whole picture. Other services will allow you to choose between removing or adding a background image to your picture.

You can also choose between removing or adding text to your picture. Some services allow you to edit your picture by using your camera's flash. Some editing services will let you make your picture look like it has a title, date, and any other special text you may want.

When you choose an image editing service for photographers, you will want to choose one that is able to make your image look its best. in any format you need. If you want your picture to look like a poster or a photo in full color, you will have to choose an editing service for photographers that lets you do that.

Most services for photo editing will let you choose what type of editing you want to do. and you can use different types of editing to make your picture look its best. Some editing services will let you choose the size and colors of your picture and the image itself.

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ether-arts-us · 2 years ago

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EtherArts Product Photography Atlanta offers white background product photography with high resolutions. Our product photography pricing starts at $15 per image. To know more, please call us at +01 770 690 9389

#Product Photography Atlanta

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etherartsus · 3 years ago

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Product Photographers in Atlanta Call Experts Online

Product photos and short videos with high clarity play a key role in transforming the view of users and persuade them to think about your products and then place order to purchase. Impressive photographs and images play a key role in diverting users into existing customers. Now, when online shopping has become more crucial part, focusing on some of the best photographs is a vital decision to make. Depending on your requirement, you can get the best solutions from professional product photographers in Atlanta and other cities and states of the USA.

They provide you with Amazon product photography, Ghost Mannequin photography, website product photography, white background photography, and different other types as per your specific needs. Choosing the right type of photography is one of the vital decisions to make that depends on various key points. If you are looking for the best product photography, you will have a better opportunity to fulfill your requirement by going online and searching for the best product photographers in Atlanta.

Among some of the top names, you will find EtherArts Photography on top – providing you with the right solutions for all your photography needs. Make a contact and you will get the right solutions in timely manner for all important photographs. You have to go through the details and get right solutions. They offer you attractive plans that will go well your budget.

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lillieloretta · 5 years ago

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etherarts1 · 1 year ago

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Amazon Product Photography Tips and Guidelines for Sellers

Amazon is arguably the most extensive online marketplace in the world, with millions of sellers and products and billions of users. If you are planning to sell online, then Amazon can be an excellent platform, but there are a few things that you must know.

In the highly competitive eCommerce arena, a professional Amazon product photography service is your ally to beat the competition easily. Many sellers need to think of selling on the eCommerce platform differently than how they sell in their stores. While there will be similarities between the two, selling on Amazon is an entirely different ball game. To ensure shoppers have a pleasant shopping experience, Amazon has strict guidelines regarding product images for sellers to follow.

In this article, we are sharing some tips that you can use to create high-quality, appealing images that will grab the attention of potential buyers while building trust and confidence in your products.

Amazon product photography guidelines

Go through Amazon’s image requirements

As mentioned, Amazon takes the quality and accuracy of product images seriously, which is why it has laid down some ground rules. All sellers must know Amazon’s specific image requirements to ensure your listing is not rejected. These guidelines ensure customers have a consistent shopping experience across the platform.

Here are the key requirements:

The main product image must be on a white background.

The product should occupy at least 85% of the frame in every image.

All product images must have at least 1000 pixels on the longest side.

While these are the primary requirements, you can check out the six image requirements of Amazon product photography here.

Ensure proper lighting

The primary requirement to create high-quality product images is to ensure proper lighting. Accurate product representation is required; with adequate lighting, you can make your product look as natural as possible. The shoppers disregard product images that are too dark or too overexposed.

Working with an Amazon product photography service like Ether Arts US is best for the best experience. However, if you photograph products yourself, buy a cheap ring light. You can use the ring light at different angles to create more dynamic representations of the same product.

High-resolution photos only

People usually look at product images closely and zoom into the pictures for finer details. Amazon product listings should use high-resolution images that do not blur on Zoom. A professional Amazon photographer in Atlanta can create high-resolution product images as they have the experience to handle all kinds of products.

The best Amazon product images have a resolution of 1,600 pixels or larger to make images zoomable. Fortunately, most smartphones and cameras have high enough resolution to create product pictures appropriate for Amazon. If you do not have the skills to create high-resolution images, Ether Arts US offers low-cost Amazon Photography USA service.

Make use of all available slots

Amazon allows sellers to upload up to eight images for every product listing. Some sellers use only some available space, which is a mistake. Your product listing must showcase the product from several angles and provide shoppers with an accurate representation.

This is why you must create multiple images of a single product and try to provide as much information with images as possible rather than relying on text. For instance, if you sell a wearable product, include a sizing chart so customers can pick the best-fitting variation.

Use only a white background

The main product image must use a white background as per Amazon’s guidelines, but you should use a white background for all photos unless it interferes with product detailing. The white background is preferred for professional Amazon product photography because it represents a product in a naturalistic environment. It is the best way to give shoppers an inclusive shopping experience to view the features and detailing of the product.

A white background keeps the focus on the product so the shoppers are not distracted by props or colorful backgrounds. It encourages engagement with the listing, which boosts sales.

Add infographics

While using a white background is essential, if you are selling a product that has complicated operations or features not evident, you can use infographics. Product listings that use infographics stand out as they inform customers of a specific feature or benefit through images.

Most customers prefer infographics rather than reading through bullet points to know more about the product. Infographics can be great if you want to engage customers without using too much text.

Conclusion

Understanding Amazon product photography requirements is necessary to become successful as an Amazon seller. Following these tips, you can create appealing product images for your Amazon listing to attract customers, increase sales, and establish a strong brand presence.

#amazon photographer atlanta #product photography atlanta #product photography #professional amazon product photography

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etherartsphotography · 6 years ago

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Product Photography Atlanta - EtherArts Product Photography & Graphics offers high quality white background photos for Amazon, Print and Websites. Volume Discounts of $15 available for select products. Amazon Approved Product Photography in the state of GA.

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atlantaartisticweddings · 1 year ago

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Atlanta Wedding Photographer Teaches Photography at Emory

Well it is that time of year again when I, David Diener am teaching a class at Emory Continuing Education. As an Atlanta wedding photographer at AtlantaArtsiticWeddings. I share advice on lighting and what to look for in a good photo.

I think a lot of people get a new camera but sometimes miss the basics. We will start to get to know your camera. Will cover lenses and which ones should be used for instance portraits and what kind of lens should you use for architecture. I will cover the shutter speed and aperture. I will explain how to combine these simple functions of the camera to get the best photos for any situation.

Also as an Atlanta wedding photographer I share insight to real life situations. How to turn up your ISo to shoot under low light situations. How I use a flash for dramatic effects. How to look for the best light for portraits and group photos. How to look for detail shots to tell a story with your photos.

After this the digital photo class, participants will be able to:

Identify aesthetic methods of creating more impactful, involving photographs, including composition techniques, depth-of-field control, and use of patterns, lines, and thoughtful backgrounds

Choose the digital camera controls that enable them to produce the highest quality image files

Practice fine tuning exposures while shooting

Practice choosing options for resolution and digital output for online sharing, images or printing

Explain when and why to use wide-angle vs telephoto lens

Identify how to control White Balance while shooting and in Post-Production

Practice photographing people, both candidly and posed

Evaluate and explain the importance of color saturation in a photograph

Thanks again! Source: https://www.atlantaartisticweddings.com/ and Google

Source: https://www.atlantaartisticweddings.com/

#Emory #Atlanta wedding photgraphers #Atlanta #Wedding PHotographer #Class #photo class

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blackkudos · 8 years ago

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Gordon Parks

Gordon Parks (November 30, 1912 – March 7, 2006) was a noted American photographer, musician, writer and film director, who became prominent in U.S. documentary photojournalism in the 1940s through 1970s—particularly in issues of civil rights, poverty and African-Americans—and in glamour photography. As the first famous pioneer among black filmmakers, he was the first African-American to produce and direct major motion pictures—developing films relating the experience of slaves and struggling black Americans, and creating the "blaxploitation" genre. He is best remembered for his iconic photos of poor Americans during the 1940s (taken for a federal government project), for his photographic essays for Life magazine, and as the director of the 1971 film Shaft. Parks also was an author, poet and composer.

Early life

Parks was born in Fort Scott, Kansas, the son of Sarah (née Ross) and Jackson Parks, Nov. 30, 1912. He was the last child born to them. His father was a farmer who grew corn, beets, turnips, potatoes, collard greens, and tomatoes. They also had a few ducks, chickens, and hogs.

He attended a segregated elementary school. The town was too small to afford a separate high school that would facilitate segregation of the secondary school, but blacks were not allowed to play sports or attend school social activities, and they were discouraged from developing any aspirations for higher education. Parks related in a documentary on his life that his teacher told him that his desire to go to college would be a waste of money.

When Parks was eleven years old, three white boys threw him into the Marmaton River, knowing he couldn't swim. He had the presence of mind to duck underwater so they wouldn't see him make it to land.

His mother died when he was fourteen. He spent his last night at the family home sleeping beside his mother's coffin, seeking not only solace, but a way to face his own fear of death. Soon after, he was sent to live with relatives. That situation ended with Parks being turned out onto the street to fend for himself at age 15. Struggling to survive, he worked in brothels, and as a singer, piano player, bus boy, traveling waiter, and semi-pro basketball player.

In 1929, he briefly worked in a gentlemen's club, the Minnesota Club. There he not only observed the trappings of success, but was able to read many books from the club library. When the Wall Street Crash of 1929 brought an end to the club, he jumped a train to Chicago, where he managed to land a job in a flophouse.

Career

Photography

Beginnings

While working as a waiter in a railroad dining car, he began seeing the portfolios of photographers in picture magazines, and decided to become a photographer.

At the age of 25, Parks was struck by photographs of migrant workers in a magazine and bought his first camera, a Voigtländer Brillant, for $7.50 at a Seattle, Washington, pawnshop. The photography clerks who developed Parks' first roll of film, applauded his work and prompted him to seek a fashion assignment at a women's clothing store in St. Paul, Minnesota, that was owned by Frank Murphy. Those photographs caught the eye of Marva Louis, wife of heavyweight boxing champion Joe Louis. She encouraged Parks to move to Chicago in 1940, where he began a portrait business and specialized in photographs of society women. Parks's photographic work in Chicago, especially in capturing the myriad experiences of African Americans across the city, led him to receive the Julius Rosenwald Fellowship, which, in turn, contributed to being asked to join the Farm Security Administration under the auspice of Roy Striker

Government photography

Over the next few years, Parks moved from job to job, developing a freelance portrait and fashion photographer sideline. He began to chronicle the city's South Side black ghetto and, in 1941, an exhibition of those photographs won Parks a photography fellowship with the Farm Security Administration (FSA).

Working at the FSA as a trainee under Roy Stryker, Parks created one of his best-known photographs, American Gothic, Washington, D.C., named after the iconic Grant Wood painting, American Gothic—a legendary painting of a traditional, stoic, white American farm couple—which bore a striking, but ironic, resemblance to Parks' photograph of a black menial laborer. Parks "haunting" photograph shows a black woman, Ella Watson, who worked on the cleaning crew of the FSA building, standing stiffly in front of an American flag hanging on the wall, a broom in one hand and a mop in the background. Parks had been inspired to create the image after encountering racism repeatedly in restaurants and shops in the segregated capital city.

Upon viewing the photograph, Stryker said that it was an indictment of America, and that it could get all of his photographers fired. He urged Parks to keep working with Watson, however, which led to a series of photographs of her daily life. Parks said later that his first image was overdone and not subtle; other commentators have argued that it drew strength from its polemical nature and its duality of victim and survivor, and so has affected far more people than his subsequent pictures of Mrs. Watson.

(Parks overall body of work for the federal government—using his camera "as a weapon"—would draw far more attention from contemporaries and historians than that of all other black photographers in federal service at the time. Today, most historians reviewing federally commissioned black photographers of that era focus almost exclusively on Parks).

After the FSA disbanded, Parks remained in Washington, D.C. as a correspondent with the Office of War Information, where he photographed the all-black 332d Fighter Group. He was unable to follow the group in the overseas war theatre, so he resigned from the O.W.I. He would later follow Stryker to the Standard Oil Photography Project in New Jersey, which assigned photographers to take pictures of small towns and industrial centers. The most striking work by Parks during that period included, Dinner Time at Mr. Hercules Brown's Home, Somerville, Maine (1944); Grease Plant Worker, Pittsburgh, Pennsylvania (1946); Car Loaded with Furniture on Highway (1945); and Ferry Commuters, Staten Island, N.Y. (1946).

Commercial and civic photography

Parks renewed his search for photography jobs in the fashion world. Following his resignation from the Office of War Information, Parks moved to Harlem and became a freelance fashion photographer for Vogue under the editorship of Alexander Liberman. Despite racist attitudes of the day, Vogue editor, Liberman, hired him to shoot a collection of evening gowns. Parks photographed fashion for Vogue for the next few years and he developed the distinctive style of photographing his models in motion rather than poised. During this time, he published his first two books, Flash Photography (1947) and Camera Portraits: Techniques and Principles of Documentary Portraiture (1948).

A 1948 photographic essay on a young Harlem gang leader won Parks a staff job as a photographer and writer with America's leading photo-magazine, Life. His involvement with Life would last until 1972. For over 20 years, Parks produced photographs on subjects including fashion, sports, Broadway, poverty, and racial segregation, as well as portraits of Malcolm X, Stokely Carmichael, Muhammad Ali, and Barbra Streisand. He became "one of the most provocative and celebrated photojournalists in the United States."

His photographs for Life magazine, namely his 1956 photo essay, titled "The Restraints: Open and Hidden," illuminated the effects of racial segregation while simultaneously following the everyday lives and activities of three families in and near Mobile, Alabama: the Thronton’s, Causey’s, and Tanner’s. As curators at the High Museum of Art Atlanta note, while Parks’ photo essay served as decisive documentation of the Jim Crow South and all of its effects, he did not simply focus on demonstrations, boycotts, and brutality that were associated with that period instead, however, he "emphasized the prosaic details" of the lives of several families.

An exhibition of photographs from a 1950 project Parks completed for Life was exhibited in 2015 at the Boston Museum of Fine Arts.

Parks returned to his hometown, Fort Scott, Kansas, where segregation persisted, and he documented conditions in the community and the contemporary lives of many of his eleven classmates from the segregated middle school they attended. The project included his commentary, but the work was never published by Life.

During his years with Life, Parks also wrote a few books on the subject of photography (particularly documentary photography), and in 1960 was named Photographer of the Year by the American Society of Magazine Photographers.

Film

In the 1950s, Parks worked as a consultant on various Hollywood productions. He later directed a series of documentaries on black ghetto life that were commissioned by National Educational Television. With his film adaptation of his autobiographical novel, The Learning Tree in 1969, Parks became Hollywood's first major black director. It was filmed in his home town of Fort Scott, Kansas. Parks also wrote the screenplay and composed the musical score for the film, with assistance from his friend, the composer Henry Brant.

Shaft, a 1971 detective film directed by Parks and starring Richard Roundtree as John Shaft, became a major hit that spawned a series of films that would be labeled as, blaxploitation. The blaxploitation genre was one in which negative stereotypes of black males being involved with drugs, violence and women, were exploited for commercially successful films featuring black actors. Parks' feel for settings was confirmed by Shaft, with its portrayal of the super-cool leather-clad, black private detective hired to find the kidnapped daughter of a Harlem racketeer.

Parks also directed the 1972 sequel, Shaft's Big Score, in which the protagonist finds himself caught in the middle of rival gangs of racketeers. Parks's other directorial credits include The Super Cops (1974) and Leadbelly (1976), a biopic of the blues musician Huddie Ledbetter.

In the 1980s, he made several films for television and composed the music and a libretto for Martin, a ballet tribute to Martin Luther King, Jr., which premiered in Washington, D.C. during 1989. It was screened on national television on King's birthday in 1990.

In 2000, as an homage, he had a cameo appearance in the Shaft sequel that starred Samuel L. Jackson in the title role as the namesake and nephew of the original John Shaft. In the cameo scene, Parks was sitting playing chess when Jackson greeted him as, "Mr. P.".

Musician and composer

His first job was as a piano player in a brothel when he was a teenager. Parks also performed as a jazz pianist. His song "No Love", composed in another brothel, was performed during a national radio broadcast by Larry Funk and his orchestra in the early 1930s.

Parks composed Concerto for Piano and Orchestra (1953) at the encouragement of black American conductor, Dean Dixon, and his wife Vivian, a pianist, and with the help of the composer Henry Brant. He completed Tree Symphony in 1967. In 1989, he composed and directed Martin, a ballet dedicated to Martin Luther King, Jr., the civil rights leader who had been assassinated.

Writing

Starting in the late-1940s, Parks began writing—a second career that would produce 15 books and lead to his role as a prominent black filmmaker—starting with books on the art and craft of photography. Beginning in the 1960s, Parks branched out into literature, writing The Learning Tree (1963). He authored several books of poetry, which he illustrated with his own photographs, and he wrote three volumes of memoirs.

In 1981, Parks turned to fiction with Shannon, a novel about Irish immigrants fighting their way up the social ladder in turbulent early 20th-century New York. Parks' writing accomplishments include novels, poetry, autobiography, and non-fiction that includes photographic instructional manuals and film-making books. During this period, Parks also wrote the poem "The Funeral".

Painting

A gallery exhibition of his photography-related, abstract oil paintings was held in 1981.

Essence magazine

Parks was a co-founder of Essence magazine and served as its editorial director during the first three years of its circulation.

Personal life

Parks was married and divorced three times. He married Sally Alvis in Minneapolis during 1933 and they divorced in 1961. He married Elizabeth Campbell in 1962 and they divorced in 1973. Parks first met Chinese-American editor Genevieve Young (stepdaughter of Chinese diplomat Wellington Koo) in 1962 when he began writing The Learning Tree. At that time, his publisher assigned her to be his editor. They became romantically involved at a time when they both were divorcing previous spouses, and married in 1973. They divorced in 1979. Candace Bushnell claims to have dated Parks in 1976, when she was 18 and he was 58. For many years, Parks was romantically involved with Gloria Vanderbilt, the railroad heiress and designer. Their relationship evolved into a deep friendship that endured throughout his lifetime.

Parks fathered four children: Gordon, Jr., David, Leslie, and Toni (Parks-Parsons). His oldest son Gordon Parks, Jr., whose talents resembled his father's, was killed in a plane crash in 1979 in Kenya, where he had gone to direct a film. Parks has five grandchildren: Alain, Gordon III, Sarah, Campbell, and Satchel. Malcolm X honored Parks when he asked him to be the godfather of his daughter, Qubilah Shabazz.

He died of cancer at the age of 93 while living in Manhattan, New York City, and is buried in his hometown of Fort Scott, Kansas.

Legacy preservation and archives

Several parties are recipient or heirs to different parts of Parks' archival record.

The Gordon Parks Foundation

The Gordon Parks Foundation in Pleasantville, New York (formerly in Chappaqua, New York), reports that it "permanently preserves the work of Gordon Parks, makes it available to the public through exhibitions, books, and electronic media," The organization also says it "supports artistic and educational activities that advance what Gordon described as 'the common search for a better life and a better world.'" That support includes scholarships for "artistic" students, and assistance to researchers. Their headquarters includes an exhibition space with rotating photography exhibits, open free to the public, with guided group tours available by arrangement. The foundation also admits "qualified researchers" to their archive, by appointment. The foundation collaborates with other organizations and institutions, nationally and internationally, to advance its aims.

The Gordon Parks Museum/Center

The Gordon Parks Museum/Center in Fort Scott reports that it holds dozens of Parks' photos, both given to the Museum by Parks, and various belongings bequeathed to the Museum by him upon his death. The collection includes "awards and medals, personal photos, paintings and drawings of Gordon, plaques, certificates, diplomas and honorary doctorates, selected books and articles, clothing, record player, tennis racquet, magazine articles, his collection of Life magazines and much more." The museum has also separately received some of Parks' cameras, writing desk and photos of him.

Library of Congress, Washington, D.C.

The Library of Congress (LOC) reports that, in 1995, it "acquired Parks' personal collection, including papers, music, photographs, films, recordings, drawings and other products of his... career."

The LOC was already home to a federal archive that included Parks' first major photojournalism projects—photographs he produced for the Farm Security Administration (1942-1943), and for the Office of War Information (1943-1945).

In April 2000, the LOC awarded Parks its accolade "Living Legend", one of only 26 writers and artists so honored by the LOC. The LOC also holds Parks's published and unpublished scores, and several of his films and television productions.

National Film Registry

Parks' autobiographical motion picture, The Learning Tree, and his African-American, anti-hero action-drama Shaft, have both been selected to be permanently preserved as part of the National Film Registry of the Library of Congress. The Learning Tree was one of the original group of 25 films first selected by the LOC for the National Film Registry.

National Archives, Washington, D.C.

The National Archives also hold the film, My Father, Gordon Parks (1969: archive 306.08063A) -- a film about Parks and his production of his autobiographical motion picture, The Learning Tree,—is preserved in the National Archives of the United States—along with a print (from the original) of Solomon Nortup's Odyssey, a film made by Parks for a Public Broadcasting System telecast about the ordeal of slave. The Archives also hold various photos from Parks' years in government service.

Smithsonian Institution, Washington, D.C.

The Smithsonian Institution has an extensive list of holdings related to Gordon Parks, particularly photos.

Wichita State University

In 1991, Wichita State University (WSU), in Wichita, the largest city in Parks' home state of Kansas, awarded Parks its highest honor for achievement: the President's Medal. However, in the mid-1990s, after Parks entrusted WSU with a collection of 150 of his famous photos, WSU—for various reasons (including confusion as to whether they were a gift or loan, and whether the University could adequately protect and preserve them) -- returned them, stunning and deeply upsetting Parks. A further snub came from Wichita's city officials, who also declined the opportunity to acquire many of Parks' papers and photos.

By 2000, however, WSU and Parks had healed their division. The university resumed honoring Parks and accumulating his work. In 2008, the Gordon Parks Foundation selected WSU as repository for 140 boxes of Parks’ photos, manuscripts, letters and other papers. In 2014, another 125 of Park's photos were acquired from the Foundation by WSU, with help from Wichita philanthropists Paula and Barry Downing, for display at the university's Ulrich Museum of Art.

Kansas State University

The Gordon Parks Collection, in the Arts, Culture, and Humanities section of the Special Collections of Kansas State University primarily documents the creation of his film The Learning Tree.

Exhibitions

1997: Half Past Autumn: The Art of Gordon Parks, Corcoran Gallery of Art, Washington, D.C.. A career retrospective.

2015: Gordon Parks: Back to Fort Scott, Boston Museum of Fine Arts.

2015: Gordon Parks: Segregation Story, [High Museum of Art Atlanta].

Awards

Parks received more than 20 honorary doctorates in his lifetime.

1941: Awarded a fellowship for photography from the Rosenwald Fund. The fellowship allowed him to work with the Farm Security Administration.

1961: Named "Magazine Photographer of the Year" (1960) by the American Society of Magazine Photographers.

1972: The NAACP awarded Parks the Spingarn Medal.

1984: Honorary Doctor of Humanities degree from Thiel College, a private, liberal arts college in Greenville, Pennsylvania

1989: The United States Library of Congress selects The Learning Tree as one of the first 25 films chosen for permanent preservation as part of the National Film Registry, deeming it to be "culturally, historically, or aesthetically significant" due to its being the first major studio feature film directed by an African American.

1990: Missouri Honor Medal for Distinguished Service in Journalism, Missouri School of Journalism, University of Missouri, Columbia, MO

1999: Gordon Parks Elementary School, a nonprofit, K-5 grade public charter school in Kansas City, Missouri, was established to educate the urban-core inhabitants.

2000: The Congress of Racial Equality Lifetime Achievement Award.

2000: Library of Congress selects Parks' film Shaft for National Film Registry preservation, as well—deeming it to be "culturally, historically, or aesthetically significant",

2000 (April): Library of Congress awards Parks its accolade "Living Legend"—honoring "artists, writers, activists, filmmakers, physicians, entertainers, sports figures and public servants who have made significant contributions to America's diverse cultural, scientific and social heritage"—one 26 writers and artists so honored by the LOC.

2001: Kitty Carlisle Hart Award, Arts & Business Council, New York

2003: Royal Photographic Society's Special 150th Anniversary Medal and Honorary Fellowship (HonFRPS) in recognition of a sustained, significant contribution to the art of photography.

2002: Jackie Robinson Foundation Lifetime Achievement Award.

2002: Inducted into the International Photography Hall of Fame and Museum.

2004: The Art Institute of Boston awarded the honorary degree of Doctor of Humane Letters.

2008: An alternative learning center in Saint Paul, Minnesota renamed their school Gordon Parks High School after receiving a new building

Wikipedia

#Gordon Parks

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niki23johnson-blog · 7 years ago

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The Prettiest Pink Black-Tie Wedding

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From the wedding planner… Guests from Nashville and Atlanta traveled west to Santa Monica, Hilary’s childhood home, to celebrate her marriage to Bryan Solomon. The weekend was packed with events which began with a welcome dinner for family on Thursday evening and ended with a lovely Sunday brunch at the Bel-Air Bay (Lower) Club by the Pacific Ocean. Hilary incorporated watercolor art on all her printed items that created a cohesive design that welcomed all guests to the Pacific Coast. Hotel guests received custom welcome boxes filled with goodies chosen by Hilary and Bryan.

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