#Which is fine to interpret a character differently but the amount of times I saw people say No FTD hes autistic ignoring that they have

[bobbile-blog]

Not sure if anyone’s said this yet but now that we have Laterano events plural I’m fascinated by their (imo) very deliberate choice of protagonists, and there are almost a couple of layers of narrative going on there. I struggle a little figuring out how to get this into words but specifically I think they’re chosen to be people who can carry a narrative without contradicting the orthodox morals of the church. There’s a LOT of vaguely anti-authoritarian rambling below the cut so please kindly bear with me and my English major brain.

I can’t really start there though. One of the reasons this is so brain hurty is how deeply it’s woven into the storyline, so to start, I have to verbalize how Laterano and Arknights writing more generally is different from other, similar settings. Because like, I hear the words “morally negative church in a grimdark setting” and my brain immediately shuts off. Come on, that’s so far beyond low-hanging fruit, if you’ve seen any grimdark setting ever you know exactly what that looks like. And sure, it was fine the first two or three times you saw it, depending on your tolerance for that kinda thing, but it gets boring quick and even when it was new it was kinda uninteresting story-wise. “Religion is always fake because it inspires hope which means everyone who takes meaning from it is either a corrupt grifter or naive and misled” isn’t just edgy nonsense, it’s also basically useless as an actual critique. It tells you absolutely nothing except how to tune out a particular kind of story, and a story that tries to get you to hear less is doing its job wrong.

So, Arknights does something different. Instead of denying the premise of the church entirely, it actually takes it at its word. Laterano is, in almost every definition of the word, a paradise. It is basically unmatched in terms of actual quality of life, with its only competitors being the Durin cities and maybe Aegir, and is worlds apart from now much the rest of Terra sucks. More than that, though, the paradise is specifically tailored to the worldview of a religion with a strong central authority - when I say it takes it at its word, I mean the authoritarian bits too. Laterano is a city that lives in perfect order and peace because everyone follows the law perfectly and they all understand each other and never fight. Empathy is really important for this, as it allows for a believable amount of superhuman societal order. Laterano has very little crime, political drama, or quarrels in general. It’s the promises of a strict higher authority actually taken at face value: everyone follows the rules and that means they have effectively unfettered freedom, because they don’t want to break the rules and therefore they can do anything they want.

Laterano is specifically written to be a believable paradise in a setting that has none, so that when the story then turns around and criticizes that setting, it has significantly more weight. Even when the promises of paradise are taken at face value, there are still issues that cannot be addressed because the system is inherently flawed even in the imaginary scenario where it works. Even worse, the problems that poke holes in the imaginary perfect scenario are the same problems that they face in the real world, like “how do you deal with the interpretation of scriptures” and “hey there’s this racism thing I keep hearing about should we be worried about that or what”. Because of the way this imaginary perfect system works, we then look back on our real world in a new light and understand it a little better. It’s good critique.

Okay so how did we get here and what does this have to do with the protagonists? Well, this starts with Fiametta in Guide Ahead, because she’s a really weird protagonist. This is a cold take at this point but despite being the character on the front of the box, she has very little to actually do with the central conflict of the event. Most of the conflict is handled by Ezell first and Andoain second, and Fiametta mostly putters around putting holes in people until the finale where Andoain receives the answer he’s been looking for, he turns to explain it to the world, and he runs into the only person in the whole of Laterano who does not care about his motivations or his revelation. Her role, in other words, is to replace the climax of Andoain’s story with her own, and in doing so she makes it much harder to actually get a resolution and a meaning out of the story (this should not be taken as a criticism of her character, let me cook). Guide Ahead’s ending is hazy, with only small piecemeal resolutions to its conflicts, and for the longest time that was just the way the event was written and it stood on its own.

But now, Hortus de Escapismo is out and the monkey brain see patterns. Specifically, with the choice of protagonists. Because Executor is definitely different from Fiametta as a protagonist, but there’s one particularly important connection between the two, and that’s that as I mentioned in the beginning, they allow for stories don’t contradict orthodox morality. Fiametta we went over, as she’s uninterested in any of Andoain’s morality and just wants him dead. Executor, though, is purely focused on his mission and views the world through that lens. He only wants to achieve his objective, and while helping the needy is in line with the stated objectives of the church and he does do so when able, it’s secondary to his assigned task. He does change as he gets further into the story, and we’re not gonna ignore that, but we’ll be back to it later. What I mean is more that he is designed as a person who is able to lead a story that doesn’t contradict with the morals of Laterano. He sees the injustice and suffering around him, but that’s not his job, so he doesn’t need to solve it to have a complete story with a happy ending.

This is where it really gets complicated, so I apologize if I don’t explain this very well. I see this as us dealing with multiple layers of fiction: the events of the story, the perspective of the church, and our perspective as readers. Back to the first point - authoritarian institutions almost always use stories to sell people on their brand of order. Simple stories, simple enough that even calling them myths seems like overselling it a little, your “Saint George slays a dragon” kinda thing. This is the point of the second layer, the perspective of the church. I don’t really have an in-world justification for this layer - maybe you could make the argument that it has to do with Law’s perspective on things, but I don’t totally buy that - I think it’s more in a weird narrative transition space for people who don’t read very carefully. Regardless, Fiametta and Executor’s shared indifference to the questionable circumstances surrounding them is designed to let them tell a story to prop up the existing order. Their protagonist status and their missions are specifically constructed to allow them to ignore the suffering around them, and as such ignore the larger questions that might poke holes in the larger order. They’re both playing out the story of Saint George, where they go and find a bad guy and kill them and that’s all there is to it. The story is designed and told specifically for that “that’s all there is to it”.

But, as we said earlier, this is a good critique, and as such it intentionally undercuts this story with the third layer: what we actually see as readers. We are shown the suffering and the injustice, and then get to see our protagonists ignoring that to pursue their goals. This is what gives Guide Ahead’s ending its unique texture, which sets it apart from every other event with a vaguely unresolved ending. We have seen the actual issues with Laterano, and also watched our protagonist explicitly ignore them in favor of her own story. It’s unsatisfying in a way that only really makes sense to me if we as the readers have an understanding of intentional authorship. Whether it be Yvangelista XI or Law or The Actual Real Life Pope, there are issues here that we want to see a resolution to but people are choosing not to address them. Again, it’s good critique. Not only does it push the reader to unpack and understand the actual real-world technique, but it also helps blunt it. You have just seen a plot and protagonist ring uncharacteristically hollow. You then look around to see why that is, and you realize there are many things that should have been resolved that weren’t. The next time you see a story resolve with that same hollow-ness, you know where to look. Surprise! Harry Potter was propaganda the whole time. It’s okay, it was never good, you were just twelve.

I guess the last thing is where we go from here, because Executor’s story breaks this mold somewhat. In Hortus de Escapismo, he has to deal with a mission that isn’t actually bounded by his normal rules, and because of that he actually does have leeway to help the people around him. He starts as someone who is totally mission-focused, but by the end of the event he’s done a total 180 and is blocking Oren’s attack, which makes the mission harder but helps the non-mission-critical civilians of the monastery. He breaks from the rigid thinking of “kill the bad guy and that’s all there is do it”, and gives his attention to the people he isn’t supposed to see. I think this is an indication of the direction we’re going to be headed in the future with Laterano events. The events aren’t going to get better - they’re going to keep being just as morally murky and complicated as in the past - but the characters are going to get better at handling it, and when they do, they’re going to actually start to change things for the better.

Goddamn that was a lot of writing for 1 AM. I still have a. Lot of thoughts on this event with stuff like empathy and Lemuen and Federico being an autistic icon(my beloved) but I’m going to leave things there, I think, because if I write for any longer my phone is going to crash when I try to post this. Anyway if you actually made it to the end thanks for listening to me rambling and I hope that made sense. Cheers.

[chromotps]

p-please. if you still ship ace/luffy? if not then it's fine no need to read/answer etc. i just wanted to ask because i think i saw you post related art on here earlier at some point? and i haven't stopped thinking about it since honestly. could you possibly. please add some more thoughts on that future/time-travel/age swap (??) AU that's basically older/pirate king luffy meeting spade captain ace? because it has infinite angst potential to me (something something you're as beautiful as the day i lost you....), but also an equal amount of emotional hurt/comfort. and i'd like to hear more. how would an older luffy react to a young-ish (still alive.) ace? like, how would their dynamic change? (or not at all, with luffy going immediately into younger brother mode despite being in his 40s or something like these videos of fully grown up golden retreivers acting like puppies in specific situations. though not gonna lie, a more collected/a fully grown luffy in both the physical and emotional aspect is also. ugh.) would he respect the potential time-travel /rules/ that probably the rest of the strawhats would try to make him adhere to (like not talking about events that ace doesn't know about yet, or generally not engaging physically with people that clearly don't belong in the timeline), or would he just selfishly try to enjoy the moment while it lasted? (or a secret third thing, maybe?)

it's like. a purely self-indulgent AU for me because it both allows luffy to meet ace once more/say goodbye to him/thank him for a lot of things or just do things that he didn't get to do being the younger brother (even more self indulgent sub-scenario to this is. similar to your acelu week work? luffy helping ace bathe/washing his hair because it had always been the other way round, with ace taking care of him), and ace technically gets to see luffy as the pirate king? which partially equals to seeing him accomplish his dream.

yeah. sry for all the spam but i'm. just so weak for this AU honestly and just wanted to reach out to you as i think you came up with it initially?

hello!!! yes, thank you for messaging—I've had Ace on the brain so much lately... Definitely still ship acelu!! It just started seeming like there were fewer and fewer people who shipped it in, er, the same way I did? Which is totally fair, with how much possibility for interpretation there is with these characters.

ANYWAY, my version of the time travel acelu AU (since, you know, I don't think I came up with anything groundbreaking—there are a few fics out there, I think, with an older Luffy saving his younger brother Ace, things like that)... So much of it depends on the circumstances, like, if Ace was briefly transported forward in time, or Luffy + the SHs went back. I might go with the first option—let Ace get a fullllll sense of Luffy in his Pirate King grandeur, haha.

"angst potential"—I definitely see that possibility, like, the pure shock Luffy would have seeing Ace young and healthy, miraculously alien after however many years it's been and yet so, so familiar. The little details Luffy might have even forgotten... the particular way the freckles fell across Ace's skin, the way he was always so expressive in his movements, tensing up in this new environment, leaning in toward Luffy when he's laughing. Also, different kind of angst, but I could imagine Ace having this sinking, freezing feeling when he finds out he died. A sort of resignation, like, his fear that he never deserved to live confirmed. Then, Luffy explains more about the situation—how he owes Ace his life, how so many people fought for him, how even Ace was moved to want to be alive. So then Ace is like, at least my death was worth it—I made something valuable of my life. And finally Luffy has to be like, no. I appreciate your sacrifice, but what I really wanted was for my brother to live.

Also (it's probably clear already) but because this is *my* take on the AU I wouldn't have it get too angsty. Not that I want everything to magically be perfect, I'd want whatever catharsis happens to feel earned... but with any of my headcanons, I'm just not compelled by a story where Ace still dies. 😂 So:

"would Luffy respect the potential time-travel rules" absolutely not, ahahaha. Mr. "I heard your rules, and they're stupid, so I'm making my own"? Fair, a more mature Luffy would recognize the true weight of messing with the past/future... But even recognizing that risk, he'd actively choose to prioritize his connection with Ace and his faith in his own instincts. Plus, I don't know, Luffy feels like the kind of character who you could tell, "It's either you let Ace die, or your crew" and he'd say, "no! I'm taking option #3" and then he makes it happen.

"how would their dynamic change?" - so, tbh, I first came up with this AU on a horny whim. I wanted older, even more self-assured Luffy to just have the time of his life messing with Ace while also piling on the adoration. I don't think Luffy would really "revert"... The way he acts in Wano, and other places, shows that his mindset has really shifted over time. (Actually, okay, caveat—I could see Luffy in his initial shock of seeing Ace, if you wanted to really push the angst, completely breaking. Then he might get a bit clingy, wrapping Ace in as close as he can get him, crying for his big brother...) On Ace's side, maybe he's put at-ease, because this really is Luffy, the person he loves most in the whole world... Same ridiculous laugh, same unstoppable smile. But Ace is also completely thrown for a loop, because you're telling him this guy?? Right here?? Is his baby brother (who he last saw as some 14yo pipsqueak??)? The guy able to shove him around with a slap to the back, and who's somehow able to restrain himself from yelling for meat because he's so engrossed in Ace, for some reason?

I definitely think Luffy would thank Ace for everything he did, both during Marineford, and just their whole lives... I don't even need to get into it in this post, but thinking of how Luffy carried Ace's love with him all those years (this post says it better). Anyway, Luffy would express all that to Ace, and then let that lead into why he wants Ace to live this time around even more desperately.

From there, it just depends on how long the time travel effect lasts. If it's brief, it might just be Luffy trying to convey some way to make Marineford go differently to Ace ("train your haki!!!! don't make reckless sacrifices thinking it's the only way you can show your love!!"). But............ if I wanted to be really indulgent, I could say the effect is a few days, maybe even weeks. And then, I could so see Pirate King Luffy just doting on Ace completely. Being the one to show Ace all kinds of wonderful things in this future, interesting treasure they've found—the same way Ace made him feel that wonder when they were kids. And then, like, treasuring Ace's physical form, that he's whole and safe... Gosh, with how defensive Ace might get at this whole situation, I could see older Luffy and his insight immediately clocking how much teen Ace was hurting and angry in a way his younger self never noticed. Especially Ace from his Spade Pirate days... So, Luffy's response to that could be the care you mentioned—insisting on doing something soft and appreciative, like bathing, or bringing him his favorite food to share in a private place, like a quiet spot on the ship or Luffy's room or somewhere...

Ahhhhhhhh I have once again dumped an absolute mess of thoughts into the world. Hopefully this is something like what you were looking for (even with all my biases 😂)!

[operafangirl]

Interpretation of Le nozze di Figaro‘s ending

At the very beginning of the last scene, the count catches the countess cheating on him with Figaro - or at least he thinks he does. Of course, in reality he sees Susanna dressed as the countess, which makes the countess completely innocent. The count himself is much less innocent when it comes to cheating. Earlier in act 4, the count gives the countess dressed as Susanna a ring and attempts to seduce her, thinking it’s Susanna. However, when the count then sees his own wife cheating on him, he gets heavily angry. This is shown by the abrupt, hectic and loud music at the beginning of the finale while the count says "Gente, gente, all'armi, all'armi!". Shortly after this, all characters come together and - at first one after another and then all at the same time - apologize to the count. To this, he replies with an angry "No, no! Non sperarlo!" ("No, no, don’t even expect it!") (etc.) which essentially shows how sure he is in his decision not to forgive anyone, including the countess.

After this, the real countess appears and reveals that Susanna and her switched clothes. The count then apologizes to her, after which she forgives him. There are many different interpretations about this part of the opera. The most obvious one is to interpret this as completely sincere and generally a happy ending. Others interpret this as fully insincere and just an act, since the countess and the count were in front of many people and had to act like everything is fine. Personally, I think the countess was being completely sincere and the count was mostly honest as well. The music in this sequence suddenly becomes very slow and quieter, which supports this theory. However, I still don’t see Le nozze di Figaro’s finale as a happy ending.

If anything, this proves that the countess loves the count by far more than he loves her and that she is stuck in this toxic relationship. As mentioned earlier, the count cheats on the countess with Susanna (from his point of view) very shortly before he catches the countess cheating on him. While he doesn’t know yet that she did not cheat on him, he already stated his anger and his decision, not to forgive. Therefore, this proves that the count would not have forgiven the countess if she had cheated. At the same time - even though this was proven - the countess does forgive the count that he actually cheated on her, which just shows that the countess forgives him the same things he would have never forgiven her.

Of course you could argue that the count saw his mistakes through this occurrence and therefore changed his ways. I personally don’t think that the count - or anyone - is able to change their way in such a short amount of time. I think that hypothetically, after this ending the count would go back to his old ways, cheat on the countess and the countess would end up unhappy and stuck in this relationship again. So all in all, I think both - the count and the countess - were honest in the end of Le nozze di Figaro, but it is still not a happy ending.

What do you all think? Do you agree or do you think it’s a happy ending? Do you think the count and the countess were being sincere?

[sheisalivingchild]

Who's afraid of a YA villain protagonist?

Creating the Hunger Games posts I want to see in the world by starting a sideblog...

I've been seeking out review and reaction content for TBOSAS for the last few weeks, and while I've seen a lot of what basically amounts to flag planting about whether or not it's okay to feel sympathetically towards Snow, I feel like there's a hesitancy to actually engage with his character. Even for people coming down on the side of "yeah it's obviously fine," the trend seems to be to keep him at disavowable arms' length. To me, especially while reading the book, and especially in the first sections, I found Coryo to be really relatable in a lot of ways. There's clearly a reason Suzanne Collins felt she could tackle a close-third perspective with this character, and I don't believe it's because she wanted to venture into the dark and twisted mind of a psychopath; quite the opposite.

(Am I telling on myself here? Or do we all experience the world within a bubble of subjectivity? Anyways,)

It's pretty easy, in my opinion, to extend empathy to Coryo on an every-day, visceral level. He's fearful about his future, he's afraid of being ostracized by his peers, he's hungry. With the book laying out his thought process in a straightforward and incremental manner (something I think Collins really excels at as a writer), I saw reflected back at me many of the impulses within myself that I'm most ashamed of; parts that are self-consciousness, cowardly, selfish, resentful. Coryo's hyper-vigilance in social settings jumped out to me right away, and was at times comically relatable. His attention at every moment is concerned with how he is being perceived by others and how his actions will be interpreted, which seems to me like a familiar struggle to pretty much anyone who has been a teenager! Or really anyone who has made themselves visible in a social or online space. Coryo has humanitarian impulses, too, but he's calculating, and never acts unless he can justify a behavior as 'correct.' He doesn't want to stand out. The repulsion he feels towards Sejanus, who wears his heart on his sleeve, comes from the projection of that very fear - Why are you rocking the boat?! Don't you know what they'll do to you?? We know what happens to people who are loud and different; they are bullied, they are knocked down and ostracized. And, in Coryo's case, coming from a place of privilege makes that fear even more acute. He doesn't know what it's like to be deemed an outsider, and he doesn't want to find out.

So, Snow is ambitious, yes, but above all he's driven by a desire for safety and stability, for things to return to "normal" (i.e. when his family was rich and powerful), and an intense fear of what will happen if the tenuous stability of the Capitol is breached. And I get it! Last time that happened, he lived under siege and his family lost everything! Stability in some form is something we all need on a base level, but that desire expresses itself in a myriad of ways; some of which are more well-adjusted than others. Being privy to Coryo's thoughts, fears, and gut reactions makes it easy to understand why he makes the choices that he does, even if we recognize them as wrong.

We see in the book many others ways in which his fears lie underneath his worst impulses, even when they are past the point of being relatable. Alongside his fear of social difference/social upheaval comes a fear of pollution (put inversely, an obsession with purity), which feeds into his misogyny and his bigoted attitude towards the districts. He feels shame and disdain at thought that his cousin may have had to resort to sex work to keep them fed. The question of Lucy Gray's previous relationships drives him to jealous madness. When he starts falling for Lucy Gray, his internal justifications reveal a lot; rather than interrogating his preconceived ideas about citizens outside the Capitol, it's easier for him to single her out an an exception, inventing reasons for why she should be considered more Capitol than District. Dr. Gaul is able to stoke and prey upon these insecurities, persuading him that humanity will always be on the brink of collapse and corruption, and the only solution is to exert totalitarian control.

I think what TBOSAS does wonderfully is illustrate that choosing safety and stability can put us at odds with our compassion. That being human on the inside isn't enough to spare us from villainy; we also have to expand outside of ourselves, resisting judgement of others and choosing to protect each other. That choices made out of fear and out of selfishness are what keep the status quo in place and allow evil to perpetuate.

[ladymorghul]

I agree with you on that nasty anon being, most likely, a toxic Aemond stan posing as team black but I think it needs to be said that there are some nasty black stans out there who hate Aemond with a passion and who, by extension, also take it out on Helaemond and Helaena specifically, calling her names, bland and how she and the ship are only a self-insert for us plus countless other stupid arguments. I've also seen on some of their blogs the same Daeron discourse anon was spewing as well as the GRRM being involved with S2 writing thing as proof that Aemond will finally be portrayed as his book counterpart which further means that Helaemond will never be a thing. Maybe, maybe not, in any case most helaemonds know the ship in just a show only thing that may very well not happen if the writers choose so. Either way I hope that person, whoever they are, gets a life and stops harassing other people online. I also hope you're okay considering the amount of hate you've been constantly getting on this blog, please don't let the haters succeed into bullying you off this platform.

oh yeah, aemond and helaena definitely also get hate from team black stans, that much i know, and especially since i spend a bit of time on twitter too

however most of the hate i've seen from team black stans when it comes to helaena and aemond is aimed separately, rather than necessarily at helaemond itself. for example, some say helaena is bland, boring and definitely did not deserve to get dreamfyre and then not use her. there's a lot of grief about her claiming rhaena's dragon. aemond is usually insulted and interpreted as some "cheap version of daemon" and how he's actually just a loser, etc.

but this hate is usually character centric from what i saw and there's plenty of team black stans who don't care that much about aemond or helaena, but they don't hate them either, and by virtue of being team black, they're also more relaxed about the incest side of the targaryens, so there's many who actually did pick up on all the helaemond hints and wouldn't mind it

however i don't doubt that there's probably black stans who hate helaemond as a ship as well

my conclusion of this being a green aemond stan is specifically based on me having knowledge of how i post my posts and tag my posts, who follows me, etc. and certainly most helaemond vitrol actually comes from fellow greenies. and, sadly, for some time now, i've noticed some lowkey helaena hate too. i say lowkey because well, as a team black stan, not caring / disliking helaena wouldn't be a huge shock, but a greenie? disliking helaena of all characters? mostly if not surely over ships? that would be hard to justify

honestly so sick of grrm discussion.... both team black stans and some green anti helaemonds use grrm's "comeback" (he was always there, but okay) as some sure fix for all of their grievences with the plot. some say it means the end of helaemond, others say it means the end of rhaenicent, others say he will make everyone like in the book. it is tiring, especially since it's being used as a "gotcha" against people having different opinions or expecting other things based on what they've seen so far

but thank you for thinking of me. i do appreciate all the kind words i get. once i started reblogging or posting about helaemond more, not only did i lose a bunch of followers (which is fine bc i do believe in curating your experience), but i also got quite a bit of hate and it's been.... a journey. i would like to say that things might get better but i think it's just gonna get worse until people realize that you shouldn't take out your frustration over fictional characters onto other people (send anon hate).

why do people care about who i ship or what my opinion is on a given character? i'm just some girl, i don't have grrm or ryan on speed dial

but anyway thanks for your message ❤️

[whereyoustand]

https://www.tumblr.com/whereyoustand/755979072298942464/oh-yes-of-course-christopher-wouldnt-possibly

I really wouldn’t give this anon that much attention. I can almost guarantee you it’s a bt stan making their daily rounds to send anon hate to buddie blogs. The way this absolutely follows word for word the typical script they all use here and on twitter, right down to the “the way you had him as a plot device” is the biggest giveaway to it.

Behind closed doors, they are all hoping and wishing Chris never comes back because in their minds it will “free buck to focus on only Tommy” yet they go around trying to act like they are concerned about him which is laughable at best. They have also had an especially bad week for their fandom so they are out in full force right now throwing tantrums in ask box’s etc.

hello, hello, thank you for the anon <3

I would like to stress that I don't care who anyone ships. It's a show and people are allowed their opinions. The second that anyone starts spreading hate, I lose all respect for that person. (talking about characters here, I keep away from the cast... i have learnt that disappointment one too many times.)

my personal opinion is that Tevan is okay for now because Buck deserves to have someone he trusts to explore his sexuality with but I am very confident in Buddie endgame. I also like Buck and Taylor, Buck/Ali, and Buck/Natalia - I genuinely think they were some positive matches for him but I still wanted Buddie endgame.

Liking another ship for a person doesn't mean I'm abandoning the ship, I'm still reading and writing Buddie fics and liking Buddie edits. I just also happen to read Tevan and BuckTaylor fics.

Media is meant to be interpreted in different ways, if you saw HenRen and thought, "Oh they hate Tommy", that's fine. If you saw the deleted scene and thought, "oh Tommy is so fun", that's also fine. I don't care!

I have seen a crazy amount of toxicity on both sides. With Buddie stans, I have seen such an insane amount of posts about Tommy which is crazy because they hate him but he's all they post about.

Tevan stans are also calling buddie fans delusional and getting out everything they don't like about Eddie through nasty comments and then defending some of his problematic actions.

Both are being so incredibly harmful and toxic, they are both as bad as each other, flooding comment sections with their intense opinions. I don't even care about Tommy that much but people keep spreading misinformation about him which I have to correct and people think I'm obsessed with him.

I understand why people don't like Tommy, and I understand why they do. I don't have the time and energy to join in on a shipping war - it's honestly embarrassing for everyone involved. I mean, one of the tiktokers I used to like is now only posting anti-Tommy stuff. At first it was fine, and then it became very toxic and CONSTANT. Like, they started guessing that Tommy would encourage Buck's ED all because he mentioned ketosis? in the same episode that Buck told Ravi; "You don't have to eat everything at a buffet"? please, acknowledge that every character has flaws, even your faves.

I think my whole thing with Tommy is that people don't genuinely believe he could've changed in the 8(?) years he's been gone from the 118, and that makes me feel really hopeless. But on the other hand, I understand why people still keep this opinion of him, it's not an easy past to dismiss. I could go back and forth about this topic, I'll use Trisha Paytas as an example if I had too, but I tend to follow the way Chimney and Hen react to him and so far, not really any issue with his past (just a shovel talk for Buck).

I love that media is up for interpretation, truly I do, but using it to hate on other people with a different opinion? that's messed up. It's kind of like Taylor Swift, people love posting about how much they don't like her but I personally have never thought twice about a band I didn't like - because having a different opinion doesn't matter.

It is a drama show, relationships are going to come and go, and yet for some reason people are always disappointed that there is drama lol.

People thinking hating is a personality trait, when actually it's just a bit sad.

[thetoadghoul]

Volunteering: (Ohtani x Reader) <333 (Part - 2)

part 1!

plot: Wednesday’s game arrives which Ohtani invited you to, some bonding time before the first pitch <3 slowwwburn, long cause idk details are fun lol

Wednesday quickly arrived, made much faster by the crazy amount of work you were required to do for your ‘actual’ job. The last three days had been spent with you running around the LA area, as well as cyberspace, to serve your role as interpreter. It was hell, for more reasons than one. The biggest of all being that even though you were not in Japan at the moment, you were still required to wear a proper suit. That meant a tight navy skirt, stockings, and some blasted heels. Sexist men, long meetings, and endless paperwork aside, you enjoyed your job for the most part - but this aspect really wore on you. However, the pain in your feet wouldn't damper your excitement for tonight’s game. Today you were not actually volunteering at the Angels stadium.

The day before yesterday, when you were actually volunteering, a bashful Ohtani had tapped you on the back while you were picking up baseballs from the batting cages. When you turned around the giant man was holding out a lanyard with an attached document, marked ‘VIP Guest of Player’. It took all you had not to let your hands shake with nerves as you reached out and grabbed it gingerly.

“Uh, see you on Wednesday.” The man looked to the side awkwardly, running a hand through his hair.

“...Yeah.” You responded with a small smile, feeling stupid, but it was all you could think of.

“Well, uh, I better go...” He motioned behind his back with a lazy thumb, staring to jog backward.

You nodded quickly, rushing to go back to picking up balls before you said something super lame, or weird.

It wasn’t till you were on the way home did you take a look at the back of the stadium pass. It read ‘Guest of Shohei Ohtani’. So he had put in the request for you, that was just like him, so kind. It would be an understatement to say you weren’t excited for tomorrow.

-----

Currently, your heart was still racing, but for another reason other than a certain super cute and insanely talented baseball player. It was because it was almost three-thirty in the afternoon and you were running around your company-provided apartment, trying to get ready as fast as you could. Ippei let you know you should get there around four-thirty, by then the team would have been done warming up and starting to enjoy a pregame meal while the away team got the field to themselves. From that point onwards, pretty much everyone was free to relax in the clubhouse till just before the first pitch.

With little time to consider, not even enough time to take a shower after having just got off work, you went with an oversized red T-shirt, baggy jeans, and some cool Jordan’s. This was your go-to, and it was comfortable. You don’t have many clothes anyway, living out of a suitcase.

Right as you were about to run out of the door you remembered to grab your standard Angels cap, it had been provided to you as part of your volunteer uniform a while back, slipping it on over your tight work bun. You would let your hair down later.

All right, everything was in order, Uber scheduled, lanyard secured.

It took about half an hour to arrive at the stadium, and once it came into view, you instructed the driver to let you out in front of the ballpark entrance. It had been a long time since you got to go through the gates as a member of the audience, it actually gave you a wave of nostalgia seeing everyone in their gear, so hyped up for the game, tailing gating outside for what was probably hours.

Once you were through, you started walking through the concession stands and various other stalls, dodging around the fans that were already inside watching the warm-ups, as well as hanging out drinking and eating. There were pictures of Ohtani everywhere, people taking turns snapping pictures of each other in front of the various cutouts of him. The air was buzzing with energy, and it seemed like all for that guy. Honestly, you had worked for a couple different teams over the years, but you had never seen hype like this. It was surreal, seeing a legend in the making.

You smiled, gripping the lanyard around your neck, making your way through the stadium. Shohei was super nice to do this for you, really, you should show him your support. Maybe a quick peek in the team store would do? Plus, you deserved to spend some money on yourself. After all, this was the first time you had really been ‘out’ in the almost three months you had been in California. Your free time was either working, volunteering, video games, or sleep.

You took a couple moments in the Angel's merch shop, quietly perusing the aisles, keeping an eye out for any Ohtani-themed items. Unfortunately, there weren’t really that many, probably sold out by the fans. What was there, was way too small for you.

“Y/n, you here to watch the game?” A young voice sounded.

When you turned to see who addressed you, a familiar girl was standing there grinning.

“Hey Jordan! I didn’t know you were working tonight.” You grinned back.

Jordan worked at the store as a stock manager, she was close in age to you so the two of you often hung out. You had invited her over a couple times, both bonding over your love for crappy reality TV, beer, and of course, baseball.

“Yeah it was last minute, a girl was feeling sick and there wasn’t anyone else cept’ me.” She sighed.

“Bummer, text me if you need help?” You offered, to which she waved you off.

“Nah, you enjoy being here and NOT working.” She chuckled, walking over to organize a messy shelf.

“So, you looking for something in particular?” The girl glanced over her shoulder.

“Uh yeah, you recommend any cool Ohtani stuff? Or is there any at all... seems wiped clean in here.” You said while looking around.

“Ohtani? You here to cheer him on too then. Wanna catch his eye.” She teased.

“Don’t say it like I’m just here for my like, prince charming.” You snapped back playfully, but, maybe a little too fast.

“Aren’t you?” She pressed with an eyebrow.

“Okay, I’m leaving.” You pouted, fake walking away.

“I’m just kidding, actually, stay here for a second I might have something you’ll like.” Jordan yelled as she jogged off to the back room behind the counters.

You did as you were told and when she came back there was a large white Angels jersey in her hands.

“Ta-da!” She grinned, twisting it around to show the player’s name on the back.

“Oh, it’s in Kanji? That’s cool, I didn’t know these existed?” You questioned, running your finger over the ‘tani’ character of Ohtani.

“It’s the last one on the floor, had to grab it off the mannequin. Hope it’s not too big? It’s XL?” She questioned, passing it to you to hold.

“Nah it’s perfect, can’t you tell.” You joked holding the jersey next to you, while you showed off your oversized clothes.

“Figured it'd be fine, wanna get rung up? I’ll give you that ‘good good’ employee discount. But, don’t tell anyone.” She smiled, heading to the register, to which you nodded and jogged after her.

After you finished your purchase and waved bye to Jordan, it was time to head to the clubhouse. It was around five, so you were later than you planned but Shohei usually practiced batting in the cages a little while longer while everyone headed in. Slipping the plastic shopping bag into your purse, and ripping the tags off your new jersey, you slipped it on over your T-shirt, smoothing out the material as best you could. It felt great to finally have some real merch from the team, and part of you sort of wondered what Ohtani would think when he saw you. Hopefully, it wasn’t too much to just show up in his gear after he pretty much randomly invited you, let alone in the stadium-specific one, as you just learned from your colleague.

After you got to an employee-only doorway, you pushed on it hoping it was actually open. Ippei had also let you know via text that it would be unlocked for you. Another kindness of Shohei, not just inviting you, but making sure you had access to all the catering and AC inside the resisted area of the building. You slipped in and locked the door behind you, not wanting to encourage some intoxicated fans to follow. The hallway was empty and cool as you started making your way to the clubhouse.

You were admittedly a bit nervous by the time you got to the doors, feeling a bit awkward about strutting in as anyone other than a volunteer for the first time. Carefully you pushed open the door, making sure not to hit anybody. The room was full of chatter, some players eating, some playing cards, others watching TV on the room's monitors. You looked around for Ohtani, but he wasn’t there yet apparently. No matter, you strolled in and went for the snack area. Truthfully you hadn’t eaten since that morning, and that was just a toasted bagel. Turning your back to the rest of the room, you began filling up your plate with cocktail shrimp and grapes.

“Nice jersey.” Ippei said, coming up next to you, grabbing small sandwiches for his plate.

“Is that sarcastic?” You questioned with a smile, finishing your plate.

“Nah, I’m sure he likes it.” Ippei jerked his head to the left.

He? You leaned back to see around the man, meeting Shohei’s surprised face almost immediately. Had he been standing there the whole time? He had obviously been staring at your back, at his name, bashfully looking up to your face when you moved, blinking a couple times to clear his eyes.

“I uh, got it ten minutes ago.” You grinned awkwardly, pointing your thumb proudly at the jersey, hoping he wouldn’t think you were a weirdo.

The large player didn’t say anything, blinking more slowly this time before opting to just nod gently, with a quick “thanks for your support”, hurriedly leaning forward to start filling his plate with all kinds of foods.

—-

Once everyone had their food the three of you found a place to sit while you ate, it was at the back of the room away from the noise, and where the two usually sat before a game anyways. A small conversation started while the three of you ate calmly.

“Why... do you only have grapes, and shrimp?” Ohtani questioned suddenly, looking at your plate baffled. You looked down at it as well, pausing for a moment trying to find out what was so weird about that.

“Uh, well, it’s because... these things are... super expensive in Tokyo. It’s like a rich person food to me.” You smiled, eating a couple shrimps happily.

“Wow. That’s so sad.” Ippei chuckled before taking a bite of his sandwich.

Shohei on the other hand burst out laughing at your response, making you laugh a bit too at your pitiful confession.

“Seriously, I feel like a mega-rich, and very posh, Ginza lady right now - eating nothing but shrimp and fruit. So fancy right? ” You exclaimed, popping a grape in your mouth.

The Japanese player laughed even harder, tears building up as he wiped his eyes.

“Those people wouldn’t touch that stuff with a three-meter stick.” Ippei stated, letting out a small laugh.

“Just let me have my moment.” You pouted through a smile, shoving more shrimp in your mouth.

The other man calmed down finally and was now sitting there smiling while he ate.

“So, fancy y/n, are you okay to sit in the dugout tonight. Not too unrefined for you?” Ippei questioned with a smirk.

“That’s, allowed?” You asked, surprised.

“Yeah, if you want to. Can’t stay there the whole time, but.” The man responded nonchalantly, shrugging his shoulders.

“It’s the best place to hear, ‘the surprise’.” Shohei added, food in the process of being shoved in his mouth.

“Well, doesn’t seem like there’s any other option.” You smiled at the player, who nodded in acknowledgment.

“He’s batting first tonight, you won’t have to wait long.” Ippei spoke, starting on the next sandwich.

“Hope me being in there won’t be bad luck.” You joked.

“You believe in that?” Ippei smirked.

“My family ingrained it into me, wasn’t allowed to watch a single super bowl game in the living room till I literally moved out.” You frowned, stabbing a grape.

“Harsh.” The man smirked with a small laugh under his breath.

“You will be good luck, for sure.” Shohei leaned forward in a hunch to take another bite of food, smiling sincerely at you as he looked up from his food.

“Then, I will see to it that will become a very good omen. Please believe in me.” You responded in the highest form of keigo you knew, bowing rigidly from your seat for comedic effect. Since you never studied that level of grammar, it was really freaking bad, causing the two men to laugh again.

“You’re funny.” Ippei chuckled.

“Yeah, and your Japanese is so good though?” Shohei exclaimed, eyebrows raised, eyes wide.

“Nah it’s pretty bad, I fell off the study wagon a long time ago.” You laughed awkwardly, waving a hand in front of your face.

“You’d be there forever if you stayed on.” Ippei chuckled again, while Shohei nodded in sullen agreement.

“Writing would be nice though, having to look up every other kanji at the doctor's office, or like city hall makes me literally sweat, like, a lot. Buckets. But when I look around, I'm the only one.” You giggled.

“You’re so honest.” Shohei chuckled, wiping his mouth with a napkin, still leaning forward in his chair, you grinned back at him. Your eyes locked for a while, you had never noticed, but his eyelashes were sort of long.

At that moment Ippei had to take a call, letting the two of you know he’d be back in a bit, walking off. The two of you looked away and finished eating in silence.

When you looked up from your empty plate, the large player was now staring at you with a soft expression. The warmth in his eyes made you blush, he didn’t even break his gaze once he was caught like he usually did. You responded back to him simply with a shy smile, before being the one to avert your own eyes to the floor again.

Thankfully at that moment, a group of Angels came over, slapping the Japanese man on the back, starting up a conversion. They were going over strategies for the game and overall just getting hyped up. You didn’t have much to input, so you just kind of sat there enjoying the excited chatter. Shohei smiled merrily the whole time, inserting little jokes, completely affected by their excitement. The way he carried himself really reminded you that the essence of baseball was really just about having fun with your teammates and giving it your all. He looked simply happy to be there, and it made you smile too, just watching him goof off. It was charming to see his duality of being a just big kid with endless laugher, versus the super-serious, and seasoned player he was on the mound.

You were really trying hard not to but, you were rapidly developing feelings for Shohei. The last three months of volunteering here, you of course thought he was really cute and kind, classic boyfriend material. A simple crush, like many of the girls working around him, surely had as well. However the possibility of you two actually dating had always been a foreign concept, one which stopped you from even considering it, at all, you just didn’t know if you even could. With you both traveling for work, how would there be time? Plus, what about the media? His family? Yours? All those things seemed unscalable walls, that is, until this moment, when you could feel his gentle eyes on you once again.

Maybe, there was something? Or maybe, he was just a super nice guy, and you were treated no different than anyone else.

When you snapped out of your thoughts, Shohei was starting to stand up, grabbing everyone’s empties plates. He reached his hand towards you, asking for the one in your hand with a tiny nod of his head, to which you thanked him, stood up, and handed it over.

Well.

Either way, you were so screwed.

-------

Hope you enjoyed! <3

[yuikomorii]

Honestly at first I thought maybe your blog was simply a Yui blog for interactions, which is fine and all, but over time as I saw more of your posts, I saw just how detailed and extensive your knowledge of the character is, which deeply impressed me. With each answered ask and even more speculative posts, anyone can see you have a phenomenal grasp on Yui and her mannerisms!! Your blog taught me a lot of things I never knew about the character and different angles to consider the fandom from, especially with the AyaYui ship. When you pointed out all their similarities and the way in which they complement each other as characters so well, I was quite shook, ngl. Not to mention your edits are also marvelous and very creative!! Thank you for running this blog, Admin!!

Tell  me  why  you  followed  my  blog  and  tell  me  what  made  you  stay. 

//Thank you very much for your beautiful words! To be honest, I made this Tumblr blog simply because I missed roleplaying as Yui and thought it would be the perfect place to do so. However, I'm incredibly surprised and grateful that people enjoy my content so much; I never expected to receive such a large amount of support. I'm delighted I was able to teach you anything new about Yui or DL; after all, I'm amazed by your Ruki knowledge as well, and I couldn't help but think "Wow, is this canon Ruki?" when I first saw your account. I love Ruki a lot too, so seeing such an accurate interpretation of him makes me happy. Your writing skills are simply… flawless, and your art is absolutely god-tier. Speaking of creativity, I wish I were as creative as you, haha; as a result, I'm honored to be complimented by you. Thank you for being a part of this community…!💕

[beelspillowpet]

A Lesson in Love - A “Character Analysis” on Asmodeus

I had to come for the tracks, wigs, and weaves of bitches when Pomade dropped because I saw people talking shit about my boy. This was a milestone “project” or “reward” I guess?

I hit 400 followers today while I was out running errands!!! Thank you guys SO SO MUCH for the love and support! I can’t WAIT to produce more content for everyone!!!

Below the cut there WILL BE talk of season 3, as well as some talk of chapter 16. There’s a healthy amount of theorizing on his personality as well, I hope you don’t mind! This came out more like a plea to get people to change their minds about how Asmo really is, rather than a comprehensive essay of sorts. So here we go!

There’s something we apparently still need to talk about in this fanbase. The unrealistic idea of Asmodeus being a sex freak, and an unreliable person in general despite there being little proof of it. We need to set a few things straight about Asmo moving forward.

December 25th rolled around and Asmo’s audio drama and song were released. I take it everyone enjoyed both parts, as well as I did. My timeline both on twitter and tumblr were filled with Asmodeus content, as well as the other brothers and such. But I mostly got Asmo content. However, in peeks and cracks, if I looked hard enough, I still saw people who absolutely loathed Asmo or who were indifferent to him. Keep in mind; I think it’s okay. You don’t have to like everyone.

I’ve only joined the fanbase in September, but even I could tell some of these takes were old fashioned. I downloaded the game on October 17th, a very important anniversary for me, while I 

was still in bed in the morning. I blazed through the entire story of season 1 and now I am stuck in season 2, specifically in Chapter 24. I obviously don’t have every card of Asmodeus with his Devilgrams, but I have been analyzing his character over the past few days for this.

So needless to say, I have a considerable amount of information on him, as well as personal thoughts that may help some learn to love him. Or at the very least, from spreading a negative idea of him around as if it were true. Enough that should help clear his name, so to speak.

Let’s look at his title; Avatar of Lust. Now naturally the thoughts that come to your head are sex and other sexual bits. So I can understand how some people would come to the conclusion that he’s just a sex freak. But if you look under the surface of his title, like I’m sure you’ve had to for your own personal favorites (*cough* Lucifer, Belphie, and Satan ESPECIALLY) you would discover that Asmodeus is more than just about sex. In fact, sex takes up very little of his pass time, if you were to believe it!

In recent chapters, as I’ve been told, Asmodeus doesn’t really get around much anyways:

Granted, this was said while in Celestia, but I imagine not much has changed for him since his fall, as well as his brothers.

Not really comfortable being with just anyone, huh…? Sounds like someone who doesn’t have sex so warily often as you’d think!

Being lustful can come in many shapes and forms. It can be merely in appearance, which Asmo is not afraid of doing. He’s very comfortable about skinship and it’s very apparent in how he dresses and acts that he wants you to adore his body. To worship it! Maybe not sexually, but aesthetically! Being lustful can mean just thinking about sex or sexual scenarios often, which if you take a peek at Asmo’s chat’s either with you or his brothers, is very apparent too.

Personally, I believe that people would assume he is not good in a relationship because he would have a “cheating problem”. I don’t think Asmo is a monster, just like I don’t think any of the brothers are monsters. They may be demons (technically fallen angels) now but they used to be angels too. Their falling out with their Father doesn’t mean they’ve completely abandoned morality, it was a rebellion for Lilith’s right to live. Not for them to sin as they pleased. For all we know they might have been fine in Heaven otherwise! (with the exception of Lucifer.)

A monster knows right from wrong and chooses evil anyways. An ignorant person doesn’t know right from wrong. Asmodeus is not a monster, nor is he ignorant.

When Asmo genuinely loves you, I think he would take steps to calm down that side of him, if it were to exist. Lust is fairly limited, but it is a part of love to some extent. LOVE is vastly different. Love has many languages, and they aren’t all spoken either. For me, personally, I found that Lucifer’s love language can be either very direct, or roundabout so as to not let it go to your head, for an example. Asmo is just far more direct about his care for you.

I feel as though Asmo gets a lot of crap constantly for his presumed nature and because we don’t get to see much else of him at first, especially in season 1, his impression on us sort of stays. With most of the fanbase either somewhat new to the game or somewhere lost in the sea of the difficulty curve that is season 2, we can only assume based on what we’ve seen, and what others have headcanoned about him.

Let’s break and talk about Satan for a moment; this is going somewhere.

I’m led to believe that Satan can control his sin fairly well. He’s easy to get irritated, sure, but he isn’t as much of a walking ball of rage as I suspected. I would argue that, aside from Leviathan, Satan can handle his sin the best out of the brothers. But again, we’re forgetting about Asmo. The Avatar of “Lust”. Like I’ve shown before, he doesn’t really sleep around a lot, according to anon.

At worst, Asmo being flirty is through text and he’s not actively trying to sleep with you. It can be interpreted that way, but for me personally, it comes down to having a friend that is very up close and in your personal space.

(I myself am one of these types of people. Having ADHD, my social cues are always sort of off, and I’ve struggled with coping with it for years. With my best friend, we have seen each other naked countless times and have slept in the same bed as well. We were never romantic with each other. We were just very comfortable being close and personal with each other.)

I’d like to point out also that Asmo isn’t even there for most of season 1 too. Which can give you the idea that maybe he just was out sleeping around a lot, but to me he probably just went out partying a lot. You don’t get known that fast for sleeping around. Maybe in 5,000 years, sure, but I’d imagine being a party boy, as his Devilgram “Guided by Desire” suggests.

So the idea that Asmo isn’t in the house a lot because he’s out having sex all the time isn’t true is it? He’s probably just out partying, which can LEAD to sex with someone sure, but again, Asmo doesn’t feel comfortable doing that, now does he?

I feel like of all the boys, Asmo is the one who radiates with everyone else the most. Most people will never realize how surreal it is that Asmo is faking it until he makes it. He doesn’t always think he’s beautiful, or that he’s worth all the love he’s striving and straining to get. Something that is extremely relatable for a lot of people with self-worth issues. Asmo is just like that, but instead being sarcastic and self-deprecating, he simply works to make himself look as beautiful as possible, so that in his eyes, his beauty matches the affection he gets.

Which is why, when he falls in love with you, it’s strange. You are constantly telling him he’s nice and pretty, but you aren’t lusting after him. You’re just being nice. It may just be me, but when people are overly nice just for the sake of being nice, I’m very attracted to that. That is Asmo, to some extent. The fact that he reflects the insecurities and habits of others so clearly may make others uncomfortable, but that brutal honesty veiled behind insecurity is what a lot of people with self-image issues deal with.

Now for me to share my favorite personal idea for Asmo that completely changed how I saw him in season 1 onwards; Asmodeus is an empath. Now let me explain:

First, what is an Empath?

The term empath comes from empathy, which is the ability to understand the experiences and feelings of others outside of your own perspective. Seems simple, right? Everyone can do this to some extent. However, what makes you an empath is the fact that empaths genuinely feel the same pain as you do. So much so your experience becomes a very personal part of their own. They are capable of being able to feel other people’s emotions without them speaking, or even showing signs of it through their body language.

This would explain, for me personally, why there’s so little of him in season 1. The intensity of what goes on in the house, his sensitive soft-spoken mannerisms, the only time he truly gets mad is when he’s childishly arguing with Mammon? Asmo is afraid of true conflict, he’s afraid of violence and negative emotions. Let’s face it; everyone is indifferent or hates you at the start of the game.

While this changes fairly quickly, all the intense feelings come to a head in chapter 16. All those negative emotions swirling around, of course Asmo isn’t going to want to be in the house when it’s that intense. The attic didn’t just disappear completely, too. Belphie was still in the attic hating humans. That negative emotion could be affecting Asmo and he didn’t know why, so he could have been out of the house more.

Where Asmo can feel the emotions of others, it may mostly be the negative ones because they fill him with anxiety and panic if it persists. Which can be helpful in making him so urgent to want to make others smile and feel better, right?

Imagine being intimate with Asmodeus, and suddenly you aren’t in the mood for it anymore but don’t want to make things awkward. He could pick up on it in an instant and wouldn’t get mad because he understands how you feel completely.

Now to close this out about something that genuinely hurts me; Asmodeus is a narcissist.

I mean, the wiki says that he is, but personally? No, no he isn’t. Since when is loving yourself a bad thing? Sure he may go a bit far sometimes, but people with self-image issues need to go a little harder than the rest to make sure they're getting the love they need.

(Talking about myself AGAIN, but I do this a lot. At random, I will look up in my own mirror in front of my desk that I sit in front of all day and tell myself I am a cute bitch. I am VERY VERY cute and anyone would be lucky to have someone as drop dead gorgeous as myself. I say that a few times a day. In reality, I am very insecure about my looks. I do believe I’m cute, but sometimes it’s hard to say it. Which is why I force myself. Why wouldn’t Asmo do the same?)

Talking yourself up to be as beautiful as a sex god is no easy task, but Asmo isn’t the Avatar of “Lust” for no reason. When an insecure girl talks up her beauty, it’s her being strong and independent. When Asmo does it, its narcissism… it doesn’t really seem fair, now does it? Maybe he’s just an insecure person who needs to tell himself ALL THE TIME that he’s beautiful. That if he stares at his reflection long enough, he may see it too.

(Also, Simeon literally calls him out on being insecure. Insecure people tend to try and overcompensate where they feel they’re lacking.)

”Asmodeus is hinted to be insecure and seeking for love and attention. When Simeon was asked about what he thought of Asmodeus, he says that Asmodeus is still trying to fulfill the role of the angel he used to be; an angel that was adored and loved by many. Asmodeus laughs at Simeon's remark and brushes it off by saying that he is only jealous.” - A section from said Asmodeus Wiki.

People can choose to love or hate Asmo, obviously. Making things up about his character without having anything but speculation and having that dictate how he acts is plain silly. This entire “essay” if you can call it that, comes from the heart. I love Asmo as a character, and in the beginning he did make me uncomfortable, I didn’t like him that much. But I learned to look past that and figure out why he acts the way he does. Something didn’t sit right with me about him for a while, and it was that air of insecurity that I didn’t see at first.

All I can really ask for, is giving Asmo another chance as a character. He’s not as wild and wacky as Mammon, or as cool and sexy as Lucifer, or as edgy and precious as Belphie, but he matters in this story too. He fell from grace with his brothers for Lilith. Give him another chance, and let him show you that he is the Avatar of Love.

[tomwambsmilk]

I apologize in advance because this isn't succession related at all, but I saw a take, and I am going to Vague.

Yes, there's absolutely a subculture of musical/broadway purists who pit actors' performances against each other unnecessarily and look down on people for personal preference in what performance or recording they prefer.

But.

There is a massive difference between "I'm looking down on you because you prefer the movie soundtrack to the broadway soundtrack" and "the music in 2012 les miserables was genuinely a crime against both the musical and the actors involved. the degree of creative freedom the actors were given meant that some of the emotional inflections and character beats changed dramatically from what they were intended to be in the written music. It was also next to impossible for the separately-recorded orchestra to properly accompany them because they fucked up some of the rhythms beyond belief, largely because a) most of them were not professionally trained musical performers who understood the principle of 'catching up later' after they extended a note for dramatic effect in order to maintain the overall rhythms of the music, and b) the piano accompanist kept altering the music to fit the new rhythms so the actors didn't even know they were off, but this is NOT something the massive orchestra could really do well when trying to record along with the pre-recorded vocal track, which is why in some scenes some of the musical beats are just Off because despite their best efforts there was literally no way to line it up properly with the vocal performances while preserving the integrity of the music.

On top of that the ridiculous emphasis on 'realism' led to actors being deliberately dehydrated and exhausted while having to sing for 12 hours a day which led to vocal performances of a notably lesser quality, which is why they all sounded so much better when they were performing live for the award shows. it's absolutely fine to prefer those performances - there are many reasons why personal taste might lead you to enjoy them more, and that's fine! - but this is one of those situations where, from a musical and technical standpoint, the performances in the movie are objectively worse than literally any of the many, many live show recordings (each of which features notably distinct performances catered to each actor's particular style and interpretation, so it isn't just 'they weren't singing in the one specific way I want them to') and came at a ridiculous cost to the health and well-being of the actors for what basically amounted to a publicity stunt. Tom Hooper has never understood what makes musicals work and so has never properly understood how to adapt them to film, y'all (and by y'all I really mean film critics, not the average viewer) were just so impressed by the 'singing live' gimmick that you refused to be critical of the decrease in quality which was a direct result of it.

Also. If you had listened to the professionals who criticized Tom Hooper's adaptation and directorial style at the time you wouldn't have been so surprised by what happened with Cats, which is ALSO musically trash but everyone misses that because they're so fixated on the bonkers cat CGI."

[sand-worms]

fanon illuso rant :) also if you know anything about mass effect fanon...lets go with kaidan rant :)

It's been a very long time since I even bothered to touch the Mass Effect fandom with a ten foot pole but I can go off about some of the common stuff I remember seeing back in like high school

Fanon Illuso is... oh boy. Illuso is literally always either flat out ignored or characterized as like. Very petty and catty and just sort of a cunt and to me he just sort of feels like the character that people put the least amount of thought into among La Squadra (aside from like. Sorbet and Gelato who are so hit or miss with whether they're even included in stuff). I think people's interpretations of Illuso pretty much comes largely from the fact that his stand is based around mirrors and the fact that we know he and Formaggio have some sort of rivalry going on, since he's the only one we canonically see giving Forma shit about his stand ability.

I think my biggest gripe with fanon that I see most often is that people will look at his stand ability and equate the mirror thing with him being vain and shallow which is I think a very... easy? Way to look at it but just sort of feels off to me. Like he's definitely a cunt and we see it very clearly in his fight but I think there's more to him than that? Like I think people tend to view the mirror thing with him as self-obsession in the form of vanity but to me I sort of view it as like? Self-obsession in the form of one's own reflection if that makes any sense? I think there's things that he does and says that sort of suggest that the personality he puts forth is somewhat of a front that he's putting up. He reads very much to me like he has a deep-seated desire to be in control of how others see and perceive him. He clearly does a lot of intel gathering (probably for his own purposes as well as the rest of the team) so I just get the sense that he has to know everything about everyone else, but people can only know about him what he deems is ok for them to know. Like he's self-obsessed but there's some nuance to it besides him just being sort of vain or shallow. But fandom just kind of boils him down to a gossipy instagram thot imo.

Also I want to mention shipping with him briefly because I feel like he's not shipped around that much but I have thoughts on it anyway. Obviously most of the time he's getting shipped with someone it's with Formaggio and I don't necessarily have a problem with Forluso I think it's fine I just personally view it as a relationship that wouldn’t work very well without a third person mediating for them like I think that if anything it's an interesting relationship to explore how they kind of come to a middle ground on things because I think they have a lot of stuff they would have to work through personally idk it's something I could get more into but it's really just a personal interpretation of them but I guess all of this is. The other ship I feel like I've seen like? Enough to be aware of and irked by it is IlluAbba? Which I like... get the appeal of the dynamic I guess but it's like BruPro to me where it feels sort of gross based on the perceived age difference I have between them personally but I digress... Idk maybe it's just because it's not a super appealing dynamic to me to begin with but like. Not everything has to be perceived enemies to lovers sometimes people just try to murder each other in media.

Uhhhhh anyway onto Kaidan... idk I only have a couple things to say about him but I do very clearly remember back in high school when I was more actively looking for mass effect content and more aware of the fandom there was... SO much hate toward Kaidan especially from people who romanced Garrus. He very often got downplayed as like some sort of obstacle to Shakarian or he would be like super jealous and salty about Shepard being in a relationship with Garrus and not with him like... it drove me up a fucking wall every time I saw it. Kaidan is literally just some guy he's like... idk he's somehow got protagonist vibes going on with everything he's got going but he just sort of walks in the opposite direction from it. He just wants to be your buddy and hang out unless it's ME2 in which case he's rightfully pissed at you for being part of cerberus. His romance is genuinely so good particularly in ME3 and I saw so many Garrus fans just like. Hate on him for no good reason. (This is not me being anti-garrus or Garrus stans DNI he's my bestie but come on.)

Idk I guess other than that the only real gripe I maybe have is I guess some people sort of reduce him to some goody-two-shoes boyscout type and it’s like… not really he’s just rightfully pissed at you for joining a cartoon evil organization during ME2 and he’s just like. A good chill dude. Idk he’s like a very powerful biotic and a sweet guy and I love him so much Kaidan haters DNI.

[steve0discusses]

Yugioh S5 Ep 20: Pharaoh’s Cool New Trick

Digging my way through quite a pile of commission work (funny how these things only come all at once or not at all), nearing the light at the end of the tunnel, was looking forward to some free time to catch up on my many little side projects when I was asked to take off for a weekend to do some cat-sitting to which I would NEVER say no to a cat, so like...Rip this blog I guess, we only update like once a week nowadays, but what do you do?

That’s right, play Puzzles and Dragons! The only phone game worth paying any attention to! Where they just released Pegasus on their Yugioh Collab and he looks pretty great!

So I’m just gonna take a second for some art appreciation, because the Puzzles and Dragons art team is just A++++ honestly, and yes, I did pull 13 times to get a Pegasus in my monster box, and yes, he is a completely insane team leader that is absolutely broken when paired with Yugi (the numbers are so satisfying) but...look at him. He looks so good!

(also I finally got Joey Wheeler, and so now my gatcha cravings are settled. And, don’t worry, I play this game so much that I was there during Christmas when they offered like a bajillion stones for free so I didn’t actually use real money on this.)

Now PAD also released a Weevil and Rex, and I don’t know why, and neither does the art team because they still look pretty good but in comparison to all the mains, they sure do looks like just some shorty guys in some casuals.

though I gotta admit, I want to learn how the hell this art team does swooshy effects, because man, that would make my art so much better to just have flames violently exploding out of all my art. Why am I not doing that more often? I have the technology.

anyway, I didn’t bother trying to pull them. Maybe I’ll accidentally pull them when they eventually release a Duke Devlin. (also, RIP to the fact that Roland will probably never be in Puzzles and Dragons but like...I can only send them so many polite letters covered in stickers pretending I’m some 10 year old child and writing in my broken Hiragana “Roland in PAD?”. Thems the breaks. (They also might not remember who Roland is.))

Shoutouts to the card that Weevil is holding that is censoring this nipple on the booby spider, PS.

So because this is not actually a Puzzles and Dragons blog, and it’s been ten eons since I regularly updated so I could remember episode to episode...where the hell were we?

That’s right, we’re on an island now. This show’s wonderful obsession with evil islands (and spoiler, this is one of the few Yugioh Islands that doesn’t explode at the end. Mostly because Kaiba isn’t here to do it or this place would be cinder)

(read more island stuff under the cut)

Anyway, after announcing “hey guys! Screw islands!” Yugi immediately collapses and without any warning.

Apparently the armor is a big ol parasite, which is something that Yugi is so used to at this point that he refuses to admit that this is a problem. Just normal Muto stuff, refusing to tell anyone that he has a serious illness going on underneath that giant mass of hair.

(the sailor moon vibes coming off this weird orb energy)

Sort of feels like a call back to S1 when Yugi was clearly possessed and everyone else was like “He acting weird to you?” except it’s S5 and everyone has learned to never trust Yugi when he says he’s fine and they are responding like he is about to die. Which is correct.

Outside of the cave falls this scroll that is...glowing, I guess. So they open it up and get a bunch of hieroglyphs that give them the “riddle of light” and like youknow...it’s riddle stuff.

They’re doing this riddle for “wings.” And it’s like...everyone’s monster here has a set of wings or an ability to fly. Every single monster except for I dunno, flaming swordsman? Hell, Yugi himself had two sets of wings when he fused with Dark Magician (which was weird, and I still don’t like to think about what technically was going on there.) But we have to go and get ourselves even more wings.

Weirdly, Joey turns to Tea and does something that in any other show would be completely normal. He was like “you want to stay here with Yugi, don’t you?” and it was the first time Joey has ever actually addressed the fact that Tea and Yugi are close. Uncharted territory. I was amazed at the amount of casual shipping that is happening here. It’s almost like a normal ass relationship.

So the boys decide to go off, and be boys and tackle this themselves. And they shouldn’t have, because Tea is smart for this group, and also has the only healing spell.

Like if you’re playing D+D you wouldn’t typically leave your only healer behind. Just saying.

Also like...Grandpa Muto went with them? I guess he’d have to since he’s the translator but also...kind of weird to leave your grandson dying in a cave, but maybe that’s just the Muto lifestyle.

Do not be fooled by my caps, no one has addressed the Bakura in the puzzle for 3 seasons. I’m starting to think this show will never address the Bakura in the puzzle. Which honestly, that would be hilarious if they made a big deal out of that plot point and then couldn’t use it in the end.

And speaking of plot points that kind of come out of nowhere and don’t make full sense with the continuity of the show--Joey has regressed back to the 4th grade.

Hey show? What?

So like if you love Joey, this is not the arc for you, because this arc he is reduced to a Himbo and nothing else. Straight up didn’t know what an echo is, but is very strong and pretty, I guess.

This inevitably happens with any TV show becuase different people make different parts, and I’ve brought up before that sometimes it feels like some teams only have loose post-it notes of what any character should be like at any given point (ESPECIALLY with Seto Kaiba’s timeline) but like...

...Personally I’m mot so fond of this interpretation of Joey, kind of ignores Joey’s best traits, and makes Tristan look way too smart in comparison (and like I always pinned Tristan to be the Himbo of the group, but maybe it’s because they give Tristan so little else to do?)

And like don’t get me wrong, Joey’s a dumbass a lot of the time and needs to get corrected by his pals...but...to the point he doesn’t know what an echo is? He’s a dumbass in a High School student sort of way, youknow?

Anyway, they get down to this big ravine, and they have to destroy this stone while the light passes over it. Kind of feels like a Breath of the Wild shrine quest, actually. In fact, I think Breath of the Wild recycled the shadow/sunlight pathing quest like 4 or 5 times. (I love Breath of the Wild to death but boy did they run out of ideas at the end there.)

They have to fight a glass monster and it’s kind of like...do you know the game Balls 3D? probably not, but it looked like a bunch of random shapes stuck together like a 90′s animation. They basically went to war with shapes.

Pure Himbo energy, has several pokemon, but punches for his pokemon instead of using them. A power move if I ever saw one.

Youknow that would make pokemon a lot more interesting if you could like throw out your pikachu, and then choose to just physically run up to your opponents Eevee and sock it in the jaw. Raise of hands--I know you all would love a version of pokemon like that. Let Ash Ketchum punch a Ratata.

Bro has informed me that Ash does do something like this in the anime. But I’m not talking about the anime, I’m talking about the video game. Give me the option to physically combat my rival. This is what I want, Pokemon.

They discover a way to break the monolith, and the show thinks we’re like actually 7 years old (because the show is Y7, although I forget because it deals with so many dark themes) so the show is going to hold on to this puzzle for a while...just to fill time. And it’s fine because we gotta switch over to Pharaoh anyway.

Yami has this dream again. He attempts to fuse with Dark magician to overcome the dream, but alas, he is still not strong enough.

Yugi wakes up in this murky cave while Tea is out washing out like...some rag? (he’s also still got a rag, so I guess multiple rags were required for how sweaty Yugi is.)

Yugi says “I feel like I’m a new man!” a lot in this episode, and every time he calls himself a man like he’s some sort of adult it’s very funny to me.

And then this plot lore dropped.

I mean I guess inevitably it had to happen...

But man, end of an era. It was freakin hilarious while it lasted: that Pharaoh refused to read ancient Egyptian because it’s like 2002 and he is a High Schooler living in Japan and he actually doesn’t WANT to resolve the mystery of the puzzle. Maybe the people who made this arc don’t know about how in S2 and S3, the fact Pharaoh couldn’t read Marik’s back tatt was like...a really big issue. He couldn’t read the God card, he couldn’t even read that massive tablet that read “HEY PHARAOH THIS IS LITERALLY YOU”. KAIBA had to tell him how to read the God card for him. Freakin Seto “Magic is a lie” Kaiba had to tell him how to use the God Card because Pharaoh couldn’t read it.

But like...Pharaoh finally gave in at some point after the world was devoured by the Leviathan, and before Kaiba finished building Kaibaland (which was already built in S1 but wtv)

The timelines on this show have always been a mishmash...but this one is just like...

...show are you trying to convince me that at any point in this show after season Zero, Pharaoh had any idea what he was doing? Did he sap that brain energy straight out of Joey Wheeler so he could do this?

Wow.

(secretly hoping he forgets how to read Egyptian after this arc is over and the show goes back to the other development team)

Pharaohs reasoning is that, if this is the riddle of the light.....

....then where is the riddle of darkness????????????

and when Tea was like “Pharaoh that is not even remotely logic. Omg it’s so bright outside, lets go back to gross cave.” and Pharaoh was like “Tea! You got it!” and she was like “What the hell are you talking about?”

Not gonna lie, I saw the Orichalcos green, and I got concerned.

Anyway, Yugi gets very frustrated and was like “ugh, lets go save em. They’re gonna die (again.)” and marches down there as if he didn’t pass out an hour ago.

And he fuses with Dark Magician again while everyone else (including his grandpa) was like “Yugi are you freakin kidding me? The suit freakin kills you omg! Tea you had one freakin job!”

And then we get the plot twist that...I mean it makes sense but it was choreographed in a confusing way.

And out of no where this guy shows up again:

So this mysterious man shows up and says “If you don’t succeed you have to live here forever” which...nice...that would probably save the world a lot of problems if Yami got locked away and took his OP puzzle with him. And then this man also says “if you do succeed you become VERY POWERFUL” and Yami was like. “...”

This whole episode had a theme to it, where Tristan and Joey were trying to prove that they could do things on their own and without Yugi’s help. And honestly...felt a little bit misplaced. Yami’s the same guy who murdered Yugi last season with the Orichalcos so like...

...I mean he is probably more reliable than Tristan who once died and turned into a robot monkey for 10ish episodes.

and then they flew into a glowing door.

Folks, this was wild to look at.

This is wild.

And at this point I closed Photoshop and thought I was done. But then I looked at my timeline on the video and was like...wait...there’s more?

and I’m really glad I kept watching because it went back to Alex, who...is apparently just still at those steps in this haunted ass Pyramid.

Now we’re watching Yugioh.

I forgot for a second when they turned Joey into a Himbo and made Pharaoh literate, but we’re back. I mean...

...look at the liner art on this adult man.

So...I posit the question...has Alex spent the last 2-3 episodes doing nothing but applying eyeliner to his face in the dark? Because he absolutely has. And honestly, the vibe of being in a spooky haunted pyramid with barely any light, just applying eyeliner down the edge of your face...that’s a Yugioh vibe, if I ever saw one.

This arc is wild. Anyway, next episode we do even more fetch quests and riddles? Just going to guess now that we probably will.

(and for those new here, this is a link so you can read them from the top. Which, since we’re in S5, means you got like...hours of Yugioh content to read through. Enjoy the rewards of my weird hobby.)

https://steve0discusses.tumblr.com/tagged/yugioh/chrono

[murasaki-murasame]

Thoughts on Higurashi Sotsu Ep15 [FINALE]

For better or worse I think Ryukishi achieved exactly what he set out to do with this series, and I guess everyone’s just gonna be forced to reckon with how they feel about his own perspective on this franchise versus how they feel about it, lol.

Anyway, thoughts under the cut, plus Umineko spoilers.

I’m not entirely sure where to even start with this, but I guess the TL;DR is that I honestly think Gou/Sotsu was ultimately just fine despite it’s issues, and part me of can’t help but be like ‘I told you so, lol’ about how this really did end with this episode, and also committed pretty hard to the Umineko prequel elements.

It’s not like all of my theories were correct in the end, but I at least think I was pretty spot on in my prediction last week that this would end with the miracle of them side-stepping the sword issue entirely and choosing the third option of forgiveness and reconciliation. And also them ending it with an epilogue where we go back to the Matsuribayashi timeline and get a happy ending for Rika and Satoko that provides a ‘non-magical interpretation’ for the story while also giving us an idea of how Bern and Lambda formally split off into their own entities and start the relationship we see in Umineko.

I didn’t quite expect them to go down the route of having them agree to just spend a few years apart and accept that they don’t need to literally always be together, but I think that was a really good way to wrap things up between them. It’s pretty much the healthiest compromise to their conflict that doesn’t come across like it completely invalidates one of their dreams. I get why it feels too anti-climactic and convenient for people, but when you pull at that thread you get into wider topics of what the entire story is about, since this was always going to end with Satoko being redeemed and forgiven. People might not have taken him seriously, but Ryukishi was 100% genuine about his regrets about Matsuribayashi’s ending, and how part of why he came up with this new story was to create a better ending, while also doing more with Satoko as a character.

Basically I think a lot of the fandom negativity towards this boils down to people fundamentally disagreeing with the idea that Matsuribayashi was even ‘flawed’ in this sort of way to begin with, or that Satoko was badly written. It’s valid to disagree on this stuff, but at the very least we all have to grapple with how Ryukishi has his own specific relationship with this series.

People like to focus on how he’s a troll who likes to mess with people, but I feel like this is a bit of a wake-up call for people about how he’s actually extremely sincere, almost to a fault, and he likes to use his stories as a vehicle for expressing his personal philosophies and ideals. 

This whole story is also a good example of how he just sees this as ultimately being a fictional story about fictional characters, and not literally a matter of real people who need to be sentenced for their crimes or whatever. As early as the original VN he was almost being outright preachy about the message that nobody is irredeemable, and that philosophy carries through to this. But to be more specific, nobody *in this story* is irredeemable. He’s pretty open about the fact that in practice you can’t apply this sort of ideal to real life, but fictional stories are their own separate matter.

I think this whole issue of how he views this as a story first and foremost is also the central reason why this ended in a way that comes across as Satoko being let off too easy for her crimes. One way or another, Ryukishi’s made it clear that he sees this as being no different to how other characters had arcs where they committed crimes but still got forgiven, or how Takano is basically a straight up war criminal who also got forgiven for her crimes.

Anyway, this episode at least committed to the Umineko stuff, so that was satisfying. Sure there’s people that still want to deny it, but at this point I think a lot of people are just being stubborn, so it’s not like anything would have really convinced them, lol. I’m also genuinely not sure what people even would have expected them to do beyond what we saw her, aside from having the two of them literally put on their gothic lolita outfits and turn to the camera and go ‘we are literally Bernkastel and Lambdadelta from the video game series Umineko When They Cry’. I almost feel like there’s some kind of misunderstanding from people who aren’t familiar with Umineko when it comes to the idea of what it even means for this to be ‘an Umineko prequel’, or ‘a Bern/Lambda origin story’. I mean, this is quite literally exactly what I expected and hoped for in that regard. It’s not like I was expecting them to incorporate anything related to, like, Beatrice or the Ushiromiya family.

I think this is also one of those things where you just have to decide for yourself whether or not you want to earnestly engage with the story that’s being told, or if you want to assume that there’s some level of malice or trickery going on.

To be honest, I wasn’t expecting them to literally have Rika and Satoko recite part of Bern and Lambda’s final conversation with each other word for word, lmao. Combined with the scene at the end where ‘Witch Satoko’ talks to herself about how she’s going to give her body back to Satoko while she goes chasing after Rika, it was literally just the exact origin story of their relationship as it’s depicted in Umineko.

I still feel like this would all only really be ‘worth it’ if we actually get something like a full on anime remake for Umineko, but at this point I can’t help but feel satisfied with this part of it all.

It’s not like I think Gou/Sotsu as a whole is perfect or anything, though. I don’t hate it as much as basically everyone else does, but I think Ryukishi’s the sort of VN writer who really struggles with the shift to writing for an anime. I think a big part of the frustration people have is just from how this is formatted as a weekly anime series spread across basically an entire year, instead of being something like a stand-alone VN chapter that you can read at whatever pace you want, even if it ultimately takes the same amount of time to read as it would to watch all of Gou/Sotsu.

There’s also the whole issue of this being a sort-of-remake, which snowballed into a whole list of structural problems. They absolutely tried too hard to have their cake and eat it too, and they should have just committed to it being made for old fans only, instead of trying to sincerely incorporate elements from the VN that old fans don’t care about anymore because they’ve gone over it already.

And as I’ve said several times before, it was a major issue for them to decide to put Nekodamashi in the middle of Gou and then spend like 20 episodes on flashback answer arcs until finally getting back to that cliffhanger. I’ve been waiting until this all ended to decide exactly how I feel about that, and now that it’s all over I still think it was a really bad idea. I don’t think it was an issue for them to reveal that Satoko’s the culprit that early, but having the gun cliffhanger specifically happen that early just gave people misguided expectations and tainted the answer arcs because people were just impatient to get back to the cliffhanger. And then the cliffhanger itself ended up being somewhat anti-climactic, which is what I’d been fearing would happen. It would have worked fine if they shuffled it around so that the cliffhanger happened right before Kagurashi and was followed up in the very next episode, or if this was a VN where you could binge your way through the flashback stuff, but spending like half of an entire real-life year to get back to that point only to have the resolution be ‘Satoko just shoots Rika and the death loops keep going’ just didn’t really work properly.

I’m a lot more generous towards the Akashi arcs than most people are, since I think they really over-estimate how much re-used content there is there, but they still suffer from the central issue of the show trying to be accessible for new fans. It could have been heavily condensed otherwise, without losing anything in terms of Satoko’s whole character arc.

On the other hand I think the first half of Kagurashi was awful specifically because it highlighted how bad of an idea it was to put Nekodamashi so early in the story. They still ended up having to go back to that arc and repeat it anyway, in the most 1:1 recap-y way in the whole show, but that wouldn’t have even been an issue in the first place if that was instead the first time that arc happened in the show.

I’ve been thinking a lot about how I would rearrange the story to make it flow better while still following Ryukishi’s intentions, and I think they could have condensed it into a 2-cour season with this sort of structure if they did something like this:

-First arc where Rika gets thrown back into the loop and quickly figures out that somebody intentionally caused this to happen, and it’s not Takano because at least in this idea of mine she’d try and investigate her only to find out that this version of Takano regrets everything and is planning to flee the village with Tomitake.

Basically I think this could tie into the idea of Satoko initially wanting to just concoct an idea world for Rika so that she won’t want to leave this time, but sort of like what I think happens in Saikoroshi, Rika would still reject it, and this time around there’d be the additional layer of her knowing that somebody did this to her for an unknown reason. Maybe they could even initially market it as a new adaptation or a remake of Saikoroshi, and then reveal that it’s a sequel, to keep that whole element to the series. Either way I think this would end with everything going to shit when Rika rejects that fragment and wants to go back to St. Lucia’s, and Satoko basically snaps and kills her, and that way the audience can find out about her being the culprit without Rika finding out about it yet.

Maybe there could even be some dramatic irony where Rika’s attempts to meddle with certain ‘trigger events’, and her displaying her looper side, inadvertently triggers people around her to get paranoid, and the whole fragment would start to spiral into tragedy from there. I think they could at least use the whole conflict in Tatariakashi about Teppei actually being good this time as a starting point for that sorta thing.

-Second arc, rounding out the first cour, which is basically just Satokowashi. I don’t think there’s much that you’d need to change here, but like I said above I like the idea of her initially trying to just invent a perfect world for Rika and her to live in, instead of jumping straight to murder. But maybe instead of her literally just watching Rika’s loops, she could instead just be stuck using her looping powers to try and figure out how to create that ‘perfect world’ in the first place, by personally investigating all of the different tragedies and how to prevent them.

-Staring the second cour, a third arc where we basically just get to see those loops Satoko goes through, and her whole process of solving the tragedies and ‘purifying’ characters like Teppei and Takano, until we eventually see her perspective on the first arc, and how she reacts to Rika ultimately rejecting the world she tried to make for her.

-A fourth and final arc which is basically just Nekodamashi + Kagurashi, where she just totally snaps and tries to just torture Rika into never wanting to leave the village again, and eventually Satoko gets exposed and they have their direct confrontation with each other.

With that sorta story structure, you’d keep all the relevant bits of Gou/Sotsu as it is now, while being more focused on Rika and Satoko instead of doing kinda half-assed reruns of the Rena and Shion arcs. It’d also push the big cliffhanger between them until near the end of the show, while still revealing to the audience relatively early on that Satoko’s the culprit.

I’d also like them to do more with Satoshi and Shion, so maybe like with how Teppei gets redeemed and Satoko almost gets to have a happy life with him in Tatariakashi, the central question arc of this hypothetical story could also involve Satoko making sure that Satoshi wakes up from his coma, and Shion also gets to have a good relationship with all of them. You could probably do something interesting with the idea of Satoshi and Shion being in the camp of not trusting Teppei and his whole redemption arc.

Honestly I could spend a long time talking about how I would have done things differently, lol. For one thing, I think the Akashi arcs would have been much better if they just changed it so that Satoko used psychological tactics to make people paranoid, and we completely cut out the whole syringe plot device. I get how it fits with Satoko’s whole certainty gimmick, but it made those arcs way too predictable. Even if we knew the outcome, it’d at least be entertaining to see exactly how Satoko might go out of her way to set up the different tragedies. We kinda got glimpses of that sorta plot point in Wataakashi when things seemed to go outside of her control, but they didn’t really do much with it.

Anyway, this is a whole lot of words to say that I think that in spite of the serious structural issues going on, I think Gou/Sotsu as a whole is fine, and was at least working with a lot of perfectly good ideas that could have been executed much better.

Also, on a side note, that one scene during their fist-fight at the start where the art-style changes a bit was kinda weird, but I really liked how it looked, and part of me almost wishes the whole show looked like that, lol. I like Akio Watanabe’s character designs, but I feel like that sort of stylized, almost TWEWY-ish art style would have been really fitting for this series, especially in the horror/action parts.

Oh, and the new rendition of You was so good it almost felt emotionally manipulative, lol.

[apple-grass-and-smiles]

While everyone and their mother has commented on the scene from 2x10 where Dani and Malcolm talk about Gerald and his validity as a witness in the case, I have thoughts and decided I wanted to inflict them on you.

Basically, I come down on the side of neither of them really being in the wrong, but if pushed to choose someone who is most correct, it'd be Dani. I'll explain why below in the form of a list.

Some Things to Consider/Know About the Argument:

1. That I'm only calling it an argument for the sake of ease. I think a better term might be 'debate' or 'tense conversation' because while, at least from Bright's side of things, it may have the emotional weight of an argument, it likely wouldn't if a neutral third party saw it happen.

2. Both parties are entering the conversation in good faith. Dani has historically done nothing but be kind and try to be understanding of mental health as far as we've seen. There's no reason to think that anything she said was meant to be malicious. Same can be said of Bright, who is normally very happy to explain mental health issues if people aren't speaking as carefully as they should and has shown respect to Dani/Gil/JT when it came to expertise on police work.

3. Malcolm, bless his heart, is projecting SO HARD. It is a basic truth of Prodigal Son that Bright projects on people, but this is intense, even for him. It's clear from 2x09 that he is struggling not only with how his secrets are keeping him from people, but also how his mental health makes him feel like an outsider. Those emotions are heightened during this episode and then you add in Gerald who is basically Malcolm on the surface (both people who are exceptional experts in their field, who are kept from the life they want and the things they love by mental illness/shame/secrets, but desperately want to connect with the world, despite feeling they can never fit in). Therefore, when Dani talks about Gerald, Bright is assuming she thinks those things of him too and takes them personally even though we have no reason to think she means them that way or knows that that's how Bright is interpreting her words.

An edit after initial posting: I don’t blame Malcolm for projecting. It happens to everyone and he’s dealing with A Lot. However, my view of mental health is that while it limits your agency and choices, it does not relieve you of accountability. Just because Malcolm doesn’t choose the feel a connection to Gerald, doesn’t mean he’s not responsible to try and recognize that and then take a step back and remember that he and Gerald are separate people. It’s not fair that he has to do that, but it’d be equally unfair for him to expect everyone else to automatically compensate for his mental state, especially since he has not communicated to them how deeply he’s connecting with Gerald. It’s not fair or right, but sadly that’s how mental illness works in my eyes.

4. Dani and Malcolm are coming at this argument from two fundamentally different points of view. The biggest issue here is that Malcolm's background is in psychology, which is going to be more focused on health and improving the client's life, while Dani is in a police mindset, which deals with solving the case and helping people by getting the murderer off the street. Both of these views are necessary and they're why Bright is such a valuable addition to the team, but...

5. The conversation is fundamentally about Gerald in a POLICE/COURT CONTEXT. The start of this arguement is JT saying "I think we've got a problem. Let's say Clayton did murder Rosalie, could we even get Gerald to court?" and then Gil follows up with, "And if he did testify, what kind of witness would he be?" The argument stems from them needing to consider if their suspect would end up walking because their witness wouldn't be able to leave the house. Which is definitely something they should be concerned about because part of the job of law enforcement officers is making sure that your case is solid, which means your witnesses need to be as consistent as possible.

6. Context makes it clear that no one is making value judgements on Gerald's character; they're discussing if he'd be an unreliable witness. The first thing here is that being a witness, especially in a case where you'd be testifying as the sole witness of a murder, is a) stressful, b) pushes people out of their comfort zone, and c) a skill. My dad was a police officer for the first 18 years of my life, which meant he spent a lot of time in court and fundamentally, being a witness is something you get practice at. You learn how to answer questions, what lawyers are actually asking you when they say certain things, how far you can/should go in your testimony, all sorts of stuff. Gerald, to our knowledge, has never testified in court, is scared to so much as open his door, and deals with insane amounts of anxiety on a regular day where no one comes to his home. To ask him to leave his house for the first time in 14 years to go and testify at a murder trial where he would likely be brutally investigated by opposing counsel (you could very easily make a case that he's crazy/untrustworthy/unhinged because of his agoraphobia and it'd be hard to get a jury to forget those claims) would be fundamentally cruel. No one on the team, but especially Gil/Dani/JT, is in a position to give Gerald the proper emotional and legal help to make sure that he could hold up under questioning so using him as a witness would likely mean essentially throwing him to the wolves and, by extension, tossing their case. Their job is to catch the killer and if that means going in a different direction and looking for a witness who won't struggle as much in court, that's what they need to do.

7. "Agoraphobia does not make Gerald an unreliable witness." Bright is right when he says this, but Dani is also right when she indicates in the line before that Gerald does not qualify as a reliable witness. How can this be, you may be wondering? Bright is talking about being reliable as in being trustworthy. Dani is using it to mean consistent and able to hold up under pressure. Agoraphobia doesn't mean you can't trust Gerald's information or that he shouldn't be believed. However, it would make it difficult for him to meet Dani's definition of a reliable witness. That's not Gerald's fault or anyone's fault, but it is a reality of the legal system and Dani knows how to work within that system. (Bright likely does too to a certain extent, but as an FBI agent he would have been working on a federal level, while Dani would be used to state-level stuff and those are two VASTLY different arenas. Additionally, it's not entirely clear exactly how Bright's profiling cases worked out in terms of if and when he'd testify, but he mostly likely would have been testifying as an expert witness/leaning on his psychological training more than law enforcement training when he was in court.)

8. Dani calling Gerald 'messed up', 'strange', and 'cursed' is not the most tactful, but certainly not enough of an issue to throw her under the bus. First things first, 'strange' within context of what she's saying is referring to Gerald's situation, not Gerald, so I personally don't see a reason for that being an issue since it is a strange situation. Referring to someone as 'messed up' could definitely not be a great look, but I think it really comes down to personal preference. I wouldn't mind it because I know my mental illness does make me messed up at times so I don’t mind the term, but I also know people who would be hurt by that (granted, it's not exactly one of the worst things you can call someone). Really though, it’s dealer’s choice and if it hurts you, I totally get it; this is just my opinion/POV. Finally, Dani says Gerald is cursed to never leave his house and I could argue for a very long time that she's perfectly fine to say that because both in the context of the conversation and Dani's character as a whole, that comment is her trying to be empathetic and realizing that Gerald is not at fault for how he lives his life. It could be worded better, but she means well and the intention, as long as she's willing to improve her wording if it hurts people, is what matters here. She’s aware that sometimes mental illness feels like a curse and I think that wording makes it clear she doesn’t judge Gerald for his actions.

Final thoughts and TL;DR: I really don't think either party is at fault here. They both have very valid points and pretty clear reasons to think what they do. (Malcolm probably could have used a quick reminder that everyone was talking about Gerald and not him, but that's really it.) If I had to crown a "winner", Dani gets it because the conversation was always about the legal system and she's the most in the right about that issue. Malcolm had great points as well and might have “won” if this wasn’t a conversation specifically happening in the context of police work. She, like everyone, could definitely benefit from learning more about mental health and how to talk about it, but I think she has proven throughout the show that she tries to be as kind and accepting of others as she can. This was a point where she slipped up on wording, but her points were valid.

[devilsskettle]

okay i want to shut up about fear street more than anyone else wants me to shut up about fear street but i just thought of another reason why it drives me up the wall thinking about how underutilized and underwritten ziggy is in the 1994 part of the plot line: in a movie series where one of the main themes is cyclical forms of violence and trauma, where there’s a focus on characters resolving the conflicts of their narrative parallels from the past, even if the writers didn’t expect the audience to identify with/care about ziggy as an adult, she is a representation for our protagonists of their potential futures.

for sam, this is pretty clear, since it’s the narrative reason why they go to her in the first place (seeing the witch and temporarily dying, she represents the hope that there’s a way to break the curse).

for josh, she is a perfect parallel to the stakes for him of trying to save sam - losing his older sister as she sacrifices herself to try to save the people she loves. i was actually surprised that these characters didn’t sympathize and identify with each other more, like in the mall scene when josh is like “too many people have died i’m not going to let them take my sister too!” and ziggy and martin just stand there like. okay i guess. that was such a weird writing choice to me lol i was like why wasn’t that a moment for ziggy to identify with him as someone who lost a sister like this. make it make sense. (also i’ve seen some people say that in interviews, it’s been said that cindy and alice are meant to parallel the relationship between sam and deena, so i think that would situate ziggy and josh as playing comparable roles in each plot line as well).

for deena, i think she’s the most apt reflection of her potential future out of all three main characters. first of all, they’re the most similar in terms of personality: cynical social outcasts convinced the world is fucked who actually care a lot more than they let on. and again, she is living the consequences of what the stakes are of trying to break this curse. the main risk for deena isn’t that she might die, it’s that everyone she cares about will die and she’ll be trapped alone in a town she hates, just like ziggy. 

this would also mean that adult ziggy would play a similar role to the kids in 1994 as nurse lane did for her in 1978. like. god. do you ever think about how nurse lane was the one person who was nice to her and cared about her, and ziggy was the only person who noticed that something was wrong and she was the only one who didn’t write her off as crazy and violent like her daughter when she attacked tommy and instead actually sympathized with her, but no one believed nurse lane, and then no one believed ziggy about what really happened during the camp nightwing massacre, and how they both had to live not only with the loss of their loved ones but also the doubt and mockery of everyone in town who thought they were just crazy. anyway. ziggy similarly is the only adult in town (other than, eventually, martin) who believes and is willing to help the kids in 1994 at the expense of her own safety, just like nurse lane tried her best to protect the kids at camp at the expense of her own reputation (and if she had succeeded in killing tommy before he became the nightwing killer, she would probably have spent the rest of her life in jail or a mental institution, which she had to have known - so she also was willing to sacrifice her freedom, and as ziggy puts it, ruin her own life. god i am sad about this)

oh and also the motivation of ziggy to help these kids in the first place (we assume) comes from a place of self identification with them and trying to save them in the same way she wishes she could’ve saved her younger self and her sister. so like. i want to see that play out in part 3 if that’s the intended interpretation 

so going back to the focus on resolving the conflicts of their narrative parallels from the past, the kids do this for ziggy, cindy, and alice as much as they do it for sarah fire and hannah miller. sam does this…. just by surviving lol, josh does this by not only believing in the curse but also unrelentingly telling others the truth about it (and miss queenofairanddarkness actually seems to believe him), and deena does this by breaking the damn curse and (presumably) becoming less cynical and self-defeatist in her world perspective. and ziggy does this for nurse lane, effectively warning the kids about the dangers of the curse and helping them fight it, where nurse lane was unable to stop the events of camp nightwing, and (as we see at the end) giving her closure about the death of her daughter. she also, i think, plays the same kind of parallel role to sarah fier as deena does in different ways, both as a social outcast who is scapegoated for other people’s wrongdoings as well as her relationship with nick reflecting the relationship between sarah and solomon. like deena and sam, she also is connected by sarah by bleeding on her bones and seeing (some of) the truth about the curse 

anyway. all this is to say that these movies had the potential to do this effectively, and i’m not even saying that they should’ve set aside a huge amount of time from the plot to explore this concept, but there’s small, easy changes and additions that i think could’ve been made that wouldn’t ultimately change anything about the movies but would’ve made such an impact on the overall quality of the writing. first of all, there’s this big time jump from ziggy’s story to the 1994 “present” which is fine and expected and i wouldn’t expect them to try to include a whole lot about what her life is like in between, but we don’t know anything about her present day life, except that she has a dog and a lot of clocks and that she might be an alcoholic. we don’t even know what her job is. we have no idea what she’s been doing for 16 years. it takes maybe two extra minutes at the beginning of her introduction in part 2 to show a little bit more of her daily life, or a line or two to give us an idea of what that might look like. for character development/relationship building purposes, she needs to actually have a conversation with other people lol. she shares how much silent screen time with martin in part 3? another criminally underutilized character but don’t even get me started.

even in the 1978 plot line, her character is established almost entirely by tell-not-show; everyone is like oh she’s trouble! she’s a creep she’s a weirdo! but we see very little of her actually getting up to trouble or doing anything out of the norm (all of the characters in 1978 suffer from this writing problem, to be fair). then in the 1994 part of part 3, the way that they show her reactions to what’s happening is through flashback to her in 1978, and first of all it’s like. we just saw that we know what happened. second, it’s lazy writing! we see nothing new from her basically the entire movie. (i’m specifically thinking about the part where she learns that nick is behind the curse - cut to a series of flashbacks - moving on with the plot. then at the mall, when she sees the tree - cut to a flashback of the camp nightwing - deena comes up to her: “this is it.” “yup.” and she walks away and leaves deena to her own flashback to her sarah fier vision. and that’s the full extent of either of their emotional reactions to that moment. missed opportunity imo. and sure, maybe that’s the character - she’s not a people person lol - but you can write characters who are closed off and blunt while still being interesting and emotionally compelling and not basically stock characters. 1978 ziggy and deena are actually both examples of this so i’m mainly disappointed because i know they could’ve done better lol) 

anyway. i’m not saying they needed to derail the main plot to make ziggy the main character or anything, i’m just saying that with better pacing and attention to her as a character, i think these movies could’ve had the depth and emotional resonance they were aiming for and in fact it would strengthen the themes that are central to the main plot and the protagonists without having to change anything major, making a small shift that could’ve made these movies go from mediocre and forgettable to actually pretty damn good. anyway netflix call me i have ideas for you <3

[lunarreaper-ut]

How exactly did killer loose his arm? Was it cuz he got distracted or was it tactic to prevent something even worse?? ;-; how did nightmate take that sight? How did he get the idea to give killer some of his magic to make an artificial arm for him, did he knew it would work? Was it a hard or painful process for any of them?? (God i love the idea of killer getting a shadow arm from nm >w< makes him even cooler! Kyaaaaa~ still a sad thing tho uwu)

Was nightmare ever in the mood/need/curious to ask killer sing somehing (for him~)??

What ships will happen in kingdomverse??

Alsoo... Uhh dont know if thats an OK question but can they get pregnant? I wanna know if babybones are an possibility in the future? qwq

Ah yes... the Incident.

Allow me to explain the unfortunate event in which Killer almost failed at his job.

(This is gonna be heckin, and I mean HECKIN long. We got some worldbuilding ahead!)

How did Killer lose his arm?

This event happened several years after Killer began his duties as Royal Guard. Dream had already told Nightmare he no longer needed a Royal Guard, and Killer already expressed his wish to stay as one. Nightmare and Killer were frequently having their nightly visits, and things were going well.

One night, however, after Killer had returned to his room and the two had settled in for bed, something happened.

Now I haven't mentioned this before, mainly cause your questions have thankfully not uncovered it >w< During Nightmare's reign, there was much despair in the Kingdom. Negativity brings out the worst in people, as we're all aware I'm sure, and it's no wonder that some people would be driven mad by the results of Nightmare's actions.

Some people began to believe that if they worshipped Nightmare, they would be spared from his wrath and from the destruction his crafted creatures wrought. These people formed a cult dedicated to Nightmare, praising his actions and renouncing their loyalty to the Sun King. They called themselves The Corrupted.

Cults are a very hard thing to get rid of, especially if you weren't aware they existed. When Dream returned and cast Nightmare into the Void, the Corrupted hid themselves in the shadows, vowing to return only once their "True King" returns as well.

The issue arose when Nightmare did return from the Void. Nightmare, throughout his reign, was most often seen as his "transformed" self, and it was that self that The Corrupted worshipped, not Nightmare.

The Corrupted believed that they could bring back the "True King", and to do so they needed to remove the "Imposter King". The cult spent time learning the routines of the castle in order to break in to Nightmare's quarters when they were certain no one was around.

They had acquired a drug meant to incapacitate monsters and suppress their magic, and modified it to be several times as strong. Nightmare certainly wasn't at his strongest either, the Kingdom was a naturally positive place when Dream was around.

A few cult assassins threw a smoke bomb filled with the drug into Nightmare's room while he slept, and unfortunately it worked well enough. Nightmare wasn't unconscious, but he didn't have as fine of control over his magic or his own body.

The assassins came into the room, intending to kidnap Nightmare, but it's rather fortunate that Killer is a light sleeper, isn't it? Killer came into the room just as one of the assassins was about to grab Nightmare.

There was quite a few of them, as they'd been prepared for resistance, and though I hate to say it, they were skilled too. They weren't just some guy picked off the street and given a weapon, it was as if they'd been trained for years just for this moment.

It's likely they had been. Killer was having difficulties, but holding his own well enough. He would only really need to hold them off long enough for the guards to get to the room. Well, that's what he thought until he saw another assassin coming towards a practically immobile Nightmare, and he clearly wasn't intending to just kidnap the King.

Killer moved without thinking, and without his armor he was much more vulnerable to attacks... but getting injured wasn't an issue. He had to protect Nightmare at all costs, even if it meant he got hurt. That was the moment he lost his arm.

Killer didn't have time to register the pain, and slew the assassin who dared attempt to harm Nightmare. Killer was outnumbered still, and if he was having difficulties before, it was going to be impossible to hold out now.

He was lucky he didn't have to though, as several Guardsmen burst into the room. Seems they'd finally heard the commotion. The Guardsmen drove out the assassins, only managing to capture two. Killer was tended to, and he refused to leave Nightmare's side until the drug wore off.

How did Nightmare handle it?

Nightmare was half conscious in the moment, and so most of what he saw didn't register properly. It was only when the drug had worn off and he saw Killer by his side, sans one arm (Hehe), that it hit him.

Nightmare was angry first and foremost. He was angry it happened, angry Killer was dumb enough to get hurt, angry he wasn't able to resist the stupid drug, and angry that Killer seemed completely unbothered.

Nightmare didn't react well at all, and he ended up putting Killer on temporary leave. When Killer tried to refuse Nightmare said he was useless with only one arm, and Nightmare didn't need a useless Guard. Killer shut up pretty quickly.

Killer was still allowed to stay at the castle of course, but he was forbidden from coming near Nightmare's office, or taking part in any Guard duties. Nightmare believed that what happened was the stupidest thing Killer could have done, and refused to think otherwise.

It was during Killer's leave that Nightmare did research. He interrogated the cult members, and utilized glamours (Which we all know he's not fond of) in order to leave the castle without issue. Throughout his research, he spoke with the Court Apothecary regularly about Killer's injury. How was he fairing, is he at risk of dusting, is there anything to be done, stuff like that.

The Apothecary had made an offhanded comment that Killer is going to be without his arm for the rest of his life, since skeletons don't regenerate. Not unless he got enough magic to replace the missing arm at least.

He mentioned just getting a prosthetic for Killer, but that went in one ear and out the other, so to speak. Nightmare began to think about the suggestion (even though it was a joke). Nightmare had a large surplus of magic, and he thought about whether or not it was possible to somehow weave his magic with Killer's and form a new limb.

By the time Killer had returned to Nightmare, asking to return to his duties, the King had already figured out a way to properly do the procedure. He of course asked Killer if he would be allowed to do so, that he wasn't certain if it would work and that it certainly wouldn't be pretty.

Killer agreed without issue. The process was indeed a painful one... fusing Nightmare's magic with Killer's was difficult, and it was akin to taking a freezing cold needle and sewing a constantly shifting mass of energy directly to his soul. (Not actually how it worked, it's just how it felt).

The only reason Killer got through the procedure was because of Nightmare's intent. We all know that intent comes through to Monsters when involving magic, and Nightmare's intent made the process a lot less painful. Heal, fix, help, care, all those things came through to Killer.

It helped that Nightmare had a good relationship with Killer. His magic was much more willing to accept Killer's and vice versa. If this had been done between Nightmare and a stranger, it wouldn't have worked.

It took Killer a few days to work the arm properly. It was almost dead weight for a while. After that, it took even longer for him to properly fight with it, and longer still for him to be able to utilize the magic it was made with.

Has Nightmare ever asked Killer to sing for him?

Nope, Nightmare doesn't even know Killer can or that he has a good voice XD Killer has never sung in front of anyone, nor does he care to. It's just not something he does, but I imagine there could be a few scenarios where he gets coerced into it. Singing with friends, soothing a wounded animal (Yes Killer would do that, he likes small animals. They're cute.), that kind of stuff.

Nightmare's never had a reason to think Killer could sing. >w<

What Ships are going to be canon in Kingdomverse?

Well we've already got Cream, Killermare and Afterdeath as being confirmed.

Honestly I've kinda decided to leave the others more open for interpretation! If you want, you can say Errink is gonna happen, Lust could probably be someones s/o, it's all up to interpretation >w<

Theres quite the cast of characters in Kingdomverse?, and there might be more added later (if I can think of them), so honestly I'm sure there's no issue with some other ships coming to life!

Basically theres no other planned canon ships >w<

Can the skellies get preggers?

I don't see why not! Nightmare and Dream being immortals doesn't stop them from having kids, but I would say that if they did it would probably be through a different process than mortals.

I'd say that monsters need to make the conscious, or unconscious decision that they want a child or that they are ready for a child before they can have one.

Nightmare and Dream would probably be a bit difficult to have a child with purely because they have an immense amount of power and magic (even after a bond), so it might be a bit risky even for them to have kids.

(if any of you do make ship kids I want to see them though, I love baby bones >w<)